- 13 hours ago
The Brokenwood Mysteries S12E04
Category
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Short filmTranscript
00:00:05Excuse me! Excuse me! You're on!
00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer.
00:00:21The culmination of years of hard work and planning by the many dedicated pharaoh equinologists of Brokenwood.
00:00:31That's a fancy talk for Iron Horse enthusiasts, and I'm sure you all know that already.
00:00:38I'm sure you also know that we wouldn't be here today without the sheer grit, determination and fundraising stamina of
00:00:46two of the Brokenwood Vintage Railway Society's leading lights, Rosalie Barnes and Shane Griffin.
00:00:54They have committed years to this exciting project, and today is the day when it all comes to fruition.
00:01:01Oh, my God!
00:01:04What'd you do that for?
00:01:05You know what blooms like, he'll prattle on all day if you let him.
00:01:08Mrs. Baker's already in a flap about getting away on schedule.
00:01:12Always thought there was a touch of Mussolini about that woman.
00:01:14Eh?
00:01:15Makes the trains run on time.
00:01:17No, I think Rosalie's the one who's putting the strings.
00:01:19As usual.
00:01:20Sound bitter?
00:01:21I'm not bitter.
00:01:22No, you've spent three years pretending to have an all-consuming interest in vintage trains, hoping to catch Rosalie's glad
00:01:30eye, only to find out that the woman of your dreams has taken up with a sap of a man
00:01:36half your age.
00:01:37Shane's not half.
00:01:38Anyway, you can talk.
00:01:39You French...
00:01:40All aboard!
00:01:42When this day is a rover in the hills of smoke
00:01:50Meet me right back here
00:01:56I had a dream last night
00:02:00We were riding on a silver train
00:02:05Suck it
00:02:08Oh!
00:02:11Well, congratulations, you did it.
00:02:13With a lot of help.
00:02:15If Regan's father hadn't come to the party, when he did, he'd still be back at the cake stall and
00:02:20raffle stage.
00:02:24How are we doing for time?
00:02:25Oh, relax.
00:02:26We're all on track.
00:02:27Oh, on track!
00:02:34Oh, right, so it should be me driving, you know that, don't you?
00:02:36How did you work that out?
00:02:37It's in the blood.
00:02:39Dad was a rail woman for 50 years.
00:02:41Candy with a shovel, was he?
00:02:42The only reason it's you and not me...
00:02:46You haven't got the upper body strength, not for any hard yet.
00:02:51Hey.
00:02:57There's nothing quite like it, is there?
00:02:59Hmm?
00:02:59The romance of train travel.
00:03:01You're not in a hurry.
00:03:03It's only 20 minutes to Little Lake by car.
00:03:06This will take twice as long.
00:03:08Wait, yeah, but that's not really the point though, is it?
00:03:10It's why they closed the line in the first place.
00:03:13It wasn't needed.
00:03:15Devil on horseback?
00:03:16No, thanks.
00:03:18Oh, no, thank you.
00:03:21Oh, no, thank you.
00:03:33What the hell's that?
00:03:35Huh?
00:03:35There's something on the track.
00:03:36Just look.
00:03:39Oh, jeez!
00:03:40That's not some thing.
00:03:41That's some body.
00:03:42Stop the bloody train!
00:03:52What?
00:03:54Why have we stopped?
00:04:06What the hell do you think you're doing?
00:04:08You could've got yourself killed.
00:04:10Oh, like you care.
00:04:11Just go ahead and kill the planet instead.
00:04:13Give me strength.
00:04:14Unbelievable.
00:04:15Billy McKelvey!
00:04:17What silly game are you playing now?
00:04:19It's not a game.
00:04:20This is a wake-up call.
00:04:21What's wrong?
00:04:22It's the middle of the afternoon.
00:04:23We're already awake.
00:04:24Cole is killing the planet.
00:04:27Cole is killing the planet!
00:04:29What's all this?
00:04:29Cole is killing the planet!
00:04:31Somebody call the cops!
00:04:32Cole is killing the planet!
00:04:34I will not have her ruin Rosalie and Shane's.
00:04:36I mean, everyone's big day.
00:04:38I'll deal with you up at the lake.
00:04:40I'll deal with you up at the lake.
00:04:40Come on!
00:04:41On the train!
00:04:41No!
00:04:42You can't make me!
00:04:43You'll do as you're told,
00:04:44or you'll make things worse for yourself.
00:04:46Come on!
00:04:47Come on!
00:04:48Don't touch me!
00:04:52Poor thing!
00:04:53Are you okay to keep going?
00:04:55We can swap places if you're feeling a bit fragile.
00:04:57Joe?
00:04:57No!
00:04:58No!
00:04:58I'm fine!
00:05:01Come on!
00:05:02Pick up the train!
00:05:30It's just a hobby for you lot!
00:05:32You're not thinking!
00:05:33Oh, you don't want to know what I'm thinking, young lady.
00:05:35Cole is killing the planet!
00:05:38Cole is killing the planet!
00:05:40If you think the biggest threat to the planet is a quaint little train in Broken Wood,
00:05:44your head's on wrong.
00:05:45Now you just don't care, because you'll be dead soon.
00:05:47No, no, no.
00:05:47All right, Chatty Cathy, wrap it up.
00:05:50We're almost at the stop for a little late.
00:06:01Everyone else and follow the path, you can't miss it!
00:06:05It's going really well, I think.
00:06:09Where's Rosalie?
00:06:09Oh!
00:06:10She'll be somewhere tattooing with your frog.
00:06:11I'm gonna sneak a cigarette in my life.
00:06:13No, no, no.
00:06:13You go with the others.
00:06:15She wants to make a big entrance.
00:06:16I'll find her!
00:06:22Rosalie?
00:06:23You there?
00:06:25Rosalie?
00:06:33Rosalie?
00:06:48Mrs Baker?
00:06:57Oh!
00:06:59Mike?
00:07:00I don't want to be rude, but now's not a good time.
00:07:02I'm trying to find a runaway bride.
00:07:04Uh, I might be able to help you with that.
00:07:15What's all this carry-on?
00:07:16Is someone getting married?
00:07:18That was the plan, yes.
00:07:21Did you know anything about this?
00:07:23All I know is I was supposed to get fed.
00:07:25It's hungry business, Shovin' Cole.
00:07:27Oi! Don't touch.
00:07:29You reckon the bride's done a runner?
00:07:30I sure wish I'd done a runner on my wedding day.
00:07:35I don't know.
00:07:37She's a fine figure of a woman, Miss Trudy.
00:07:45Oh, thanks for keeping everybody here.
00:07:48It wasn't hard.
00:07:49They were expecting a picnic.
00:07:51I haven't said anything about Rosalie.
00:07:54I wouldn't know how.
00:07:55We'll handle that.
00:07:57Next of kin?
00:07:58Oh, um...
00:08:00Regan, Rosalie's daughter, and...
00:08:03Shane, the groom.
00:08:08Oh, excuse me.
00:08:10Thank you, Mrs. Baker.
00:08:11Good job.
00:08:13What's her story?
00:08:14We just need to interview everyone about a recent incident.
00:08:19Oh, right, that jumped up little madam on the tracks.
00:08:21You think she'd be old enough to know better.
00:08:24Right.
00:08:25Just hold that thought.
00:08:31We're treating your mother's death as suspicious.
00:08:34She may have simply just fallen from the train,
00:08:36but we need to be sure about it.
