- 12 hours ago
Spider Noir Episode 5
Category
🎥
Short filmTranscript
00:07Hi, this is Robbie Robertson calling.
00:08Mr. Robertson, you're never getting your old job back.
00:11I'm on to something truly sensational.
00:13Three POWs from the same camp with super abilities isn't a coincidence.
00:17The only thing Silverman gets off on is power.
00:20If he gave it to me, then he can take it all away.
00:23They did something to you all, didn't they?
00:25All I know is that once it starts, it gets worse fast.
00:28We should talk to Doc Faber.
00:30She can explain what's going on a whole lot better than I can.
00:32One of those super freaks is tearing up the Diamond District.
00:35Spider is there.
00:38Who the hell is this guy?
00:42Me and the Spider have teamed up to save this city!
00:47Every four years, I decide who sits in your chair.
00:51I'm not backing down.
01:00Nice to meet you, Mr. Spider.
01:15You turn the tables on me.
01:33I can't believe that it's true.
01:38Let me get the door.
01:39After you.
01:41I always thought when you throw up...
01:46So...
01:48So yourself?
01:49We're about to turn over the pies.
01:51This one's on the house.
01:53What?
01:54More of a blueberry guy?
01:56No, there's just not a lot of free stuff going around these days.
02:01Very kind.
02:06I'm waiting, you know.
02:08You already know how it ends.
02:11Well then, start from the beginning.
02:18You were sent to liberate a small town in eastern France.
02:23The Germans weren't so keen on giving it up.
02:25We're out of terror.
02:54Guys, go!
02:55Get him!
03:18It's easy!
03:34Jones! Jones! Get him out!
03:38Jones, please.
03:40Private! Follow me.
03:41Get him.
03:42Move.
03:44Let's go.
03:45If I was the one who had been shot, and I almost was,
03:49none of this would have happened to me.
03:52I think about that a lot.
04:06Private Smith and I pressed deeper into the compound.
04:14Jesus.
04:15Let's get him out of here.
04:45You okay, pal?
04:46We're gonna get you out of here.
04:51Ah, boy.
04:53No!
04:59I don't think so!
05:01Ah!
05:03Oh!
05:04You mean?
05:06No!
05:06No!
05:07No!
05:09No!
05:10No!
05:11Come on!
05:11No!
05:11No!
05:12No!
05:12No!
05:13No!
05:23No!
05:25No!
05:26No!
05:30No!
05:40What do we do?
05:41No!
05:42No!
05:46No!
05:54The colors fading from the photograph
05:57I could tell the story
05:58But still you wouldn't know the half
06:01This love was brought to life from shots of glass
06:04When you kiss me there's a shifting in the sepia tone
06:08Can't escape the madness, baby, madness
06:11So run away but something pulls me back into it
06:15Lately I've been staring at a broken mirror
06:19Needing someone to come out
06:21Hey, lover, I need someone to save me now
06:28For all the pain I suffer
06:32Ain't anyone that weighs me down
06:35Cause now all that sweet is been tried to taste
06:41But you can be my saving grace
06:58And that was it.
07:00And that was it.
07:13After that you were...
07:20Yes.
07:23It took some time at first just to relearn how
07:27To be more human again
07:30Believe it or not I went to the movies
07:31I watched the actors
07:33I studied the way they spoke
07:35The way they moved
07:41The arachnid genes are still in me
07:44The ticks
07:46The thoughts
07:48The impulses
07:52But I managed to suppress them
07:57Most of the time
08:00You once told me you were a coward
08:03And to think I almost believed you
08:10If Flint was there his powers must have come from the same place
08:14Hard to think otherwise
08:16Is that the real reason you took the case?
08:18Yes
08:18In part, but yes
08:20I did it because I wanted to learn something from Flint
08:24If something gave both of us these powers
08:27Maybe something could take him back
08:29Would you really want that?
08:31Lose all your powers?
08:33Lose all your powers?
08:34Go back to being just Ben Reilly?
08:39Since Ruby died, that's all I've thought about
08:42Being just Ben Reilly
08:49More coffee?
09:00Thank you, Thelma
09:04You said he's an actor
09:05You can call him Starman
09:07Aspiring actor
09:09Still working his day job as a subway driver
09:11Subway driver?
