- 10 minutes ago
The Polygamist S01e09
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Short filmTranscript
00:19Introducing our latest collection, crafted with botanical blends and pure essential oils.
00:26Each product turns your bath into a ritual. Ivory Oasis baths. Your sanctuary reimagined.
00:35I have played second fiddle to this woman for far too long and sent a cartel.
00:41It's time for me. It's time for me.
00:45It's time for me. It's time for me to keep the press release on Friday.
00:51It's time for me to keep the press release.
00:54It's time for me to keep the press release.
00:55A collaboration near me in Ivory Oasis baths has truly, truly been a match made in heaven.
01:03Since Friday, look seven to sign us. Look when you see a trend, see a trend.
01:08And we have been crashing sales records while I let it.
01:13Hey?
01:21And I do not doubt for one second, Uwutina Lama glow up bath bombs and Masha are going to do
01:29just the same.
01:30So, ladies and gentlemen, please enjoy the new glow up bath bombs from Ivory Oasis baths.
01:39No, so.
01:46Smile for the camera, Joyce.
01:48This is true.
01:49I'm all the same.
01:54What do you see in this collection?
02:01Come to this house, please.
02:04I am from South Africa.
02:05I am from South Africa.
02:05I'm here in the house.
02:07I don't want to go away the sun.
02:09I am from my back.
02:10How are you?
02:11What do you see on the island?
02:13I am from the island.
02:13Oh.
02:14Yes.
02:17Not one, but two.
02:20Amawele.
02:20Amawele.
02:21More love lives at the Gomorrahs.
02:24That's all.
02:25That's all.
02:33Oh, nanny.
03:10Oh, I love this.
03:14Mehdi.
03:16Come here.
03:19You're not dead.
03:22Where are you from?
03:23Where are you from?
03:24I'm back.
03:27I'm home.
03:29You've already been down.
03:29Come here?
03:30We're not alone.
03:35Hey, you're here.
03:38I'm sick.
03:40Are you free?
03:42Oh, hey.
03:43My mother.
03:43So figure.
03:45Kren.
03:46Kren, what's the?
03:47I don't know.
03:49That's good.
03:50What's up?
03:51I know.
03:52Say something.
03:53Yeah, say something.
03:55Now I just beg, I'm tender as well.
03:58Bob.
03:59Ah, put your number away.
04:02Put your somebody.
04:07So we bang, see here.
04:13You branch, no tempi.
04:18And you have to plan this out.
04:20You have to plan this out.
04:22No?
04:22Uh-huh.
04:25You have to plan this out.
04:28Enjoy.
04:34Let's kiss.
04:55pantallaien findees.
04:55Mama!
04:56This ... This is so childish.
04:58If weģ¤ģ so much, this Sebab necessary,
05:00and that our baby finish,
05:03All right, so why not tonight?
05:07I'm not sure, but I can also tell you a little more.
05:13I'm not sure, but you'll have to be able to eat.
05:15I'm not sure.
05:16I'll be back.
05:18I'm sorry.
05:23I'm sorry.
05:31I'm sorry.
05:35I'm sorry.
05:35I'm sorry, now.
05:36I'm sorry.
05:36We're at a hospital at 18th and then we'll get back to our hospital.
05:41We'll have to let the doctor up.
05:45Of course, we'll have to get back to the hospital.
05:49We'll have to assist the hospital...
05:52and do that.
05:54We'll post to our social media.
05:55We'll just keep out of the hospital.
05:58We'll just do this on social media.
06:00We'll just keep the hospital there.
06:02We'll have to do that.
06:03You don't have a choice.
06:05Just a choice, this choice, that choice.
06:07Fucking choice.
06:08I want to go get to my suit.
06:11I'll go get to.
06:14Even if you learn a little.
06:17I'll help myself.
06:18I am there Mixilles Š²Š¾Š“a tĆ“mbe-
06:20This is good.
06:21I'll do it coming, but a fish has become tolerant.
06:28And I've come to my family a little bit.
06:30I'll do a lot more about them to become a lover.
06:32I'll do it.
06:38Oh, yeah, let's see if we'll see this so like this over. Oh, I mean, oh, boy, no, Miss. I
06:44know that little way. We'll see the corner. I don't get. Oh, yes. What on us? What on
06:52the other side? Hi, Mabasega. Well, I'm sure you've heard the news. Listen, I'd like
07:06to go ahead with the interview tomorrow, please.