00:08:39Okay.
00:08:40And we need someone to give us our formal ID.
00:08:43That should be me.
00:08:45If you don't feel up to it, we can ask Rosalie's fiancée.
00:08:49The what?
00:08:50The wedding was going to be a surprise.
00:08:53Rosalie's idea.
00:08:53I feel like I would have been happy with her registry office.
00:08:57When was the last time you saw Rosalie?
00:08:59When the train had stopped.
00:09:01She'd gone up the front to get changed into her wedding dress.
00:09:03I thought she might need a hand with the fiddly bits.
00:09:05Everything all right in there?
00:09:07Go away.
00:09:08You're not supposed to see me.
00:09:10It's bad luck.
00:09:11So you didn't actually see Rosalie.
00:09:13You just spoke with her through the door.
00:09:16Yeah.
00:09:17Did anyone witness the exchange?
00:09:19No, I doubted.
00:09:20Everyone else had left the carriage by then,
00:09:21trying to work out why the train had stopped.
00:09:24We must have stopped just in time,
00:09:26and then everyone got off to see what was happening.
00:09:28Including Rosalie?
00:09:30I really can't remember.
00:09:32There was a lot going on.
00:09:35More than you realised.
00:09:38What?
00:09:38The surprise wedding.
00:09:40You had no idea?
00:09:42None.
00:09:43But you knew that your mother and Shane Griffin were in a relationship?
00:09:47Everybody knew.
00:09:48Mum had been raving about it for months.
00:09:51But Shane made her happy.
00:09:53For the first time in her life, I think.
00:09:58So, neither Regan Barnes nor Shane Griffin remember seeing the victim after the train stopped?
00:10:04Well, Shane said he'd talked to Rosalie through the toilet door
00:10:07and then got off the train with the others.
00:10:09And Doug and Ron were busy letting rip at Lily.
00:10:12I talked to Doug.
00:10:14Pinko Greeny.
00:10:15When she was lying on the tracks like some sort of damsel in distress.
00:10:19And she gets up with a placard and starts waving it around,
00:10:22going on about coal and the planet.
00:10:25God knows what she was trying to achieve.
00:10:27So, what did the Pinko Greeny have to say for herself?
00:10:30Huh.
00:10:31Not much.
00:10:33Lily McKelvey, 145 Old Creek Road, date of birth, 27 March 2008.
00:10:37And that's all you're getting?
00:10:40She seems very well trained for an 18-year-old.
00:10:43Are we sure she was acting alone?
00:10:45Uh, I'm afraid Mrs. Bake is in a bit of a state.
00:10:49Any idea when we might get the all clear?
00:10:51As long as they've given their initial statement, everyone's free to go.
00:10:54Oh, lovely.
00:10:55Uh, just not on the broken wood flyer.
00:10:57We still need to unspeak the carriages.
00:10:59Ah, I see, I see.
00:11:00I'll see what I can do.
00:11:01Um, what's the point in being there if I can't rustle up a council coach when we need one?
00:11:05And, uh, Lily McKelvey.
00:11:07Don't worry about her.
00:11:08She's coming with us.
00:11:09Okay.
00:11:14Oh, here.
00:11:16Let me give you a hand with that.
00:11:17Oh.
00:11:19Thank you, Rowan.
00:11:20Got it?
00:11:20Yeah.
00:11:24See, Jug, that's what a gentleman looks like.
00:11:31Well, hello there.
00:11:33You sound relaxed.
00:11:34Not at all.
00:11:35Slogging it out, you know how it is.
00:11:37Well, I need you to find what you can on a Lily McKelvey.
00:11:41You want to know if she has any kind of record of involvement in climate, process, that sort of thing?
00:11:47Well, you, I will clear my desk.
00:11:49Give the board a wipe while you're at it.
00:11:51We're going to need it.
00:11:58So, Doug and Ron are in the engine cab with no access to the carriage.
00:12:04And everyone else is in here.
00:12:07Black roses.
00:12:09Old choice.
00:12:10And then at a certain point, Rosalie moves to the front of the carriage.
00:12:16To change.
00:12:19But ended up down there.
00:12:27Before falling or being pushed onto the tracks while everyone else was preoccupied by Lily's protest.
00:12:33Or so they want us to believe.
00:12:43What if the offender wasn't one of our travellers?
00:12:47Someone else got on board the train before it left Brokenwood and waited for their chance to attack.
00:12:53Risky.
00:12:54With nowhere to hide.
00:12:56There's only this one cubicle.
00:12:58Yeah.
00:12:59And a black rose for a corsage.
00:13:02Slightly weird.
00:13:03Weird.
00:13:11For R.
00:13:14You know what this means.
00:13:20Next step.
00:13:21Hand-writing samples from everyone on the train.
00:13:24Hmm.
00:13:25What did you find on Lily McKelvey?
00:13:28Yeah.
00:13:29Brokenwood's answer to Greta Thunberg.
00:13:31Her socials are dedicated to protest content.
00:13:34Nothing about today's protest?
00:13:36If you're going to go to all that trouble to stop a train, you'd want the world to know about
00:13:40it, right?
00:13:40You'd be live streaming or at least making sure someone was there to record it.
00:13:45Well, perhaps somebody did.
00:13:47Well, maybe the protest was just a diversion.
00:13:49Well, whatever happened, it went down fast.
00:13:54The Crimestoppers report about the body on the tracks came through at 2.47.
00:13:59Not long after the train moved off again.
00:14:00Who did that report come from?
00:14:01Well, someone who saw something but didn't want to get involved, called it in anonymously.
00:14:07Well, Lily might be more forthcoming now that she knows that somebody has died.
00:14:12Oh, um, Gina's gonna be expecting one of us soon, so fight amongst yourselves.
00:14:17Heartbreaker.
00:14:19Uh, was that you volunteering?
00:14:21Nice one.
00:14:29I'm assuming you weren't actually tied to the tracks.
00:14:33I'm not an idiot.
00:14:34Did you have any help getting into position?
00:14:36Lying down isn't hard.
00:14:39At my age, anyway.
00:14:41Hmm.
00:14:42No one to cheer you on?
00:14:44No.
00:14:47Thanks for your phone, Lily.
00:14:50Who's Noah?
00:14:51Noah.
00:14:53At 2.45pm, you got a text.
00:14:56Just two words.
00:14:58You okay?
00:14:59From someone called Noah.
00:15:01He's my boyfriend.
00:15:04Did he know about your protest?
00:15:06No.
00:15:06Then why the text?
00:15:08Why those words?
00:15:09You okay?
00:15:10He was just tricking in, I guess.
00:15:12Just, it's the kind of guy he is.
00:15:15Tell me a bit more about him.
00:15:19I cannot be precise about the time of death.
00:15:21No, I get it, Jenna.
00:15:22Usual terms and conditions apply.
00:15:24But when I arrived at the scene,
00:15:25what we call the tracking of the eyes had not begun.
00:15:28Impalo Mortis was not complete.
00:15:30It can only have been a matter of minutes.
00:15:32Fifteen or twenty.
00:15:33That's pretty precise.
00:15:35What do you mean?
00:15:36I am very precise.
00:15:37Yeah, of course, but you just...
00:15:39Do you think my job is easy?
00:15:42No, but you just...
00:15:43You want me to hand you the bone saw?
00:15:45Knock yourself out.
00:15:47No, I'm good.
00:15:49Good.
