00:02She hates me, she's disappointed. I could see it in her eyes when we met. I've got to stop sweating.
00:09Oh, she looked at my hairline. She thinks I'm bald. She's thinking I would never in a million years sleep
00:14with this guy.
00:15We think you're great.
00:16Oh, thanks. Wow, that's nice to hear.
00:22To begin, coffee would help me think. Coffee and a muffin.
00:30I'm going up to Santa Barbara this Saturday, and I was wondering.
00:34Oh. I'm sorry. So I'll just be right back with your pie, then.
00:39Drumroll, please. I'm going to be a screenwriter, like you.
00:46I'm putting in a chase sequence, so the killer flees on horseback, cops act them on a motorcycle.
00:51And it's like a battle between motors and horses, like technology versus horse.
00:57Susan, we would really like to option this.
01:00You want to make it into a movie?
01:02I want to know what it feels like to care about something passionately.
01:07John LaRoche is a tall guy, sharply handsome.
01:12The book has no story. There's no story.
01:14Make one up.
01:15Okay, we open with LaRoche.
01:16No, we open at the beginning of time.
01:17Okay, we open with LaRoche.
01:18Crazy white man.
01:19We open our Charlie Kaufman.
01:21Fat, bald, ugly paces.
01:25I've ripped myself into my screenplay.
01:27That's kind of weird, huh?
01:30I guess we thought that maybe Susan and LaRoche could fall in love.
01:34I just don't want to ruin it by making it a Hollywood thing.
01:36It's like I don't want to cram in sex or guns or car chases or characters overcoming obstacles to succeed
01:43in the end.
01:44She's crying.
01:46What's she hiding from?
01:48I think you actually need to speak to this woman to know her.
01:53People find love. People lose it.
01:55Every day someone somewhere takes a conscious decision to destroy someone else.
02:10Who's going to play me?
02:11I think I should play me.
02:16Under pressure.
02:18Under pressure.
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