- 2 days ago
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00:00Knee near the backside drops.
00:01Conn and Rose in trouble.
00:03Blot the door.
00:04Ah, s***.
00:30I was just dropping off a few boxes for Cressida.
00:32I hope we'll meet again.
00:44Hey, Bond.
00:45Welcome home.
00:46Hey, guys.
00:48Hey, Bond.
00:50You've got to check this place out.
00:52Rooms are in the back.
00:53We left you the worst one.
00:55End of the hall to the left.
00:56And Rose.
00:58It's a great room.
01:13Yeah.
01:14This corner's just perfect for my training gear.
01:17Now go.
01:17Get settled.
01:19The room's down the hall on the left.
01:30Bond.
01:30Bond.
01:55Bond, in here.
01:56I've got something for you.
02:00Hey, Cress.
02:02Foreign Secretary Bright is your dad.
02:05I just met him at the door.
02:06Yes.
02:07Didn't you know?
02:11When did you get here?
02:13About 40 minutes ago.
02:14You're already plastering the walls with study plans.
02:17We have a lot of work ahead of us, but not a lot of time.
02:22Notes and a mess.
02:24In 40 minutes?
02:25I'm impressed.
02:25Shut it.
02:26You're starting to sound like Monroe.
02:30What have you got for me?
02:31The key to your room.
02:33Obviously, the best room's already taken.
02:35But the second best one's still free.
02:37Really?
02:37Yeah.
02:39How Monroe makes decisions is a mystery to me.
02:42The key's on my desk.
02:45Why do you think this room is the best one?
02:47Facing east, releasing endorphins in the morning.
02:50Cold in the evening and not facing the streets.
02:52The bathroom is right next door.
02:54Of course, the pipes and the drains are facing this way,
02:57but that's a small concern compared to the upsides.
02:59You really considered all that?
03:00Who wouldn't?
03:02Besides, I really like the colour.
03:21A boxing glove?
03:22It's for you.
03:24Practically had your name on it.
03:25That meant to be a jab.
03:34Oh, this is me, then.
03:42Yeah, this does beat the bunk beds.
03:45Ugh, Monroe.
03:46Are you hacking my laptop again?
03:49Stop it.
03:50Oh, I can't.
03:51This watch is too cool.
04:05What are you up to?
04:06Trying to read my messages, you creep?
04:09Studster 555 wants to see you again.
04:11Ugh, please.
04:14I mean it.
04:15Stop it.
04:15You're going to break it.
04:16Find something else to hack, please.
04:18All right, all right.
04:21Hmm, hmm, something to hack.
04:24Uh-huh.
04:27Boys, someone needs to unpack the kitchen.
04:29What's for dinner?
04:31Leave it.
04:32Let's head out and celebrate.
04:33Okay, let me know when you're ready.
04:39Not bad, eh?
04:40It's all right.
04:41For a little while, I suppose.
04:48Now you're here, you can help us settle something.
04:51I'll just get Monroe.
04:52Hey, Monroe.
04:53Mine coming to the kitchen.
04:54Coming.
04:55Bond, you'll be the judge.
04:57What do you say?
04:58This grotesque pastiche of hyper-masculine tropes,
05:00or this piece masterfully commanding negative space with a quiet intensity?
05:05In other words, the cool picture or the boring one?
05:09This time, of course, you're going to choose what you're going to do with the painting.
05:12I'm going to go to the painting.
05:13I love a good negative space.
05:15Two against one, Monroe.
05:17The last thing you want in the morning is that noise you're inducing poster attacking your senses.
05:21It'll go up in my room, then.
05:32You didn't care to tell me your dad's the foreign secretary.
05:35Actually, no.
05:35People tend to act awkward around me when I do.
05:39I much prefer to be just Cressida.
05:41Oh, there's nothing just about being Cressida.
05:43Nice one, Bond.
05:44Work on your subtlety, and I'm sure you'll pass social engineering with flying colors.
05:52Let's go eat.
05:53Thank God, I'm starving.
05:56I heard there's a decent Indian just around the corner.
05:58There's just enough time before we head back to Malta.
06:01Monroe?
06:25Always do the unexpected.
06:28It's the first rule of spycraft.
06:31Task is simple.
06:32Go in and get the flag.
06:34No lethal forces allowed unless the opponent has intent to kill.
06:38This may not be real guns, but we still play by those rules.
06:42Is that understood?
