- 16 hours ago
After Regina Lampert (Audrey Hepburn) falls for the dashing Peter Joshua (Cary Grant) on a skiing holiday in the French Alps, she discovers upon her return to Paris that her husband has been murdered. Soon, she and Peter are giving chase to three of her late husband's World War II cronies, Tex (James Coburn), Scobie (George Kennedy) and Gideon (Ned Glass), who are after a quarter of a million dollars the quartet stole while behind enemy lines. But why does Peter keep changing his name?
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Short filmTranscript
00:08is that you yeah you're gonna open up sure wait a minute don't you know it's impolite to leave
00:16someone holding the phone what happened oh i met a man with sharp nails scoby
00:26mm-hmm i left him hanging around the american express come in i've got something that stings
00:34like crazy now you're the kind of girl to have something like that sit down wait a minute
00:41what what is that stuff marvelous stuff it's gonna hurt you much more than it's going to hurt me
00:46oh did you hear something rip no no it's not i only came in for an estimate sit still
00:58it's not too bad you won't be able to lie on your back for a few days
01:02then you can lie from any position can't you oh oh oh does it hurt what what does it hurt
01:08oh
01:09are you kidding have you got a bully like a bite like they do in the movies are you really
01:14carson
01:14dials brother no would you like to see my passport passport what kind of a proof is that well would
01:23you like to see where i was tattooed yes all right we'll drive around that way
01:30could at least tell me what your first name is these days alexander
01:37okay alexander you're done good you're a new man i'm sorry the old one couldn't tell you the truth
01:46but i had to find out your part in all this is there a mrs dial yes but we're divorced
01:56i thought that was peter joshua i'm just as difficult to live with as he was
02:02alex how can you tell if anyone's lying or not you can't there must be some way no no there's
02:09no
02:10riddle about two tribes of indians the white feet always tell the truth and the black feet always lie
02:14so one day you meet an indian you say hey indian what are you a truthful white foot or lying
02:20black foot
02:21he says i'm a truthful white foot but which is he
02:27well why couldn't you just look at his feet because he's wearing moccasins
02:31well then he's a truthful white foot of course and why not a lying black foot
02:36which one are you a truthful white foot
02:42come in sit down all right you want to look at my feet yes
02:51oh hey knock it off now come on reggie listen to me oh here it comes the fatherly talk you
02:56forget
02:56i'm already a widow so was juliet at 15. but i'm not 15. well that's the trouble you're too old
03:02for me
03:02can't you be serious oh you just had an horrible word what did i say serious when a man gets
03:09to be my
03:10age that's the last word he ever wants to hear i don't want to be serious and i especially don't
03:15want
03:15you to be okay we'll just sit around all day long being frivolous how about that
03:22reggie tell it out okay well now what are you doing cutting it out who told you to do that
03:30you
03:30did oh i'm not through complaining yet oh
03:38cut it out alex i think i love you
03:46uh hey the telephone free never mind whoever it is won't give up and either
03:52will i uh you want to take it hello i'm sorry uh i was just uh nibbling on something say
04:05i'd appreciate
04:05it mighty highly if you'd uh wiggle on over to room 46 and chew the fat for a spell could
04:11you give me one
04:12good reason why i should yeah a little one about six or seven keeps calling for aunt reggie
04:21ain't that cute they've got john louis i'll be right there
04:37are you a real cowboy yeah sure i am kid so where's your gun
04:47will you put that thing away
04:53got it miss lambert
04:55who invited him well her but see you had a happy landing i must call sylvie right away i'm afraid
05:02that'll have to wait mrs lambert but his mother she won't be anybody's mother unless you answer some
05:07questions this ain't no game miss lambert want that money now why don't you keep quiet and stop
05:13threatening the child he hasn't got the money and neither has mrs lambert then who does
05:20i don't know herman maybe you do me or you oh or him why that's the most ridiculous thing i
05:31listen to this man man go loco now hold it suppose one of you found charles here in paris
05:38even bumped into him by accident followed him when he tried to run out again
05:43cornered him on the train threw him out the window and without bothering to tell the other two
05:47took all the money for yourself if one of us did that he wouldn't hang around here waiting for
05:51the other two to figure it out but he'd have to don't you see if he left he'd be admitting