09:13It's almost too good
09:15The conductor
09:19It's electricity, he's a conductor
09:21Oh no, the issue wasn't one of comprehension
09:25You got photos?
09:26What do you think?
09:28Yeah
09:28I'll let the bugle publish my story
09:30On one condition
09:33You'll let?
09:36Okay, calm down
09:40What's the condition?
09:43You run my piece as is
09:45Or not at all
09:47No, I need your word, Walters
09:48No changes
09:49Unless, of course, you
09:51Would rather I take this to the Herald
09:54You got a lot of nerve
09:55Telling me how to do my job
09:57What is that?
09:58Fine, sure, whatever you want
10:02And I want the bugle to print a retraction
10:04About Lonnie Lincoln and Flint Marco
10:06That's two conditions
10:08Anything else?
10:09Well, now that you mention it
10:32Good to be back
10:33I've got a lot of relief
10:33Ha, ha, ha, ha
10:35Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
11:14Good to see you, too.
11:21So the prodigal son returned home, huh?
11:24Guess Silverman took you back with open arms.
11:26You can say what you want about him.
11:28That man takes care of his own.
11:29One big happy family.
11:32There's room for one more, brother.
11:35No offense, but I'm done putting my life in a life of white man.
11:41It won't be like that, Lonnie.
11:44No? What then?
11:47Silverman want me to do his laundry?
11:49Or maybe he wants me to perform, do a little ham bone.
11:52You can't live like this forever, Lonnie.
11:53Buddy, with whatever's happening inside us, I'm not too worried about living forever.
11:57All the more reason we need to take what we can while we can.
11:59I'm not a criminal.
12:00Why don't you tell that to the mayor or the cops?
12:03Take your pick. We wanted men whether we like it or not.
12:06Do you think that's new to me? That's been my life.
12:10From the day I was born.
12:11Exactly. You risked your life for this country and they still treat you like a second-class citizen.
12:16Look, you said so yourself.
12:17We ain't gonna make it to the retirement home.
12:20So let's take life by the balls while we still have a little life left in us.
12:26Here's Silverman out.
12:27That's all I'm asking.
12:45You've been busy.
12:46Yeah, someone's gotta do the work around here.
12:48Here, take a look at these.
12:49Four veterans, all from the same POW camp, all with superhuman powers.
12:54Apparently the Germans were doing experiments on them. Some kind of failed super soldier program.
13:02I'm sorry, are we boring you?
13:04The war ended 15 years ago. The question isn't what happened to them then.
13:09The question is why are they getting their powers now?
13:13That's why he does what he does.
13:16That's why his name's on the door.
13:18It's on the door. I know.
13:18I didn't do my homework. Me neither.
13:20Is that supposed to mean you know something?
13:22We do.
13:23Uh, are you gonna share it?
13:25Are you gonna be a dick about it?
13:26Uh, yes, actually. A private dick, to be exact.
13:29Okay.
13:30They were all seeing the same doctor at the VA hospital in Queens.
13:33The doctor's been running a study for the past 10 years on POWs.
13:37According to Lonnie, it was specifically about what happened to them in France.
13:43I keep telling you, you'd make an ace reporter if you ever wanna ditch the stiff.
13:47I have submitted a few applications.
13:49So this doctor's our guy?
13:51She is a geneticist.
13:54Alethea Faber.
13:55One of the top in the country.
13:56Degrees from Stanford and Cornell.
13:58I mean, every accolade you could imagine.
14:00All that, and she chooses to work at a VA hospital in Queens.
14:04And according to Lonnie, she sought them out nine months ago.
14:08Knew all about the camp.
14:10What the hell are we waiting for?
14:13You, asshole. We were waiting on you.
14:16Well then, let's go, Robbie.
14:18You're welcome.
14:19Don't rush me now.
14:22Lights out, boys.
14:24Please.
14:36This place has a cafeteria or something.
14:44Hey.
14:46One is mine.
14:48Cut the shit, lady.
14:50We can go all night if you want to.
14:53Hey, I wonder, when's the last time you said that to your wife, huh?
14:55How are you?
14:56Never, I'm guessing.
14:57Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
15:04Do you have any cream of sugar?
15:07Yeah, I got some cream of sugar.
15:08Oh!
15:10Oh!
15:13Now I'm gonna ask you again.
15:16Where did you and your freak show friends come from?
