- 9 hours ago
Off C.A.M.P.U.S Episode 3
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00:21Do you know more than that?
00:23Yeah, it's just something I do.
00:25Reach me when I'm stuck.
00:27Keep going.
00:30It stances.
00:36You'll see the dark does.
00:38At this moment, I don't think I'm stuck in the dark.
00:42I don't believe in that dark is there and it's the dark is there.
01:08You make me nervous.
01:14What is that?
01:38You make me nervous.
02:14You can do it.
02:15I know.
02:17I know.
02:17I'm going to.
02:22Are you almost there?
02:24I'm trying.
02:26Keep going.
02:28I can do this.
02:29I can do this.
02:33Can you?
03:01I can do this.
03:04Actually, about that, I know we're down to the wire, and I promise I'll have you ready
03:10for Tober tomorrow, but I can't meet right now, because I have my first songwriting session
03:17with Justin.
03:19I asked him for help with my showcase song, like you said, and you went for it.
03:25Hello?
03:28Did I lose you?
03:30I'm here.
03:31Are you keeping up?
03:32Calling to say that you were right.
03:33It's usually where you hit me with some arrogant reply.
03:36What can I say?
03:37I know my pretentious douches.
03:39There he is.
03:40Okay, anyway, it's impossible to get a rehearsal space last minute, but I got one, so I have
03:45to push tutoring until later.
03:47Five-ish?
03:48Sure.
03:50Are you okay?
03:52Yeah.
03:53Yeah, why?
03:55Because you're speaking in two- and three-word sentences.
03:59No, I'm not.
04:01Yes, you are.
04:03Well, Z, I am thrilled beyond words that we have accomplished this key step in Project
04:10Loverboy, and you are on the road to getting laid.
04:13Uh, excuse me.
04:14That's not what this is about.
04:18Justin is not just some random guy I want to hook up with.
04:20He is a talented musician who I respect.
04:24And also want to hook up with.
04:28Well, yeah.
04:30Oh, my God.
04:31Oh, my God.
04:32I'm so nervous.
04:35You're overthinking.
04:36Get out of your head.
04:38You know your shit.
04:39Just do you.
04:41Yeah, right.
04:43Me.
04:46By the way, he may not know it yet, but you're the real catch.
04:49So, act like it.
04:56Thanks, coach.
04:58Okay, gotta go.
05:11Come on.
05:13Come on.
05:14Come on.
05:19Yes!
05:20Yeah.
05:21No!
05:21I win.
05:22Dean De Laurentiis, everyone.
05:24Losing to a girl.
05:25Sexist.
05:26How is that sexist?
05:27She is not a girl.
05:28She's a person in a girl's body.
05:31Aw, Dean.
05:32Mandel's cannibal.
05:33Sorry.
05:34You're good.
05:35Gee, this is Lexi's friend, Zoe.
05:37Zoe?
05:37Ha!
05:38Zoe!
05:38Two out of three, okay?
05:39Let's go.
05:40Dean.
05:41Dean, chill.
05:42Garrett needs to study.
05:43Yeah, well, and I need to live, okay?
05:45This is a living room.
05:46Hey, Dean, come on.
05:48Garrett's benched if he doesn't pass this thing, and then he's fucked.
05:50Then your whole line is fucked.
05:51And the season's fucked.
05:52I can't be the number one fan of a shitty team.
05:54That's so embarrassing.
05:55Right.
05:55Guys, I'm trying here.
05:56Rain fuel flying in, Cap.
05:58We got you.
06:00High in omega-3s, car Ford, no keto bullshit.
06:04Yes, sir.
06:04What is that?
06:05More liquid IV.
06:07I thought you passed on the sponsorship.
06:08Yeah, I did.
06:09They DMed my dad some happy family marketing angle.
06:12They want me to do the whole thing with him.
06:13Wait, sorry.
06:14That's it?
06:15How much money did you leave on the table?
06:17Does it matter?
06:17It's kind of his business.
06:18Y'all?
06:18He's trying to study.
06:20Trust me.
06:20No amount of money is worth it.
