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Iconic doesn't even begin to describe this walk down fashion memory lane with Sarah Michelle Gellar. Ahead of her new series Wolf Pack, the actress gives us the scoop behind some of her most memorable on-screen looks from Buffy the Vampire Slayer, I Know What You Did Last Summer, Cruel Intentions, Scooby-Doo, and more. Get your Buffy boots ready to go Behind The Looks!


Director: Stephanie Romero
Cinematography: Matt Burke
Video Editor: Collin Hughart
Producer: Ari Vega
Camera Operator: John Vogt
Sound Mixer: Jason Flaster
Associate Video Producer: Kellie Scott
Executive Director, Creative: Alexa Wiley
Executive Director, Entertainment: Jessica Baker
VP, Social: MacKenzie Green
Transcript
00:00Hi, I'm Sarah Michelle Gellar and today we're going Behind the Looks with Who, What, Where.
00:10Oh my gosh! That was I Know What You Did Last Summer which was my very first big feature film
00:18and Helen was from a small town that wanted to get out of her small town and had big
00:25New York dreams and her wardrobe reflected the fact that she had never been to New York City.
00:30It's really hard because you have to be able to run away from the bad guy but if your outfit
00:35says
00:35I'm about to run away from the bad guy then they know you're about to run away so usually you're
00:40in something that is not conducive to running away. In this instance it was a dress that she wore in
00:48a
00:48parade which was a green like a green satin that wrinkled a lot. It was my first experience ever
00:55with a leaning board which is basically what they give you on set so that you don't wrinkle
00:59and you don't sit down you just lean backwards it doesn't help at all and then the shoes were so
01:03bad that at some point I actually just lost the shoes in the fight sequence and ran barefoot
01:08through the streets of Wilmington North Carolina or Southport North Carolina actually. Well Buffy's
01:12costumes were a huge part of who she was and what she was experiencing at that moment. When you first
01:17meet her she's this traditional essential valley girl California girl that doesn't want the weight
01:24of the world on her shoulders and she dressed accordingly but as she accepted the power and
01:29the responsibility her outfit sort of progressed with that but Buffy was always fashionable I think
01:35it was one of the first real female heroines that you saw who did not sacrifice fashion for killing.
01:41The boots the Buffy boots we used to say when the boots went on you know the fighting was going
01:47to
01:47happen I still have a pair of those boots in my house that I still fit into but I was
01:52devastated
01:53because at one point I think for a big fashion spread I don't remember what it was but our costume
01:58designer sent one of the pairs of the original boots to be photographed and she never got them
02:02back and I was devastated because we didn't have that many of them and that was the iconic Buffy boot.
02:08What did I keep for my Buffy wardrobe? I wish I would have understood to keep more of it not
02:12that
02:12necessarily that was an option because the studios like to take it back but you don't realize the
02:16sentimental importance that you'd have on something like that later a lot of times at the end of an
02:21episode you're so sick of looking at an outfit that you don't always take it again if the option is
02:26available now I don't make that mistake anymore but I do have the boots still the dress in season one
02:34where Buffy gets killed for the first time was a copy of a dress that I won my Emmy in
02:40and I still
02:40have the original dress that it was the copy of I think I still have the jacket she wore in
02:46the last
02:47episode but I don't have a ton I wish I wish I had more oh I have a steak I
02:50have Mr. Pointy oh Scream 2
02:54that was just such a highlight for me getting to be part of that franchise I had just done the
03:00very
03:00first year of Buffy it hadn't even aired yet when I got cast in that movie and it was all
03:05of these
03:06icons at the time Courtney Cox and Neve Campbell and we just had a great time and that outfit
03:12actually thankfully was more conducive to being the girl that was killed in fact if I'm not mistaken
03:17I actually had sneakers and stretch pants and so that was amazing but I always remember in particular
03:23it's not fashion related but that scene with the phone which also is funny because now you look at
03:28that scene in that phone is so ginormous but I remember that Wes Craven gave me one of the best
03:34acting tips it was just such a minor note but whenever you ask who it is when you're on a
03:39phone
03:39cell phone whatever you tend to look at it and say who is it which is such a weird thing
03:43because you
03:43can't see them I guess now you can see them but in those days it's FaceTime and I always when
03:48I see
03:48that outfit I always think of that curl intentions Denise Wingate was our amazing costume designer and
03:54we had all of these ideas and she just made these visual dreams come true the corset the famous
04:01corset was built at a very famous Los Angeles shop called Trashy Lingerie which is pretty famous but
04:08they also do some of the most amazing intricate bodice corset costume work and I had never been in the
04:14store I was 20 years old I think and I remember the first time she told me we were going
04:20there I got all
04:20like blushy and shy and by like the third fitting I was like yeah I'm here and you become a
04:26member
04:26when you go there because I don't want people just coming in to sort of look and ogle the clothing
