- 9 hours ago
Off C.A.M.P.U.S Episode 3
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Short filmTranscript
00:21Do you know more than that?
00:23Yeah, it's just something I do.
00:25Reach me when I'm stuck.
00:27Keep going.
00:30Let's pray.
00:32Let's pray.
01:08You make me nervous.
01:14What is that?
02:00You make me nervous.
02:14You can do it.
02:15I know.
02:17I know.
02:17But I'm going to.
02:22Are you almost there?
02:24I'm trying.
02:26Keep going.
02:27I can do this.
02:29I can do this.
02:33Can you?
02:41I can do this.
03:02Flashcards and everything.
03:03Actually, about that.
03:08I know we're down to the wire and I promise I'll have you ready for Tober tomorrow.
03:12But.
03:13But?
03:14But I can't meet right now.
03:16Because I have my first songwriting session with Justin.
03:19I asked him for help with my showcase song, like you said.
03:21And you went for it.
03:25Hello?
03:28Did I lose you?
03:30I'm here.
03:31Are you keeping up?
03:32Calling to say that you were right.
03:33It's usually where you hit me with some arrogant reply.
03:36What can I say?
03:37I know my pretentious douches.
03:39There he is.
03:40Okay.
03:41Anyway.
03:41It's impossible to get a rehearsal space last minute, but I got one.
03:45So I have to push tutoring until later.
03:47Five-ish?
03:48Sure.
03:50Are you okay?
03:52Yeah.
03:53Yeah, why?
03:55Because you're speaking in two and three word sentences.
03:59No, I'm not.
04:01Yes, you are.
04:03Well, Z, I am thrilled beyond words that we have accomplished this key step in Project
04:10Loverboy, and you are on the road to getting laid.
04:13Uh, excuse me.
04:14That's not what this is about.
04:17Justin is not just some random guy I want to hook up with.
04:20He is a talented musician who I respect.
04:24And also want to hook up with.
04:28Well, yeah.
04:30Oh, my God.
04:31Oh, my God.
04:32I'm so nervous.
04:35You're overthinking.
04:36Get out of your head.
04:38You know your shit.
04:39Just do you.
04:41Yeah, right.
04:43Me.
04:46By the way, he may not know it yet, but you're the real catch.
04:52So, act like it.
04:56Thanks, Coach.
04:58Okay.
04:59Gotta go.
05:11Come on.
05:13Come on.
05:19Yes!
05:20No!
05:21I win.
05:22Eaton De Laurentiis, everyone.
05:24Losing to a girl.
05:25Sexist.
05:25How is that sexist?
05:27She is not a girl.
05:28She's a person in a girl's body.
05:31Aw, Dean.
05:32Mandy falls cannibal.
05:33Sorry.
05:34You're good.
05:35Gee, this is Lexi's friend Zoe.
05:37Zoe.
05:37Ha!
05:38Zoe!
05:38Two out of three, okay?
05:39Let's go.
05:40Let's go.
05:40Dean.
05:41Dean, chill.
05:42Garrett needs to study.
05:43Yeah, well, and I need to live.
05:44Okay?
05:45This is a living room.
05:46Hey, Dean.
05:47Come on.
05:48Garrett's benched if he doesn't pass this thing, and then he's fucked.
05:50Then your whole line is fucked.
05:51And the season's fucked.
05:52I can't be the number one fan of a shitty team.
05:54That's so embarrassing.
05:55Right.
05:55Guys, I'm trying here.
05:56Rain fuel flying in, Cap.
05:58We got you.
06:00High in omega-3s, car Ford, no keto bullshit.
06:04Yes, sir.
06:04What is that?
06:05More liquid IV.
06:07I thought you passed on the sponsorship.
06:08Yeah, I did.
06:09They DM'd my dad some happy family marketing angle.
06:12They want me to do the whole thing with him.
06:13Wait, sorry.
06:14That's it?
06:15How much money did you leave on the table?
06:17Does it matter?
06:17It's kind of his business.
