- 10 minutes ago
Spider-Noir S1 E2- Tread Lightly
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Short filmTranscript
00:00The New York Times
00:02The New York Times
00:03The New York Times
00:05The New York Times
00:06The New York Times
00:09Silvermane, charge of organized crime for 30 years.
00:12Someone burned down his mansion a couple of nights ago.
00:15Addison!
00:16You keep following me, it won't end the way you wanted to.
00:19Does this guy have superpowers?
00:20Like you?
00:22Do me a favor, hold off on printing that.
00:24I want to warn Donnerville before he gets himself killed.
00:27It's a little for that.
00:28There's gonna be a free-for-all.
00:30The people could use a hero.
00:32I hope they find someone.
00:33I can't help but wonder what Ruby would think.
00:36I'm not that guy anymore.
00:38Any chance you know who this is?
00:40Oh, that's Cat Hardy.
00:41Star attraction over at the alcove.
00:43Is there somewhere we can talk? It's business.
00:45Flint? Despite what I do, we don't enjoy hurting people.
00:53Don't hurt him.
00:54What the hell is this?
00:55Just leave us alone, please.
00:56When someone tells you what they are, you have to listen.
01:00Then what is he?
01:01Retired.
01:02I came here to offer him a job.
01:05My friend you met last night, he's disappeared.
01:34You were saying Flint's your bodyguard.
01:36Yes.
01:36He protects me and he's loyal.
01:39Hard to find these days.
01:40No kidding.
01:41I didn't marry my husband for his looks.
01:43What else can you tell us?
01:44Does he have family, friends?
01:46I don't know anything but his personal life.
01:48I know his address.
01:51Are we gonna talk about the fact that he turned into some kind of sand monster?
01:55What I know, she knows.
01:58It started about six months ago.
02:00Slow at first.
02:02But it's been getting worse.
02:04And he never remembers when it happens?
02:07Oh, he always remembers.
02:08Unless he gets clubbed in the head with an iron girder.
02:12That's it.
02:13He turned into sand.
02:14That's it.
02:14What's sand, right?
02:16It just seems like kind of like a big deal.
02:17So do you have any clues as to what's causing this to happen?
02:20You haven't given us much to go on.
02:22Isn't that what the money's for?
02:24You're an investigator.
02:26Investigate.
02:28You know, an artist doesn't just paint with air.
02:30He needs a canvas, brushes, paint.
02:33Do you think I'm withholding from you, Mr. Riley?
02:35What if I said I did?
02:36I'd ask why you thought that.
02:37I'd say a lifetime of experience.
02:39With clients?
02:40With...
02:41women.
02:43As fun as this little game is, I'm afraid I have other business to attend to.
02:48Gifted painting, Mr. Riley.
02:58What do you think?
02:59I think you might need a cold shower.
03:02I think I might need one.
03:06But you're right.
03:08She is hiding something.
03:10All the fun ones do.
03:11I'm gonna check out Flint's apartment.
03:14Why don't you go down to the...
03:15Bureau of Criminal Records?
03:17Yeah.
03:17Been a while since we've had a real case.
03:20But it ain't been not long.
03:22You gotta accentuate the positive.
03:28Do you live?
03:30Find it the negative and latch on to the affirmative.
03:34Don't mess with mystery in between.
03:38You gotta spread joy up to the maximum.
03:42Bring the blue down to the minimum.
03:46German half-faith.
03:47Amen.
03:48A pandemonium lovel to walk upon the sea.
03:53Amen.
04:01Gonna meet a new supplier at the docks tomorrow.
04:05Canadian.
04:07You didn't tell me that.
04:08I'm telling you now.
04:11It's not smart for you to go out in public until we know who tried to take you out.
04:15I'll go where I want.
04:17With all due respect, you don't pay me what you pay me for my charm or disposition.
04:21You pay me to keep you alive, and I'm telling you it's a bad idea.
04:25If you dying benefited me, I would have done it myself ten years ago.
