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00:02I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:29Hi, did anyone order these?
00:31Heartless pervert!
00:32Whoa.
00:35You've got to be kidding me!
00:37Look, you've got it all over me!
00:38Do you have any idea how much this costs?
00:40And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office.
00:52Now.
00:53What?
01:02What's your name?
01:07Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer.
01:21I'm not here for...
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:34You'll hear things are very fast-paced here.
01:36I don't have time to ask twice.
01:37I don't want to ask you guys.
01:48Hello?
01:49This is Cecilia.
01:50Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:54Until then, we cannot proceed.
01:56Okay, one second.
01:59Hello?
02:00Ms. Brooks?
02:01Shit.
02:06Who is this woman?
02:07His girlfriend or something?
02:09I wasn't done with my interview.
02:11We'll touch base soon, okay?
02:16Oh!
02:17Good luck.
02:21I thought you weren't interested.
02:23Take off your clothes.
02:24Right now.
02:43So, Ms. Brooks, what do you see in this room?
02:47Well, it's deliberate.
02:52Controlled.
02:53Powerful.
02:55It's impressive.
02:57But...
02:58But?
03:00It's not...
03:01satisfying.
03:03Bold again.
03:07Tell me.
03:08How do you know it's satisfying?
03:10Satisfaction lies...
03:12somewhere in between.
03:13You think you can give me that?
03:16Think you can take the risk and find out?
03:26All yours.
03:27All yours.
03:31Hey.
03:35The women out there would do anything to be in the position you're in.
03:39Unless you have other ideas.
03:47Don't make me regret this risk.
03:49I don't plan to.
03:52The position's been filled.
03:54Go home.
03:57Get out!
03:58Damn.
03:59He doesn't have to be so rude.
04:14Pappy, your phone's upside down.
04:18Hi.
04:19How are you feeling?
04:20Hey, jubilation?
04:22Not doing too well, honey.
04:25Damn hospital postponed my surgery again.
04:27I'm so sorry, Pappy.
04:29I'm working things out with the hospital.
04:31I have some good news today, though.
04:34I'm sorry.
04:35Uh, I think that's my landlord.
04:36I have to go.
04:37Love you.
04:37Bye-bye.
04:40Oh.
04:42What the hell is he doing here?
04:46What are you doing here?
04:48Oh.
04:48What the hell?
04:50Hey.
04:51Whoa, whoa, whoa.
04:52Guys, whoa.
04:53Hey, don't take that.
04:58I did not agree to this.
05:00Actually, you did.
05:04The signing must reside on Mr. Mercer.
05:06I can't quite hear you.
05:09Must reside with Mr. Mercer for the duration of the project?
05:12Mm-hmm.
05:13How long?
05:14Keep reading.
05:16And definitely without exception?
05:24A gift.
05:26What the fuck?
05:29A gift in exchange for being kidnapped?
05:31No thanks.
05:36I need to know where you're at at all times.
05:40It's a tracker.
05:41What?
05:41Like a dark color?
05:43Do you think you own me now?
05:46I wouldn't do that.
05:47Come on.
05:48Let's go.
05:48This is insane.
05:49Just give me a second to put Crumpet in his carrier and call my grandfather.
05:53No.
05:54There are no animals in the mansion.
05:56You must say goodbye to your little Crumpet.
05:59What?
06:00Absolutely not.
06:02I told you in the contract that I will take care of everything.
06:06I don't care about the contract.
06:08What?
06:08Oh my God.
06:10Goodbyes are always so hard.
06:12Put me down!
06:13What are you doing?
06:17Welcome back, Miss Brooks.
06:20So, I'm not allowed to leave?
06:22If you leave, your contract will be terminated immediately.
06:26And what?
06:26You're just going to leave me all alone in here?
06:28Would you like me to join you?
06:39No, no, no, no.
06:41Why is it making that sound?
06:43Damn, if I leave, Pappy dies.
06:45Shit.
06:46I'm trapped with this monster.
06:48Oh my God.
06:49Is this really happening?
06:50I'm stuck.
07:02This is your uniform.
07:03Work hours have started already.
07:06Tidy yourself up.
07:07Report to Mr. Mercer.
07:11Oh, and, uh, chop chop, Miss Brooks.
