- 1 day ago
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ЁЯШ╣
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00:00:00You can play a movie in the next cinema, so you can play a movie in the 70s in the
00:00:04next 20s.
00:00:05Today, everyone will have a huge screen on this series of shows that the series has made a lot of
00:00:08attention.
00:00:09In Marathi cinema, there is no big industry in that world.
00:00:11You used to tell Indian film in the Chinese.
00:00:13You speak in the Chinese language and the returns of investment.
00:00:17In Indian cinema, there is no one with that.
00:00:19There is no one with that.
00:00:22In Marathi's, we don't have to tell you how it's released at 18-18.
00:00:25It was released in 7-8 minutes.
00:00:29In the city, there was a lot of trouble.
00:00:33I thought, I felt that the only emotion was the same.
00:00:36I said, it was about 7 minutes and only 8 minutes.
00:00:39But the next year was the second year.
00:00:42How did the first year have the first year?
00:00:45The first year was the first year.
00:00:47What happened?
00:00:48What happened?
00:00:49The second year was the first year.
00:00:51Hindi people are very good, they are very good.
00:00:55In Babul's prayer, Letitija Kusum and Shagun.
00:00:58In the scene, I met Nana Saran, Ajay Devan Saran.
00:01:01When I joined this channel, the channel is JRP 60.
00:01:06There are a lot of times, we have five people.
00:01:08Here, we have a team.
00:01:11In summer vacation, we have a lot of fun.
00:01:14But we have a lot of fun.
00:01:16We have teachers, we have a lot of principles.
00:01:19We have a lot of fun.
00:01:21We have a lot of fun in the cinema.
00:01:23And we have no idea how to do it.
00:01:26When I was thinking, you can do it.
00:01:29You can do it.
00:01:30We have a lot of money.
00:01:31We have Cycle Week, Bike Week.
00:01:33When there is a lot of shooting, the camera is not real.
00:01:36Swapni Loshi, what do you do?
00:01:38In the first project, we have a lot of money.
00:01:39You have a lot of money.
00:01:40You have a lot of money.
00:01:45Of course, people file these sticks in like c├бmara.
00:01:48But people work with sticks in like criminals,
00:01:50scholarly people.
00:01:52Because of those things, they are very different to us.
00:01:56And the idea is no doubt to us.
00:01:58I mean it doesn't matter to us,
00:01:58it will find a place totellity it every evening.
00:02:02Which way?
00:02:03I think I have to ask about the truth of the truth.
00:02:07And I think I will like Mumbai to the point.
00:02:11I think I will welcome you to this topic.
00:02:16I will welcome you to this topic.
00:02:17I will welcome you to the public, public, public, public, public and public.
00:02:20I will welcome you to this topic.
00:02:23Thank you, sir.
00:02:26Thank you so much.
00:02:26I will not be able to talk about your own personality.
00:02:30I will not be able to say that this answer is enough.
00:02:32But when you think about it, you always think about it. What do you think about it, sir?
00:02:39I don't think it's hard to do anything.
00:02:44Actually, I've heard you speak very strict about it.
00:02:49You don't have to say anything.
00:02:52You don't have to say anything.
00:02:54You don't have to say anything about it.
00:03:01I don't have to say anything about it.
00:03:07Even if you're doing it, you don't have to tell that you don't have to tell about it 24-7.
00:03:13We're not.
00:03:14But you're learning.
00:03:16We're learning the college.
00:03:19I don't know how to do this district like Interdentment in this school.
00:03:23I don't know.
00:03:24I know.
00:03:26In the INT, how do you apply this approach?
00:03:31It's a very good approach.
00:03:34It's a very good approach.
00:03:35It's a very good approach.
00:03:39But I've learned a lot about this.
00:03:42I've learned a lot about summer vacation.
00:03:49Because it's a very good approach.
00:03:51I think that's the first thing I was doing.
00:03:53I was going to visit my house.
00:03:56It's very uncomfortable to do things with the food.
00:03:58It's uncontrollable.
00:03:59The energy is very uncontrollable.
00:04:02In Balanatay Shivira, I had to take a look and take 4 to 8 to 9 to 9,
00:04:10I had a story as a house of year and I had samples of year,
00:04:15and I had to paint a little bit.
00:04:16I painted the same color of the earth.
00:04:20I thought it was a very pacifying thing.
00:04:23I painted the same color of the earth.
00:04:24I said that I was going to paint the same color as the painter.
00:04:27I thought that I was going to paint the same color as the other color.
00:04:30Because it was a color of the earth.
00:04:33I had to cut the same color.
00:04:35So in Kadachit, there was a flow in the correct direction of the energy.
00:04:38There was a discipline and a goal that when the Kshetra came to the calling, I am very thankful that
00:04:52I came to the Shibirat and I am very thankful that the work started in the Adir Shri
00:04:56I started working in the work of the work and I gave the work of the work.
00:05:01So I was able to give the work of the work.
00:05:03I was able to give the work of the work of the work.
00:05:10How did you get interested in college?
00:05:13I was not driven academically.
00:05:16I was able to study the work of the work of the work of the work.
00:05:23Because of course, I have to go to college, I have to go to college, I have to go to
00:05:28college, I have to go to college, I have to go to college, I have to go to college.
00:05:30So, as far as the baseline is, I want to meet my students, I don't have to go to college.
00:05:37Because of course, my tendency is academically driven.
00:05:44I am very interested in sports, but in extracurricular activities, I have a lot of theatre.
00:05:52So, I am very interested in doing this work.
00:05:56I have to go through my work and do this work.
00:05:58But I should not handle the work and do this.
00:06:00And I have to say that teachers, principles I am giving a lot of things.
00:06:07But it's not that I have to do this work.
00:06:09It's not that I have to do this work.
00:06:12So, I have to go to college and I think that you were very good.
00:06:18I have to focus all of that.
00:06:20So, there are extra calories and extra energies that are channelized and I started turning into a different person altogether.
00:06:30There is no discipline in the theatre, no path, no entrance, no entrance, no entrance, no entrance, no entrance.
00:06:41We are transferring two to three times when we have a place. We are getting a place where we are
00:06:48going.
00:06:49This place is the place where we can become a place where we are going.
00:06:52You can not have to go out and go out to the store or go out there.
00:06:55I don't have to trust that the future is a different place.
00:07:02It is interesting that a lot of theatre can be a creative field where you create a place where you
00:07:08want to create a place where you are.
00:07:11There is an advantage that you are not able to learn a way, or to do a way of learning
00:07:17and learning a way.
00:07:18You are always able to learn a way of learning.
00:07:23Sometimes you get a way of learning, sometimes you are able to learn a way of learning, sometimes you are
00:07:29able to learn a way of learning.
00:07:31demand. These stages, these stages, these stages are a good thing, so I have turned into a different person.
00:07:48I was a fan of All The Best, I was a fan of Mohan Vaghan, Devendra Premta, and all the
00:07:56best
00:07:58You are a star. You are a star.
00:08:02Because you are a star.
00:08:04See, I am not a star.
00:08:09Because for a star, I am very big.
00:08:11And I am very proud to be a star.
00:08:17I am very proud to be able to work on the Rashi Priek┼бkanth.
00:08:22But when I was a star, I was a little bit worried about it.
00:08:28When I was working on my own work, I didn't know all the best.
00:08:36I was working on all the best.