00:15:50Now, cause of death.
00:15:52See here?
00:15:53One significant impact wound
00:15:56and a number of small scrapes and bruises
00:15:59along her right side.
00:16:01She died when she hit the rail track?
00:16:03Not necessarily.
00:16:05What does this tell us?
00:16:09She bounced.
00:16:13Mike would understand.
00:16:14Well, Mike's not here, so...
00:16:16Perhaps she was fatally hit on one side of the head
00:16:19and then...
00:16:20Thrown from the train
00:16:22and landed on the other side.
00:16:24Very good.
00:16:25Now, we have a guest.
00:16:32Come through.
00:16:42That's her.
00:16:44That's my mum, Rosalie.
00:16:48Was it quick?
00:16:49Very.
00:16:50If you'd like, we can keep you up.
00:16:52Has anyone told, Dad?
00:16:55Hayden Barnes.
00:16:57As in Barnes Farming Supplies.
00:16:59Regan's father
00:17:00and Rosalie's ex-husband.
00:17:02Sims is with him now.
00:17:04Excuse me.
00:17:06I'm here for my daughter.
00:17:08You must be Mr. McKelvey.
00:17:10Troy.
00:17:11Could you get Miss McKelvey, please?
00:17:13Of course.
00:17:16Come on through.
00:17:20I'm Bridget, Lily's grandmother.
00:17:22Where is she?
00:17:23She'll be here soon.
00:17:24You do realise she's only 18?
00:17:26Yeah, old enough to be charged with breach of the police.
00:17:29Not today, however.
00:17:30We're letting her off with a warning.
00:17:32You just thought you'd scare her
00:17:33by keeping her here all afternoon.
00:17:35Hey, kiddo.
00:17:36You all right, love?
00:17:37Can we go, please?
00:17:41Your granddaughter has been helping us
00:17:43with our inquiries into a suspicious death.
00:17:46A woman died on the train
00:17:47that was stopped by her protest.
00:17:49She didn't say anything about that when she rang.
00:17:52Does the name Rosalie Barnes mean anything to you?
00:17:58You were close?
00:18:00Used to be.
00:18:01Old school friends.
00:18:02We travelled overseas together.
00:18:03It was a long time ago.
00:18:06How did it?
00:18:07What happened?
00:18:07We'll be releasing a statement in due course.
00:18:10Right.
00:18:11I should go.
00:18:13Lily told us that she was in a relationship
00:18:16with one of your farmhands.
00:18:19Noah.
00:18:19Noah Dunphy.
00:18:20If you see him, could you tell him to get in touch?
00:18:23Why do you want to talk to Noah?
00:18:24We'll explain that when we see him.
00:18:27All right, I'll pass that on.
00:18:29Thanks, love.
00:18:32It's hard to believe
00:18:34she had a big train launch this afternoon.
00:18:36I thought she'd be swilling champagne all day.
00:18:39I have to ask you this.
00:18:41Where were you around 2.45pm?
00:18:44Quarter to three.
00:18:46I was here.
00:18:47Yeah, you can ask Dan.
00:18:50And when was the last time you saw Rosalie?
00:18:52A few weeks ago.
00:18:53We met to sign the divorce papers.
00:18:55It was all very amicable, if you're wondering.
00:18:58My daughter, does she know?
00:18:59Yeah, she identified the body,
00:19:01so she may need some support.
00:19:02All right, Bob.
00:19:03I'm here.
00:19:04I'm here.
00:19:05It's going to be okay.
00:19:12I did some research on the McAlvys, found this.
00:19:17Bridget and her best friend Rosalie
00:19:18protest in the closure of the Brokewood railway line
00:19:21way back in the 80s.
00:19:23The line was closed anyway,
00:19:24but the track was never pulled up.
00:19:25And then 40 years later,
00:19:28Rosalie's the driving force behind the Brokewood flyer.
00:19:30Mm-hmm.
00:19:30Which was bitterly opposed by Bridget's son, Troy.
00:19:33He was pushing his own plan
00:19:35to turn the track into a cycle trail.
00:19:43Well, it was either restore the rails or pull them up.
00:19:46Council had been shunting that decision down the track
00:19:49for about 30 years.
00:19:50Excuse the pun.
00:19:52I would have done the same
00:19:52if I'd known what a kerfuffle it would turn into.
00:19:55Well, it swung it in favour of the vintage railway.
00:19:58Well, no word.
00:19:59Rosalie.
00:20:00She was a bit of a steam engine herself,
00:20:01if you get my drift.
00:20:02A hard woman to say no to.
00:20:04Helped that she had Hayden Barnes's money behind her.
00:20:06Before the divorce, I mean.
00:20:08Though I imagine she took a good chunk of it with her
00:20:10when they split.
00:20:12He bought the engine and carriages,
00:20:14paid for the restoration.
00:20:15Troy McKelvey must have found it hard to compete.
00:20:17He just couldn't promise the investment
00:20:19we were looking for.
00:20:20Whatever he had himself,
00:20:21he sank into buying up land along the tracks.
00:20:24It's a grand scheme for accommodation and a cafe.
00:20:27Actually, I've got it here somewhere.
00:20:31Um...
00:20:31Yeah.
00:20:34How are you expected to pay for it?
00:20:35I have no idea.
00:20:38This is the McCovey farm here, eh?
00:20:40Yeah, what's left of it.
00:20:42Troy's been selling bits off,
00:20:43trying to claw back his investment.
00:20:46Do you mind if I get a copy of this?
00:20:49It would be a pleasure.
00:20:51Follow me, young man.
00:20:54Brand new photocopier.
00:20:57Rari Flansch.
00:20:58Voice activated.
00:21:02And copy.
00:21:07Got it.
00:21:07Yeah, you have to say it right.
00:21:09And copy.
00:21:14Annoying.
00:21:15Might just, uh...
00:21:16Use the old digit there.
00:21:27Trudy.
00:21:29There's a Noah Dunphy drink here.
00:21:31Friend of yours, is he?
00:21:32It's a professional inquiry.
00:21:34Thought so.
00:21:35Don't make me say it.
00:21:37It's not knocking
00:21:38if he hasn't done anything wrong.
00:21:40Sure.
00:21:42Lena.
00:21:45On my tab.
00:21:47What was that you just did?
00:21:48Well, you know what a tab is, don't you?
00:21:50Oh, the nose tab, you think.
00:21:52What's that all about?
00:21:53Trudy nose.
00:21:55That's all that matters.
00:21:58Okay, so...
00:21:58Noah comes in with his mates
00:22:00every now and then,
00:22:01and...
00:22:01you know...
00:22:02Well, he's always hitting on me.
00:22:04I mean, I got there,
00:22:05and it was just nothing.
00:22:07Nothing more.
00:22:07Two pails...
00:22:08and a hazy.
00:22:10Thanks very much.
00:22:11Appreciate it.
00:22:16Thanks again.
00:22:17Do you like cats?
00:22:20Yeah, cats are...
00:22:22Cats are cool.
00:22:22Cool.
00:22:23I have a cat suit at home.
00:22:25You know, I mean,
00:22:25like for special occasions.
00:22:30Okay.
00:22:32That's...
00:22:33That's interesting.
00:22:34Yeah?
00:22:35Thanks.
00:22:37Lena.
00:22:45I thought you said
00:22:46he hit on you.
00:22:48He did.
00:22:49He said I was interesting.
00:22:51And he's cute.
