- 2 days ago
When an OSS officer returns to Italy to uncover the informer who cost lives of villagers, he unexpectedly finds out that his lover is alive and connected to the traitor.
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Short filmTranscript
00:00:11You
00:00:31THE END
00:01:16In 1944, German troops occupying northern Italy
00:01:20hunted day and night for American OSS men
00:01:24dropped by parachute to spy and sabotage.
00:01:27This is the story of Captain Kerry USA
00:01:31and the gallant Italian partisans
00:01:34who risked their lives to aid him.
00:01:51Hey, Serafina, how about that minestrone?
00:01:54Sì, sì, subito.
00:01:58After me, you come first.
00:02:08Serafina, Serafina, Serafina.
00:02:23Hi, let's live.
00:02:24Hi, let's live.
00:02:50Serafina, Serafina.
00:03:02Capitano, a German patrol.
00:03:05You must go.
00:03:06Thanks, Mario.
00:03:07Come on, Frank, let's get out of here.
00:03:09Will you tell the partisans to meet us here tomorrow night at the same time?
00:03:11Sì, Capitano.
00:03:12Hi, Serafina.
00:03:13Capitano, it would be better not to meet here.
00:03:16Mario, our boy is sick.
00:03:17Capitano, he does not sleep.
00:03:19He will hear.
00:03:20I'll be all right.
00:03:21Tell the partisans to meet the Dr. Lanati's.
00:03:23Capitano.
00:03:24Wait, wait.
00:03:27All right.
00:03:28Come on, Frank.
00:03:33Papa and I will bring the others.
00:03:42Momina, Momina.
00:03:44Sì, Pietro, sì.
00:03:45Vengo, vengo.
00:04:08Vengo, vengo.
00:04:13Vengo, vengo.
00:04:16Vengo, vengo.
00:04:19Vengo, vengo.
00:04:21Vengo, vengo.
00:04:23Vengo, vengo.
00:04:24Vengo, vengo.
00:04:24Vengo, vengo.
00:04:24Vengo, vengo.
00:04:25Vengo, vengo.
00:04:26Vengo, vengo.
00:04:28Vengo, vengo.
00:05:03My patrol's four and a half at night.
00:05:11Is it the hop?
00:05:13I hope so, baby.
00:05:14It ought to be, to fight that crowd courier put up for it.
00:05:19Get me a knife, Frank.
00:05:20The last step we grabbed was routine, but this looks like the McCoy.
00:05:27Catch.
00:06:02I'll see you.
00:06:03Group dispositions.
00:06:04Train schedules.
00:06:07Location of supply depots.
00:06:09You were lucky tonight.
00:06:10It's about time.
00:06:11First good holiday we've had in a month.
00:06:14Frank, you start encoding.
00:06:15I'll get the rest of the stuff.
00:06:22All right, come on, let's load up.
00:06:25What's so funny?
00:06:27Oh, I was just imagining Grandmother's face.
00:06:30You should find out that you discovered the room everyone has been looking for for 200 years.
00:06:34Well, I wouldn't find much, except a bunch of junk.
00:06:37Poor Nonna.
00:06:38According to a family legend, it's supposed to be very valuable.
00:06:41Hey, come on, baby.
00:06:41This thing's getting heavy.
00:06:47Get the map behind the pictures.
00:06:52Oh, Webb.
00:06:53Hmm?
00:06:55After we're married, how do you think this would look over our man, O'Keefe?
00:06:57What is it?
00:06:59A painting of our island.
00:07:01Over my dead body.
00:07:03If I ever get out of this, I don't want to see the Palazzo de Cresci again.
00:07:06After sleeping six months on a damp cellar floor, making an old man out of me.
00:07:10I could steal another blanket.
00:07:12I don't think Angelina would miss it.
00:07:14No sub, baby.
00:07:15You're taking too many chances already.
00:07:21How are you coming?
00:07:22Okay.
00:07:26Hey, hey, hey.
00:07:28You need some sleep.
00:07:29No, I'm all right.
00:07:30I'll help Frank Transley.
00:07:31Oh, no, you don't.
00:07:32You better take his advice, Julie.
00:07:34This cloak and dagger racket's tough.
00:07:37You're beat, baby.
00:07:38Taking care of your grandmother during the day and slipping down here at night.
00:07:41Come on, I'm going to convoy you upstairs.
00:07:43Only take a minute, Frank.
00:07:45Take one for me, too.
00:08:02Sure your grandmother still doesn't know we're down there.
00:08:04She hasn't been out of her room for weeks.
00:08:06Ever since we heard that Carla disappeared in Rome, it almost killed her.
00:08:12Lots of people disappear these days.
00:08:14Show up again.
00:08:15But you don't understand what my brother meant to her.
00:08:18You see, Carla was the last male degree.
00:08:21I'm only a girl.
00:08:24My girl?
00:08:27How do you say, Natalia?
00:08:29Te amo tanto.
00:08:31Te amo.
00:08:33Tanto.
00:08:38Good night.
00:08:40Good night.
00:08:41Good night.
00:08:42Good night.
00:10:47Wait.
00:10:50German soldiers.
00:11:08You're right.
00:11:08Somebody told them.
00:11:10Write down the code.
00:11:11Use plain language.
00:11:12Ready?
00:11:13All Allied stations.
00:11:15Relay is 6X3Y.
00:11:17Cobra 9.
00:11:17Tell them our closing shop.
00:11:18We've been betrayed.
00:11:20Repeat betrayed.
00:11:21Is that it?
00:11:22Right.
00:11:26Here, here is this.
00:11:33There's a suit.
00:11:58Julie, go back after your grandmother.
00:12:01The Germans ask you don't know a thing.
00:12:02Stick to it.
00:12:04No, I'm staying.
00:12:06No, baby.
00:12:11Go on.
00:12:26Keep your fingers crossed.
00:12:27They don't find it.
00:12:28Why should they?
00:12:29It's been sealed up for over 200 years.
00:12:31Nobody knows but the three of us.
00:12:32Yeah, and the guy who gave us away.
00:12:38Bill!
00:12:42Will!
00:12:50Will!
00:12:54Raise them up!
00:12:57Will!
00:12:58Will!
00:13:00Will!
00:13:01Will!