00:08:38Marathi and English simultaneously.
00:08:40Shivaji Mandir, Marathi and Rangashar,
00:08:44Rangashar, Rathri and Rathri,
00:08:47I was working on a dialogue in English.
00:08:50What character did you do?
00:08:51I was working on both languages.
00:08:55I was working on the first panel in the I&T.
00:08:58I was working on the first panel in the first panel.
00:09:02I was selected in the first panel.
00:09:06I was working on the first panel in the second panel.
00:09:07I was working on both languages.
00:09:10And you said, all the best is not that.
00:09:12You are working on both languages.
00:09:13I was working on the right.
00:09:16I am still looking at it.
00:09:18I think in the first panel,
00:09:22you are working on both languages.
00:09:24And you know,
00:09:24that is not the first panel.
00:09:25I am in line.
00:09:27I am not sure what we are doing.
00:09:30I always thought that, even though this song was already in a particular place,
00:09:38it was very important to us,
00:09:39and we would not have to think that we are very important to us,
00:09:42so we were touching this song.
00:09:47I was able to say that,
00:09:52that was the last time,
00:09:52what was the response of the audience.
00:09:53What was the response to the audience?
00:09:55Kasha Paddhati said,
00:09:57you know,
00:09:58you are doing this
00:10:01or you are not doing this.
00:10:04It's a school.
00:10:05Devendra Pemister,
00:10:07we have been doing this as young children.
00:10:12We have been working together.
00:10:14We have been working together.
00:10:15We have been working together.
00:10:15We have been working together.
00:10:18We have been working together.
00:10:18We have been working together.
00:10:21We have been working together.
00:10:23We have been working together.
00:10:24We are doing this as well.
00:10:27I am doing this as well.
00:10:27I want to hear something about all the best.
00:10:29I have been wondering,
00:10:31all the best,
00:10:33you have been working together.
00:10:36What is your turn?
00:10:38What is your turn?
00:10:39What is your turn?
00:10:42You are a deep.
00:10:44I am very deep.
00:10:45I think it's a good thing to do with you.
00:10:49But all the way, Adipasnaths, I didn't know Adipasnaths,
00:10:53but all the way, Adipasnaths, I had a date on my wife.
00:11:00And all the way, when I was talking about the fact that I was talking about phone work,
00:11:04they were mobiles, landlines, and PCO, if you remember.
00:11:08PCO.
00:11:09STD, ISD, PCO, and all of them had a booth.
00:11:13And then when I was talking about the fact that I was talking about the fact that
00:11:16I had a phone on the landline, and I could call the phone,
00:11:20and I could call it a person, and I would call it a phone.
00:11:23And then the problem was that I was talking about.
00:11:26So I would call it Deepa.
00:11:27Deepa's practice.
00:11:29I would call it a request for the STD, ISD booth,
00:11:31and I would call it a phone, and then I would call it a call.
00:11:40So, Dipa got a lot of help. In fact, when I changed my mind to Kalantara, I have only one
00:11:48duty to call it.
00:11:50So, I have to say something about this.
00:11:54Sir, you have a great job in cinema.
00:11:58Yes, yes.
00:11:58I mean, I have a lot of people who have a great job in cinema.
00:12:01So, what is your job? Are you an assistant?
00:12:04No, no, no.
00:12:05You have a role in cinema?
00:12:06No, no, no.
00:12:07I am always working with Mahesh Saran.
00:12:10Mahesh Saran is a great fan of Mahesh Saran.
00:12:15I am a great fan of Mahesh Saran.
00:12:16In fact, there is a gang of Sanjay, Mahesh Saran is a great fan of Mahesh Saran.
00:12:20Oh, you are Kamala, Mangesh Saran.
00:12:24I am Mangesh, Makran, Tachanantar, Atul Kale.
00:12:29I am a great fan of Mahesh Saran.
00:12:36I am a great fan of Mahesh Saran.
00:12:42I am a great fan of Mahesh Saran.
00:12:54I'm amazed that when I was a daddy machine, I got a few kids in the middle of my head.
00:12:59I can see you handsome today, Sir.
00:13:02No, not handsome.
00:13:03If not, I mean that's what I'm saying.
00:13:06Otherwise, I get very good, and as I say, I feel like it's a great time.
00:13:11I just feel like I'm trying to settle myself in the middle of my head.
00:13:14I don't know how many people are talking about the scene,
00:13:17I don't know how many people are talking about the angles,
00:13:18I don't know how many people are talking about the work.
00:13:20I don't know how many people are talking about the unit.
00:13:21I was very good to manage this.
00:13:23I was very talented at all.
00:13:25I was very talented at the theatre and I was very talented at cinema.
00:13:28The first piece of art was for this art.
00:13:31I worked for it.
00:13:32I was a student of Maheshwaram.
00:13:35Have you ever met Sanjay from Sanjay to the same?
00:13:39I was very talented.
00:13:41I was very talented.
00:13:44I was very talented at all.
00:13:46Even though I was that great at the cinema.
00:13:49I was very talented at all.
00:13:51In the film city, there is a story outside of the film city, and I think it's a little bit
00:13:56of a thorn.
00:13:57And I think it's a little bit of fun.
00:14:03There's no reason for it.
00:14:06There are so many people working on this cinema, but there are so many years in the film.
00:14:13I think it's about 7 minutes in the cinema, 8 minutes.
00:14:15But in this whole year, I think it's a great idea.
00:14:24I think it's about 8-9 months ago.
00:14:27But I think it's about a few years ago.
00:14:29I think it's about the only way you can see your own eyes, and I think that's what I think.
00:14:37I think it's about this big thing.
00:14:40The goal is to succeed.
00:14:40With a job with a very good job, you can't do anything.
00:14:44You can't do anything in the big city.
00:14:46You can't say anything.
00:14:49Can you tell us about your politics?
00:14:51Sir, no I'm not.
00:14:53You can't do anything.
00:14:55That's good.
00:14:56What did you say about our experience?
00:15:01I've been filming Govindila.
00:15:05Your team got all the best English,
00:15:07It was a film called Sun Shodal.
00:15:10So, it was very fun to be an actor.
00:15:17But at the same time, I was in the editing room in the band.
00:15:21So, I thought that there was a lot of money here.
00:15:26I mean, we didn't do our work here.
00:15:28But there were many films here.
00:15:31So, I think that from that time we were playing a movie
00:15:33as part of the film, being put in the film.
00:15:36And editing machine was transferred to a film.
00:15:39And then you're looking at an open window.
00:15:42And you're looking at yourself as well and seeing yourself as well.
00:15:47And then you were assembling a picture as well.
00:15:49Then you were doing your dubbing.
00:15:50You were doing your background music.
00:15:51There could be some drag a lot of work.
00:15:54And I thought that this is a larger picture than what we are doing.
00:15:59and I thought that we should try this process and request that the editing task,
00:16:12that we should attend, that we should do this.
00:16:20Once an actor, you're always an actor.
00:16:22You don't want to be aware of that.
00:16:24It's wrong.
00:16:27We should have grown up with this and talk about the work of the work of the work.
00:16:43Then you have to build the editor?
00:16:48Yes.
00:16:49You have to build the editor as an editor,
00:16:51But that's why you have to use such a better idea of the game to be able to do it.
00:16:56So, if you are a good idea of shooting, you are going to shoot a lot.
