- hace 7 horas
Sueños de Libertad Capítulo 586
Categoría
📺
TVTranscripción
00:06With their decision, we bring our business to an end.
00:09In exchange for what?
00:10What do you mean, in exchange for what?
00:11Yes? What did we achieve?
00:13Restore the queen's perfumeries.
00:15It is very likely that he will find the morphine.
00:18Precisely for that reason, because the body was in good condition.
00:21And don't worry, I'll keep your secret until I die.
00:27My only regret is not having found out the truth sooner, because if I had known, I would have protected you.
00:32that scoundrel Pelayo.
00:33When I arrived she was fine, but I called my father to say that we would have the results this afternoon.
00:37autopsy.
00:38I don't think you're fit to work.
00:42Right now you're the only thing in my life that's worthwhile.
00:50The industrial sector is the most important thing I have with my father.
00:53And I really need your help.
00:54What you want is for us to start talking to your father so he doesn't sell it.
00:58I don't expect you to respect me, but I do want you to respect my children.
01:01And that you spare them an embarrassing situation.
01:03You can rest assured.
01:04And don't take advantage of a good woman like Antonia.
01:06Then fire her.
01:07I'm going to die to that man.
01:10It would be very naive of me to think that I'm going to come out on interest.
01:14Yes! Yes!
01:15Yes!
01:18You had it all planned out.
01:19Pick up that photograph, show it to Begoña, then show it to Julia, and everything will blow up.
01:24Well, welcome to Perfumería de la Reina.
01:28Thank you for helping me.
01:33Much better with mommy, right?
01:38Much better with mom.
01:48Dreams of freedom, to live differently.
01:52Wings to fly, wherever the soul desires.
01:57Dreams of freedom, the heart does not wait.
02:01He's asking for another chance.
02:05Dreams of freedom, dreams of freedom.
02:08Even though the past hurts, start again.
02:12To love whomever I want.
02:14To shout my truth at them.
02:16Live without fear and without looking back.
02:36Dreams of freedom, dreams of freedom.
02:48Imagine, I have to review some details of the orders from the last six months.
02:52By this afternoon, when it arrives to brosar.
02:56My dear Marta.
02:57I wish I could help you.
02:59You're already helping me just by being here.
03:02Tell me, how's the apartment?
03:03Oh, very good.
03:04I'm delighted.
03:06I'm already settled in.
03:07That's the good thing about having only four things.
03:09And has she cleaned the kitchen for the landlady just as you asked?
03:12No, Marta, no.
03:14But don't worry, take it one step at a time, really.
03:16If I want to do it the way I like it, I'll do it calmly.
03:19In fact, I'm going to look at paintings this afternoon.
03:21And I want to go to the Santa Águeda market to see a lamp that I liked.
03:25Will you come with me?
03:28You know I can't this afternoon.
03:29Oh, nothing.
03:30The arrival of Brosar, forgive me.
03:32I would love not to have to receive Messier Brosar.
03:35But I can't afford to take the afternoon off.
03:38I know, don't worry.
03:40It's hard not to worry.
03:42And not only for that reason.
03:44What happened?
03:47My father has decided to sell the industrial business in order to make an offer that can compete with Floral's.
03:54Well.
03:56But hey, that's not a bad thing, is it?
03:58No, if Tassio hadn't raised a huge fuss because my father hadn't consulted him before
04:04make the decision.
04:05But seriously, what's wrong with this man?
04:07Isn't what he did to Carmen enough for him?
04:09And I don't understand their position either.
04:11The worst part is that it puts Andrés and me in a very compromising situation.
04:15But committed to what?
04:17What is his goal?
04:18Because he wants us to pressure our father to change his mind.
04:22And the truth is that Andrés and I...
04:25Well, selling the industrial company in order to save the perfumery doesn't seem like such a bad idea to us.
04:31So, where's the problem?
04:33What's so sad about being at odds with a sibling?
04:37And even more so when I refused to sell the House of the Mountains in front of him.
04:42If only he knew.
04:46Good afternoon.
04:47Hi Claudia. What are you doing here?
04:48Can?
04:49Sure. Well, it's possible.
04:51Clear.
04:51How wonderful to see you here.
04:53Yeah.
04:55I've come to see my aunt Manuel for a little while.
04:57Well, I think I was in the dining room.
04:59I had some work to do.
05:02Well, since I've been busy, I'd like to ask you a question if you don't mind, Mrs. Marta.
05:07Clear.
05:09I don't know if you know whether Tassio has hired Paula here at the factory, the girl who used to work here.
05:14in the Big House.
05:16Paula, why would I do that? What a silly thing to do.
05:19Well, I don't know, I ran into them today in the courtyard of the neighborhood, on my way to the offices.
05:25Well, I don't know, maybe...
05:28Claudia, you might have made a mistake. It probably wouldn't be Paula.
05:32No no.
05:33I'm telling you, it was Paula.
