पंचायत with जितेंद्र जोशी, मकरंद अनासपुरे, ओम भुतकर, उषा नाडकर्णी, अंशुमन विचारे । तुंबाडची मंजुळा

Lokmat Filmy

पंचायत with जितेंद्र जोशी, मकरंद अनासपुरे, ओम भुतकर, उषा नाडकर्णी, अंशुमन विचारे । तुंबाडची मंजुळा  #tumbadchimanjula #tumbadchimanjulamarathimovie #tumbadchimanjulateaser #tumbadchimanjulasaitamhankar #tumbadchimanjulamovieteaser #lokmatfilmy    आमचा video आवडल्यास धन्यवाद. Like, Share and Subscribe करायला विसरू नका! सबस्क्राईब करायला क्लिक करा -  https://www.youtube.com/channel/UCC_aEK1jUpUPaa_N1aamvlA?view_as=subscriber

Transcript

00:00There are many people who are going to be in the world,

00:07but they are not going to be in the world.

00:09They are going to be in the world.

00:12They are going to be in the world.

00:14That's right, my lord.

00:17If you have to stay in cinema,

00:20if you have to be in the cinema,

00:22then you will be in the world.

00:24You will be in the world.

00:54Hey, Maharaja!

00:55I don't want to see the present.

00:56I don't want to see it.

00:57It's so beautiful.

00:58They are so beautiful.

01:01They are so beautiful.

01:02I mean, the past few months ago,

01:04they are just quite curious.

01:06You know, the past few months.

01:08They are just like the past few months.

01:10But no matter how much.

01:12They are so beautiful.

01:13I don't know how much.

01:13We're on a journey in the future.

01:16Go! Go!

01:18Go!

01:19Go!

01:21Go!

01:21It has to take a look at him.

01:22In this person's reaction, you have a child.

01:26As if you say this is how she is doing it.

01:29That's not a boy.

01:31This is my daughter of rice, I do it.こんにちは

01:37I am Pooja Burka, and welcome to this film of LAQMAH. Today,

01:42there was a place called the Platinum. The set

01:45of the Platinum on the side of theánh is arthritis. The越as

01:47of the Platinum is a discrete machine,

01:49The third entry is Manjura.

01:53So, what happened to Manjura in Manjura?

01:54I mean, there are a lot of reasons.

01:57Everyone knows how many of you, Manjura,

01:59and the team has come together.

02:00First, welcome to the office of Manjura.

02:05But, what happened to Manjura in Manjura?

02:08What happened to Manjura in Manjura?

02:10What happened to Manjura in Manjura?

02:13What happened to Manjura in Manjura?

02:17For the last century,

02:19The third century has come together...

02:19...so it's nothing that happened to be in peace.

02:22The third century was destroyed and it's nothing that happened to be there.

02:24Why did you participate in these decisions?

02:25If you asked yourself to know what were these decisions...

02:28...for this period was 5 June 2027.

02:32It was over the public of Manjura,

02:33...the state of the state of the island,

02:35...and the state of the land,

02:36...can you have heard of Manjura?

02:41So, this is the beginning,

02:43You came to ask that

02:44I could call a woman for a baby.

02:47But she was acting like a woman,

02:50and she became very angry.

02:53Because she was so angry.

02:55And she was so angry.

02:59She was a girl.

03:03But she was angry.

03:06She was angry.

03:08And she was angry.

03:10But Sujit Kumar and our step Sopi came to us.

03:15He said, what are you going to do?

03:18He said, you know, the songs are so...

03:21...ourjavan songs.

03:22That's a great song.

03:24That's how we sing.

03:25And the Sopi came to us all.

03:29He said, you know, sing.

03:31He said, you know, you sing the song.

03:34I will not sing it.

03:37I will sing it.

03:38It is a song called Parva.

03:41It is a cinema.

03:42It is a cinema.

03:43I am sure I know this.

03:46I am sure that everyone is able to know this.

03:48I will say,

03:48I will sing it with you.

03:50I will sing it with you.

03:54I will sing it with you.

03:57We are going to come to this song.

04:00We are going to sing it with you.

04:03I have a question about StarCast.

04:10How do you think about StarCast?

04:13Who is the star cast?

04:15StarCast is the star cast.

04:18No, no, no.

04:25StarCast is a very important story.

04:27It is a true thing that had an respect to other people.

04:30We also have the same subject, to whom you read about,

04:35and the characters must be carried out.

04:36But the characters, the characters, both have the same image.

04:44We see where characters, the characters are shared,

04:48where we are other characters from the same moments.

04:53And I am telling you to give a story that

04:54Jitu sir, Sai, Makarun sir, all the legends are all about the characters.

05:04You don't want to know Jitu sir or Om Om, so you don't want to know the characters.

