- 10 minutes ago
The stage is changing — and so is Filipino creativity. 🎭✨
This week on Beyond the Headlines, we sit down with artists and storytellers who are redefining music, theater, and performance for a new generation.
Joining us are award-winning queer pop innovator Paul Pablo, stage actor Grant Bacaltos, and acclaimed writer-director Jude Gitamondoc as they talk about creativity, representation, storytelling, and the evolving local arts scene.
Watch live now!
This week on Beyond the Headlines, we sit down with artists and storytellers who are redefining music, theater, and performance for a new generation.
Joining us are award-winning queer pop innovator Paul Pablo, stage actor Grant Bacaltos, and acclaimed writer-director Jude Gitamondoc as they talk about creativity, representation, storytelling, and the evolving local arts scene.
Watch live now!
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NewsTranscript
00:25Good afternoon, welcome to Beyond the Headlines.
00:27I'm DJ Moises.
00:28This afternoon, we go beyond entertainment and explore the stories, struggles, and inspiration
00:36behind the artists shaping today's creative landscape.
00:40Joining us are three remarkable Cebuano creatives whose work continues to push boundaries in
00:48music, theater, and storytelling.
00:51We have Paul Pablo, a pop innovator redefining modern OPM through fearless storytelling.
01:00With us is also Grant Bacaltos, a theater performer whose roles reflect both versatility and passion
01:08for the craft.
01:09And joining them is acclaimed songwriter, producer, and director Jude Gitamondok.
01:14Hello, Jude.
01:15Hello, Sir DJ.
01:17Paul and Grant.
01:18And welcome to Beyond the Headlines.
01:20Thank you for having us.
01:21We're also just as grateful now having you here in the show.
01:25Yes, that's true.
01:26Maybe you want to be very serious, but maybe you wish to greet your followers.
01:32Okay.
01:34Definitely.
01:36Hi, everyone.
01:38I'm really excited to talk about Hookup today.
01:42And at the same time, hi to all the listeners of my songs.
01:48Yes.
01:4910.
01:51Yes, hello.
01:52Hi to all of my friends, family, and followers.
01:56Question.
01:56But yeah.
01:57And yes, of course, to everybody who supports Hookup the Musical.
02:10Thank you for having us, Sir DJ.
02:14Okay.
02:14So whether it's songwriting or directing or singing or acting, creatives and artists really
02:22have a strong influence when it comes to culture.
02:27So what do you think are the preferences of the current audience that we have?
02:42Is it about escapism, which is what entertainment is sometimes associated with?
02:49Or are they now into representation and authenticity?
02:54I feel like, Hookup, you can use Hookup simultaneously because unlike before in the night trend, usually
03:00money is a kind of material that is used.
03:05But right now, because everything is, everything all at once.
03:10Everything everywhere all at once.
03:12It sounds like a movie.
03:13But it's all occurring at the same time.
03:16So now there are different trends that are not necessarily related to each other, but they
03:23are sharing the same space.
03:25So I think it also speaks to our representation.
03:29So everyone gets to have a space, gets to have a voice.
03:33Unfortunately for some parts, it's a little bit of a voice.
03:38As in, different personalities on social media gets to have a say.
03:44And we will be talking about that more.
03:45But how about for the two of you?
03:48Yeah, I think, just to elaborate to Mr. Jude, the power to free publish for everyone, I think
03:55Jude, there are different target audiences unlocked.
04:01So we can't really define Jude in like all at once.
04:05The first thing is, Jude, you can now reach out.
04:17It's so accessible.
04:19Tapos you can find the right audience through that.
04:23But I think sa ako ang familiar nga audience kay.
04:28What I've observed is they really want something relatable.
04:33And to be relatable, you have to be authentic.
04:36You have to speak something real.
04:38Or you have to show them something that is true.
04:42And it's good that inanaan development sa mga people right now.
04:48Especially pod sa kung mga noobserve sa mga Gen Z's.
04:51Inana, nga ka nang.
04:52Dili kayo, li should ko ha nilang attention if it's not authentic, if it's not true.
04:58Yeah, I also believe it's a mix of both.
05:01Like, yes, there's escapism because, you know, life can get difficult.
05:04And that's just the reality of the situation sometimes.
05:07But I also believe that at the end of the day, people want to feel represented, want to feel seen,
05:15want to feel like they have some kind of voice.
05:17Especially for communities that have a bit less of a voice and representation.
05:23I feel like stories like this, representation and authenticity really matters.
05:30You seem to be emotional.
05:34You know, it's so sad.
05:37So now this is on the perspective napod of artists.
05:42Yeah.
05:43Because I think you've mentioned also social media.
05:45So that means being a creative is no longer just limited in one medium.
05:53You can go anywhere and everywhere.
05:57On the part of the artists, because there's also the demand and commercialization of the arts.
06:07What also takes precedence?
06:09Is it expression or the proving side?
06:15Proving for about?
06:17Proving that you deserve the space that you are in.
06:23Because when you have access to it, it really boils down to what the artist, if he or she thinks
06:35of himself as an artist, what he intends to impart.
06:40So that's why I feel like the artist always follows his impulse.
06:51And then he doesn't have to grapple with what he wants to respond to the audience.
06:57So there are times that even if you're real, if you're honest to yourself, there doesn't seem to be an
07:04audience for what you're trying to put out.
07:06So it's not always ideal.
07:07I mean, I mean, it's not always ideal, but there's a scenario that you become honest.
07:13And then that necessitates that if you're being honest.
07:18But there are times that you're being honest.
07:20But it just so happens that your kind of art is already passe.
07:24or whatever, it's already passed on in the past.
07:28So there are those cases as well.
07:32I know for a fact because I am a musician that mostly ballads are used for pop music.
07:40But there came a time that I used to use the Huguot songs, especially in Bisaya.