05:34I know her very well. I've run into her here when I've come to visit my aunt Manuela.
05:38And why do you think he hired her?
05:42Well...
05:43Why else would they be in the courtyard of the colony?
05:45I say that if Tassio wanted to continue messing around with Paula, he wouldn't do it here in front of all of us.
05:51I don't understand how he can be so shameless.
05:54If that's the case, then he's certainly going to hear from me.
05:55Okay, I'd better pack my things and head to the factory.
06:11You look so elegant.
06:14Well, this...
06:15This is the most formal I've found.
06:18I have to go to the Forensic Anatomical Institute to find out the results of my father's autopsy.
06:23The one who will confirm whether the death was natural or not.
06:28Or the one who could condemn Nieves for life.
06:31And not only her.
06:33Could they implicate someone else?
06:38Well, I...
06:40I'm referring to his family.
06:44I can't even imagine how hard it's going to be for Miguel and...
06:47And for Mabel.
06:49She will see her mother leave in...
06:52In prison.
06:54Not to mention that the sentence could be even harsher and more definitive.
07:01Because it is an exhumation, it has been given priority.
07:05So we'll know soon.
07:10I hope she is declared innocent.
07:14But what if that's not the case?
07:18If it's true that he helped your father die without you knowing.
07:25I want you to know that I am absolutely convinced that he did it so that he would have a dignified end.
07:39Dina, my father was suffering terribly.
07:44She writhed in pain on the bed.
07:46Was...
07:46It was unbearable.
07:49I can imagine.
07:53Nieves is a good person.
07:55And a great nurse.
07:57It is?
07:58His only fault has been being brave.
08:02Wanting to help others live in dignified conditions.
08:07I understand you.
08:15How are you, Paula?
08:17How are you finding it here?
08:18Well, I don't know, man.
08:19The manager explained everything to me in a rush.
08:22although it doesn't seem very difficult.
08:23Well.
08:25I'm sure you do everything wonderfully.
08:28I've brought you a tortilla sandwich from the canteen.
08:30For me?
08:31Yeah.
08:32This is not a colonial plantation.
08:33Here we take breaks from time to time to eat something too.
08:36Come on, that's an order.
08:37OK.
08:39By the way, Tatius,
08:41I wanted to ask you, please,
08:43Don't tell anyone I've been sleeping on the street.
08:47Paula, really, why would I make a comment like that?
08:49I don't know, because they might ask you why you hired me.
08:54Look, I don't have to give explanations to anyone at work about all this.
08:58So please, stay calm.
09:01Thank you.
09:04And that cough?
09:05Nothing, it's just that when I was working for the nuns I got sick and I must have been left with a cough.
09:12So it's true.
09:14Good afternoon, Mrs. Marta.
09:16Good afternoon.
09:17Can you explain what Paula is doing working here?
09:25Paula, can you eat your sandwich outside the playground, please?
09:27Yes of course.
09:42Antonio, thank you for bringing it to me a little while before I go back to the dispensary.
09:45That's what we're here for, to make your life easier.
09:49It's a shame the photographer from the other day isn't here.
09:51I would ask him to take a picture of them like this, just as they are.
09:54It's a beautiful picture.
09:56I have a better idea.
09:58I'm going to talk to Fira, who is the daughter of the queen's former chauffeur, so that we can
10:02Take a picture.
10:02She's a photographer.
10:03Oh, and is it good?
10:04Yes, it's excellent.
10:05And she's like family.
10:07Well then, I'm sure it will make my little one look very handsome.
10:10Right?
10:12Oh, Doña Begoña, it would be so nice if you could take a picture of it every month to see how it's progressing.
10:19Yeah.
10:21Antonia, there's something I want to talk to you about.
10:24And, you see, I want to thank you for how affectionate you are with Juanito.
10:32I'm not going to be affectionate with a little thing like that.
10:36I also want to thank you for always being there for me and for all the help you give me, regarding
10:40everything with...
10:41Well, with the very complex relationship I have with my husband.
10:44Well, that's what we're here for, to try to help each other or at least listen to each other.
10:52Yes, I think so too.
10:54And that's why I want you to know if at any point there's something that worries or bothers you while you're here.
10:59working from home, or even outside,
11:03Please feel free to tell me.
11:07I'm sure that together we can find a solution.
11:10Good.
11:11And I feel very comfortable in their house.
11:14Well, Juanito is the apple of my eye.
11:17And Tere, Tere is always kind and helpful to me, and you, well, I consider you a friend.
11:24Yes, the feeling is mutual.
11:28But what about my husband?
11:31Don Gabriel? What's wrong with him?
11:33Well, you know he's a peculiar man.
11:36And if at any point it bothers you or you feel it crosses the line, please tell me.
11:42I can help you.
11:44Annoyed? Never?
11:45Has Don Gabriel always been very kind to me?
11:48Antonio, listen to me.
11:50Gabriel is unpredictable.
