- 3 weeks ago
Glenn & Mick’s Celebrity Intervention - Season 1 Episode 4 - Guy Sebastian
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00:19Hello, everybody, and welcome to Glenn and Mick's Celebrity Intervention.
00:24This is a show where we take a run of this country's leading celebrities
00:28and perform a much-needed and long-overdue intervention.
00:32It's hard, but it's for their own good.
00:34They've got it coming.
00:35Let's introduce our co-host, Lawrence Mooney, ladies and gentlemen.
00:40It's good to be here, Mick.
00:42Great to have you.
00:43Out this late, not violating your curfew.
00:45No, I'm not making a curfew.
00:46They've let me out, but they have put an anklet on me,
00:48so if it starts buzzing, you'll know what's going on.
00:51Yes, it's not a reversing truck, it's just Lawrence.
00:56So a much-loved celebrity is going to come through that door tonight
00:59and get what they deserve, and it's done with a lot of love.
01:02Before we get to tonight's inductee, though,
01:05I think there are a lot of other people, places and things
01:08that need a good intervention.
01:09Shall we do it?
01:10Absolutely. Let's kick off, Mick.
01:11Let's get into it.
01:11Let's start with Jeff Bezos.
01:13Oh.
01:14Yes, Jeff.
01:16Was the richest man in the world, now the second richest.
01:19What a loser.
01:20Oh.
01:21You can do better, girls.
01:24And he's selling tickets on his Origin Blue or Blue Origin.
01:28Blue Origin, what?
01:29For $28 million a seat.
01:32Well...
01:32And that's economy.
01:35I'll keep going, poo joggers.
01:40Guys, how hard is it to plan ahead?
01:43You know what I'm saying?
01:44You know how to pick them out, too.
01:45If you see a jogger with reading material under one arm,
01:48give them a wide berth.
01:49That's all I'm saying.
01:50Hip replacements need an intervention.
01:53Yes!
01:53They've done more harm than good, OK?
01:55Once upon a time, a decrepit oldie,
01:57you just put a blanket over their knees and they were gone.
01:59Now, old blokes are slipping into bike shorts
02:01and you see their sweaty junk all weekend.
02:04No thank you.
02:06That's a community service announcement you just made, then.
02:09I've got one.
02:10What about sliders?
02:11Oh.
02:13Who ever?
02:15You're angry about this.
02:16I like hamburgers.
02:17I just wish they were s'more.
02:19What the hell is that?
02:21Nobody ever.
02:23And you've just got to order more.
02:25I've seen Matt Preston pop those things like Maltesers.
02:28No.
02:29And what about sushi?
02:31I mean...
02:31Boom.
02:32Sushi.
02:33They market it as a delicacy.
02:35You've just got a lazy chef in the kitchen.
02:37Hey, here we're here, Joe.
02:39Get my fish into the deep fryer, Tootsuite.
02:41And while we're there, chopsticks.
02:43I think it's a step backwards.
02:45Whoa.
02:45Yeah.
02:45What do you mean?
02:46It's all in the name.
02:48They're sticks.
02:49They don't chop and they don't shovel either.
02:53You can't shovel delicious fried rice into your pie hole with a stick.
02:59All right.
03:00Calm down.
03:00Get into my belly.
03:02You get the idea.
03:03There's a lot of things that need some help,
03:05including our very next guest,
03:07who's our celebrity intervention for tonight.
03:09Now, Glenn, right now, is out there finding that celebrity
03:13and he's going to bring them back.
03:14But to do that, he has to get them back here under false pretenses.
03:18He has to come up with a canny roos.
03:19I love the way you say canny roos.
03:21Thank you very much.
03:25It's my safe word.
03:27But what we have to do is...
03:30Canny roos!
03:31Canny roos!
03:31Canny roos!
03:33What we have to do is get that celebrity back here now.
03:37Glenn is out in the field.
03:38Let's see who he's got tonight.
03:47That is Guy Sebastian.
03:49Let's see how we go.
03:55Boom!
03:55Nice shot!
03:57Oh, Glenn.
03:57G'day, mate.
03:58Guy Sebastian.
03:59How are you?
03:59Turning your hand to the great game of golf.
04:02Oh, I love it.
04:03I didn't pick you as a golfer.
04:04Do you play?
04:04I look, to be honest, when I was younger, I actually thought about turning pro.
04:07Really?
04:08Yeah, absolutely.
04:09Bit of Tiger Robbins, eh?
04:10Oh, well, similar problems with the relationships.
04:13But anyway, do you want a couple of tips?
04:14Happy to help you.
04:15Oh, always.
04:16Nice.
04:16I'm working on a few things at the moment.
04:18No worries.
04:19Can you...
04:19I'll give you some singing tips in return if you want.
04:22That'd be great.
04:23I'm actually a pretty good singer, but okay.
04:24Hey, just take a swing for me.
04:26Let me see what you've got.
04:28Yeah, that's good.
04:30Okay, just want you to keep it a bit more quiet.
04:32I want you to drop it in.
04:33Okay, put a ball down.
04:34Yeah.
04:35And we're going to drop it into the line, and I want you to see if you can hit that
04:39flag
04:39on the right-hand side there.
04:41The yellow one?
04:42No, the red one, a bit further over.
04:43Oh, yeah?
04:44Yeah, yeah.
04:44That one, yeah.
04:45Oh!
04:47Glenn, I'm so sorry.
04:48Take it out.
04:49Oh, I feel terrible.
04:50You got me.
04:50I'm going to need some ice on that.
04:52Can you drive me home?
04:53Absolutely.
04:53Do you want me to rub it?
04:54No, I don't want you to rub it.
04:55You're hitting me in the groin?
04:56Let's just drive home and get some ice on it.
04:58Seriously.
04:59You can probably sing higher than me now.
05:01Battle scars!
05:02Battle scars, yeah.
05:03Good time to start singing.
05:04Just be hitting me in the groin.
05:05Seriously.
05:06Why'd you stand so close?
05:07I wasn't standing close.
05:08I was trying to help you.
05:09Go, Sebastian.
05:10Go, Sebastian.
05:12What a huge intervention it's got to be.
05:14It's got to be a big one.
05:16We might need more than the allotted hour.
05:18And what a canny reason it was.
05:20Get hit in the balls.
05:23Now, obviously, it's going to take a while.
05:25For them to get back here, they're probably traveling in the golf cart, I imagine.
05:29Oh, what's that?
05:30They're here right now.
05:31Make it welcome.
05:32It's Guy Sebastian.
05:33And Glenn Williams.
05:38Hello.
05:39Hi, Guy.
05:40Welcome to the event.
05:41Guy, thank you, mate.
05:43Yeah.
05:47That's a good swing by the way.
05:49Oh, mate.
05:49After a bit of coaching from Glenn, it got even better.
05:53How are your Jats crackers, Glennie?
05:54Yeah, no worries.
05:56He gave my bruv backstage.
05:57So we're just fine.
05:59Thank you for joining us here tonight.
06:00It wasn't what you expected.
06:01No, this is not Glenn's home.
06:04No.
06:04No, it's not.
06:06No, but we're here for a good reason, aren't we, Mick?
06:08Because we're worried about it.
06:09We need to say this, Guy.
06:10This all comes from a good place.
06:12And we love you.
06:12Your family loves you.
06:13And your friends love you.
06:14But there's a lot to be worried about at the moment.
06:18You have a lot of big problems.
06:21Massive problems.
06:22All right.
06:23You don't know half of us.
06:25No, I do.
06:26But you do.
06:27I do.