07:47And then there came a time that people had enough of it.
07:51And then I felt that.
07:52And then I saw how do I make myself relevant again.
07:59So that's it. I decided to focus on theater because it's also one of my passions.
08:05And I think I'll, because from your answer, I'll revise my question for you.
08:10When you choose a material, whether it's a song or a play or a musical,
08:17which would you naturally gravitate?
08:20On the commercial side of it, which is part of the game?
08:24Or you will pick a material that you can connect?
08:30Okay, I think that's always a question that people or artists have these days,
08:35especially with the commercial part or the entrepreneurial part of being an artist.
08:50I was thinking about it because nowadays, it's really a balance of two.
08:57Although if I can't really choose between one,
09:03because yes, I want to work with someone or like I want to be a part of something
09:09that I somehow like trust Najood and I can, like I see it as something reliable.
09:14Before, I believe that Murag, everyone, Manjood, like artists try to,
09:23will this be something that I want to be part of?
09:25And then, the next thing is, if it aligns with something that we want to express.
09:32And as a gay artist, as a musician, openly queer, openly gay,
09:37I would like to ask, yes, hook up the musical is something I want to be part of.
09:42And at the same time, I'm also really familiar with Sir Jude,
09:47as a local artist,
09:53you can't be a local artist if you don't know Sir Jude.
09:55No, no, no.
09:56Ay, okay, managad atong kontra na.
10:01Let's be humble.
10:04But katulay ka nang,
10:06someone nga, kato nang,
10:08gina-check sa adjud na ko nga,
10:10will it be something na ganahan ko to be a part of as an artist?
10:14But say mong personal work?
10:15Sa mong personal work kay kato,
10:17So, it matters, of course, na dapat kay expression jod ang ako ang priority, Ana.
10:25But it's tricky nowadays,
10:27because, you know, like, it depends on the context,
10:30like, if you're working with a label or not,
10:32like, you also have to check if this type of expression
10:35is relatable to a lot of people, Ana.
10:38So, especially the marketing thing,
10:40it comes in, and somehow it affects your,
10:43how you express your art, Igun, Ana.
10:45But at the end of the day, what matters is
10:48before you express something,
10:50you know, it's also becoming a voice for a lot of people
10:56who needs your magic, your art to exist.
11:01I have a question about your magic,
11:03but after Grant's answer.
11:05Oh, yeah.
11:05I guess for me,
11:06what really matters for me
11:08is how much I resonate with the pieces first.
11:10I feel like I can't give justice to the material
11:14if I myself don't resonate with it.
11:16So, for example,
11:17I auditioned for the role I currently have
11:19because I really resonated with the characters' themes.
11:23So, first and foremost, it has to resonate with me.
11:26But, of course, you know,
11:28to keep making art,
11:29sometimes we need money.
11:30So, we also need to have something,
11:33like, we also need to balance out
11:35how meaningful it is
11:37with how marketable it can also be.
11:39I think, I'm just reminded,
11:41I'll go back to you, Paul.
11:44I think that's also the importance of sustaining it
11:50and being an entrepreneur allows us to sustain
11:54so that you would be able to express more and share more.
12:00Now, going back to being bold and fearless,
12:04at what point in your career
12:06did you realize that this is one part
12:09you wish to highlight more?
12:12When I got to realize
12:15that my voice as an artist,
12:18it matters to my listeners now,
12:22especially to a lot of people in the LGBT community
12:25who look forward to what I'm going to say,
12:28what I'm going to release.
12:30And honestly,
12:31before I became a part of Hook Up the Musical,
12:33I wasn't really aware yet
12:35of what the story is
12:37until I got to read the script
12:40and I got to talk about it with my co-actors
12:43and I realized that,
12:44oh, this is something bigger than
12:48what I'm thinking about
12:50because really,
12:51my intention was to learn about theater.
12:54My intention was to experience
12:55how to be a theater actor
12:57and grow from there.
13:00When I got to really know
13:03what Hook Up the Musical is about,
13:06I realized that
13:07I really want to be a part of this one
13:11because,
13:13yes, there were a lot of struggles
13:15behind the scenes,
13:15survival-wise,
13:17because I'm not based really in Cebu,
13:19but I really fought for it
13:20because I feel like
13:23it feels fulfilling
13:25to be a part of something important.
13:29And then for Jude,
13:32I captured earlier
13:33that you're into
13:36being authentic
13:38and being real.
13:40I also gathered that
13:41you once left
13:43formal education in music.
13:46Yes.
13:46How important to you...
13:48It was just two sims.
13:50Two sims.
13:51Yes.
13:51In the College of Music,
13:52in Diliman.
13:53So how important is it
13:55for you
13:56to advance
13:59what you think
14:00a material should be?
14:03Especially when it does not
14:05conform to the traditional
14:06approaches
14:07when it comes to music
14:09or songwriting?
14:11If you factor in
14:13my capabilities,
14:14it's really knowing more
14:16about who I am
14:18and my skills
14:20and my strengths
14:22and weaknesses.
14:23So I will not take on
14:24a project
14:25that I know
14:25I cannot do
14:26or not within
14:28my strengths.
14:29So when I start
14:32on a project,
14:33I make sure
14:34that it's something
14:34that I can commit to.
14:35Especially for a theater project,
14:37it takes a lot of years.
14:39For this one,
14:40it took 10 years.
14:41And then usually,
14:42it's been a long time
14:43for the duration
14:44from inception
14:46to developing the story
14:48to finally bringing in
14:51the other creatives.
14:52It really takes a long time.
14:54Like how long?
14:56Like 10 years.
14:57Mga 10 years max.
14:59Probably.
14:59And what's the shortest?
15:01The shortest probably
15:02is like
15:03mga 5
15:03or 3 to 5 years.