11:52And today he might be very friendly and want to take a picture with you, and tomorrow he might want to say goodbye.
11:59Did he want to fire me?
12:03No, no, no, no, I didn't mean that.
12:06What I mean is, please take into account what I'm telling you, that you can count on me.
12:12Yes, yes, yes, you will.
12:14I will do that.
12:16Good.
12:18Well, I have to go.
12:20Little one, will you keep Antonia?
12:23Oh, yes.
12:25Come here, little one.
12:27Well, my little one.
12:29Oh boy, with a girl.
12:31Well.
12:32See you later at home.
12:34Yeah.
12:37Let's see, Mom.
12:44How rigorous, Bení.
12:46Thank you.
12:47How does she resemble her mother?
12:48Thank you so much.
12:50It's really great, too.
12:52And who would have thought it, huh?
12:54With the difficult birth we had, right?
12:57And what do you have there?
12:59A girl.
13:00A girl.
13:00Okay, Juanito.
13:02Let's meet your new friend.
13:06How beautiful.
13:07I demand that you reverse course and fire her today.
13:12Well, I'm not going to do it, Marta.
13:14We need operators and we need temporary staff.
13:17Paula is free.
13:18So, regarding hiring, I don't need to consult with anyone.
13:20Look, do you realize how crazy that is?
13:23For God's sake, your wife left you because you slept with that girl.
13:27And now you're hiring her here?
13:30Paula is here to work, Marta.
13:32What do you think Carmen will say when she finds out?
13:35Because you know he's going to find out.
13:36Well, I don't know.
13:37Maybe with a little luck he'll deign to talk about my wife again.
13:40Okay, listen to me.
13:41If you can't keep your instincts under control, at least be discreet.
13:46Don't force the rest of us to be uncomfortable witnesses to your conquest.
13:50Marta, I'm going to tell you something without bitterness, but from the heart.
13:54Fuck off.
13:58What's happening to you, Tassi?
13:59Look, Marta, why don't we stop deceiving ourselves?
14:01This mistrust that you and your family have towards me is not something that started today or yesterday.
14:05This has been going on for a while now, huh?
14:06How do you expect to gain the family's trust by sleeping with the family maid?
14:11where you lived with your wife and then hired her here.
14:16And that's why you're going to judge me.
14:18Obviously, what on earth do you expect me to do?
14:19But because in this family, Marta, nobody has made any mistakes.
14:22I, who am the fruit of adultery, for the love of God, Marta.
14:25Look, my father hired me at this factory when I was very young, I worked there for many years
14:28And none of you knew a damn thing.
14:31Something I learned very well from my father, don't worry.
14:33You have forgiven him everything, everything.
14:35Or you continue to insist with the same spite and arrogance as you did with me.
14:38Asked.
14:38Marta, I made a mistake and I regret that mistake every day.
14:41But I don't intend to make another mistake and have Paula lose her job again because of me, do you understand?
14:45Well...
14:45Oh no. Absolutely not.
14:47Don't disguise your lack of tact as false generosity.
14:51Because hiring Paula here is disrespectful.
14:54Not only to Carmen, not only to all her colleagues.
14:57To all the people who know what has happened.
15:00But to Paula herself.
15:12But what are you doing here? When did you arrive?
15:15I was in my room.
15:17And the dispensary?
15:19Begoña has stayed behind to keep watch.
15:21Begoña, the director's wife?
15:23Yeah.
15:23And so?
15:24Because she's a nurse.
15:26And this morning I had a run-in with a patient and I preferred to come home to calm down.
15:32Let's see what you've done to him.
15:37Are you going to take their side without knowing what happened?
15:41What happened?
15:44Well, nothing happened.
15:46I'm just a little nervous today because of everything with Mom and...
15:50Begoña has offered to replace me.
15:54Have you had trouble realizing that maybe today our lives will change forever?
15:58Especially to Mom.
16:03He could spend the rest of his life behind bars.
16:05Yes. Or something much worse.
16:08Okay.
16:12Okay.
16:26Marta, are you okay?
16:27Well no.
16:28Impossible with my brother Tasio adding fuel to the fire, if that's even possible.
16:32But is it a personal or professional problem?
16:36Because if it's a family matter, I really wouldn't want to get involved.
16:40Well, you see, Chloe.
16:42The thing is, my brother Tasio doesn't seem to distinguish between professional and personal matters.
16:48She has hired her as an operator.
16:51To a girl who used to be a...
16:53Well, a maid at home.
16:57Don't let him leave here.
16:59She was a maid with whom he had more than just a friendship.
17:03That's why, Carmen.
17:06Quite a statement of intent.
17:09It's... it's shameful, to say the least.
17:11Thank you. It's good that someone else thinks it's shameful too.
17:15My father kicked her out of the house.
17:17And he hires her here.
17:20That?
17:21Let's see, Tasio certainly seems to me to be one of those men who doesn't hesitate to stumble twice.