06:22That's why, uh, Taco Shack is the ideal sponsorship.
06:25No strings attached.
06:26Just carne asada.
06:27All I'm saying is cash is better than tacos.
06:29Unless you don't need the cash, I guess.
06:31Jules.
06:31What?
06:32He knows he's a nepo.
06:33Okay, you know what?
06:34I need to focus.
06:35Geez.
06:36No.
06:37See what you did?
06:41You think he's coming back with that?
06:50I mean, it's just a start.
06:52What I have.
06:53It's rough still.
06:56Might totally suck.
06:58That might suck.
06:59Might not.
07:00It's a process.
07:03Yeah.
07:13Yeah, I like this, uh, like this phrase here.
07:17You do?
07:17Yeah.
07:19These, are these lyrics?
07:21No, uh, maybe.
07:25Maybe.
07:25They're my attempt.
07:27Um, I haven't written lyrics since high school.
07:29Okay.
07:30Can you sing it for me?
07:31Oh, no, I'm not a singer.
07:33Sorry.
07:34Well, I, um, I can't read your handwriting.
07:38You know what?
07:39That might be fine.
07:40Okay.
07:43Uh, um, why don't you, why don't you tell me what you think the song is about?
07:49Yeah.
07:49Yeah, sure.
07:50Um, uh, it's a love song, I think.
07:55Um, kind of wanted to use the cello here, the guitar, kind of like a George Harrison vibe,
08:02right?
08:03Um, like a counterpoint to the vocals, like they're having a conversation.
08:08Uh, sorry, but the lyrics, um, could be about, like, being in love with someone who doesn't
08:15see you.
08:16And the cello's like, hey, I see you.
08:19I'm into you.
08:20You know?
08:23Yeah.
08:26Yeah, I, um, I get what you're circling.
08:29Really?
08:30Mm.
08:32Hey, can I, can I borrow this?
08:35Mess around with it a bit?
08:36Uh, yes, please, of course, take it.
08:38Sweet.
08:39Sweet.
08:47Your life is about to change.
08:49It is?
08:49Yeah.
08:50Well, you think my life's about to change, hence Erger therefore.
08:54Do you remember that agent I told you about?
08:58The one that reps Breyer Youth Theatre legend Joanna Maxwell?
09:01Mm-hmm.
09:02Well, he came to see our town a couple weeks ago, and he wants to sign me.
09:07Oh, wow.
09:08That's great.
09:08It is.
09:09Like, it really, really is.
09:11His agency has offices all over the place, so this could mean film and TV work in LA, like,
09:17stage work in New York.
09:18Like, this is everything.
09:20Everything.
09:21What happened in Vermont?
09:23I thought you'd join me there after you graduated.
09:25My family, my dad's insurance company.
09:27Vermont was summer.
09:29Well, Vermont was the plan.
09:32Vermont was your plan.
09:36Maybe I have different plans.
09:40It's just, what are the odds?
09:44What do you mean?
09:46I mean, what are the odds of you actually making it?
09:49You know, Vermont, we can build a life together.
09:51Yeah.
09:51A great life that's stable and secure.
09:53Yeah, and that is a great life, but...
09:56And can select.
09:57I mean, you can do all the summer stock you want.
09:58You basically always get the lead, which I know you love.
10:02Okay.
10:02And what about fall and winter, spring?
10:06I guess I just thought you'd up for all this.
10:12Whoa.
10:14I didn't mean it like that, Allie, and then...
10:18Look, I'm getting cold.
10:20Can we talk about this later?
10:22Are you done?
10:26No, I'm not.
10:39Uh, hey, you don't have to lock it.
10:41You just leave it on the porch.
10:43Or actually, you know what?
10:45I can leave it on the porch.
10:46Oh, hi.
10:47Thanks.
10:53What happened to your Subaru?
10:55Oh, my blue-baroo.
10:58How do you know about that?
10:59I fixed it.
11:00Freshman knew you brought it to my family's garage just off Route 6.
11:03That was you?
11:04That was me.
11:05Yeah.