06:18Y'all, he's trying to study.
06:20Trust me.
06:20No amount of money is worth it.
06:22That's why Taco Shack is the ideal sponsorship.
06:25No strings attached.
06:26Just carne asada.
06:27All I'm saying is cash is better than tacos.
06:29Unless you don't need the cash, I guess.
06:31Jules.
06:31What?
06:32He knows he's a nepo.
06:33Okay, you know what?
06:34I need to focus.
06:35Jeez.
06:36No.
06:37Seriously, dude?
06:41Think he's coming back for that?
06:50I mean, it's just a start.
06:52What I have, it's rough still.
06:56Might totally suck.
06:58That might suck.
06:59Might not.
07:00It's a process.
07:03Yeah.
07:13Yeah, I like this, uh, like this phrase here.
07:17You do?
07:18Yeah.
07:19These, are these lyrics?
07:21No, uh, maybe.
07:25Maybe.
07:25They're my attempt.
07:27Um, I haven't written lyrics since high school.
07:29Okay.
07:30Uh, can you sing it for me?
07:31Oh, no, I'm not a singer.
07:33Sorry.
07:34Well, I, um, I can't read your handwriting.
07:38You know what?
07:39That, that might be fine.
07:40Okay.
07:41Uh, um, why don't you, why don't you tell me what you think the song is about?
07:49Yeah.
07:49Yeah, sure.
07:50Um, uh, it's a love song, I think.
07:56Um, kind of wanted to use the cello here, like a guitar.
08:00Kind of like a George Harrison vibe, right?
08:03Um, like a counterpoint to the vocals.
08:05Like they're having a conversation.
08:08Uh, sorry, but the lyrics, um, could be about, like, being in love with someone who doesn't
08:15see you.
08:16And the cello's like, hey, I see you.
08:19I'm into you.
08:20You know?
08:23Yeah.
08:26Yeah, I, um, I get what you're circling.
08:29Really?
08:30Hmm.
08:32Hey, can I, can I borrow this?
08:35Mess around with it a bit?
08:36Yes, please, of course, take it.
08:38Sweet.
08:39Sweet.
08:47Your life is about to change.
08:49It is?
08:49Yeah.
08:50Well, you think my life's about to change?
08:52Hence, or therefore, get ready for life changing?
08:54Okay.
08:56Do you remember that agent I told you about?
08:58The one that reps Riger Youth Theater legend, Joanna Maxwell?
09:01Mm-hmm.
09:02Well, he came to see our town a couple weeks ago, and he wants to sign me.
09:07Oh, wow.
09:08That's great.
09:08It is.
09:09Like, it really, really is.
09:11It's, it's, it's agency has offices all over the place.
09:14So this could mean film and TV work in L.A., like, stage work in New York.
09:18Like, this is everything.
09:20Everything.
09:21What happened to Vermont?
09:22I thought you'd join me there after you graduated.
09:25My family, my dad's insurance company.
09:28Vermont was summer.
09:29Vermont was the plan.
09:32Vermont was your plan.
09:36Maybe I have different plans.
09:39It's, it's just, what are the odds?
09:44What do you mean?
09:46I mean, what are the odds of you actually making it?
09:49In Vermont, we can build a life together.
09:51Yeah.
09:51Great life that's stable and secure.
09:53Yeah, and that is a great life, but.
09:56And you can select.
09:57I mean, you can do all the summer stuff you want.
09:58You basically always get the lead, which I know you love.
10:02Okay.
10:02And what about fall and winter, spring?
10:06I guess I just thought you'd have to grow all this.
10:12Wow.
10:14I didn't mean it like that, Allie.
10:16And then, look, I'm, I'm getting cold.
10:20Can we talk about this later?
10:22Are you done?
10:27No, I'm not.
10:40Uh, hey, you don't have to lock it.
10:41You just leave it on the porch.
10:43Or actually, you know, I can leave it on the porch.
10:46Oh, hi, thanks.
10:53What happened to your Subaru?
10:55Oh, my Blue-baroo.