06:27It plays around my head.
06:28I just didn't know everyone else knew.
06:30No, we're onto it.
06:31So can I just take a minute?
06:32Let's get the big one out of the way.
06:34And this is something not many people here would know about.
06:35But I think it's better out than in.
06:37And we want to hear it from you.
06:39Oh, I'm scared.
06:40There's no easy way to say this.
06:42But you started COVID-19.
06:44Yeah.
06:47You and you alone are responsible.
06:53For the pandemic, we got locked up for two and a half years thanks to you.
06:58You've ruined the economy.
07:00Let's have a look.
07:00What's the date?
07:01You posted this.
07:02What's the date?
07:03What's the date?
07:04Towards the end of 2019.
07:07November 2nd, 2019.
07:09Bad timing.
07:10Yeah.
07:11And where are you there?
07:13I'm in Wuhan.
07:15I hadn't even heard of Wuhan, by the way.
07:18Up until that moment, I was playing a festival
07:21with a DJ called Alan Walker.
07:23Because when you really want to crack it big, that's where you go.
07:27That is true.
07:28It's the spot.
07:30So you're there in Wuhan.
07:32Yes.
07:32And then how long later?
07:34Not long.
07:35Yeah.
07:36That's about a week.
07:37So, yeah.
07:37You travel back to Australia.
07:38Next thing, I'm locked down for two and a half years.
07:40Yes.
07:41And in that post as well, I say in the caption that I ate some very interesting things.
07:47So, which didn't go well either.
07:50Didn't age very well.
07:51Uh-oh.
07:52Did that man sell you a bag?
07:54Look, I ate a lot of things.
07:56As you do, as you...
07:58Oh.
07:59As you do.
08:01You can never be too safe.
08:03Whether you...
08:04Look.
08:05Well, we'll tell you what you ate.
08:06We've got it here.
08:07Oh, no.
08:07We've got a receipt from you.
08:10There it is.
08:10Look.
08:12That soup.
08:13Yeah.
08:14The pangolin pavlova.
08:16What wine pairs well with pangolin?
08:18Just...
08:18Uh, Shiraz.
08:19Heavy.
08:20You go heavy.
08:21So then you came back into Australia, and then I think the first gig you played was a retirement
08:25village.
08:27Um...
08:28That's true.
08:28And from there.
08:29And the rest is history.
08:32Now, the big question is, Guy, was it a lab leak or wet market?
08:37You were there.
08:38You were at ground zero.
08:39I was at...
08:40You know, it's funny because I was in Wuhan.
08:42I'm playing this festival.
08:43There's probably 100,000 people at this festival.
08:46Um, but ironically, I was going for runs.
08:49True story.
08:50Like, every evening I'd get back to the hotel.
08:51I'd go for a run.
08:52It's only like 6, 7 o'clock or whatever.
08:54Oh, God, all the kids at home are going to go, 6, 7.
08:57Um, but it was...
08:59That's another intervention that was very sad.
09:02But it was about 7 o'clock, and everything was eerily quiet every single night.
09:07It was like there was a lockdown or something.
09:09So they knew what was coming on.
09:11Everyone's just playing mahjong on their front porches and stuff.
09:14It was like there was no shops open.
09:16It was weird.
09:16Highly populated area and no one around.
09:19So you're suggesting Chinese government involvement.
09:22Well, that's what I...
09:24Them's your words, Mick.
09:30No, I'm...
09:31He said it.
09:31Not me.
09:33I love our Chinese friends.
09:35No, but seriously, the Chinese government needs to answer.
09:38Was it a leak or was it the wet market?
09:41Whoa, whoa, whoa.
09:43Huawei's my favourite telephone company, OK?
09:46What about you, Glenn?
09:47Nothing for you?
09:48Oh, no problem here.
09:49Yeah, Kath and Kim, very big in China.
09:53Yeah.
09:54Good.
09:56Don't kill a market unnecessarily.
09:58Don't kill a big market like China, where Kath and Kim's big.
10:01Apparently, in North Korea, it's very popular too, as Kath and Kim Jong-un.
10:07Oh, no.
10:08Oh, no, no.
10:08Oh, no, no.
10:09Apologies to the North Korean...
10:11We love your hairstyles.
10:12Apologies to the North Korean government.
10:13Just leave the laser on him the whole night.
10:15So, anyway, there you are.
10:17You're responsible for inflicting COVID on the world.
10:19I guess it was a pretty big deal, wasn't it?
10:21It was a big deal.
10:23Well, I've heard some of your earlier albums,
10:25and it's not the worst thing you've inflicted on the world.
10:28So...
10:28Good.
10:29Good.
10:30Very good.
10:31He said with love.
10:33We're going to take a break and come back with Guy Sebastian,
10:35because there's a lot more we need to sort through, mate.
10:37Are you OK?
10:37I'm good.
10:38See you after this.
10:56Welcome back to Glenn and Mick's Celebrity Intervention
11:00tonight with Lawrence Moody in the co-hosting chair.
11:02Thank you, Michael.
11:03And Glenn has brought in Guy Sebastian,
11:05who needs to learn a few cold, hard truths about his behaviour.
11:10Since the journey began,
11:11and let's go back to the start of the journey,
11:12for many of us,
11:13it was when you first burst onto the scene
11:15auditioning for Australian Idol.
11:16Head and shoulders,
11:18the best voice we've heard today.
11:20Wow.
11:21Wow.
11:22The best voice.
11:23I tell you what,
11:24the best voice in Adelaide,
11:25it's like being the best-dressed person in Launceston,
11:27isn't it?
11:28Fake face.
11:30Yeah.
11:30And a wonderful choice of song.
11:32You chose a song by Stevie Wonder.
11:34Yes.
11:35And you also got dressed by Stevie Wonder.
11:39Because,
11:40that's,
11:41that's fair.
11:42That's fair.
11:43That is,
11:43that's a fair track.
11:43That's a fair comment.
11:44That's an op-shot jacket.
11:45It is an op-shot.
11:46From Nashville.
11:47Is it true that you just stumbled into the audition
11:49thinking it was a soup kitchen?
11:53Look,
11:53it wasn't great.
11:54I was so nervous.
11:55So nervous.
11:56I think I looked down the whole time.
11:58They said your voice was beautiful,
11:59and it was.
12:00And you moved Marsha Hines.
12:02Oh,
12:02wow.
12:02To tears.
12:04Yeah.
12:04What a beautiful gift.
12:06Oh,
12:08thank you.
12:10What?
12:11That's,
12:11that's emotional.
12:12Oh,
12:14I picked you for more than a dickotype.
12:16Come on.
12:18Oh.
12:19No,
12:20I,
12:20I,
12:21I,
12:21I,
12:21I,
12:24I,
12:24you look emotional too.
12:25Oh,
12:26yeah.
12:26It's just,
12:27it's still hurting.
12:27Yeah.
12:28It's,
12:28it's,
12:28it's,
12:30it's,
12:31it's,
12:32it's,
12:32it's,
12:33it's,
12:34it's,
12:35it's,
12:35it's still emotional.
12:41Sorry about that.
12:42Sorry about that.
12:43Sorry.
12:43Sorry.
12:44Sorry.
12:44He's brought props.
12:44So there it is.
12:45We saw your audition,
12:46and then of course you went on to win the whole kit and caboodle.
12:49The winner of Australian Idol, Guy Sebastian.
12:55Woo.
12:56And there's Nolsey pretending to enjoy it.
13:00He was filthy.
13:01Filthy.
13:01He was filthy.
13:02Oh,
13:02we all know it.
