- 2 days ago
When a prominent New York City banker is apparently murdered by the bite of a cobra, police inspector Harry Davis (Walter Fenner) contacts noted private detective Charlie Chan (Sidney Toler), who had previously tangled with a killer who used cobras as murder weapons. Arriving in Manhattan with his faithful son, Tommy (Benson Fong), and chauffeur, Birmingham Brown (Mantan Moreland), Chan is drawn into a complex scheme involving a secret government nuclear reserve being held at the victim's bank.
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00:07:33Yes, sir.
00:07:33We'll be out of town for several days. Must postpone all business.
00:08:05Most interesting case. In four months, three persons are murdered by bite of cobra fangs. Yes, man named Rafferty, then
00:08:13a girl called Dunham, and then a man named Rafferty, then a girl called Dunham, and then a man named
00:08:15Rafferty.
00:08:16Most curious, all three victims worked for Sixth National Bank. Yes, there was no connection between them, Charlie. The men
00:08:25were bank guards and the girl worked in the posting department.
00:08:30Eight years ago in Shanghai, China, I arrested a man named Jen Van Horn for bank robbery and murder by
00:08:40cobra bites.
00:08:42It was first day Japanese bombers fly over city of Shanghai. Our prisoner, Jen Van Horn, had been injured in
00:08:51bombing, and the inspector was driving me to his office.
00:08:56Van Horn badly burned in bombing?
00:08:59Oh, he's pretty badly disfigured on his face and hands. I'm afraid he may be permanently so, unless he gets
00:09:05immediate plastic surgery.
00:09:07Inspector Ming Wang and myself continue on to the British International Settlement police headquarters.
00:09:15There I meet Jen Van Horn for the second time.
00:09:21Good morning, Mr. Chairman.
00:09:22Mr. Corning.
00:09:23Sorry we hadn't called upon you.
00:09:24Most happy to be of assistance.
00:09:26I'll do a sign right here, please.
00:09:28Mr. Hume, have you had your signature on this receipt for the prisoner?
00:09:31We'll turn Van Horn over to your custody.
00:09:36Thanks, Gal.
00:09:38Mr. Chan, I don't care what evidence you've got, I'm being framed, I tell you.
00:09:41Singapore authorities will determine your guilt or innocence.
00:09:45I tell you, I'm being railroaded. They'll never let me get to trial.
00:09:48Still a matter for courts to decide.
00:09:51Come along, Van Horn.
00:09:52You're just like all the rest.
00:09:54But I tell you, I'll even this score with you one day.
00:09:58Special Agent Hume took Van Horn to war for Shanghai, where they placed him aboard ship's launch.
00:10:04He was starting journey to Singapore, where he was to stand trial.
00:10:09The launch left the war.
00:10:12When launch reached midstream, one of ship's officers went to borrow a boat.
00:10:16Van Horn asked remaining officer for a light for cigarette.
00:10:19And when officer reached for a match, Van Horn struck him malicious low on chin and disappeared over side a
00:10:26boat.
00:10:26And that was last I hear of Jan Van Horn, until now.
00:10:31Could you identify him today?
00:10:33His face badly burned, perhaps greatly changed.
00:10:36But his hair, most unusual, very black with strange streak of white.
00:10:42I see.
00:10:43At any rate, Charlie, I want you to know how glad I am the government has let you off to
00:10:47help me.
00:10:48I want you to feel that you're in full charge.
00:10:51Oh, thank you.
00:10:52But I'm still government agent.
00:10:55Vaults of Sixth National Bank contains something very valuable to American government.
00:11:00Oh.
00:11:01What is it?
00:11:02Stores of radium.
00:11:03Radium?
00:11:04That is valuable.
00:11:04Is there much of it?
00:11:06Several million dollars' worth, perhaps.
00:11:09You see, bank is distributing center for hospitals, laboratories and factories in this vicinity.
00:11:16Well, I must be off to bank and afterwards will visit coffee shop.
00:11:21Want to use a police car?
00:11:22Oh, no, thank you.
00:11:23Um, with your permission, I will telephone assistance at hotel to meet me with car at the bank.
00:11:30Sure, Charlie. Help yourself.
00:11:42Come here.
00:11:43Come here.
00:11:44Come here.
00:11:45Come here.
00:11:50Doesn't the bank smell nice, huh?
00:11:52Yeah, and that green stuff don't look bad either.
00:11:54You know what?
00:11:54I bet it would be an easy job to knock off this bank.
00:11:57Wouldn't it?
00:11:57You know what we'd have to do?
00:11:59Yeah.
00:11:59Is drive our car out front and leave the motor running.
00:12:02Leave it open.
00:12:03Come in here and take all this money out and take it without firing a shot.
00:12:05That's probably why Pop wanted to leave him here.
00:12:07Yeah.
00:12:08Yeah.
00:12:09Yeah.
00:12:09Now, like the last...
00:12:10Hey, what's he doing?
00:12:11Wait a minute.
00:12:11Now, if I had a million dollars, see...
00:12:15Now...
00:12:18Come on, Pop.
00:12:19Glad to meet you, Mr. King.
00:12:19One moment.
00:12:20One moment.
00:12:21What is trouble?
00:12:22Oh, nothing, Pop.
00:12:23We can't wait for you.
00:12:24That's what you call us to.
00:12:25Friend of yours?
00:12:26Oh, yes, sir.
00:12:27It was acting suspicious.
00:12:28I heard him say...
00:12:29I am Charlie Chan, officer.
00:12:31These are my two assistants.
00:12:32They sometimes talk foolish.
00:12:33They mean no harm.
00:12:35All right, Mr. Chan.
00:12:37Friend of yours, sir.
00:12:39You two wait in car or I make serious trouble.
00:12:42Yes, Pop.
00:12:43By the way.
00:12:43Yes, Mr. Chan.
00:13:07You can stop writing, Lorraine.
00:13:08Here's the check.
00:13:09Thank you, Mr. Jarvis.
00:13:18Hiya, Jarvis.
00:13:22What's the matter with Jarvis?
00:13:23Expecting to put his arms around you?
00:13:25Yeah, but Morgan, I only saw...
00:13:26Shut up, Taylor.
00:13:27Get going.
00:13:31You wish to see Mr. Fletcher, the president?
00:13:33I'm Bradford Harris, the vice president.
00:13:35My business with president.
00:13:38Oh, Mr. Chan, the detective.
00:13:40Come right in, sir.
00:13:48Mr. Charlie Chan, to see you, Walter.
00:13:49On government business.
00:13:51Very well.
00:13:52I'll see him.
00:14:06Sit down, please.
00:14:10Oh.
00:14:13Startling white plume, huh?
00:14:15Most unusual.
00:14:17Mr. Fletcher, were you ever in Shanghai, China?
00:14:20Yes.
00:14:21In 1936 and 1937 for the International Bank Company.
00:14:25Now, your business, sir?
00:14:27I'm investigating deaths of three people.
00:14:30Rafferty, Dunham, and Black.
00:14:32Oh, the police have wasted hours of my time about those people.
00:14:35Merely wish to examine personnel records, I've seen.
00:14:41Yes, Mr. Fletcher?
00:14:42Miss Webb, bring me the personnel cards on Black, Dunham, and Rafferty.
00:14:46But they're dead.
00:14:46I mean right away, Mr. Fletcher.
00:14:50That all, Mr. Chan?
00:14:51No.
00:14:52Would like to look into safety deposit box number 210.
00:14:56Impossible.
00:14:57That's a special ball rented by the United States government.
00:15:00I work for United States government.
00:15:02I have key to vault here.
00:15:04Oh.
00:15:05This is my secretary, Miss Paula Webb.
00:15:07Mr. Chan?
00:15:08Chan?
00:15:09Charlie Chan?
00:15:10If you want me, Paula, I'll be in the safety deposit box.
00:15:12Great pleasure, Miss Webb.
00:15:14This way, Mr. Chan.
00:15:20Deposit box, please.
00:15:23Hello, who is this?
00:15:25Oh.
00:15:27Listen.
00:15:29Mr. Fletcher is coming down with Charlie Chan.
00:15:33Yes, that's right.