10:58How do you know about that?
10:59I fixed it.
11:00Freshman year, you brought it to my family's garage just off Route 6.
11:03That was you?
11:04That was me.
11:05Yeah.
11:05I love that car.
11:07Tragically, she died.
11:08Oh, shit.
11:09Sorry.
11:09No, no.
11:10You gave my Blue-baroo six more months of life.
11:12I had her my whole freshman year.
11:14That was huge.
11:15Well, if your bike ever needs to tune up, I'm your guy.
11:19Okay.
11:20I'm actually, I'm serious.
11:21I kind of made a little business out of fixing things, doing handyman work, whatever I can
11:26get around campus.
11:27I'm actually currently on my way to hang Professor Weldon's new widescreen TV for $25 an hour.
11:34Nice.
11:35Yeah.
11:35I'm rolling it.
11:37Well, I'm holding down three jobs at the moment for, wait for it, minimum wage.
11:43Damn.
11:43Where's the Bentley?
11:45I love riding my bike.
11:47Keeps me grounded, you know?
11:48Really good for you.
11:49Yeah.
11:49I'm proud of you.
11:50You're a hockey player.
11:52I thought all you guys got free rides.
11:54Yeah, well, scholarship money only goes so far.
11:56Can't I'll be Gary Graham, right?
12:00Anyway, he is studying in his room.
12:03It's the last door on the left.
12:05I know.
12:06Right.
12:07Right.
12:08Bye.
12:23Garrett.
12:26Garrett.
12:28I'm not sure how cherry pies can do to those.
12:31Oh, my God!
12:37Hannah, wait.
12:38You know, locking the door is a thing that people do.
12:41I'm sorry.
12:41Okay, you know, I plan these sessions for you, and you're always distracted.
12:44You're at the gym curling or pressing or whatever or sexting or...
12:49God, fuck, actually having sex, which, by the way, kind of blows up our entire story.
12:54No, it doesn't.
12:54Yeah, it does.
12:55We're supposed to be a couple.
12:57Yeah, but we're not exclusive.
12:58We talked about this.
12:59Well, I know that nobody would believe that Mr. I Don't Do Girlfriends would actually have
13:03a girlfriend.
13:04That's not the point.
13:05The point is that you're not taking us this seriously.
13:09Yes, I am.
13:10I was studying.
13:11Yeah, studying what exactly?
13:13Okay, no, actually, don't, don't answer that.
13:15Zoe offered to help, you know, take my mind off of things, loosen up a little bit.
13:19Oh, my God.
13:20Please, stop.
13:21You changed the study time.
13:22Yeah, I changed it to now, and you agreed.
13:25Okay, hold on.
13:26Wait.
13:27Oh.
13:28Okay, I'm sorry.
13:30I want to learn this.
13:32I do.
13:33I don't get how there can be two truths.
13:37Like, shit's either true or it's not.
13:40Subjective, objective.
13:41I mean, what the fuck, Kierkegaard?
13:46Okay, he believed that people needed to define truths for themselves.
13:51Like, believing in God.
13:53See, this is why I need you.
13:55That actually makes sense.
13:56Yeah, well, what can I say?
13:57I know my pretentious philosophers.
14:01Okay, look.
14:02I messed up.
14:04Can you please come back inside?
14:06Tucker made salmon.
14:07We can eat, study.
14:09Okay, you have a naked woman in your room.
14:11Oh.
14:13Shit, I do.
14:15That's okay.
14:16Just give me five minutes.
14:19What?
14:20Justin has some thoughts about the song.
14:26All right.
14:26Well, what about studying?
14:28I'll send you a video on Kierkegaard that explains everything.
14:30Okay?
14:31And I'll meet you tomorrow before class.
14:34With your clothes on.
14:56And then the cello part you wrote for the pre actually worked great as a vocal melody.
15:00Then I added another section before the call and response, like, um.
15:04What was it all for?
15:07Hello, hello pain.
15:10Sinking into your yellow, yellow eyes.