00:17:02Maybe you have to start a scene or a scene.
00:17:06And you have to push the game and then have to push the game.
00:17:09If you have to push the game, you don't want to go down.
00:17:14The film was disdressed.
00:17:16It was a good idea that in the cinema,
00:17:18the film was the same thing.
00:17:21But the film was the same thing.
00:17:24When shooting at the film was shooting,
00:17:26the film was shooting at the film.
00:17:30The film was shooting at the film.
00:17:30How did the film shoot at the film?
00:17:33So, the visualisation of the film was very hard.
00:17:38If you want to edit it, you are a cameraman.
00:17:48This is a very important point of view.
00:17:50If you want to look at that, you want to look at it.
00:17:57I think it's digitally edited.
00:17:59I think it's software.
00:18:01I don't know how to edit it.
00:18:03You don't have to edit any process.
00:18:04You don't have to edit it.
00:18:05When I edit it, I think it's digitally.
00:18:10But my editing is very important.
00:18:17It's a low band.
00:18:20There are machines in the low band.
00:18:22There are machines in and out.
00:18:26There are machines in and out.
00:18:28There are machines in and out.
00:18:29There are machines in and out.
00:18:30There are plus or minus.
00:18:33There are machines in and out.
00:18:36There are machines in and out.
00:18:38There are machines in and out.
00:18:39There are machines in and out.
00:18:39I think it's low band.
00:18:43It's high band.
00:18:44I may not use high band.
00:18:45You can use high band.
00:18:48There'll be high band.
00:18:50Both and it's all the role.
00:18:56I have to say, I don't have any questions, I don't have any questions.
00:19:01What do I do?
00:19:02What is this story?
00:19:04There is no idea.
00:19:06And if we look at what we do, we have to ask ourselves more questions.
00:19:12I don't have any advice.
00:19:14I have to understand the story of my own.
00:19:19I have to play high band, low band, high band, beta, AB role.
00:19:24I have to say, I have to edit the cinema.
00:19:28I have to go to Media 100.
00:19:30Media 100 is Avid.
00:19:36Avid is non-linear digital editing software.
00:19:44All editors have done demonstrations and workshops.
00:19:48I have to say, if I have a computer screen, I have to say that.
00:19:52I have to say that.
00:19:53I have worked in Media 100.
00:19:55I have worked on a matrix.
00:19:57And I have to do the concepts.
00:19:59And I have to say that the concepts are clear.
00:20:02The process is smooth.
00:20:04I have to say that it is hard discourse.
00:20:06I have to say that it is permanent save.
00:20:09And it is a big part.
00:20:10So, I used to edit a digital editing.
00:20:17I used to teach a lot of kids like Kajar and Rashmi.
00:20:20So, I used to edit the digital editing.
00:20:23I used to edit the concept clear.
00:20:25So, I used to teach my journey in my process.
00:20:33So, people are just trying to do it.
00:20:35If they don't teach me, I have to teach them.
00:20:37So I was thinking about making a movie.
00:20:40So I started to write a cinema, and I was thinking about how to play the cinema.
00:20:48Actually, I was thinking about making a movie for the film,
00:20:52but I think that I was thinking about making a film for 24 years,
00:20:55and I thought that I would pitch.
00:20:58And I thought that someone would be prepared for it.
00:21:02But in some industries, the industry has a lot of work, and the script is not going to be fully
00:21:12complete.
00:21:12And I think that I have a great start with a great start with this project.
00:21:18I started 2000 years ago, and I was born in the first year,
00:21:22and I was born in the first year, and I was born in the first year,
00:21:23and I was born in the first year, and I was born in the first year.
00:21:25and the feeling of being able to get the strength is a big thing.
00:21:29So, I had to get the patience,
00:21:31I had no idea of getting the patience.
00:21:35Then, I had to get the patience and the patience.
00:21:38I had to get the patience and the patience.
00:21:41I had to say,
00:21:43I was like, if you were to write, you would like to write.
00:21:46And then, what would happen?
00:21:47I would give a chance to give them.
00:21:49You said that you would like to write the story?
00:21:51No, I was like, you would like to write it.
00:21:54Ah okay..but what you can do is do your other works.
00:21:56You can do it with a pillar to post.
00:21:59Sure, you can do it with the work.
00:22:06But sometimes the work is busy because I don't blame anyone.
00:22:15I don't think if you want to use a chance across the world.
00:22:20And Nirmata said that we dropped the idea that we had to drop the idea, then you would leave it.
00:22:25And in two days, the five scenes that we had had come, the conversations were coming.
00:22:34The screenplay and dialogue were made in the script.
00:22:46I was lucky that day.
00:22:47And we were aligned with our stars, our eyes, our eyes, our eyes, our eyes, our eyes, our eyes.
00:22:55So, the prayers were answered and the script was in the way.
00:23:01When we started the cinema, we had a set-over set that we would shoot digitally.
00:23:09So, we would shoot it real. So, what is the real thing?
00:23:14What size is it?
00:23:15We have prices for 1.5.
00:23:17Yes.
00:23:20Because I was doing 16 years old and 35 years old,
00:23:24and I was doing cinema in Korea.
00:23:26So, I thought that I was a fan of what I was producing
00:23:33and I was a fan of what I was producing.
00:23:35I was a fan of what I was producing, I was a fan of what I was producing.
00:23:37I was working on a cycle week, bike week, etc.
00:23:48When shooting happens, it was not real.
00:23:51And there was a lot of different lab.
00:23:53There was a lot of different research and different.
00:23:57There was a great lighting.
00:23:58Who did it?
00:23:59There were all the lights and all the other.
00:24:02There were other people.
00:24:03It's like a ratio.
00:24:05And then you get your eye-women.
00:24:06When you look at your face,
00:24:08your family's life is a very easy scene.
00:24:12If you look at your face,
00:24:13you can see the camera outside,
00:24:15you can see the indoor, outdoor and outside.
00:24:18So, there's one shot.
00:24:19So, you need to change the light.
00:24:22You need to do indoor and lighting.
00:24:24So, you have to manage the lighting.
00:24:27You have to manage the lighting.
00:24:28You have to manage the exposure.
00:24:30You have to manage the light.
00:24:31Well, we had to cut a little bit in the real cell,
00:24:35since there was a pretty good time
00:24:38the real cell was realized and the top light
00:24:41then we changed the reel with a little angle
00:24:44so when we were working, we didn't go back in the way that we did the angle
00:24:48but the real cells didn't get the reels
00:24:51and the camera was taken
00:24:53but not to do a process
00:24:55it didn't start the shooting by the other person
00:24:57We didn't get into it. But in the cinema, it was clear that it was beautiful.
00:25:03But in the cinema, it was 23, 25 years old.
00:25:10That year, Chitra Badala was 23 years old.
00:25:12So, what was your reaction to that?
00:25:14We had a first project, so...
00:25:17I don't think it was a very good thing.
00:25:19We had a lot of nominations.
00:25:22So, I don't know how many people are doing this, but I am a Reki, and in my culture, I
00:25:34got to do this in Kothimbir, and I got to do this in Kothimbir.
00:25:39There is a number of nominations from the Alpha Gaurav Marathi Chitrapatta.
00:25:46What is it?
00:25:48If you go to the cinema, you don't belong to the industry.
00:25:53There is only a phone number.