00:15:36That's right.
00:15:56This way, Mr. Chan.
00:15:59This way, Mr. Chan.
00:16:29Okay, so far.
00:16:30Why, Mr. Chan surely didn't expect to find anything wrong.
00:16:33In my business, always expect to find something wrong.
00:16:36But here, everything seemed normal.
00:16:38Naturally.
00:16:39Well, I'll hope same continue.
00:17:05Police, which conversation with you?
00:17:07Police, which conversation with you?
00:17:14Yeah, what do you want?
00:17:16You proprietor?
00:17:17Yeah, I'm the proprietor, and I'm closed, can't you see?
00:17:20No food.
00:17:21Merely wish information regarding strange young men who disappeared from here when man killed
00:17:27outside.
00:17:28Well, all I know is he went through here like a flash, chasing the pizzerino.
00:17:32Chaser what?
00:17:33A pop.
00:17:33Oh, as the French say, chaser la pizzerino.
00:17:36There's a woman in the case, Pop.
00:17:38Thank you, my sitting-down assistant.
00:17:40Yeah, she was a good-looking gal, too.
00:17:42You know her name, or name of young man?
00:17:45No, I don't know him from Adam and Eve.
00:17:47I didn't even know Adam and Eve.
00:17:49Thank you so much.
00:17:51Wait.
00:17:52I know the man's name.
00:17:55Place is haunted by voice of young lady, perhaps?
00:17:58Uh-oh.
00:17:58No, no, that's just the girl that plays records over the jukebox.
00:18:01Her voice comes in here over a wire.
00:18:03Hey, babe, you say you know the guy's name?
00:18:06Yes, Joe.
00:18:07I heard him say to the girl, the name is Ned Stewart.
00:18:11Ned Stewart?
00:18:13That's right.
00:18:14Thank you so much.
00:18:16You're welcome.
00:18:18You're cute, too.
00:18:21She said he's cute.
00:18:52He said he's cute.
00:18:52He said he's cute.
00:18:53He said he's cute.
00:19:14Somebody is very interested in the Cobra murders, Pop.
00:19:17He's been reading every newspaper in town.
00:19:19Excellent deduction.
00:19:22Thanks, Pop. Nothing to it.
00:19:23You don't, Mr. Chan?
00:19:31Good evening.
00:19:32Hi, boys. What's the angle?
00:19:33I wish to speak to the head of Apex Detective Agency.
00:19:36Well, go ahead, speak, and it better be good.
00:19:38You are Mr. Ned Stewart?
00:19:40That's right.
00:19:40Please put down gun. I have important matters to discuss.
00:19:44I like it this way.
00:19:45I would like you to locate young man who escaped through coffee shop at 1410 Dexter Street
00:19:50when a man named Samuel Black killed outside.
00:19:55You've come to the wrong place, chum. You better call in the police.
00:19:58I am police.
00:20:02Might have known it. Charlie Chan, eh?
00:20:05That's right, Mr. Stewart.
00:20:07Now, where do we go now? Place headquarters?
00:20:09Same logical destination.
00:20:18You say you were following this girl because you were hired to do so?
00:20:21Yes, yes. For the tenth time, yes.
00:20:23Man by the name of Rogers hire you by telephone?
00:20:26Mm-hmm.
00:20:27Good detective never accept job from a man he neither seen or know.
00:20:31I started my agency four months ago. This was my first case.
00:20:35I couldn't be too particular.
00:20:37Mr. Rogers give you address of 1055 Harley Street.
00:20:42Yes, a rooming house.
00:20:43I was to watch it every night.
00:20:44If the girl Pauline Webster came out, I was to shadow her, but do nothing.
00:20:48Unless she seemed to be in danger.
00:20:49Did she go back to the Harley Street address the night Black died?
00:20:52Yeah, but by the time I got there, she'd packed and gone.
00:20:55Next day, I got this in the mail.
00:20:58A week's salary from Mr. Rogers.
00:21:01Postal money order.
00:21:03Impossible to trace.
00:21:04Miss.
00:21:05Payment in full for services to date.
00:21:07Do nothing more about Pauline Webster.
00:21:09Signed, R. Rogers.
00:21:11Man tried to disguise handwriting,
00:21:14but police will learn everything by checking everyone who work at bank.
00:21:18Now, are you satisfied I'm in the clear?
00:21:20If we find this girl, your innocence might be established.
00:21:25Perhaps she's guilty.
00:21:26Otherwise, she would appear.
00:21:28Oh, no.
00:21:29No, she...
00:21:29Why not?
00:21:31Because she couldn't.
00:21:32She's too nice.
00:21:33She's...
00:21:34She's wonderful.
00:21:36Oh.
00:21:37Inspector, you will please inform newspapers
00:21:39you have arrested Ned Stewart for murder of Samuel Black.
00:21:43Arrest me?
00:21:44Why?
00:21:45Wish to learn if strange girl,
00:21:47so wonderful as you say.
00:21:59Miss Webb,
00:22:00I was wondering if Mr. Fletcher had seen these headlines.
00:22:07Thank you, Mr. Adams.
00:22:08I'll show the paper to Mr. Fletcher.
00:22:25And another thing I don't understand is...
00:22:28Pardon me.
00:22:30Inspector Davis.
00:22:32Oh.
00:22:33To you, Charlie.
00:22:34Me?
00:22:36Excuse me.
00:22:38Charlie Chan speaking.
00:22:41Oh, yes.
00:22:44Most happy to meet you tonight at Lotus Garden Cafe.
00:22:487.
00:22:497.30.
00:22:50Yes, thank you so much.
00:22:52Goodbye.
00:22:53It's the girl.
00:22:55She have important information for me.
00:22:57I meet her tonight.
00:22:58Good.
00:22:59Now we're getting places.
00:23:00If you will excuse me,
00:23:01I will leave now.
00:23:04I have important personal matters to attend to.
00:23:07I will see you tonight,
00:23:08after I talk with girl.
00:23:09I'll be here.
00:23:17And as I started down the street,
00:23:19Mr. Black stepped out of the shadows,
00:23:20started to tell me something,
00:23:22fell dead.
00:23:23You know what Mr. Black wanted to tell you?
00:23:25No.
00:23:26Before he could tell me,
00:23:26he died.
00:23:28Ever hear a name,
00:23:29Jan Van Horn?
00:23:30Jan Van Horn?
00:23:32You know such person?
00:23:34No.
00:23:34No, I'm not acquainted with anyone.
00:23:37Mr. Stewart.
00:23:40This young lady you speak of?
00:23:42I'll say she is.
00:23:44You may join us, Mr. Stewart.
00:23:48This is Miss Paula Webb,
00:23:50known to you as Miss Pauline Webster.
00:23:53This young lady has done noble thing
00:23:55by clearing you a murder charge.
00:23:57But, Miss Webb,
00:23:58we expect you to come tomorrow
00:23:59to police headquarters
00:24:00to make affidavit of what you tell me.
00:24:03Oh, I'm sure she'll do that.
00:24:05Yes.
00:24:05You will excuse, please.
00:24:07I have important business
00:24:09at police headquarters.
00:24:11Mr. Stewart,
00:24:12you are to a spot
00:24:13charming young lady home.
00:24:15Do a poor app.
00:24:18Is it all right with you?
00:24:20Must you go, Mr. Chan?
00:24:22Oh, quite necessary.
00:24:25Besides,
00:24:26much better for you
00:24:27to have dinner
00:24:27with young detective
00:24:28than with old detective.
00:24:34Well, I don't know exactly
00:24:35what to say,
00:24:36but thanks.
00:24:38I know you didn't have
00:24:39anything more to do
00:24:40with Mr. Black's death
00:24:41than I did.
00:24:44What did you do that for?
00:24:45Well, now we're even.
00:24:47Why?
00:24:48You kissed me, didn't you?
00:24:49Oh, yes,
00:24:50but I did that
00:24:50because I didn't want you
00:24:51to start an argument
00:24:52with Mr. Black.
00:24:53And besides,
00:24:53he was beginning
00:24:54to be pretty nasty
00:24:55and I was afraid
00:24:55somebody would make a scene.