00:13:02Where are you?
00:13:07Joey!
00:13:10Joey.
00:13:13Joey.
00:13:34Joey.
00:13:42I had a long talk with my father last night.
00:13:45I told him that I was in love and you weren't.
00:13:48He said he felt the same way about my mother after he came back from his war.
00:13:52And what you need is a job.
00:14:00You know what I'm going to buy you for your birthday?
00:14:02I'm going to buy you a book on sign language.
00:14:04Then you won't have to talk at all.
00:14:06I'm sorry.
00:14:06We'll hang it in the morning.
00:14:08Live with it a while and be sure you're satisfied.
00:14:10Oh, I'm sure we will.
00:14:15Yes, sir?
00:14:16About that painting in the window.
00:14:18The Plaza de Cresci.
00:14:19I see you know Italian history.
00:14:21More recent Italian history.
00:14:22Where did it come from?
00:14:23It's part of a shipment of newly discovered Italian masters.
00:14:28We think we're extremely fortunate.
00:14:32The Italian government doesn't usually allow treasures like this to leave the country.
00:14:42An outstanding work by Bellini.
00:14:45In his time, the de Cresci were the ruling family in northern Italy.
00:14:49Last week we refused an offer of $30,000 from a museum.
00:14:53$30,000 for that little painting?
00:14:55The Italian government won't let you take treasures like this out of the country.
00:14:58Where'd you get it?
00:15:00From our agents in Switzerland.
00:15:02Where'd they get it?
00:15:04I beg your pardon, sir.
00:15:06Are you an accredited art dealer?
00:15:08No.
00:15:09Then I'm sorry.
00:15:10I'm afraid I can't give you any further information.
00:15:13Excuse me?
00:15:14What's this all about?
00:15:15Why are you so interested in this painting?
00:15:17Because two people died and I spent three years in the hospital.
00:15:21And because you won't have to worry about getting me a job.
00:15:23I've got one.
00:15:25What kind of job?
00:15:27Finding the man who sold this painting.
00:15:29But why?
00:15:32Because I'm going to kill him.
00:16:00Maybe I can be.
00:16:19I can get you.
00:16:21I can be.etic,
00:16:25be. I can
00:16:25look at theseinarybones.
00:16:33Buongiorno, signore.
00:16:34Buongiorno.
00:16:35The signore wishes to register?
00:16:38No, I'll...
00:16:39I'll register later.
00:16:43Give me a room.
00:16:44Va bene, signore.
00:16:59Ssshh.
00:17:00Questa è la musica.
00:17:01Ssshh.
00:17:02L'americano.
00:17:03Ssshh.
00:17:03È l'americano, è l'americano.
00:17:07Ssshh.
00:17:09Ssshh.
00:17:10Ssshh.
00:17:11Ssshh.
00:17:12Ssshh.
00:17:20Ssshh.
00:17:21Ssshh.
00:17:23Sshh.
00:17:24Come on, come on, come on.
00:17:54Hello, Luigi. Remember me?
00:17:58American.
00:18:03It's yours.
00:18:06How much did you throw me to that island?
00:18:11Fifty.
00:18:15All right, a hundred.
00:18:28You don't seem overjoyed to see me.
00:18:35You were once.
00:18:54You were once.
00:19:09The signore desidera?
00:19:11I'd like to see the head of the house.
00:19:12The palazzo is not open to tourists, signore.
00:19:15I'm not a tourist.
00:19:22I'd like to talk about a painting.
00:19:34You will wait here, please.
00:19:59I beg your pardon.
00:20:00I'm Webster Carey.
00:20:02I'm Carla de Cresci.
00:20:06You don't look like her.
00:20:08I don't look like who?
00:20:10Your sister, Julie.
00:20:12Contessa will receive you now, signore Carey.
00:20:21Good afternoon, Mr. Carey.
00:20:24Contessa.
00:20:25You wish to see me about a painting?
00:20:27Yes, a bellini.
00:20:29This is a photograph of it.
00:20:32Remarkable.
00:20:35It is our island,
00:20:37but as it was many years ago.
00:20:39Have you ever seen that before?
00:20:42No, Mr. Carey.
00:20:44Why should I have?
00:20:45Because it's one of a half a dozen paintings
00:20:47that Frank, your granddaughter, and I
00:20:50discovered one night
00:20:51while we were trying to find a place
00:20:52to hide our equipment.
00:20:53Oh, you are one of the Americans
00:20:55who hid here.
00:20:57It was quite a shock to learn
00:20:59that this palazzo was being used
00:21:00as your headquarters.
00:21:01Now, when did you find out
00:21:02that we were hiding in your cellars, Contessa?
00:21:04After the raid, of course.
00:21:06But what is all this to do with the painting?
00:21:08Because nobody knew about the existence
00:21:09of that hiding place
00:21:10except the three of us
00:21:11and the guy who betrayed us.
00:21:13All I've got to go on
00:21:15is that he must be the one
00:21:15who took the painting
00:21:16and smuggled it out of the country.
00:21:18I'm going to find him.
00:21:22Why, Mr. Carey?
00:21:24Because he's the one
00:21:25who's responsible for the death of...
00:21:33Julie?
00:21:40Julie?
00:21:43Wait.
00:21:48I...
00:21:49I can't believe it.
00:21:54I thought you were dead.
00:21:59What's the matter, Julie?
00:22:01Aren't you glad to see me?
00:22:03Well, this is my husband,
00:22:05Baron Rocco de Graffi.
00:22:08Yes, Mr. Carey.
00:22:09Julia, will you leave us, please?
00:22:11No, Rocco.
00:22:12I think I...
00:22:13I will explain to Mr. Carey.
00:22:15Now, please do as I say.
00:22:23Julie.
00:22:27I'm sure you don't want to embarrass my wife.
00:22:30I know how she felt about you.
00:22:31She has told me herself many times.
00:22:33How she was a romantic, impressionable child,
00:22:37swept off her feet
00:22:38by the heroic young American from the sky.
00:22:41About the secret hiding places,
00:22:43the clandestine meetings.
00:22:44Well, she laughs about it now,
00:22:45but I...
00:22:46You don't have to go on.
00:22:47Please don't blame Julie.
00:22:48Skappa, will you?