07:15Mr. Mercer does not like to be kept waiting.
07:44No, I, um, just didn't want to disturb you.
07:48I don't mind if you stare.
07:50Sorry, sir.
07:51I was just interested in your build.
07:54The building.
07:56The build of the mansion that we're building to work on today.
08:02What time are we leaving for?
08:04Car leave's in ten minutes.
08:06Great.
08:07I'll be ready.
08:16How much further?
08:21Patience, Miss Brooks.
08:33Oh, I'm knocking, possibly.
08:40Hey, Foxy.
08:41I got something that'll keep that jaw clenched.
08:43Wow.
08:44Original.
08:45Mr. Mercer.
08:46We didn't know you was coming in today.
08:47Get off my property.
08:49What?
08:50You're fired.
08:51Leave.
08:52Oh, what the hell?
08:53I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:59If I collapse your lung...
09:01Wait, did he just stand up for me?
09:04Sir, how about you?
09:06Continue your work with Miss Brooks, and I'll handle this.
09:11Come on.
09:14Everything's nearly finished.
09:15I'm gonna have a team come in and make some final measurements over here, and I'll ensure
09:19they know how to keep their mouth shut.
09:21Uh, is this all marble?
09:29Seeing her in my house gives me a strange feeling.
09:32It's so beautiful.
09:34What is it about her?
09:35Why do I want to...
09:37Follow me.
09:43Wow, an elevator?
09:45By the way, what you did out there, thank you.
09:48I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:53Remember that.
09:58Your first task for the client.
10:01I don't know anything about the client.
10:03Who is...
10:05We don't ask about the client.
10:06We only worry about what they desire.
10:08Okay.
10:10Am I allowed to know what the purpose of this room is?
10:14Yes.
10:15Great.
10:16The client would like this room transformed...
10:20Mm-hmm.
10:21...into their BDSM chambers.
10:25I hope she doesn't see right through me.
10:30So, how would you do it?
10:33Uh, um...
10:35Paint me a picture.
10:37Right.
10:39Over here, I would collect a chaise lounge.
10:45Velvet, obviously.
10:47Obviously.
10:48Obviously.
10:48And over here would be a great place to mount a swing.
10:50One with adjustable heights and handles.
10:55And next to it, we could put a cabinet for whips and toys and things.
10:58You're very well versed.
11:01I read a lot.
11:04Certain genres of certain books have certain details.
11:08Right, right.
11:09Of course.
11:11Yeah, it's perfectly normal.
11:12A lot of women read fantasy and romance and fantasy romance.
11:18Anyway, uh, this would be a great place to mount wall cuffs.
11:43Don't pick up.
11:51Hello?
11:53Miss Brooks, I'm sorry.
11:54We need the payment.
11:56Uh, I understand.
11:57Is there anything I could do now to hold him there?
12:00Anything that could be done right now?
12:02We need your payment, Miss Brooks, by tomorrow morning.
12:04All $200,000.
12:07Okay, I'll get it to you.
12:09I promise.
12:12Sorry.
12:12Your contract explicitly states that I receive 100% of your attention at work.
12:19Who was that?
12:21It's personal.
12:23There are no personal calls at work.
12:26I'm sorry.
12:33Mr. Mercer, it won't happen again.
12:35I'll get to work right away.
12:36I'll have designs to you by tomorrow morning.
12:42Take it off.
12:44What?
12:48Your jacket.
12:50Uh, Mr. Mercer...
12:54I won't ask twice.
13:02Uh, what's this for?
13:09It's perfect.
13:11Now go get dressed.
13:33No need to pout, Miss Brooks.
13:36You'll be reading some of the top designers.
13:38I don't understand.
13:39How does this take priority over work?
13:41Am I your date or your designer?
13:44You are.
13:47When I say you are.
13:59Ladies and gentlemen, it is my pleasure to welcome you all to the annual Architectural Ball, proudly hosted by the
14:09Mercer Group.
14:13I'd also like to welcome and introduce our newest interior designer, Miss Cecilia Brooks.
14:24I thought you said you had the job.
14:26I did everything that I could.
14:29Bitch must have slept with him in the interview.
14:31Fine.
14:32I'll fix it myself.
14:37So without further ado, please enjoy your drinks and have a wonderful night.