00:24:57Well, it certainly
00:24:57was worth it.
00:24:59What is catching up with you?
00:25:02Are you sure you have?
00:25:04Oh, you're not married.
00:25:05No.
00:25:06In love?
00:25:09Not exactly.
00:25:11You had me pretty scared
00:25:12there for a minute.
00:25:14Well, if you're in love
00:25:16with someone else,
00:25:17you can't very well
00:25:17be in love with me
00:25:18and I'm in love with you.
00:25:20Well, naturally, I...
00:25:20Just a minute.
00:25:22What are you trying to say?
00:25:25Well, can't you guess?
00:25:27Oh.
00:25:29Oh, no.
00:25:31People don't fall in love
00:25:32that fast
00:25:33except on the stage.
00:25:48Finish in the officer's luggage?
00:25:50No, I have Mr. Fletcher's
00:25:51office to do
00:25:52but he's in there
00:25:52with Mr. Harris.
00:25:53They came back
00:25:54after dinner.
00:26:19They were speaking.
00:26:21Yes, Fletcher.
00:26:22What did you see?
00:26:24I can't talk, Inspector.
00:26:25I'm being watched.
00:26:26You, Mr. Chang,
00:26:27get here quick.
00:26:37Charlie, you're just in time.
00:26:39Something wrong?
00:26:40Twenty.
00:26:40Locken just called
00:26:41from the bank.
00:26:42Told us to get over there quick.
00:26:43Come, we go.
00:26:45It's all right, boys.
00:26:46Let him in.
00:26:46It's the police.
00:26:49Where's Larkin?
00:26:49We can't find him
00:26:50but we found this
00:26:51in Mr. Harris' office.
00:26:52In my office.
00:26:53Well, I haven't even
00:26:53been in my office tonight.
00:26:55Mr. Adams,
00:26:56you bank guard by day
00:26:57also by night?
00:26:58A double duty today, sir
00:26:59because I switch over
00:27:00to night duty
00:27:00for the coming month.
00:27:01I can't understand
00:27:02Larkin's disappearance
00:27:03but why are the police
00:27:04looking for him?
00:27:05Because he's a detective.
00:27:06A police detective
00:27:07who put in here
00:27:07three months ago.
00:27:08You search entire bank
00:27:10thoroughly, sir.
00:27:11Both floors
00:27:11and every room
00:27:12but somehow Larkin
00:27:13managed to get out
00:27:14and I don't understand it, sir
00:27:15because the guards
00:27:15haven't unlocked the door
00:27:16to let anyone out tonight.
00:27:18But Larkin's gone.
00:27:19What's happened to him?
00:27:21Appears to be
00:27:21a mystery
00:27:22which we must solve
00:27:23alone, Inspector.
00:27:30Rising generation
00:27:31said too much.
00:27:32Why are you here
00:27:33instead of mailing
00:27:33important letters?
00:27:34I mailed them, Pop
00:27:35but on the way
00:27:36we got this.
00:27:37You get illegal
00:27:38U-turn ticket?
00:27:39Mr. Chan,
00:27:40I'm telling you just how
00:27:41you told me U-turn.
00:27:42I warned you, Birmingham.
00:27:43I said no U-turn here.
00:27:44Yeah, that's what you said.
00:27:45No U-turn here.
00:27:46I said no U-turn here.
00:27:47That's what I did.
00:27:48You said no U-turn here.
00:27:49Pop, I told him
00:27:49I said no U-turn here.
00:27:51Yeah, that's what you said.
00:27:51No U-turn here
00:27:52and I did.
00:27:53You see what I mean, Pop?
00:27:54I said no U-turn here.
00:27:55Mr. Chan, did you hear
00:27:56he said no U-turns?
00:27:56Please, please.
00:27:57U-turn so many U-turns
00:27:59you have my head
00:27:59spinning like merry-go-round.
00:28:02You remain here
00:28:03until I find doghouse
00:28:04big enough
00:28:05to hold both of you.
00:28:06Please, please.
00:28:08Well, Mr. Chan,
00:28:08I have something important
00:28:10I'd like to ask you.
00:28:12Do you think
00:28:13Paul will like it?
00:28:15Do not offer ring
00:28:16until case is closed.
00:28:19Now, wait a minute.
00:28:20Do you still think
00:28:21Paul is connected
00:28:21with these murders?
00:28:26Ancient ancestors
00:28:27once say
00:28:28even wise men
00:28:29cannot fathom
00:28:31depth of woman's smile.
00:28:34Any further trace
00:28:35of Lockton?
00:28:36None.
00:28:37My men are making
00:28:37a check of the entire
00:28:38first floor
00:28:39of the bank building
00:28:39right now.
00:28:41What is below bank?
00:28:43Nothing.
00:28:44Must be service tunnels,
00:28:46sewers.
00:28:48That's right.
00:28:48I never thought of that,
00:28:49Charlie.
00:28:50I'll call up the building
00:28:51department and have them
00:28:52send the plans right up.
00:28:53When you receive
00:28:54architect's plan,
00:28:56we take look
00:28:56below bank.
00:28:58And here's another thing,
00:28:59Charlie.
00:28:59I got a report
00:29:00that these two men,
00:29:01Morgan and Taylor,
00:29:02were seen leaving
00:29:03Fletcher's office
00:29:04yesterday morning.
00:29:06I ordered them both
00:29:07picked up.
00:29:08They both have records.
00:29:10When they are brought
00:29:10in here,
00:29:11we'll put the heat on them
00:29:12and make them talk.
00:29:14Good work,
00:29:15Inspector.
00:29:18Hey, where are we going?
00:29:19We're going to
00:29:19investigate on our own.
00:29:20We'll show pop.
00:29:21You show him.
00:29:22I'm going to stay right here.
00:29:23Come on,
00:29:23we're going to check
00:29:23up on the sewer.
00:29:24Sure?
00:29:24Now, this detective job
00:29:25is Santero.
00:29:28Let's find this man home.
00:29:31He ain't.
00:29:31What's the matter?
00:29:33Uh, no use anyway.
00:29:35We couldn't find him.
00:29:36You lost it already,
00:29:37I think.
00:29:37Yeah, just ain't no use
00:29:38at all, Tomlin.
00:29:39Yeah, we tried
00:29:40three men home
00:29:40and the same cop
00:29:41showed up.
00:29:41Well, that's what I said.
00:29:42Look where you're walking.
00:29:44The whole sidewalk.
00:29:46Birmingham, that's them.
00:29:48The fellas who picked
00:29:48the picture we saw
00:29:49in the inspector's office.
00:29:50Let's follow them.
00:29:50No, no, let's wait right here.
00:29:52Birmingham.
00:29:52Suppose Paul Revere had waited.
00:29:54Where would this country be now?
00:29:55Come on.
00:29:55No, wait a minute.
00:29:56I'm Birmingham.
00:29:57I ain't Paul Revere.
00:30:05Hiya, Rita.
00:30:06Hi, Buzz.
00:30:06We're going out of time, Rita.
00:30:08Anything happen?
00:30:09Anything happen around here.
00:30:11Are you kidding?
00:30:12What a sense of humor.
00:30:13Now we want him
00:30:14and we can't even find him.
00:30:17There's a girl inside.
00:30:18Now we've got to get inside
00:30:19and take a look.
00:30:20We've got to get inside.
00:30:21Didn't you see that big man
00:30:22going there?
00:30:22You go in there.
00:30:24Well, give him
00:30:24the eager beaver routine
00:30:25number five.
00:30:26Okay, the eager beaver.
00:30:27That's all right.
00:30:28Eager beaver routine?
00:30:31Hello.
00:30:32Hello.
00:30:32Is Miss Evelyn Wing here?
00:30:33Miss Evelyn Wing isn't here.
00:30:35I work here.
00:30:36Now that's funny.
00:30:37I have a date with her.
00:30:37She asked me to call for her here.
00:30:39You heard me.
00:30:40I'm sorry.
00:30:41That's funny.
00:30:42She should be here.
00:30:44Um, in case that she should show up,
00:30:47will you please tell her
00:30:48that I was here?