00:22:52I mean, not...
00:22:53Not as cute as Chad.
00:22:54Oh!
00:22:55You think so too?
00:22:56No, I just...
00:22:57But then,
00:22:57no one is.
00:22:58But he is a little bit bad boy,
00:23:00which is nice sometimes.
00:23:01Right?
00:23:03Thanks, Lena.
00:23:04Yeah.
00:23:06Oh!
00:23:07Hello.
00:23:08You're here for that pizza for Shane.
00:23:09Well, normally I would have cooked him something,
00:23:11but...
00:23:12I don't know,
00:23:12I can't seem to settle.
00:23:13I'm all a quiver.
00:23:14It's all good.
00:23:16Mrs Baker?
00:23:17How's Mr Griffin holding up?
00:23:19Do you really need to ask?
00:23:21Oh, I'm sorry.
00:23:23I know you're only doing your job,
00:23:25and that's how the police mind works,
00:23:27isn't it?
00:23:28The nearest and dearest
00:23:29are the biggest suspects,
00:23:30but I am telling you,
00:23:32Shane is one of nature's gentlemen.
00:23:34He wouldn't hurt a fly.
00:23:36And Hayden Barnes,
00:23:38would you say the same about him?
00:23:41Well,
00:23:42that's a different story.
00:23:52Thanks.
00:23:54So,
00:23:55it's hard to say if it's intel
00:23:56or just gossip,
00:23:57but according to Mrs Baker,
00:24:00Hayden and Rosalie's split
00:24:01wasn't as amicable
00:24:03as he tried to make out.
00:24:08I am not a bloody ATM
00:24:10for your pet project!
00:24:11Oh!
00:24:12Grow up!
00:24:13This is bigger than us!
00:24:15Us?
00:24:15What us?
00:24:16You've already got yourself
00:24:17a new toy, boy?
00:24:18Is everything alright?
00:24:18You're welcome to the gold-dicking cow!
00:24:21Good luck to you.
00:24:24Obviously,
00:24:25Rosalie liked her men younger.
00:24:27She had ten years on Hayden as well.
00:24:30Did Hayden know about
00:24:31Rosalie and Shane's wedding yesterday?
00:24:34He didn't say,
00:24:35but Mrs Baker insisted
00:24:36that no one knew about it,
00:24:37not even her own daughter, Regan.
00:24:39Check in with Shane.
00:24:40Find out if he or Rosalie
00:24:42got any more aggro from Hayden.
00:24:44Or the McKelvies,
00:24:46for that matter.
00:24:47Oh?
00:24:48Well,
00:24:49Lily clearly isn't a fan,
00:24:50and Rosalie and Troy
00:24:52were practically feuding
00:24:53over rival schemes.
00:24:55Ahem.
00:24:58This is the McKelvie farm,
00:25:00and this is the additional land
00:25:02that Troy bought
00:25:03for the tourist development.
00:25:06Right next to where
00:25:07Lily stopped the train.
00:25:08and Bridget's old friend
00:25:10and Rosalie was killed.
00:25:19What do you got?
00:25:20No, I've done for you,
00:25:22still not responding to my calls.
00:25:23But that could be
00:25:24because he has a history
00:25:25of prior arrests,
00:25:27disorderly behaviour,
00:25:28assault.
00:25:28Assault on who?
00:25:29It was related to a protest action.
00:25:32A bit of pushing and shoving
00:25:33on the front line of a march.
00:25:35Climate protest?
00:25:36Uh, coal, mining, oil.
00:25:38Anything that messes
00:25:38with the environment,
00:25:39he's against it.
00:25:40So his text to Lily
00:25:42moments after his stunt
00:25:43was in no way a coincidence.
00:25:45Gotta go.
00:25:47Uh, Lily,
00:25:48I was hoping you could help us.
00:25:50I've already told you everything.
00:25:51We've been trying
00:25:52to track down Noah,
00:25:53but we can't.
00:25:53Yeah, me too.
00:25:54So if you see him first,
00:25:55let him know from me
00:25:55that we're done.
00:25:56Okay?
00:26:04I think the kids
00:26:05call it ghosting.
00:26:07Oh.
00:26:08Was there something else
00:26:09you wanted?
00:26:10Yes, actually.
00:26:14Why are you so interested
00:26:15in Noah?
00:26:16Well, he's Lily's boyfriend.
00:26:18Uh, for now.
00:26:20It's reasonable to assume
00:26:22that he knew about a protest.
00:26:24Maybe he filmed it.
00:26:26I mean, after all,
00:26:28you know,
00:26:28what's a protest these days
00:26:29if it isn't all over the internet?
00:26:31Well, it's a bit of a stretch
00:26:32to go from being a protester
00:26:34to a murderer,
00:26:36isn't it?
00:26:37Uh, we had an anonymous tip-off
00:26:39about Rosalie's body.
00:26:41Whoever made that report
00:26:42may have seen more
00:26:43than they initially shared.
00:26:45Right.
00:26:46The incident happened
00:26:47very close to your land.
00:26:49Did either of you see
00:26:50anything out of the ordinary?
00:26:52I was here,
00:26:53making jam,
00:26:54head down over the kitchen bench.
00:26:56I was up in, uh,
00:26:57old creek paddock,
00:26:58fixing some fences.
00:27:00Nowhere near.
00:27:01Meanwhile, your daughter
00:27:02was tying herself
00:27:03to railway tracks.
00:27:04Mm-hmm.
00:27:05Uh, did you know about that?
00:27:08Uh, she's always up to something.
00:27:11Thought she was just
00:27:11going to wave a sign.
00:27:12We've always encouraged Lily
00:27:14to think for herself.
00:27:16She's so compassionate
00:27:17and engaged.
00:27:18And that's something
00:27:19to be admired, isn't it?
00:27:21Uh, chip off the old block,
00:27:22perhaps.
00:27:25Do you think, uh,
00:27:27Lily's protest was
00:27:29inspired by this?
00:27:32Well, you'd have to ask her.
00:27:35You had your own reasons
00:27:36to oppose the Vintage Railway.
00:27:38Your failed development plans.
00:27:40Oh, come on.
00:27:42Must have been very frustrating.
00:27:43Well, not to mention expensive.
00:27:45We lost that fight ages ago
00:27:48and accepted it ages ago.
00:27:50Why are you giving me
00:27:50and my mum the third degree?
00:27:52We weren't even on the train.
00:27:55Shouldn't you be chasing
00:27:55the people who were?
00:27:57All lines of inquiry
00:27:59are being explored.
00:28:00Which is why
00:28:01I'm going to need
00:28:02a handwriting sample
00:28:03from each of you.
00:28:10Here you go.
00:28:12I'm not going to win
00:28:13any awards for calligraphy
00:28:14with that.
00:28:16Sorry to disturb you.
00:28:17It's fine.
00:28:19Anything to help find
00:28:20whoever hurt Rosie?
00:28:22Can you think of anyone
00:28:23who might want to do that?
00:28:24No.
00:28:25No, she was wonderful.
00:28:27She was very caring,
00:28:28very passionate.
00:28:29Although,
00:28:29her passion could rub
00:28:30some people up the wrong way.
00:28:32Like Hayden?
00:28:33If Rosie had done me,
00:28:35I'd be devastated too.
00:28:37How did you and Rosie
00:28:38get together?
00:28:39Well, there was no overlap
00:28:40if that's what you're getting at.