00:25:54If you have a phone number, it will come to the last date.
00:25:59Submission.
00:26:00We also believe that the Chitrapatta is complete.
00:26:03If you go to the Alpha Gaurav Marathi Chitrapatta, you can see the first cinema.
00:26:13But we have seen the Alpha Gaurav Marathi in the office.
00:26:19But there is only a number of people who have seen the Alpha Gaurav Marathi Chitrapatta.
00:26:26And we have requested that we can go to the Alpha Gaurav Marathi.
00:26:30Here also the number of people in the audience.
00:26:33For the seven-year-old-year-old-year-old-year-old-year-old-year-old-year-old-year-olde,
00:26:36because there is a screening.
00:26:37When we see the╨нl-year-old, this woman will also pay attention to the scene.
00:26:40The main question of Mata Gaurav Marathi Chitrapatta called Skyway and photo.
00:26:44It was a preview theatre.
00:26:46So it reached out to us and we had a point of first being with the story between the two.
00:26:51Sometimes the past few years of the film.
00:26:52And it was a big deal.
00:26:54But it was always very good in our minds.
00:26:57It's very interesting to me.
00:27:00If you don't know who you are working, I don't like it.
00:27:04If you don't know, you're not working.
00:27:06But if you don't know how to do this, then you'll know.
00:27:09Madam, your property is not good.
00:27:11Your first number is not good.
00:27:13Your third number is not good.
00:27:16You're very concerned.
00:27:18I'm very concerned about this.
00:27:22You don't consider it.
00:27:23You're not going to consider it.
00:27:25Today's goal is to see if you don't know who you are.
00:27:29Let's consider it.
00:27:32Rather, give the opportunity for your generation.
00:27:33If you don't know who you are today,
00:27:34they'll be back to us.
00:27:37If you don't know who you are today,
00:27:39you'll be back in place.
00:27:41But I am who God but the ones who ask you,
00:27:43who you are now.
00:27:43I am not interested in this job.
00:27:45Because if I get your thoughts,
00:27:48when I get your journey,
00:27:50I can't go to your journey.
00:27:51It is a very good thing.
00:27:52But I am happy to have some help and to make it a better way.
00:28:00I was surprised that I was going to do something to do.
00:28:06What did you do with the cinema?
00:28:08You do a lot of work, but when you start to do a white cinema or a white actor, we
00:28:16may be able to do a white movie.
00:28:17But you have to be at the right time and the right place.
00:28:28I always thought that I would like to say that you have to be at the right time and the
00:28:40right place.
00:28:40You have to ask your faithful
00:28:42in the right place, in the right place.
00:28:44and the prayers.
00:28:47If you have a life beyond your life,
00:28:49you will not be able to do that at one point.
00:28:54If you do not do this myself,
00:28:54if you have a house,
00:28:55you can have a house,
00:28:56you can have a house,
00:28:57which looks like a house.
00:28:59If you have a house,
00:29:01you can have a house,
00:29:03and you can have this process in your own way.
00:29:07You can have a house,
00:29:11so you can have a house,
00:29:13It was about 7 or 5 months, and it was about 3 months every year.
00:29:19So, you got a little bit of a deal multiplied by an IE model.
00:29:24So, in the day of the year, you got a chance to do this product.
00:29:31What a joke, sir.
00:29:32Sir, you played the first cinema in the first place.
00:29:35You played the first ball in the sixth, sir.
00:29:36You played so much in the first place.
00:29:39You played a little bit of cinema in the first place.
00:29:42I don't know what you're doing today, but I don't know what you're doing today.
00:29:47In the past few years, there was a highway open open, and we had a big racing car, and we
00:29:56had to zoom, zoom, zoom, zoom.
00:29:59But in 4-4 years, there were no hustles.
00:30:04Because our industry wasn't very big, and there were avenues that came here.
00:30:11Today, there was a lot of work that came here.
00:30:15Today, there was a digital work that came here.
00:30:17Today, you can build a channel, you can build a digital work.
00:30:22But there were channels that came here.
00:30:24There were a lot of modes that came here.
00:30:27There was a lot of fun in the cinema.
00:30:29There was no idea.
00:30:30And there was no idea.
00:30:31What are the projects that came here?
00:30:34What are the projects that came here?
00:30:39And there were things that came here.
00:30:40There are these issues, and over the last four years, we have to do this work.
00:30:43And then, my brother, I couldn't resist and strongly have to be able to change things.
00:30:51Well, don't worry.
00:30:53So, there's a hope and an effort.
00:30:55This is the best way of every technician.
00:30:58Because after a particular time, when you have answered your question, you should give up.
00:31:04But if you don't want to give up, then you will be able to give up.
00:31:11Sir, let me tell you a quick question.
00:31:14We have a lot of work in Marathi Cinemas.
00:31:17Because we have reached a lot of work in Marathi Cinemas.
00:31:20But we don't think that any cinema is so glamour,
00:31:23we don't think that any cinema can reach.
00:31:27So, how do you think about it in Marathi Cinemas?
00:31:29One way, we have a lot of work in Marathi Cinemas.
00:31:35We have a lot of literature.
00:31:38And we have a lot of work in Marathi Cinemas.
00:31:41We have a lot of work in Marathi Cinemas.
00:31:47We have a lot of work in Marathi Cinemas.
00:31:51And we have a lot of work in Marathi Cinemas.
00:31:55We can make a lot of work in Marathi Cinemas.
00:32:01So, we have a lot of work in Marathi Cinemas.
00:32:20It is not a big industry that is not a big industry.
00:32:22Today, when you say Hindi, you have said that you have a big influence.
00:32:27Today, when you say Pradeshik Bhasha, you have a big influence that you have a big influence.
00:32:33Because, you have also said that you have a return of investments.
00:32:36You have to say that you have a big influence.
00:32:45You have to say that you have to say that you have a big influence.
00:32:56It is not a big influence, you have to say that you got to feel IT because you don't feel
00:33:02it too much.
00:33:04Then you have taught that you have a big influence.
00:33:06Whatever makes youуБЖ.
00:33:09That it is damito.
00:33:14We should not understand that one or two has given that one thing made to Essexik Bhasha,
00:33:18So we have to think about what we have to do in Bangalore.
00:33:25We have to think that there is a lot of potential and we can elaborate or underline.
00:33:36If you think about it, we have to think that there is a lot of potential.
00:33:41That's why we have to think about the industry, and we have to think about it as a huge industry.
00:33:58So, let me talk about the Hindi cinema.
00:34:02р▓И р▓И р▓И р▓И р╜жрлЗркЯрлБ р▓Ирк▓рлЗ р▓И я┐╜boardingр╜жрлЗ ркир╛ЧрлЛ я┐╜╪╡ prevalentркирлЗркиркХрлЗ ,
00:34:05р▓И р▓И р▓И р╜Ъ р▓И р▓И р▓И рк╛рки
00:34:06In the past, the film will be released in the past, but when our film is released, we will be
00:34:13released over the past.
00:34:15So, we will be able to promote the film in every year.
00:34:19But we will be able to distribute the film to our knowledge.
00:34:25So, we will not have a success in the past, we will not be able to make it to the
00:34:32future.
00:34:34Next cinema I have the same format, when I can't get a personal schedule,
00:34:42I have to say that you would have to see that you would receive all the money to film.