00:30:49Yeah.
00:30:50Goodbye.
00:30:50Goodbye.
00:31:05They hit in here.
00:31:06They came in here.
00:31:07They haven't gone out.
00:31:08They must be in here.
00:31:10What on these
00:31:11is killing me.
00:31:12It's strange,
00:31:13there's only one door
00:31:14and there's guns.
00:31:16Look, that's quick.
00:31:17The floor's moving,
00:31:18the table's moving,
00:31:19and everything's moving.
00:31:20Tony, I'm going to move.
00:31:21Let's get out.
00:31:22Well, look for here.
00:31:23They must have gone down here,
00:31:24Birmingham.
00:31:24Let's go.
00:31:24Now, wait a minute.
00:31:25You said it was murders, didn't you?
00:31:26I think so.
00:31:27But when are you going to go down there
00:31:28and find out, Birmingham?
00:31:29Don't let me down now.
00:31:30Come on.
00:31:30Oh, my goodness.
00:31:31Ain't this something?
00:31:32Now I've got to follow you
00:31:33all around here.
00:31:34I don't see a sign.
00:31:35I'll kill what?
00:31:36Hey!
00:31:36Be careful, man.
00:31:39Be careful, man.
00:31:40Be careful, man.
00:31:40All right.
00:31:45I'll switch.
00:31:50Hey, tell me.
00:31:51Somebody's going to do the door away.
00:31:54Shh!
00:31:54Come on.
00:31:56No, tell me.
00:31:57Hey, tell me.
00:31:59Hey, tell me.
00:32:00Hey, don't lose me like that.
00:32:01Shh!
00:32:02There's something ahead.
00:32:03Follow me for me now.
00:32:13Don't do that.
00:32:14It's a long way down.
00:32:15I just found that out.
00:32:16Look, the sewers are down there.
00:32:18Come on.
00:32:18Sewers?
00:32:19Now you going to go down there?
00:32:20Oh, Tony.
00:32:21Now where you going to go down there?
00:32:22Come on.
00:32:23Gracious me.
00:32:26Why don't you stay up there?
00:32:28I can follow you all over the world.
00:32:30Raise this up.
00:32:31Let me go down there all the time.
00:32:34I don't see what...
00:32:36What?
00:32:37I want to meet you, Fred.
00:32:39Let's go this way.
00:32:40Why don't you investigate
00:32:41where all this light is?
00:32:42Where you going to go down there
00:32:43in the dark?
00:32:43Come on.
00:32:44Come on.
00:32:46Come on.
00:32:46Now be very careful.
00:32:47Now this stuff is wet.
00:32:48You're not going to get drowned here.
00:32:50Water, water, water.
00:32:51I never seen so much water
00:32:53in all my life.
00:32:54Just come over here now.
00:32:56Be very careful.
00:32:57Careful here.
00:32:57This is the first time
00:32:59that I ever seen anything
00:33:01that there was enough of.
00:33:02Hey, there's too much water
00:33:03in the two dogs down there.
00:33:04I'm going back.
00:33:05Fermi, we're going to stay down here
00:33:07in Southeast Murders
00:33:08even if the water comes up to my neck.
00:33:09You and that?
00:33:11Hee, hee.
00:33:11I'm gone.
00:33:12Fermi,
00:33:13I'll let you want to go, go.
00:33:14You get lost.
00:33:15Sure, I'll go.
00:33:16How do you want to stay with you?
00:33:17Lost?
00:33:19Hmm?
00:33:19Wait a minute.
00:33:19Tell me.
00:33:20Tell me.
00:33:24I'm sorry.
00:33:24I thought you were someone I knew.
00:33:28She doesn't look familiar,
00:33:29but she sounds like someone I know.
00:33:30Struck me same way.
00:33:32Where are we going, Kelly?
00:33:33We're low, bang.
00:33:38See, you might get lost,
00:33:40or I think I'll take the lead.
00:33:42See, if you come on out here for me,
00:33:44now take it easy.
00:33:45Come on with me.
00:33:47Tommy?
00:33:49Is that you?
00:33:50Yes.
00:33:51Oh, well, that's all right.
00:33:52This is Tommy.
00:33:53I'll take the lead.
00:34:03I'll take the lead.
00:34:25He's dead.
00:34:26He's gone.
00:34:27He's gone.
00:34:28I'm gone.
00:34:29I'm gone.
00:34:42There's a man coming behind,
00:34:44and he ain't dead.
00:34:50You got me.
00:34:51I'm shot.
00:34:52Are you all right?
00:34:53Let's get it on the floor.
00:34:55Get it.
00:34:59Heating and water pipes run through here.
00:35:01Help.
00:35:02Help.
00:35:02We arrived too late.
00:35:04Help.
00:35:05Too late, Mr. R.
00:35:06Let's get out of here.
00:35:07Help.
00:35:08My assistant's out of doghouse
00:35:10and in more trouble.
00:35:12Tommy.
00:35:12Birmingham.
00:35:13Pop.
00:35:14Thank goodness.
00:35:15How do you get here?
00:35:17Through our laundry, Pop.
00:35:18You look wet enough for laundry.
00:35:20We follow those two fellas
00:35:22we saw in the picture this morning.
00:35:23When we got down there,
00:35:24they started shooting at us
00:35:25after we found a dead man.
00:35:26You find dead men where?
00:35:28Down below in the sewers.
00:35:29Come, show me.
00:35:29This way, Pop.
00:35:30Quick.
00:35:34Charlie, it is, Larkin.
00:35:35Now we'll never know
00:35:36what he wanted to tell us.
00:35:38Even in death,
00:35:40Mr. Larkin tell us
00:35:41what murderer
00:35:42do not wish police to know.
00:35:47Yes.
00:35:49Yes.
00:35:49Thank you, Doctor.
00:35:52Mr. Larkin is fourth person
00:35:54to die by fangs of the cobra.
00:35:56Well, at least we had a motive
00:35:58for his murder.
00:35:59He wanted to tell us something.
00:36:00For the same reason,
00:36:01three other people died.
00:36:04Miss Paula Webb
00:36:04say Mr. Black
00:36:05wished to tell something.
00:36:07Therefore, he was killed.
00:36:09Sure, people are always
00:36:11getting in trouble
00:36:11for talking to him, Pop.
00:36:12Be sure you remember that.
00:36:15Mr. Larkin's body
00:36:16found on outside a bank,
00:36:19which proved in reverse
00:36:20that his way of getting
00:36:21into bank
00:36:22without using doors
00:36:24or windows.
00:36:25Yes, but Charlie,
00:36:26the bank plans show
00:36:26there's only one entrance
00:36:27to the bank.
00:36:28Buildings can be altered
00:36:30without altering plans.
00:36:32What about the
00:36:33maintenance door, Pop?
00:36:34Maintenance door
00:36:35not inside a bank.
00:36:36That is outside
00:36:37in hallway, a building.
00:36:39Now, this is bank.
00:36:42Time element proved
00:36:43neither Mr. Black,
00:36:45Mr. Rafferty,
00:36:46nor Miss Dunham
00:36:47poisoned inside a bank.
00:36:49Right.
00:36:50Mr. Black's body
00:36:51found there.
00:36:53There.
00:36:53Rafferty got in the car
00:36:55and died right there.
00:36:58Miss Dunham
00:36:59got on the bus
00:37:00and dropped dead
00:37:02right there.
00:37:04There,
00:37:05there,
00:37:06and there.
00:37:09Same logical place
00:37:11where three persons
00:37:12poisoned by human cobra?
00:37:14Well, it's the coffee shop.
00:37:16Exactly.
00:37:17Place which need
00:37:18much attention,
00:37:20which we give same
00:37:21tomorrow.
00:37:21But, Pop,
00:37:22we found Larkin's body
00:37:23down in the sewers.
00:37:24Excellent.
00:37:25Excellent.
00:37:25Very good.
00:37:26You talk fast,
00:37:27you think fast.
00:37:28Excellent.
00:37:29We go now to laundry
00:37:30with mysterious
00:37:31trapdoor.
00:37:33Come.
00:37:35It's in here, Pop.