15:06Yes.
15:06But if you include
15:08the writing,
15:09that really takes a while.
15:11And also,
15:12the kind of writing
15:12that I do,
15:14I don't settle
15:15for just the first
15:16stuff that I have.
15:17I always bring in
15:18other people.
15:19I do workshops
15:21of the material.
15:24I have stage readings
15:25and all that.
15:26So just,
15:27especially if it's a theater,
15:28it's necessary
15:28because it's an art form.
15:31It's just a participation
15:33to the audience.
15:34So it won't be
15:36a theater experience
15:37if we don't have
15:38an audience.
15:39It's necessary
15:40to be a part of it.
15:41Unlike songwriting,
15:43you can write songs
15:43and just sing it
15:44to yourself
15:44in the bathroom
15:45and that would be fine.
15:46But a theater piece
15:47requires an audience.
15:49So we always
15:50reach out
15:51to our audience
15:52and see if there's
15:53something that we can
15:53improve our show on.
15:55And you know,
15:55I'm a Broadway fanatic.
15:58So even the,
15:59not just the writing,
16:00but also the process
16:01of producing it,
16:03we pattern it
16:04after Broadway.
16:05So if I'm going to have
16:05a quarter,
16:07you can invest
16:08in stage readings
16:10and workshops
16:11to improve the material.
16:14You've mentioned
16:15about the assessment.
16:17What were the materials
16:19in the past
16:20in which you thought
16:21you would have
16:22wanted to do
16:23but you also decided
16:26that this is not
16:28my lane?
16:28Actually,
16:30the gun.
16:31Especially those
16:32of the ideas
16:33that you're doing
16:36it's not just,
16:37it's not that
16:39I'm saying no
16:40to those projects
16:41but I'm saying
16:42I'm not yet ready.
16:44Like for example,
16:44I have this
16:45idea of a musical
16:47for about
16:49the seminary
16:50that he's
16:52flamboyantly gay
16:53who entered the seminary
16:54because his crush
16:55entered the seminary
16:57and he's looking at
16:58a legally blonde
16:59that's a way
17:00if you know
17:02legally blonde stories,
17:04Elle went into
17:05the law
17:06of Harvard law
17:08to follow
17:09the love of her life.
17:11So something like that.
17:12But I feel like
17:13because I'm an
17:14ex-seminarian,
17:16shout out to
17:17those
17:18ex-seminarian
17:19like his father
17:20and then
17:24so I felt
17:26I knew
17:27that
17:27that
17:27exciting
17:28material
17:29but I know
17:30that I'm not yet ready.
17:32It's a maturity
17:33to look at
17:34that experience
17:34of mine
17:35and
17:37have a
17:38third-person
17:39perspective
17:39and
17:40see how
17:41I can really
17:42write it
17:42well.
17:43yes.
17:44And for you Grant
17:45because
17:46our
17:46it's
17:47it's a normal
17:49it's a normal
17:50process for
17:51a person
17:52not just an artist
17:53to actually
17:54second guess
17:54or to struggle
17:56with self-doubt.
17:57How do you
17:58get past
17:59that hump?
18:01Ooh.
18:03You got
18:04unaware
18:04of the
18:05situation.
18:07Let's pause
18:08for a commercial
18:08breakdown.
18:09Breakdown.
18:16Yeah I think
18:17I think
18:19that's just
18:19I think
18:22that's just
18:22how it goes
18:23when you're
18:23an artist
18:24because you
18:24know
18:24when you're
18:25an artist
18:25you want
18:26to bring
18:27something
18:27that's
18:28true to
18:28you.
18:29However
18:29you know
18:31it might
18:32there might
18:33be ways
18:33in which
18:34what's
18:35true to
18:35you
18:35has to
18:36get
18:36adjusted
18:37so that
18:37it fits
18:38it fits
18:39the product
18:39better.
18:39yeah it
18:40fits the
18:41it fits
18:41the musical
18:42better
18:42it fits
18:43the material
18:43better
18:43so sometimes
18:44I have to
18:44like okay
18:45I'll start
18:46I might start
18:46with something
18:47that I know
18:48I start
18:48with something
18:49that I
18:49really created
18:50and of course
18:51something that
18:52you create
18:52is your baby
18:53you know
18:53and so like
18:54to say
18:56to say
18:56that like
18:57oh actually
18:57your baby
18:58is ugly
18:58you know
19:00so that
19:01that can be
19:02that can be
19:02a real stab
19:03but like
19:03once
19:06I think
19:07that's part
19:07of the beauty
19:08of creating art
19:09I feel
19:09like it's
19:09not something
19:10that we
19:10create ourselves
19:11but it's
19:12a collaborative
19:13thing
19:13especially
19:14for theater
19:14and so
19:15it's important
19:15to work
19:16with each
19:16other too
19:17even if
19:18yes
19:18like
19:18you know
19:18even if
19:19yes
19:19there's
19:20like
19:20we have
19:20our own
19:21limitations
19:21we have
19:22our doubts
19:22but
19:24ultimately
19:24what matters
19:25is
19:25the kind
19:26of
19:28piece
19:28that we're
19:28trying to
19:29create
19:29and the
19:29kind
19:30of
19:30message
19:30we're
19:30trying
19:30to
19:31share
19:31and
19:31everything
19:32that
19:32we're
19:33trying
19:33to experience
19:33together
19:34and speaking
19:35of everything
19:35trying to
19:36experience
19:36together
19:37let's play
19:37a little
19:38game
19:38we're
19:39like a
19:40quiz
19:40show
19:42so
19:43do you
19:46also
19:46want
19:46to sing
19:49but
19:50can you
19:50sing
19:50no
19:51that's
19:52why
19:52I
19:52became
19:52a
19:53songwriter
19:54we'll
19:55see
19:57but
19:57we'll
19:57start
19:58with
19:58the
19:58two
19:58of
19:58them
19:59so
19:59what
19:59I
20:00have
20:00here
20:00are
20:00situations
20:01that
20:02some
20:03of
20:03our
20:03viewers
20:03may
20:04be
20:04going
20:04through
20:05and