00:34:47So you would have to return that.
00:34:48I would like to go straight to this question,
00:34:52then I would like to say to you individual the project.
00:34:58Yes, Sir.
00:35:00This is a big question and a big question in our industry.
00:35:05It is a great question for us to give the power of Yogyapadhyay,
00:35:08that it is possible to kill HR.
00:35:10I would like to say that there is a little bit of a problem,
00:35:16a little bit of a problem.
00:35:20This is not against anyone,
00:35:22but this is a little bit of a problem.
00:35:24In the 52nd century, you will compete with the Maharashtra.
00:35:30If every Maharashtra has been in a situation like this,
00:35:37then there will be a clash of dates.
00:35:42We always thought that we had a clean run
00:35:46and how these dates came from clean.
00:35:48This is the story of the world, and this is the story of the world.
00:35:54Secondly, I would like to say,
00:35:57that we have a studio,
00:36:00we have a distributor,
00:36:03we have a network that we have 7000, 8000,
00:36:085000, 10000,
00:36:1010000 shows that we have released that film.
00:36:13When it comes to Hindi and Chitrapad,
00:36:17there is an interest in Hollywood cinema,
00:36:21there is no dub,
00:36:23there is a big promise to be released.
00:36:25And that's how it works.
00:36:26So, the competition is very big,
00:36:29and I would say that,
00:36:30the interest is very big.
00:36:34The makers, the makers,
00:36:38the makers, the makers, the makers,
00:36:39the makers, the makers,
00:36:40and the makers of the makers of the world.
00:36:42The makers of the makers of the world,
00:36:46are very strong.
00:36:48But, it looks like a great gift,
00:36:51and it's not easy to make them,
00:36:54it's easy to make them.
00:36:54It is very easy to have a distribution,
00:36:57and I think that the guilt comes back.
00:37:00But, this gift will always be a good gift.
00:37:03When the confidence of the government is being pushed, we can't take it.
00:37:11We can't take it today.
00:37:15What does the government mean?
00:37:18I mean, there is a potential of the potential of the government.
00:37:21But if the cinema has been interested in the film, what does the film mean?
00:37:28I think this is a great deal for this film.
00:37:31I'm very careful not to ask any questions.
00:37:34I made it, but it's an old screenwriter and I'm getting a lot of the big screenwere.
00:37:41It's like a big screenwriter and it's all that I've heard.
00:37:46And it's the only question I have.
00:37:48I have no idea when I put it in a white water.
00:37:55I have 4x4 in my screen and I have 4x4 in my screen.
00:38:03I have 4x4 in my screen.
00:38:05I have 4x4 in my screen, I have 5x4 in my screen.
00:38:19But what do we think about how to make a large-scale cinema in Marathi cinema?
00:38:24But how do we make a large-scale cinema?
00:38:27What is the budget?
00:38:28What is the budget?
00:38:29What is the budget?
00:38:30What is the budget?
00:38:33The budget is one of the largest actors.
00:38:38One of the biggest big ones, one of the KGF, one of the biggest ones.
00:38:43But there is no need to be a great strength in this country.
00:38:49That's a great deal.
00:38:51It's not all.
00:38:53Today, we have to make a lot of money.
00:38:56We have to keep our country's country.
00:38:57We have to make a lot of money.
00:39:15We have to earn money.
00:39:16We have to make money.
00:39:18That's all.
00:39:21I don't have to do this in the late 1970s.
00:39:26Absolutely.
00:39:27But I'm doing a solid outdoor outdoor city at arbitrary times.
00:39:33I'm going to say that
00:39:36that 4th of August 4,
00:39:42VFX based cinema in the late 1980s.
00:39:44But, I think the budget and recovery
00:39:47That's why we have a great way to do it.
00:39:54But it's a return on investment.
00:39:56So that if you want to make a film, you want to make a film, you want to make a
00:40:00film,
00:40:01you want to make confidence in that box-officer.
00:40:05If you want to make a film, you want to make a thrill.
00:40:10If you want to make a film in Hindi or English,
00:40:14you want to make a film, you want to make a film,
00:40:17but you want to make a film, and you want to make a film,
00:40:20and you want to make a film.
00:40:21But my question is,
00:40:23what is your own genre?
00:40:25If you want to make a film in the cinema,
00:40:28then you have to make a film.
00:40:30It's all different genres.
00:40:32So you want to make a film multi-tasking director,
00:40:35multi-general genre?
00:40:39Yes, I'll tell you.
00:40:39Yes, you are the only one that's about a film,
00:40:45and you want to make a film,
00:40:47and you want to make a film that you want to make a film.
00:40:50You want to make a film?
00:40:50No, that's not.
00:40:52I think you'll get a film in the film,
00:40:55and you'll enjoy the film.
00:40:55You'll never say that any film is the film.
00:40:57You'll never say a film,
00:40:57in the film,
00:40:58just to do comedy in the cinema,
00:40:59and to do action-thriller.
00:41:02I was a fan of my career, but I was a fan of my career, so I was able to
00:41:07take a thriller.
00:41:09I was able to watch the thriller genre and see the movie, the film, the film, the film, the film,
00:41:13the film.
00:41:17I was able to watch a thriller genre and see the genre as well, but I was able to watch
00:41:23it like a love story.
00:41:24It's just an award that came from Galilee.
00:41:26But don't worry about it.
00:41:28Love stories are forever.
00:41:30That's what you can do.
00:41:32First of all, you didn't suspense the thriller in the genre.
00:41:36I think that's great.
00:41:38But love stories are great.
00:41:40I think that's great for you.
00:41:42I think that's what I like.
00:41:45That's what I like.
00:41:46That's what I like.
00:41:46That's what I like.
00:41:48It's a personal experience.
00:41:51It's relatable.
00:41:55Love stories are a larger audience.
00:41:59And for those love stories,
00:42:01I think that's what I like.
00:42:05I think that love stories are written in the book.
00:42:08In the book, there's a lot of books.
00:42:14There's a lot of books.
00:42:14There's a lot of books.
00:42:15There's not one story.
00:42:16There's a lot of different angles.
00:42:19There's a lot of books.
00:42:19So, when one of them excites me,
00:42:23they've got to hear it again.
00:42:26They've got to hear it again.
00:42:26They're not in a specific genre.
00:42:30They've got to hear it again.
00:42:34They've got to hear it again.
00:42:35And they've got to hear it again.
00:42:41They've got to hear it again.
00:42:46Since there's not too much,
00:42:47I mean, you've got to hear it again.
00:42:51But once you've done that film,
00:42:52What will your part of a sequel?
00:42:55What kind of thing is that film?
00:42:57And you've got to hear it again.
00:42:59I could have talked to them all.
00:43:10I think that the idea is that we are interested in the parties.
00:43:15The first scene of cinema is thatтАж
00:43:17How much drama is it?
00:43:19Parties?
00:43:20But it's a good idea that everyone is a child.
00:43:25They are the first person who is still in the first place.
00:43:27When they ask the first question,
00:43:30I am going to touch the other.
00:43:33So, I am going to touch the other.
00:43:36What is the idea?
00:43:36How do you do it?
00:43:37What do you do?
00:43:38What do you do?
00:43:39What do you do?
00:43:40What do you do?
00:43:41What is the first question, sir?
00:43:43And it is so relatable that you are talking about.
00:43:46How do you smile?