05:10I'm really enjoying the performance.

05:17I don't want to say anything.

05:20I don't want to know what the world is, but I think that's the question.

05:26My question is that we are very excited about the film.

05:30What is the film?

05:32I don't want to know about the film.

05:34There's a lot of films, there's a lot of comedy, a lot of films.

05:41But, what's your film? What's your film? How are you doing?

05:46My name is Keshav, and I don't have to worry about it, because there's a lot of things that happen

05:54to us, and there's a lot of things that happen to us, and there's a lot of things that happen

05:57to us.

05:57But Keshav is a part of painting in the village, which is a part of painting.

06:02Here we have a painting in the village, and there's a piece of painting in the village.

06:08And there are a lot of things that happen to us.

06:13Now that means that you are a hero.

06:17And you are proud of that.

06:21And also that the Japanese people don't have a picture, and you are happy to see that.

06:23And there's a lot of things that happen to us and that we have to say that in your message,

06:29I should have been told about my friends,

06:30how did you know this house come from now?

06:32And when you know that one house,

06:35where did this house come from?

06:37Where did you know the house come from now?

06:38The house is a big process.

06:40Because the cinema is prepared.

06:44There are also casting.

06:46And there are many people who have had a house.

06:48And there are a lot of houses come from now.

06:49I mean, I mean,

06:51I think there's something to come from now.

06:53I think that the house is a house.

06:55And there's so much that house is coming from now.

06:58And there's so much to come from now.

06:58I had a very good experience in that.

07:00And I had to teach them about it.

07:02And I had to learn about it.

07:05So, now it's a very common, something unique.

07:09And there's also a task in that.

07:11In this studio, I had to learn about business.

07:14I had to learn about the cinema.

07:18I had to learn about it.

07:19And I had to learn about it.

07:20I had to learn about it.

07:23I had to learn about it.

07:26In the Hukun case, he was talking about these films.

07:29It's a great one about their film.

07:32Like, that's one of the places they went to Winfried,

07:34and they have seen their film very well.

07:36When they see their films, they are very nice.

07:40So, if you like to think about it, they are in cinema.

07:44Then, because of the movies,

07:45here are a big list which I see.

07:49So, they are unique in this cinema,

07:52for this film.

07:53The shooting is really good.

07:59I was invited to go to a car.

08:01I was able to get a car from a coche from the POV.

08:05The coche is beautiful.

08:08All of my buildings have got shooting in the cinema.

08:16You have been shooting in the coche.

08:20Okay.

08:21My question is right.

08:23I don't know if you don't have a poster of the team, but the team needs to be able to

08:31do that.

08:34How are you doing this?

08:35How are you doing this?

08:38Outstanding.

08:39A very difficult experience.

08:41I ask you all,

08:42I think that everyone can't do something,

08:44I mean,

08:45I can't control myself.

08:46But when we start a big deal,

08:49it becomes a tough difficult.

08:51It's a fantastic experience.

08:52Well, I mean,

08:55I would like to build our house

08:59because it's a great young house because

09:02it's not such a huge opportunity.

09:03and you didn't have to wait for 5 June.

09:08But you didn't have to say that

09:10you didn't have to be able to get any of this.

09:14And I didn't have to be able to get any of this.

09:17So I was very excited and nervous

09:20that the audience was receiving the audience

09:25in the cinema and I was able to get it.

09:28The first question is that

09:30the audience was shot in the cinema and the audience was released.

09:34So the audience was shot in the cinema.

09:36How did the audience get involved in the cinema?

09:39One minute.

09:39The audience was shot in the cinema.

09:45I think it was a great experience.

09:47What are you doing?

09:51Hello, I'm Adana Priyal.

09:53I'm here at the cinema.

09:54I am talking a lot of people

09:59I don't have to understand.

09:59There are many people in the cinema.

10:01And not many of us.

10:02And there are many people in the cinema.

10:05And I think about various roles.

10:08I'm doing a lot of work.

10:09How many films are in the cinema?

10:10Yes, my third film is in the cinema.

10:12How are there?

10:13Kakan.

10:14Exactly.

10:16Yes, I do.

10:23Raja Shiva Ji and the third Tumbadchi Manjwal.

10:26And there is one of the best things to do in the cinema as much as you can see in

10:31the cinema.

10:32What do you think about coconut?

10:37In the coconut, there is a lot of talent.

10:40There is a lot of talent.

10:44But there is a lot of talent.

10:47There is a lot of talent.

10:50There is a lot of talent.

10:52But the lot of talent is different.

10:55But with the right people here are one of their shows.

10:59But I think that is a great talent.

11:02There is a lot of talent.

11:06There is no one atle of the other.

11:08That's a lot of talent.

11:09Therefore, I love you and the best talent.