17:25the same stone.
17:26Of course not.
17:27It is putting the family in a compromising situation.
17:31And I don't want to talk to you if Carmen comes.
17:34I certainly couldn't look her in the face.
17:35No, it certainly won't be easy.
17:38No, it won't be.
17:40I refuse to allow hiring based on these kinds of personal criteria.
17:45He will have to leave.
17:47Have you spoken to him?
17:49Yes, a moment ago.
17:51I admit that it has left me so bewildered that I haven't known how to stop it.
17:54But if he doesn't fire her, I certainly will.
17:56Well, the truth is I don't know what to tell you.
17:58I'm certainly surprised that Tasio is so clumsy.
18:00Oh, well, it's Tasio.
18:05Thank you for letting me vent.
18:25How did you see her in the dungeon?
18:27Evil.
18:28I saw her in very bad shape.
18:31I tried to cheer her up, but...
18:34I don't know, I want to think that I did succeed.
18:40Will she be a mother?
18:48Good afternoon, it's not from God.
18:51What do you want?
18:52My father is not at home.
18:53I can imagine, but it is you I have come to comfort.
18:57What do you mean, "us"?
18:58It must be very hard to have to wait for confirmation of the crime your mother committed.
19:02That is why I have come to remind you that God is with you.
19:06Thanks, but no...
19:07And with her too.
19:08Have no doubt about it.
19:10God's mercy is infinite.
19:11Enough.
19:13My duty as a shepherd of lost souls is to be by your side in these moments of desolation.
19:17to ease the pain in your hearts
19:20and prevent you from straying from the right path of faith.
19:23I've said enough is enough.
19:24Your mother's sin does not make you sinners, my children.
19:27God knows the truth and will do justice.
19:29Do not be afraid.
19:31Out.
19:31Don't lose your way, Miguel.
19:33You too.
19:33Now more than ever, this family needs a beacon to guide them.
19:37I told him to leave.
19:38Please leave.
19:39Out.
19:39You will always be welcome in the house of the Lord.
19:42I will pray for your souls and for the soul of Dr. Morrell's father.
19:47Miguel, Miguel, Miguel, look at me.
19:49Look at me, look at me, please.
19:50Miguel, look at me, look at me.
19:52Breathe with me, please, Miguel.
19:54Please breathe.
19:55Breathe.
19:57Breathe, please, Miguel.
19:59Very good.
20:00Very good.
20:02Chloe, what would you do if it were the factory?
20:06Well, the truth is I don't know and it doesn't look good at all, to be honest.
20:13Why do you say that?
20:16Tell me about it.
20:17We have enough confidence, whether it's personal or professional.
20:25Gabriel didn't hesitate for a minute to inform Paris that I had jumped ship.
20:29to get on yours.
20:31And I'm afraid that this afternoon, as soon as I arrive, I'll sit down to bag things, I'm going to get completely exhausted.
20:36in the street, Marta.
20:38Well, I'm very sorry, I know how much you've risked everything for our family.
20:42I only did what I thought was right.
20:47Well, Floral hasn't bought the factory yet.
20:51It's a matter of hours, Marta.
20:52Well, but in the time that remains, things might happen.
20:57What? A miracle?
20:59Why not?
21:01Sometimes the unexpected happens.
21:04Well, I'm more of an accept-as-they-come kind of person.
21:09Like that song we used to listen to when we were together.
21:13TITPIAF, do you remember?
21:14I regret it...
21:16I think it's the word I find most difficult to say in French.
21:19I don't regret anything, Marta.
21:23A great title.
21:26I'm going to take these reports to accounting.
21:29It may be the last ones.
21:43Tassio, can you come here for a moment?
21:53I want you to know that the conversation we had this morning has given me a lot to think about regarding this matter.
21:58from the industrial sector.
21:59Oh, really?
22:01Yeah.
22:02Yeah.
22:03And I understand your reservations, son.
22:06And I know the enormous sacrifice that this sale represents for you.
22:14But I can't pass up the opportunity to revive the family business that made us great.
22:24Are you making this decision as a parent or as a businessman?
22:28I'll answer you.
22:29As a businessman, a suicidal decision.
22:32And as a father, well, it goes without saying where that puts me, right?
22:35Well, I know you're very disappointed right now, but...
22:40I hope that with time you will come to understand and forgive me.
22:44Well, it wouldn't be necessary if you reconsidered the decision.
22:46I just can't do that, Tassio.
22:49This perfumery is much more than a business.
22:52He is the pillar that has sustained this family for years.
22:55And it's yours too.
22:58And I know that in the future it will represent for you the same thing that it represents for me now.
23:04Are you going to tell me something new?
23:06Or is this conversation simply to reaffirm himself again?
23:09Father, I am a partner in the industrial company just like you and I oppose its sale.
23:12Is that clear?
23:13You only own 10% of the company.
23:16Very good.