13:03He was filthy.
13:04And can I just say,
13:05I'm not saying there was anything wrong with the voting,
13:07but I presume there may have been Russian involvement.
13:15Apologise to the Russians.
13:16We love Borscht.
13:17We love you,
13:18Putin.
13:20So it's gone from the highs and then to the lows,
13:23probably the lowest of the lows when you went on to,
13:25was it World Idol?
13:27Yes.
13:27You loved your colours there,
13:28didn't you?
13:29I just won,
13:29and they forced us all to go.
13:31It went to your head.
13:32You thought you could beat the world.
13:34Quickly came back down to work.
13:35Yeah.
13:36Simon Cowell didn't enjoy your performance.
13:38He had a bit of a crack.
13:39If I hadn't seen the competition,
13:41and then I read in the,
13:42or saw in the newspapers the following day,
13:44a picture of you,
13:45which said World Idol,
13:47I'd be a bit puzzled.
13:49Sure.
13:50Because you do look odd.
13:55That is brutal coming from that bloke.
13:58He's got a point.
13:59Coming from Simon Cowell.
14:00I reckon I've eights,
14:01I reckon I've eights better than him though.
14:03Well,
14:04let's,
14:04you be the judge.
14:07Oh yeah,
14:08that is,
14:09what a head.
14:11Nothing wrong with that photo.
14:20He looks like he's been standing behind a jet engine.
14:23Looks like he's walked into a ceiling fan.
14:26I'm surprised you don't have a little red target on you now.
14:29He's a very connected man,
14:30Simon Cowell.
14:31Can I just say this?
14:33You've met him,
14:34I haven't,
14:35but would I be right in saying,
14:36he comes across as a massive dickhead?
14:39What is that?
14:41You're very intuitive.
14:42You're very intuitive.
14:44Look at him.
14:45You know what,
14:45he's actually very nice.
14:47As you know,
14:48people play roles on certain shows.
14:50Even Dicko,
14:50he's the kindest bloke ever.
14:53You've gone too far now.
14:54He had to go with Simon Cowell.
14:56Dicko's an idiot.
14:57All right,
14:58now,
14:58the journey started there,
15:00Australian Idol,
15:01but you weren't alone on that journey.
15:03There's,
15:04people have been with you the entire way.
15:06One of them is with us tonight,
15:08because he's worried about the direction that journey's taking.
15:10Very worried.
15:11He's agreed to come out and address his concerns.
15:14Please welcome Rob Millsy.
15:16Millsy,
15:16please.
15:30He has definitely aged better than Simon Cowell.
15:34And we'll keep this short,
15:36because Millsy has to go and strip for a hen's night.
15:41Immediately after the program.
15:43Millsy,
15:44not the only one joining us either tonight.
15:46One of your other compatriots who's joining us.
15:49On her way right now to the studio is Pauline.
15:51She's on her way.
15:52And here she comes.
15:57I know.
15:58I know.
15:59Pauline,
16:00she's...
16:00What's happening?
16:03You're not getting a laugh out of us,
16:04though.
16:05We love you.
16:06I love Pauline too,
16:07but I just worry about you.
16:09But drive safe.
16:10You're doing a show at the moment,
16:11aren't you?
16:12What are you doing?
16:12Just about that,
16:13Waitress the Musical.
16:14Yeah, so...
16:14Sarah Boralas musical
16:16with the very talented Nat Bass,
16:18John Walters.
16:18Of course.
16:19So Waitress the Musical,
16:20is there a twist?
16:20Like,
16:21I've been waiting an hour for my steak.
16:23Like...
16:25There's a bun in the oven.
16:26There's a bun in the oven.
16:27There's a bun in the oven.
16:27Is it great?
16:28Is that in the opening number?
16:29Yeah.
16:29All right.
16:30Well,
16:30you just behave around those waitresses.
16:32What's your memories of this bloke?
16:34What is it that you need to say?
16:37It's probably been a while,
16:38but we all remember Guy,
16:39Sebastian,
16:40from back in Australian Idol days,
16:41right?
16:41I'm still here, mate.
16:42Yeah.
16:47I'd like to talk around him
16:48while we're here.
16:48Yeah.
16:49And, you know,
16:50the fro,
16:50my bro.
16:51The fro,
16:52the bro,
16:52the fro's gone.
16:53He survived.
16:53He wasn't my bro.
16:54We all lived in a house together.
16:55He certainly wasn't my bro.
16:56What was it like living with him?
16:58Walking around,
16:59doing those fancy runs,
17:01very arrogant.
17:02Wow.
17:03All I can say is,
17:04the fro wasn't the only thing
17:05that was a bit,
17:06you know.
17:07So,
17:08From the sound of it,
17:09you would rather have lived
17:10with Joseph Fritzl.
17:12Exactly.
17:13Was he down in the basement
17:14making a suit out of human skin?
17:16I mean,
17:17when you say bad,
17:18what,
17:19like,
17:19he didn't chip in?
17:20Wasn't a good mate?
17:21No,
17:21just,
17:21just an arrogant,
17:22like,
17:23I'm going to win the show.
17:24It's always going to be me.
17:25He was?
17:26Yeah.
17:26He was clearly better
17:27than all of you.
17:29I mean,
17:30look,
17:31when I think of the competition,
17:32you make a good point there,
17:34Lons.
17:34How did you notice
17:35my big head
17:36when you were just
17:36walking around nude
17:37through the house
17:38all the time?
17:40Would you like to see
17:40Millsy nude?
17:42Oh,
17:44sorry.
17:45You know,
17:45in our year,
17:46it was like Big Brother.
17:47We all lived in the same house
17:48and it was the last year
17:50they did it
17:50because of that man.
17:52Millsy,
17:52you've got a big job here.
17:53There's something you wanted
17:53to get off your chest
17:54and you think it's overdue
17:55and you want to give it
17:56to him directly.
17:57Remember,
17:57this comes with love.
17:58Yeah,
17:59I suppose,
17:59you know,
17:59there's the billions of streams,
18:01which I'm envious,
18:02proud of,
18:02of you for that.
18:04But I'm here to speak
18:05truth to power today
18:06and there's one thing
18:07you're terrible at
18:08and it's,
18:10it's your lyrics,
18:11guy.
18:11They're terrible.
18:12Oh boy!
18:13I've got proof,
18:13and I've got proof.
18:14I've got proof.
18:15You're saying what?
18:16You're saying the lyrics?
18:16The lyrics are terrible.
18:18I've had some moments.
18:20I have.
18:21Can I?
18:21Millsy?
18:21May I?
18:21Yeah.
18:22From the song
18:23Don't Worry Be Happy?
18:24Oh,
18:24yeah.
18:25That's it.
18:26Screw the low carbs.
18:28Where's my KFC?
18:30Ain't gonna think about
18:31the bills
18:32or
18:32the GFC.
18:34Oh!
18:35That's beautiful lyrics.
18:38It rhymes.
18:39That rhymes.
18:39Check your head.
18:40So,
18:40so,
18:41it's,
18:41it's like geopolitical.
18:42It's like a Bob Dylan.
18:44Oh,
18:44yeah.
18:44It's the songbook of our lives.
18:47It's the songbook.
18:48I think,
18:49you know,
18:49you do look at Dylan lyrics
18:50and they,
18:51they reference all sorts of
18:52things that happened in history
18:54that were monumental.
18:55For me,
18:55the global financial crisis
18:57in my head
18:58was going to be remembered
18:59for a long time.
19:00Yeah,
19:00so all I'm thinking about
19:01is the bucket of Kentucky.