05:56his guilt
05:56whoever it is has to wait here pretending to look for the money waiting for the rest of us to
06:01give
06:01up and go home he's just trying to throw us off they got it i tell you why don't we
06:07search their rooms
06:10that's all right with us well then what are we wasting time for let's go
06:15while we're waiting we'll search yours not my room well herman you have something to hide
06:24then there are no objections all right here's my key i'll take that my room's open
06:35now you two just make yourselves to home here
06:40well let's get busy come on john louis come along oh that's fine who gets your vote scoby he's the
06:48one
06:48who objected all right i'll take tex's room here and gideon's you take john louis with you and bolt
06:54the door from inside come on john louis we'll have a treasure hunt okay come on
07:00tex
07:05and it's charlie's stuff looks like him
07:08they've got to call herman what for if it's not here why bother him
07:14and if it is why bother him
07:25sure there's nothing missing no everything's here the police have kindly provided us with a list
07:33sure ain't nothing here worth no quarter of a million dollars not unless we're blind
07:38i keep telling myself we've stolen a great deal of money but up to now i've yet to see a
07:43penny of it
07:45you think maybe we're fishing up the wrong stream
07:49meaning what
07:51suppose one of us has it you know like the man says
07:55now that'd be mighty distasteful must be in veterans of the same war and all
08:01well you'll know i tell you if i had it oh naturally just like i'd tell you if i had
08:08it
08:08naturally and that goes for hymen too naturally
08:19he's all right sylvie honestly just hurry over as soon as you can okay goodbye
08:26now if you had a treasure where would you hide it i would bury it in the garden that's well
08:33but
08:33this man doesn't have a garden oh neither do i you don't well if you had to hide it in
08:40this room
08:40where would you put it up there on top of that cupboard you know something you may be right
08:52oh i hope i don't find any hairy little things living up here
08:58hey there is something it's heavy i found it i found it i found it if you think you're getting
09:03credit for this you're crazy we won we won we won we won we won we won we won we
09:11won did you find it
09:17no what do you mean no yeah the kid was yelling there up there it's up there believe me there's
09:23nothing up there yeah
09:44oh jumping free holy to herman's spare
09:51where is he he's over in my room
10:12you'd better take the boy out in the hall
10:23oh now who would have done a mean thing like that
10:29i'm not quite sure well this ain't my room mine neither oh the police aren't gonna like this a bit
10:38we could dry him off and take him down the hall to his own room he really doesn't look too
10:44bad
10:45oh poor old hermit seems like him and good luck always was strangers
10:51well maybe now he'll meet up with his other hands someplace
11:03a man drowned in his bed impossible and in his pajamas the second one in his pajamas
11:10it's so stupid stop lying to me this nose tells me when you are lying it is never mistaken not
11:20in 23
11:20years this nose will make me commissaire of police mr dial or mr joshua which is it dial and yet
11:30you
11:30registered in measure as mr joshua didn't you know it was against the law to register under an assumed name
11:38no i didn't it's done in america all the time
11:42none of you will be permitted to leave paris until this matter is cleared up
11:47only i warn you i will be watching we use the guillotine in this country
11:54i have always suspected that the blade coming down causes no more than a slight tickling sensation
12:01on the back of the neck it is only a guess of course i hope none of you ever finds
12:08out for certain
12:16who do you think did it gideon possibly or tex possibly you're a fat lot of help that's right
12:26can i have one of those one of what i think texted it oh vanille chocolat why do you think
12:33tex did it
12:33because i really suspect gideon and it's always the person you don't suspect
12:38do women think it's feminine to be so illogical or can't they help it what's so illogical about
12:43that well you just said that it's always the one you don't suspect and you suspect gideon so therefore
12:48it must be tex but on the other hand if you suspect tex it must be the other fella gideon
12:51i guess they just can't help it who women oh you know i can't help feeling rather sorry for scoby
13:03wouldn't it be nice if we were like that what like scoby no gene kelly you remember when he
13:09danced down here by the river in america and paris without a care in the world
13:12you know this is good want something oh no thank you oh and i guess you don't do it
13:23thank you i'm sorry alex i'm scared yes i know i can't think of any reason why he was killed