20:06I
20:06would
20:06ask
20:07you
20:08so
20:08that
20:08also
20:08includes
20:09Jude
20:11to
20:11sing
20:12but
20:12once
20:13situation
20:13each
20:14to
20:15sing
20:15a
20:15line
20:16or
20:16two
20:17of
20:18a
20:18song
20:18which
20:19you
20:19think
20:19would
20:20fit
20:20this
20:20particular
20:21situation
20:22let's
20:23start
20:23with
20:24Paul
20:26song
20:26for
20:27someone
20:28who
20:28fell
20:29in
20:29love
20:29for
20:29the
20:29first
20:30time
20:30okay
20:31meet
20:34meet
20:34cute
20:34unexpectedly
20:37we
20:38meet
20:39cute
20:40unlikely
20:41and
20:42contrived
20:43the
20:43moment
20:43has
20:44arrived
20:44when
20:45we
20:46meet
20:47cute
20:47the
20:49chemistry
20:50will
20:50spark
20:51the
20:51story
20:51is
20:52about
20:52to
20:53start
20:57so
20:59this
21:00one is
21:00for
21:00Grant
21:00for
21:01someone
21:01in a
21:01long
21:02term
21:02relationship
21:03oh
21:04okay
21:07there's
21:07a
21:08there's
21:09a song
21:09from
21:10Hulk
21:11of the
21:11musical
21:11yeah
21:12it's
21:12called
21:14reappear
21:15yeah
21:16and you
21:19carried
21:19around
21:20my
21:20reflection
21:22conjured
21:24up my
21:24thoughts
21:25and my
21:26fears
21:28unfazed
21:29by my
21:30proud
21:30imperfection
21:32you
21:33held
21:34me
21:34and
21:35I
21:36reappeared
21:38oh
21:39yeah
21:39panganta
21:41subong
21:41familiar
21:41before
21:43they're
21:44going to
21:44pick
21:44something
21:44familiar
21:45I
21:45noticed
21:46that
21:47these
21:47are
21:47songs
21:48from
21:48hook
21:48up
21:48the
21:49musical
21:49and
21:49they're
21:50all
21:50written
21:50by
21:50you
21:51yes
21:51except
21:51for
21:51reappear
21:52lyrics
21:53by
21:53Therese
21:53Villarante
21:54and
21:54yours
21:55truly
21:55where
21:56does
21:56the
21:57hugot
21:57coming
21:58from
21:58from
21:59personal
21:59experience
22:00I
22:01drew it
22:02from
22:02out of
22:03my
22:03life
22:03and
22:03just
22:04put
22:04it
22:04on
22:04paper
22:06but
22:06yeah
22:07mostly
22:07to be
22:08honest
22:08I
22:09have a
22:10little
22:10bit
22:10of
22:10myself
22:10because
22:11the
22:12show
22:12has
22:12different
22:13characters
22:13so I
22:14have a
22:14little
22:14bit
22:14of
22:14myself
22:14in
22:15each
22:15of
22:15those
22:15characters
22:16but
22:16also
22:16at
22:17the
22:17same
22:17time
22:17there
22:17are
22:17fictionalized
22:18versions
22:20because
22:21I
22:23think
22:23you
22:23knew
22:24I
22:24was
22:25also
22:25in
22:25the
22:25process
22:25of
22:26writing
22:26this
22:26during
22:27the
22:27pandemic
22:27when
22:27we
22:28were
22:29talking
22:29about
22:29it
22:30and
22:30then
22:31in
22:33the
22:34pandemic
22:34there
22:34was
22:34nothing
22:35to
22:35do
22:36oh
22:37yeah
22:37and
22:37that's
22:38about
22:38two
22:38years
22:39or
22:39three
22:39years
22:40which
22:40is
22:40part
22:41of
22:41the
22:41process
22:41yes
22:42that's
22:42when
22:42I
22:42started
22:43the
22:44actual
22:44writing
22:44but
22:45the
22:45concept
22:45already
22:46started
22:46I
22:46think
22:472014
22:48or
22:4815
22:49yes
22:50so
22:51now
22:51let's
22:51go back
22:52to
22:52Gran
22:52song
22:53for
22:54someone
22:54getting
22:54married
22:55song
22:55for
22:56someone
22:56getting
22:56married
23:02love's
23:02an
23:02open
23:03door
23:07sinister
23:08kid
23:08right
23:10villain
23:11song
23:11where
23:11love's
23:12an
23:13open
23:13can
23:14I
23:16say
23:16something
23:16crazy
23:17will
23:18you
23:18marry
23:18me
23:25someone
23:26who
23:26just
23:26got
23:26ghosted
23:27someone
23:28who
23:28just
23:28got
23:29ghosted
23:31okay
23:54maybe that video would be this
23:57someone in his healing era
24:01but sometimes still cries at night
24:04I have the perfect song
24:06my song
24:09it's a bit
24:10so I'm really proud of this song
24:11it's entitled
24:12Usa Kalibog
24:13Usa Kapanamilit
24:14Usa Kalibog
24:16Usa Kapanamilit
24:19Usa Kalibog
24:21Usa Kapanamilit
24:23Usa Kalibog
24:26Usa Kapanamilit
24:28Wala
24:29Nailain
24:30Pa
24:30Ikaw
24:31Daug
24:32Ikaw
24:44Speaking of that line
24:46someone who is secretly in love with someone
24:50I don't know
24:50I have a song
24:51I have a song
24:53I have a song
24:53all the time
24:55so I have this song
24:56called
24:57Sagi
24:57which I wrote
24:59for someone
25:00I don't know
25:05name drop
25:06it's a joke
25:07it's a joke
25:12oh getting married
25:13let's get it
25:16nasasagi ba
25:18sa isip mo
25:19na maging tayo
25:23ipapalit lang ba
25:24sa hangin
25:26tawag ng puso
25:29ipakiwaltig mo naman
25:31ang katotohan
25:33ang tinatago
25:36nasasagi ba
25:37ng iyong isip nila
25:39laman ng iyong puso
25:43I can sense
25:45the depth
25:46of the hugot
25:47high school pa
25:50may garon ninyo na siya
25:52goodbye
25:53bye
25:55delay see you
25:56okay
25:57this one is trying to survive
26:00adulthood
26:00huh
26:05ang mga lisod na kang gran
26:07uy wait
26:08adulthood
26:09I need to start composing
26:11my own songs
26:14maybe you can
26:15pass
26:16pass
26:16you have a song in mind
26:18ma-relate bang
26:19corner of the sky
26:22aww
26:22aww
26:23aww
26:24aww
26:24aww
26:24aww
26:24aww
26:25navigating adult world
26:26okay now
26:27huh
26:28wait
26:28or lahi man
26:29navigating something else
26:30but makarelate
26:31lang siya sa adult
26:32wait
26:33nakalimuta ko's lyrics
26:34out of the singing
26:34yeah
26:36um
26:37what's the chorus
26:38what's the corner of the sky
26:40huh
26:40I've got to be
26:42where my spirit
26:43cannot be
26:44do it