23:18We've reached the point you wanted, haven't we?
23:21Where there is no more discussion.
23:22Perfect.
23:22Yes, there is a discussion.
23:24You have every right to object, Tassio.
23:26And I intend to do it until the end of my days.
23:28Well, I would have no choice but to sell only my 90%.
23:35Father, I thought you and I were going to do great things together.
23:38And what can we still do?
23:39No, he will never use me like a puppet again.
23:42Do you think that's what he's done to you?
23:43Well yes.
23:44Father, you pulled strings to convince me to help you create a company from scratch.
23:48He took advantage of my youth and energy.
23:51I even suggested selling my apartment to invest in the project.
23:53I was the one who looked for the operators, the machinery, the suppliers, the customers.
23:57I multiplied myself in both companies so that I could work in both places.
23:59So that?
24:00And so it ends.
24:01Tassio, listen.
24:02No, no, you have never understood me in my life.
24:03He never has, Father.
24:03Of course I understand you, son.
24:05But I only ask that for a second you put yourself in my place and see the torment I'm going through.
24:08I'm going through it.
24:10Because the only thing that matters here is you.
24:12His torment, his pain, his decision.
24:14Because the only thing that can occupy the center of the world is the random Damian de la Reina.
24:17Tassio, I can't let this train pass me by.
24:19If I did that, I would never forgive myself and I would end up blaming you unfairly.
24:24And losing the company and losing you, that would really finish me off.
24:32Because you are the most important thing I have.
24:37Father, you are the only one in a position to choose, and you are not choosing me.
24:42But don't worry.
24:43The future will not tell what happens with his decision because right now I am unable to know.
25:06Have you spoken to your brother Tassio today?
25:08Uh, no. Not since this morning. Because.
25:10Ought.
25:12Or to find out if you were aware of his latest idea.
25:16What happened?
25:18That he has hired Paula.
25:20To Paula.
25:21As an operator here in the factory.
25:25Oh.
25:26What do you mean, go?
25:27He has his lover working here with us.
25:29I have told him of course that it is inappropriate.
25:31And he has flatly refused to fire her.
25:34Marta, it's...
25:35Who does he think he is?
25:36Just because his father now wants to sell to an industrialist without consulting him, does that mean he can behave like a child in all other matters?
25:42I don't think it was for that reason.
25:45Do you think what he did was right?
25:47Of course not.
25:49The thing is, I was aware that he wanted to hire her.
25:52You're not serious.
25:55Listen to me.
25:56Tassio asked me for support to take that step, but I...
25:59I didn't expect him to do it on his own without giving explanations to anyone.
26:02Are you telling me that you just gave him your support like that?
26:06He explained the reasons to me, Marta.
26:08No, I don't want to hear the details.
26:10Marta, it's not what you're thinking.
26:11Unsure.
26:12Definitely not.
26:13Martha, for God's sake.
26:14I absolutely apologize for the stupidity that made us sleep with that girl.
26:18But not even Tassio is forgiven.
26:21Apparently, that woman was having a hard time.
26:24I was sleeping on the street, going through hardships.
26:26And all because we kicked her out of the house.
26:28What were we going to do?
26:29Give him a raise for his good work?
26:31Oh my God.
26:32I know, but don't you think we bear a little responsibility in all this?
26:35The family?
26:37Yeah.
26:40The young master uses the maiden.
26:42And we kicked her out of the house and that was that.
26:47And we continued with our lives as if nothing had happened.
26:50It's ugly, yes.
26:52But that doesn't mean we couldn't have dealt with the problem with a little more benevolence.
26:55And especially with the weakest link, which is Paula.
27:00I don't think there's anything between them, Marta.
27:03I think Tassio wants to make amends for the mistake he made with Paula.
27:06What it means to destroy life.
27:10Marta, please.
27:11If there was still something between them, I wouldn't have shared it with anyone.
27:15I don't know what to think.
27:17Tassio certainly hasn't done things right.
27:20No.
27:22But we gave that girl a chance and...
27:24And while we're at it, a vote of confidence in our brother.
27:27I don't know if he deserves it.
27:30But Paula isn't fair either.
27:32She shouldn't have to pay for the duck in the street.
27:34No.
27:36All this industrial stuff...
27:38It's been very hard for him.
27:41He needs to feel supported and backed up.
27:44And we trust him.
27:46Okay, let him stay.
27:47Let the girl stay.
27:49Only until I find a job.
27:51A job outside the factory.
28:18No.
28:30Welcome.
28:31Did you have a good trip?
28:33Everything has been perfect, Gabriel.
28:34Thank you.
28:35We are raving to be with each other.
28:37And also to be in Brossard de la Reina.
28:40Come on.
28:40Viva!
28:50Viva!
28:57Hello.
28:58Thank you very much.
29:01In Spanish, please.
29:03In Spanish.
29:04I need to practice my Spanish.
29:06because in Paris I don't have the opportunity to do so.