04:28But I know what I'm good at, I know what I'm not, and I need you to stay alive and
04:33in power.
04:34So pretty please, with cherries on top, let me go down to the docks of Hetty, and once I make
04:39sure everything's kosher,
04:40you can waltz on in and show everyone the brightness of your feathers.
04:44You finished?
04:48The problem is not that the guy is out there, the problem is that they thought they could take me
04:53out at all.
04:54Ever since the spider disappeared, things have been comfortable.
04:58Maybe someone's thinking that I got complacent, or soft.
05:03Maybe you were one of them.
05:06Thinking you could take me out?
05:09If you could set yourself on fire like Addison, then you'd probably have a shot.
05:12Imagine controlling that kind of power.
05:16Now Flint goes missing.
05:19Right after.
05:21He's been acting strange lately.
05:23If those two things are related,
05:26I'll look for Flint.
05:32And when the boys find our P.I., Riley, bring him straight to me.
05:53The colors fading from the photograph.
05:55I could tell the story, but still you wouldn't know the hell.
06:00This love was brought to life from shots of glass.
06:03When you kiss me, there's a shifting in the sleepier time.
06:07Can't escape the madness, baby.
06:09Magnetism.
06:11Run away, but something pulls me back into it.
06:15Lately, I've been staring at a broken mirror.
06:18Needing someone to come out.
06:22Hating forever.
06:24I need someone to save me now.
06:27For my heart of pain.
06:30I suffer.
06:32And there's only one that brings me down.
06:34Cause now all things sweet,
06:38It's better to taste.
06:40But you can be my saving grace.
06:48MM host Beard
06:49Now all things sweet to me since I'm reading this song.
06:58You're the only one and one spiritual hero.
06:58I'm dreaming now.
06:58I'm dreaming now.
07:47Hi, this is Robbie Robertson calling.
07:49Mr. Robertson, how many times do I have to tell you you're never getting your old job back?
07:54Listen, I don't know if Walters has seen my article in the Gazette, but I just...
07:57Mr. Robertson, there's no point in...
07:59What I'm saying is I just need to sit with him, that's all.
08:02Mr. Robertson, please.
08:03But if you...
08:04Mr. Robertson, I'm going to hang up now.
08:07I'm on to something truly sensational.
08:09It's the biggest story in years.
08:10There hasn't been anything this big since the spider.
08:15I promise it'll be worth his while.
08:21I'll see what I can do.
08:30What's up, Marco?
08:32Got a delivery.
08:34Anybody home?
08:35All right.
09:03Here's where I can go.
09:05I'm going to die.
09:18I'm dying right.
09:21I'm dying right.
09:22You're a witch.
09:28Allison!
09:33Clint, it's Winston.
09:36Silverman wants to talk to you.
09:38Give me the key.
09:51Check the bedroom.
09:55Come on.
10:33Come on.
10:47Nice place.
10:50Yeah, a bit fancy for my taste.
10:53And I got a pretty good idea why.
10:56Why?
10:58Let's go.
10:59You think you got a new lady?
11:01Is that why he ain't coming to poker lately?
11:11If you're blue and you don't know where to go to, why don't you go where fashion sits?
11:18Puttin' on her head.
11:20Damn it.
11:21All the time.
11:22I thought you might have wised up and quit the bitch.
11:24Oh, no.
11:25Not me, Hank.
11:26Sad to report.
11:27I'm dumb as ever.
11:30Found the sitting outside.
11:31I didn't know if I belonged to anyone.
11:34Every Sunday evening when it's well.
11:37We're from there for the last minute.
11:39I know my wife made me quit eating these.
11:41Okay, well, in that case...
11:42I...
11:43Last I checked, you ain't my wife.
11:47Name?
11:48Flint.
11:48Marko.
11:49All right.
11:50Right back.
11:51When you did touch that bag, it ain't a bribe if I don't get to eat it.
11:56Come on, man.
11:57Good to see you.
11:58Oh, hey, Charlie.
11:59How you been?
12:00Hey, man.