15:26Alright.
15:27All right, I'll tell you, okay?
15:30I can't speak for the rest of them.
15:33But me?
15:35I'm from Poughkeepsie.
15:39Oh, he's mad now.
15:42Yeah, I know that look.
15:43Hey, you know, you remind me a lot of my father.
15:56Do you like this?
15:58I do.
16:03Is it too modern for my taste?
16:10Slippery son of a bitch, that spider.
16:14What's his angle anyway?
16:16Well, I'm sure he's just trying to get by.
16:19Same as any of us.
16:21Is that what you were doing?
16:24Just trying to get by.
16:26Looks like you're doing a bit better than that.
16:28I wonder why.
16:30You feeling a little unappreciated, Finn?
16:33Well, maybe I am.
16:35Well, I give thanks every day, trust me.
16:39You know, I say a little prayer before bed and everything.
16:42Well, you ought to start saying one every morning you get to wake up.
16:47Winston isn't so lucky now, is he?
16:54There they are.
17:03I wasn't expecting you boys so soon.
17:06Lonnie, we missed the barn.
17:10It's a pleasure to meet you.
17:15Flint told me a lot about you.
17:19Welcome back.
17:20Wasn't sure what happened to you.
17:22You read the papers, don't you?
17:23He's a whole new man.
17:25You should see him when he gets going.
17:27Unstoppable.
17:29My new right hand.
17:31Don't worry, boss.
17:32Nothing's going to happen to you on my watch.
17:35Well, then I guess congratulations on your promotion.
17:38I'm sure you'll make a wonderful couple.
17:42Don't mind her.
17:43She's full of piss and vinegar today.
17:45Alas, I have to talk business with the boys.
17:49Well, then I'll make my excuses.
17:51If there's some paint upstairs, I can wash dry.
17:54Well, if you're so bored, maybe you could find us a new band.
17:58One who knows it at classics.
18:03And, while you're at it, look into another singer.
18:10Someone, you'll.
18:16Piss and vinegar.
18:24Hey, ma'am, how's it going?
18:28Must be some book.
18:32Is Dr. Faber in?
18:34You have an appointment?
18:37I do not.
18:39Joe Robertson, reporter with the bugle.
18:42Just want to ask her a few questions.
18:48I'll let her office know you're here.
18:50If you would be so kind.
18:55You know, Paul dies in the end.
19:19There's a reporter downstairs from the Daily Bugle.
19:25Mr. Robertson.
19:26He's asking me to speak with you.
19:48Mr. Robertson, I'm Alethea Faber.
19:54Pleasure to meet you.
19:55And you are?
19:56What exactly did you want to talk to me about?
19:59Don't suppose you saw my story in the bugle this morning.
20:03It'll just be a couple of minutes of your time.
20:05Maybe spread the word about the work you're doing.
20:08That can't be a bad thing, right?
20:09Let's speak outside.
20:39What can you tell me about?
20:40Those men.
20:41Unfortunately, Mr. Robertson, we sent a great many men off to that war.
20:45And almost all of them came back with injuries, either physical or screwed.
20:49It's hard to remember all the patients you've seen over the years.
20:52Well, I hope that doesn't make me sound callous.
20:54Oh, no, no, no, no.
20:55Of course not.
20:56It also doesn't make me believe you.
20:59Are you calling her a liar?
21:01I'm sorry, sir.
21:02I still haven't called your name.
21:03This is my secretary, Ogden.
21:04He has been with me for quite some time, and he can be a bit overprotective.
21:10No, I can respect that.
21:11But you're a smart woman.
21:12Did you really expect me to believe you had no idea that four of your patients turned out to have
21:20superpowers?
21:24Well, why?
21:26You are obviously a very intelligent man yourself, Mr. Robertson.
21:31So you know that I'm not at liberty to discuss specific patient information with anyone but the police.
21:37Well, have you done that?
21:37Have you spoken with the police?
21:38I am sorry.
21:39I cannot help you.
21:40Hmm.
21:42Did you help those men?
21:43You know, I'm hearing their powers only started after they started seeing you.
21:50How dare you?
21:52How dare you to come here knowing nothing and then accuse me of negligence in my care?
21:59Everything I do, I do for a reason.
22:03Everything.
22:08Struck a nerve, huh?