07:07Thanks, Mabasega.
07:37Oh, come on. Hello. Who wants a kissy? Who wants a kissy? You want a kissy? Okay, who
07:59loves him more? Yeah, Mabasega. Well, Kumbuza, because I'm
08:08less than a man. Yeah, I mean. I'm not going to bring those
08:14to the next cat so good here. In case we're about to see.
08:20Oh, sorry. I'm going to.
08:28I'm going to. I'm going to. I'm going to. I'm going to.
08:43Joyce. Joycey.
08:52Joycey.
08:55I'm going to. Who wants a kissy?
09:05Who wants a kissy? Here I am.
09:11Would you say to the kissy?
09:14OK, it's good.
09:21If you're a kissy, we have a kissy.
09:40Two decades later, and you still have this effect on each other, what's your secret?
09:45Love.
09:45Love.
09:51Angels and Demons.
09:54Elaborate.
09:56Yeah.
09:59And that, you know, you're not the secret.
10:04So, by demons, who exactly did you mean?
10:11Matipa?
10:13Of course not.
10:18Is she?
10:20Yes, yes.
10:21Black love.
10:24Hmm.
10:25It's like a woman.
10:27It's like a woman's shape, a woman's shape, a woman's shape.
10:33And it's like a woman's shape, a woman's shape, a woman's shape.
10:37Tres, we've watched you over the years.
10:39We know what your marriage means to you.
10:40Now, to have to invite another woman into your sacred space?
10:44I have to invite another woman into your sacred space.
10:47I have to invite her.
10:49Hold on.
10:49So you agreed to your husband needing another woman?
10:53Well, no.
10:54Actually, New South Wales is when we die.
10:57We'll give up an opportunity for our Japanese children.
11:01But when I say I am born here I think it's always a love story.
11:05I'm like, oh, I'm leaning on a one's together,
11:08as much as I'm leaning on a fear ofģ“Sea.
11:14Mine is an integerer.
11:17Mine is malware.
11:19I have no son or father like a son.
11:24But my son tried to be a boy.
11:28I can't wait to beat all of you.
11:28I can't wait to say, up in arms.
11:30Because your son is a woman who is prominent.
11:33She is kind of a man, the mother and she is not!
11:35No.
11:36That's right, Lando.
11:38I don't know, she tells me that she is pregnant.
11:41So she doesn't have her husband and that she is pregnant.
11:44I'm so sorry.
11:46Now you're pregnant?
11:48Your husband is marrying another woman, a younger woman at that,
11:54and a woman who has just given him two brand-new babies.
11:59You okay with that?
12:00I don't know if I can't believe that the empire is now in Amshanjo,
12:05the legacy of my mother.
12:07The legacy of my mother is...
12:11He's a single.
12:14So he's a legacy.
12:16He's a single.
12:17They're not going for a job.
12:20Why are you going to leave it for her?
12:21She's only going for her.
12:25Why are you going to leave it for her?
12:28It's still you.
12:29I'm going for you.
12:31I have a low hope at all.
12:34I can't believe in my mother.
12:36She lives in the world.
12:37She lives in her womb.
12:38In the 19th century, she's a woman.
12:41Here she goes.
12:43I've got to ask my wife.
12:45She's a man who's a man who is a man by the life.
12:45But I don't want to keep her after her.
12:50He has to honor me in front of everyone, isn't that fair, huh?
12:55Uh, what's wrong with you?
13:05What's wrong with you?
13:07I'm sorry.
13:12So, we all know that polygamy is a slippery slide.
13:15It's Matipa now.
13:17And then there'll be another woman.
13:19And then there'll be another one.
13:21Are you saying you are really, really okay with that?
13:29You know what that means, Angit?
13:35I'll tell you something about Glay.
13:37I was laughing at you.
13:39You're like, Oh, I'm saying.
13:44I'm not looking for you.
13:45You're looking for her too.
13:46No matter what the other than we did to her,
13:47we could not find them.
14:00You have to be a boy or nothing.
14:01Any of you here?
14:03It's the same thing I'm going to ask.
14:05I don't know what to do.
14:08I don't know what to do.
14:10Listen.
14:15I'm wrong.
14:20Naush, what did you say to me?
14:23Hmm?
14:24I didn't want to kill you.
14:26I didn't want to kill you later.
14:28I don't care about anything, Dala.
14:34Here's the name of Dala.
14:44I wanted a white wedding.