26:45gotta find my
26:46corner of the sky
26:48I heard about that song
26:50sato ng panahon sir
26:52no many men seem destined
26:54to settle for something small
26:57but I want to rest
26:59until I know I have it all
27:02so don't ask where I'm going
27:05just listen when I'm gone
27:08and far away you'll hear me singing
27:11softly to the dawn
27:13rivers belong where they can ramble
27:18eagles belong where they can fly
27:22I've got to be
27:26where my spirit can run free
27:29gotta find my corner
27:35of the sky
27:48so let's go back to
27:51plus four
27:56but I doubt if they will agree
27:59if it's plus four
28:00but anyhow
28:01someone who finally learned to walk away
28:11to walk away
28:13wow
28:16sige nagtick out
28:17kong huwazan idea
28:26walk on through the rain
28:28can I walk
28:34I'll give you the permission
28:36to sing the song
28:36sige now
28:37let's see if it fits
28:39so this is why I sing
28:40and then we'll figure
28:41walk on through the rain
28:48walk on
28:52and your dreams
28:55I never knew I'd have a duet
29:00let's walk away from the song
29:03there's no strong independent songs
29:06someone who wants
29:09someone who wants clarity
29:11but keeps on attracting
29:14wrong signals
29:16very specific
29:18just to write
29:19minis
29:23songwriting workshop
29:24by sir judy
29:25last last last
29:27I hope na
29:28last last last
29:29entering a new chapter
29:31whether it's love life
29:32or work
29:33or whatever
29:34but entering a new chapter
29:36very broad
29:37very broad way
29:38yes
29:38okay
29:41we are the, next in line
29:43yes
29:43okay
29:44let's take it
29:45I'm not memorizing
29:47i don't know
29:52we are. next in line
29:54Oh, oh, oh, we are next in line.
30:00We are the next in line.
30:03Maybe from the musical.
30:08I don't know, opening a new chapter from the musical.
30:13Did it, did it, did it?
30:16I think it's reappeared.
30:18You already sang that.
30:19Especially the first line.
30:20So this is what it's like
30:24To be seen
30:28Cause I've been getting used tonight
30:32For God knows how long it's been
30:38Since I felt the touch of sight
30:41Since I saw an open door
30:44I didn't know then
30:47What I was looking for
30:49Till I stepped into the light
30:54And found you
30:58So now let's go back to the interview
31:01But at least our audience are able to relate
31:04To the songs that you shared also with them
31:08What are the usual misconceptions
31:11That people outside the industry would have
31:16For artists like you
31:19So one answer each
31:27The comfort of like living as an artist
31:31That it's all easy peasy
31:35Cause what I'm seeing is the
31:39Like for example for me
31:40What I see is the achievements
31:42The awards
31:43But they don't see like for the awards
31:45Like the many times that I've won
31:47Songwriting contests
31:49Like times three or four
31:52The number of times I lost
31:54And they didn't see that
31:56Because what I always highlight
31:58In the credentials
31:59Is the achievements
32:01And also
32:02Especially here in the Philippines
32:04And in Cebu
32:05The struggle of an artist
32:06Living day to day
32:08Like
32:10Finding ways to put food on the table
32:12It's a struggle for an artist
32:15Especially nowadays
32:17So it's all right
32:17That's I think
32:19Because what I see is
32:21The achievements
32:23The songs
32:24The songs
32:26The songs
32:26But the process
32:28Is just there
32:29Hidden
32:33On the part of
32:35Putting food
32:36On the table
32:37That's where
32:38My question actually
32:39Was on
32:40Commercializing it
32:41Because I think
32:43That's the one
32:44That creates the balance
32:45So that
32:46There's
32:47Something to
32:48Fund
32:49The passion
32:50Now the other side
32:52Thank you also
32:52For bringing up
32:53The
32:54The importance
32:55Of showing up
32:57Because
32:57There's one story
32:58That I also used to
33:00Read a lot
33:01When I was growing up
33:03And that's the importance
33:05Of
33:05I think that's where
33:06The word
33:08Was
33:10Popularized
33:10Showing up
33:12Okay
33:12If we really look at
33:14The patterns
33:15One
33:15But if we look at
33:17The patterns
33:18Of winners
33:19Yes
33:20They are also
33:22People
33:22Who had to go through
33:24Several setbacks
33:25Yes
33:26But because
33:26They show up
33:27More often
33:28Than the others
33:29That's why
33:30They look like
33:31They're winning
33:31More than the others
33:32Yes
33:33True
33:33And how about
33:34For you Grant
33:35No
33:37Misconception
33:38Misconception
33:39Or you can say
33:40Mr. Conception
33:40Mr. Conception
33:41Misconception
33:42Misconception
33:46Misconception
33:58Misconception
33:58What artist
33:59Can you replicate
34:00Through AI
34:04You can continue
34:05And I'll switch off
34:06The mic
34:11There are a lot of
34:12Artists right now
34:14Losing opportunities
34:16Because
34:16Are you replaced by AI
34:18And I feel like
34:20People
34:21As what
34:23Sir Jude says
34:24Usually
34:24What you can see
34:25Usually
34:25Is
34:26Output
34:27Achievements
34:28And sometimes
34:29People
34:30Don't usually
34:32It's
34:33Who just
34:34Think
34:34Art
34:35Is just
34:36Output
34:36Based
34:37They don't
34:37See
34:38Art
34:38Is actually
34:39A lifestyle
34:39It is
34:40It is
34:41Very human
34:41Like
34:42Art
34:42Human
34:44Experience
34:44So
34:45I
34:47Like
34:47Why is it
34:50People
34:51Think
34:51It's always
34:52Possible
34:53Replicate
34:53A.I.