19:03Is that just me
19:05or is that just me?
19:06Have you got some,
19:07I've got some other lyrics
19:08that.
19:09Oh,
19:09no.
19:09We found some lost lyrics
19:11that were in the attic.
19:12May I go first?
19:13Yes.
19:14This is very political.
19:16The Fed printing
19:17too many greenbacks
19:19driving up the prices
19:20at Hungry Jacks.
19:23He likes to get in
19:25a fast food reference.
19:27It works.
19:27It works.
19:28It does.
19:28And this is no exception either.
19:30People say I need
19:31a COVID booster.
19:33I just want to
19:34chill at Red Rooster.
19:35I don't know.
19:37It's scams.
19:38It's scams.
19:38It works.
19:39You can have that.
19:40Yeah, it works.
19:41Okay,
19:41I'm going to go,
19:42I think I've got one.
19:43Can I hang out
19:44with all my homies
19:45later tonight
19:46down at Guzman and Gomies?
19:53You can't change
19:54the actual name
19:55of the restaurant
19:56to Sivio Rahan.
19:57Artistic interpretation.
19:58Okay.
19:58I'll let it slide.
19:59So there it is,
20:00the lyrics,
20:01which is such a hard part.
20:03I'll cop that.
20:03I'll cop that.
20:04You've got another one.
20:05Reload.
20:05Off you go,
20:06Millsy.
20:07Okay.
20:07You're a plagiarist.
20:08Oh,
20:09shit.
20:10Now that.
20:11I'm getting legal now.
20:13That is the harshest thing
20:15you can say to an artist.
20:16So you've got to have
20:17some evidence.
20:18It's from a very good place.
20:19You brought in a clip
20:20you wanted us to play.
20:21We'll have a look at it
20:22and then we'll discuss.
20:24Can we roll the sack?
20:28Your head is full
20:30and yet it's hard.
20:31Wow,
20:32there it is.
20:32And now you're singing
20:33in the rain.
20:35Yeah.
20:37Inside.
20:38I feel like
20:38have we seen this before?
20:39This one hurts me personally
20:41because it's plagiarism
20:43and we're here
20:44to prove it
20:44right now.
20:47Ah.
20:53Points out.
20:57When there's nothing
20:58left to do.
21:02Oh,
21:03you're getting emotional.
21:04You're getting emotional.
21:09All I'll say is
21:10yes,
21:10the grading is similar.
21:12Yes,
21:12there's rain.
21:13But if you guys
21:14start to just sue
21:15people left,
21:16right and centre
21:16who have been influenced
21:17by the great boy town,
21:19you'll be in litigation
21:20up to your neck
21:21for a long time.
21:22You're very kind.
21:23Very kind.
21:24Let it go.
21:24We'll let this one go through.
21:26All right.
21:27Nicely negotiated.
21:29Sounds like you might
21:30have done that before.
21:30I'm a mediator.
21:32Millsy's come in packing
21:33and this one affects
21:35everyone in this room.
21:36I just feel like
21:37you guys might have
21:38already mentioned it
21:38but I just,
21:40Eurovision guy,
21:41you know?
21:42Take it from a guy
21:43who knows what it's
21:44like to come fifth.
21:45Yes.
21:45Yeah.
21:47Yes.
21:47You just gotta quit
21:49while you're ahead, mate.
21:50So Eurovision,
21:51the biggest stage
21:52in the world,
21:53you let yourself down,
21:54you let your country down.
21:54I did.
21:56I really did.
21:57Let's have a look.
21:57I don't want tomorrow
22:01Oh baby,
22:03tonight's so good
22:05Tonight's so good
22:06Not only
22:08Not only
22:11did you
22:12let your country down,
22:14you let your pants down
22:15as well.
22:19You were packing
22:20something in there
22:21I can tell you.
22:22You know what?
22:23Those pants would have
22:24helped you
22:24at the driving range
22:25before.
22:30So you came fifth
22:32and you would have
22:33got there
22:34except there was
22:34a few countries
22:35on record
22:36who gave you zero.
22:38Montenegro,
22:39Portugal,
22:40Azerbaijan
22:41and Spain.
22:43Azerbaijan.
22:43Don't tour Spain.
22:45Right, no.
22:45No.
22:49Listen, we love
22:49We love the Spanish.
22:52Stab a bull in the head
22:53if you want.
23:01Again, you finish fifth
23:02but you finish behind
23:04a couple of big acts
23:05including this one.
23:06Say that you're all right
23:08the signs you've got to see
23:13You're crying for a reason
23:15and you're really pissed at me
23:18Oh, shoot me now.
23:20Shoot me now.
23:21We're going to take it
23:22for Millsy.
23:23Thank you very much
23:25for coming in.
23:26Millsy's off to
23:27Waitress.
23:28Yes, Waitress the Musical
23:29on Her Majesty's Theatre
23:30and then soon to be
23:31in Sydney soon.
23:32Fantastic.
23:32Thank you, Millsy, everybody.
23:34Well done.
23:35Well done.
23:36Thank you, Marcus.
23:47You've done great, mate.
23:49You've done great, mate.
23:51Welcome back to
23:52Green A Big Celebrity Intervention.
23:54Lawrence Mooney
23:55helping us out
23:55and the co-host chair
23:56and, of course,
23:57Guy Sebastian
23:58facing some big truths
24:00coming your way.
24:01We've heard from friends
24:02and colleagues.
24:03Time to hear from family.
24:04Do you recognise this voice?
24:06Hey, babe, where are you?
24:08Are you still at golf?
24:09We've got people
24:09coming for dinner.
24:10Call me back.
24:11That sounds passive-aggressive.
24:15Doesn't it?
24:15It's your wife, Jules.
24:17Give it up, Jules.
24:19Nice to meet you.
24:22Hello, Julesy.
24:23Hello.
24:26Please sit down.
24:27Grab our own to it.
24:31What a hottie.
24:32Absolutely.
24:33When you first saw him,
24:34did you think like Simon Cowell?
24:38I like that odd guy.
24:40Yeah.
24:40Well, he's all yours now.
24:42He's my little odd guy.
24:43He's a little odd guy
24:44and he's super odd,
24:46especially in the fashion department.
24:47Now, Jules,
24:48you're a fashion consultant,
24:50designer.
24:51How would you describe yourself?
24:52Well, I used to be
24:53a fashion stylist.
24:54Stylist?
24:55We got there in the end.
24:56And then he broke you,
24:57didn't he?
24:58Because you were very good
24:59at your job
25:00and then this turned up.
25:01No one hired her anymore
25:03because they thought
25:04she was dressing me.
25:06So, Jules,
25:07we would like to take advantage
25:08of your expertise tonight
25:09and you can walk us through
25:10and describe with Guy
25:12some of his fashion choices.
25:14Feel free to comment
25:15as you go.
25:17There you are.
25:19He looks to me
25:20like he's in the opening ceremony
25:22of the Australian Olympic team,
25:23is that?
25:25I call that the lime spider.
25:28Because you look beautiful.
25:31That's a questionable choice
25:32for me as well.
25:33Let me get this right.
25:34You get that out of the cupboard,
25:35you put it on,
25:36you look in the mirror
25:37and then decide to leave home.
25:40Pretty much.
25:41Well, let's have a look
25:42at that one there.
25:43What are those shoes?
25:45He's obviously
25:46just arrived by train.
25:49Do you remember
25:50where that is
25:51when we see these guys?
25:52No, but that,
25:53I mean,
25:54that's a red carpet.