14:47What did you say?
14:49I want to have paper.
14:51That was sad.
14:53I'll give you some money on it.
15:01I'll give you some money.
15:02That hand is Cimo.
15:05One man is just a man.
15:07That's why she can't afford it.
15:11I'll give you some money.
15:13So,
15:14what's up with you?
15:16What are you doing?
15:17What is up with you?
15:18What is up with you?
15:19How are you doing?
15:22What's up?
15:22We asked you to get your friend to go.
15:25Is that true?
15:26Wow.
15:27But now all you do, you just bitch about every little thing.
15:31Oh, my God.
15:32Well, I'm sorry.
15:35I'm sorry.
15:36I'm sorry, you're sorry, you're sorry.
15:39I'm sorry, you're sorry.
15:41You're sorry.
15:46You're sorry.
15:46We have you.
16:12I'm so sorry, the traffic lamp happened.
16:17You're being king, Aranjan.
16:19I'm sure you've seen this.
16:23I asked you about this Matipa girl, and you lied to me.
16:34So you had no intentions of telling me about this hashtag More Love Lives Here, despite our contract?
16:45That went to hell because of the bad PR you brought Ivory Oasis bots?
16:51Not the way we wanted to, okay?
16:59You're running around town doing senseless interviews and not even clearing it with me.
17:03This campaign is of global appeal.
17:06All this drama is making the brand look bad.
17:30I know, but...
17:33Then welcome to this chapter of my life.
17:35You're looking for a good friend.
17:38I'm not mad.
17:40And Lala, you're looking for a great friend.
17:43You're looking for a brand ambassador.
17:48I'm not going to say that I'll decide to work with you on the remainder of your contract.
17:54I'm talking to you.
17:54I'm talking to you.
18:02I'm talking to you.
18:17I'm talking to you.
18:19For God's sake.
18:21Your husband is marrying a woman who's given him two beautiful babies.
18:40Mother, Mother.
18:45Mother.
18:58Oh, you don't do it with this, Bob.
19:04You're right.
19:13Someone's right.
19:15Someone's right.
19:25I mean, if you're going to pretend to be okay, I will, too.
19:42It's not just you.
19:47Baby, I'm sorry.
19:54He's a fool for not seeing your earth.
20:13I don't know.
20:20I don't know.
20:20Shall we go?
20:20How are you?
20:21It's Belyl.
20:23It's Belyl.
20:24You're well known.
20:25I like it.
20:28Belyl.
20:31Jocelyn, how is it going?
20:33What is it going to last time?
20:34What?
20:35Jocelyn!
20:36Why are we going to ask about this?
20:39Well, let me ask, what did you want?
20:42What are we going to do?
20:42What are we going to work with?
20:43We've got to do it.
20:45Now, Joyce.
20:48are you happy?
20:48I'm happy.
20:50What am I happy with?
20:57Because he's OK.
21:00But then he's your friend.
21:04He's my mother.
21:07No, no, no!
21:14That was so good.
21:41Oh, okay.
21:42So maybe that's exactly what you did.
21:43Oh.
21:44Oh.
21:45Oh.
21:47Oh.
21:51Who?
21:52Does he know we're not going to get to work on that?
21:56No.
21:56People don't have one.
22:01Who's that?
22:02She's a little bit of a girl.
22:03Yes?
22:04Who's that?
22:06Who's that bitch?
22:06Who's that bitch?
22:07Who's the bitch?
22:07I'm sorry.
22:09And she says from Matib.
22:11She's the only one who else she is.
22:14I was told that my wife had a very good place
22:16and he had a very good place with her.
22:19And that was my wife's house.
22:20It was like a month ago.
22:28My wife, my husband,
22:32I'm going to have to make a good place.
22:33Yes.
22:34You can't do it?
22:36Yes, it's not.
22:38Yes, my sister.
22:42Yes, my daughter.
22:43Mm-hmm.
22:44Mm-hmm.
22:45A wetter spoon.
22:46Mm.
22:48Lambie.
22:49Ow.
22:50Mm.
22:51Oh, so long I'd say a whole lot of people
22:53are going to be straight,
22:53I've got to do so.
22:54I can see why I'm walking.
22:56I don't know.
22:57I don't know.
22:59Hey, who made it up?
23:02So, Zaman, when he had a little tea,
23:04he disappeared on the both of us.
23:10Yeah, I'm glad.
23:25I don't know what you're doing.
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