04:30but
04:31it's they really do amazing craftsmanship and that's where the corset came from and then the kissing
04:36scene in Central Park was another one of those odd visions that I had and I just I saw this
04:42big
04:43hat not quite breakfast at Tiffany's but like ginormous and they don't they're not very common and so we
04:49uh we called it the church hat and we had to go to a store that like specialized in Easter
04:55Sunday
04:55type outfits but then all the hats were blue and pink and it was it was definitely like we went
05:00all
05:00over Los Angeles to find like the perfect black hat for that scene but her costume was so specific
05:06and and New York specific and it was a character in of itself when I first saw the crucifix I
05:12just
05:12kept thinking it's so ginormous like first of all that's a lot of cocaine in that cross but I guess
05:17Catherine was very wealthy we can digress on that probably not appropriate but I just kept
05:21thinking like can we make a smaller one because how do you make that fashion and it was the same
05:26thing we went through on Buffy with the cross because Angel gives her the cross in episode
05:30I think seven maybe of the first season and obviously I was going to be wearing this cross
05:35forever and it was just like made by a prop master and nothing against a prop master but like you
05:40want
05:40your costume designer to design something you're going to have to wear it with every outfit and the thing is
05:45you know I have a tiny torso and the thing is like this big it felt like the Mr. T
05:49cross they both did
05:51Lisa Evans the costume designer from Scooby Doo that was such a great costume experience again almost
05:59every costume in that movie in both films were built from scratch those boots were a copy of a pair
06:06of
06:06Louboutins that we loved but did not come in Daphne purple and were custom made to match the original Louboutin
06:13and I think they had purple undersoles also as an homage to the original shoe but those costumes were
06:21epic and the second one in the big opening sequence which was like Daphne's red carpet moment we made
06:26this feathered jacket and it was great in theory because we needed a coat because it was so cold we
06:31shot the second one in Vancouver in the winter but the feathers just kept going up my nose and if
06:37you
06:37watch some of the scenes you can see me kind of doing this when I'm speaking because I
06:42feathers all at my nose seeing my husband in an ascot ridiculous oh the grudge yes that was such an
06:50interesting experience because we did if I remember correctly all the costume designing and all the
06:56meetings in America and then everything had to be shipped out to Tokyo and a lot of it was dressing
07:02for warmth because we shot the movie in the winter and it gets very very cold in Tokyo but what
07:08I very much
07:09remember about that outfit in particular was that we wound up having to do some reshoots in the summer
07:14while Tokyo summers get very very warm and I was roasting and so I had this great idea that I
07:21would
07:21tape ice packs all over my body because I had a sweater like I had layers so they wouldn't see
07:26them
07:27and it would keep me cool which was great except then the ice would start to melt and it would
07:31like drip
07:31and fall and the sound people would pick it up on the mic so they very quickly took all my
07:35ice packs away Ringer that was such a fun fashion show when you're playing twins and you get to really
07:42create the characters and obviously one of the main ways to differentiate between the two sisters was
07:47their wardrobe but Siobhan was wealthy living in Paris we had some fun with that in fact people used to
07:53really like do full commentary on the outfits on that show do revenge that was such a great experience
08:00Jen Caten Robinson who was the director had a very specific vision for the entirety of the movie that
08:05went for fashion that went for costume design it was all a big aesthetic she even sat down with me
08:13to
08:13approve what the office would look like how the wardrobe would fit and that outfit may or may not be
08:19hanging in my closet currently did I have any advice on how to play bitchy iconic high school you know
08:25I
08:25think if you've been a female in high school you know how to be a bitchy high schooler whether you
08:29were one or not you experienced it my one costume from wolfpack this was a running joke because I think
08:39I literally wore my arson jacket not literally I think I actually wore my arson jacket through every
08:44episode and would change my tank top and my cargo pants and it was the greatest because I never had
08:51to
08:51take time out of my day for wardrobe fittings but Barbara Vasquez our costume designer is one of my
08:56favorite people on earth I absolutely love her so we made up for it with her shoes because you have
09:02never seen an arson investigator that wears ferragamos like my character like Kristen Ramsey does every
09:09boot shoe moment was its own world and it's also like a nice give back to my fans because it
09:17is a genre
09:17that I haven't been in a long time and you do sort of think about Buffy and the boots
09:21and this is my modern homage take to the Buffy boots she wears shorter boots they're ankle boots
09:28she has a Miu Miu pair a Chloe pair but I mean she's an arson investigator in Los Angeles
09:34she has some fashion sense thank you everyone this has been really fun reliving some of my
09:38my favorite characters and their looks
09:42you
09:42you
09:43you
09:50you
09:51you
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