29:10Of course.
29:14Excuse me for being so direct,
29:15But have you had time to study the proposal we're talking about?
29:18I sent a written copy to his lawyer.
29:20Yes, yes, yes.
29:22And I think that...
29:23How do you say?
29:25¿Tu has pris la grosset?
29:28In Spanish?
29:29You've gotten too big for your britches.
29:32That.
29:32You've gotten too big for your britches.
29:35Oh well,
29:36I will accept your terms
29:37and appoint you as responsible for Brossard's business.
29:41in the central area of the peninsula.
29:46You won't regret it, I assure you.
29:48I never do it.
29:52And if any manager doesn't give me what I demand,
29:56He got ahead of me and solved the problem from the root.
29:59But you know that firsthand.
30:06Sorry.
30:09These pills are the fuel for my heart.
30:13Well, Armagnac too.
30:15But today I'm going to be content with this Jerez brandy.
30:19I will keep that in mind for your next visits.
30:23In detail.
30:26And where are your cousins?
30:28I'm not important enough
30:30so that no one else from the queen's household will come to greet me.
30:34You see.
30:34That's the pathetic way they have
30:36to embrace the changes.
30:39Licking each other's wounds.
30:43Forward.
30:45Good afternoon, Mr. Brossard.
30:47What a pleasure to see me.
30:49I'll please you, Chloé.
30:51But please, in Spanish.
30:53I have more and more businesses in this country.
30:56And I need to practice Cervantes' language.
31:00I regret not being at the entrance to greet him,
31:02But nobody warned me about their arrival.
31:05Don't worry.
31:06It doesn't matter.
31:07Would you mind giving us a moment?
31:09Unclear.
31:10Please.
31:12Good afternoon, Mademoiselle Dubois.
31:16Of course.
31:17Very good.
31:18Ah, of course.
31:22Why don't you go home and rest for a while?
31:25The results will be available tomorrow.
31:32Light, at last.
31:36What did the report say?
31:38Were there traces of morphine in your father's body?
31:41Yes, there was.
31:43But it is not enough to initiate a legal process for murder.
31:52That means, if you see me,
31:55It means they're going to let you go free.
31:57You are innocent.
32:00But is it safe?
32:02I'm absolutely sure.
32:04The coroner has determined that he
32:07the concentration of morphine found in the body
32:09did not exceed therapeutic use.
32:15I thought I would never see my children again.
32:17Well, you see that's right, darling.
32:21The only downside is that the charges will be estimated tomorrow.
32:25So you'll have to sleep here again.
32:28Well, that's the least of it.
32:32Tomorrow will be the first day of the rest of my life.
32:36For the rest of our lives, my love.
32:39From the lives of all of us.
32:42Because if the results hadn't been good,
32:44I would have pleaded guilty.
32:45No.
32:47We did what we had to do.
32:52Thank you for being there, Luz.
32:54Thanks to you.
32:56To my daughter.
33:01Please excuse my boldness,
33:03I enjoy myself,
33:04But I know that Gabriel
33:05He has informed him of my intentions
33:07to stay and work with the queen's people.
33:09Yes, and I don't quite understand their position.
33:11We offer you a great position in New York
33:14And unfortunately, he's going to be left without a job.
33:16That's how it is.
33:19That's not like you.
33:20to make such a wrong decision.
33:23Why does he do it?
33:26Don't know.
33:28I suppose that after these months
33:29Here in Toledo I've realized
33:31that a company can be directed
33:32in other ways.
33:34Don't you like how I manage it?
33:36No.
33:38The one I don't like is Gabriel de la Reina.
33:40And I wouldn't like, therefore, to end up resembling him.
33:45He certainly won't regret it.
33:48No.
33:49Although I know they can only count on me.
33:51until the company passes into floral hands.
33:54Unfortunately, that's the way it is.
33:56I greatly appreciate your honesty.
34:02And before I leave
34:03I would like to give you some advice.
34:05Don't trust Gabriel de la reina.
34:08He is only loyal to himself and his own interests.
34:11Don't worry, Chloe.
34:13I've been dealing with those kinds of men my whole life.
34:17Then I must tell him
34:19I'm not envious at all.
34:21I'm going to make her feel good.
34:24Too bad,
34:25that he's betting on the losing horse.
34:30The future
34:31Antoine will tell us.
34:35Goodbye, Chloe.
34:38Good chance.
34:54What are you thinking about?
34:55Why are you so quiet?
34:57Hey, the legend you told me
34:58of the Moor's rock.
35:00Didn't you like it?
35:01Yes, yes, yes, I liked it.
35:03But lovers eventually die
35:05and they are not happy.
35:07Like in Romeo and Juliet.
35:09Or well, like in all love stories
35:11because they all end badly.
35:12Well, that's bad luck too.
35:14that in the legend they end up like this.
35:15Not all love stories are sad.
35:18Oh, no?
35:18No.