11:05I loved that car.
11:07Tragically, she died.
11:08Oh, shit.
11:09Sorry.
11:10No, no.
11:10You gave my blue-baroo six more months of life.
11:12I had her my whole freshman year.
11:14That was huge.
11:15Well, if your bike ever needs to tune up, I'm your guy.
11:19Okay.
11:20I'm actually...
11:21I'm serious.
11:21I kind of made a little business out of fixing things, doing handyman work, whatever I can
11:26get around campus.
11:27I'm actually currently on my way to hang Professor Weldon's new widescreen TV for $25 an hour.
11:34Nice.
11:35Yeah.
11:35I'm rolling it.
11:37Well, I'm holding down three jobs at the moment for... wait for it.
11:42Minimum wage.
11:43Damn!
11:43Where's the Bentley?
11:45I love riding my bike.
11:47Keeps me grounded.
11:48You know?
11:48Good for you.
11:49I'm proud of you.
11:50You're a hockey player.
11:52I thought all you guys got free rides.
11:54Yeah, well, scholarship money only goes so far.
11:56Can't all be Gary Graham, right?
12:00Anyway, he is, uh, studying in his room.
12:03It's the last door on the...
12:04On the left.
12:05I know.
12:06Right.
12:07Right.
12:08Right.
12:11Bye.
12:23Garrett.
12:26Garrett.
12:28I'm not sure how cherry pies can do to those...
12:31Oh, my God!
12:33Sweet cherry pie!
12:36Sweet cherry pie!
12:37Sweet cherry pie!
12:37Sweet cherry pie!
12:37Hannah, wait.
12:38You know, locking the door is a thing that people do.
12:41I'm sorry.
12:41Okay, you know, I plan these sessions for you, and you're always distracted.
12:44You're at the gym, curling, or pressing, or whatever, or sexting, or...
12:49God, fuck!
12:50Actually having sex.
12:51Which, by the way, kind of blows up our entire story.
12:54No, it doesn't.
12:54Yeah, it does.
12:55We're supposed to be a couple.
12:57Yeah, but we're not exclusive.
12:58We talked about this.
12:59Well, I know that nobody would believe that Mr. I Don't Do Girlfriends would actually have a girlfriend.
13:04That's not the point.
13:05The point is that you're not taking us this seriously.
13:09Yes, I am.
13:10I was studying.
13:11Studying what, exactly?
13:13Okay, no.
13:13Actually, don't.
13:14Don't answer that.
13:15Zoe offered to help, you know, take my mind off of things, loosen up a little bit.
13:19Oh, my God.
13:20Please, stop.
13:21You changed the study time.
13:22Yeah, I changed it to now, and you agreed.
13:25Okay, hold on.
13:26Wait.
13:28Okay, I'm sorry.
13:30I want to learn this.
13:32I do.
13:32I don't get how there can be two truths.
13:37Like, shit's either true or it's not.
13:40Subjective, objective.
13:41I mean, what the fuck, Kierkegaard?
13:46Okay, he believed that people needed to define truths for themselves.
13:51Like, believing in God.
13:53See, this is why I need you.
13:55That actually makes sense.
13:56Yeah, well, what can I say?
13:58I know my pretentious philosophers.
13:59Hm.
14:01Okay, look.
14:02I messed up.
14:04Can you please come back inside?
14:06Tucker made salmon.
14:07We can eat, study.
14:08Okay, you have a naked woman in your room.
14:11Oh.
14:13Shit, I do.
14:15Uh, that's okay.
14:16Just, uh, give me, give me five minutes.
14:19What?
14:20Uh, Justin has some thoughts.
14:23About the song.
14:26All right, well, what about studying?
14:28I'll send you a video on Kierkegaard that explains everything.
14:30Okay?
14:31And I'll meet you tomorrow before class.
14:34With your clothes on!
14:56And then the cello part you wrote for the pre actually worked great as a vocal melody.
15:00Then I added another section before the call and response, like, um...
15:04What was it all for?
15:07Hello, hello pain.
15:10Sinking into your yellow, yellow eyes.