13:35well perhaps someone thought the four shares were too many what makes you think that this
13:39someone is going to be satisfied with three he wants it all alex that means we're in his way too
13:45that's right we've got to do something i mean any minute now we could be assassinated
13:51would you do anything like that what assassinate someone no swing down from there on a rope to
13:57save the woman you love like the hunchback of notre dame uh huh oh who put that there
14:08hurry up and change i'm starved let me know what you want a week so i can pick out a
14:13suit that matches
14:27what do you want it's the house detective why don't you have a girl in there lord you're a pest
14:33can i come in no i'm going to take a bath oh wouldn't it be better if you did it
14:39in here
14:40what's wrong well i wouldn't want to use that tub and anyway i don't want to be alone i'm afraid
14:46good morning next door if anything happens holler
14:57reggie got you
15:00did you ever hear the story of the boy who cried wolf
15:04the shower's in there oh come on bridgie open the door this is a ludicrous situation i can think of
15:10a dozen men who are just longing to use my shower why don't you call one of them i dare
15:15you oh you're
15:17a nut
15:21what are you doing taking off my shoes what do you think i'm doing did you ever hear of anyone
15:25taking
15:26a shower with their shoes on i usually sing a medley of old favorites when i'm in the shower oh
15:34any
15:34requests shut the door oh i'm afraid i don't know that one miss well shut the door why come in
15:43and watch
15:56drip dry
16:00how often do you go through this little ritual oh every day the manufacturer recommends it
16:05i don't believe it oh yes wait a minute
16:12there's a label look look at the small print
16:16wearing this suit during washing help protect its shape
16:27water
16:28waterproof
16:37acro nylon
16:38tri-bush resistor plastic
16:41mustard
16:41fly-proof
16:42proof proof
16:44You're the nut.
16:45Lappert.
16:52Yes?
16:53Mrs. Lappert, Bartholomew.
16:55I spoke to Washington, Mrs. Lappert.
16:57Go ahead, Mr. Bartholomew.
16:58I'm listening.
16:59Well, I told them what you said about this man being Carson Dial's brother.
17:04I asked them what they knew about it, and they told me.
17:07You're not going to like this, Mrs. Lappert.
17:10Carson Dial had no brother.
17:14Mrs. Lappert?
17:15Are you sure there's no mistake?
17:17None whatsoever.
17:19Please be careful, Mrs. Lappert.
17:21Bye.
17:31I left all my drip dry dripping.
17:33Is that all right?
17:36What's the matter?
17:36Something wrong?
17:38Oh, you're probably weak from hunger.
17:40You've only eaten five times today.
17:42I'll get someone to fix up my suit quickly and take you out to dinner.
17:45Let's go somewhere crowded.
17:46I feel like a lot of people.
17:58Hey, you know this thing is still damp?
18:05You haven't spoken a word for 20 minutes.
18:08I was thinking about Charles and Scobie and who's going to be next.
18:12Me?
18:13I don't suppose you know who the murderer is, do you?
18:17No, not yet.
18:19Whoever's left alive at the end will pretty much have sewn up the nomination, don't you think?
18:23What are you trying to say?
18:24That I might have killed Charles and Scobie?
18:27What'd I have to do to satisfy you?
18:29Become the next victim?
18:30It's a start, anyway.
18:32Oh.
18:33I can't understand you at all.
18:35One minute you're chasing me around the shower room and the next minute you're accusing me of murder.
18:40Carson Dial had no brother.
18:46Oh, I can explain that if you'll just listen.
18:50Well, I can't very well leave without a pair of water wings, can I?
18:53All right, get set for the story of my life.
18:55Fiction or non-fiction?
18:57Why don't you shut up?
18:59Where?
19:00Are you going to listen?
19:02Go on.
19:03All right.
19:05Now, when I was a young man, my father expected me to go into his business.
19:09Umbrella frames, that's what he made.
19:12Oh, a sensible business, I suppose, but I didn't have the sense in those days to be sensible.
19:16I suppose all this is leading somewhere.
19:19Well, it led me away from umbrella frames from one day.
19:22But that left me without any honest means of support.
19:25What do you mean?
19:27Well, in this highly competitive world, when a man has no profession, there isn't much choice.
19:32So I began looking for people who had more money than they needed, including some they barely miss.
19:39You mean you're a thief?
19:42Well, that's not exactly the term I'd have chosen, but it sort of captures the spirit of the thing.
19:49I don't believe it.
19:52I can't really blame you now.
19:53But I do believe it.
19:55That's what I don't believe.
19:56So it's goodbye, Alexander Dial, and welcome home, Peter Joshua.
20:01Sorry, the name's Adam Canfield.
20:04Adam Canfield?