00:37:40Pop,
00:37:40the trapdoor's back there.
00:37:44There, right there.
00:37:45Who are you
00:37:45to come busting in here?
00:37:46Police, please.
00:37:47This is the table, Pop.
00:37:48We picked it up
00:37:49just like this.
00:37:51What?
00:37:51Trapdoor's gone.
00:37:52Well, don't look at me.
00:37:53I didn't take it.
00:37:54There never was
00:37:55trapdoor here.
00:37:56I could have told you that.
00:37:58Pop,
00:37:59I want to talk to you
00:38:00as man to man.
00:38:01I am ready,
00:38:02but you still have
00:38:03few years to go.
00:38:07That's right.
00:38:09Well,
00:38:09is that all you gents want?
00:38:11Sorry for intrusion.
00:38:12Forget it.
00:38:13Next time,
00:38:13bring your laundry
00:38:14and I'll call it square.
00:38:22Sorry, Pop.
00:38:23I guess we should have
00:38:24our eye to say it.
00:38:25Yeah, Mr. Chen,
00:38:26we are mortified.
00:38:26Perhaps you're not
00:38:27so dumb as you think.
00:38:28We call police.
00:38:29What if you want
00:38:30the laundry, Pop?
00:38:30No,
00:38:31Mr. Occupant's suspicious.
00:38:33We learned nothing.
00:38:50Hello?
00:38:51Rita?
00:38:52What happened?
00:38:53It worked, Jarvis.
00:38:55Yeah,
00:38:55they just left.
00:38:56They couldn't find a thing.
00:38:58Good girl, Rita.
00:38:59Now,
00:38:59take it easy
00:38:59because they've been
00:39:00completely thrown
00:39:00off the track.
00:39:03You were right,
00:39:04but how did you know
00:39:04those two kids
00:39:05got in yesterday?
00:39:05We made it in store.
00:39:07We wired it.
00:39:08Yeah,
00:39:09when it opens
00:39:09an alarm bell rings
00:39:10down in the tunnels.
00:39:12It didn't ring
00:39:12when those two got in,
00:39:13so they must have
00:39:14followed us in
00:39:15through the laundry.
00:39:16Well,
00:39:16we've got work to do.
00:39:18Get these things out.
00:39:19Say,
00:39:19that reader's
00:39:20a pretty puppet kit.
00:39:21What's the idea
00:39:22of the, uh,
00:39:23rockets now?
00:39:24Be careful, Taylor!
00:39:24You want to blow us
00:39:25the pitch?
00:39:26Why are we
00:39:27loading these things now?
00:39:28Have you finished
00:39:29those tubes
00:39:29down below the vault?
00:39:30Yeah,
00:39:31they're all set.
00:39:31The boss wants us
00:39:32to get ready
00:39:32to get this radium
00:39:33any night.
00:39:34Maybe tonight.
00:39:35Oh.
00:39:36Good.
00:39:38Very clever
00:39:39and unusual.
00:39:40Uh,
00:39:41information most interesting.
00:39:43Thank you very much.
00:39:44You're entirely welcome.
00:39:45What did he say, Pop?
00:39:47What's up, Charlie?
00:39:48Charlie?
00:39:48We'll illustrate.
00:39:49Come with me.
00:40:01Why'd we come here,
00:40:02Charlie?
00:40:02My assistant's
00:40:03not entirely insane.
00:40:05Huh?
00:40:05Not entirely.
00:40:06Lawbreakers make
00:40:07first moves,
00:40:08so we make
00:40:08second one.
00:40:09Recently,
00:40:10has been countered here.
00:40:12Also,
00:40:12Shows.
00:40:13My assistant's
00:40:14in this room
00:40:15yesterday.
00:40:16Oh, no, Pop.
00:40:16We were next door.
00:40:17No.
00:40:18Cannot sell
00:40:18bearskin
00:40:19before shooting
00:40:20bear.
00:40:20Watch the entrance.
00:40:21You not here
00:40:23yesterday?
00:40:23Why, no, Pop.
00:40:24We were.
00:40:25Why, yes, we were.
00:40:27Yes, Mr. Chair,
00:40:28this is the table
00:40:28right here.
00:40:29It's got to be.
00:40:31See, Pop?
00:40:32You know,
00:40:33this was in here, Charlie.
00:40:34Oh, I'm very smart,
00:40:35detective.
00:40:36I talked with one man
00:40:37who always know
00:40:38what happened
00:40:38in his street.
00:40:40United States
00:40:41letter carrier.
00:40:42He told me
00:40:43yesterday,
00:40:43laundry here.
00:40:44Today,
00:40:44move one door
00:40:45further away.
00:40:46We go down.
00:40:47You two,
00:40:48watch from
00:40:49cross street.
00:40:49I see you later.
00:40:51Hurry.
00:40:51Thank you,
00:40:52Mr. Chair.
00:40:53Thank you very much.
00:41:14Peculiar arrangement of pipes
00:41:16so close to bank wall
00:41:17must study architect's plans
00:41:20to determine purpose
00:41:22of saving.
00:41:29Down there
00:41:30is where we found
00:41:31Larkin's body.
00:41:32We tried to discover
00:41:33how Larkin
00:41:34get from inside
00:41:35a bank
00:41:36to here.
00:41:49someone employed here
00:41:50recently.
00:41:52Oh,
00:41:53they worked here.
00:41:54Someone's made an opening
00:41:55into the ventilating system.
00:41:57Passageway go upward,
00:41:59but not built for...
00:42:00I'll try it.
00:42:11I'm taking a turn left.
00:42:12There's a light up ahead.
00:42:15Mr. Chair,
00:42:16this seems to open
00:42:16into the bank.
00:42:18I'm certain of the same.
00:42:20Come,
00:42:20quick,
00:42:20let us go.
00:42:48Visitors are supposed
00:42:49to be announced.
00:42:49Sorry,
00:42:50police do not read
00:42:51Emily Post.
00:42:52I must offend
00:42:54Emily Post once more.
00:42:55Your company
00:42:56not desired.
00:43:02This where you came
00:43:03out of the ventilator?
00:43:04Right there.
00:43:05I closed it.
00:43:06This is where
00:43:06Mr. Larkin
00:43:07so strangely
00:43:08exit from bank.
00:43:10Oh,
00:43:12this is a surprise.
00:43:13That's what
00:43:14I was going to say.
00:43:15You often work here
00:43:16late at night?
00:43:17No,
00:43:18Mr. Fletcher
00:43:18never keeps me
00:43:19after regular hours.
00:43:20Paula,
00:43:20are they questioning
00:43:21you about me?
00:43:21Where'd you come from?
00:43:22I didn't see you come in.
00:43:23You can see us all go out.
00:43:25Miss Paula,
00:43:26get your things
00:43:26and come with us.
00:43:31Yeah,
00:43:31yeah,
00:43:32I know you're police,
00:43:33but I ain't done nothing,
00:43:33no matter what
00:43:34my ex-wife says.
00:43:35You own this place?
00:43:36Sure,
00:43:37is that a crime?
00:43:38Employees of bank
00:43:39come here often?
00:43:40All the time.
00:43:41They're my best customers.
00:43:43Where you obtain
00:43:44music box?
00:43:45Oh,
00:43:45that I got it
00:43:46from a fellow
00:43:47come in one day.
00:43:48I make a big percentage
00:43:49on it.
00:43:49Name of man
00:43:50who put in machine,
00:43:51please.
00:43:52Guy named Jan Van Horn.
00:43:54Jan Van Horn.
00:43:56Name sound familiar
00:43:57to you,
00:43:58Miss Webb?
00:43:59I told you,
00:44:00I know no one
00:44:01by that name.
00:44:03Can you describe
00:44:04Van Horn?
00:44:04Oh,
00:44:05sure,
00:44:05he was a sort
00:44:06of a short,
00:44:06well,
00:44:06not too short,
00:44:07kind of,
00:44:07well,
00:44:07he was a little bit
00:44:08on the head,
00:44:08but his hair,
00:44:10oh,
00:44:11he had his hat on.
00:44:11He was just,
00:44:12just one of them
00:44:13mediocre guys,
00:44:14like you and me.
