00:00It's a good character.
00:01It's a good character.
00:03It's a good character.
00:04It's a good character.
00:06If you're copying Hindi,
00:08it's a good character.
00:16We've got to get to Khrushna.
00:18We've got to get to Khrushna's launching.
00:20We've got to get to Smeeta Sarwadet.
00:22Welcome to Lokhmat Film.
00:24Nice to meet you.
00:27Social experience being theя┐╜я┐╜ knew very well.
00:31There are many different people.
00:33This is not the opposite filers.
00:36But moved in to Khrushna's location.
00:37Research is the same in our own landTO be seen.
00:37Not if we have to accept it,
00:40but it's not the only way.
00:41There are unique young people
00:44visiting that rail park.
00:47The village is working.
00:49They've always paid the property money to pay.
00:51They are Mercity.
00:56They have to do youramento
00:57They have to pay for the money, and they have to pay for the money.
01:03They have to pay for the money.
01:06So, the balance of the government is a big deal.
01:11And the government is a lot of money.
01:14The government is very soft.
01:17I think it's a very good character in Phanthasar.
01:18in the character of the character.
01:21Yes, but it's true that we've done a lot of work.
01:24You have a lot of love.
01:27You have a lot of love.
01:31So, how are you doing this tuning?
01:33We've done a lot of great tuning in.
01:38And this role is very good.
01:40Because our bond, on-screen,
01:43is a strong bond.
01:45We've done a lot of great work.
01:48And our bond is strong.
01:51We've also struggled with our good,
01:52and so we've done such a lot of work.
01:54And we've done great work.
01:56So, if you've done a lot of chemistry with them,
02:00you're closed off-screen.
02:02That's good.
02:03The chemistry of off-screen is a good work.
02:06So, this is a good work.
02:07I've had a lot of good work.
02:08We've done a lot of work.
02:10Everyone groups of players even brought the same concept of the movie.
02:15We often used to create a similar character from the Vagli Vagli,
02:18but those characters are similar to Vagli Vagli.
02:21This role is very supposedly opposite.
02:23For example, we don't want to create a comparison with those characters.
02:27Same thing.
02:28I think the Vagli Vagli Vagli Vagli Vagli is a very familiar aspect of the film,
02:35is that the Vagli Vagli anime can create the castles.
02:38We have a lot of confidence in our channel.
02:39I think we have to type-cast the actors.
02:43But we don't have to do anything like that.
02:46We have to give up.
02:47We have to give up.
02:49We have to do a lot of confidence.
02:50We have to work with our father-in-law.
02:54We have to do that.
02:56We will do that.
02:57And we have to do that.
02:58We have to do that.
03:01You thought that we don't have a villain.
03:03We have to do that.
03:06But we have to do that.
03:07But I think that's a look.
03:08It's a little bouncy look.
03:11So, I don't know.
03:12It's a little bouncy nature.
03:14It's a little bouncy.
03:17So, that's true.
03:18Actually, what is it?
03:20Because we are grateful for the Khrushnaivar
03:23that the village has no value.
03:28We have to have to buy a factory.
03:29We have to buy a house.
03:32But the progress of our nature is that we can't do it.
03:45We can't do it.
03:46We can't do it.
03:48But we can't do it.
03:50So we can't do it.
03:53We can't do it.
03:54We can't do the scene.
03:56We can't do it.
04:02If we don't have to do it before we do it,
04:09we can't do it.
04:14We can't do it.
04:15This is our balance.
04:15It's a balance.
04:17It's a balance.
04:19But Matoshri has a lot of love.
04:22But we have a love angle.
04:24We have a love angle.
04:26So, these new houses,
04:28they will soon
04:29come to Matoshri.
04:33Is it going to come to Matoshri?
04:35Is it going to come to Matoshri?
04:36That's the twist.
04:38I don't want to reveal that.
04:40But, you know,
04:41if a girl comes to this,
04:42there's a lot of
04:46misunderstanding
04:47which she comes to.
04:49So, my husband will not get out of the way.
04:52There's a lot of love
04:54and pride at that.
04:56They come here.
04:57And the music
04:59is that the music quality
05:00is that she comes to.
05:02I'm the one who is my character
05:05is the best character.
05:07He's the best character.
05:08She is strong and she is strong.
05:13She is in that way.
05:16She is not as strong as the word of the word.
05:19She is strong and she is strong.
05:23We are in our first place.
05:28Because we have entered the road,
05:30we are in our first place.
05:33We have a action sequence.
05:35So, we've done a remake of Malika, we've done a remake of Ganga Mai's daughter.
05:43So, did you get your character first?
05:46No, we don't have the same thing.
05:49Because there is influence.
05:51And you have a lot of language in the country.
05:57You have to do it for yourself.
05:58If you have copied Hindi, you can't get a character.
06:02The work of the Marathi, the Marathi Baza, is not a good job.
06:08So, I think that it's a great deal.
06:11You can't follow this.
06:13You are the character.
06:15You can do it.
06:16So, I think we have the same job.
06:19But, I think we have a little question.
06:21But, you have to ask for the whole world.
06:24Because of the gap between the two, it's a big gap.
06:27You have to ask for the whole world.
06:31It's so good to see you.
06:33I'm a Hindiman.
06:35I'm a Hindiman.
06:37But the Marathi purpose is so loyal to Marathi.
06:44I'm a Hindiman.
06:46I'm a Hindiman.
06:48I'm a little bit older.
06:50But I'm a Hindiman.
06:51I'm a Hindiman.
06:52I'm a Hindiman.
06:52But I'm a Hindiman.
06:55That's not the best.
06:59But you have to tell me,
07:02that is your character.
07:03How did you tell in Vegas
07:04that is your special character?
07:07How did you tell me?
07:09No, but I'm an audition.
07:11I'm a director.
07:13I'm not an audition.
07:15I'm not an audition.
07:17I'm not an audition.
07:18I'm a little bit older.
07:19I'm a little bit older.
07:27I'm a little bit older.
07:29I'm anэХШьЛа in the hand.
07:30I'm a little bit old.
07:32I feel that I'm very careful.
07:34That is why I'm a bit more negative.
07:38And that wasn't a good thing.
07:39And it wasn't a soft feeling.
07:41That is a good thing.
07:43As a director, I'm something really important.
07:45And that I'm a lot of fun.
07:47I am a great job.
07:49I'm a nice guy.
07:50Why not only do we work the same for the day of the day?
07:55Or will you work the same for the day at night?
07:58I work the same for the day, but I do not work again.
08:03But I work the same for the day, because I work the same for the day at night.
08:09I have a lot of fun. I have a lot of fun.
08:13I have a lot of fun.
08:19I am not ready to be in a car at work.
08:22I am not ready to be in a car.
08:25I will catch up a lot.
08:27But it's great to see you.
08:29Thank you, Malika is a really good thing.
08:32Because we are thinking that we are hearing about a little bit.
08:36There is a very good one.
08:39But how did we learn about that?
08:40We will get you into the comments.
08:43We will take you into the comments.
08:46Thank you very much.
08:51You
Comments