20:06Mm-hmm.
20:07Wonderful.
20:09Do you realize you've had three names in the past two days?
20:11I don't even know who I'm talking to anymore.
20:13Well, the man's the same, even if the name isn't.
20:16No, he isn't the same.
20:17Adam Canfield is a crook, and I want to know why.
20:20Well, it's simple.
20:21I like what I do.
20:21I enjoy my work.
20:23There are many men in the world who love their work as much as I do.
20:26I mean, you're looking around sometimes.
20:28Is there a Mrs. Canfield?
20:32Yes, but we're divorced.
20:35That's right.
20:35Now go and eat your dinner.
20:36Oh, I could eat a horse.
20:38I think that's what you ordered.
20:40Don't you dare be civil with me after leading me on like this.
20:44How did I lead you on?
20:45Oh, all that marvelous rejection.
20:47You knew I couldn't resist it, and now it turns out all you're interested in is the money.
20:51That's right.
20:53Oh.
20:53What would you like me to say?
20:55That a pretty girl with an outrageous manner means more to an old pro like me than a quarter of
20:59a million dollars?
21:00I don't suppose so.
21:03It's a toss-up, I can tell you that.
21:07What?
21:08Hasn't it occurred to you that I'm having a tough time keeping my hands off you?
21:16Oh, you should see your face.
21:19What's the matter with it?
21:21It's lovely.
21:25Now what's the trouble?
21:28I'm not hungry anymore, isn't it, glorious?
21:32Adam!
21:33It's all right.
21:34Come and look.
21:36Oh, Romeo came
21:44And it was closing night
21:53Hey, you don't look so bad in this light.
21:56Why do you think I brought you here?
21:58I thought maybe you wanted me to see the kind of work the competition was turning up.
22:03Pretty good, huh?
22:05I taught them everything they do.
22:08Oh, did they do that kind of thing way back in your day?
22:12Sure.
22:13How do you think I got here?
22:21Not allowed to kiss back, huh?
22:23Oh, no.
22:24Doctor said it was bad for my thermostat.
22:41Well, when you come on, you come on, don't you?
22:44Well, come on.
22:45Come on.
23:03Yeah.
23:05Hmm?
23:07In the lobby?
23:14Are you out of your mind or something?
23:16It's 3.30 in the morning.
23:19You mean it?
23:23All right.
23:24All right.
23:25I'll be right down.
23:25Wait a minute.
23:54I'll be right back.
24:05Hey, hey, turn on the lights.
24:15Hey, I just built this thing.
24:19Yes.
24:21Yes, shoot.
24:23Ah, yes.
24:24Ah, yes.
24:24Ah, yes.
24:25Ah, yes.
24:25Ah, yes.
24:25Ah, yes.
24:26Ah, yes.
24:26Ah, yes.
24:38Three of them.
24:39All in their pajamas?
24:40It's a ridicule.
24:41What is it?
24:42Some new American fad?
24:43And now, your friend who lives here.
24:45Um, the one from Texas.
24:47He's disappeared.
24:48Into thin air.
24:49Where is he?
24:51I wish I knew.
24:52Madame?
24:56Tell me, Mr. Dyle, where were you at 3.30 a.m.?
25:00In my room, asleep.
25:02And you, Mrs. Lampert?
25:04I was, too.
25:05In Mr. Dyle's room?
25:07No, in my room.
25:10Obviously, you're telling the truth.
25:12For why would you invent such a ridiculous story?
25:17And if I were you, I wouldn't stay in my pajamas.
25:21Good night.
25:25Well, that wraps it up.
25:26Tex has the money.
25:28You could have paid.
25:29I'll let you know when I found him.
25:30You're going to go looking for him now?
25:32Well, if the police find him first, they're not going to turn over that quarter of a million dollars to
25:35us.
25:35Oh, Adam.
25:36Do as I tell you.
25:37Go to bed and bolt your door.
25:46Yeah?
25:47Now, you listen to me, Dyle.
25:49Look, I know who's got that money, man.
25:51And I want my share.
25:52Seems to be growing and growing every day.
25:55Well, I ain't disappearing until I get it.
25:57Where are you, Tex?
25:58Come on, man.
26:00Look, my mama didn't raise no stupid children.
26:03Look, I'll tell you what.
26:05You want to find me?
26:07Well, you just look over your shoulder.
26:09Because from now on, I'm going to be right behind you.