15:16Yellow, yellow.
15:18And then your cello part.
15:23Yellow, yellow.
15:29Yellow, yellow.
15:32Something like that.
15:33You just came up with that?
15:35That's your melody.
15:36I just, um, just gave it words.
15:40Do you like it?
15:41Yeah, yeah, I do.
15:43I really, really do.
15:45Yeah, I mean, I thought you would.
15:46I'm just, yeah, I'm really glad you like it.
15:52Uh, shit, sorry.
15:53Hang on.
15:56Uh, do you, do you always record yourself?
15:58Well, you never know when inspiration might strike.
16:00Like, if you see me around campus with my phone in the air, it's because I'm recording.
16:04Like, the sound of the wind, or, uh, trees rustling.
16:09Or there's drama clinking them alone.
16:11Such a specific sound.
16:12Such a specific sound, yeah.
16:14And then you use it?
16:15Yeah, sometimes.
16:16Usually, like, really deep in the mix if I'm trying to change things up.
16:19Ben Folds does it, too.
16:21And Sharon Van Etten.
16:22Like, Billie Eilish and Phineas.
16:23Yeah, yeah, exactly.
16:29Let me, um, send you this file, and we can, we can riff on it.
16:33Are you a Pro Tools or a Logic, girl?
16:35Logic.
16:36All the way.
16:37Right.
16:39Okay.
16:41Safe.
16:45Um, so, uh, let me actually just, uh, shit, it's, um, it's 7.30.
16:51I've got to, uh, I've got to go.
16:56Okay, yeah, yeah, no problem.
16:58I'll see you later.
16:59Yeah.
17:00Yeah.
17:00Okay, cool.
17:05Yeah.
17:11Fuck.
17:19All right.
17:20Got a lot of friends that I can't escape.
17:22Sleeping in my head like a Motel 6.
17:24Hold it all together with a little duct tape.
17:26It bends, it breaks.
17:28Got a lot of dreams, but done die.
17:30Ping pong, chip drop, oh my my.
17:32The TV's on, but the noise is white.
17:34What am I doing now?
17:35God, can I catch my breath?
17:38Not even for a second.
17:41She, since then I hit the winds.
17:44And I, obsessed.
17:46I slow dreams with the tension.
17:48Can you taste it on my lips?
17:51I'm so scared about you.
17:55For a second, I don't feel insane.
17:59Come medicate me.
18:01I don't sleep at all, yeah.
18:02I've been counting sheep.
18:04I look perfect on the surface, but the nightmare underneath.
18:08I call in good problems, I say things that I don't mean.
18:12Some people pay for therapy, I find it in the sheets.
18:26Hey, let me send you this file and we can riff on it.
18:30Uh, we could.
18:34Or...
18:34Oh.
18:36Baby, don't make me spell it out for ya.
18:40All of the feelings that I got for ya.
18:44Can't be a twain, but I can try for ya.
18:48Baby, don't make me spell it out for ya.
18:52You keep on asking me the same questions.
18:55Why?
18:56Things I can guess in all my intentions.
19:00Should know by the way I use my confessions.
19:04You got the answers to my confessions.
19:07It's like I'm powerful with a little bit of tender.
19:12And emotion, no sexual bender.
19:17Mess me up, yeah, but no one does it better.
19:21There's nothing better.
19:23That's just the way you make me feel.
19:29Oh.
19:30Oh.
19:31Oh.
19:36Oh.
19:37Oh.
19:38Oh.
19:39Oh.
19:40Oh.
19:40Oh.
19:41Oh.
19:41Oh.
19:41Oh.
19:41Oh.
19:41Oh.
19:42Oh.
19:42Oh.
19:44Oh.
19:46Oh.
19:46Wellsey. Wellsey.
19:51Sorry, yes? What?
19:53What if she picks Kierkegaard?
19:55I still don't get the two truths thing.
19:57I'm so screwed if I get them.
19:58No, you're not.
20:00You know everything on these cards. I promise.
20:04What if I forget or something, you know?