06:45Bond, your first Cressida and Monroe will be your radio support.
06:49Try not to embarrass yourself.
06:51Hairpieces and boys.
06:53What's our strategy?
06:55We'll just have to wing it, won't we?
06:56Greenway emphasize our code of conduct.
06:58So this exercise must be about testing how good we are with the new equipment from Q-Lab.
07:04Natural thinking, more that.
07:05With that watch, you'll run circles around those grunts.
07:13In position.
07:14Good luck.
07:19What are you waiting for?
07:20The gate to open.
07:21Must be part of the test.
07:22Use your watch, Bond.
07:32Entering now.
07:34Here we go.
07:35This is it, Bond.
07:36Get that flag.
07:37Remember your training, man.
07:39You got this.
07:41Don't forget your Q-Lens, Bond.
07:43Good thinking staying low.
07:51Stick to the playbook and they won't stand a chance.
07:53Right.
07:54Let's do this.
08:09Listen.
08:11You'll be right.
08:14Listen.
08:30You'll be right.
08:31You're right.
08:36Come on.
08:37You'll be right.
08:37I'll live in!
09:58Good choice, moving right.
10:00I'd have done the same.
10:08Get out of sight, Bond.
10:11Let's control this soon.
10:13Make it a kill zone if they try to breach our way.
10:17Yeah, we keep it tight and that flag stays safe.
10:31Right, I'm gonna break you.
10:34It works.
10:34Go for it, Bond.
10:38Yes, sir.
10:43Pick up.
10:43We're dealing with a maniac here.
10:45Send help.
10:47Let me lie the sights.
10:48Ready to fire.
10:51Hostile located.
10:52Shoot on sight.
10:57I've got eyes on him.
11:04Shoot now!
11:09Target!
11:13Target inquired.
11:17Get me open!
11:18Go!
11:19Watch out!
11:20Ready to shoot!
11:28He's not moving.
11:29Drive him out!
11:31Flirt started, sir.
11:32He's...
11:34Can't pressure him.
11:39He's not moving!
11:45I need covering fire!
11:56He's already in fire!
12:09Where is he?
12:18Got it.
12:31I'm going down the ladder.
12:32Here's some things.
12:35Okay.
12:39Can I hit him?
12:57I'm covering here.
13:01Stay in position.
13:03Keep your eyes open.
13:04Moving on. Search in the next location.
13:06Stop!
13:07Nothing over here.
13:08Help!
13:21Nothing over here.
13:22All clear.
13:25Moving on.
13:26All clear here.
13:27Moving on.
13:40Stay in position.
13:41Keep your eyes peeled.
13:42Nothing over here.
13:42All clear.
13:44If you don't move, they'll clock you.
13:51All clear.
13:56I'll take him down.
13:57I'm wounded.
14:00He secured his gun.
14:01Move in.
14:06He's locked in.
14:08All right.
14:09Oh.
14:12All lined up.
14:19All lined up.
14:29Nice shot, mate.
14:32He's down.
14:33Clear!
14:39Cover me!
14:40I'm out!
15:03Move!
15:06Oh, watch it!
15:16I can see him! Over here!
15:20Go now!
15:21He's got his gun!
15:27Watch out!
15:29Ugh!
15:31He's locked in!
15:37Move!
15:38Need supported fire!
15:39Vipulation!
15:42Bring it out!
15:52Clear!
15:53You're not fun!
16:00Hold on!
16:00Take you out!
16:04Hey!
16:04Come at me!
16:24Take it out!
16:33Wait!
16:34Get out!
16:45Hey!
16:47Get out!
16:48Go!
16:51You're not done!
16:53Oh boy!
16:54What?
17:00What they can see you all right what's going on visual conferring
17:14I see him
17:36Oh
17:57What's that stay there and they'll spot you
18:10Do you reckon he's here
18:31Oh
19:12You made it to the tower now get to it's top
19:18Check it out
19:21Too easy
19:22Let's do it again
19:53Establishing a baseline is the first thing they'll want to do.
19:57Answer truthfully.
19:58What's your name?
20:00James Bond.
20:00How old are you?
20:0126.
20:02That's our baseline.
20:04Now watch this.
20:05You don't like me, do you?
20:08What?
20:08I can't do this.
20:09No one.
20:11I don't mind you.
20:13Much?
20:14Clear spike.