15:16Yellow, yellow.
15:18And then your cello part.
15:22Yellow, yellow.
15:32Something like that.
15:33You just came up with that?
15:35That's your melody.
15:36I just, um, just gave it words.
15:40Do you like it?
15:41Yeah, yeah, I do.
15:43I really, really do.
15:45Yeah, I mean, I thought you would.
15:46I'm just, yeah, I'm really glad you like it.
15:52Uh, shit, sorry.
15:53Hang on.
15:56Uh, do you, do you always record yourself?
15:58Well, you never know when inspiration might strike.
16:00Like, if you see me around campus with my phone in the air, it's because I'm recording.
16:04Like, the sound of the wind or, uh, trees rustling.
16:09Or the ceramic clinking of Malone.
16:11Such a specific sound.
16:12Such a specific sound, yeah.
16:14And then you use it?
16:15Yeah, sometimes, usually, like, really deep in the mix if I'm trying to change things up.
16:20Ben Folds does it too, and Sharon Rennett and...
16:22Like Billy Iris and Phineas.
16:23Yeah, yeah, exactly.
16:24Oh, my God.
16:26Yeah.
16:27Uh.
16:29Let me, um, send you this file and we can, we can riff on it.
16:33Are you a Pro Tools or a Logic, girl?
16:35Logic.
16:36All the way.
16:37Right.
16:39Okay.
16:41Sick.
16:45Um, so, uh, let me actually just, uh, shit, it's, um, it's 7.30, I've got to, I've got to
16:53go.
16:56Okay, yeah, yeah, no problem.
16:58I'll see you later.
17:00Yeah.
17:00Okay, cool.
17:01Yeah.
17:06Fuck.
17:12Fuck.
17:32What am I doing now?
17:35God, can I catch my breath, not even for a second?
17:40She, since then I'm in the woods.
17:44And I, obsessed, I slow dreams with the tension.
17:48Can you taste it on my lips?
17:51I'm so scared about you.
17:55For a second, I don't feel insane.
17:59Come medicate me.
18:00I don't sleep at all, yeah, I've been counting sheep.
18:04I look perfect on the surface, but I'm a nightmare underneath.
18:08I call in good problems, I say things that I don't mean.
18:12Some people pay for therapy, I find it in the sheets.
18:26Hey, let me send you this file, and we can riff on it.
18:30Uh, we could.
18:33Or.
18:34Or.
18:36Or.
18:36Baby, don't make me spell it out for you.
18:40All of the feelings that I've got for you.
18:44Can't be a dream, but I can try for you.
18:48Baby, don't make me spell it out for you.
18:52You keep on asking me the same questions.
18:55Why?
18:56I think I'm guessing all my intentions.
19:00You know, by the way, I use my compressions.
19:04You got the answers to my confessions.
19:08It's like I'm powerful with a little bit of tender.
19:13And emotion, no sexual bender.
19:17Mess me up, yeah, but no one does it better.
19:21There's nothing better.
19:23That's just the way you make me feel.
19:27That's just the way you make me feel.
19:30Oh, I'm so good, so good, so fucking real.
19:34Oh, I'm so good, so good, so fucking real.
19:34Oh, that's just the way you make me feel.
19:38Oh, that's just the way you make me feel.
19:44What do you want, Wellesley?
19:46Wellesley?
19:48Wellesley.
19:51Sorry, yes?
19:52What?
19:53What if she picks Kierkegaard?
19:55I still don't get the two truths thing.
19:57I'm so screwed if I get them.
19:58No, you're not.
20:00You know everything on these cards.
20:01I promise.
20:04What if I forget or something, you know?
20:06I've been told her.
20:07It kind of intimidates the fuck out of me.
20:09Okay, well, pretend she's a defenseman from Eastwood coming at you.
20:13Okay, what would you do?
20:15Skate away.
20:17Hockey's easy.
20:19Okay, well, if you forget, just look at me.
20:23Okay, convince me.
20:28Isn't this fun?
20:29Huh?