00:43:48That is why you are talking about a lot.
00:43:50That is why you are talking about a lot.
00:43:51Every person is talking about what is happening.
00:43:54So many people are thinking about what is happening about it.
00:43:58This is a lot of relatable.
00:44:00But I am talking about that the potential is coming.
00:44:04Let's see.
00:44:04I don't have any thoughts about it, but I don't have to do it.
00:44:08In the cinema, Arya Ambekar and Abhine Berde,
00:44:14why do you think about her casting?
00:44:16Arya is a guy.
00:44:19Raviy Zadavan said to him,
00:44:22why do you think about Arya Ambekar?
00:44:23Why do you think about Arya Ambekar?
00:44:26What do you think about Arya Ambekar?
00:44:27So, Raviy said to him,
00:44:30we don't have to talk about Arya.
00:44:31I don't have to talk about that.
00:44:33I have to point out that I was thinking about it.
00:44:38It is a lot,
00:44:39he wasn't sure about it.
00:44:41The little champs were still there,
00:44:43so I told him
00:44:45that he did not have any kind of action,
00:44:47like there was so,
00:44:49that they are not coming back,
00:44:51so another thing he had to do is try it.
00:44:56I don't know whether we have the character
00:44:58and already some characters have been caught up.
00:45:02Because every time you tell me that it's me,
00:45:05that it's me, that it's me.
00:45:06That's the casting.
00:45:08Abhinayla, Abhinayla,
00:45:09there are photos of me,
00:45:10so there's a great dancer.
00:45:12When I was in the cinema,
00:45:14I was in college,
00:45:15I was in the college,
00:45:16I was in the dance,
00:45:16and I was in the dance.
00:45:18So, I thought,
00:45:18Ashim said,
00:45:20that it's innocent,
00:45:21that it's not for acting,
00:45:23that it's not for acting,
00:45:23that it's not for acting,
00:45:24that it's not for acting,
00:45:28that it's not for acting.
00:45:31So, I was in the dance.
00:45:32I was in the dance.
00:45:32Sir, I have a question.
00:45:35You are doing film in Mardali.
00:45:36It's like a cinema.
00:45:36But you have a lot of Indian people.
00:45:39There are a lot of gaza.
00:45:41You have no platformer.
00:45:43You have to say,
00:45:43I am here.
00:45:45So, I am here.
00:45:46How many people have been working?
00:45:48I am here.
00:45:51I am here.
00:45:52I am here.
00:45:54I am here.
00:45:54I am here.
00:45:55I am here.
00:45:56I am here.
00:45:56I am here.
00:45:56I am here.
00:45:57I am here.
00:45:59I'm not even going to be able to do it for 65-65.
00:46:01So I'm glad that...
00:46:07I'm going to be doing this as well.
00:46:09When I'm doing this I'm going to be doing this.
00:46:13I'm not going to be able to do this.
00:46:22So I'm not going to be able to leave this Hindu point in total.
00:46:27There is no idea about Hindi and Maradi Malikans.
00:46:31There are two ways to do this.
00:46:34You know, we have a Hindi cinema.
00:46:36We have a Hindi version of Mumbai.
00:46:40There are so many films.
00:46:42There are so many films.
00:46:45There are so many films in Hindi.
00:46:47What are the reasons for you?
00:46:49There are so many reasons.
00:46:52There are so many reasons.
00:46:53There are so many films in Mumbai.
00:46:54In Mumbai and Delhi Mumbai.
00:46:56So there is a release.
00:47:02There is a release of the work that has done.
00:47:04In the past, there are so many films.
00:47:08So, let's start the cinema.
00:47:12There are so many films that have left.
00:47:14I want to see that movie that is a film in Hindi.
00:47:15I want to see a film in the past.
00:47:21I am so glad that you have a film.
00:47:23Mumbai, Delhi, Mumbai, Mumbai
00:47:28So, I think that's the difference
00:47:31and the difference is the difference
00:47:33I was thinking about that
00:47:35you are talking about the fact that you are in your mind
00:47:37and in your mind, the fact that you are in your mind
00:47:41is that you are in your mind
00:47:44so, I have worked with you
00:47:47and I have worked with you
00:48:02The first question is, when we start the interview, when we start the interview,
00:48:07we will talk about the fact that our country is a good place.
00:48:11I think that when I was a kid, I was a kid and I was a kid and I was
00:48:18a kid.
00:48:20But I was very happy.
00:48:24I think that I was a good idea that I was able to do this in the morning.
00:48:30And I was able to do this.
00:48:34and that's why we can't shoot.
00:48:36We can't shoot.
00:48:36We can't get any shot in.
00:48:45But, we can't get any seen.
00:48:48We can't get any shots.
00:48:53We can't get any shots.
00:48:57We can't get any shots.
00:48:58How do I get any shots?
00:48:59How has it happened?
00:49:01That's what the work is,
00:49:03the work is not to be made,
00:49:05you are not to be able to get your will,
00:49:07but you are not to be able to get your will,
00:49:09or to be able to get your will...
00:49:10That's the right decision.
00:49:12That if you have to do a job,
00:49:13you have to get a job at the shooting,
00:49:14and you will give yourself a job.
00:49:17I don't have to do anything.
00:49:20So, when I work all the time,
00:49:22we are ready to schedule 32 days.
00:49:26There are a lot of disciplines,
00:49:27I've been doing some of those things. I've been doing a lot of work.
00:49:33You've been doing a lot of time on my interview, you've been doing homework.
00:49:37I've been doing homework for my work.
00:49:40I've been doing a lot of work, and I've been working on a lot of work.
00:49:43I've been doing a lot of work for the unit members, so I've been doing all of it.
00:49:50See, we have to manage everything. We have to manage everything, because we have to do that work in particular.
00:50:00We have to do so much work, so much work.
00:50:05We have to do so much work.
00:50:09But because of your bio-data, your personal growth is very important.
00:50:14There are challenges.
00:50:15The most about it is, we have to do the everything that is good at times and most of us.
00:50:21Is it something that you convinced your story?
00:50:26In the cut-room area, a film is based on the cut-room.
00:50:31But if you think about the cut-room, the cut-room is based on the cut-room.
00:50:34Since you are working with these scripts, you will do a cut-room and cut-room work.
00:50:43This is the media thing.
00:50:44If you have any input or input, you can make it.
00:50:51You can make it.
00:50:52You can make it.
00:50:53Yes, you can make it.
00:50:55You can make it.
00:50:58And when Ajay Devgane Sir has a great deal,
00:51:02it's a great deal.
00:51:03Because there is no problem.
00:51:07There is no problem.
00:51:11There is no problem.
00:51:11It is all about the problem.
00:51:14It is all about Ajay Devgane Sir has associated this project.
00:51:27So, it is a good deal.
00:51:29It is a very good deal.
00:51:30It is a sincere and serious deal about their work.
00:51:33And that can be a great deal.
00:51:34In the scene, I have to direct Ajay Devgane Sir and Ajay Devgane Sir.
00:51:38So, it was a big thing for me.
00:51:43I don't think you were able to explain it to me.
00:51:46I was able to explain the story and the screenplay.
00:51:51And the cinema was full.
00:51:53What did you think about me?
00:51:58I don't know.
00:52:00In the editing room, there was a preview.
00:52:02It was the first time I was editor.