00:22:49About the painting, Mr. Carey.
00:22:51You say it is valuable.
00:22:53What are we to do?
00:22:57When you lose something you thought was valuable?
00:23:01I don't know, Contessa.
00:23:03Bleed a little.
00:23:04Forget it, I guess.
00:23:06But, Mr. Carey...
00:23:14I'm afraid I offended him.
00:23:25Hey, Capitano!
00:23:27Un momento, Capitano!
00:23:29It is you!
00:23:31Dr. Lanati.
00:23:33My captain!
00:23:34The lads are risen from the dead.
00:23:36Am I the first to greet you
00:23:38in the name of the partisans?
00:23:40Per Baco!
00:23:41You're looking good, baby.
00:23:42Come.
00:23:42We will ride across together
00:23:44and exchange case histories.
00:23:46I've been attending
00:23:47one of the DeCresci servants.
00:23:49A fascinating case.
00:23:51Kruf.
00:23:53Cigarette?
00:23:54No, thanks.
00:23:55Say, tell me,
00:23:56how did you escape?
00:23:58Pass you troops.
00:23:59I captured the hospital train I was on.
00:24:01I raised it more easily.
00:24:03I was in Milano
00:24:04in the raid cave,
00:24:05so I stayed there.
00:24:06What are you doing now?
00:24:07You're no longer a soldier.
00:24:09Are you married?
00:24:09What brought you back?
00:24:10I'm a civil engineer
00:24:11without a job.
00:24:12And I'm not married.
00:24:16I don't know exactly
00:24:17what did bring me back.
00:24:18Was it to find the traitor?
00:24:20It was a general idea.
00:24:22As a doctor,
00:24:23let me tell you this.
00:24:25Vengeance cures nothing.
00:24:27It wasn't for myself.
00:24:29For Frank.
00:24:31Betrayal was an occupational hazard
00:24:33with the OSS.
00:24:35It was for Julie.
00:24:37Julie is not dead.
00:24:40That depends on your point of view.
00:24:43Adios, Luiz.
00:25:08Some American girl
00:25:09will mend your heart.
00:25:10You will become married
00:25:12and have 20 children.
00:25:15Say, we should drink a toast to this,
00:25:17but I got many calls to make.
00:25:19Later?
00:25:20Sure.
00:25:21Splendid.
00:25:52Where is everybody?
00:25:54They do not want to meet you, Senor Webb.
00:25:57Why?
00:25:58You brought death once. You might bring it again.
00:26:01What do you mean?
00:26:04Twenty-seven men.
00:26:06Twenty-seven men lined up against the wall and shot the night war captured.
00:26:14Their families think you betrayed them.
00:26:17You are alive, Senor. Their men are dead.
00:26:19The Germans said it was reprisals for our having helped you.
00:26:25Who betrayed us?
00:26:27Everyone in their village knew his name.
00:26:29Look.
00:26:32Who was it?
00:26:34My son, Mario.
00:26:37Mario didn't know our hiding place?
00:26:39The people did not believe him.
00:26:41They drove him through the streets with pitchforks.
00:26:43They beat him to death and left him hanging for seven days.
00:26:47Why did they think he was guilty?
00:26:49The evening before the raid, he delivered the message to a fascist officer.
00:26:53From whom?
00:26:54The betrayer, Senor. The betrayer.
00:26:56Who was it?
00:26:57They did not let my Mario talk.
00:27:00You must help me.
00:27:02You must find who sent us message.
00:27:04Please, Senor, help me. Help me.
00:27:07Only Mario knew.
00:27:10He's dead now.
00:27:12There's nothing I can do, Luigi.
00:27:16Capitano.
00:27:19You did not use to talk so.
00:27:26Do you remember, Capitano, the tune of the partisans?
00:27:29It was our fight then, yours and mine and Mario's.
00:27:32What can I do, Luigi?
00:27:35Mario's dead and all he can use now is a prayer.
00:27:37What is wife and child?
00:27:39Serafina and little Pietro is bigger now.
00:27:41The son of a traitor.
00:27:45You told Dr. Nunati about the painting.
00:27:47I can tell you more about paintings and other things, too.
00:27:51It doesn't matter now, Luigi.
00:27:53Not to me.
00:27:56Then it is really so.
00:27:57I could not believe my ears.
00:28:00You are welcome once again, Senor Webb.
00:28:02I prepared a room for you.
00:28:04Unfortunately for the bed, there is no hot water.
00:28:06Our tank is broken and since the war...
00:28:09It's all right, Sando.
00:28:10I took a bath before I left home.
00:28:11All I need is my key.
00:28:14Si, Senor.
00:28:18Number seven.
00:28:19Our bathroom.
00:28:21Tell him to stop.
00:28:22It's getting on my nerves.
00:28:22But he's playing it for you.
00:28:24Our danger signal.
00:28:26Tell him to play something else.
00:28:27The danger's over.
00:28:29Who knows, Capitano?
00:28:32Mr. Carey.
00:28:34May I please have a word with you?
00:28:44Being back here must be quite exciting for you.
00:28:47Yes, it is.
00:28:48Meeting all your old friends.
00:28:52Most of them are dead.
00:28:54I'm point to mess.
00:28:55I'll take the same, please.
00:28:59I spent most of the war in Switzerland.
00:29:02No, thank you.
00:29:03Diplomatic service.
00:29:04I couldn't join you here in the fight.
00:29:07You were privileged.
00:29:08I was drafted.
00:29:11Uh, interesting story you told us this afternoon.
00:29:15I'm glad you liked it.
00:29:16The decresces had nothing to do with the sale of the picture, I assure you.
00:29:20Julia told us about the paintings, but we found the chamber empty when we returned to the palazzo after the
00:29:25war.
00:29:26Well, this is the first thing we've heard of their value.
00:29:29Of course, we'd like to recover them and...
00:29:32I'm not stopping you.
00:29:34Matter of fact, I've lost all interest in the paintings.
00:29:36And if you...
00:29:43And if?
00:29:45And if you want the truth, I have no interest in this town or the palazzo or the people in
00:29:50it.
00:29:51Including your wife.
00:29:53That's what you want to hear, isn't it?
00:29:56Yes, Mr. Carey.
00:29:58War does strange things to people.