00:28:41Understood.
00:28:42We were both on the committee
00:28:43for the train project.
00:28:45Lots of
00:28:46long nights
00:28:47and
00:28:48weekends
00:28:49and
00:28:51I keep thinking
00:28:52she's going to come out
00:28:52of the bedroom
00:28:53or
00:28:54bring me a glass of wine.
00:28:57You and Rosie
00:28:58weren't the only ones
00:28:59who gave a lot
00:28:59to the Rail Project.
00:29:01Hayden Barnes
00:29:02made a huge commitment too,
00:29:03didn't he?
00:29:04It was his money that
00:29:05was Rosalie's money as well.
00:29:06That's what marriage means,
00:29:08sharing everything.
00:29:12I wonder how much
00:29:13Hayden shared with Rosalie
00:29:14in the divorce.
00:29:16And who's in line for it
00:29:17now?
00:29:18Yeah, I'll chase out
00:29:19the will, but
00:29:20Regan, you'd think,
00:29:21and probably Shane.
00:29:24And they were both
00:29:24on the train.
00:29:25Shane may have been
00:29:26the last person
00:29:27to talk to Rosalie.
00:29:28The romantic
00:29:29political door exchange.
00:29:30But what did he do
00:29:31after that?
00:29:35Mrs Baker?
00:29:38I was wondering
00:29:39if I could get my things
00:29:40from the train,
00:29:41my clipboard and whatnot.
00:29:42I've got another wedding
00:29:43this weekend.
00:29:44I can only hope
00:29:45that that couple
00:29:45hasn't caught wind
00:29:46of my involvement
00:29:47with this debacle.
00:29:50RIP Rosalie,
00:29:52obviously.
00:29:52Your timing is
00:29:54immaculate,
00:29:54Mrs Baker.
00:29:55We're in need
00:29:56of your insight.
00:29:59Police,
00:30:00come on through.
00:30:01Oh!
00:30:02Come on.
00:30:04It's all that
00:30:05thing, isn't it?
00:30:08Actually being part
00:30:09of a murder investigation.
00:30:11Could you talk us
00:30:12through what happened?
00:30:13Starting at the beginning.
00:30:17Well,
00:30:19Ron and Doug were
00:30:19at the front.
00:30:20Anyway, I should drive.
00:30:22I have seniority.
00:30:23Seniority?
00:30:24What you have
00:30:25is being scared
00:30:26of hard work.
00:30:29We're not
00:30:29so worried about them.
00:30:32Can you remember
00:30:33where everyone was
00:30:34on the train?
00:30:34Um,
00:30:36well,
00:30:37the catering
00:30:37was in this one
00:30:38and then we were
00:30:40all in the back.
00:30:41There was, um,
00:30:43General Mingling.
00:30:47Do you recall
00:30:48where Shane Griffin
00:30:49was?
00:30:50Oh,
00:30:51um,
00:30:52he was mainly
00:30:53talking to a friend,
00:30:55fellow train geek.
00:30:57A special breed,
00:30:58those fair
00:30:58and neck
00:30:59menquinologists.
00:31:01Shane told us
00:31:02he went to speak
00:31:02to Rosalie
00:31:03through the cubicle door
00:31:04when the train stopped.
00:31:06Oh, yeah,
00:31:06that sounds about right.
00:31:08He was the only
00:31:09other person on the train
00:31:10who knew what she
00:31:10was really doing.
00:31:11I'll tell you what.
00:31:12It wasn't easy
00:31:13keeping that a secret.
00:31:14Sorry.
00:31:15So,
00:31:16was Shane with you
00:31:17when you got off the train
00:31:18or was he still
00:31:19back with Rosalie?
00:31:21I remember him
00:31:22turning up at the tracks.
00:31:23It's not a game!
00:31:24This is a wake-up call!
00:31:26What's what?
00:31:27It's the middle of the afternoon
00:31:28and we're already awake.
00:31:28Cole is killing the planet!
00:31:31Cole is killing the planet!
00:31:33What's all this?
00:31:34I can't be certain
00:31:36how long he was on the train
00:31:37before he joined us.
00:31:38Lily was very distracting.
00:31:40And he...
00:31:43No.
00:31:44No, no, no.
00:31:45Not Shane Griffin.
00:31:46He would never.
00:31:47He was such an integral
00:31:48part of the planning.
00:31:50There was a theme.
00:31:51I had it all worked out.
00:31:53Champagne flutes.
00:31:54Tick.
00:31:55Doilies.
00:31:56Tick.
00:31:57Flower...
00:31:57Oh, what in the blazes are those?
00:31:59I was very clear with that florist
00:32:01what I wanted.
00:32:01I'll be having strong words
00:32:02with Jenny Monroe.
00:32:03I don't quite like them, actually.
00:32:05Really?
00:32:05Hmm.
00:32:09No.
00:32:10They were not from me.
00:32:11Definitely not part of my catalogue.
00:32:13Besides,
00:32:15black roses
00:32:15are a terrible omen
00:32:17for a wedding.
00:32:18They symbolise death.
00:32:20Would Rosalie have known that?
00:32:23Hmm.
00:32:24Hmm.
00:32:25Hmm.
00:32:25Hmm.
00:32:26Hmm.
00:32:26Hmm.
00:32:27That node could have been
00:32:29attached to the flowers.
00:32:31And I know where else
00:32:32I've seen black roses recently.
00:32:40I'm not much of a flowers man,
00:32:41but I imagine these are pretty rare.
00:32:44Yeah, I suppose.
00:32:46So, if a bunch of black roses
00:32:48were to show up in the vicinity,
00:32:50chances are they would have come
00:32:51from your garden?
00:32:52There are florists in town, you know.
00:32:53Sure.
00:32:54But I'm talking about a hand-picked bunch.
00:32:56Tied with a ribbon,
00:32:57delivered with a note.
00:33:01Is this your writing?
00:33:03Yes.
00:33:04It's an interesting message,
00:33:06given that black flowers symbolise death.
00:33:08Is there anything you want to share, Hayden?
00:33:11Look, black roses don't just symbolise death.
00:33:13Okay?
00:33:14They're transformation,
00:33:16new beginnings,
00:33:17endings, farewells.
00:33:20Yeah, I know,
00:33:21I'm not exactly the type,
00:33:22but Rosalie planted this bush.
00:33:24She told me all about it.
00:33:25She would have known what I was saying.
00:33:27Mum was wearing one of the roses on her dress.
00:33:29She wouldn't have done that
00:33:30if she thought Dad was being threatening.
00:33:32You told us you weren't at the launch
00:33:33and that you haven't seen Rosalie for weeks.
00:33:35Dad couldn't handle actually being there
00:33:37and seeing her with shame.
00:33:39Can you blame him?
00:33:41So I said I'll drop the flowers off.
00:33:44Right.
00:33:46Excuse me.
00:33:48Gina.
00:33:50You'll be okay?
00:33:51I've got to take my car to the garage.
00:33:53See you soon.
00:33:53Everything all right, Rob?
00:33:54Yeah, just to service.
00:33:55It should only take a few hours.
00:34:02For me, nothing can beat
00:34:03to the appeal of a steam train.
00:34:04The Trans-Siberian Railway,
00:34:06it's on my bargain list.
00:34:08Your what?
00:34:10My bargain list.
00:34:11You know when you say,
00:34:12bugger it, let's just do it?
00:34:15It's a very common expression, Mike.