26:23Open up.
26:29I think I was wrong about Tex having the money.
26:32Why?
26:33I just heard from him.
26:34He's still hungry.
26:35That means killing Gideon didn't get it for him.
26:38So he's narrowed it down to us.
26:40You've got it.
26:42But I've looked everywhere.
26:44You know I have.
26:45Where's the airline's bag?
26:46In the wardrobe?
26:48Get it.
26:50Lord, you're obstinate.
26:51Charles must have had it with him on the train when Tex killed him.
26:55Thanks.
26:58Everybody in his Aunt Lillian has been through that bag.
27:02Including me.
27:03Okay, we'll do it again.
27:04I've been into it at least once a day.
27:06Somebody would have seen it.
27:10It's there, Reggie.
27:11We're looking at it right now.
27:13Something on that bed is worth a quarter of a million dollars.
27:17But what?
27:18I don't know.
27:19I don't know.
27:20Four passports.
27:24Steamship ticket.
27:28Anything in there?
27:29Nothing.
27:31Wallet.
27:33Home?
27:36And a fountain pen.
27:42What about that key?
27:43To the apartment.
27:44Matches mine exactly.
27:46Oh.
27:49I bet you don't really need those.
27:53You need them.
27:57Well, it still doesn't make sense.
27:59But it doesn't worth a quarter of a million dollars, aren't I?
28:05Wait a minute.
28:06What?
28:06The tooth powder.
28:08What about it?
28:09Could you recognize heroin just by the taste of it?
28:19Heroin.
28:20Peppermint-flavored heroin.
28:22Heroin.
28:24Well, I guess that's it.
28:26Dead end.
28:28Well, go to bed.
28:30You've got to get up and go to work in the morning.
28:32There's nothing more we can do tonight.
28:34I love you, Adam.
28:38Yes, you told me.
28:39No.
28:41The last time I said I love you, Alex.
28:42Oh.
28:45Oh.
28:57Hold it.
28:59They're recognizing Great Britain.
29:01Mr. Chairman, fellow delegates, my distinguished colleague from Italy.
29:06Her Majesty's delegation has listened with great patience to the Southern European...
29:11Oh, are you on? No, it's all right. What's wrong, Adam?
29:13Nothing's wrong. I think I found something. I was snooping around Tex's room and came across this in the wastebasket.
29:18I stuck it together again. Well, that's the receipt Grand-Pierre gave me for Charles' things.
29:23I don't see how that's going to happen. No, you're not looking.
29:25Last night when we went through the airlines' bags, something was missing. An agenda.
29:29That's an appointment book, isn't it? It wasn't there.
29:33That's right. I remember Grand-Pierre looking through it, but there was nothing in it.
29:37At least nothing the police thought was very important.
29:39Can you remember anything in it at all?
29:41Well, he did say something about Charles' last appointment.
29:45With whom? Where?
29:47I think it only said where.
29:48Now, come on, Reggie. Think. Think. This may be what we're looking for.
29:52Adam, that money doesn't belong to us. If we keep it, we'll be breaking the law.
29:56Well, since we didn't steal it, there's no law against stealing stolen money.
30:00Of course there is. There is? Yes.
30:02When did they pass such a silly law? Now, think, Reggie, what was in that appointment book?
30:06Oh, it was a place or a street corner or something. Watch it. I'm on.
30:10I'm on.
30:10Messieurs les délégués, mon distingué collègue de la Grande-Bretagne.
30:15Le problème qui se présente influence d'une manière vitale la proposition la plus importante de la conférence de l
30:22'hémisphère occidental.
30:24Of, of the Western Hemisphere Conference.
30:29Of the Western Hemisphere Conference held on March 22nd.
30:33No, wait.
30:34It was last Thursday, five o'clock, the Jardin des Champs-Elysées.
30:39That's it, Adam, the garden.
30:41Well, it's Thursday today and it's almost five o'clock, so come on.
30:45Oh, it's all right, gentlemen. Carry on.
30:50Now what?
30:52Five o'clock, Thursday, the gardens. Must be something around here.
30:57Charles' appointment was last week.
30:59Yes, I know, but this is all we've got left.
31:01You're not kidding. Ten minutes ago, I had a job.
31:04Well, now you've got another job, so stop grumbling and start looking.
31:07I'll take that side. You poke around over here.
31:32Well, this is a soldier.