25:55Obviously,
25:56like an Arias
25:57or something
25:57and so it doesn't matter
25:58how you dress.
26:00That is true.
26:01You can do what you want.
26:02But all I see
26:03is courage.
26:05That's what I see.
26:06Well, you'll see
26:07a lot of courage
26:08in this one here.
26:09I think he's...
26:11Now,
26:12you look like a bloke
26:13who's had a stroke
26:14in an op shop.
26:16Do you understand
26:17what we're seeing?
26:20Jules,
26:20what's going on?
26:21I don't know.
26:21What's the reason?
26:22Jeans in every shot,
26:24so, you know,
26:25party up top,
26:26casual down bottom phase.
26:27That's what I was going for.
26:28Is that what it was?
26:29Sure, sure, sure.
26:30It's party down the bottom.
26:31MJ vibe.
26:32Party down the bottom,
26:33straight jacket up top.
26:34It kind of looks like
26:35under there.
26:37Let's have a look
26:38at the next one.
26:39Oh, let's keep rolling.
26:40Now,
26:42finally,
26:42someone has had the courage
26:43to be innovative
26:44with a cardi.
26:47I've never seen
26:47a double-breasted
26:48cardigan before.
26:49Neither had I.
26:50That's why I got it.
26:51It looks like
26:51you're working
26:52at a chocolate shop,
26:53too.
26:56He's waiting
26:57for his Mr Whippy van
26:58to turn up.
26:59Well, this is nice.
27:00Jules,
27:01what are you thinking here?
27:02Listen,
27:02again,
27:02coming from the train station,
27:04I think,
27:04with that hat.
27:05But I'm surprised
27:06that the teenage
27:07slumber party look
27:08didn't catch on.
27:11There's a lot
27:12of patterns going on.
27:13I've been in a boy band
27:13with those pants,
27:14I think.
27:14There is a bit
27:15of boy band.
27:15There's a bit
27:16of boy band
27:16in this one,
27:17too,
27:17I think.
27:18Whoa.
27:20That's a bad boy.
27:21Yeah.
27:21That's a bad boy.
27:22Yeah.
27:24What happened?
27:26What happened?
27:27Rug on the purple.
27:28You've got to keep
27:29all this stuff.
27:30No,
27:31no.
27:31I got to...
27:34That one,
27:34that one,
27:35I did cull
27:36out of the wardrobe.
27:36It is so...
27:41Don't mess with him.
27:42This one,
27:43this one is
27:44definitely derivative.
27:46I think you'll realise why.
27:47Have a look at this.
27:50It's happened again.
27:51Makes sense.
27:52It's happened again,
27:53Glenn.
27:53Inspired.
27:53You can join our band.
27:56So,
27:57Jules,
27:57you brought along tonight
27:58a little snapshot
27:59of what goes on
28:00inside the Sebastian household.
28:02Yes.
28:02And it's not good.
28:03I counted up,
28:04can I tell you
28:05how many pairs of shoes?
28:06How many?
28:06One hundred and twenty-seven.
28:09Oh, wow.
28:10Look at their fate,
28:11they are shocked.
28:13Because...
28:14You can't even see them
28:15because of the piles of clothes.
28:16You look like one of those
28:17hoarders they have
28:18on A Current Affair.
28:20I had a bit of a deep dive
28:21into this photo
28:22and there's at least
28:23two pairs of Crocs there.
28:24The good Crocs,
28:25the going out Crocs.
28:27Ah, yeah.
28:28Exactly.
28:28And you were Crocs.
28:30Now,
28:30we've seen some odd looks
28:31from you,
28:32but in your film clip
28:33as well,
28:34did we see you,
28:36did you fashion this?
28:38In this broke-down palace
28:40we've got stars
28:42in my room.
28:48I don't mind that.
28:49Go on.
28:51The clip.
28:52I'm happy with that look,
28:53you know.
28:54Wow.
28:55I thought you were
28:55doing the trick again.
29:04And what is going on?
29:08But I don't know.
29:09I'm not sure
29:10you should be dressing up
29:11as a...
29:12I mean,
29:12I think there's gender problems
29:13when you assume
29:14the role of...
29:14Hold on, Mick.
29:15I think the old
29:16people in glass houses.
29:18I do remember
29:19a vague memory
29:20of you
29:21dressing up
29:22as former
29:22Victorian Premier
29:24Joan Koerner.
29:26This is Koerner.
29:27Welcome to the
29:27night show.
29:28You're a fan?
29:28Oh, yeah.
29:29I love it.
29:29I love it.
29:31Here's some good cats.
29:32Here's some good cats.
29:33It's a good undergraduate,
29:34but it's all right.
29:35Glenn,
29:36are you okay
29:36with that and that?
29:37The bar is large.
29:42I am actually
29:43seeing you
29:44in a very different light,
29:45Mick.
29:45Yes.
29:47What are you up to
29:48after the show?
29:49It looks like
29:50you're mentally
29:50undressing me
29:51as you're speaking.
29:52And by the way,
29:53if you are,
29:53you want to get cracking,
29:54it takes a while.
29:57A big part,
29:58you mentioned
29:58the shoes,
30:00hats.
30:00Yeah.
30:01In all his clips,
30:02the hats seem to be
30:04front and centre.
30:05Is there a reason
30:06behind that?
30:06I don't know
30:07if there's a reason.
30:07He just loves a hat.
30:08Every kind.
30:09Let's have a look
30:10at some of the hats
30:10you've used
30:11in your film, Chris.
30:12Are you going
30:13through your bowler stage?
30:14That one
30:15I was responsible for.
30:17What about
30:17his fedora period?
30:19And then a larger hat.
30:20A larger hat.
30:21What comes next?
30:22A sombrero.
30:24No, he's got
30:24on the beanie.
30:25And you can get
30:26away with the beanie
30:26too.
30:26You're so versatile.
30:27I am.
30:28I have a decent
30:29shaped head
30:30for a hat.
30:31You do have
30:32a great head
30:32for hats
30:33because not
30:34everyone does
30:35and I think
30:35that's why
30:36you get away
30:36with it.
30:38It's harder
30:39than you think
30:40because seriously.
30:41To wear a hat.
30:42To wear a hat.
30:43I'm going to do
30:43something now.
30:44This is like
30:44an experiment.
30:46I'm going to
30:46show you something.
30:46I'm bringing out
30:48a hat.
30:48Normal hat.
30:50Now watch
30:50what happens
30:51when I put it
30:51on someone
30:52with a good
30:53hat head.
30:54Watch what happens.
30:55Put that on.
30:55Yeah.
30:56Put it on.
30:58Well, you look cool.
30:59You look good.
31:01That does look good.
31:02Wow.
31:03Now, what?
31:04No sleight of hand.
31:06No sleight of hand
31:08and...
31:15That's not a good look.
31:16It's not.
31:17Just need to turn it
31:18to the side a bit.
31:19You've got to wear it right.
31:21No, you look like
31:22a garden oak.
31:23Okay, I've got others.
31:24I've got others.
31:24Look, now that.
31:26That.
31:26You would look good
31:26in that guy.
31:27You would look good
31:27in that.
31:28You want to have a go?
31:28I love a crochet beanie,
31:31so...
31:31So does a kettle.
31:34No, this will look good.
31:35I don't even think of it.
31:37You've done it.
31:37You've done it.
31:37That looks good.
31:39It's very...
31:39It's very Usher.
31:42Yeah.
31:42You're telling it now.
31:44But also,
31:44you've got great hat hair.
31:45It just bounces back.
31:46Look at that.
31:47It's the curls.
31:48All right.
31:53I like that.