14:50Let me have this dance.
14:51Oh.
14:55Sterling!
14:57I was hoping that maybe we could walk and talk.
15:01Or maybe dance and discuss.
15:05You must be working so hard.
15:07I was thinking maybe you would benefit from a designer who really knows you.
15:14Your past.
15:16I'm not interested in rehashing old relationships, no.
15:20It was just a flight.
15:22It doesn't mean we can't be close.
15:25Sterling could be a difficult person to work for.
15:31No.
15:33You know you can come to me if you need anything.
15:41Get your hands off of her!
15:47What the hell are you doing here, Vincent?
15:50Folks, looks like the jester came to play.
15:55Get him out of here.
16:01It's alright, folks. Enjoy the party. It's okay.
16:05You okay?
16:07Why don't you go grab a drink? I'm going to take care of this.
16:17Crazy night, huh?
16:19Too crazy.
16:20I'm Nora, a close friend of Sterling's.
16:23So, tell me, how's the new position treating you?
16:28It's demanding.
16:30And the client? What's your feel on them?
16:33Oh, I'm not at liberty to discuss that.
16:35Come on, it must be crazy, right?
16:37I really can't.
16:41Oh!
16:43Oh, how embarrassing.
16:50What are you doing in here?
16:51Cecilia, I'm sorry.
16:53I'm so done with their whole world.
16:57Yeah, the head of the board was barking my ear off.
17:01Stop it!
17:02What? I'm just trying to help.
17:04Help? Really?
17:06That's rich.
17:07I mean, I am rich.
17:10You.
17:11You are a lot of things.
17:13From the moment I met you, you've controlled every aspect of my life.
17:16Every movement I make!
17:17You're obsessive, cryptic, a perfectionist.
17:21But you're not rich.
17:23Not where it counts.
17:24You're only rich.
17:45I'm just not trying to fix this.
17:46Don't put the glasses on because of the sun.
17:49He wants to go.
17:51Let me go.
17:52Let me go.
17:54I want to go.
17:54You still hang out there for me.
17:54Let me go.
18:00¿Qué?
18:01Esta mano...
18:02¿Qué si?
18:05¿Puedo...
18:06¿Qué si nos guardamos algo aquí?
18:10¿Puedo ir aquí?
18:24¿Es eso me?
18:28¿Puedo decir que pudiera venir aquí?
18:30Uy, estará feliz para saber que he trabajado en estos todo el día.
18:43¿No?
18:43Si tú estuviste en la gala, le hubiera algo.
18:45¿Learned qué?
18:46Te seguiré con tus obligaciones, así que no pierdas tu tiempo trabajando en garbage.
18:51Garbage?
18:52Tengo cinco más por mañana.
18:54¡Era va a tomar toda la noche!
18:56¡Era que los dos tomamos todo y no tengo que tenerlos de hecho!
19:00¡Has hecho eso antes!
19:02¡Puedo hacer eso de nuevo!
19:03¿No?
19:03¿No?
19:04¿Vale?
19:04Pues, no, no, no, no, no, no, no, no, no!
19:06¡Es algo así que es un plado!
19:07¿Vale?
19:11No, no, no, no, no, no, no, no, no, no.
19:20¿Vale?
19:30Sí, no.
19:31No, no, no, en la exacta declaración.
19:32I'm sorry. Usually if they're not in the room it's because the insurance ran out or...
19:48Ms. Brooks?
19:51Yes?
19:52I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:57He's being very well taken care of.
19:58I don't understand. How is that possible?
20:01I can't afford that.
20:03I told you. I'll take care of everything.
20:06What? I can't believe this.
20:17Oh, but... but why? Why would you do that?
20:21Well, when I said I needed your undivided attention, I meant it.
20:27Now the only thing you have to worry about is me.
20:31I'm not your slave.
20:37Five designs by tomorrow morning.
20:45You're welcome.
20:53I've been expecting you. I have a feeling I'll be impressed.
20:57Brushed work is not work to be proud of.
21:04Is this you?
21:05And my parents.
21:06They must be so proud of you.
21:07They never got to see it.
21:08I inherited this company before I was old enough to run it.
21:12I'm so sorry.
21:13It was a long time ago.
21:15What happened?
21:15They vanished.
21:16On a work trip into Europe.