34:55The art
34:57Related
34:58So
34:58I feel like
35:01It's a
35:01Misconception
35:02It doesn't
35:03Mean
35:04AI
35:04Can produce
35:05An output
35:05Art
35:06Art
35:07It's
35:07That
35:09There was
35:10I don't know
35:11Where
35:11Is the
35:12Conversation
35:13About that
35:14But
35:14I'm sure
35:15You love
35:15How
35:15What
35:16Be
35:17There were
35:18Talks
35:19That
35:19It was
35:20AI
35:21Produced
35:22But I don't
35:23Know exactly
35:23Whether it's
35:24True or
35:24Not
35:24But I
35:25Heard
35:25About
35:25That
35:26And
35:26Yesterday
35:27I went
35:27Into
35:27A
35:29Tech
35:29Conference
35:30And
35:31It also
35:31Discussed
35:32AI
35:32So
35:33Now
35:33We're
35:33Shifting
35:33The
35:34Topic
35:34Because
35:35Of
35:35Paul
35:37Let's
35:38Change
35:38The
35:38Title
35:39To
35:39Technology
35:41I
35:43Also
35:44Like
35:45To
35:45Highlight
35:45To
35:45Our
35:46Viewers
35:46What
35:46We
35:46Just
35:46Said
35:47A
35:48Person
35:49Can
35:49Teach
35:49AI
35:51But
35:52Only
35:53The
35:53Person
35:53Has
35:54A
35:54Soul
35:54And
35:56That's
35:56What
35:56AI
35:57Will
35:57Never
35:57Have
35:58So
35:59And
35:59Soul
36:00Is
36:00Essential
36:01When
36:01It
36:01Comes
36:01To
36:01Artistry
36:02Through
36:03Expression
36:04Or
36:05Let's
36:05Give
36:05It
36:0515
36:06More
36:06Years
36:06Which
36:08Will
36:09Be
36:1035
36:10Years
36:11Old
36:12And
36:15You're
36:16Not
36:16Free
36:16To
36:16Go
36:17Yet
36:17What's
36:17Your
36:17Answer
36:20I
36:21Would
36:21Have
36:21To
36:22I
36:22Would
36:22Have
36:22To
36:22Agree
36:22The
36:23First
36:23Thing
36:23I
36:23Really
36:23Thought
36:23At
36:24The
36:24Top
36:24Of
36:24My
36:24Head
36:24Was
36:24Really
36:25People
36:25Focus
36:25On
36:26The
36:26Glamour
36:26Of
36:27It
36:27All
36:27You
36:27Know
36:27Like
36:27The
36:28Sparkling
36:29Lights
36:29And
36:29All
36:29Of
36:30The
36:30Final
36:30Products
36:30And
36:31The
36:31Music
36:31Videos
36:32Things
36:32Like
36:32That
36:32But
36:33Artists
36:34Also
36:34Struggle
36:35Artists
36:36Work
36:36Their
36:36Butts
36:37Off
36:37To
36:37Make
36:38Products
36:39That
36:39They're
36:39Proud
36:39Of
36:40And
36:40Also
36:40There
36:41Might
36:41Also
36:42Be
36:42A
36:42Misconception
36:43Maybe
36:44That
36:44We
36:45Put
36:46Artists
36:47On
36:47A
36:47Pedestal
36:48And
36:50Suddenly
36:52They're
36:53A
36:53Little
36:53Bit
36:53More
36:53Super
36:54Human
36:54Sometimes
36:55In
36:55The
36:55Perception
36:56Of
36:56People
36:56But
36:57Actually
36:57Once
36:58I
36:58Even
36:59Me
36:59I
37:00Would
37:00See
37:00People
37:01That
37:01I
37:01Watched
37:02On
37:02Stage
37:02Or
37:03I
37:03Would
37:03See
37:03People
37:03That
37:04I
37:04I
37:05Saw
37:05Perform
37:06A
37:07Long
37:07Time
37:07Ago
37:07And
37:08Now
37:08When
37:09I
37:09Actually
37:09Meet
37:09These
37:10People
37:10They're
37:11Very
37:11Down
37:11To
37:12Earth
37:12These
37:12Are
37:12People
37:13Who
37:14Have
37:15Their
37:15Own
37:15Ambitions
37:16Have
37:16Their
37:16Own
37:16Struggles
37:17Have
37:17Their
37:17Own
37:17Stories
37:18These
37:18Are
37:18Not
37:19The
37:19Gods
37:20That
37:20I
37:20Thought
37:20I
37:21Would
37:21Had
37:22To
37:22Treat
37:22Them
37:22As
37:23Like
37:24Jude
37:24Today
37:24He
37:25Is
37:25No
38:54That
39:24For
39:54Like
39:55That
39:55Life
39:59Because I'm
40:00Working
40:01In
40:01Theater
40:01Right
40:01Now
40:01All
40:03Theater
40:03Is
40:03Community
40:04Theater
40:04Because
40:05Theater
40:06Holds
40:06A
40:06Mirror
40:06To
40:07Society
40:08And
40:09So
40:09We
40:10Need
40:10To
40:10Discuss
40:11Or
40:11To
40:12To
40:12Show
40:13The
40:14Problems
40:15Or
40:15The
40:15Issues
40:16That
40:16Are
40:16Being
40:16Currently
40:18Experienced
40:19By
40:19The
40:19Direct
40:20Community
40:20So
40:21In
40:21Fact
40:21Hookup
40:22Is
40:22A
40:22Response
40:23To
40:24The
40:25Problem
40:25In
40:25Cebu
40:26Particularly
40:26Of
40:27Us
40:27Having
40:27The
40:28Highest
40:28One
40:29Of
40:29The
40:30Highest
40:30Rates
40:31Of
40:31HIV
40:32Cases
40:32In
40:33The
40:34Philippines
40:34And
40:35So
40:35We
40:36Respond
40:36To
40:36That
40:36By
40:37This
40:37Story
40:37And
40:38Makita
40:39Mangunamul
40:39Na
40:39If
40:40We
40:40Have
40:40News
40:41About
40:41HIV
40:42If
40:42You
40:42Look
40:43At
40:43The
40:43Comment
40:43Section
40:43Ang
40:44Pinaka
40:44Una
40:45Na
40:45Target
40:45Na
40:46People
40:46Are
40:47Those
40:47People
40:48Living
40:48With
40:48HIV
40:49It's
40:50The
40:50Only
40:50Disease
40:50Na
40:51Ang
40:51Target
40:52Ang
40:52At
40:52Ang
40:52Hate
40:53Are
40:54Those
40:54Who
40:55Are
40:55The
40:56Sick
40:57Ones
40:58So
40:58We
40:59Need
41:00To
41:00Be
41:00On
41:00Their
41:00Side
41:00And
41:01We
41:01Need
41:01To
41:01Tell
41:01A
41:01Story
41:02Na
41:02Lah
41:03For
41:03A
41:03Change
41:04We
41:04Been
41:05Bombarded
41:05With
41:05Tragic
41:06Stories
41:06About
41:07People
41:07Living
41:07With
41:07HIV
41:08But
41:08It's
41:08Time
41:09To
41:09Show
41:09That
41:10Times
41:10Have
41:10Changed
41:11There's
41:11Medicine
41:12People
41:12Can
41:13Live
41:13Healthy
41:13Lives
41:14Even
41:14With
41:16HIV
41:17So
41:18Canasha
41:18We
41:19Need
41:19To
41:19Tell
41:19That
41:19Side
41:20Of
41:20The
41:20Story
41:20And
41:20It's
41:21Really
41:21Prevalent