20:06I've been told her. It kind of intimidates the fuck out of me.
20:09Okay, well, pretend she's a defenseman from Eastwood coming at you.
20:13Okay, what would you do?
20:15Skate away.
20:17Hockey's easy.
20:19Okay, well, if you forget, just look at me.
20:23Okay, convince me.
20:28Isn't this fun?
20:29Huh?
20:53Kierkegaard!
20:54Kierkegaard.
20:55Shit.
20:56Shit.
20:57Okay, Mr. Graham, your topic is ghosting.
21:02Would Kierkegaard argue ghosting is moral or immoral, and why?
21:07Uh, Kierkegaard would argue that ghosting someone is immoral, uh, because it is, like, um, you know, really wrong to
21:23do to somebody. Morally.
21:31Uh, you know, ghosting might sound like no big deal, but Kierkegaard would say, not only is it harmful to
21:42the victim, it is an absolute abdication of selfhood.
21:45Uh, while an objective truth is supported by facts.
21:52Kierkegaard believed that, as individuals, we have a shared moral responsibility to be honest, based on our own subjective definition
22:03of truth.
22:05To suddenly disappear from someone's life without an explanation is basically, like, discarding their humanity.
22:14Ghosting is choosing comfort over courage, despair over strength.
22:18It is labeling another human being as unworthy.
22:22And as Kierkegaard himself said, once you label me, you fucking negate me.
22:32Uh, I'm paraphrasing.
22:38Ah!
22:40We did it! A fucking B!
22:41Plus! Don't forget the plus!
22:43B plus?
22:44Yeah, you are officially a professional bullshitter.
22:46Thanks to you.
22:46Oh!
22:50What do you want, Wellesie?
22:52Um, you can put me down now.
22:55Y'all know how much you can bench.
22:57Oh, my gosh.
23:01Shit.
23:02I think Justin saw me.
23:07Uh, yeah, he just waved at you, crazy.
23:12He's walking away now.
23:14What's going on?
23:16So embarrassing.
23:18I think he saw my Justin Cole playlist.
23:21You have a Justin Cole playlist?
23:23Hey, don't make it worse.
23:24Are we talking, like, songs that remind you of him or his band stuff?
23:31His band stuff?
23:33And some solo stuff from high school.
23:37Wow, you went down the fangirl rabbit hole.
23:38Hard.
23:39That is the exact opposite of everything we've been working on.
23:42Okay, I know.
23:45Oh, my God.
23:46He wants to know if I'm good.
23:49What should I say?
23:50Am I good?
23:50Nope.
23:51What are you doing?
23:52You're not going to respond.
23:53Say nothing.
23:54What?
23:55Hey, fangirl.
23:57Start thinking like a fuckboy.
23:59Ghost his ass.
24:00Wait.
24:00Didn't you just give a whole impassioned argument about how ghosting is immoral?
24:03That it's an abdication of selfhood?
24:05That was to get me the grade.
24:06This is to get you the guy.
24:09You want that, right?
24:13Yeah, I do.
24:15All right, well, then you're stuck with me, because we've only finished half of the deal.
24:18And, uh, oh, shit.
24:19Haven't I been completely right about everything so far?
24:23You are intolerable.
24:24So, you are not going to text Justin.
24:28You are going to put your phone away and come to Malone's with me and the guys tonight.
24:32Tonight.
24:33You're not working, are you?
24:34No.
24:34Okay, so you're coming.
24:35To Malone's?
24:36Yes.
24:36Okay, with all the guys?
24:37We've established this.
24:38Garrett.
24:39Hannah.
24:39Do you know what tonight is?
24:41Hell yeah, I do.
24:43So, we're going to karaoke night with Garrett Graham and the rest of the team, and you, if you're free.
24:49Maybe.
24:51Oh.
24:54Oh, my slut top.
24:56Take it.
24:57From my boobs to yours.
24:58Okay, what do you mean, maybe?
25:00You might stay in.
25:01Stay in?
25:03Allie, you didn't even stay in last year when you sprained your ankle.
25:06You bedazzled your boot.