31:33Here, let's go.
31:34Here, let's go.
31:36No, no!
31:37Here!
31:41Now, let's go.
31:42Here, the Lancashire.
31:46And now, at the end, I'm going.
31:49It's hopeless. I don't even know what we're looking for.
31:53I don't think Tex does, either.
31:55Tex, is he here?
31:57Look.
32:03I'm going to see what he's up to. You stay here.
32:06Be careful, Adam. He's already killed three men.
32:24I don't know what he's up to.
32:52I don't know.
33:16Wait! Wait! Tex, look up!
33:40All right. Where's the letter?
33:42The letter, huh? It ain't worth nothing.
33:47You know what I mean. The envelope with the stamps on it. I want it.
33:51Oh, you greenhorn. Why, you thick-skulled, hair-brained, half-witted greenhorn. And they was both too smart for us.
34:01What are you talking about?
34:03Well, first her husband, now her.
34:06She batted all of them big eyes at you and you fell for it like an egg from a tall
34:11chicken.
34:12You want the envelope?
34:15There. You take it. It's all yours.
34:21You killed all three of them for nothing.
34:28You greenhorn, you block-headed jackass. You, uh, nincompoop.
34:38Sylvie, what are you doing here?
34:40I'm waiting for Jean-Louis.
34:43Oh. What's he up to?
34:44Oh, he was so excited when he got the stamps you gave him this morning. He said he'd never seen
34:48any like them.
34:49I'm glad. What's all this?
34:51The stamp market. It's there every Thursday afternoon.
34:55That's where Jean-Louis trades his stamps.
34:58Good Lord, where is he?
34:59What's the matter, chérie?
35:01The stamps. They're worth a fortune.
35:03What? A fortune. Come on.
35:13I don't see him anywhere.
35:15We'll separate. You look over there.
35:17Okay.
35:22Jean-Louis?
35:26Jean Louis?
35:29Jean-Louis?
35:38Jean-Louis?
35:41Jean-Louis?
35:42Regis?
35:43Regis?
35:48Jean-Louis, thank heaven, do you have the...
35:52What's this?
35:53A man gave me all those for only three.
35:56A man? Oh, no, Jean-Louis. Who? Where?
36:02Vite, mon chéri, vite.
36:06LÃ -bas.
36:07Come on.
36:12Oh, but he's gone.
36:13I don't blame him.
36:16Entrez.
36:18Monsieur Félix?
36:20Oui.
36:23I was expecting you.
36:25I knew you would come.
36:27Look at them, madame.
36:29Have you ever in your entire life seen anything so beautiful?
36:32I'm sorry, I don't know anything about stamps.
36:35I know them as one knows his own face, though I had never seen them.
36:39This one, a Swedish four shilling,
36:41called the Gula Firas Killingen.
36:44Printed in 1854.
36:46What is it worth?
36:47Well, the money is unimportant.
36:49I'm afraid it's very important.
36:52Well, in your money, perhaps 85,000 dollars.
36:56May I sit down?
36:57Yes.
36:58And the blue one?
36:58Oh, it's called the Hawaiian blue.
37:01In 1894, the owner was murdered by a rival collector who was obsessed to own it.
37:06And what is its value today?
37:0965,000.
37:11And the last one?
37:13Oh, the best for last.
37:15Le chef-d'oeuvre de la collection, the masterpiece.
37:18It's the most valuable stamp in the world.
37:21It's called the Gazette Moldave.
37:23It was printed by hand on colored paper and marked with the initials of the printer.
37:28Today, it has a value of a hundred thousand dollars.
37:33I'm not a thief, madame.
37:36I knew there was some mistake.
37:42You gave the boy a great many stamps in return.
37:44Are they for sale now?
37:45Oh, let me see.
37:46350 European, 200 Asian, 175 American, 100 African,
37:52and 12 Princess Grace commemorative, which comes to 10 francs.
37:59And don't forget these.
38:04I'm sorry.
38:05No.
38:06For a few minutes, they were mine.
38:08That is enough.
38:14Adam?
38:16Adam?
38:27Adam?
38:28Adam?
38:31Adam?
38:33Adam?
38:33Adam?
38:53Adam?