00:34:16I'm surprised you don't know it.
00:34:18I think you mean bucket list.
00:34:20Well, the things you want to do
00:34:21before you kick the bucket.
00:34:22But what has the bucket done to you?
00:34:24Well, it's a saying.
00:34:25Well, anyway,
00:34:26the Broke-Nut flyer,
00:34:27it's not of the same league, of course,
00:34:29but one day,
00:34:30I hope for a ride.
00:34:32Now,
00:34:32I have something
00:34:33I think you'll like.
00:34:35Fire away.
00:34:36When I looked closer
00:34:37at the two head wounds,
00:34:40I found something interesting.
00:34:42Metallic fragments
00:34:43in both of them.
00:34:44So the murder weapon
00:34:46was metal?
00:34:47Same as the railway tracks.
00:34:48Same age,
00:34:49same wear,
00:34:51same rust pattern.
00:34:53Rosalie was hit
00:34:54with a length of rail line.
00:34:56A small length,
00:34:57unless the offender
00:34:58was very strong.
00:35:03Mrs Baker can vouch
00:35:05that everyone
00:35:06got off the train
00:35:06at the same time
00:35:07as she did,
00:35:07except for Shane Griffin.
00:35:10Oi,
00:35:11you lot,
00:35:12anyone home?
00:35:17Hello?
00:35:18Oh,
00:35:19you want to talk
00:35:20to this guy?
00:35:22Noah,
00:35:22you are a hard man
00:35:23to find.
00:35:24Not really.
00:35:34Get in.
00:35:35That's beautiful.
00:35:36Not for me,
00:35:37you idiot.
00:35:38You have to talk
00:35:38to the police
00:35:39or they'll think
00:35:40you killed her.
00:35:41Look,
00:35:42he knows his rights,
00:35:43so don't try anything dodgy,
00:35:44okay?
00:35:45Wouldn't dream of it.
00:35:46Just because he has priors
00:35:47doesn't mean
00:35:47he's done anything wrong.
00:35:49Ghosting your girlfriend
00:35:50isn't technically a crime.
00:35:55It was one text,
00:35:56the timing was freaky,
00:35:57it doesn't mean anything.
00:35:58You weren't exactly
00:35:59in a hurry
00:35:59to talk to us,
00:36:00though.
00:36:01So you're saying
00:36:02despite your prior history
00:36:03of protest action,
00:36:05you had no idea
00:36:06what your girlfriend
00:36:07was planning to do?
00:36:08Look,
00:36:08the real target
00:36:08should be the freight trains
00:36:09carrying the coal
00:36:10from the mines
00:36:10and she's out here
00:36:12trying to shut down
00:36:13a vintage train.
00:36:14It was pathetic.
00:36:15I was almost embarrassed
00:36:15to be involved.
00:36:16So you were involved?
00:36:19No comment.
00:36:20It is weird
00:36:21that there's nothing
00:36:22on the socials about it.
00:36:23So if we checked your phone,
00:36:25there wouldn't be any footage
00:36:26of Lily's protest?
00:36:29Lo and behold.
00:36:32He obviously was
00:36:33in one of the trees
00:36:34by the line.
00:36:35There's Doug and Ron
00:36:37exiting the engine cab first.
00:36:39Everyone else
00:36:40piling out of the carriage.
00:36:42Mrs Baker,
00:36:44Mayor Bloom,
00:36:45all the others.
00:36:46Alibis confirmed,
00:36:47that's something.
00:36:48There's Regan,
00:36:49but where's Shane?
00:36:51He said he was checking in
00:36:53with Rosalie.
00:36:54Yep.
00:36:54Wait for it.
00:36:56So,
00:36:57Regan
00:36:57gets back on briefly,
00:36:59presumably to
00:37:00alert her mum.
00:37:02And there she is
00:37:03stepping back off,
00:37:05followed by Shane,
00:37:06which means
00:37:07he's getting off the train
00:37:08a good minute
00:37:09after everyone else.
00:37:11Enough time?
00:37:12If he worked fast.
00:37:13You can't see the back
00:37:14of the train from this angle.
00:37:15Why would he want to kill
00:37:16someone he's supposed
00:37:17to be marrying?
00:37:19Well,
00:37:19I followed up with
00:37:20Rosalie's lawyer.
00:37:22Shane is a main beneficiary
00:37:24in the will,
00:37:25as is Regan.
00:37:26Is this all the footage?
00:37:28According to Noah...
00:37:29I stopped recording
00:37:30when Lily got taken
00:37:31onto the train.
00:37:32And did you see
00:37:33anything else,
00:37:34or anyone else?
00:37:35No.
00:37:36We'll need your phone.
00:37:37And there was nothing
00:37:37unusual in his call log.
00:37:39Ditto his search history.
00:37:41So if Noah is to be believed,
00:37:43he wasn't the person
00:37:44who called Crime Stoppers.
00:37:46Well,
00:37:46he said he took off
00:37:47once Lily was
00:37:48on board the train.
00:37:49Where did you go?
00:37:50Back home.
00:37:52Well,
00:37:52Lily told us
00:37:53you were ghosting her,
00:37:54so presumably
00:37:55she couldn't find you there.
00:37:56I didn't stick around
00:37:57for long.
00:37:58I went to a mate's place.
00:37:59Well,
00:38:00we will need to speak
00:38:01to that mate.
00:38:01Oh,
00:38:01you can't.
00:38:02He's in Sydney.
00:38:03I needed some space
00:38:04to myself,
00:38:05so I crashed out there instead.
00:38:06Why did you need
00:38:07some space?
00:38:09To work out
00:38:10what I was gonna do?
00:38:11Dump Lily
00:38:12and leave town.
00:38:14To make it sound
00:38:15worse than it was.
00:38:17Look,
00:38:17I was over it.
00:38:19This train thing
00:38:19was the last straw
00:38:20and I just wanted to bail
00:38:21without more
00:38:23of Lily's drama.
00:38:24Yeah,
00:38:25I'm not sure
00:38:26I'm buying that.
00:38:27Agreed.
00:38:27Where is he now?
00:38:28At the McAlvys,
00:38:29but we told him
00:38:30to stick around.
00:38:31Good.
00:38:32Me and my
00:38:33lockdown,
00:38:34baby
00:38:36we had a ticket
00:38:37on a silver train
00:38:42coming true.
00:38:43It's out here,
00:38:44you reckon?
00:38:46Yep.
00:38:46Clear line of sight
00:38:47to the tracks.
00:38:51The train
00:38:51would have obscured
00:38:52whatever was happening
00:38:53to Rosalie
00:38:54at the back of it.
00:38:55Once it moves off,
00:38:56though.
00:38:58Thanks, guys.
00:39:00Oi.
00:39:01What?
00:39:02Am I not allowed to turn?
00:39:03Not on my train.
00:39:04Protocol.
00:39:05Hardly the worst thing
00:39:06that's happened
00:39:06on your train,
00:39:07is it?
00:39:10If Noah was still
00:39:11close by
00:39:12after the train
00:39:13moved off,
00:39:14he would have been
00:39:14able to see
00:39:15Rosalie's body.
00:39:16But he claims
00:39:17he didn't make
00:39:18the Crimestoppers report.
00:39:19But he might have
00:39:20seen who did.
00:39:21Or he committed
00:39:22the crime himself.
00:39:24Could the phone
00:39:26have been on a tripod?