22:13Struck a nerve, huh?
23:05So what do we do?
23:07Calm down, Cogden.
23:09What do we do?
23:10Shut the door.
23:14He's an ego.
23:15Maybe no one will believe him.
23:17I don't think so.
23:21Hey, Dr. Collins.
23:23Where the hell have you been?
23:25I'm losing my mind back here.
23:28Hey, you're not Collins.
23:31What's going on?
23:33No, Dr. Collins is on the second floor.
23:35The second floor.
23:38The second floor.
23:40The second floor.
23:41The second floor.
23:43All right.
23:43Ogden, could you please escort this gentleman
23:45downstairs to Dr. Collins' office?
23:46The second floor.
23:48The second floor.
23:50The second floor.
23:52You don't like me very much.
23:59I know that man.
24:02What are you talking about?
24:03He was...
24:04There.
24:06In France.
24:07He was the one who rescued us.
24:10It's him.
24:17Stop him.
24:18Go.
24:26Hurry up.
24:28I'm trying.
24:30See, this must be one of them two-man jobs.
24:37I'm okay.
24:55Betty bought a better bottle.
24:58Makes it better better.
24:59To make it better better.
25:00Budget.
25:02Don't make it better better.
25:02Better.
25:04Better.
25:04Better.
25:04Bata.
25:04Better.
25:05Bad is not opening.
25:06Dr. Collins.
25:07Benny bought a better butter.
25:09Remember better.
25:10Hey, pal.
25:11Shut it, huh?
25:12Yeah.
25:14Benny bought a better match of better butter.
25:17Benny bought a better match of better butter.
25:47Shit.
25:58You good?
26:01This was a new suit.
26:05Shit!
26:11Hark!
26:13What sound doth yam de brin?
26:16What do you think, bub?
26:18Huh?
26:19Sounds like little pea shooters to me.
26:21Shut up, Layton.
26:22Cry epic, my friends.
26:24And let loose the dogs of war.
26:56We had to kill you.
27:03You're not as young as you've seen.
27:03You're the only way to kill you.
27:03Well, what are you waiting for?
27:05Run.
27:12Please. Please.
27:15Don't hurt me.
27:29Howdy, boys.
27:30Long time no see.
28:02Ho, ho, ho.
28:05Thought visiting hours was over.
28:07Mr. Layden, that was quite the show you put on last night.
28:11Oh, thank you, thank you.
28:13You know I'd offer you an autograph, but I don't have a pen.
28:17Well, I assume you know who I am.
28:19The man with the mane of silver.
28:23Born from nothing, built his empire through gut and guile.
28:28Purveyor of the finest bearded potions.
28:33King of the five boroughs.
28:36Mr. Finn Bob Burn himself.
28:44I see you like to talk.
28:46I think you could listen for a second.
28:48Oh, I am like a Nebraskan cornfield.
28:53All he is.
28:57I'm listening.
28:59Mayor Morris appears to have forgotten who runs this town.
29:02My men and I are planning to remind him.
29:05I want you to help me.
29:06Me?
29:08Oh, well.
29:10My only regret is that I have but one life to give you.
29:15But I promise you, I will take plenty.
29:22Get him out of there.
29:32Oh, yes.
29:35Thank you, comrade.
29:44Please.
29:46I was just doing my job.
29:48Oh, and now, I'm going to do mine.
29:56Life is but a walking shadow.
29:59Appalled.
29:59Player struts and frets his hour upon the stage in his youthful malls.
30:05The tale is told by an idiot full of sound and fury.
30:23End scene.
30:31That was weird.
30:34Prisoners were injected with radiated plants and minerals and the genetic material of spiders,
30:40scorpions, snakes, eels too. The Germans then altered the subjects genes by
30:48splicing them with those of other entities. Over time the patient's genetic
30:53material began to decay. Many suffered lethal mutations while others survived
30:59in an altered state for months or years. Faber's been looking for a cure but all
31:05she's managed to do is activate latent mutations and accelerate them. And she's
31:10trying to save them but she's killing them. The guy that bit you? Yeah, he was
31:16dying. But I lived. Why?
31:27The doctor making monsters in a secret lab in the Bronx. It's gonna make for one
31:33hell of a story. First black Pulitzer? Well, it's gotta happen someday. Robbie, I have a
31:39request. Anything. Let me tell Kat before you print it. If Flint's gonna die because
31:43of this, I don't want her to read about it in that newspaper. I said anything, didn't I?