12:00Hey, man.
12:02Hey, man.
12:03Quite the record, our Mr. Marko.
12:06Grew up in Brooklyn.
12:07Working class.
12:08Came back with no prospects.
12:09Small crimes, then bigger ones.
12:11Arrest, arrest, arrest.
12:14Now an enforcer for...
12:16Silverman.
12:17That Winston guy showed up while I was at Flint's.
12:20You hid in the closet?
12:22Yeah, hid in the closet.
12:25No, Sargon.
12:27Didn't you fight there, too?
12:28Yeah.
12:29It was one of the biggest battles of the war, and where a million of us are.
12:32Hold on.
12:33Is that...
12:34Addison.
12:35Looks like they were in the war together.
12:37Is that what Kat is hiding from you?
12:39I bet she knew that Flint had a friend with superpowers.
12:42Oh, I know.
12:43What I don't know is why she didn't tell me.
12:45Probably thought you wouldn't have taken the case.
12:46She would have been right.
13:24I don't think I've ever heard that one.
13:26I wouldn't think so.
13:28It's an original.
13:32Visited Flint's apartment today.
13:36This mean anything to you?
13:38I knew he was in the war.
13:40Hard to believe he was ever so young.
13:43What about this guy?
13:45You see him?
13:45This little guy right over here?
13:46You ever come around the alcove, visit Marco?
13:51Can't say I've ever seen him.
13:54His name's...
13:56Addison.
13:57He's the guy that burned down Silvermane's mansion.
14:00He's dead now.
14:01So is the P.I. that shot him.
14:04What can I say?
14:06The world's a dangerous place.
14:12You're pretty cool under pressure.
14:14I wasn't aware I was under anything.
14:15Why don't you tell me Flint worked for Silvermane?
14:17Would you have taken the case if I had?
14:18I don't like surprises.
14:19I'll remember that when your birthday rolls around.
14:25The deed is under my name, but it's no secret Silvermane owns this place.
14:30And Flint's a good way to protect his investment.
14:32And you.
14:33And me.
14:35You see, this club lives and dies on people walking through that door because they want what I give them.
14:44Are you trying to get me, Mr. O'Reilly?
14:47Get you?
14:48Understand me.
14:49Seems you got my number.
14:51I've learned a lot of them over the years.
14:53Oh, want one for every Tom, Dick, and Harry?
14:56Hmm.
14:57You're interesting.
14:58Oh, yeah?
14:59How's that?
15:00Oh, the other night when we met, you called yourself a coward.
15:03But I think you're braver than you let on.
15:06Oh, you're good.
15:09In an obvious sort of way.
15:10I'm as subtle as the situation requires.
15:13You see, I have business with Silvermane and I have business with you, Mr. O'Reilly.
15:17One has nothing to do with the other.
15:19Now, have I said enough for you to keep the money you came here to return?
15:23Or have I misjudged you?
15:25No, I'll keep working the case.
15:28Not because I'm brave.
15:30Why, then?
15:30Uh, a singer's got to know all the numbers.
15:34Maybe a detective just got to know all the answers.
16:01Okay.
16:12Oh, come on.
16:12Oh, come on.
16:12Oh, and...