00:30:00It has hurt you.
00:30:02It has given me a chance to be happy.
00:30:05I know very well it might have been the other way.
00:30:09Let's blame it on the Germans.
00:30:12Good luck.
00:30:46I wanted to leave without seeing you again.
00:30:49I'm leaving on the bus for Milan.
00:30:51When?
00:30:53After midnight?
00:30:54But tell me you want me to stay.
00:30:57No, Webb, I want you to leave, but as a friend.
00:30:59That's why I came here.
00:31:01We must be truthful with each other.
00:31:02There are a thousand questions.
00:31:04Questions?
00:31:05There's one question I'd like to ask, one I can't answer.
00:31:08Are you happy?
00:31:10I'm trying.
00:31:12Well, that's a good answer.
00:31:13I'll do the same.
00:31:14I promise I'll try as hard as I can.
00:31:17Webb, why did you come back?
00:31:19Now you've got me on the spot.
00:31:22I came back to avenge your death, I guess.
00:31:26A man with a grudge who comes back to subtle old scores.
00:31:30Or maybe the picture of the island was a Roman candle out of the past.
00:31:36Or maybe I like spaghetti.
00:31:38Take your pick, Baronessa.
00:31:39Can we talk like friends?
00:31:41What do you want from me?
00:31:41A wedding present?
00:31:42All I want is that you understand.
00:31:44Is that asking too much?
00:31:46The night of the raid, the last thing I remember was you on the floor.
00:31:50When I woke up, I was in a concentration camp with Grandmother.
00:31:53We were there for months.
00:31:54I kept asking for you day and night.
00:31:56She told me you were dead.
00:31:57I wouldn't believe her.
00:31:59Then one day they let us go.
00:32:01We made our way to Switzerland.
00:32:06Rocco was there.
00:32:08I'd known him ever since I was a little girl.
00:32:10He used to visit us during the war.
00:32:13Grandmother had always wanted me to marry him.
00:32:15And you did?
00:32:17No, not then.
00:32:18I had the crazy hope I'd hear from you.
00:32:22Then when we came home after the war,
00:32:25I found this in the cellar.
00:32:26The same Christopher I'd given you.
00:32:29Then I knew you were dead.
00:32:32I have it back.
00:32:38Have you still got that little cross I gave you?
00:32:50If...
00:32:52If anyone asks me where I got this, I'll say
00:32:55I'm a friend.
00:32:58A friend who died in the war.
00:32:59You can say the same.
00:33:06Okay.
00:33:10Okay.
00:33:33Peace, it's wonderful.
00:34:06name.
00:34:06See you in the?
00:34:08Whatever you got here,
00:34:15you still need to ask them at the bathroom.
00:34:28Here is my honour here.
00:34:29I swear to Barnes &vantage.
00:34:29Oh, my God.
00:34:59Oh, my God.
00:35:29Oh, my God.
00:35:31Giovanni!
00:35:32Giovanni!
00:35:33Help me!
00:35:35Well, when they called him, the poor guy was dead.
00:35:38Dr. Lunati tells us the death was almost instantaneous.
00:35:41The weapon used is an OSS knife.
00:35:43See?
00:35:44Yes, we...
00:35:48I'll use them during the war.
00:35:49I used mine to prune the trees until I lost it.
00:35:52Well, I don't have anything to do.
00:35:53Thank you, doctor.
00:35:54Sandra!
00:35:55Yes, sir.
00:36:15Yes, sir.
00:36:17Yes, sir.
00:36:17Yes, sir.
00:36:23Yes, sir.
00:36:25What do you think?
00:36:25Well, it was me.
00:36:27It was Giovanni.
00:36:29It was Lucia.
00:36:31It was...
00:36:32Un momento.
00:36:36Thank you, signor Barone.
00:36:42The commode.
00:36:46Ah.
00:36:47Who else?
00:36:48And Barone De Graffi.
00:36:51And...
00:36:53The...
00:36:54Eh?
00:36:55Who else?
00:36:55Well, no.
00:36:57The...
00:36:57Baroness De Graffi.
00:36:58She came through the court.
00:37:00She wanted to talk to signor Webb.
00:37:02That's right, but she left before the screen.
00:37:04You know why Luigi came to see you, signor Carey?
00:37:08No, I don't.
00:37:09Until we find out, I must request you to remain in the village.
00:37:13Don't worry.
00:37:16Nothing could drive me away now.
00:37:35I've been waiting for you.
00:37:38Any new developments?
00:37:39They want me to stay here.
00:37:40Just what I thought.
00:37:42Listen, baby.
00:37:45I am going to Milano today.
00:37:47I know a lawyer.
00:37:49Thanks, but I've decided to hang around for a while.
00:37:52I recognize that knife.
00:37:54It was Frank's.
00:37:55I knew by the initials.
00:37:57There could be a dozen explanations for that.
00:38:00I'll play the odds, and the odds are that whoever found that painting found the knife.
00:38:05The betrayer and Luigi's kill are one and the same.
00:38:08Even if you are right, how are you going to find him?
00:38:12Luigi suspected somebody.
00:38:13Ah, Luigi is dead.
00:38:16If the son's wife isn't, she must know about something.
00:38:19Serafina?
00:38:21Don't be foolish, baby.
00:38:23If she knew, she would have shouted it from the rooftops long ago.
00:38:27Take my advice.
00:38:29Leave the past alone.
00:38:31Go away and leave these people with their grief.
00:38:34Last night, Luigi said there were 28 dead men demanding justice.
00:38:38Another 29.
00:38:39Be careful, sweetheart.
00:38:42The list would become 30, huh?
00:38:43Ciao.
00:38:43Go.
00:38:49Go.
00:38:50Go.
00:38:50Go.
00:38:50Go.
00:38:51Go.
00:38:51Go.
00:38:51Go.
00:39:51Tutti fuori.
00:39:53Ripeto, venite fuori.
00:39:58Oh, vergogna di voi, mi sembrate dei ragazzacci.
00:40:03Il signor cari e amico mio.
00:40:08I don't know what you're doing.
00:40:11Andate a casa.
00:40:13Andate.
00:40:14Don't fuck it, shayla.
00:40:16Andate a casa.
00:40:20Good morning, contestant.