21:18Guess I don't control everything after all.
21:21I'm gonna deliver these designs to everyone.
21:23Um...
21:24I have a surprise for you.
21:30To your first approval.
21:36It's beautiful.
21:40I...
21:41do have a request, though.
21:43I was wondering if I could...
21:44I could have a little freedom?
21:46From what?
21:47Me?
21:48No.
21:49No, not you.
21:51I'm this.
21:53Well...
21:54I need to keep track of you.
21:56I mean...
21:57What if...
21:58Sterling...
22:00I'm not your parents.
22:02I'll be fine.
22:04I just don't know if I'm ready for that yet.
22:06But you continue to impress me.
22:08I mean...
22:08You'll be free as a bird.
22:24I do have more surprises to show you.
22:26But, um...
22:28You're gonna have to wait till tomorrow.
22:30Hmm.
22:31Full of surprises.
22:32Aren't you?
22:37And that's why I can't let you go.
22:50Thank you.
22:54What are you two doing here?
22:56There's not supposed to be anyone working today.
22:57We were just swinging by to assess a minor electrical concern.
23:00It seems that the circuit...
23:01It's nothing urgent.
23:02We're gonna come back tomorrow with the rest of the crew and get it resolved.
23:06Okay.
23:08Thank you for the update.
23:10Thank you, Mr. Mercer.
23:15I've ordered these beautiful pieces.
23:17White marble.
23:20What the hell?
23:26It's kind of beautiful.
23:28No, no.
23:29It's a mistake.
23:32It's not too perfect.
23:34It's bold.
23:35It's not trying hard.
23:36It just...
23:38Is...
23:38Well, I like my work to be...
23:40Intentional.
23:43Well, I would argue that this elevates the intention of the space.
23:48The juxtaposition between control and chaos.
23:52You have good eyes, Ms. Brooks.
23:54Follow me.
24:02Your second task for the client.
24:04Master bedroom and nursery.
24:08Aw.
24:08The client's a family man.
24:10We don't discuss the client.
24:12Only satisfy their needs.
24:15It's...
24:16Would you like to see your designs?
24:36Is it not what you thought?
24:38No.
24:39It's...
24:39It's not that.
24:41It...
24:44The power went up.
24:46There's no signal.
24:47Yeah, the...
24:48Soundproofing they put up, uh...
24:50Cuts signal.
24:51What?
24:52No.
25:06It's not funny.
25:07I...
25:07I'm not laughing.
25:09How long until someone notices that we're gone?
25:11I don't know.
25:12An hour?
25:14Maybe two?
25:15Is it Nora?
25:17The client?
25:18What?
25:19No.
25:20You're not supposed to ask about the client.
25:22Just tell me.
25:23No.
25:24It's not.
25:25Is she...
25:26More?
25:28I built this room because I believed in your vision.
25:32I...
25:32I cleared your schedule.
25:34I cleared your stressors.
25:36All because...
25:38I wanted you.
25:41No.
25:50I did...
25:55No.
25:59No.
26:14¡Gracias por ver el video!
26:42¡Gracias por ver el video!
27:00This is Agnes, my nurse.
27:02She's taking care of me.
27:04Oh, I'm sorry.
27:06I'm so embarrassed.
27:10Um, hello?
27:12Why are you in your apartment?
27:14If you're there, there's no need for Agnes to stay employed.
27:17Ceci, you're ruining my chances.
27:20Go back, Ceci.
27:21Oh, okay, okay.
27:23Everything's all right.
27:24Agnes has taken very good care of me.
27:26Okay, okay, Pappy.
27:27I'll go.
27:28Um, it was nice meeting you, Agnes.
27:30Nice to meet you, dear.
27:42What the hell?
27:44He has a girlfriend?
27:52What was I thinking?
27:53I'll go.
27:58I'll go.
28:07I'll go.
28:10I'll go.
28:34¡Suscríbete al canal!
28:56¡Suscríbete al canal!
28:58Sterling...
28:58Sterling, can we talk?
29:00I don't have the time, Ms. Brooks.
29:01Sterling, it's important, please.
29:03Well, I'm dealing with something. Figure it out yourself.
29:15You might wanna ask me why I'm here, you psycho.
29:18I don't give a damn what you have to say.