20:15Now if you can muster the courage, unlike young Bond here,
20:19it's always best to go with the truth.
20:22As long as it doesn't jeopardize your mission objective or sensitive information.
20:26Let's try again.
20:28Do you think telling me you don't like me will affect my ability to judge you objectively?
20:35Oh, Jesus.
20:36Based on our past experience, yes.
20:40In other words, you think I'm incompetent.
20:44Do you miss your parents?
20:46None of your business.
20:46Which you would agree that being orphaned at a young age has left you rudderless
20:51and unable to finish anything meaningful?
20:57None.
20:58Are you offended?
20:59You think I've overstepped?
21:02You do realize that the people who put you in that chair in real life,
21:06they won't play fair?
21:09Dig in.
21:12Oh?
21:23I can't believe you made it out.
21:26Oh, yes.
21:27It was very dangerous.
21:30Bond.
21:30We're waiting.
21:38Oh, yes.
21:56Archives.
22:02Are you comfortable?
22:04I am.
22:05Let's calibrate.
22:06What's your name?
22:07Cressida Bright.
22:08Eye color?
22:09Pale blue-gray.
22:10OK, that's a solid baseline.
22:12Now, start spinning porkies, Cress.
22:15Ready?
22:15Here we go.
22:20How old are you?
22:2152.
22:22How the hell do you do that?
22:24Try something harder?
22:29Do you agree that privilege like yours makes one lose touch with reality?
22:33What privilege?
22:34When my parents died, all they left me was a cat and a moth-eaten couch.
22:43Not quite true, though, is it?
22:45Apart from your parents being very much alive, I believe that you're set to inherit land the
22:50size of a small country when they do pass.
22:52You seriously think I'd be pulling points at the local if that was the case?
22:56Don't be ridiculous.
22:57She is good.
22:59You'll have to try harder than that to trip her a bond.
23:08So, Cressida, how long have you had the horse for Monroe?
23:11I...
23:12I don't.
23:13Hey, that is not fair, Bond.
23:15What?
23:16What?
23:18You fancy me.
23:19Why didn't you just say so?
23:23Before you use these gadgets in the field, it's important you understand how they work.
23:27These phones do more than just make calls.
23:32Bond, Ronson, please pick up a phone and load up from the chemicals on the workbench.
23:37Can't wait.
23:39Come on, guys.
23:40Try it out.
23:41Here we go.
23:45Come on, Ronson.
23:46I'm glad it's not real.
23:47It will be next.
23:51Found what I need.
23:52Come on, Ronson.
23:53Ronson, step into the red square.
23:56Bond, step into the blue circle.
23:58Well, this is going to suck.
24:07Bond, whenever you're ready.
24:09Sorry, Ronson.
24:10Nothing personal.
24:32Nausea, dizziness, and disorientation.
24:36The target's balance is affected, making it impossible for them to remain standing in one place.
24:42Perfect for when you need someone out of your way.
24:46Ah, shit.
24:48It's not possible.
24:49Correct.
24:50Given your current inability to listen to my guidance, it is not.
24:54Bond, you're up.
24:56You'll get there, mate.
24:57I don't know.
24:58I need some air.
24:59You can't control the target, Monroe, but you can learn to control you.
25:02Bond, pick up the gun and hit the target.
25:07Sounds simple enough.
25:45And slow down.
25:47Ground yourself.
25:57And slow down.
26:06You're right.
26:07You're right.
26:08Second time.
26:12You're right.
26:14You're right.
26:18You're right.
26:20All right.
26:21Coming to you later.
26:21Let's find out.
26:25It's the main.
26:27Okay, go ahead.
26:29Again.
26:44I can't believe you pulled that trick on me.
26:47Always do the unexpected.
26:49Fast rule is by craft.
26:51I'm impressed.
26:53You still beat me.
26:55Well, of course.
26:56But still.
26:58Early day tomorrow.
27:00Catch the flag at daybreak.
27:02SAS are prepping for it now.
27:05Suggest you get some rest.
27:08I remember when Sundays were Sundays.
27:11Sure.
27:15Hey, listen.
27:16Why don't we just take tomorrow off?
27:18I wish.
27:20I'm serious.
27:23Don't we go get the flag now?
27:25Have a well-deserved rest tomorrow.
27:29That's actually not a bad idea.
27:32What?
27:33You want to do this, Chris?
27:36First of all, a spy craft.
27:38Greenway can't possibly object.