41:22I
41:22Mean
41:22Here
41:23In
41:23Cebu
41:23We
41:24Need
41:24To
41:24Accept
41:24That
41:25Fact
41:25That
41:25We
41:25Have
41:26People
41:26Living
41:26With
41:27HIV
41:27And
41:27We
41:28Need
41:28To
41:28Be
41:29More
41:29Compassionate
41:30That
41:30Matter
41:30What
41:31Would
41:31You
41:31Tell
41:31Them
41:31Yeah
41:32I
41:33Mean
41:33Honestly
41:34It's
41:34Still
41:35A
41:35Reality
41:35That
41:36You
41:36Know
41:36We
41:36Have
41:37To
41:37Some
41:38People
41:38Grow
41:39Up
41:39In
41:39Environments
41:39Where
41:40They
41:40Really
41:40Had
41:40To
41:40Hide
41:40Themselves
41:41You
41:42Know
41:42Like
41:42You
41:43Have
41:43To
41:43Conform
41:44To
41:44Some
41:44Kind
41:45Of
41:45Societal
41:45Expectation
41:46Of
41:46What
41:46You
41:47Were
41:47Born
41:47As
41:47You
41:48Know
41:48Like
41:48If
41:48I
41:48I
41:49Am
41:49A
41:49Man
41:49I
41:49Have
41:50To
41:50Be
41:50I
41:51Have
41:51To
41:51Be
41:59I
41:59Have
41:59To
42:01Get
42:02Married
42:02Get
42:02A
42:02Job
42:02Have
42:03Like
42:03This
42:03Many
42:03Kids
42:04And
42:05Yeah
42:05People
42:06Feel
42:06The
42:06Need
42:06To
42:06Abandon
42:07Themselves
42:08To
42:08Fit
42:08Into
42:08What
42:09Their
42:09Parents
42:09Or
42:10What
42:10Society
42:10Expect
42:10From
42:11Them
42:11But
42:12Really
42:13It's
42:14Some
42:14But
42:15Really
42:15You
42:16Know
42:16There's
42:16Really
42:17Spaces
42:18For
42:18You
42:18To
42:18Exist
42:19Just
42:19As
42:19You
42:19Are
42:20There's
42:20People
42:21Who
42:22Understand
42:22And
42:23Accept
42:23You
42:23For
42:24Who
42:24You
42:24Have
42:24To
42:25Be
42:25And
42:25You
42:25Don't
42:26Have
42:26To
42:29Get
42:29Love
42:30From
42:30People
42:30And
42:31Asiya
42:32Can I
42:32Get
42:33Back
42:33To
42:33The
42:33Question
42:34I
42:35Feel
42:35Like
42:35It
42:37It
42:37Is
42:39Is
42:40It
42:40Is
42:40It
42:40Is
42:41It
42:41Is
42:42What
42:42Makes
42:42Something
42:42Stick
42:43I
42:43Think
42:43Like
42:43It's
42:44As
42:45Simple
42:45As
42:45The
42:45Beauty
42:46Of
42:46It
42:46Like
42:47If
42:47You
42:47Can
42:48If
42:48You
42:48See
42:48Something
42:49Beautiful
42:49Like
42:50Very
42:50Subjective
42:50It
42:51Will
42:52Really
42:53Last
42:53For
42:53For
42:54Example
42:55If
42:56Like
42:57In
42:57An
42:58Audience
42:58Point
42:59Of
42:59View
42:59If
43:00When
43:00I
43:00See
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43:02This
43:03Video
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43:04Sir
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43:05I
43:05I
43:05Saw
43:06It
43:06I
43:06Realized
43:07That
43:07What
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43:08Stick
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43:09The
43:09Beauty
43:10Of
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43:11The
43:12Performance
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43:14But
43:14The
43:14Story
43:15And
43:15I
43:16Think
43:16That
43:16It
43:18Doesn't
43:18Need
43:19Happy
43:21Ending
43:21The
43:22Beauty
43:22But
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43:24Also
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43:25Stories
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43:31It
43:32Speaks
43:32The
43:33Truth
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44:01Your
44:02Thoughts
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44:05You
44:05Teach
44:05People
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44:06You
44:06Tell
44:06A
44:07Person
44:07Who
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44:08Have
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44:10Theater
44:11Or
44:12The
44:12Arts
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44:15It
44:16Is
44:16Too
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44:21Have
44:21To
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44:21A
44:21Career
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44:22Be
44:22Something
44:23That
44:23You
44:24Do
44:24For
44:24You
44:25There
44:26Are
44:26Many
44:26Reasons
44:26To
44:27Create
44:27Art
44:27And
44:29The
44:30Beautiful
44:30Thing
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44:31It
44:31Is
44:31Art
44:32Is
44:32Open
44:32For
44:32Everyone
44:33Everyone
44:33Can
44:34Participate
44:34In
44:34It
44:35No
44:35One
44:35Is
44:35Gate
44:36Keeping
44:36Art
44:38If
44:38You
44:39Know
44:39You
44:39Write
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44:40Just
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44:41Write
44:41Badly
44:41And
44:42Just
44:42Write
44:42That
44:42Story
44:43Write
44:43That
44:44Poem
44:44Write
44:44That
44:45Song
44:45And
44:46In
44:47My
44:47Case
44:47I
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44:50I
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44:57Know
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44:59So
45:00Persistence
45:01Probably
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45:07Reason
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45:07It
45:07In
45:08The
45:08First
45:08Place
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45:09Never
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45:10That
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45:11Other