16:36uh it's uh tai chi yeah that's right it's tai chi it's it's good it's good for breathing and
16:46relaxation i recommend it i don't have the slightest clue what you're talking about we don't care either
17:01a toaster really gosh i shouldn't have thrown it so hard
17:16come on let's go for a ride
17:27you mind telling me why i'm here silverman wants to see you i figured that i'm asking you why
17:33we're not really the why guys maybe you wouldn't be here if you didn't try ripping the boss off ah
17:39donegal i didn't have anything to do with this little scheme i actually try to talk him out of it
17:44like i said the boss just wants to talk and i've got no idea who hired addison to burn down
17:49your
17:49boss's house you don't know nothing huh double negative but we'll set that aside for now my
17:54point is i'm not much of a detective yeah then you got nothing to worry about just like dongle right
17:58oh yeah just like dongle by the way i am sorry about the nose me that was him
18:12get out
18:21where'd he go check the side
18:31boss ain't gonna like this yeah he wanted us to bring him in
18:35get back
18:46times are tough all over but the true measure of a city is in how it responds to the hard
18:54times
18:54and this isn't topeka or kalamazoo this is new york we're gonna link arms and stand strong
19:02against the rising tide
19:07what's the headline here
19:10desperate morris delivers dud
19:13i'd go with quadruple m mayor's missive mrs mark
19:18man i wouldn't trust hudson to do my laundry that man's gonna beat morris by 10 points
19:22sometimes you just want a different brand of snake oil
19:26so uh you gonna explain your face let's just say you should lay off the addison recording
19:34silverman he's on a war path about addison wasn't always coming after him so tread
19:40lightly i'm not the one with the face that looks like hamburger meat
19:44i've traveled with those guys before as the man with the mask and the goggles new york's beloved
19:50hero of the hour not as ben riley you know what give me that i'm making a declaration right now
19:57that's right if i'm re-elected you can say goodbye to prohibition
20:03man knows his audience as god is my witness you'll never go thirsty again
20:10look all i'm saying is in it with silverman now the choice is to suit up or die
20:16might be time to tango again maybe you'd be doing the city a favor in the process
20:20oh come on robbie enough of that you know what i'm doing after this what being beautiful
20:26and working the addison story i don't publish i don't eat my french
20:33i've been thinking about the canadians you're gonna let me handle it no i'll do it plan stands but
20:44go ahead of me scout it out
20:51huh but i think it's stylish what do you think winston i'm not one for fashion but the whole thing
21:00is a
21:00little old tired now winston have you got a gripe at her no i just think there's better thing to
21:09spend time on than dressing up dolls well there's fashion and there's taste box it up you like it too
21:17right honestly i think yeah yeah it's perfect
21:40i'm looking for the addison
21:40excuse me ma'am i'm looking for the addison
21:55this is addison
22:28Who are you?
22:34Hey, brother.
22:35Don't hate brother me.
22:37I asked you a question.
22:39You sure did.
22:40And seeing as you are a very large and angry man, I'm going to answer.
22:46Looking for Vera Addison?
22:48You know where she is?
22:49Why do you want to know?
22:51Well, I am a reporter working a story on James Addison's death.
22:55I wanted to talk to his widow.
23:01Jimmy's dead.
23:04Oh, I'm sorry.
23:05You guys were friends.
23:08How did he die?
23:10There was an explosion.
23:14Standard oil depot.
23:16Why are you writing about him?
23:18Well, before he died, he burned down the wrong house.
23:21Whose?
23:23Silverman.
23:32I think it's time for you to leave.
23:34Wait, wait, wait, wait, wait, wait, wait, wait, wait.
23:35Hmm.
23:36Addison didn't just take it upon himself to burn down the house of the most dangerous man in the city.
23:41Someone paid him to do it.
23:42Now, look, he was your friend, so I'm guessing he wasn't a bad guy.
23:46He was sick.
23:47And these days, call for men to use their sicknesses to get by until their sicknesses eat them alive.
23:53Hang on.
23:53What do you mean he was sick?
23:54I don't know who hired him.
23:57But yeah.
23:59His wife, mate.
24:00And do you know where I can find her?
24:02Try the Jeffrey Hotel.
24:04She always went there when they came in some money.
24:06And when she came back, the money was gone.
24:10Go figure.
24:11Oh, thanks.
24:13I'll pay her a visit.
24:18I told you.
24:20He hardly comes to the office anymore.
24:22I can't remember the last time I saw him.
24:24Well, maybe this will show your memory.
24:27Please, stop telling me the truth.
24:31For your sake, I hope so.
24:34We'll be back.
24:51Janice, did they hurt you?
24:54No, not this time.
24:56But they said they'd be back.
24:59Then they would have gone to my head.
25:01They kept saying that I'd end up like Donegal.