27:52Are you going to stand there all night?
27:56Leave them to me, boys.
27:58Earpieces in.
28:00Let me know when you're through.
28:07Hey, guys.
28:08What are you doing here?
28:11Bond, you come in.
28:12Listen, I know you guys don't like to be humiliated on the courses, but if you choose to see through
28:16our superiority, we're actually really nice people.
28:19You believe this girl?
28:20Piss off.
28:21Okay, I'm just messing with you.
28:23I am serious about something I could buy.
28:25It's silly, really.
28:27So we just wanted to reach out and fight you tomorrow night.
28:30And throw each other up.
28:31Bond.
28:32Over here.
28:34Ah, more of them.
28:35We need to get past if we want to find the flag.
28:38Okay.
28:38I'll go around the side, see if I can distract them.
28:47Check.
28:48What?
28:49But I didn't see.
28:51How did you...
28:54Try knight takes queen.
28:56If that's you, Bennett, I'm going to stick this knight somewhere you won't like it.
29:11Okay, let's split up.
29:12I'll go this way.
29:13We need intel on the flag's location, ASAP.
29:16On it.
29:16Keep in touch.
29:23I know I'm gorgeous, but you should get moving.
29:25Don't flatter yourself.
29:26You're not my type.
29:27Ouch.
29:28You really know how to break a boy's heart.
29:30Yeah, standards are important.
29:54Hey, what are you doing?
30:00Oh, hey!
30:01Listen, Greenway's birthday's coming up and we're throwing him a little thing.
30:04Just spreading the word.
30:06Mind if I pass?
30:07Okay.
30:08Go ahead.
30:09Cheers.
30:22Monroe?
30:23They're having a party without us.
30:25Bit insulted.
30:27Any word from your two friends?
30:29Nah, still out.
30:30They just don't make SAS troopers like in my day.
30:34Okay.
30:34I'll keep looking.
30:36There's a building across the compound that looks like a good place to start.
30:39Sounds like you boys are enjoying your little game of hide and seek.
31:08Stand easy, trooper.
31:10Hereford sent me to check for readiness.
31:11Anyone from six comes up here.
31:14Oh, I believe it.
31:16As you were.
31:24Oh, can I just have my Baltic ground?
31:29Oh, radio quality.
31:32We're so clean.
31:34We could perform actual open heart surgery.
31:36Oh, I just have to be really generous with the sanitizer.
31:38I'll have to be some time for the last night.
31:40Oh, I don't know.
31:41We'll have to be some time for you.
31:42Uh, really?
31:45Oh, my God.
31:48I'm sanitized.
31:49It's like soup.
31:54First, I'm not a chef.
31:57Second, I'm not a chef in the kitchen.
31:59Not so slap, I mean, it's the best interest.
32:01I mean, I'm back to you and I'm back to you.
32:04This, this is a healthy safe place.
32:07What do you think of the event?
32:08What do you want from the world?
32:12United have survived the most dangerous moment
32:14for the fact that no time.
32:16They're applying under pressure at the moment.
32:26I would say that, yeah.
32:29I would say that, yeah.
32:35They continue to push forward with this counterattack
32:37whilst they have to track back and regroup.
32:39Johnson to Boroski.
32:41Boroski passes high across the box towards the far post,
32:44but there's no one there to beat it.
32:46Goal kick for City.
32:48Disappointing.
32:48After United showed great pace on the break.
32:51But there wasn't any support for the striker so far in City,
32:54who are the more organized team.
32:55And now it's City on the break.
32:57Good skill from Thomas.
32:59It takes two United players to stop him in his tracks.
33:01He's been in great form of late,
33:03and his work rate is fantastic.
33:05Always ready to track back and help defensively.
33:07Just as we expected, this is turning out to be a very physical harm.
33:11Two arch rivals evenly matched in giving the thing away.
33:14First touch for our brat.
33:16He's been impressing everyone with his swamps
33:18since the start of the season.
33:19It's a great promise from the home side.
33:22Yes, sir.
33:23And some of that comes down to the way
33:25the manager of Mercy has a welcome of the team's movement.
33:28And it's a proving result.
33:34Okay, back on track.
33:36But the guy's taking a bit of a kip.
33:41Oh!
33:50Bond, just overheard a couple of troopers talking about the flag.
33:54It's on the top floor of the back building.
33:56Meet me up there.
33:57On my way.