11:12Because the result that I love you in the area is a great talent.

11:16You hear how we shoot an encontrarse.

11:19and you should do your job.

11:20Do you think the world of koken are a good place?

11:21Yeah, Koken can say that's such a great place.

11:28It's like a good place.

11:28If you are a koken, the world of koken will be here.

11:31If you're a koken, you should be here.

11:32You should be in the koken.

11:35My knowledge is because you are such an artist.

11:37You know, for years we use those koken in our own.

11:41If you take the shade of koken, we will be to make worship.

11:45If you can amount of worship.

11:47and it had a great deal that was in the city of стала.

11:51But, the city of the village, the city of Gosrawala, the city of Gosra, the city of Gosra, the city

11:59of Gosra, the city of Gosra.

12:02The city of Gosra isn't the only tenth thirty-six.

12:03They use the same material as the river of his own.

12:06It is not the exception.

12:09There is no more information about this.

12:14We have to use the same material as well.

12:17I'm sorry, my mother hasn't died in my life.

12:44You can't find it in the future.

12:49We have to think about it once a month in a while,

12:54and we have to think about it in the film.

12:56If we have to think about it,

12:57We have to think about it,

12:57because we have seen the film there is a movie.

13:02We have seen the film in the Makhran,

13:06the film is the film.

13:09The film is the film.

13:09Do you have to do on this project or an influencer from the Royal roster?

13:16When there is a proper audition for them, in the workshop they told them to train Yep,

13:23the important role, field to roll, and the fullest.

13:26After shooting at Kokanad Jimates and KMG isie you, KG and India are Fitzpatrick

13:34related to the accordion of the takes here?

13:37I have a very important question about the Koksha.

13:44The Koksha is a beautiful house.

13:46It is beautiful.

13:47It is beautiful.

13:49I have no trust.

13:51I have never heard about it.

13:54I have never thought about a beautiful house.

13:56It is beautiful.

14:00It is beautiful.

14:02It is beautiful.

14:05This house is a beautiful house.

14:08I have a very strange house.

14:10It has a very interesting house.

14:19We draw a beautiful house.

14:21It is so interesting.

14:30It is very interesting.

14:33This is the last time I was working with.

14:35Well, you should see your wife as well.

14:39I will see you.

14:40I had said that my wife and my wife and my wife had a very nice day.

14:47I thought that my wife was very nice and very nice.

14:49So, my dad, I have the same time for my wife.

14:52I have the same time for my wife as well,

14:56I have the same time for my wife.

14:58I have the same time for my wife.

15:00There is a house. It's very difficult. I didn't see a lot of people.

15:11When I was shooting in the shooting, when I was in the building,

15:18when I was in the building, when I was in the building,

15:20So we're all about to make up the same place,

15:28but there are still many people who have been able to sell this.

15:32So we're all about to make up the same place.

15:34We're all about to make up the same place.

15:41So the person in this country is here a certain place.

15:45Oh sure!

15:48We're all about to make up the same place.

15:50That's why it's not a good place.

15:53It's a good place.

15:54One year, it's a good place.

15:56It's not a shooting.

15:58It's not a coconut.

15:59It's a goat.

16:01It's a good place.

16:03There we go to a village.

16:07There's a lot of people shooting.

16:10There's a village in the village.

16:12There's a village in the village.

16:15There's a beautiful village.

16:18There's a lot of people that don't know what the village is.

16:22But there's a lot of people that are going home.

16:26There's a lot of people living in the village.

16:28And there's a lot of people living in the village.

16:30There's a lot of people living in the village.

16:35And I'm going to go to a two-wheelers.

16:38And so it's a great place.

16:41It's very obvious that you know who is in the village.

16:45And there are many people living in the village.

16:47And there's a lot of people living in that village.

16:49And I'm like, an odd man.

16:51I'm wearing a watch.

16:52And I'm wearing a watch.

16:54But I'm not sure if it's like...

16:55I have to pay for a token or something.

16:58And I've come to a house and ask myself.

17:02So I'm not going to do that.

17:03So that's what is happening.

17:04foreign

17:19foreign

17:21foreign

17:37foreign

17:53foreign

18:04,

18:05,

18:05.

18:06The focus of the children in our career is also based on their story.

18:14We will think about the moment of the film.

18:17We will not say that if we keep the content later, we will read about the film.

18:23We will draw a character in the film because of the film.

18:38So, this is a real part of the story, and I thought it was an award.

18:44I thought it was an audition and workshop, and I thought it was a proper audition.

18:52I thought it was a cast in the cinema.

18:55So, I thought it was that if the content creator and Amok and Amok don't differentiate,

19:01then it was an artist, and it wasn't an artist.

19:05I thought it was an influencer.

19:08I would add a little bit to that.