25:03That if I didn't tell them where you were,
25:06he and I'd be crossing the river six together.
25:09What does that mean?
25:12It means Donegal's dead.
25:14Silverman killed him.
25:16But I'll take care of it.
25:18Ever since Ruby died, I've been waiting for you to get it back together.
25:21Back to the man I know is buried somewhere inside you.
25:25Five years.
25:28And this is how it ends.
25:32Janet, go home.
25:33Get some rest.
25:34You'll feel better.
25:35And I'll call you when it's safe.
25:38Yeah, I'm gonna go home.
25:41But I am not coming back.
25:43I care about you, Ben.
25:45So deeply.
25:48But not enough to die for you.
25:51Janet.
25:54Janet!
25:54Janet!
26:16Let me.
26:45Hiya! I'm Pete with maintenance. Sorry about the leak. It'll be no problem. I'll just...
26:49Gosh, the unit downstairs. Big mess. Water. Water. Everywhere.
26:52What's going on?
26:53Something about a leak?
26:54You know, I like what you've done with the place. Although, if you move the table over by the window,
26:58you really get that sunset glow at dinner.
27:00I told you that.
27:01I'm sorry. Have you been here before?
27:03I am familiar with the unit, yes. Bathroom's that way.
27:26Well, don't just stand there and say something.
27:28Um, sir, what exactly are you fixing?
27:32Oh, yeah, John, I found the issue. You've got a busted jerry basket.
27:37It's a misalignment from the mission joint.
28:03Excuse me. What's happening in there?
28:06A bit of an existential crisis, if I'm honest.
28:10About my toilet?
28:12About my toilet?
28:30I don't think that guy was a plumber.
28:44I don't think that guy was a plumber.
28:54Says it to the left.
28:57Thanks for your trouble.
29:00Thanks for the dollar.
29:04Mrs. Addison.
29:09I didn't order anything.
29:11My name is Robbie Robertson. I'm a reporter.
29:14Hold on, hold on, hold on. Now, I just, I just want to talk.
29:18You have three seconds to get out of here or I'm going to scream.
29:21Then I don't think you want a white woman screaming about a black man trying to force his way into
29:24a hotel room?
29:27Actually, I got a hunch that you wouldn't want the city's most ruthless gangster knowing
29:32that the money someone paid your husband to kill him was being spent on lobster and designer clothes.
29:40So go ahead and scream, honey.
29:42Unless you want me to do it.
29:43I got a pretty deep voice.
29:44It really carries.
29:46Hmm.
30:09So that's it?
30:10What do you mean?
30:12No tears?
30:12I just told you your husband died.
30:15People grieve in different ways.
30:19You already knew.
30:23James was a lot of things, but not the type to cut and run.
30:26When he didn't come home that night, I figured he was never coming home.
30:30When did he start setting fires?
30:32Six months ago.
30:33Suddenly discovered he had an innate talent for it.
30:35Who hired him for the silver main job?
30:38Just because I didn't scream doesn't mean I'm an open book.
30:42As far as I'm concerned, James dug his own grave and now he's lying in it.
31:02This place feels haunted.
31:04Ask as it is.
31:09Speaking of ghosts, Jimmy Addison's dead.
31:14What?
31:16What?
31:18What?
31:18A couple days ago, some reporter came around asking about him.
31:21Wanted to know who hired him to kill silver man.
31:27You didn't know.
31:28If I'd known, I would have stopped him.
31:40Flint, you don't look so good.
31:43It happened again.
31:46Changed completely this time.
31:48Never changed back.
31:49Yeah, not all the way.
31:52It's like the doc said.
31:55Our clocks are ticking.
31:58Faster and faster now.
32:01Everything we went through.
32:05We deserve better, you and I.
32:08Let's get out of here.
32:10You can crash to my place.
32:12Better for us to stick together right now.
32:16Yeah.
32:18You have to check every crate?
32:20Is it because we're Canadians?
32:22Yeah, it's because you're Canadian.