31:55He looks like a bloke
31:56on public transport
31:57who talks to himself.
32:00Greek garden oak.
32:01Greek garden oak.
32:02Greek garden oak.
32:03Have you got one more for us?
32:06Would you like another one?
32:09You don't have to wear this one.
32:11You don't have to wear this one.
32:12How about that?
32:13There we go.
32:15Look, everyone.
32:16It's the guy
32:17from the Monopoly board.
32:20What sort of gnome
32:21do I look like now?
32:22You don't look like a gnome.
32:23You look like a fuckwit.
32:27We're going to take a break.
32:28Jules, will you stick around?
32:29Because there's more to unpack
32:29that we want to get into.
32:31More with Guy Sebastian
32:32and Justin.
32:43Do you have a great job, Jules.
32:45All I can say is that
32:47you can probably do better.
32:48Welcome back to
32:49Nick and Glenn's
32:50Celebrity Intervention.
32:51Lawrence Mooney is stepping in.
32:53Jules, the better half
32:54to the Sebastian marriage.
32:56How long have you guys
32:57known each other
32:57and been together?
32:59Oh, I've known her
32:59since I was 12, I think.
33:02We've been together.
33:04We got together
33:04when I was 18.
33:05And then we were together
33:07for a couple of years.
33:08She dumped me.
33:09I won idols.
33:09She wanted me back.
33:14And, you know how it goes.
33:16Well, I've just got a feeling
33:18she could do a lot better.
33:20That's for you, Jules.
33:21Jules, it's a marriage.
33:22It's a strong marriage.
33:23It's been through everything.
33:25You brought in a list
33:26of things you wanted us
33:27to raise with Guy,
33:28so we'll do that
33:29and you can comment.
33:29Yeah, I've got the
33:31Jules's list of grievances.
33:32Oh, you're doing
33:33the dirty work.
33:34All right.
33:34Yeah.
33:35We culled it
33:35and we've narrowed it
33:37down to about four.
33:39Yeah, it was a long, long week.
33:40Very long.
33:41Always too optimistic
33:42about time.
33:43What does that mean?
33:44A time optimist, yes.
33:46I don't know if anybody
33:47knows anyone like this,
33:48but the event starts
33:49at this time.
33:50That doesn't mean
33:51start getting ready
33:52at that time.
33:54That's why he's always
33:54dressed so badly.
33:57He's just throwing
33:58on everything.
33:59Jesus.
34:00Getting ready's part
34:01of the event for me,
34:02so, you know...
34:03All right, calm down.
34:05Don't lash out.
34:06This is coming
34:07for a place of words.
34:08All right, no,
34:08I'll receive.
34:09That was very aggressive.
34:10No, listen,
34:10time optimism is a thing
34:12because, you know,
34:13he thinks there's more time
34:15than there actually is,
34:15which means he doesn't
34:17really ever know
34:17what time it is,
34:19what day it is,
34:21what year it is.
34:22Like, he is shocked
34:23when he wakes up
34:25and he says,
34:25what day is it?
34:26It's Sunday.
34:26He's like...
34:27Like, it genuinely...
34:29He's like,
34:29what do you mean?
34:30It's like there's no...
34:31There's no Monday...
34:32Okay, so you call it
34:34time optimism.
34:34I think we call it
34:36early onset dementia.
34:38It could be that.
34:38It could be that.
34:40Well, answer me this.
34:41Have you ever been late
34:42for a tee-off time?
34:43No.
34:44Never not once.
34:45So he can do it
34:47when he wants to.
34:48Always over caters, Jules.
34:50Always over caters,
34:51which, like,
34:51I don't think that's...
34:52It's not a bad thing.
34:52It's not a bad thing,
34:53but picture this.
34:55You sound like compliments
34:56at the moment.
34:58I'm at home.
34:59We've got people
34:59coming for dinner.
35:00We like to entertain
35:01our friends,
35:02people coming over.
35:03I've done...
35:04You've done all
35:05the heavy lifting.
35:05I've done at all.
35:06I've gone to the grocery store.
35:07I've gotten all the things.
35:08I've cooked the meal.
35:09It's ready.
35:10We're ready.
35:10I have enough.
35:11We're ready.
35:11I am also quite an over-caterer,
35:13so it's not anything
35:14to worry about.
35:15People are going to
35:16get fed at our house.
35:17Guy.
35:18Guy.
35:19Panicking
35:19that there's not enough food.
35:21So he will legitimately
35:23leave the house.
35:25The people are arriving.
35:25He's like,
35:26I'm just going to go
35:27and get some more steak.
35:28I've got a solution.
35:30Sliders.
35:31I think if you've got
35:33a lot of sliders,
35:35what are you doing?
35:37The job's been done.
35:38Jules has catered for it.
35:40You've done nothing.
35:40You panic late
35:41and off you go.
35:42My nightmare
35:43is for people to go hungry
35:44and to not have...
35:46Well, join World Vision, mate.
35:56My mates in the eastern suburbs
35:57are fine.
35:58Look after them.
36:00But on the way back,
36:01being the time optimist
36:02that he is,
36:03so he's gone to get
36:04the extra food,
36:04but on the way back
36:05he's like,
36:06I'll just squeeze in a haircut
36:07or I reckon I can fit in
36:09a workout.
36:10You know,
36:11like it's like
36:11that dramatic sometimes.
36:13Well, it is amazing
36:14how many beers
36:14you can fit in
36:15on the way to marriage counselling.
36:18Alright, what else
36:19have we got on the way?
36:19Terrible at Mother's Day gifts.
36:21Okay, so there was
36:22this one Mother's Day...
36:23But you're not his mum.
36:24That's a good point.
36:25That's a great point.
36:26That's what I said.
36:27But I am the mother of his...
36:30No, it'll never clock.
36:32You can't just insert yourself
36:33into every bloody...
36:34Oh, it's a Queen's birthday.
36:36Where's my gift
36:37for it's a Queen's birthday?
36:38Guy.
36:40See?
36:41Who's giving who
36:42the intervention here?
36:44I'd back off a bit of poetry.
36:45You're going to have
36:46to go home together, so...
36:48This is going to be
36:48a very quiet trip
36:49home in the car tonight.
36:50I don't think we can say that.
36:52Finally, obsessed,
36:53and I think we know
36:54this as a nation,
36:55obsessed with getting
36:56his hair cut.
36:57Well, it's less about
36:58the obsession
36:59of getting the hair cut
37:00because we all know
37:00the fro's gone,
37:01so he's got to maintain
37:02the shorter kind of curls now.
37:04But it's more about
37:05inserting a haircut
37:06into the most inconvenient
37:09time of life.
37:10It's true.
37:11We'll just be ready
37:12to roll and he'll just be like,
37:12I've just got to go
37:13and get a haircut.
37:15Well, I'm like,
37:16what?
37:16We're having a baby.
37:17Yeah, we're having a baby.
37:20How long since the fro?
37:22Where's the fro been?
37:23Oh, it's been a long time.
37:25Do you miss it?
37:25I'd grow it if I could.
37:27It's just...
37:28If you guys caught up today...
37:29It's not as thick as it was
37:3023 years ago, you know?
37:31So I've let it go.
37:32It was a beautiful fro.
37:33I think the fro...
37:34Would you like to...
37:35Would you...
37:36To get together
37:37with the fro again?
37:37Get together again.
37:39Would you like to?
37:40The fro!
37:43Oh, wow.
37:45No, don't stop.
37:46Stop.
37:47Oh, that is like
37:47a celestial fro.
37:49Really?