00:40:23Thanks a lot.
00:40:24I don't seem to be too popular around here.
00:40:27They believe you bring bad luck.
00:40:29They are like children.
00:40:31Please forgive them.
00:40:35You won't be molested anymore.
00:40:37I have a certain influence.
00:40:39Oh, thanks, but don't bother.
00:40:41I have some unfinished business.
00:40:44I'm a little stubborn by nature.
00:40:47Aren't you wasting your time?
00:40:48What do you mean?
00:40:51Giulia was very young when you hit in the balazzo.
00:40:54Young girls form romantic attachments very quickly.
00:40:58Now she's grown up and happily married.
00:41:02I'm sure.
00:41:04Barone de Greffi has a most distinguished political career before him.
00:41:08And a marriage binds two houses of strength and marriage.
00:41:12This is the proper arrangement of things.
00:41:16A sort of mathematical equation.
00:41:18I realize that isn't so in America.
00:41:21No, ours is a little more chemical.
00:41:24A girl picks her own husband.
00:41:27By experiment, Mr. Cari.
00:41:30I wish you good luck.
00:41:31And a pleasant trip home.
00:41:49Signore.
00:41:52Ask Serafino about the man with the bare feet.
00:42:23Hello.
00:42:27Pietro.
00:42:49I don't want to kill him, but I will if you don't.
00:42:52Killing, that's what you are like.
00:42:53First my husband, now Luigi.
00:42:55Murder is all of you.
00:43:05Come to sunny Italy and have the time of your life.
00:43:09Serafina, don't you remember me?
00:43:11Si, you are l'Americano. Go away.
00:43:13But I want to talk to you about Mario.
00:43:16I have nothing to talk.
00:43:18But I'm your friend.
00:43:19I don't believe he was guilty.
00:43:21Please trust me.
00:43:23I trust no one. Go.
00:43:24Or I'll turn the dog loose.
00:43:28All right.
00:43:30Now when Pietro asked why he had to grow up a traitor's son,
00:43:34tell him you wouldn't talk to the American.
00:43:38Per favore, Capitano.
00:43:41Please.
00:43:45I'm sorry.
00:43:47It's all right, Serafina. I understand.
00:43:50Four years, they treat us like criminals, Pietro and me.
00:43:54When I send Pietro to school, he comes home covered with blood.
00:43:58The other children, they stone him.
00:44:01Now Luigi is dead, no friend left.
00:44:04I am Serafina.
00:44:07Would you mind if I ask you a few questions?
00:44:10What do you want to know?
00:44:12Luigi was killed because he was going to tell me something.
00:44:15Do you know what it was?
00:44:15I do not know.
00:44:17Did he say anything about a painting?
00:44:19Painting?
00:44:19Think hard. It's very important.
00:44:21No.
00:44:22They say Mario delivered a message to a fascist officer.
00:44:24That is a lie.
00:44:26Mario hated the fascisti.
00:44:27He was not traitor.
00:44:29I know that.
00:44:30The one who gave him the message was the traitor.
00:44:33Who was Mario with before he left?
00:44:36I do not know.
00:44:37Sandro?
00:44:38Linati?
00:44:40One of the partisans?
00:44:41You've got to remember.
00:44:43I do not know.
00:44:45Listen, Serafina, you've had four years to think about this.
00:44:48You must suspect someone.
00:44:50Someone in the village?
00:44:52No one in the village.
00:44:54In the palazzo?
00:44:57Don't be afraid, Serafina.
00:44:58If you don't tell me, I can't help you.
00:45:08Julie, how did you know I was here?
00:45:09Dr. Linati told me.
00:45:11I wanted to hear what Serafina had to say.
00:45:13I say nothing.
00:45:15Not to her.
00:45:15Wait a minute, Serafina.
00:45:16You can trust Julie.
00:45:17She believes Mario's innocent.
00:45:18Remember, she was betrayed too.
00:45:20Fascisti.
00:45:21Everyone in palazzo.
00:45:22Don't be unjust.
00:45:24I know that you suffered more than anyone else, but so is Julie and her family.
00:45:27They were in a concentration camp.
00:45:29But they get out.
00:45:29They were not touched.
00:45:30I tell you why.
00:45:31Because of her brother.
00:45:33We were fighting.
00:45:34He was in Germany.
00:45:35It is truth, Oscar.
00:45:36Yes, it is true.
00:45:37He was in Germany.
00:45:38A German prisoner condemned to death.
00:45:40But they do not kill him.
00:45:41They kill others, not you and your family.
00:45:43You are black.
00:45:43You are rich.
00:45:44Serafina, we weren't all killed.
00:45:46You're alive.
00:45:47So am I.
00:45:47And all this gossip.
00:45:48Then why do the fascistian people from black market come to the palazzo in secret at night?
00:45:51That's not true.
00:45:52Last month, I see a man.
00:45:54Luigi rode across the lake in his barca.
00:45:56I don't know what she's talking about.
00:45:58Where did this man come from?
00:46:00Luigi, say, from Milano.
00:46:02He stayed at the albergo, the hotel.
00:46:04Remember what day that was?
00:46:06Si, signore.
00:46:07It was day after Pietro's feast day.
00:46:11The 30th of June.
00:46:13Si, baronessa.
00:46:15That's at night nine I had one of her attacks.
00:46:17We were all up until dawn.
00:46:18If there had been a visitor, I would have seen him.
00:46:20How long did he stay at the palazzo?
00:46:22One hour.
00:46:23He come back with bundle.
00:46:24What did he look like?
00:46:25I see only his back.
00:46:28One more question, Serafina.
00:46:30Did he wear shoes?
00:46:33Shoes?
00:46:34I do not look.
00:46:37Thanks a lot.
00:46:38I'll see you later.
00:46:49So your brother was imprisoned.
00:46:51I didn't know that.
00:46:52Yes.
00:46:53Why did they condemn him to death?
00:46:55Political reasons?
00:46:57Yes.
00:46:58I see.
00:47:00Webb, I won't have you suspecting me nor my family.
00:47:03It's not true what Serafina told you.
00:47:05Well, now, wait a minute, Julie.
00:47:06I'll find it out in Milan.
00:47:08I'm going to Milano with you.
00:47:10Well, that's fine.