34:00To the front post.
34:00Alejandro gets his head to it.
34:02But it hits the woodwork.
34:03And now he's in.
34:05Peters is the first to support United around.
34:07Unseen clear.
34:09About war.
34:10This is by United.
34:11Absolutely.
34:11The most dangerous payment for the big match.
34:14We are fighting under pressure at the moment.
34:17The United defense need to get themselves organized
34:19if they want to stand in.
34:20We were like alive.
34:2216.
34:23It's a race between Townsend and Milton for the loose form.
34:26Townsend against their bird.
34:28Immediately sends the ball across the park.
34:29Johnson.
34:31Have a break of their own.
34:32So long as everyone has some support.
34:33They continue to push forward.
34:35The discount to attack.
34:36Whilst they convey a drag back of the regroup.
34:38Johnson.
34:38Johnson.
34:39We're off to the past.
34:40We're off to the past.
34:41We're off to the past.
34:42But there's no one there to beat it.
34:45They'll keep the city.
34:46Disappointing.
34:47Half of the United showed great pace on the break.
34:49But there wasn't any support for the strike sponsors.
34:51So far in the city.
34:52Who are the new organized team.
34:54And the city on the break.
34:56Could build a promise.
34:58Bond.
34:59Have you checked the top floor?
35:00Great rail of late.
35:01And his work rate is fantastic.
35:03Always ready to track back to help with entity.
35:09And he's been hitting the trash.
35:11And he's living in the middle.
35:13Oh yeah.
35:13No So far away.
35:14And he's just moved.
35:15He's been impressing everyone.
35:16He's been doing some work.
35:18Paying a promise over the last night.
35:20Yes?
35:21The solution.
35:21There really is.
35:22And some of that comes down to the rain pass.
35:24And would have no other pitches.
35:27And I'm rooting for dogs.
35:32The car's on top, right?
35:35I need your address for average.
35:36I need you to keep going.
35:41And I need you to keep going.
35:44Come on.
35:46Come on.
35:47Come on.
35:48We need your, friend.
35:50Come on.
35:52Come on.
36:01I thought you were on perimeter, Chief.
36:03Done. Sarge wanted me to check the flag room.
36:06Now I'm kind of in a state before we walk on.
36:08You're right behind you. Can you smell them from up there?
36:21Oi!
36:26I see now.
36:30Do you want the SAS to catch you?
36:32Get up!
36:51No, I can't.
36:51I can't.
36:52I'm going to be right after this.
37:00I'm going to be so busy.
37:03I'm just gonna go and get started.
37:08I wanna get started.
37:23What the hell's up with you?
37:52You got it right here follow me I've got a plan
38:11Run right status when we'll just crush the party
38:15come on take him down right come back boy lads up here
38:26up there get him
38:30there's too many of them sit right we're screwed thanks mate things just got sticky
38:37main your eggs it's not really an option just now shit new plan leave me at the back side dogs
38:43can't when Rose in trouble block the door circle around and meet you there
38:48That's it move
39:00I'll rip you a new one
39:14What's your location Monroe?
39:16Just pinned the room for you
39:17You can call on the boat Cress
39:19I owe you one
39:20You can add it to the tab
39:22Glad to hear you're all safe
39:23Could you get a move on and come and get me?
39:27So I'm curious to hear how every SAS from the compound Sunny would alert her to our presence
39:32Monroe?
39:33You take that one
39:34Can't talk right now
39:35Maybe so
39:46But seriously what happened to get in grab the flag and leave no one the wiser?
39:50Yeah
39:51Yeah that plan went a bit south
39:53I've already wanted to leave my SAS
39:58Joe!
40:03Sorry
40:05Couldn't get a bit close there
40:06No worries mate
40:09All the time in the world
40:18New course
40:20Tougher opposition tighter deadline
40:23So be smart
40:25Fastest win gets extra credits
40:29Yes?
40:30What is it Bond?
40:32First rule of spycraft
40:35Always do the unexpected
40:36And what about it?
40:40We followed it, sir
41:06We followed it, sir
41:08Grab your coat
41:08We're going out
41:09Don't tell me
41:11Tea and cucumber sandwiches
41:13You wish
41:14Come on
41:29Is to everything not M.I.6
41:32Aggressive
41:34Grade 2
41:38Alarm
41:38Yeah
41:43Can't fault their timing
41:53You're my big mouth
42:02You
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