25:08Yeah.
25:09I'm feeling a little, yeah.
25:11What's going on?
25:13I told Sean I got an agent, and he got all like, but what about the real world, babe?
25:18I'm sorry, you got a what?
25:19Oh, yeah.
25:20No, I got an agent.
25:21Yay.
25:22Oh, my God.
25:23You let me go on about my shit when you have news like that?
25:25Allie, this is everything.
25:27Every fucking thing.
25:29Oh, yeah.
25:29It, like, is everything.
25:31Right?
25:34You're the best.
25:35I love you.
25:36I love you, too.
25:40Okay, screw him.
25:41You're coming out with me, and we're celebrating you.
25:45I don't know.
25:46It's karaoke night.
25:48You really gonna rob the people of your talent?
25:52Take me for what I am
25:56Who I was meant to be
26:01And if you give a damn
26:04Take me, baby
26:06Or leave me
26:08Woo!
26:09Yeah.
26:10Woo!
26:11She's really going at it.
26:12The stage is our happy place.
26:14Hey, who's next?
26:16Someone, please save us from Adele Dazeem up there.
26:21And who's in your bed?
26:23Who's in your bed?
26:27Woo!
26:28Well, Z?
26:29What you singing?
26:30Nothing.
26:30Come on.
26:31It's karaoke.
26:32Yeah, well, sober karaoke's no fun.
26:34I'm sober, too.
26:35Game no more.
26:36Yeah, and what are you singing?
26:37I don't know.
26:38You guys will pull me up or something.
26:39I'm good.
26:40Thanks.
26:42All right.
26:54All right.
26:56Well, you know, you don't have to be sober if you don't want to be.
26:59Yeah, well, I don't...
27:00Drink it public?
27:01No, I know.
27:04But do you want to?
27:06Want to what?
27:07Drink.
27:09I told Ali I'd...
27:11I will look after Ali.
27:12She's a no-filter drunk.
27:13Gotta rein her in.
27:14I can handle it.
27:17And I will guard your drinks with my life.
27:21I got you, Mossy.
27:25Do you trust me?
27:28Yeah.
27:28Yeah, I do.
27:34Okay.
27:35Uh, I will have a drink.
27:37A drink drink.
27:38And what is your drink drink of choice?
27:42I don't know.
27:43Well, that is a fun problem to solve.
28:04I think we found you a drink drink.
28:08Yummy!
28:11He thought I would outgrow acting.
28:14Like, dude, I would love to be your nurse number two with half a line.
28:18Jon Hamm had one scene in Gilmore Girls.
28:20I know he's the bad man.
28:23I'm like, I get it.
28:24There's no guarantee that I'll make it.
28:26But isn't that kind of what's exciting about it?
28:28Like, that's why they call it a dream.
28:30But I do love him, you know?
28:32And I know he loves me.
28:36And, like, we're supposed to be together.
28:43God, we've broken up and gotten back together so many times.
28:47It's, like, insane.
28:48I mean, that's gotta mean something, right?
28:51That we keep getting back together.
28:55My mom always used to tell me, never give up on love.
28:59Well, that and love your body, which I do.
29:03My mom said the same thing.
29:05Oh my god, really?
29:08Wait, hold on.
29:09The love thing or the body thing?
29:15Hang in there, girl.
29:26G-Lo?
29:29Maverick.
29:33I've got a boyfriend, you know.
29:35Yeah, no, I heard.
29:36Along with the rest of the ladies' room.
29:38Doesn't sound like he's gonna last long, though.
29:40Okay.
29:40This is supposed to be, like, a sacred space.
29:43Who the hell hooks up in the ladies' bathroom anyway?
29:45Sorry.
29:46Not you.
29:47You're a sweetheart.
29:48And you're disgusting.
29:50Yeah.
29:55Well, I walk into the room, passing out hundred-dollar bills.
30:00And it kills and it thrills like the horns on my super-auto grip.
30:05And I fire the bar up around the crown.
30:08And everybody's getting down.
30:10And this town ain't never gonna be the same.
30:13Hey, sister!