00:47:11I'm sure your husband will like that, especially after our meeting last night.
00:47:14He'd like it even less if he knew that people are suspecting us of secretly entertaining black marketeers or traders.
00:47:21No sale, Julie.
00:47:23This time, I'm dealing you out.
00:47:25You can't.
00:47:26I'm in this already even more than you.
00:47:28And if you won't let me be with you and help you, I'll go after the betrayer alone.
00:47:33All right, little Lord.
00:47:36You'd better go to the island and make some excuse.
00:47:39In the meantime, I'll try and find out who stayed at the hotel on June 30th.
00:48:11I'll try and find out who stayed at the hotel on June 30th.
00:48:12And if you're on the road on the left side, you will have the opportunity of admiring a beautiful panorama.
00:48:18Thank you very much.
00:48:20Sandra, if anybody asks for me.
00:48:21Shh.
00:48:30Who is it?
00:48:31The police.
00:48:36Give me your register for June.
00:48:37The 30th of June.
00:48:38Why, Capitano?
00:48:40Your silly question gives a silly answer.
00:48:42Oh, that's a tough one.
00:48:47June 13th of Jupiter.
00:48:54We're busy that day.
00:48:59A lot of tourists from the land.
00:49:13When the Baroness had to grab the ass for me, he told her to meet me to Serafina's.
00:49:16Si, Signore.
00:49:18I'll have my lunch in my room, Sandro.
00:49:21And don't disturb me this afternoon.
00:49:22I want to take a nap.
00:49:23A nice long one.
00:49:25Signore.
00:49:31Be careful.
00:49:33It's loaded.
00:49:52It's loaded.
00:49:59You will see, Capitano, our cuisine just the same.
00:50:04That's what you would call, uh, hatsi-catsi.
00:50:08Uh, spaghetti, milo piccata.
00:50:14Uh, no zucchini.
00:50:23I will serve everything myself, personally.
00:50:27Oh, sit down, Capitano.
00:50:28Sit down.
00:50:29I will close the door.
00:50:31Si, Signore.
00:50:32Uh, I hope you enjoy your meal, Capitano.
00:50:37Ah, see.
00:50:43Webb, have you already made up your mind?
00:50:46Is the verdict guilty?
00:50:48I haven't taken a ballot yet.
00:50:50Serafina has.
00:50:52Sure, but Serafina's doesn't make sense.
00:50:56She doesn't know you.
00:51:02What are you smiling about?
00:51:05I was just thinking how much like old times this is.
00:51:10You remember the stolen Italian staff car and the English one?
00:51:15Captain Riley, disguised as a priest.
00:51:18And the ride we have through the mountains.
00:51:21Who is I supposed to be?
00:51:24Oh, yes.
00:51:25General Battelli's daughter.
00:51:27And I was your fiancée.
00:51:28Poor Captain Riley.
00:51:30He was so afraid he'd have to marry us.
00:51:36Better talk about the weather, Baroness.
00:51:59Well, I had to buy something to make him talk.
00:52:01Empty, I hope.
00:52:03The guy got scared to death when I asked him why he spent the night of June 30th at Sandro's
00:52:07Inn.
00:52:08Seems he forgot to tell his wife.
00:52:11You had the strangest assortment of people visit that village of yours.
00:52:14And they all wore shoes.
00:52:17Take that thing off.
00:52:18You bothered?
00:52:29Well, can't we stop this wild goose chase?
00:52:33Everybody in the village knows the blind man's a little crazy.
00:52:36And how do you know that Serafina hasn't dreamed all this about the man from Milano?
00:52:39Because she doesn't sleep that well anymore.
00:52:43I will soon find out there are three names left.
00:52:46Manfredo or Cuto via San Mario 32.
00:52:49I hope he's a junk dealer.
00:52:52Let's hope he's not a dentist.
00:52:57I wonder what his racket is.
00:53:09Hey, you.
00:53:11Where's Senor Acudo?
00:53:13What'd he say?
00:53:15I suppose you'd call it vulgar advice.
00:53:33Must be out to lunch.
00:53:44Continuate.
00:53:45Prima.
00:53:49Uno.
00:53:52Due.
00:53:53Tre.
00:53:54Quattro.
00:53:55Atento, stupido.
00:53:57Stupido.
00:53:59Never rains.
00:54:07Desidera?
00:54:08Are you Senor Acudo?
00:54:10Si, Signore.
00:54:11I'm William Carter.
00:54:13You speak English?
00:54:14Oh, si, Signore.
00:54:16Acudo's acrobats have played all over the world.
00:54:18In Switzerland, France, England, America.
00:54:20What can I do for you?
00:54:22He's thinking of booking the act, aren't you, darling?
00:54:25Oh, good, good.
00:54:26Permit me to present to you the Forcellini brothers.
00:54:30And Brutus.
00:54:33Brutus has the most muscles in Milano.
00:54:38Brutus!
00:54:57Tell him to stop.
00:55:01Pull up long or something.
00:55:03But, Signore, Brutus has the most muscles in Milano.
00:55:09What about the auditions, Signore?
00:55:11Audition for the lady.
00:55:12The audition can wait until you've spoken with Signora Couto.
00:55:16Well, as you wish, Signora.
00:55:18Considuate.
00:55:19Prego.
00:55:24I understand you can help me, Mr. Couto.
00:55:25Oh, si, Signore.
00:55:27Couto's acrobats are the finest in the whole world.
00:55:29Well, I'm not interested in acrobats.
00:55:30I want to talk about paintings.
00:55:33Paintings?
00:55:33Some old masters I bought.
00:55:35But I can't seem to get permission from the Minister of Fine Arts to take them out of the country.
00:55:40That is very interesting.
00:55:41But why do you come to me?
00:55:43Well, acrobats traveling from country to country.
00:55:46And, well, I was told that you could assist me in getting them out.
00:55:50For a slight consideration, of course.
00:55:54But that is not true, Signore.
00:55:56Who tell you this?
00:55:57A mutual friend.
00:55:58He seemed to have had a similar problem with a Bellini in Belmonte.
00:56:02Belmonte?
00:56:04Belmonte?
00:56:05So, I'm afraid I'm not even acquainted with anyone there.
00:56:09May I refresh your memory?