31:54I'll give you a day, but I ain't losing the story.
31:57Deal. So, how bad is it? How deep are you in with her?
32:07I suppose you're gonna tell me to be careful. Oh, no, no, no, no, no, no, no. Careful's for, uh,
32:13stock tips and hot sauce.
32:15Matters of the heart, I say, go for broke or don't bother going at all.
32:20Oh, go for broke, huh? Wouldn't take much. Riley.
32:50Mr. Riley, take a seat.
32:54Did I get you anything? Glass of the good stuff?
32:58The perfect host.
33:04I take it you recognize my new associates?
33:08I read the papers. Congratulations. You've assembled an entire outfield of freaks.
33:13You guys see that movie, Freaks? Directed by Todd Browning? Still playing.
33:17You three could sign up for the remake.
33:20Calm down. Mr. Riley is a little wise, but we're all friends here, right?
33:26Yeah, sure. So, in the spirit of friendship, I want to give you a chance to warn the spider that
33:33this fight is between me and Morris.
33:35And if he gets his nose in my business, he's liable to lose it. Is that clear?
33:41As a bell. Is that all? I don't mean to be rude, but, uh, I've got theater tickets. You ever
33:48been on Broadway? No?
33:50Probably drove a train underneath it though, right? Mr. To be or not to be?
33:55Cameras rolling. The lights are on. The director calls action. The director calls cards.
34:01Mr. Layden! Dad!
34:05Tell your friend, it's in all our best interest to play nice.
34:12You got it.
34:25Hey.
34:26I hear you make all the ladies faint. Make me faint.
34:32I know about Winston.
34:35My condolences. Were you too close?
34:38I know you set him up, Riley. And I know you did it for her.
34:46Her?
34:48Don't take me for dumb.
34:50I didn't tell the boss because he would have killed the both of you.
34:53And mad as I am, I don't want Cat dead.
34:58You okay, pal? You were pretty rough.
35:03I'm fine.
35:06You keep doing solar mains dairy work and maybe you won't be.
35:09You worry about yourself, Riley.
35:13You get one pass because you say to...
35:16This is it.
35:21You know, a hot dog at the game is better than roast beef at the Ritz.
35:29Think about it.
35:43No, we've got no secrets. You're done with the stairs.
35:45I didn't want to be seen.
35:48Flint's back with Silverman.
35:50I know.
35:51I saw him this morning.
35:53Acted like he didn't even know me.
35:54And that bothered you?
35:59He swooped in here to ask me that.
36:02He knows you tried to kill Silverman.
36:03He heard us talking the other night.
36:05And as he told him?
36:06He doesn't want to see you dead.
36:07He's not well, Ben. I'm worried about him.
36:09You should be.
36:18You can spare me the dramatic pause. Whatever it is, I can take it.
36:22Flint and some of the other guys in that camp have been seeing a doctor at the VA.
36:25A woman called Faber.
36:27She's been trying to come up with a cure, but she's only made them worse.
36:29What do you mean, worse?
36:30What the Germans did will eventually kill them, but she's speeding it up.
36:35You mean Flint's gonna die?
36:43When?
36:44All I know is every time he uses his powers, he gets a little closer.
36:49Thank you for telling me.
36:51Cat.
36:52He says one word and we're both dead.
36:54I'd like to be alone, please.
37:05What's left for us here?
37:07Ruby's gone, Flint's past helping.
37:10We're chasing ghosts.
37:12But you and I could have something.
37:15What if we left New York, went someplace where nobody knows us?
37:19What was that island with the black sand?
37:21Santorini.
37:22Santorini.
37:23We could go there, wherever you want.
37:24You could open your own club.
37:27What about you?
37:28Well, I'll run it or bartend.
37:29I'll work for you.
37:31I don't know what this is, but I do know for the first time in years,
37:35I'm willing to take a chance and find out.
37:41Okay.
37:42Okay.
37:46Okay.
37:58I'll have the, uh, the, uh, ooh, I'll have the hot dog deluxe.
38:03You know what?
38:03No, no.
38:04I'll just have a scoop of cottage cheese.
38:06Cottage cheese?