37:50Because as we know,
37:51it was a huge campaign.
37:52It was part of your identity.
37:54It was who you were.
37:56I reckon that was
37:57the moment where I went.
37:58I think it clicked for me.
38:00I can't be serious
38:01with this thing then.
38:03No joke,
38:03I remember being...
38:04I think I was at Macca's,
38:06right, in Adelaide.
38:07And there I am.
38:08I'd just been on Idol
38:09and there was a few weeks left.
38:10I think Millsy got knocked out
38:12that week.
38:13And on the placemat,
38:16it said,
38:17go the fro,
38:18vote for Guy.
38:19And that's when I think
38:21I was like,
38:21this is actually
38:22a really big deal.
38:23All right,
38:24well, enough with the fro.
38:25We're getting the fro out of here.
38:26But it was a great thing.
38:27It was a good job.
38:31Guys,
38:31obviously,
38:32you live together,
38:33you've lived your lives together,
38:34but you've collaborated
38:35on some projects together too,
38:37which I'd like to draw attention
38:38to right now.
38:39What's next?
38:40Tell me this.
38:40This is a collab.
38:41The two of you did together.
38:42You've released your own fragrance.
38:44Yes.
38:44Talk me through it.
38:45What is it?
38:45It's available at Chemist Warehouse.
38:47I think it was my dad
38:48that made me love fragrances.
38:50Everywhere I've gone
38:51throughout the last
38:5220-something years,
38:53radio interviews,
38:54TV,
38:55things like this,
38:55people always talk about
38:56how I smell.
38:57And that,
38:58to me,
38:58is such a big compliment
38:59because it was always
39:01my dad that smelled well.
39:02A male fragrance.
39:03We've come a long way.
39:04In my day,
39:04it was Brute 33
39:05or Old Spice.
39:07I know.
39:08It was pretty much
39:09the limited opportunity.
39:11I've got my own
39:12fragrance.
39:14it's Chanel
39:15number two.
39:18I can smell it
39:20from here.
39:21My catchphrase is
39:23silent,
39:23but deadly.
39:28I like it.
39:29I often wear
39:30a male fragrance.
39:31It's called
39:31Capsicum Spray.
39:34What I do now
39:34is I just spray some
39:36on before I leave
39:36the house
39:37in my
39:37Eau de Capsicum Spray
39:40just to save
39:41the cops the hassle.
39:43I put a little
39:44on here.
39:45Oh, that's lovely.
39:46Bang!
39:47I was way
39:49ahead of the curve.
39:50I brought
39:50my perfume out
39:52many years ago.
39:54Oh, God.
39:57Oh, God.
39:59Get me up.
39:59Come on.
40:00He lost her.
40:03He lost her.
40:05All right.
40:06We're going to go
40:06to a break
40:07while we try
40:08Smith & Glenn 20
40:08and it's invited.
40:11Welcome back.
40:12It's got a ton.
40:13I want this tonneau.
40:23It's nearly over.
40:25I feel like we're
40:26making some progress.
40:28Welcome back to
40:29Smith & Glenn's
40:30Celebrity Intervention.
40:31Lawrence Mooney
40:32sitting in his co-host.
40:33Jewels,
40:34the wonderful Jewels.
40:35I think we're
40:36making some progress
40:36with Guy tonight.
40:37That's what I feel.
40:38I feel that he's
40:39really coming on.
40:40There's, you know,
40:40he's been blocking
40:42but he's now
40:43becoming vulnerable.
40:44So that's hard.
40:45And the whole...
40:45You're peeling
40:46the layers back.
40:47Yeah.
40:47Like an onion.
40:48That just got a little
40:49bit weird
40:50from the Glenn 20.
40:52I can see it.
40:53I'm high on feuds
40:55as we speak.
40:56Now we've done
40:57family,
40:57loved ones,
40:58work associates
40:59but there's friends
41:01out there too
41:01outside of your
41:03showbiz circle
41:04who love you deeply
41:05and are concerned
41:06by some of
41:06your behaviour.
41:08One of them
41:08is joining us
41:09in the studio
41:09audience tonight.
41:11His name is
41:12Tim Freeburn.
41:13How are you, Tim?
41:13How did you
41:14come Tim into
41:15being here?
41:15Jeez.
41:16Tim, stand up
41:18and I know you
41:18were nervous tonight
41:19about...
41:19He's standing up.
41:22About doing this
41:23and it gives you
41:24no great joy
41:25to have to do it
41:25so you've put it
41:26down in a letter
41:27because you wanted
41:28to express it
41:29right.
41:29I did.
41:29It's really emotional.
41:30Tim, fire away.
41:30We've never had a blue
41:31ever.
41:32Well, you're about
41:33to have one.
41:35Guy,
41:36there is a line
41:37true friends
41:38never cross.
41:39Recently you
41:40crossed that line
41:41and what's worse
41:42you did it
41:43while on that
41:44most sacred
41:45of journeys
41:45a boys trip.
41:47In a single
41:48moment you
41:48destroyed the
41:49friendship
41:50and trust
41:50that we had
41:51built up
41:51over decades.
41:52Oh, wow.
41:54I stand here
41:54a broken man
41:55due to your
41:56behaviour.
41:57I can't even
41:58bring myself
41:58to say what
41:59you did.
42:00Oh, my
42:01world.
42:03Calm down, Tim.
42:04Hang on,
42:05a boys trip?
42:06A boys trip?
42:07Is it...
42:08You recall this?
42:09Be careful
42:09what you admit to.
42:11Yeah.
42:12Yeah.
42:13I'll give you a hint.
42:14A fishing trip?
42:17Oh.
42:18You know, mate.
42:20Yes.
42:20You know.
42:21You...
42:23Mate.
42:24What happens on the trip
42:25stays on the trip?
42:26That was between us.
42:28You put it on social
42:29media.
42:31Okay, what did
42:32you do?
42:33I lied.
42:34You lied?
42:35I lied, yeah.
42:35A big lie.
42:36It was big.
42:37The Greatest Fisherman
42:38Lie of All Time.
42:39Yes.
42:39What did you do?
42:40I took a picture
42:42with a fish
42:43that I didn't catch.
42:44Oh, my God.
42:47Get out!
42:48Yeah.
42:50And you also got
42:51Larry Emder in there.
42:52Yes.
42:53As well.
42:54Yes.
42:56Was he on the trip
42:57or he just saw the cameras
42:58and thought he'd swing by?
42:59He had Kerry-Ann
43:01on the line as well
43:01but let me get out.
43:03Who's at Larry's house?
43:05Larry Emder has said
43:06that that is
43:07the most humiliating
43:09experience of his life
43:10and he was on
43:11Celebrity Dog Watch
43:14or whatever.
43:16You can't even bring
43:17yourself to say it.
43:18So, whose fish was that?
43:20So, that's at Larry's house.
43:21It was Larry's neighbour.
43:22Let's be honest.
43:23Yeah, it was his neighbour
43:24and the problem is, right,
43:28to catch a mull away
43:29takes hard work
43:30and patience
43:30and you're there
43:31pretty much
43:32they fish through the night.
43:33Sure.
43:34This was at Larry Emder's house
43:36which isn't like
43:37in a suburb somewhere.
43:38You drive all the way
43:39out to Wiseman's Ferry
43:40you've got to get a boat
43:41to get to his house.
43:41It's a lot.
43:42It'll be a palatial mansion
43:44with all that
43:45price is right money.
43:46Yes.
43:47Yes.
43:48We just gave Larry's address away.
43:51And here I am.