29:20I don't trust you.
29:22Well, maybe you should start.
29:24Because I know a dirty little secret about you.
29:29You're about to be broke.
29:33I'm here to offer you a buyout.
29:37Get out.
29:38Hear me out.
29:39Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture.
29:46We could merge.
29:48As Hale Mercer.
29:50Even has a nice name.
29:53Oh, you're way out of line.
29:54Am I?
29:56Because someone pretty close to you seems to be worried about you.
29:59Besides, if you don't accept this buyout, I'll publish the information.
30:06And Mercer Designs will go bye-bye.
30:09Is that a threat?
30:10Think of it more of a bribe.
30:17Get the hell out of my property.
30:20And out of my sight.
30:22Now!
30:35Miss Brooks?
30:37In my office immediately.
30:39Are you sure you want me in there?
30:40Or not your other woman friend?
30:42What are you talking about?
30:43Hand me your sketches.
30:47I have designs, but they're not the originals.
30:50The originals are missing or lost.
30:53What do you mean lost?
30:54I finished the designs last night and I fell asleep, but when I woke up they weren't in my room
30:59anymore.
30:59You're lying.
31:00I'm lying?
31:02Why don't you tell that to the next girl you bring over?
31:06Excuse me?
31:07You're so careless.
31:08Careless?
31:09Me?
31:10I'm pretty sure you're the one who's talking about losing sketches.
31:13Something you won't have to deal with anymore.
31:17Marley's gonna be taking you to the project mansion.
31:20Hopefully you can figure out your sketches problems there.
31:24You may go.
31:32Take her and her belongings to the project mansion.
31:35Anything I should know, sir.
31:37She can't be trusted.
31:39And check the cameras.
31:41We have a mole.
31:44Yes, sir.
31:49Miss Brooks.
31:51What are you doing here?
31:54Well, um, I, uh, had to get some artwork for the client.
32:01You don't trust me.
32:03That too.
32:06You not trusting me?
32:07You were the one with another woman after all that, I did this all for you bullshit.
32:11Okay, what woman are you talking about here?
32:13You can't lie to me.
32:14I saw you with her.
32:16I saw you with her.
32:17Okay, okay.
32:17Okay.
32:18If it makes you feel any better, I...
32:22I promise I'm looking into her.
32:26You promise?
32:28I promise.
32:30I promise.
32:34Your hands like smoke, they find my skin.
32:39Every move, a little sin.
32:43Put me closer, don't let go.
32:49I thought you didn't trust me.
32:51That you were mad at me?
32:52Well, you're too hard to resist.
32:55Touch me where the light won't go.
32:58Love me deep, throw me slow.
33:02Oh, kiss me in the dark, take all I hide.
33:06Let's go inside.
33:07Oh, kiss me.
33:35Come on.
33:38No one else can play this game
33:41You don't ask, you just take
33:44And I give, and I pray
33:50Well, hello. I'm here for Mr. Brooks.
33:53I'm sorry, what exactly is this for?
33:55I'm the treatment nurse. I'll be taking him to his appointment for today.
33:58Oh, Mr. Brooks doesn't have an appointment today.
34:00I can assure you he does.
34:05Well, thank you for coming.
34:08Can I bring Crumpet?
34:09Yes, Mr. Brooks. Bring the cat.
34:31Hello, Cecilia. I'll need your full cooperation.
34:35I have something of yours you might want back.
34:38Now that I've got your attention, I need a little favor.
34:42Bring me Mercer's Legacy One design.
34:44You can't do this!
34:45But see, I already have, sweetheart.
34:48Get me the designs.
34:49Tell Sterling, and your sweet old pappy dies.
34:52And your little cat, too.
34:54Your choice.
34:55I've been reviewing project management assets.
34:58You're four days late on the Hudson property.
35:01The client is not happy.
35:02Mr. Mercer is not happy.
35:05Pick it up, or I'll give your work to her.
35:07She's three days ahead.
35:10Is that a personal email?
35:13No.
35:14No.
35:30Sweetie, you don't have to do this.
35:32Too late, old man.
35:34Who the fuck are you?
35:36Your worst nightmare.
35:38Baby!
35:39I'm so glad you made it.
35:41I set all this up for you.
35:44This better work.
35:48No, no, you won't.