00:44:15Oh,
00:44:16thank you so much.
00:44:17Yes,
00:44:17splendid.
00:44:18You will all
00:44:19remain here,
00:44:20please.
00:44:20We'll see you later.
00:44:21Come.
00:44:29Charlie,
00:44:30you couldn't find
00:44:30the jukebox
00:44:31talking in the
00:44:32telephone book,
00:44:32so why do we
00:44:33come here
00:44:33to the second
00:44:33floor of the
00:44:34bank building?
00:44:34To find girl
00:44:35whose voice
00:44:36comes from
00:44:36jukebox.
00:44:37How do you know
00:44:38she's here?
00:44:39She come from
00:44:40elevator and
00:44:41hall downstairs
00:44:41yesterday,
00:44:42girl whose voice
00:44:43sounds strangely
00:44:44familiar.
00:44:45Elevator boy
00:44:46tell me
00:44:46she work in
00:44:48this office.
00:44:50Strange place
00:44:51for music
00:44:52jukebox.
00:45:11skeleton key,
00:45:13please.
00:45:14Well,
00:45:15this is
00:45:15slightly illegal.
00:45:16Four murders,
00:45:17much more
00:45:18illegal.
00:45:18Illegal.
00:45:20Illegal.
00:45:20Illegal.
00:45:22Illegal.
00:45:46No jukebox
00:45:47equipment in
00:45:48here,
00:45:48Ollie.
00:45:55What is it?
00:45:57Suspect
00:45:58pentolite.
00:45:59Very powerful,
00:46:00explosive.
00:46:01I wish
00:46:01police chemists
00:46:02to analyze
00:46:03saying.
00:46:06Girl of
00:46:07voice work
00:46:08here,
00:46:08so jukebox
00:46:09must be
00:46:09here.
00:46:10Yes,
00:46:10but where?
00:46:12Armature
00:46:12attempt
00:46:13at concealment.
00:46:18Must be
00:46:19hidden spring
00:46:20or some
00:46:21strange
00:46:21secret
00:46:22device.
00:46:25Doorknob.
00:46:30This is
00:46:31other end
00:46:32of jukebox.
00:46:35Would like
00:46:35to work
00:46:36mechanism,
00:46:37please.
00:46:37Put these
00:46:37buttons on
00:46:38desk port.
00:46:39Well,
00:46:39this one's
00:46:40for the
00:46:40microphone
00:46:41and this
00:46:41for the
00:46:41speaker.
00:46:43Why?
00:46:44Who are
00:46:44you?
00:46:45Police.
00:46:45She know
00:46:46that.
00:46:46Excuse
00:46:47please.
00:46:49Television
00:46:50screen work.
00:46:51I only
00:46:52work here.
00:46:52We see.
00:46:56That's
00:46:57the coffee
00:46:57shop.
00:46:58Sorry to
00:46:59keep you
00:46:59waiting.
00:47:00Oh,
00:47:01it's okay,
00:47:01Pop.
00:47:03I thought I
00:47:04heard Pop's
00:47:04voice.
00:47:05You did.
00:47:06I knew it.
00:47:07I knew it.
00:47:08You fool around
00:47:08with murders
00:47:09and you'll
00:47:09turn up a ghost.
00:47:10Mr.
00:47:11Chan talking
00:47:11from the
00:47:12jukebox.
00:47:13Thank you,
00:47:14Mr.
00:47:14Stewart.
00:47:16Everyone
00:47:16there?
00:47:17Yes,
00:47:18sir.
00:47:18Please.
00:47:19When Mr.
00:47:20Black there,
00:47:21he put
00:47:21coin in
00:47:22box?
00:47:23Yes,
00:47:23he did put
00:47:24a coin in.
00:47:24And he
00:47:25got the
00:47:25wrong number
00:47:26and demanded
00:47:26his money
00:47:27back.
00:47:27He get
00:47:28money?
00:47:29Yes,
00:47:29he did.
00:47:30Through
00:47:30return
00:47:30coin
00:47:31slot.
00:47:31I see.
00:47:32One moment.
00:47:33When Mr.
00:47:34Black in
00:47:34coffee shop
00:47:35press button
00:47:36for return
00:47:36money,
00:47:37which button
00:47:37you press
00:47:38here?
00:47:38I didn't.
00:47:39I...
00:47:40Thank you
00:47:41for information.
00:47:44Mr.
00:47:45Stewart,
00:47:46you will
00:47:47please press
00:47:48button for
00:47:48return money,
00:47:49but do not
00:47:50press button
00:47:51with finger.
00:47:52Understand?
00:47:53Yes,
00:47:54sir.
00:47:55Here,
00:47:56use this.
00:47:58Thanks.
00:48:00Ready
00:48:00here,
00:48:00Mr.
00:48:01Chan.
00:48:03Ready
00:48:03here.
00:48:04Push
00:48:05button.
00:48:07Mr.
00:48:08Chan,
00:48:08you found
00:48:09the cobra.
00:48:11It's a
00:48:11device here
00:48:12in the
00:48:12machine.
00:48:13Thank
00:48:14you,
00:48:14Mr.
00:48:14Stewart.
00:48:15So,
00:48:16this is how
00:48:17you killed
00:48:18Mr.
00:48:18Black and
00:48:19two others.
00:48:20I didn't.
00:48:21I didn't
00:48:21touch that
00:48:21lever.
00:48:22It was
00:48:22always Jan
00:48:22Van
00:48:23Horn.
00:48:23One
00:48:23moment,
00:48:24please.
00:48:24You
00:48:24will
00:48:25describe
00:48:25Jan Van
00:48:26Horn.
00:48:26I
00:48:26can't.
00:48:27I
00:48:27never
00:48:27saw his
00:48:28face
00:48:28in my
00:48:28life.
00:48:29Most
00:48:29unfortunate
00:48:30you
00:48:30not
00:48:31see
00:48:31man's
00:48:31face
00:48:32after
00:48:32so
00:48:33many
00:48:33associations.
00:48:34You
00:48:35will
00:48:35come
00:48:35with
00:48:36us
00:48:36to
00:48:36police
00:48:36headquarters
00:48:37and
00:48:37refresh
00:48:37your
00:48:38memories.
00:48:41John
00:48:42Inspector,
00:48:43girl not
00:48:44lying when
00:48:44she says
00:48:45she not
00:48:45see
00:48:45Jan Van
00:48:46Horn's
00:48:46face.
00:48:47I
00:48:47still
00:48:47think
00:48:47she
00:48:47can
00:48:47tell
00:48:48us
00:48:48more
00:48:48than
00:48:48she
00:48:48has
00:48:49and
00:48:49I
00:48:49am
00:48:49not
00:48:49going
00:48:49to
00:48:49let
00:48:49her
00:48:49go.
00:48:50quite
00:48:50right
00:48:51inspector.
00:48:51She
00:48:52most
00:48:52important
00:48:53witness.
00:48:57Still
00:48:58sitting.
00:48:58The
00:48:58girl
00:48:59talk?
00:48:59Not
00:49:00right
00:49:00kind
00:49:00of
00:49:00talk.
00:49:01No
00:49:01new
00:49:01developments.
00:49:02What if it
00:49:03just
00:49:03pop?
00:49:03What?
00:49:04What if it
00:49:04just
00:49:05pop?
00:49:05No.
00:49:06No.
00:49:07No.
00:49:09Seems
00:49:09like we're
00:49:10getting no
00:49:10place fast
00:49:10in this
00:49:11case.
00:49:11On
00:49:11contrary
00:49:12inspector
00:49:12we
00:49:13get
00:49:13some
00:49:13place
00:49:14very
00:49:14quickly.
00:49:15I
00:49:15was
00:49:15hoping
00:49:16you'd
00:49:16have
00:49:16something
00:49:16up
00:49:16your
00:49:16sleeve.
00:49:17No
00:49:18new
00:49:18developments
00:49:19we
00:49:19create
00:49:20same.
00:49:20I
00:49:21have
00:49:21given
00:49:21out
00:49:21information
00:49:22to
00:49:23the
00:49:23papers
00:49:23that
00:49:24government
00:49:25will
00:49:25remove
00:49:26radium
00:49:26from
00:49:27bank
00:49:27tomorrow.