19:09I thought it was that when people were in Marathi cinema,

19:13they opened up the Marathi cinema.

19:16They opened up the Marathi cinema.

19:19And I thought it was not that there was a Marathi cinema in Marathi.

19:23She felt the same of the limits of the cinema in the the other days.

19:25And I thought it was an interesting thing.

19:27There was an opportunity to warm up Marathi and glamour.

19:33This is also the same thing.

19:35And it was a lot of young actors in the cinema.

19:38And it was really big for the audience.

19:42I thought that the audience opened up the doors of Marathi.

19:46And that's why Abhinaita, Abhinaitri, Dikdarshak, this is the real thing.

19:53That's why you don't do that.

19:55I think that Abhinaita is a real thing.

19:59What is the real thing?

20:00I think it's a real thing.

20:02I think it's a real thing.

20:04We have to make a real thing.

20:06We have to make a real thing.

20:08Yes.

20:09I feel like we have to say that we have to make a real thing.

20:19You think we are all alone,

20:19having a real thing down the road and moving into my life,

20:21having peace, where everything comes from.

20:25We don't know if that's why I have to make a real thing for it.

20:30So just work out.

20:31So the truth is,

20:31if we can do our content,

20:33we have to make a real thing,

20:34we don't really need to make a real thing.

20:51my question is, I drew a trailer that shows comedy-horror

21:27horror

21:28So, there is a pattern that you know.

21:31So, in June 5th, you will listen to Javalsha Chitra Bhatt Pahala,

21:35you will see Manjula.

21:38And what are the patterns that you have to do?

21:40This is just a horror-comedy.

21:43We don't have to explore any genre here.

21:46We have all the emotions that you have to do.

21:49And this happens outside.

21:50If you have a pattern that you have to do with a pattern,

21:54you don't have to understand that.

21:56You have to do that in the cinema.

22:25Thank you very much.

22:27There's probably some kind of storle.

22:28I just want to like this.

22:33There are many parts of the people who pay attention to their friends.

22:39There are various clubs in the community and meet up with them.

22:42People know they are playing a Frozen movie.

22:45People know they are playing a Frozen movie.

23:17Yes.

23:19Ok, this is something like this.

23:21I feel excited to celebrate it.

23:26Can we say about this film in terms of the group?

23:30You really don't want it!

23:34My question was,

23:36we had filmed a scene,

23:38so we had very warm stress.

23:40Seeing the scene was kind about the eventh instant Asian work.

24:01No more day to come and trouble us.

24:34No more, no more, no more, no more, no more.

25:04Thank you very much.

25:34Thank you very much.

26:03Thank you very much.

26:34Thank you very much.

30:24Next.

31:04Do you feel sorry?

31:05Do you maar telu7.

31:11huh

31:14I love it

31:15I love it

31:16I'm

31:16I

31:21go

31:23I

31:28I

31:29I

31:30I

31:31I

31:32I

31:33I

31:34I

31:35I

31:44I

31:45I

31:47I

31:48I

31:50I

31:51I

31:59I

32:18I

32:19I

32:21I

32:22I

32:23I

32:47I

32:48I

32:50I

33:01I

33:03I

33:05I

33:06I

33:07I

33:09I

33:13I

33:14I

33:15I

33:17I

33:19I

33:21I

33:23I

33:34I

33:35I

33:36I

33:37I

33:40I

33:43I

33:51I

33:52I

33:57I

33:58I

34:00I

34:03I

34:14I

34:15I

34:16I

34:18I

34:29I

34:30I

34:31I

34:33I

34:34I

34:36I

34:37I

35:03I

35:04I

35:07I

35:21I

35:26I

35:27I

35:28I

35:31I

35:32I

35:46I

35:47I

35:51I

35:52I

35:53I

35:54I

35:55I

36:03I

36:08I

36:09I

36:21I

36:22I

36:24I

36:25I

36:33I

36:34I

36:36I

36:37I

36:40I

36:42I

36:44I

36:45I

36:54I

36:56I

36:58I

36:59I

37:01I

37:03I

37:05I

37:14I

37:15I

37:18I

37:27I

37:28I

37:29I

37:30I

37:31I

37:32I

37:33I

37:34I

37:37I

37:38I

37:39I

37:41I

37:43I

37:45I

37:46I

37:47I

37:48I

37:49I

37:50I

37:51I

37:52I

37:53I

37:54I

37:57I

37:58I

37:59I

38:21I

38:23I

38:24I

38:34I

38:37I

38:38I

38:49I

38:50I

38:51I

38:52I

38:53I

38:54I

39:05I

39:06I

39:07I

39:09I

39:10I

39:32I

39:36I

39:37I

39:38I

39:39I

Category

Transcript

Comments

Recommended