30:14Cause I stand and let my horse, and I'm riding to the city.
30:19I'm making a lot of noise, cause the girls, they also retain.
30:24Riding up and down Broadway, and my old star, Leroy, and the girls say,
30:29Save a horse, ride a cowboy!
30:33Good, you're here.
30:34I'll put you and Garrett down for summer nights.
30:36I know that's a joke, but I would kill Santa.
30:42You know, I wasn't sold on them at first, but I can see it now.
30:45Yeah.
30:45Sure.
30:52Hey.
30:52Oh, man!
30:54You fixed my car.
30:57You fixed my car.
30:58You have a car?
31:00No.
31:00Had a car.
31:02Great car.
31:03I'm buying you a very special thank you drink.
31:12Okay, you're gonna love it.
31:14Hannah has discovered the piña colada tonight.
31:17I only had one.
31:19Or four.
31:21Is that what I'm doing, too?
31:22Nope.
31:25Okay, for my mechanic, I call this the blue baroon.
31:29See?
31:30Wow, that looks like wiper fluid.
31:32That might actually be wiper fluid.
31:34It's mostly blue curacao with a secret ingredient.
31:38Or blue curacao.
31:40Oh, I'm so excited.
31:42I can't believe it.
31:43Hey, G.
31:44What's up?
31:44Brought you something.
31:47I thought you were looking a little parched.
31:50I know.
31:51Neville babies have feelings, too.
31:52Sorry.
31:53I was an asshole.
31:53You're always an asshole.
31:55There.
31:56Here goes.
31:56Save a horse.
31:58Save a horse.
31:59Save a horse.
32:00Everybody's on it.
32:01Save a horse.
32:02Save a horse.
32:04This is pretty good.
32:05They just keep sending you those for free?
32:07Yeah, they still want them.
32:08They want my dad.
32:09Wait.
32:09You guys should just do it together.
32:12I mean, look at you.
32:13Best friends.
32:14All right, maybe we'll slow down on the pina coladas a little.
32:16No, I mean it.
32:17Screw your dad.
32:18Do it with Logan.
32:19You could be teammates spotting each other at the gym.
32:25Or besties wingmanning each other at the bar.
32:27No, besties.
32:29Besties.
32:29Am I drunk or is she brilliant?
32:31No, I'm drunk.
32:32And you're brilliant.
32:33And I'm brilliant, too.
32:34It's not a bad idea.
32:35Thanks, man, but I don't need the charity.
32:37Yeah, you do.
32:38I mean, seriously, nobody wants to see Oldie McGold's fuck husband.
32:42Okay?
32:43What's better than two hot young hockey players?
32:49Three hot young hockey players?
32:51Yeah!
32:55Hannah Wells.
32:56You're up, bitch.
32:58Woo!
32:59All right, hold on.
32:59Wait, I thought you weren't singing.
33:00Well, that was before I found the perfect song.
33:13Oh, shit, girl.
33:15You know this one?
33:17Yeah.
33:19Yeah.
33:19She's my cherry pie.
33:21Cool more drink of water, such a sweet surprise.
33:24Tastes so good, like a grown man cry.
33:27Sweet cherry pie.
33:31Woo!
33:34Woo!
33:37Listen.
33:40Well, swingin' on the front part.
33:42Swingin' no more long.
33:44Swingin' when we want, cause there ain't nobody home.
33:46Swingin' to the left and swingin' to the right.
33:49Think about hockey.
33:50Swingin' when we want to swingin' on the left.
33:54Come on.
33:57Swingin' in the living room.
33:59Swingin' in the kitchen.
34:00Most folks do, cause they're too busy bitchin'.
34:03Swingin' in the X3 one.
34:04Eatin' in the theater, so I mix up the batteries.
34:07She'll eat the beat.
34:08I scream, you scream, you scream.
34:11Don't even try, cause you can't ignore.
34:14Oh, oh, oh, oh.
34:18Such a sweet surprise.
34:20Make it romance.
34:23Woo!
34:25She's my cherry pie.
34:27Put a smile on your face.