00:49:28Are
00:49:28you
00:49:28going
00:49:29to
00:49:29do
00:49:29it?
00:49:29If
00:49:30thieves
00:49:30believe
00:49:31we
00:49:31remove
00:49:32radium
00:49:33tomorrow
00:49:33perhaps
00:49:34they
00:49:34might
00:49:34try
00:49:35to
00:49:35steer
00:49:35same
00:49:36tonight.
00:49:37Excellent
00:49:37idea
00:49:38Charlie.
00:49:38When
00:49:39they
00:49:39go
00:49:39in
00:49:39to
00:49:39crack
00:49:39the
00:49:40vault
00:49:40I'll
00:49:40have
00:49:40my
00:49:40men
00:49:40outside
00:49:41and
00:49:41we'll
00:49:41nab
00:49:42them.
00:49:42No.
00:49:42No.
00:49:43Please.
00:49:43Mice
00:49:44will
00:49:44never
00:49:44play
00:49:45so
00:49:45long
00:49:45as
00:49:46cat
00:49:46is
00:49:46in
00:49:46house.
00:49:47You
00:49:48will
00:49:48have
00:49:48your
00:49:48men
00:49:48in
00:49:49police
00:49:49cars
00:49:49in
00:49:50street
00:49:50outside
00:49:51the
00:49:51bank.
00:49:52You
00:49:53will
00:49:53move
00:49:53them
00:49:53in
00:49:53only
00:49:54when
00:49:54I
00:49:54give
00:49:54the
00:49:55word.
00:49:55Understand?
00:49:56Where
00:49:56will
00:49:56you
00:49:57be?
00:49:57I
00:49:57have
00:49:58important
00:49:58appointment
00:49:59with
00:49:59Mr.
00:50:00Fletcher
00:50:00at
00:50:01the
00:50:01bank.
00:50:02No.
00:50:03No.
00:50:03Mr.
00:50:04Stewart.
00:50:04You
00:50:04will
00:50:04please
00:50:05look
00:50:05after
00:50:05Miss
00:50:06Webb.
00:50:07Too
00:50:07many
00:50:08hands
00:50:08sometimes
00:50:09spoil
00:50:09pudding.
00:50:10My
00:50:11sitting
00:50:11assistants
00:50:12will
00:50:17everything
00:50:17is
00:50:18ready
00:50:18on
00:50:18this
00:50:18end.
00:50:20He's
00:50:20here
00:50:20now.
00:50:21He'll
00:50:21get
00:50:21busy
00:50:22right
00:50:22away.
00:50:24They're
00:50:24playing
00:50:24right
00:50:25into
00:50:25our
00:50:25hands
00:50:25Morgan.
00:50:26The
00:50:26government
00:50:26is
00:50:26planning
00:50:26on
00:50:27moving
00:50:27the
00:50:27radium
00:50:27in
00:50:27the
00:50:27morning.
00:50:28I
00:50:29think
00:50:29they're
00:50:29going
00:50:29to
00:50:30get
00:50:30the
00:50:30radium.
00:50:31Fortunately
00:50:31we have
00:50:32everything
00:50:32ready.
00:50:33It's
00:50:33a great
00:50:34deal
00:50:34of
00:50:34work
00:50:34to
00:50:34make
00:50:34this
00:50:34rocket
00:50:35practical.
00:50:36I
00:50:36sure
00:50:37ought
00:50:37to put
00:50:37a
00:50:37nice
00:50:37hole
00:50:37in
00:50:38the
00:50:38boat.
00:50:38It
00:50:38will.
00:50:39Everything
00:50:39ready
00:50:39in
00:50:40the
00:50:40tunnel?
00:50:40The
00:50:40paper's
00:50:41waiting
00:50:41for
00:50:41me.
00:50:42It's
00:50:42now
00:50:42five
00:50:42after
00:50:42seven.
00:50:43Check
00:50:44your
00:50:44watch
00:50:44with
00:50:44mine.
00:50:45You
00:50:45must
00:50:45make
00:50:45sure
00:50:46that
00:50:46there's
00:50:46no
00:50:46slip-up.
00:50:47Unless
00:50:47I
00:50:48hear
00:50:48from
00:50:48you
00:50:48differently,
00:50:49I'll
00:50:49put
00:50:49the
00:50:49rockets
00:50:50in
00:50:50the
00:50:50tubes
00:50:50from
00:50:50here
00:50:50at
00:50:51exactly
00:50:5111 o'clock.
00:50:52The
00:50:52sewer
00:50:53explosion
00:50:53must
00:50:53be
00:50:53time
00:50:54to
00:50:54go
00:50:54off
00:50:54five
00:50:54minutes
00:50:54after
00:50:55we
00:50:55get
00:50:55the
00:50:55radio.
00:50:56We
00:50:56have
00:50:56everything
00:50:57set.
00:50:57Good.
00:50:58This
00:50:58is one
00:50:58time
00:50:59the
00:50:59famous
00:50:59Charlie
00:50:59Chan
00:51:00is
00:51:00going
00:51:00to
00:51:00find
00:51:00himself
00:51:01out
00:51:01smarter.
00:51:02It
00:51:02won't
00:51:02be
00:51:02hard
00:51:02to
00:51:03take.
00:51:03I
00:51:04don't
00:51:04need
00:51:04to
00:51:04caution
00:51:05you
00:51:05about
00:51:05handling
00:51:05this
00:51:06tent
00:51:06fight.
00:51:07I
00:51:07want
00:51:08to
00:51:08live
00:51:08a
00:51:08while
00:51:08longer.
00:51:19Assistance
00:51:20will
00:51:20not
00:51:20be
00:51:21needed.
00:51:22I
00:51:22will
00:51:22only
00:51:22be
00:51:22five
00:51:23minutes.
00:51:23Remain
00:51:23here.
00:51:37Good
00:51:37evening,
00:51:38Mr.
00:51:38Chan.
00:51:38Mr.
00:51:39Fletcher
00:51:39told me
00:51:39you
00:51:39were
00:51:40coming.
00:51:40Have
00:51:40appointment
00:51:41with
00:51:41Mr.
00:51:41Fletcher
00:51:42to
00:51:42visit
00:51:42both.
00:51:43Uh,
00:51:44suggest
00:51:44you
00:51:44come
00:51:45along.
00:51:45Yes,
00:51:46sir.
00:51:46You
00:51:47have
00:51:47worked
00:51:47in
00:51:47bank
00:51:48a
00:51:48long
00:51:48time,
00:51:48Mr.
00:51:48Adams.
00:51:49Yes,
00:51:49Mr.
00:51:49Chair,
00:51:50a
00:51:50long
00:51:50time.
00:51:51Eight
00:51:51years,
00:51:52perhaps.
00:51:53You
00:51:53know,
00:51:53people
00:51:54in
00:51:54bank
00:51:54act
00:51:55very
00:51:55strangely.
00:51:56For
00:51:57instance,
00:51:58Mr.
00:51:58Fletcher's
00:51:58secretary.
00:51:59Paula?
00:52:00I
00:52:00mean,
00:52:01Ms.
00:52:01Webb.
00:52:02Yes.
00:52:02You
00:52:03think
00:52:03she
00:52:03connected
00:52:04with
00:52:04murder
00:52:05in
00:52:05any
00:52:05way?
00:52:06That
00:52:06child?
00:52:07Why,
00:52:07she
00:52:08could
00:52:08arm
00:52:08a
00:52:08soul.
00:52:09Child?
00:52:14Oh,
00:52:16thank
00:52:16you
00:52:16so
00:52:16much,
00:52:17Mr.
00:52:18Adams.
00:52:22Mr.
00:52:23Fletcher,
00:52:24sorry
00:52:24to
00:52:24inconvenience
00:52:25you,
00:52:26but
00:52:26my
00:52:26business
00:52:26most
00:52:27important.
00:52:27Glad
00:52:28to
00:52:28be
00:52:28of
00:52:28service.
00:52:29Wish
00:52:29to
00:52:29open
00:52:30vault?