00:56:10You met him at the Palazzo on June 30th.
00:56:14June 30th?
00:56:15Belmonte?
00:56:16Ah, yes, of course I remember now.
00:56:19I tried to get an engagement for my boys at the festival, but...
00:56:22I was not at the Palazzo that night.
00:56:24Don't you think you're wasting Signora Couto's time as well as you are?
00:56:28You said you were not at the Palazzo that night?
00:56:31How did you know it was night? I didn't say so.
00:56:34Well, I...
00:56:36I tell you, Signor Carter, I know nothing about this business.
00:56:39You're lying, Acuto.
00:56:40No, Signore.
00:56:40You were seen leaving the Palazzo. The boatman recognized you.
00:56:43That is not true, Signor Carter.
00:56:44You stole that painting.
00:56:45No, Signore.
00:56:46You stole that painting and killed Luigi.
00:56:48I think...
00:56:48Luigi, I...
00:56:50Signore, I do not know what you're talking about.
00:56:52Oh, no.
00:56:54Wait.
00:56:55Signore, you are making a big mistake.
00:56:57I do not kill anybody.
00:56:58I am not a murderer.
00:56:59I smuggle a painting, yes, but I did not steal it.
00:57:02Robert.
00:57:03Benissimo.
00:57:04I will get you a copy of the receipt I made out.
00:57:10Come impossibile.
00:57:12Io un assassino.
00:57:17I know I should have dealt you out.
00:57:39What's eating?
00:57:49Hey, Acuto.
00:57:58Where?
00:57:59Is he...
00:58:00dead?
00:58:01That's the way I'd vote.
00:58:02With another OSS knife.
00:58:06That receipt's gone.
00:58:08Somebody beat us to it.
00:58:10He's calling the police.
00:58:39Excuse me.
00:58:46I have to get back to the hotel before they depend this on me.
00:58:49You take the car.
00:58:50Go on.
00:58:51I'll get back somehow.
00:59:24I'll get back.
00:59:35Lucky you happen along.
00:59:39How come?
00:59:41I told you this morning I was going to Milano to find a lawyer.
00:59:45My cousin was out.
00:59:48What were you doing in Milano?
00:59:50Looking up some people.
00:59:52Any luck?
00:59:53A little.
00:59:55Tell me, baby.
00:59:57What do you do now?
00:59:59Get back to my hotel room.
01:00:01And then?
01:00:03I don't know.
01:00:05What would you do?
01:00:06I'd get drunk.
01:00:08Maybe I will after I take a look at our old hiding place in the palazzo summer.
01:00:12For what?
01:00:13I left some OSS knives there.
01:00:16But they're gone now along with the paintings.
01:00:19So they tell me.
01:00:21But if some of those paintings are still there, then somebody's lying straight down the line.
01:00:26Somebody's lying?
01:00:27Who?
01:00:28Who?
01:00:30You guess.
01:00:33I'll wait and see.
01:00:58Tenente Cristoldi, PolicÃa de Milano.
01:00:59Have you a cliente Americano in El Bergo?
01:01:01Yes, Tenente.
01:01:05Webster Carey, New York.
01:01:06Webster Carey?
01:01:08Why, I know him.
01:01:09He came to see me at the consulate a couple of days ago.
01:01:11He wanted some information regarding the export of paintings.
01:01:14Our man called himself William Carter.
01:01:16Same initials.
01:01:17Oh, that doesn't prove a thing.
01:01:18And your mysterious phone tip was probably from the murderer himself trying to throw you off the track.
01:01:23Possibly.
01:01:24Is Mr. Carey in?
01:01:25He was here all day.
01:01:26Am I right, Lieutenant?
01:01:28You can't be sure, Mr. Simmons, there will be no arrest without definite proof.
01:01:31What room?
01:01:33I'll show you.
01:02:23Here he comes. Turn out the lights.
01:02:25That's it.
01:02:49Let's go.
01:03:18Let's go.
01:03:21Let's go.
01:03:23Sia.
01:03:24Sì, sergente.
01:03:25Hai visto l'americano?
01:03:26No.
01:03:27Che cosa vuole con l'americano?
01:03:29Lascelo andare.
01:03:30Come lascelo andare?
01:03:31Let's go.
01:03:41Let's go.
01:03:42Let's go.
01:03:44Let's go.
01:03:50Let's go.
01:04:03Let's go.
01:04:28Let's go.
01:04:29Let's go.
01:04:30Let's go.
01:04:30Let's go.
01:04:33Let's go.
01:04:57Let's go.
01:05:27Let's go.
01:05:29Let's go.
01:05:30Let's go.
01:05:30Let's go.
01:05:42Let's go.
01:05:57Let's go.
01:06:00Let's go.
01:06:06Let's go.
01:06:10Let's go.
01:06:15Let's go.
01:06:24Let's go.
01:06:29Let's go.
01:06:33Let's go.
01:06:33Let's go.
01:06:41Let's go.
01:06:44Let's go.
01:06:53Let's go.
01:06:53You were how?
01:06:55Julie.
01:06:56Julie betrayed us?
01:06:58How baroni don't think I am going to swallow that one.
01:07:01It is true.
01:07:04That she'll have to tell me herself.
01:07:06She will.
01:07:09Let's go.
01:07:49Ma'amina, ma'amina.
01:07:55Greffi, l'americano.
01:07:57Giulia de Greffi, la traditrice?
01:08:03Si, mamma.
01:08:19La traditrice?
01:08:42How are you, Mr. Carey?
01:08:43Fine, thanks.
01:08:45Where is Julie?
01:08:47I'll tell her you're here.
01:08:48Carlo, get Mr. Carey a drink.
01:08:52Won't you sit down?
01:08:56Thanks.
01:08:58I'll, um, I'll get you a drink.
01:09:12Water or soda, Mr. Carey?
01:09:14Doesn't matter.
01:09:40Pietro udì il barone dire all'americano che fu sua moglie la traditrice.
01:09:45E poi andarono al palazzo.
01:09:47Giulia de Greffi?
01:09:48La baronessa Giulia ha detto il messaggio a Mario.
01:09:50Mario!
01:09:51Justizia!
01:09:52Algo, algo, algo, algo, algo, algo, algo, algo, algo, algo.