32:23No.
32:24Boss doesn't trust anyone.
32:26Myself included.
32:27The place still runs this town.
32:30Shedman's good, boss.
32:32Ready for you to come.
32:33All right.
32:34I'm on my way.
33:08What is that?
33:16Hey, go check it out.
33:17Go, go, go, go, go, go, go.
33:21We're on the roof.
33:28Shoot him.
34:00Where'd he go?
34:10Where'd he go?
34:14Where'd he go?
34:14Come here.
34:18Oh, God.
34:20Do you have to run out of the boat?
34:23Yes, you do.
34:34Well, what the hell are you waiting for?
34:38After you.
34:39No, no, by all means.
34:41Out of the car!
34:52Whoa, whoa, whoa, whoa.
34:53Not another step.
34:58Say, hi, Chi.
35:12It's been a while.
35:14You've done well without me around, haven't you?
35:17I just know you did hit jobs now.
35:19Do you mind if I ask you who hired you?
35:21Nobody hires me.
35:22I'm here because of Ben Riley.
35:25Riley the Flatfoot?
35:26Yeah, that's right.
35:28I owe him a favor.
35:29Sorry, where are my manners?
35:31Do you want a drink?
35:31No.
35:32I want you and your guns to lay off Riley.
35:35He doesn't know who tried to kill you,
35:37and roughing up his secretary isn't going to change that.
35:40So, I leave the gumshoe alone, and that's it?
35:43Because you know, back in the day,
35:45you really couldn't leave me alone, could you?
35:47I don't think you're listening to me, Silverman.
35:50This is your only warning.
35:52If you mess with Riley or any of his people,
35:56I will kill you.
36:02We're all like, Silverman.
36:07We need to call you one thing.
36:11We can't come to the top of die.
36:12Just a Espiritu.
36:12We'll kill you.
36:13We'll kill you.
36:14We'll kill you here.
36:14We'll kill you.
36:18We'll kill you.
36:25We'll kill you.
36:27We'll steal you over here.
36:28We'll kill you.
36:49Riley?
36:50This you?
36:51This your doing?
36:52What are you talking about?
36:54Did you stop Silvermane's car?
36:56Well, you heard about that, huh?
36:58What's your name?
36:58Yeah, well, I got some bad news for you.
36:59Cops had an ambush set up for Silvermane at the docks.
37:02Someone gave them a tip about a booze exchange.
37:04Someone tipped off the cops about a Silvermane booze exchange?
37:07Yeah, they're rounding up about a dozen of his guys right now.
37:10Cops were all set to catch the man himself in the act,
37:12but Silvermane never showed.
37:13Do they know why he didn't show?
37:16No, don't worry.
37:17Police got word that someone stopped Silvermane from coming.
37:20They don't know it was you.
37:21Shit, gotta go.
37:23I ain't trying to die in no phone booth.
37:50What the hell did I just do?
37:59You said you're a lonely.
38:05You said you cried the whole night through.
38:10Well, you can cry me a river.
38:15Cry me a river.
38:19Cause I cried a river over you.
38:24Ooh.
38:25Ooh.
38:28Ooh.
38:29Ooh.
38:29Ooh.
38:29Now you say you're sorry.
38:34Ooh.
38:34For being so untrue.
38:39Ooh.
38:40Ooh.
38:41So what?
38:42Just cry me a river.
38:46Cry me a river.
38:48Ooh.
38:49Ooh.
38:51Ooh.
38:51Cry me a river.
38:56You drove me out of my head
39:05While you never shed a tear
39:11Remember, I remember all you said
39:17You told me love was too plebeian
39:21Told me you were through with me
39:25And now you say you love me
39:32Well, just prove you do
39:38Go on and cry, dear river
39:42I'd like to see you cry, river
39:48Cause I'm tired of crying over you
39:57I'm tired of crying over you
39:58I'm tired of crying over you
40:03I'm tired of crying over you
40:26I'm tired of crying over you
40:28I'm tired of crying over you
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