00:52:30You
00:52:30can't.
00:52:31The
00:52:31time lock
00:52:32won't
00:52:32open
00:52:32until
00:52:32nine
00:52:32tomorrow.
00:52:33Time
00:52:34lock
00:52:34not set
00:52:34for
00:52:35tonight
00:52:35by my
00:52:36orders.
00:52:36Not
00:52:37set?
00:52:37Mr.
00:52:38Chandler,
00:52:38it's a
00:52:38violation
00:52:39of
00:52:39banking
00:52:39regulations.
00:52:40So
00:52:40sorry,
00:52:41but
00:52:41government
00:52:41now
00:52:42in
00:52:42charge
00:52:42of
00:52:43bank
00:52:43vault.
00:52:44Come.
00:52:50Open
00:52:50vault
00:52:51quick,
00:52:51please.
00:52:52Please.
00:52:53Please.
00:52:55Please.
00:52:56Please.
00:52:57Okay.
00:53:09Come on.
00:53:12We'll be here.
00:53:15Ready to
00:53:17Bye.
00:53:18Bye.
00:53:19Bye.
00:53:21Bye.
00:53:22Bye.
00:53:23Bye.
00:53:24Bye.
00:53:25Bye.
00:53:26Bye.
00:53:33Everything in order?
00:53:34Thank you so much, Mr. Fletcher.
00:53:37We return now to your office.
00:53:53Look, there's one of the men the police are up there.
00:53:55I wonder what he's up to.
00:53:56Yeah, that's that great big man.
00:53:58He's probably heading for the laundry.
00:54:00We've got to take a look.
00:54:01Yeah, your pop told us to stay right here.
00:54:03I would want to know what he's up to.
00:54:04Come on.
00:54:13You must have gone in the laundry.
00:54:14Big as he is.
00:54:15I don't care where he went.
00:54:16Come on.
00:54:34Hey, what are you closing that door?
00:54:37This bird leads into the room with a trap door.
00:54:39He must have gone in there.
00:54:40Yeah.
00:54:40I'm still curious.
00:54:42Birmingham, if I didn't know you better, I think you were scared.
00:54:44Then I ain't relaxed either.
00:54:45Well, you know, that's a big man.
00:54:52How could the police look at this place?
00:54:54Yeah, he also told us to stay in the car and wait for him.
00:54:57He's gone down here.
00:54:58The trap door's open.
00:54:59Yeah, and I'm going out.
00:55:00Hey, Tommy, look.
00:55:02Why, it's the police.
00:55:04Just knocked out.
00:55:05Whoever did it must...
00:55:06I don't know who's here, but I'm going...
00:55:08Come on.
00:55:13Come, here.
00:55:15Oh, my goodness.
00:55:16Come on.
00:55:26Come, come, come.
00:55:28He's about this way.
00:55:30Don't lose me now.
00:55:55Hey, we're trapped.
00:55:57Come on, Donald.
00:55:58Come on.
00:56:06Hold it, Taylor.
00:56:12Moving on.
00:56:13Quick.
00:56:18This will be easier.
00:56:20Repent the light.
00:56:27It's closer.
00:56:28We need bait.
00:56:29Must investigate.
00:56:40I wouldn't go in there if I were you.
00:56:42Tell me later.
00:56:53Look.
00:57:00No, Taylor.
00:57:01I'll keep him covered.
00:57:03Call Jarvis.
00:57:03Tell him to go ahead.
00:57:04In the meantime, I'll prepare to blast the sewer.
00:57:16Harry.
00:57:17Harry.
00:57:28You...
00:57:28You hurt?
00:57:29No, Pop.
00:57:30I guess I'm okay.
00:57:31I'm okay.
00:57:39We're trapped.
00:57:41Where are we from?
00:57:43How are you?
00:57:44I didn't know it was going to be this cold out here.
00:57:58Number, please.
00:58:02There's something wrong with the lines.
00:58:11There must be a short someplace.
00:58:13I'll have one of the men cut the line out.
00:58:17This seems to be in Morse code.
00:58:20Send me your pencil.
00:58:23Get Inspector David at the police headquarters.
00:58:26You think you will get through, Pop?
00:58:28If not, number three son and father will join honorable ancestors.
00:58:36Mr. Chan, tell your honorable ancestors to move over and make room for me.
00:58:43Hello, Inspector David.
00:58:44Just a minute, please.
00:58:47Inspector David, we have just received a message from Charlie Chan.
00:58:50I'll read it to you.
00:58:51Bank robbers, apparently attempting to blow walls by using pentolite bombs in mysterious
00:58:57tools in maintenance tunnels.
00:58:59Instruct men to proceed at once with our plans.
00:59:03We are imprisoned in sewer tunnels by explosion.
00:59:06Is that clear?
00:59:07Yes, I got it.
00:59:09Inspector David speaking.
00:59:11Put on a broadcast to all cars.
00:59:20Charles, I'll be ready in two minutes.
00:59:22Good.
00:59:41Five seconds.
00:59:51I'll set here.
01:00:30We're coming through.
01:00:33Charlie.
01:00:42sorry for delay but necessary for change of linen inspector i have arrested four persons
01:00:52but still seek killer and leader of bank robbers police said it was a man named van horn
01:00:57jan van horn at moment is man of mystery but not for long miss webb every time the name of
01:01:07jan van
01:01:07horn is mentioned you frightened not for self but for jan van horn a man named rogers worry about you
01:01:16uh mr adams also worry about you what are you getting at i have compared fingerprints on
01:01:23mr rogers letter with people working in bank all right i wrote the letter show me risk please
01:01:34from fire in shanghai your face greatly changed plastic surgery i also dyed my hair i am jan van
01:01:43horn dad even humble detective noticed affection between you two dad never killed anyone or robbed
01:01:50any bank anywhere mr van horn after you escape why you come here because one of the men on the
01:01:55boat in which i escaped had some of the jewels i was accused of stealing in shanghai why not inform
01:02:00police because he was not the leader i intended to follow him to get to the man who framed me
01:02:05for
01:02:05robbery and murder who was man you follow jarvis jarvis take offices in bank buildings so you get
01:02:15a job in bank yes paula also got a job she saw black talking to jarvis so she started following
01:02:21black
01:02:21at night that's why i had mr stewart follow her only one man ever fully believe you rob bank in
01:02:28shanghai
01:02:28man who collect all and only evidence against you who was that man who disappear when you escape
01:02:35special agent hume of shanghai i have here a bag of strange powder which i find on mr jarvis desk
01:02:44mr jarvis you can explain what it is you should be more careful sir excuse please
01:02:53real explosive in another bag you are one who stopped being careful for first time you use left
01:03:00hand what are you talking about special agent hume killer of shanghai also left-handed are you trying
01:03:06to say that my name is him will prove same when i receive fingerprints from england all right
01:03:11you're breaking my arm let's go
01:03:14what have meant the final at last inspector davis we capture the human cobra
01:03:19two buttons observed
01:03:21one to open other for killing detective larkin
01:03:24i can't tell you how much you've done for me mr chan
01:03:27glad to be of service
01:03:29perhaps can still be of further service
01:03:32sometime ago mr stewart purchased this ring
01:03:35in the hope miss paula might wear same with your permission excuse please
01:03:41well i i forgot my words well case is close we can now retire no pop we still have some
01:03:47unfinished
01:03:48business this another illegal u-turn ticket that's right pop let's give it to the inspector huh
01:03:54no you turn here and go to hooskow but pop we know buts you go to hooskow you too oh
01:04:01but
01:04:01mr chan i wasn't driving neither was i pop no that was last night and mr chan that was you
01:04:06driving
01:04:07me that's right charlie but inspector i say to you do i go straight ahead and you say no you
01:04:14turn here
01:04:14no charlie you're mistaken i said you turn here
01:04:17no
01:04:17no
01:04:18no
01:04:18no
01:04:18no
01:04:18no
01:04:19no
01:04:21no
01:04:22no
01:04:34no
01:04:44no
01:04:45no
01:04:45no
01:04:46no
01:04:46no
01:04:46no
01:04:46no
01:04:47You
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