00:52:06It had a great film.
00:52:11But it was a very good film.
00:52:12And it was a big film.
00:52:20It was a huge film.
00:52:25It's a huge film.
00:52:27It was a huge film.
00:52:29It was a big film.
00:52:30It was a huge film.
00:52:31It was a huge film.
00:52:33And what do you think of Ajay Devganswaraya Nirmata Manu?
00:52:36I think it's a lot of fun to work on you.
00:52:40And it's a lot of work.
00:52:43I've never seen a lot of people.
00:52:47I've never seen a lot of people in Hindi Madhiri.
00:52:49I've never seen a lot of people in Hindi.
00:52:51I've never seen a lot of distance.
00:52:56There's no place in Hindi in Hindi.
00:52:56Sir, I've never seen the most beautiful marathi cinema in Hindi.
00:53:03I've never seen a lot in Hindi cinema.
00:53:07I've never seen a lot of people in Hindi cinema currently.
00:53:09You're a junior.
00:53:11I've never seen my way in Hindi cinema.
00:53:12And my way to see the marathi cinema,
00:53:17I think it's a lot of hard work.
00:53:21You've really seen that in Hindi cinema.
00:53:23So, I think that the Hindi people are doing a lot of good things.
00:53:28I think that the juniors are contemporary, but I think that the people are doing a lot of good things.
00:53:33And it's a great pleasure to have the holdings and the people who are doing a lot of good things.
00:53:40And that they don't have the people who are doing a lot of good things.
00:53:51It's like yoga.
00:53:52It's like yoga.
00:53:54It's like yoga.
00:53:55It's like yoga is better.
00:53:59It's like you have to process your own.
00:54:05So I think if you don't have a lot of cinema,
00:54:08then you have to wait for your own.
00:54:12So I'm waiting for that time to come.
00:54:15So I think there's always a dream that can be a global band.
00:54:25How many bands to make it?
00:54:27If you have global bands,
00:54:28it's like all the technicians, all the technicians.
00:54:32It's a great feeling.
00:54:34So if you make it to a film,
00:54:36then you're the hardest to say,
00:54:38It's a surprise that I work with actors and actors in this film.
00:54:45We don't want to do anything.
00:54:48I think I'm going to make a colourful in Hindi cinema.
00:54:51It's a surprise that I'm going to make a film in Hindi cinema.
00:54:54But I work with actors in this film.
00:54:57We're not going to be a big actor.
00:54:58You see, in the past, Amitabh Bachchan's inspiration was given to you in the cinema.
00:55:04You saw songs on TV and on the screen.
00:55:09Oh, wow.
00:55:10A die-hard born Amitabh Bachchan fan.
00:55:14So, if your relationship is not true,
00:55:19then you don't have to work with such a big answer.
00:55:21You don't have to work with such a big deal.
00:55:23But you have a great contribution to the cinema,
00:55:30a great contribution to the cinema,
00:55:31a great contribution to the cinema,
00:55:33and you have a great contribution to the music.
00:55:39But,
00:55:42I think that's all I have done here.
00:55:45You have a great contribution to the cinema,
00:55:48and you have a great contribution to the cinema.
00:55:51So, if you want to read that,
00:55:55you can learn a great contribution to the cinema.
00:55:57But,
00:55:57on your channel,
00:55:58you've been able to earn it.
00:56:00If you've been able to earn it,
00:56:02you do not earn it,
00:56:04so that you can earn it,
00:56:04if you're an amazing contribution to the cinema.
00:56:08One thing I thought was that this channel is not one number, I think it's not one.
00:56:16It's a great team, it's my bosses, it's a great thought process which is not one number one.
00:56:32I didn't get one answer.
00:56:35I got some help and I got my best advice.
00:56:43And when I was one team, it would be possible.
00:56:48It's not a good one.
00:56:51When I joined this channel, it's 60 channel.
00:56:54And I think that there are 4-4-5 people in this third team.
00:57:02In this third team, this third team, this third team, this third team, this third team, this third team, this
00:57:08third team.
00:57:10So, when you have confidence in your own team, you don't have to do this.
00:57:18You don't have to do something wrong with anything. You don't have to do a thought process. You don't have
00:57:22to do a winning instinct.
00:57:27You don't have to drop your spirit. Theч▓╛чеЮ has to do its own.
00:57:33You don't have to do it. And I'm so lucky that, in the last 1 team, we're constantly hungry and
00:57:39they're with our own work.
00:57:43I always say that the other thing is that if we do something else, we can do something else.
00:57:52This is a process, this is a cycle.
00:57:57Sometimes it's a good time, sometimes it's a good time.
00:58:01The other thing is that people like it are a lot of good time.
00:58:06Some of us do not have the big problems.
00:58:09They say that if I can only get the first star-pravada to Get your first star-pravada,
00:58:19then they will be the first star-pravada to Get your first start-pravada to get out of their first
00:58:21party.
00:58:22They will be the best to get to the first party.
00:58:26If they get children, we will be the best to get them and we will correct them.
00:58:30So, it is a creative process and they are doing ups and downs.
00:58:35My team has always thought that there is no need to go to our dock.
00:58:42We need to do a creative field of knowledge.
00:58:47And we need to do our work.
00:58:51One number, one number, one number, one number.
00:58:55It's a byproduct.
00:58:59Yes.
00:59:00Name is the only team that has been the captain's trophy.
00:59:05But the captain has been told that the team has been representative.
00:59:09I'm representing the entire team.
00:59:12The other thing I want to say,
00:59:14I don't have any time for this,
00:59:16but I don't have any time for my bosses.
00:59:19When I struggle with the team,
00:59:24I don't have any time for my bosses.
00:59:26But if we speak in our own language,
00:59:28if we speak in our own language,
00:59:31then we don't speak in our own language.
00:59:33If we speak in our own language,
00:59:36you don't know how to speak in our own language.
00:59:37If we speak in our own language,
00:59:40we don't express the answers to the English novel.
00:59:41Sometimes we don't get inspired by Marathi.
00:59:45Sometimes we don't speak in Marathi,
00:59:47but sometimes we don't speak in Marathi.
00:59:50I don't speak in Marathi.
01:00:01But in the past, there is a way of speaking in Maryadana.
01:00:04I can't speak in a language in Bangali language,
01:00:06I can speak in a language in Tamil and Tamil.
01:00:11As a result, I have to say that,
01:00:15I have to say that,
01:00:16but I think that I have to speak in a very common language,
01:00:20I have to say that,
01:00:27I have to say that,
01:00:27I have to say that,
01:00:29I have to say that,
01:00:31To adapt every day, this is a big issue.
01:00:37We have content, marketing, consumer insights, PR, digital, on-air, promos, commercial teams,
01:00:52We have a great idea of adapting.
01:00:57This is a very correct idea.
01:01:03This is a very good team that will be made by Asha Paddhati and Malika.
01:01:12I think that's a big issue.
01:01:16I think that's a big issue.
01:01:17Asha Paddhati has been told,
01:01:18that the reality show is a big boss.
01:01:21Highest tiered.
01:01:22Yes.
01:01:23I think that's a big issue.
01:01:25That's a big issue.
01:01:28I think that's a big issue.
01:01:30I think that the first time I was expecting
01:01:31to be able to get the content of this new video.