39:00hello mr bartholomew yes tex is dead smothered
39:09and adam did it he killed them all are you sure yes i'm sure tex wrote the word dial before
39:19he died
39:23he's the murderer i tell you now wait a minute just a minute mrs lambert you better give that
39:28to me again it was the stamps on the letter charles had with him on the train they were
39:32there in plain view all the time but no one bothered to look at the envelope now mrs lambert
39:36listen to me you're not safe as long as you have these stamps let's see do you know the
39:41synagogue at the palais royale yes the colonnade yes by the colonnade as fast as you can get there
39:47hurry mrs lambert i'm leaving right away
40:04reggie the stamps where are they reggie wait why so you can kill me too tex is dead he won't
40:10die on the
40:10i'm not tired you know that the text doesn't know it you're a murderer
40:14but you have all those stamps
40:17valet royal vite je suis occupé mais c'est très urgent occupé
40:41valet royal quatre
40:45valet royal dwings
40:49valet royal four
43:26American Embassy.
43:28American Embassy?
43:32Mr. Bartholomew's office, please.
43:34Would you speak a little louder, please?
43:36I can't speak any louder.
43:38Mr. Hamilton Bartholomew.
43:41I'm sorry, Mr. Bartholomew has left for the day.
43:45But someone's trying to kill me.
43:48What?
43:49Kill me.
43:51You've got to get word to him right away.
43:52He's in the center garden of the Palais Royal near the colonnade.
43:56Tell him I'm trapped in a phone booth right below him in the metro station, and the name's Lampert.
44:11What the?
44:40What?
44:41Let's go.
44:46hello hello mr bartholomew yes there was a call for you just now mr bartholomew it sounded quite
44:52urgent a mrs lampert lampert i don't know any mrs lampert she says she's trapped in a metro station
44:59and someone's trying to kill her trying to kill her who does she think i am the cia
45:06all right i guess you better call the french police
45:14you
46:00Mr. Bartholomew, Mr. Bartholomew, Mr. Bartholomew, help me.
46:05Reggie, stop! That man is Carson Dial.
46:11We all know Carson Dial is dead, Mrs. Lappert.
46:14I tell you, he's Carson Dial.
46:15Well, you're not going to believe him. Just bring those stamps over here. He's trying to trick you again.
46:20Tex recognized him. That's why he wrote Dial.
46:23If you take him to those stamps, he'll kill you, too.
46:26Mrs. Lappert, if I'm who he says I am, what's preventing me from killing you right now?
46:31Because he'd have to come out to get the stamps. And he knows he'll never make it.
46:35Mrs. Lappert, he wants the money for himself. That's all he's ever wanted.
46:40He's with the CIA. I saw him at the embassy.
46:42I tell you, he's Carson Dial.
46:44That's right, Mrs. Lappert. That's right. I'm a dead man. Look at me.
46:52Oh, I don't know who anybody is.
46:55Reggie, I beg you. Just trust me once more.
47:00Why should I?
47:01I can't think of a reason in the world why you should.
47:11Stop right now, Mrs. Lappert, or I'll kill you.
47:13It won't get you the stamps, Dial.
47:15You'll still have to come out to get them.
47:17And I'm not lucky to miss in this range.
47:19Maybe not, but it takes a lot of bullets to kill me.
47:21They left me there with five of them in my legs and my stomach.
47:24Mrs. Lappert, they knew I was still alive, but they left me there.
47:26I spent ten months in a German prison camp with nothing to stop the pain.
47:30They left me there. Mrs. Lappert, they deserve to die.
47:33But I had nothing to do with it.
47:34You've got the money now. It belongs to me.
47:37Mrs. Lappert, they knew I was still alive, but they left me there.
47:41That's why I had to kill them, all four of them.
47:44Please believe me, Mrs. Lappert. I'll kill you too.
47:46It won't make any difference.
47:50It's no use.
47:51You're running out of time.
47:52I've come too far to turn back.
47:54I swear I'll kill you.
47:58Make up your mind, Mrs. Lappert, now.
48:02Andrew!
48:04Andrew!
48:05Andrew!
48:10Andrew!
48:12Andrew!
48:14Andrew!
48:16Andrew!
48:19Andrew!
48:20I don't know.
48:57I don't know.
49:28I don't know.
49:59I don't know.
50:25All right.
50:26I know you're in there, Mrs. Lappert.
50:28Come on out.
50:47Do you hear me?
50:47Come on out.
51:01I don't want to kill you, but I will.
51:09Come on out.
51:11Come on out.
51:23I don't know.
51:48The game is over, Mrs. Lampert.