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45:13The
45:14Fame
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45:14Come
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45:15That
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45:16Dampen
45:17The
45:18Original
45:18Vision
45:19But
45:19If
45:19You
45:19Stick
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45:20The
45:21Moment
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45:23Moment
45:23That
45:23You
45:23Wrote
45:24The
45:24First
45:25Line
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45:28And
45:29I
45:29Think
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45:30Will
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45:44Ask
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45:46Everyone
45:46To
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45:47I
45:48Think
45:48What
45:48You
45:48Said
45:48Is
45:49Also
45:49I
45:49Hope
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45:52Artists
45:53Or
45:53Even
45:53Entrepreneurs
45:54Because
45:55What
45:55I
45:55Always
45:55Tell
45:56Them
45:56Especially
45:57The
45:57Younger
45:57Generation
45:58Is
45:58There
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45:59The
45:59Temptation
45:59If
45:59You
46:00Wish
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46:10Now
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46:12Old
46:12I
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46:13The
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46:13Question
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46:15Go
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46:17Am
46:17I
46:17Good
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46:18What
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46:24The
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46:25Fall
46:26So
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46:29Invite
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46:40Stage
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46:43SMC
46:43Side
46:43Sky
46:44Hall
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46:44June
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46:45It's
46:46Two
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46:57And
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46:59Difference
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47:00The
47:01The
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47:08Year
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47:11A
47:11Lot
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47:18Rehearsals
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47:19We
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47:44Think
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47:47Year
47:47Is
47:47It's
47:48More
47:50It's
47:50More
47:50Polished
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47:53The
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47:57You
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47:59Show
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48:00Year
48:00There's
48:01Additional
48:01Sets
48:01As
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48:04A
48:04New
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48:06New
48:06Sets
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48:07New
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48:09New
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48:10New
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48:13Rerun
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48:14Reason
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48:24Inviting
48:25Everyone
48:25To
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48:26The
48:26Show
48:26This
48:27Is
48:27Proudly
48:28Cebuano
48:28100%
48:29Both
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48:30The
48:30Cast
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48:31The
48:31Creatives
48:32We're
48:32All
48:32Cebuanos
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48:34That
48:34Matters
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48:35Community
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48:39Hope
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48:40Lot
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48:58The
48:58Headline
48:58Thank
48:59You
48:59Sir
48:59DJ
48:59Thank
49:00You
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49:04Mirrors
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49:06Think
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49:08Song
49:09Every
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49:29I'm DJ
49:30Moises
49:31This is
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49:32Headlines
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49:32You
49:33For
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49:33Us
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49:45Three
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49:55Three
49:55The
49:56Two
49:56Five
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50:08Three
50:09Two
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