01:01:36We are a writer, a show, a show, a show, a show, a show, a show, a show, a show,
01:01:43a show, but
01:01:45one thing that I always knew was that I just had the life of your life, so that you never
01:01:56die
01:01:56I think that it is a very important thing.
01:02:00I think it's a very important thing to say.
01:02:01I think that Amir Khan is a perfectionist.
01:02:04I think it's a little better,
01:02:06but I think I think it's very important.
01:02:08So what is it?
01:02:09You've not seen cinema or male,
01:02:12but you've seen it in the movie,
01:02:13but you've seen it in the movie.
01:02:15You don't have to think about theatre.
01:02:18You're doing so big.
01:02:19But you think for theatre,
01:02:21you're a good person.
01:02:22What are you talking about?
01:02:24First of all, America has a big name.
01:02:28You are talking about America.
01:02:30No, please don't say that.
01:02:34The other thing is that I want to start a song.
01:02:38And I want to say that
01:02:41every song comes to us,
01:02:42every song comes to us,
01:02:46every song comes to us,
01:02:52every song comes to us.
01:02:53What do you mean by the name of the song?
01:02:55No, it's not a process.
01:02:58It's not necessary to be an actor,
01:03:02like an engineer, architect, doctor,
01:03:04a lot of professions, cook, chef,
01:03:08anything, pilot,
01:03:09I mean,
01:03:11CEO,
01:03:13but it's a discipline
01:03:15which is a great discipline.
01:03:17The most important thing is,
01:03:18the most important thing is,
01:03:19that's a lot of comedy.
01:03:23Every month,
01:03:23most of the classroom was in theater,
01:03:26but in that case,
01:03:26we have been in four months,
01:03:28we are going to change the work,
01:03:31and we have to change the dialogue.
01:03:32We have to check that the fact
01:03:36that there are four years,
01:03:373 or 3 of the girl ┬╗,
01:03:41so that there are two shots of your family,
01:03:42two shots of your family.
01:03:43The one of those shots is one shot,
01:03:45the one shot is one shot.
01:03:46But you don't have to do anything like this or not do anything like that,
01:03:52but you're giving yourself a lot of experience live.
01:03:55You're very important to have your concentration level.
01:03:58There's a discipline for every year in theatre.
01:04:03I think that's a lot of discipline in theatre.
01:04:07I started to become an actor of theatre,
01:04:10I think it's a lot of experience.
01:04:12I've learned a lot of things.
01:04:13And some of these fields are connected to these buildings.
01:04:20Today I am actively acting, I don't have to do the camera or the cinema.
01:04:25But my channel is very common to say that
01:04:31I am aware of these buildings that I am aware of.
01:04:35They thought that when we were able to hire someone in the industry, they would be able to hire them.
01:04:43They would be able to connect with them.
01:04:48They would be able to connect with them.
01:04:49They would be able to work on the channel.
01:04:57They would be able to do their journey.
01:05:03Now, we have to understand about the work of this.
01:05:09We are able to work directly with one of the people who work well-known.
01:05:17They would have to be able to learn, and learn.
01:05:21I am unlearning myself, and again learning.
01:05:24If you were able to work directly with the work, you would be able to do this.
01:05:30It's a learning process. It's a great learning process.
01:05:35I'm learning co-actors.
01:05:36Today, I'm a young person who is a very young person who is writing a lot of work.
01:05:45I don't have to do any work, but I don't have to do any work.
01:05:49I don't have to do any work.
01:05:51I don't do any work.
01:05:52Yet, as individuals, I can't react to your interest in a interactive work.
01:05:56I feel as though what I am doing is doing all the things.
01:05:59I've been doing everything and I just needed the work.
01:06:03So I'm exactly the same as an old school,
01:06:05and I've been doing everything by changing times.
01:06:11I'm always saying I can't take a look like this.
01:06:20I couldn't take a look like this.
01:06:21It is so much to do with the younger generation.
01:06:25It is because you have to change your life.
01:06:28We have to do what we do with our own work.
01:06:33If we do not know what we do, we will do it with the right-of-phone.
01:06:40We will do it with the work of the contemporary people.
01:06:44We will do it with the work of the contemporary people.
01:06:48What a question, sir.
01:06:49We will do it with the actors.
01:06:55We will do it with the production of the NADK.
01:06:58You would like to say that the NADK is a production of the NADK.
01:07:01The NADK is a big issue.
01:07:07This is a big issue.
01:07:08I am not going to do it with the NADK.
01:07:09I am going to tell you about the NADK.
01:07:15I am not going to tell you about the NADK.
01:07:18I am not going to tell you about the NADK.
01:07:22I am not going to tell you about the NADK.
01:07:43I am not going to tell you about the NADK.
01:07:44You know, the NADK is a big issue.
01:07:46I am not going to tell you about the NADK.
01:07:54I am not going to tell you about the NADK.
01:08:04It was called Pante Kedar Shindani.
01:08:06Ok, it was called back for me.
01:08:07These are The Maza, Shreyas, Makarana Naspure's, Aanshu Man Vichare, Parak Kulkarani, Amol Bhavadekar,
01:08:15they were all raised and she had also become the professional.
01:08:18It's my favorite name.
01:08:20It's called Tachanantar,
01:08:21Tachanantar is a perfect action at 31st and 31st.
01:08:29рдкреБрдбрд╝ рд╢реБрдХреНрд░рд╡рд░реА рд╕рд╛рдд рд╡рд╕реНрддрд╛ рд╣реИ рдЕрдЬреАрдд рднреБрд░реЗ рдирд┐рд░реНрдорд┐рдд рдФрд░ рдирд┐рд░рдЪреНрд╖рд┐рд░рд╡рдпреЗ рдХрд░ рджрд┐рдЧрджрд░ рд╢реЗрд▓реА рдирд╛рдЯрдд рдХрд░рддреЛ рд╣реИ рдпрд╣ рд╕реБрдзрд┐рдд рдореЛрдбрдХ рдирд┐рд╖реНрд╡рддрд╛
01:08:37рд▓рд┐рд▓реЗ рддреЗрдЪреНрдЫрд╛ рд╕реБрдзрд┐рдд рдХрд╛рдо рд╕реБрдзрд╛ рдЧрдИ рдмрд╣реБрдд рдЕрдкрд░ рдорд╣рдд рд╡рд┐рд╢реЗ рд╣реИ рдФрд░ рдпрд╣рд╛ рдЧреЛрд╖реНрдЯреА рдЕрдкрд▓реЗ рд╣реИ рдЙрдВрдмрд░реНрдереНрдпрд╛ рдкрд░ рдПрдВрдзреНрдп я┐╜
01:08:57It is not a feeling. I also think that this is something that can be found in the future.
01:09:00But it has a great positivity that
01:09:04I need to make money and earn money.
01:09:08I also think this is something that is very important for us.
01:09:12I think it is very beautiful.
01:09:15What is your name?
01:09:17I am here with the pleasure of Shukravari.
01:09:20I have a pleasure to thank you for every pleasure.
01:09:23Aishwarya says that Aishwarya is a life-changer.
01:09:26Yes.
01:09:27So, I feel like this is a big deal.
01:09:30So, thanks for being with us.
01:09:31Now, people say that there are only thanks for being with us.
01:09:35That's not it.
01:09:36So, thanks for being with us.
01:09:38So, thanks for being with us.
01:09:41We will have a bank holidays.
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