00:39:27He left it here
00:39:29while he boarded
00:39:29the train.
00:39:30The footage
00:39:31was pretty shaky.
00:39:32It had to be
00:39:32handheld.
00:39:33Or he was working
00:39:34with someone else.
00:39:35He gave them
00:39:36the camera
00:39:36while he went
00:39:37to the train.
00:39:38If he is hiding
00:39:39something,
00:39:40what's his motive?
00:39:47Sorry, I don't know
00:39:48what else I can tell you.
00:39:49Well, what I can tell you
00:39:50is that we've got
00:39:51footage that confirms
00:39:52your story about
00:39:53being last off the train.
00:39:54Okay.
00:39:55Good.
00:39:56What I'm interested in
00:39:57is what you were doing
00:39:58before that point.
00:39:59I told you
00:40:00I was talking to Rosalie.
00:40:02She was changing
00:40:03and I thought
00:40:04after that she'd
00:40:04probably have a cigarette
00:40:05so I left her to it.
00:40:08Here you are.
00:40:08You have to help.
00:40:09With what?
00:40:10Mrs Baker's yelling at someone.
00:40:11I don't know what's going on.
00:40:12Okay.
00:40:12Well, good.
00:40:13Everything on Mrs Baker's schedule
00:40:14was timed to the minute
00:40:15so I knew she'd be in a
00:40:16flat, had the delay.
00:40:17So, what schedule?
00:40:20Yeah, nothing left to chance.
00:40:24It's like holding on
00:40:25to a little piece of her,
00:40:26which is silly, I know.
00:40:29But I can tell you that
00:40:31when I spoke to Rosalie
00:40:32it was around 2.35pm,
00:40:34changing time.
00:40:36Can I take that?
00:40:38You'll get it back.
00:40:41Sure.
00:40:43I can email you
00:40:43a copy of that too
00:40:44if you like.
00:40:45Thanks.
00:40:46Why is it so important
00:40:47to know when I got off the train?
00:40:52Mrs Baker said
00:40:53you might go down that route.
00:40:55We're following
00:40:55all lines of inquiry.
00:40:57You've got this so wrong.
00:41:01That's another branch
00:41:02of the old rail line.
00:41:03That's right.
00:41:04It was never part
00:41:05of the restoration plan though
00:41:06so most of the tracks
00:41:07were pulled up years ago.
00:41:08How were they disposed of?
00:41:10I've got no idea.
00:41:11I suppose they would have
00:41:12been taken off for scrap.
00:41:14Hmm.
00:41:18What's that?
00:41:19Regan Barnes?
00:41:20Yes.
00:41:21On bereavement leave of course,
00:41:22poor thing.
00:41:22Just popped in to get a few things.
00:41:44Hi.
00:41:44Hi.
00:41:57Hello?
00:41:58Hi there.
00:41:59You alright?
00:42:00Yeah, just taking a walk.
00:42:03Helps me think.
00:42:05Am I right in thinking that this used to be the old Johnson sawmill line?
00:42:09It's going back a bit, but yeah.
00:42:12Is Troy around by any chance?
00:42:15Well, he's out just now, but he shouldn't be too long.
00:42:18I'm happy to wait.
00:42:30You'd better come up to the house then.
00:42:32Oh, well, if you insist.
00:42:38And this is where you tell me I haven't changed a bit.
00:42:41Apologies, they caught my eye.
00:42:43Oh, that's okay. I took a long stroll down memory lane last night.
00:42:46This is you and Rosalie?
00:42:48Hmm.
00:42:50You, uh, obviously had some adventures.
00:42:52Oh, Rosalie, she was the adventurous one.
00:42:55She taught me into all sorts of things.
00:42:56There's one of us on a roller coaster somewhere.
00:42:58The look on my face...
00:42:59Is this Troy?
00:43:01Hmm.
00:43:03He was born overseas.
00:43:05Poland.
00:43:06And I hope you're not going to ask me about the father.
00:43:09No.
00:43:10Well, that was the end of the adventures.
00:43:13Well, it started a new one, I suppose.
00:43:15Parenthood.
00:43:18Solo parenthood.
00:43:20I moved home when Troy was a few months old.
00:43:23We'd be back in here with mum and dad.
00:43:25And they were remarkably non-judgmental, given the circumstances.
00:43:31And Rosalie?
00:43:33So, three years in New York, two in Paris.
00:43:39And God knows where after that.
00:43:40We lost touch.
00:43:42Our lives were so different.
00:43:51Shane mentioned he went up to the cubicle just after the train stop.
00:43:56I guess so.
00:43:58What, you didn't see him go?
00:44:00I saw him come back, if that helps.
00:44:02Everyone else had got off by then, so I got back on to find him.
00:44:06I told him Mrs Baker was stressing out and he should go and see what was up.
00:44:09And did he?
00:44:10Yes.
00:44:11But I got off before him.
00:44:14So, there was a time when she and Shane may have been the only two people in the carriage.
00:44:23You don't think?
00:44:24No, we're just trying to establish a timeline, that's all.
00:44:27No, but if you do have reason to believe that Shane wanted to harm your mother, then you should tell
00:44:33us.
00:44:35Regan?
00:44:37Mum was super rich and Shane is super broke.
00:44:41The only thing he has is thousands of dollars of debt.
00:44:46I don't know where Troy's got to.
00:44:48He should be back by now.
00:44:49Oh, sorry.
00:44:52Sims.
00:44:53Regan Barnes is suggesting Shane Griffin has money issues.
00:44:56I see.
00:44:57Bring her in.
00:44:58Copy that.
00:45:00I'm just calling Troy.
00:45:02Tell him I'll catch up with him another time.
00:45:13It's a big call you've made suggesting that Shane Griffin killed Rosalie for her money.
00:45:19I didn't say that.
00:45:20No.
00:45:21You stopped just short.
00:45:22I don't want to believe it, but the facts are the facts.
00:45:25I thought you should know.
00:45:27This debt of Shane's, how do you know about it?
00:45:30I work for the council, in the rates department.
00:45:32Shane's house is owned by his dad, who's in a dementia care unit, but he hasn't paid his rates for
00:45:37the last 20 years.
00:45:38And Shane is responsible for that?
00:45:40He has power of attorney.
00:45:42But no way of paying?
00:45:43Well, it's nearly 200,000.
00:45:46The council's been talking about forcing the sale of the house.
00:45:49Well, if Shane wanted access to Rosalie's money, surely marrying her would get him that?
00:45:53It was still her decision.
00:45:55What to do with it?
00:45:55Maybe she didn't know about the debt.
00:45:57She never mentioned it.
00:45:59Why didn't you tell her?
00:46:01And lose my job for breaking confidentiality.
00:46:03Did Rosalie ever mention changing her will to include Shane?
00:46:07Not to me.
00:46:10She did, though, didn't she?
00:46:13But whether Shane knew that is another question.
00:46:22This way.
00:46:25How did you get along with the council?
00:46:26I'm still on hold.
00:46:28Well, they said my call was very important to them.
00:46:30I think I could walk.
00:46:33Hmm.
00:46:34Uh, talk to Shane.
00:46:36See what he has to say for himself.
00:46:38Well, yes.
00:46:39I'm afraid Dad did let things get out of hand.
00:46:42I don't know if it was his dementia or just sheer bloody-mindedness.
00:46:45How's that?
00:46:46Well, there was a dispute with the council over a boundary line years ago.