35:49No, no, no, no.
36:08No, no, no, no, no.
36:27Show me the video.
36:28Yes, sir.
36:32She knew how to evade the cameras.
36:34I can't identify her, but you knew her enough to let her in.
36:39Keep this video between us.
36:42Yes, sir.
36:56Cecilia.
36:58Sterling.
36:59You're not working from home today?
37:00What are you doing here?
37:01Who have you been talking to?
37:03No one.
37:04I, uh, just, I needed to pick up some paint samples, and this was on the way.
37:08On the way to what?
37:09We're like 20 miles south of home.
37:12I'm getting my necklace cleaned.
37:16So if you can't find me or track me for any reason, that's why.
37:27Why do you need your necklace cleaned?
37:28I've just been working a lot.
37:30The drafting table is super dusty, and I don't want it to get messed up.
37:36It's a woman thing.
37:43I'm trusting you right now.
37:46I know.
38:01What the hell is going on?
38:04What the hell is going on?
38:21Good girl.
38:23Right on time.
38:26Well, don't hesitate now, sweetheart.
38:28Or they're dead.
38:31Come on, Cecilia.
38:33Do it.
38:39Sterling versus legacy designs.
38:41Just like I asked.
38:43Oh.
38:45Sterling, you won't even know what hit you.
38:47Now let my grandfather go.
38:49He's all yours.
38:51A deal is a deal, pretty lady.
38:55Oh, my head.
38:58Cece, don't!
38:59Get out of here!
39:01Look, look!
39:03Look!
39:14I've had a change of heart.
39:19Please.
39:21No.
39:22This way.
39:33Wow.
39:34You really know how to tie the room together, darling.
39:37Sterling has my location.
39:39You have no idea what you're in for.
39:41Oh.
39:42But I think I do.
39:43Oh.
39:44You see, when that timer goes off,
39:48you and that little tracker and this entire place will go bye-bye.
39:53And then that will pave way for the construction site of all hell designs.
39:58He'll find me.
39:59And when he does...
40:00That's very unlikely, Cecilia.
40:04Now that Sterling has this video, no one's coming to save you.
40:09Screw you.
40:11Screw you.
40:11Screw both of you!
40:12Oh, but I almost have everything I need.
40:17His financials, my dear, my dear, my dear, is the contact for Sterling's project mansion.
40:29What?
40:31What?
40:31Why does that matter?
40:32Well, once I have the contact, I can put in a bid under his.
40:39That will never happen.
40:39Therefore, Mercer will no longer have any names attached to any property.
40:45That will never happen.
40:48Hmm.
40:50Who's the client?
40:53Who's the client?
40:54How much was the bid offer?
40:56I don't know.
40:59Will you remember?
41:02I don't know.
41:02Trust me.
41:04Even if I did, I wouldn't tell you.
41:17So, tell me.
41:20Who is the client?
41:22He took care of my family.
41:24I'll never have any questions.
41:25We're going to sell him out.
41:30Unless you forget, sweetheart.
41:33You already gave me the plans.
41:36So, therefore, you are already a betrayer.
41:40Promise?
41:40I don't know anything.
41:43Hmm.
41:45Well, I can see that you're a lady of your word, which makes it kind of harder to believe
41:49you.
41:49So, tell you what.
41:52This is how it's gonna go.
41:55You're gonna tell me, and then you, Pappy, and little Kitty can go free.
42:01While Mercer Designs burns to the ground.
42:05Or, I could kill you.
42:09Right here.
42:11Right now.
42:13And Mercer Designs falls anyway.
42:18Okay.
42:20Decisions, decisions, darling!
42:21Wait, no!
42:21No!
42:22I'll tell you!
42:22I'll tell you anything you want to know.
42:23Please, don't touch him!
42:25I'll tell you!
42:35Tell me everything.
42:40I don't...
42:42I don't know a lot.
42:44I just...
42:45I know she's very private.
42:47Very secretive.
42:49She only talks to Sterling.
42:52She's an older, conservative woman.
42:55Liar!
42:57That night that I dosed Sterling with that sleeping elixir...
43:02I found your little project mansion.
43:05And that newly built BDSM room.
43:07Oh, and then all the plans that I stole from Cecilia's bedroom?