01:09:55Aspettate.
01:09:56Pietro.
01:10:06Argo, algo, algo, algo, algo, algo, algo.
01:10:13Algo, algo, algo, algo, algo, algo, algo.
01:10:29THE END
01:11:07THE END
01:11:23I DON'T BELIEVE IT
01:11:24YOU MUST
01:11:25WHY WOULD YOU BETRAY US?
01:11:27THE POLICE MAY BE ANY MINUTE
01:11:28TELL HIM
01:11:32YOU REMEMBER THE NIGHT
01:11:33I WENT TO MELANO
01:11:34I TOLD YOU THAT I WAS
01:11:35GOING AFTER MEDICINE
01:11:36FOR GRANDMOTHER
01:11:38I LIED
01:11:39I HEARD THAT CARLO
01:11:40WAS GOING TO BE EXECUTED
01:11:41AND I WENT TO PLEAD
01:11:42FOR HIS LIFE
01:11:43THEY WOULD
01:11:44THEY AGREED
01:11:45IF I WOULD BETRAY
01:11:46YOUR HIDING PLACE
01:11:48SHE HAD NO CHOICE
01:11:49MR. CARRIE
01:11:50KEEP OUT OF IT
01:11:51GO ON JULIE
01:11:53GO ON
01:11:53WHAT ELSE DO YOU HAVE TO KNOW?
01:11:55YOU CAME HERE
01:11:56TO FIND YOUR BETRAYER
01:11:57WHAT ELSE DO YOU WANT?
01:11:58DO WHAT YOU THINK
01:11:59IS RIGHT
01:12:00BUT GO AWAY
01:12:01TELL ME THE REST
01:12:02I BED OF YOU
01:12:03GO AWAY
01:12:03PLEASE
01:12:04I CAN'T HEAR THE REST
01:12:05MR. CARRIE
01:12:06JULIA SENT A LETTER
01:12:07TO A PROMINENT FASCIST
01:12:08ASKING HIM TO ARRANGE
01:12:09A MEETING
01:12:09WITH A GERMAN COMMANDANT
01:12:10MARIO DELIVERED IT
01:12:13NOW WILL YOU GO
01:12:17OKAY JULIE
01:12:21COME ON
01:12:23THERE ARE BOATS COMING
01:12:25THE POLICE
01:12:26THROUGH THE CELLAR
01:12:27THIS WAY
01:12:28I KNOW THE WAY
01:12:40OH
01:12:41OH
01:12:42NON PIONGEREMYCINA MIA
01:12:43NON PIONGEREMYCINA MIA
01:12:46NON PIONGEREMYCINA
01:13:14This place has a lot of memories, some pleasant, some not so pleasant.
01:13:21I guess Frank and I sampled every barrel in this joint.
01:13:24I have a boat on the other side of the island, Mr. Kerry.
01:13:36That's where they killed him. Near the door where we found the paintings.
01:13:40We'd better hurry.
01:13:41I'd like to take a look.
01:13:43I wouldn't waste any time, Mr. Kerry.
01:13:44Only be a moment.
01:13:57Your lane may be fatal, Mr. Kerry.
01:13:59This is where I spent six months of my life.
01:14:01I'd like to have one last look.
01:14:04You got a match?
01:14:08Thanks.
01:14:22I thought you said this room was empty.
01:14:27Bye.
01:14:37Bye.
01:15:04Now I know why Julie was lying upstairs.
01:15:07It was to protect you.
01:15:08No, Mr. Carey.
01:15:09She was trying to get you to leave to save your life.
01:15:12She realized that if you found your betrayer, I would be forced to kill you.
01:15:17Did you kill Luigi and Acuto?
01:15:19As Giovanni killed Luigi and Acuto.
01:15:22I merely supervised.
01:15:25So you're the betrayer.
01:15:27How did you know about her hiding place?
01:15:29I didn't, Mr. Carey, but Julia's grandmother did.
01:15:32When she learned Carlo was to be executed, she sent for me.
01:15:35I contacted the Nazis.
01:15:36The arrangements were simple.
01:15:38A single letter innocently delivered by Mario, trading your hiding place for Carlo's life.
01:15:44And you smuggled that painting?
01:15:46It's a very convenient way to finance my career.
01:15:49Naturally, I cannot let my illegal sale of paintings and my former connection with the Nazis become known.
01:15:55It would mean political death.
01:15:56I'm sure you understand my position.
01:16:00No, but I understand my position.
01:16:16Come on!
01:16:16Come on!
01:16:18Come on!
01:16:31Get ready!
01:16:33Come on!
01:16:37Come on!
01:17:01Silenzio!
01:17:36Silenzio!
01:17:36Oh
01:18:09The gun! Get my gun!
01:18:43The gun!
01:19:34I said let her go, Serafina!
01:19:36Your betrayer is dead.
01:19:39The barone lied to protect himself.
01:19:43He had Luigi in the Kudo murdered, he confessed.
01:19:46The barone is the betrayer? Where is he?
01:19:49Giovanni killed him, he's downstairs.
01:20:03Tell him to go home.
01:20:05The dead can sleep in peace now.
01:20:10Mario's memory is cleared, signor Webb.
01:20:13Pietro will never be called traitor son again.
01:20:16That's right.
01:20:17Oh, grazie, grazie!
01:20:21Oh, Serafina!
01:20:25Perdonaci, Chimena!
01:20:26Chimena!
01:20:33Chimena!
01:20:41I was told everything this afternoon.
01:20:45Mr. Carter.
01:20:48I...
01:20:49It doesn't matter now.
01:20:53Your punishment is living with yourself.
01:20:54Carl.
01:20:57Carl.
01:21:04Julie.
01:21:09Amore, Julie.
01:21:17Doctore...
01:21:19Come on.
01:21:48Julie, after I square myself with the police, I'll go home.
01:21:53But I'll be back when you send me this.
01:22:03Oh, Julie, Julie.
01:22:06Don't make it too long.
01:22:36Don't make it too long.
01:22:51Don't make it too long.
01:23:00Don't make it too long.
01:23:00Don't make it too long.
01:23:00I don't know.
01:23:01I don't know.
01:23:04I don't know.
01:23:10I don't know.
01:23:11You
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