52:23You didn't have to chase me so hard.
52:26That one's done. Do this one.
52:28No.
52:30I'm sorry I thought you were the murderer.
52:32But how was I to know he was as big a liar as you are?
52:36Is that all the gratitude I get for saving your hide?
52:38Here, rub your own thinking foot.
52:40The truth now. Was it my hide or those stamps?
52:44Well, what a terrible thing to say. How could you think that?
52:47Then prove it to me.
52:49Tell me to go to the embassy first thing in the morning and turn in those stamps.
52:55I said, tell me to go to the embassy first thing in the morning.
52:57I heard you. I heard you. I heard you.
52:59Then say it.
53:00Now, Reggie, listen to me.
53:03There's something I'd like to explain.
53:05Never mind. I'll go by myself.
53:07Well, what makes you think they're even interested?
53:09It's only a quarter of a million dollars.
53:10It'll cost more than that for them to fix up their bookkeeping.
53:12Now, as a taxpayer...
53:14Who's a taxpayer? Crooks don't pay taxes.
53:16Excuse me, soldier.
53:17Marine, ma'am.
53:18Oh, forgive me.
53:19Who would I see regarding the return of stolen government money?
53:23Well, you might try the Treasury Department, ma'am.
53:25Room 217, second floor, Mr. Crookshank.
53:27217. Thank you, Marine.
53:36Uh, uh, do you mind if I don't go in with you?
53:38The sight of all that money being given away might make me break out.
53:45Mr. Crookshank, please. My name is Lampert.
53:48Yes.
53:50Mr. Crookshank?
53:51Uh, Miss Lam...
53:52Mrs.
53:53Mrs. Lampert to see you.
53:55Yes, sir.
53:56Go right in.
54:08Of all the mean, rotten, contemptible, crooked...
54:16Crooked?
54:17Don't you think you'd be glad to find out I'm not crooked?
54:19You can't even be honest about being dishonest.
54:22Why didn't you say something?
54:24You're not allowed to tell.
54:26Now, come on, give me the stamp.
54:27Hmm.
54:29Wait a minute.
54:30How did Carson Dial get an office in this building anyway?
54:33Well, when did you meet him?
54:34What time of day, I mean?
54:35About one?
54:36The lunch hour.
54:38Probably worked it out in advance.
54:40Found an office usually left open and just moved in for the time you were here.
54:43Then how do I know this is your office?
54:47Mrs. Foster.
54:49Take a memo to Bartholomew and security recommending that...
54:53Bartholomew.
54:54Recommending that embassy officers be kept locked during the lunch hour.
54:57Hmm.
54:57Starting with his own.
54:59I'll give you the stamps.
55:00Come on.
55:01What's your first name today?
55:03Brian.
55:04Brian Crookshank.
55:05Serves me right if I get stuck with that one.
55:07Well, who asked her to get stuck with any of them?
55:09Come on.
55:09Is there a Mrs. Crookshank?
55:10Yes.
55:11But we're divorced.
55:13No.
55:15Oh.
55:19My mother.
55:20She lives in Detroit.
55:21You'd like her.
55:21She'd like you, too.
55:22Come on.
55:23Give me those stamps.
55:24Not until you prove to me that you're really Brian Crookshank.
55:28All right.
55:28One day next week, I'll put it on a marriage license.
55:30How about that?
55:30Quit stalling.
55:31I want some identification now.
55:33I wouldn't lie on a license.
55:34You can't prove it to me, Kenny.
55:35You're still trying to...
55:37Marriage license?
55:39Did you say marriage license?
55:42Now, don't change the subject.
55:43Just give me the stamps.
55:44Oh.
55:44Oh.
55:45I love you, Adam.
55:47Alex, Peter, Brian, whatever your name is.
55:50Oh, I love you.
55:52I hope we have a lot of boys and we can name them all after you.
55:55All right.
55:55Well, before we start that, may I have the stamps?
55:58Mm-hmm.
55:59Mm-hmm.
56:00Mm-hmm.
56:00Mm-hmm.
56:00Mm-hmm.
56:01Mm-hmm.
56:02Mm-hmm.
56:02Mm-hmm.
56:04Mm-hmm.
56:05Mm-hmm.
56:07Mm-hmm.
56:07Mm-hmm.
56:08Mm-hmm.
56:09Mm-hmm.
56:10Mm-hmm.
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