20:53Kierkegaard.
20:55Shit.
20:56Shit.
20:56Okay, Mr. Graham, your topic is ghosting.
21:02Would Kierkegaard argue ghosting is moral or immoral and why?
21:07Uh, Kierkegaard would argue that ghosting someone is immoral.
21:16Uh, because it is, like, um, you know, really wrong to do to somebody, morally.
21:26You forgot this.
21:32Uh, you know, ghosting might sound like no big deal, but Kierkegaard would say, not only
21:40is it harmful to the victim, it is an absolute abdication of selfhood.
21:49While an objective truth is supported by facts, Kierkegaard believed that, as individuals,
21:55we have a shared moral responsibility to be honest, based on our own subjective definition
22:03of truth.
22:05To suddenly disappear from someone's life without an explanation is basically like discarding
22:12their humanity.
22:14Ghosting is choosing comfort over courage, despair over strength.
22:18It is labeling another human being as unworthy.
22:22And as Kierkegaard himself said, once you label me, you fucking negate me.
22:32Uh, I'm paraphrasing.
22:38Ah!
22:40We did it!
22:40A fucking B!
22:41Plus!
22:42Don't forget the plus!
22:43B plus?
22:44Yeah, you are officially a professional bullshitter.
22:46Thanks to you.
22:46Oh!
22:50What do you want, Wellesie?
22:53Um, you can put me down now.
22:55Y'all know how much you can bench.
23:01Shit.
23:02I think Justin saw me.
23:07Uh, yeah, he just waved at you, crazy.
23:12He's walking away now.
23:14What's going on?
23:16So embarrassing.
23:18I think he saw my Justin Cole playlist.
23:21You have a Justin Cole playlist?
23:23Hey, don't make it worse.
23:24Are we talking, like, songs that remind you of him or his band stuff?
23:31His band stuff?
23:33And some solo stuff from high school.
23:37Wow, you went down the fangirl rabbit hole.
23:38Hard.
23:39That is the exact opposite of everything we've been working on.
23:42Okay, I know.
23:45Oh, my God.
23:46He wants to know if I'm good.
23:49What should I say?
23:50Am I good?
23:50Nope.
23:51What are you doing?
23:52You're not going to respond.
23:53Say nothing.
23:54What?
23:55Hey, fangirl.
23:57Start thinking like a fuckboy.
23:59Ghost his ass.
24:00Wait, didn't you just give a whole impassioned argument
24:02about how ghosting is immoral,
24:03but it's an abdication of selfhood?
24:05That was to get me the grade.
24:06This is to get you the guy.
24:09You want that, right?
24:13Yeah, I do.
24:15All right, well, then you're stuck with me
24:16because we've only finished half of the deal.
24:18And, uh, oh, shit.
24:19Haven't I been completely right about everything so far?
24:23You are intolerable.
24:24So, you are not going to text Justin.
24:28You are going to put your phone away
24:30and come to Malone's with me and the guys tonight?
24:33Well, tonight.
24:33You're not working, are you?
24:34No.
24:34Okay, so you're coming.
24:35To Malone's?
24:36Yes.
24:36Okay, with all the guys?
24:37We've established this.
24:38Garrett.
24:39Hannah.
24:39Do you know what tonight is?
24:41Hell yeah, I do.
24:43We're going to karaoke night with Garrett Graham
24:45and the rest of the team,
24:46and you,
24:47if you're free.
24:49Maybe.
24:51Oh.
24:54Oh, my slut top.
24:56Take it.
24:57From my boobs to yours.
24:58Okay, what do you mean, maybe?
25:00I mean, stay in.
25:01Stay in?
25:03Allie, you didn't even stay in last year
25:05when you sprained your ankle.
25:06You bedazzled your boot.
25:08Yeah.
25:08I'm feeling a little, yeah.
25:11What's going on?
25:13I told Sean I got an agent,
25:15and he got all like,
25:16but what about the real world, babe?
25:18I'm sorry, you got a what?
25:19Oh, yeah.