34:29Ten miles wide.
34:30Look so good.
34:31Bring a tear to your eye.
34:33Sweet cherry pie.
34:35I like it.
34:37I, I, I, I.
34:41Swingin' in.
34:44All night long.
34:46Kind of sweet, isn't it?
34:48Seeing Garrett being serious about someone.
34:51You think he's serious?
34:53Everyone on fifth line seem to think so.
34:56They get more likes than anything else I post.
34:58Swingin' in the bathroom.
35:00Swingin' on the floor.
35:01Swingin' so hard.
35:03Forgot to lock the door.
35:04Ain't no one good daddy's only six foot four.
35:07So Jane gonna swing with my daughter no more.
35:10She's my cherry pie.
35:14Such a sweet surprise.
35:16She make a romance.
35:18Woo!
35:21She's my cherry pie.
35:23Put a smile on your face.
35:24Ten miles wide.
35:26Life's so good.
35:27Bring a tear to your eye.
35:28Sweet cherry pie.
35:31Sweet cherry pie.
35:36Sweet cherry pie.
35:53Oh, you did good, Mosey.
36:19I don't know.
36:52You guys, I forgot my purse at the bar.
36:55Your purse with my wallet and keys in it?
36:57We gotta go back.
36:58It's closed.
36:59What now?
37:03Next party.
37:13Night-night.
37:19Wellesie?
37:31Wellesie?
37:32Back of my mind, back of my mind.
37:36I'm a little scared, I'm a little wired.
37:40I don't wanna put my foot down right now.
37:42I stop it all happening.
37:44Back of my mind, back of my head.
37:48You look really nice, wanna share a bed.
37:52I don't wanna put my foot down right now, but it's happening.
37:56Don't kiss me.
37:58Time might end up on the ceiling.
38:01Way too hard to ever come down to reality.
38:06Back to my sanity.
38:08Guess it's too late for that now.
38:12Hope is a scary thing.
38:16Hope is a scary thing.
38:20Flying on temporary wings.
38:24Hope is a scary thing.
38:30I found something to sleep in.
38:32I can see that.
38:45Well, uh...
38:46But I'm a fuckbunny.
38:48A-a pug funny.
38:50No, no.
38:53A fuckbunny.
38:54That's it.
38:55You're a drunk bunny.
38:58Come here.
38:59Come here.
39:02All right.
39:22A fake relationship means we can fake sleep together?
39:26I don't think it's a great idea.
39:28I actually think it's my best idea.
39:33Well...
39:44Go to sleep, Rosie.
39:47Hey.
39:47Hey, you're not gonna remember any of this in the morning.
40:01You're not gonna cry.
40:01He heard...
40:01I'm gonna cry.
40:01I can cry.
40:01No.
40:02I can't cry.
40:02You're a bug.
40:02Okay.
40:02What?
40:11No.
40:29Oh, my God.
40:36Can you?
41:08Coffee?
41:09Coffee?
41:13Nothing.
41:15Thanks.
41:26Morning.
41:28Morning.
41:30You were pretty drunk last night.
41:34how much do you remember all of it you tried to have sex with me yeah i know
41:41and now you're bringing me coffee yep
41:49okay are you 100 awake because there's something really important that i need you to do for me
41:56oh
42:05okay
42:08i need you to give me an orgasm
42:21i think i'm losing all my self-control
42:24if it's right i should go but if you don't i think i'll risk it all
42:43don't underestimate me i can change your life my friends say fixin you it's just a waste of time
42:55call me too sentimental kiss me at the bar
43:02think i'm the happiest when i'm within your arms
43:09i mean i don't even know what to say at this point
43:16i think i'm losing all my self-control
43:23but if you don't i think i'll risk it all
43:25i'll give you a reason i'll give you a reason i will
43:29maybe i think it's for the win
43:32cut all ties with the hope
43:36and i'll give you something i miss
43:39when the good gets harder to hold
43:42throw it all to the wind
43:45for the win for the win for the win for the win
44:06but if you don't i think i'll risk it all
44:26you
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