43:11They were for a nursery.
43:13Both rooms that an elderly woman wouldn't need in a new home!
43:17You drugged him?
43:17Yes!
43:18I drugged him!
43:25And then, I ransacked his mail.
43:28That's where I found you, your address, and your little cat too.
43:38Well then, looks like you chose...
43:43Oh!
43:44Oh, I'm sorry, my sweet miss, but...
43:47Our short little affair is over.
43:50Excuse me.
43:53Well...
43:53Obviously, I don't need your services any longer.
43:58Besides...
43:58I don't...
44:00Do...
44:01Witnesses.
44:08Sterling, help me, please!
44:10Sterling, wait, it's a trap!
44:11Sterling, please, you have to help me!
44:13Watch out!
44:21Tell me how to disarm it!
44:23Now!
44:26Black wire!
44:34You little bitch!
44:36Nora, stop!
44:37Put down the knife!
44:39She kidnapped me!
44:40I've been waiting here for hours for you!
44:42Put down the knife!
44:43Come on, let me at her one last time!
44:45She betrayed you!
44:46She's the one who gave up the Legacy One and the third floor!
44:51Wait, how do you know about the Legacy One project?
44:53That was confidential.
44:54That little bitch.
44:55She told Vincent everything!
44:56Everything!
44:58No!
44:58She's lying!
44:59It's all because of her!
45:04She drugged you!
45:05No, I didn't, you bitch!
45:07When I thought I saw you with that woman!
45:10Then now you lost the designs.
45:12No!
45:12No, that wasn't me!
45:14Okay, Vincent made me do it!
45:16He said he threatened my family!
45:17I had no other choice!
45:20I don't believe you.
45:22Arrest her!
45:23No!
45:25No!
45:26No!
45:28No!
45:28Drop some lights!
45:29No!
45:31No!
45:32Vincent did!
45:33Please!
45:33You have the lights when you're silent!
45:36No!
45:36No!
45:38Get this, boxer!
45:40Wait, no, no, on time first.
45:41I'm so sorry.
45:43It's okay.
45:43It's okay.
45:45But I gave him your designs.
45:46I didn't know what else to do.
45:47I was trying to save them.
45:48I didn't mean to.
45:49You're safe.
45:50You're safe.
45:51Okay?
45:52Vincent won't be able to touch the project.
46:01I'm so happy you found me.
46:03I thought...
46:04What ways I find you?
46:08How?
46:12Because I know you.
46:15That moment in the parking lot, I knew, from your eyes, that you needed me.
46:24I will always keep you safe.
46:29Hey!
46:30Hey!
46:30Would you two take it someplace else?
46:35Sorry, Pappy.
46:36I'll take you and Crump at home.
46:43Oh, thank goodness you're okay.
46:47I want to tell you something, sweetheart.
46:50I love Agnes.
46:51I really mean it.
46:52Okay, Pappy.
46:54Just get some rest.
46:54I mean it, Cece.
46:56When a man knows, he knows.
47:02Agnes, it's been a long time since I've met someone as caring as you.
47:06And I'd like you to be my wife.
47:10Yes!
47:12I love you, Agnes.
47:22Marley, what are you doing here?
47:23Miss Brooks.
47:25Mind coming with me?
47:27Will you give me a second?
47:28I want to change first.
47:53I want to change first.
48:02No.
48:03Come in.
48:05I love you.
48:07I love you.
48:15This is really beautiful.
48:17Gracias por ver el video.
48:51Gracias por ver el video.
49:20Ah...
49:21I thought if we put them next to each other, it would create balance.
49:26Balance?
49:28No.
49:29No.
49:42But then you came in.
49:43You're kind.
49:46Bold.
49:49Intuitive.
49:50Sterling.
49:52Beautiful.
49:55You gave this place a soul.
49:59Yeah.
50:00Cecilia Brooks.
50:03Would you share the love we built together?
50:09Yes.
50:10Yes.
50:11Yes, Sterling.
50:19I said yes to you.
50:23To forever too.
50:25To every dream we're walking through.
50:30Ooh.
50:31Ooh.
50:32Ooh.
50:32Ooh.
50:33Ooh.
50:33Ooh.
50:36Ooh.
50:37Ooh.
50:37Ooh.
50:41Ooh.
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