25:20No, I got an agent.
25:21Yay.
25:22Oh, my God.
25:23You let me go on about my shit
25:24when you have news like that?
25:25Allie, this is everything.
25:27Every fucking thing.
25:29Oh, yeah.
25:29It like is everything, right?
25:34You're the best.
25:35I love you.
25:36I love you, too.
25:40Okay, screw him.
25:41You're coming out with me,
25:43and we're celebrating you.
25:45I don't know.
25:46It's karaoke night.
25:48Are you really going to rob
25:49the people of your talent?
25:52Take me for what I am
25:56Who I was meant to be
26:00And if you give a damn
26:05Take me, baby
26:06Or leave me
26:11She's really going at it.
26:12The stage is our happy place.
26:14Hey, who's next?
26:16Someone, please
26:17save us from Adele Dazeem up there.
26:21Who's in your bed?
26:23Who's in your bed?
26:28Well, Z?
26:29What you singing?
26:30Nothing.
26:30Come on.
26:31It's karaoke.
26:32Yeah, well, sober karaoke's no fun.
26:34I'm sober, too.
26:35Game no more.
26:36Yeah, and what are you singing?
26:37I don't know.
26:38You guys will pull me up or something.
26:40I'm good.
26:40Thanks.
26:42All right.
26:56You know, you don't have to be sober
26:58if you don't want to be.
26:59Yeah, well, I don't...
27:00Drink it public?
27:01No, I know.
27:04But do you want to?
27:06Want to what?
27:07Drink.
27:09I told Ali I'd...
27:11I will look after Ali.
27:12She's a no-filter drunk.
27:13Gotta rein her in.
27:14I can handle it.
27:17And I will guard your drinks with my life.
27:21I got you, Mazi.
27:25Do you trust me?
27:28Yeah.
27:28Yeah, I do.
27:34Okay.
27:35Uh, I will have a drink.
27:37A drink drink.
27:38And what is your drink drink of choice?
27:42I don't know.
27:43Well, that is a fun problem to solve.
28:05I think we found you a drink drink.
28:08Yummy!
28:11He thought I would outgrow acting.
28:14Like, dude, I would love to be your nurse number two with half a line.
28:18Like, Jon Hamm had one scene in Gilmore Girls.
28:20I know he's the bad man.
28:23I'm like, I get it.
28:24There's no guarantee that I'll make it.
28:26But isn't that kind of what's exciting about it?
28:28Like, that's why they call it a dream.
28:30But I do love him, you know?
28:32And I know he loves me.
28:35And, like, we're supposed to be together.
28:43God, we've broken up and gotten back together so many times.
28:47It's, like, insane.
28:48I mean, that's got to mean something, right?
28:51That we keep getting back together.
28:55My mom always used to tell me, never give up on love.
28:59Well, that and love your body, which I do.
29:03My mom said the same thing.
29:05Oh, my God.
29:06Really?
29:08Wait.
29:09Hold on.
29:09The love thing or the body thing?
29:15Hang in there, girl.
29:26G-Lo?
29:29Maverick.
29:33I've got a boyfriend, you know.
29:35Yeah, no, I heard.
29:36Along with the rest of the ladies' room.
29:38Doesn't sound like he's going to last long, though.
29:40Okay.
29:41This is supposed to be, like, a sacred space.
29:43Who the hell hooks up in the ladies' bathroom, anyway?
29:46Sorry.
29:46Not you.
29:47You're a sweetheart.
29:48And you're disgusting.
29:50Yeah.
29:55You're a sweetheart.
29:56Well, I walk into the room, passing out hundred-dollar bills, and it kills, and it thrills like the horns
30:02on my super-auto grip.
30:05And I fire the bar up around the crown, and everybody's getting down, and this town ain't never gonna be
30:12the same.
30:13Hey, sister!
30:14Cause I stand and love my horse, and I ride into the city.
30:19I'm making a lot of noise, cause the girls, they also retain.