38:07You on a diet or something?
38:09There might be a beach in my future.
38:10Oh, and breakfast is on me, so you should have at it.
38:13Okay, now I'm really confused.
38:14Uh, scrambled eggs, bacon.
38:16We've got New York cheesecake.
38:18I love cheesecake.
38:19Just bring it all.
38:22I love cheesecake in the morning with you.
38:32Okay.
38:32Well, that's new.
38:33Never heard you sing.
38:34Didn't even know you knew how.
38:36There's a lot you don't know about me.
38:38Is there?
38:40You'd be surprised.
38:42Would I?
38:43You know, your hair looks lovely, by the way.
38:46Did you curl it?
38:47Three weeks ago.
38:48Now spill it.
38:51Oh, boy.
38:53What?
38:55I'm leaving town.
38:58Permanently?
38:58I think so, yeah.
38:59But don't worry.
39:00I promise you'll be taken care of.
39:02What about the office?
39:03Get rid of it or keep it.
39:05You're a better PI than I am anyway, so.
39:10I'll be damned.
39:12It's Kat, isn't it?
39:17Yes, I would say.
39:18It sounds crazy.
39:20I know.
39:20Crazy, crazy, crazy.
39:22Ben.
39:22Because we've only known each other for a few weeks.
39:24But if it took Kat to drag me out of this hole that I've been hiding in, well, then I
39:28owe it to both of us to see it through.
39:29Ben.
39:29Because it's the first time in years that I feel alive.
39:32For Christ's sake.
39:32I'm with the matters of the heart.
39:33You've got to go for a broke.
39:34Ben.
39:34Robbie says we've just got matters of the heart.
39:36Oh, for Christ's sake.
39:36Ben.
39:40I'm really happy for you.
39:44You are?
39:44Yes.
40:25Who is it?
40:27Lonnie Lincoln, ma'am.
40:29I need to talk to you.
40:30It's about Flint.
41:05Don.
41:06Flint.
41:07Don.
41:07Please, Flint, let me take a look at you.
41:10It's getting worse.
41:11I just want to help.
41:12You've done enough, don't you think?
41:13Silverman will never let you.
41:14Let us be together. What I did, I did for us.
41:17Without telling me? Why? Because I'm stupid?
41:20No.
41:20I'm just a meathead with his brains in his fists?
41:22No, I didn't tell you because I knew you would say no.
41:25And how do you think it makes me feel, Flint,
41:27that you're more loyal to that man than you are to me?
41:30That you'd have me living under his thumb,
41:32unable to breathe without his say-so?
41:36That's funny to you?
41:37No, what's funny is I would have killed him for you.
41:40I would have done anything for you if you'd just asked.
41:43But you never gave me the chance.
41:45But why would you?
41:47I'm nothing but muscle for a gangster.
41:51Or maybe it's time I accepted that.
41:54I leaned into it.
41:58Ain't that right, Lonnie?
42:01You and me, buddy,
42:03about to die in a blaze of goddamn glory.
42:05Flint, please.
42:06Stay away from me.
42:07Please!
42:07Stay away!
42:22Flint.
42:22Let it go.
42:27Let it go.
42:35This Faber woman.
42:37She really couldn't help you?
42:40There's really no hope.
42:45Faber said there's only one thing left to try.
42:46But she couldn't make it happen.
42:52What was it?
42:55Not what?
42:57Who?
43:01The spider.
43:04Why?
43:08Why would he change things?
43:10She thinks his mutation is different.
43:13More stable than ours.
43:15She said he could be the answer to all of this.
43:18Problem is, she's got no idea who he is.
43:21Or where to find him.
43:33We need to go.
43:34We have to clear the lab.
43:36Maybe it's not as bad as we think it is.
43:38No, we can't be naive.
43:41I mean, as soon as that reporter publishes his story,
43:44they're coming for us.
43:46We can't just give up.
43:48You have done everything you could.
43:52All right, now it's time to go.
44:08All right, watch your step over here.
44:10Dr. Faber, I just want to know,
44:13if you find the spider,
44:15are you really able to help them?
44:17Clint, Lonnie, all of them.
44:19You know who the spider is, don't you?
44:21If I tell you,
44:23do you promise you won't hurt him?
44:25You have my word.
44:28His name
44:32is Ben Reilly.
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