35:19Tell me one that has a happy ending.
35:20Well, there's the one about...
35:25Yes, it's...
35:26Yes, which one?
35:27Well, wait and see...
35:29Okay, I give up.
35:31He was a bit clumsy.
35:33We'd have to open another site, I don't know,
35:35or invent a happy ending.
35:37Well yes,
35:38one where they lived happily ever after
35:40and they ate partridges.
35:43Exact.
35:44And it will be for partridges
35:45because here in Toledo
35:47There's enough to bore you to death.
35:48And they're also delicious.
35:51Anyway,
35:53the fault of my hobby
35:54because of the legends
35:55My mother had it.
35:56Oh, really?
35:58Yeah.
35:59In winter we would gather
36:00to my brothers and me
36:01by the fire
36:02and they told us a thousand stories
36:03which is more annoying than the last.
36:06Did you love her very much?
36:08Yeah.
36:10The three of us adored her.
36:13And did she resemble your dignified aunt?
36:16Partly, yes.
36:17She was a woman
36:19very strong and sincere.
36:21But my mother had
36:22a special sensitivity.
36:24More or less like you.
36:28You two would have gotten along very well.
36:33That?
36:35What are you looking at?
36:38I can't help it.
36:40Ah.
36:42You are very pretty.
36:44So.
36:44Yeah.
36:58And was that thunder?
36:59I think so.
37:01But.
37:02We'll have to leave, won't we?
37:04No, no, come on, right?
37:04Yes, yes, because...
37:05Where is the car?
37:06We're running through...
37:09We're going to end up soaked.
37:10Yes, yes, yes, yes.
37:11And Andrés is...
37:12Good weather for you, huh?
37:14Yeah?
37:16Yes, let's go, let's go, let's go.
37:40I'm leaving, he's already upstairs sleeping.
37:47What were you trying to do?
37:49Give me another one of your Judas kisses?
37:51What's the point of this?
37:53That's why you dared to kiss me tomorrow.
37:56But not to tell me that you had asked him
37:57I asked Begoña to say goodbye to me.
38:01I thought it was a good strategy
38:03so that he wouldn't suspect us.
38:05Now you call despising me a strategy.
38:09That tells him the same thing as you.
38:11when you show him the photo of the park
38:13to avoid greater harm.
38:16Separating from you is also a greater evil for me.
38:18Stop blaming each other.
38:21You complicated everything with that photo in the park.
38:24Of course, because you're never wrong, right?
38:26You're never wrong.
38:30Listen to me.
38:32I'm going to tell you something I know you won't like,
38:34But if you stop working here
38:37That could be a solution for us.
38:41Stop working here?
38:43Are you serious about leaving this house?
38:45If we continue like this, Begoña will eventually find out about us.
38:48And then it will truly be the end for us.
38:51And what do you intend?
38:55Get yourself an apartment.
38:56In Toledo.
38:57Or in Madrid.
38:58Better in Madrid.
38:59You were taking your sweet time.
39:01I would make sure you didn't lack anything.
39:04Stop seeing Juanito.
39:07Juanito is not your son.
39:08I know he's not my son,
39:09But I love him as if he were.
39:12I wouldn't have done something so atrocious to defend him otherwise.
39:15But don't let them talk about new horizons for us.
39:18Yeah.
39:19My goal is to become your whore
39:21when I am your wife.
39:24And being alone within four walls
39:26waiting for you to come and see me, if you come.
39:31There are some things that are non-negotiable.
39:34I already told you.
39:36And I think I was very honest with you.
39:39If Begoña fulfills her part of the agreement,
39:42We will never be married again.
39:44But that doesn't stop you and me
39:46we cannot recover what we had in Mexico.
39:50To me, that's just crumbs.
39:52They're not crumbs.
39:54You're right.
39:55What I have with Begoña is a farce.
39:57But it's a necessary farce.
40:00What matters is love.
40:02True love.
40:04And I feel that love for you.
40:07I'm going to tell you something too.
40:08that you're not going to like.
40:11I don't plan on moving from this house.
40:14I don't plan on moving from your side.
40:16Is that clear?
40:39Oh, God!
40:40Oh my God!
40:41Can I leave it here?
40:42Yes, yes, leave it there.
40:43Phew!
40:44Oh my God!
40:44We're soaked!
40:45But!
40:50Yes, leave it there.
40:53Oh my God!
40:53How did the storm catch them like this?
40:55We're out in the countryside taking a walk
40:57And it arrived suddenly.
40:58When we were getting to the car
40:59We were already soaked.
41:00I see it now.
41:01I'm going to go catch pneumonia.
41:03Of course, I know it's that hair, for God's sake.
41:06The last person to occupy this room
41:07It was the end.
41:08I think that...
41:09Look, yes.
41:10Here's a blouse.
41:12Sure?
41:12At least it's dry, yes, yes.
41:13Won't he mind?
41:14It makes me a little embarrassed.