30:24Riding up and down Broadway, and my old star Leroy, and the girls say, save a horse, ride a cowboy.
30:33Good, you're here.
30:34I'll put you and Garrett down for summer nights.
30:36I know that's a joke, but I would kill Santa.
30:42You know, I wasn't sold on them at first, but I can see it now.
30:45Yeah.
30:45Sure.
30:52Hey.
30:52Oh, man!
30:54You fixed my car.
30:57You fixed my car.
30:58You have a car?
31:00No.
31:00I had a car.
31:02Great car.
31:03I'm buying you a very special thank you drink.
31:12Okay, you're gonna love it.
31:14Hannah has discovered the piña colada tonight.
31:17I only had one.
31:19Or four.
31:21Is that what I'm doing, too?
31:22Nope.
31:25Okay, for my mechanic, I call this the blue baroon.
31:29See?
31:30Wow, that looks like wiper fluid.
31:32That might actually be wiper fluid.
31:34It's mostly blue curacao with a secret ingredient.
31:38Or blue curacao.
31:40Oh, I'm so excited.
31:42I can't believe that.
31:43Hey, Gene.
31:44What's up?
31:44Brought you something.
31:45Mm.
31:47I thought you were looking a little parched.
31:50I know.
31:51Neville babies have feelings, too.
31:52Sorry.
31:53I was an asshole.
31:53You're always an asshole.
31:55There.
31:56Here goes.
32:01Say the horse.
32:02Say the horse.
32:03Say the horse.
32:03Say the horse.
32:04This is pretty good.
32:05They just keep sending you those for free?
32:07Yeah, they still want him.
32:08They want my dad.
32:09Wait, you guys should just do it together.
32:12I mean, look at you.
32:13Best friends.
32:14All right, maybe we'll slow down on the pina coladas a little.
32:16No, I mean it.
32:17Screw your dad.
32:18Do it with Logan.
32:19You could be teammates spotting each other at the gym.
32:25Or besties wingmanning each other at the bar.
32:27No, besties.
32:29Besties.
32:29Am I drunk or is she brilliant?
32:31No, I'm drunk.
32:32And you're brilliant.
32:33And I'm brilliant, too.
32:34It's not a bad idea.
32:35Thanks, man, but I don't need the charity.
32:37Yeah, you do.
32:39I mean, seriously, nobody wants to see Oldie McGold's fuck husband.
32:42Okay?
32:43What's better than two hot young hockey players?
32:49Three hot young hockey players?
32:51Yeah!
32:55Hannah Wells.
32:56You're up, bitch.
32:58All right, hold on.
32:59Wait, I thought you weren't singing.
33:00Well, that was before I found the perfect song.
33:14Oh, she's my cherry pie.
33:22Cool drink of water, such a sweet surprise.
33:25Tastes so good, make it cold and cry.
33:27Sweet cherry pie
33:40We're swinging on the front porch
33:42Swinging room alone
33:43Swinging what we want
33:45Cause there ain't nobody home
33:46Swinging to the left and
33:48Swinging to the right
33:49Think about hockey
33:50I'll swing on that again
33:54Come on
33:57Swinging in the living room
33:58Swinging in the kitchen
34:00Most folks do
34:01Cause they're too busy bitchin'
34:03Swinging in there
34:04She wanna beat her
34:05So I mix up the battery
34:06She'll eat the beat her
34:08I scream, you scream, you scream
34:10But don't even try
34:12Cause you can't ignore
34:17Such a sweet surprise
34:20To make it romance
34:22Woo!
34:24She's my cherry pie
34:27Put a smile on your face
34:28Ten last wines
34:30Looks so good
34:31Bring a tear to your eye
34:32Sweet cherry pie
34:34I like it
34:36I-y-y-y-y-y-y-y-y-y-y-y-y-y-y-y-y-y-y-y
34:41-y-y-y-y-y-y-y-y-y!
34:41Swinging!
34:43All night long
34:45Kind of sweet, isn't it?
34:48Seeing Garrett being serious about someone.