43:54I've told Jules
43:55we're going on a fishing trip.
43:56We caught one fish
43:58that was like that.
43:59If that.
44:00And then the neighbour
44:01was there
44:02and he had caught that
44:03and I said
44:03I'll hold it for you.
44:04You must have been
44:05on his fish.
44:06I'll hold it for you
44:07and then I said
44:09oh can you get a photo
44:11of me with it
44:12and then posted it.
44:14So you.
44:15Wow.
44:16Well there's a couple of things
44:17that I want to look at
44:18in this photo.
44:19First of all
44:20where's your left hand?
44:22Because
44:24there's no wonder
44:25that mulloway's eyes
44:26are boggling.
44:27That's another little trick.
44:28Show me on the fish
44:29where the celebrity
44:30touched you.
44:32Show me on the fish.
44:34I'm sorry.
44:35I'm sorry.
44:36Well it is.
44:37It's a heartfelt apology
44:38from you
44:39and that's a start.
44:40You said it's a mulloway.
44:41What if it was
44:41an orange ruffie?
44:42Yeah.
44:42Have you ever done it
44:43with a flathead?
44:44No.
44:45Have you ever?
44:46Where did it begin?
44:47No, no, no.
44:47And I need to put
44:48on the record
44:49that was the only time
44:50I've done that.
44:53Did you.
44:53The only time.
44:54Throw that fish back.
44:55No.
44:56It wasn't mine
44:57to throw back, Glenn.
44:58It was the name of this.
45:00We tracked that fish down.
45:04No.
45:05No.
45:07Why?
45:08That is the worst of all.
45:10That poor fish.
45:12Hang about.
45:12Hey, see how good things
45:14can happen from bad things.
45:15You talked earlier
45:16about me feeding kids.
45:18Yeah.
45:19There you go.
45:20Jules.
45:21Jules, you can use that
45:22to cater your next party.
45:25Give it to me.
45:26The worst part of this story
45:27is that I'm finding this out
45:28for the first time
45:29right here this very minute
45:30that he lied about that.
45:31I didn't know that.
45:32That's him.
45:33Tim, I'm with you.
45:35Jules, if that's the worst
45:36thing that happens
45:36on a boys' trip,
45:37you're out in front.
45:41Jules, thank you tonight.
45:42Jules has been one of these.
45:44Hang about.
45:45Please don't go.
45:46We're going to come back
45:47and work out
45:48what we've learned
45:49on the other side of this.
45:50You ready?
45:51You ready?
46:01Welcome back to the conclusion
46:08of Mick and Glenn's
46:09Celebrity Intervention.
46:10We've invited everyone
46:11back to the couch.
46:12Look at this end of the couch.
46:13Look at this, girls.
46:16Hello, girls.
46:16Hello, girls.
46:17Dinner's on.
46:20It's all you can eat.
46:23There's some himbo action
46:24down the Paris end.
46:27Thanks for joining us, Tim.
46:28Thanks for joining us, Milsy.
46:29Thanks for joining us, everyone.
46:30Before we get to our conclusions,
46:31congratulations on the tour.
46:33It's still underway.
46:34Yes.
46:34Fantastic.
46:35You just keep coming.
46:36It's going well.
46:36You don't need to plug the tour.
46:38I got told I have to.
46:38Margaret Court here.
46:40I see C&T.
46:41All the arenas all over the country.
46:43Margaret Court, I see C.
46:45It's great.
46:46We've had so much fun tonight.
46:47Just waiting on...
46:48Yep, I think she's arriving now.
46:50Pauline has just arrived.
46:53The studio.
46:56Oh, no.
46:57Oh, no.
46:58She'll be back.
47:02Missed it, Pauline.
47:03That much.
47:05We've had a great fun tonight.
47:07Do you think we've made
47:08any headway?
47:09What do you think
47:10you've learnt tonight?
47:11Nothing.
47:14No.
47:14Be on time.
47:15Be nice to Jules.
47:16My head's too big to...
47:18You cannot penetrate this.
47:22No, I've learnt a lot.
47:24You've learnt a lot.
47:25A bit of humility.
47:26And I'll take...
47:26Well, what I do need to now do
47:29is give back.
47:31Because I, from the back...
47:33Off the back of that picture,
47:34became the president
47:35of the Maroobra Fishing Club.
47:38I will renounce that role.
47:41They'll be having their intervention
47:42down at the Fishing Club very soon.
47:44What have you learnt, Glenn, tonight?
47:46Any of you?
47:46Well, I don't...
47:47Look, I don't want to be
47:50too over the top here,
47:51but I've got to say
47:53singing isn't that hard.
47:56Okay.
47:57Two of the finest singers
47:58in the country.
47:58I know.
47:59I know.
47:59It's a very big statement.
48:01And look, this is totally unrehearsed.
48:03Do you mind if I do this?
48:04Sure.
48:04Can I just show you
48:06how easy singing is?
48:08Go for it.
48:09I will...
48:10I'm just going to...
48:12Settle in.
48:12Settle in.
48:14I'm just going to hit a note.
48:16Any note?
48:17Just watch how it comes out.
48:18Watch this.
48:19Whoa!
48:26Do you like that?
48:28It's beautiful.
48:28Now, look.
48:30We haven't rehearsed this.
48:32Guys...
48:32It looks pretty easy.
48:33Can you harmonise with me?
48:35Sure.
48:35Okay.
48:36Me too, or just...
48:36I love it.
48:37Yeah, two of it.
48:37Two of it.
48:37Oh, wow.
48:38And here we go.
48:40And...
48:40Whoa!
48:46Whoa!
48:46Whoa!
48:47Whoa!
48:49Sorry, guys.
48:50I...
48:51I cut you off a bit earlier.
48:52No, you didn't.
48:53You didn't.
48:54What we were thinking...
48:54Why don't you jump in?
48:56Is this a boy town reunion?
48:57This is.
48:58Do you want to be in?
48:59Yes.
48:59You're two.
48:59There we go.
49:00Here we go.
49:00I'm like you, and...
49:04Whoa!
49:09Whoa!
49:13Oh, yeah!
49:16Yeah, yeah, yeah!
49:18Whoa!
49:20Boy, town's back!
49:22All right!
49:25That was good.
49:26Well done.
49:27Wow!
49:28Wow!
49:28That was beautiful.
49:30The only bit of business, we need to get your photo done with your own fish.
49:33Come on, let's finish this show.
49:34Get up here.
49:35Bring it at the fish.
49:37Oh, my God.
49:38Come up here.
49:40There's a camera.
49:41We're going to hold this out.
49:42The further you hold it out...
49:43There's a trick to make it look better.
49:44Yep.
49:45Get the afro in shot.
49:47And good night, everybody.
50:02I thought that went well.
50:03Yeah.
50:04Yeah.
50:04Hey, listen, with your next album, would you like me to do some backing vocals?
50:09All right.
50:09Give us a note.
50:15I'll get back to you.
50:17Hey, listen, before you go, I've got some of my perfume for you.
50:20Glen 20 signed for you.
50:21Oh, you signed it?
50:23Yeah, yeah.
50:24That I will cherish.
50:25Yeah, thanks, mate.
50:26It's brilliant.
50:27Glen 20, I get it.
50:28Yeah, Glen 20.
50:29Oh, God, that's so good.
50:31Guy.
50:33Can he rose?
50:34Can he rose?
50:35Can he rose?
50:38Can he rose?
50:38Oh, God.
50:38Oh, God.
50:39Well, I'll see you in the next album.
50:39Give, let's go.
50:39I'm going?
50:39And of the next album.
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