41:14Don't worry, she's like family.
41:17Okay, I'll bring it to you clean and ironed tomorrow.
41:19No, absolutely not.
41:21Come on, there's no shortage of laundry in this house.
41:23No way, no way.
41:23Don't worry, I'll take care of it.
41:24Well, thank you very much.
41:25There's no reason to give it.
41:26If you need anything, just let me know.
41:28Thank you.
41:29Thank you.
41:32My God.
41:33Thank you.
41:34If you want me to leave, you can do it while you change.
41:38No, it's not necessary.
41:43This is the room where I stayed overnight...
41:46the day you brought me here.
41:48Yes, yes, I know.
41:50She's beautiful.
41:52Like the rest of the house.
41:54You are truly beautiful.
41:59Come on, let me help you.
42:17My bag is soaked.
42:27Take.
42:32For later.
42:51And you're soaked too.
42:55In the end, you're going to be the one who gives me pneumonia.
43:23Well, you can still have me more.
43:33Subscribe to the channel!
43:52Subscribe to the channel!
44:06Are you OK?
44:08The thing is...
44:11I've gotten a little flustered.
44:15Could you bring me something warm, like herbal tea or...?
44:18Sure, I don't know what.
44:20Thank you.
44:51The last person who expected to find someone...
44:55And today?
44:56I've been told you've been locked up all afternoon
44:59reviewing the company's accounts and balance sheets.
45:02I'm more comfortable in an office
45:04than in any luxurious but lonely hotel room.
45:08I suppose I'm vocationally trained.
45:20What do you want?
45:23The last time we met, the meeting did not end on the best terms.
45:27And now that I'm going to sell the building, the floral machinery,
45:31I don't think things are going to improve much.
45:34You are right.
45:35The other day at my house I was a terrible host.
45:39I admit it.
45:40And I apologize for that.
45:43You behaved like a sore loser.
45:46Something that doesn't surprise me.
45:48In an entrepreneur who is guided more by his emotions
45:50than because of the numbers.
45:53Well, I didn't come here to debate with you.
45:55on business strategies.
45:57I'm here to make you a proposal.
46:01I am Tutui.
46:02Can I hear myself?
46:03I want to update my offer for the land,
46:07the buildings and the machinery.
46:09He asks me to break my tacit agreement with Floral.
46:14That is.
46:16I also had a tacit agreement with myself before.
46:19and he didn't hesitate to break it.
46:22Numbers rule, my friend.
46:24Since you're so interested in numbers,
46:28Let's see what this one thinks.
46:32No, no, no.
47:14As you can see, it considerably exceeds the offer; that's right, if I offer you such a high figure.
47:25It's because I don't want to get into an auction with them. Take it or leave it. Okay, tell me one thing.
47:36where from
47:37He thinks he can take all this money? I don't think it's his. He's wrong about that. If I'm going to break my
47:46agreement
47:53That's fine, it's only fair that you know. I'm in negotiations to sell the cleaning chemicals company that
48:01I founded the industrial company with my son Tasio. Do you think a newly created company can...
48:11Being someone's treat, that's none of their business unless they're interested.
48:18in
48:23Buying it, Monsieur de la Reina, it has become clear that you made a very serious mistake by preventing your
48:31Jesus, our son, associated with us in the past and is now about to make another mistake, perhaps even more.
48:38Jesus, grave as the queen that he was, would eventually understand that the important thing was to preserve the
48:50family legacy you believe is fine we have a deal as long as you guarantee me that the sale of the
49:04Once the industrial process is complete, I'll give you two days to close this deal. If you do it very soon, you'll be able to...
49:12to return to this office
49:26You are sure you want to sell the industrial and well the only way to brosar
49:33Rejecting the floral offer that Mama Miguel is going to make is what do we do if they declare it
49:40guilty
49:43She got a better offer, that's right, I wasn't expecting you here so early, I was nervous and no
49:52I could sleep then, I took advantage of it, and I've come to work. I think it's between Gabriel and Antonio.
49:58Something's happening, you're talking about what I think you're talking about, I'm afraid you do remember me, I am
50:04And I'm Paula, I worked with your aunt Manuela, yes, yes, I know perfectly well who she is, I can't allow that
50:11I also raised my head then, nothing I've done will have been for anything, but you haven't
50:17I heard that I'm in love with you, that I'm not looking for anything else, I need to be alone, I need to find my rhythm and
50:25Well, Paula has been here, she knows who she is. Yes, I know who Paula is, in fact I know that she has been here.
50:29I've been hired to work, and honestly, they've treated me terribly. I feel really bad in the end.
50:33Because I'm not like that; I have a son, Beatriz, and I have to set an example for her, and the only way to
50:40Setting an example means not giving up; I have to give back everything that was taken from me.
50:43what not
50:43the truth
50:43what not
50:44what not
50:44what not
50:44what not
50:44what not
50:44to
Comentarios