34:51You think he's serious?
34:53Everyone on Fifth Line seem to think so.
34:56They get more likes than anything else I post.
35:20She's my cherry pie. Put a smile on your face.
35:25Ten miles wide.
35:26Love's so good. Bring your tears in your eyes.
35:29Sweet cherry pie.
35:31Sweet cherry pie.
35:53You did good, Mosey.
36:32We're going to get the big red.
36:33I'm going to get the big red.
36:35We're going to get the big red.
36:52you guys I forgot my purse at the bar
36:55your purse with my wallet and keys in it
36:57we gotta go back
36:58it's closed
36:59what now
37:04next party
37:12night night
37:18wellzie
37:31wellzie
37:32back of my mind back of my mind
37:36I'm a little scared
37:37I'm a little wired
37:40I don't want to put my foot down right now
37:42I stop it all happening
37:44back of my mind back of my head
37:48you look really nice
37:49want to share a bed
37:52I don't want to put my foot down right now
37:54but it's happening
37:56don't kiss me
37:57time might end up on the ceiling
38:01way too hard to ever come down to reality
38:06back to my sanity
38:08guess it's too late for that now
38:11hope is a scary thing
38:15hope is a scary thing
38:19flying on temporary wings
38:24hope is a scary thing
38:30I found something to sleep in
38:32I can see that
38:44whoa whoa
38:45but I'm a fuck bunny
38:47a puck funny
38:50no no
38:53a fuck bunny
38:54that's it
38:55you're a drunk
38:56bunny
38:57come here
38:58come here
39:00come here
39:02all right
39:03all right
39:22a fake relationship
39:23means we can fake sleep together
39:26I don't think it's a great idea
39:27I actually think it's my best idea
39:31well
39:44go to sleep
39:45hey
39:47you're not gonna remember any of this in the morning
40:08you're not gonna break Brooke
40:18you're not gonna take the light
40:29Oh, my God.
40:36Can you?
41:08Coffee?
41:13Oh, uh, uh, thanks.
41:27Morning.
41:28Morning.
41:31You were pretty drunk last night.
41:34How much do you remember?
41:36All of it.
41:37You tried to have sex with me.
41:39Yeah, I know.
41:41And now you're bringing me coffee.
41:45Yep.
41:49Okay, are you 100% awake?
41:52Because there's something really important that I need you to do for me.
41:56Oh.
42:05Okay.
42:09I need you to give me an orgasm.
42:19Oh, no.
42:21I think I'm losing all my self control.
42:24If it's right, I should go.
42:28But if you don't, I think I'll risk it all.
42:30Oh, no.
42:34Oh, no.
42:36Oh, no.
42:37Oh, no.
42:38Oh, no.
42:40Oh, no.
42:40Oh, no.
42:41Oh, no.
42:42Oh, no.
42:43Oh, no.
42:44Don't underestimate me.
42:46I can't change your life.
42:50My friends say fake to you.
42:53It's just a waste of time.
42:55A waste of time.
42:57Call me to send your man to kiss me at the bar.
43:03Think I'm the happiest when I'm within your arms.
43:09I mean, I don't even know what to say at this point.
43:13Oh, oh, oh, no.
43:16I think I'm losing all my self control.
43:19If it's right, I should go.
43:23But if you don't, I think I'll risk it all.
43:27I'll give you a reason to live.
43:30Baby, I think it's for the win.
43:32Cut all ties with the old.
43:36And I'll give you something I miss.
43:39When the good gets harder to hold.
43:43Throw it all to the wind.
43:46For the wind, for the wind, for the wind.
43:50Don't underestimate me.
43:52I'm losing my...
43:57Oh, oh, oh, no.
44:00I think I'm losing all my self control.
44:03If it's right, I should go.
44:07But if you don't, I think I'll risk it all.
44:30You're very sick, so many times on the road.
44:41You don't're gut-w Quand heard.
44:53And then I wanna break my head.
44:54You can hide.
44:54I'm losing my head.
44:54I'm losing him.
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