00:46:50Dad used to get pretty worked up about it.
00:46:53So he stopped paying his rates.
00:46:55Did Rosalie know about the debt?
00:46:57Yeah, of course.
00:46:58We didn't have any secrets.
00:47:00Good news, I think.
00:47:02Case closed.
00:47:03No, our case.
00:47:04Not yours.
00:47:05Or is it?
00:47:06Closed, I mean.
00:47:07I mean, I wouldn't know, would I?
00:47:09How could I?
00:47:10I mean, could I?
00:47:11No.
00:47:11Sorry.
00:47:13I've been talking to the council about it.
00:47:15You know, paying it off in instalments.
00:47:16But it's just, it's all the interest and the penalties.
00:47:19That's the real cooker.
00:47:21I bet.
00:47:25That was DSS Shepard calling from the council office.
00:47:28Your father's rates debt was paid in full today.
00:47:33A scheduled payment from the account of Rosalie Barnes.
00:47:36With the reference, wedding gift.
00:47:50Thanks.
00:47:53It was Regan, wasn't it?
00:47:56Who told you about the debt?
00:47:58I knew she didn't think much of me, but I didn't think she'd think to that.
00:48:01Well, she's just lost her mother.
00:48:02She's looking for answers.
00:48:04I feel sorry for her.
00:48:06They never really got along.
00:48:07Well, Rosalie was a wonderful woman, but motherhood was not her forte.
00:48:11She was always fighting fault with Regan with her hair and with her clothes and with her attitude.
00:48:17Mothers and daughters, eh?
00:48:20The last big blow-up was a few weeks ago.
00:48:22We'd asked Regan to meet us for a drink, and while I was running late...
00:48:26I don't believe this.
00:48:29You're a sad, old, miserable drunk.
00:48:32Darling, I'm trying to help you.
00:48:34No, you're just trying to control me!
00:48:35Hey! What's new?
00:48:38Regan!
00:48:39Regan!
00:48:40Get back here!
00:48:43What was that about?
00:48:45Oh, a man.
00:48:47Did she say who the man was?
00:48:50Oh, I didn't think it was my business.
00:48:52Not her father.
00:48:58I wouldn't like it if my mother tried to dictate my love life.
00:49:02You don't have a love life.
00:49:04You don't know that.
00:49:06No, I think I do.
00:49:07Anyway, that's not the point.
00:49:09I'm just saying I wouldn't like it, but I wouldn't bash her over the head with a piece of railway
00:49:13line.
00:49:13I don't think Regan went that far, either.
00:49:16Noah's video and all the other evidence suggest that she didn't get the opportunity.
00:49:21Shane, on the other hand...
00:49:22Senior.
00:49:23I'm here.
00:49:29Yeah, Mum said you wanted to see me.
00:49:32I was out your way up.
00:49:34I thought a chat might be useful.
00:49:35You've probably seen our search team working along the railway tracks.
00:49:39Yeah.
00:49:39Yeah, we need to extend the search into the surrounding properties.
00:49:44There's a chance the offender has disposed of the murder weapon somewhere in the area.
00:49:49Right.
00:49:51What was the weapon?
00:49:52We're still ascertaining that.
00:49:55If you have no objections, I could come out with a team this afternoon, take a look around.
00:50:00Yeah, go for it.
00:50:01You're wasting your time, mate.
00:50:03Yeah, very likely.
00:50:04It's all part of the job, though.
00:50:06That's it, then.
00:50:06One more thing. You said you were working on a fence that afternoon.
00:50:11Yeah.
00:50:12Did anyone see you?
00:50:14Yeah, Jock Wilson. He's got the neighbouring farm laid up with a broken ankle, but gave me a wave around
00:50:22three o'clock.
00:50:24Oh, good to know.
00:50:34Hey, Sims. Get your gunboats.
00:50:54They look like railway tracks, don't you?
00:50:56Yeah, they were, uh, lying around out by the road for years.
00:51:01What do you eyesore?
00:51:04Nobody wanted them, so, uh...
00:51:06So, you decided to help yourself.
00:51:08Thought they might come in handy one day?
00:51:11I had a mother-in-law that was like that with ice cream containers.
00:51:15Ha, ha, ha.
00:51:18So, I had a word to Jock, and yes, he does remember seeing Troy working on the fence at exactly
00:51:25three o'clock.
00:51:26He knows it was three o'clock because he'd just turned on the wireless to listen to the news.
00:51:31Yes, Jock, old school.
00:51:32Then I got a full rundown of the day's activities, starting with Wordle, first thing in the morning, he got
00:51:38it in three, through till five o'clock when he sat down to watch the chase, which is when he
00:51:42happened to glance out the window and see Troy still at it.
00:51:45Hard worker, that boy, needs feeding up.
00:51:48It's chicken soup from Jock's freezer.
00:51:50Yeah, ta.
00:51:50Ah, thanks again for your time.
00:51:52You are so full of shit!
00:51:54Pass off and leave me alone!
00:51:59Any idea what that was about?
00:52:02Your young love.
00:52:09Now we're just lying there.
00:52:10Oh.
00:52:13Undisturbed by the look of the weeds.
00:52:15Then again, someone could have just slid one out from the back.
00:52:19Those things weigh a ton.
00:52:20If you're going to use it as a weapon, you'd want to cut it down, right?
00:52:23There were tools in the shed that could have done that.
00:52:26Who had access?
00:52:27To the rails.
00:52:28Uh, Troy, Bridges, Lily, Noah.
00:52:32Or anyone who knew where they were and wanted to point the finger at the McElvies.
00:52:36Yeah, maybe.
00:52:37I'm wondering how quickly I could get from the crime scene to the Old Creek paddock fence line.
00:52:43Where Jock saw Troy working at 3pm?
00:52:46Lily's protest stopped the train here at 2.40.
00:52:50It moved off again five minutes later and Rosalie's body was reported on the tracks at 2.47.
00:52:56So, if Troy's our man, he had less than 20 minutes to get from point A to point B.
00:53:04Is that even doable?
00:53:06There's only one way to find out.
00:53:11There's only one way to find out.
00:53:13Okay, here we go.
00:53:15Ready?
00:53:17Set?
00:53:19Go!
00:53:24She's a bad man, we don't have all day
00:53:5522 minutes, 43 seconds. Too slow. So, unless Troy McKelvey can run like Usain Bolt, he probably didn't kill Rosalie.
00:54:11You know, I gotta say, I thought you'd be faster.
00:54:14It was soft, underfoot. Challenging conditions. Usain Bolt couldn't run like Usain Bolt in that terrain.
00:54:19Hang on. Hang on. Who's that?
00:54:34Going somewhere, Niall. We thought you were told not to leave town.
00:54:38I had to get away from Lily. She's doing my head in.
00:54:40You're not having much luck with this hitchhiking thing, are you?
00:54:43No, this is, uh, this is perfect. You guys are gonna be my first stop.
00:54:47Good idea.
00:54:54Sleep out on me.
00:55:00Alright, Noah. What have you got for us?
00:55:03Yeah, well, I may have not given you the full picture earlier.
00:55:08Come on, back on the train!
00:55:22When the train left, I didn't know what to do, so I started heading back to the house.
00:55:26You know, she's Lily's Nana. They gave me a place to stay. I felt like I owed them some loyalty.
00:55:30So that's why you didn't tell us, but did you tell Lily?
00:55:34What, that her Nan's a murderer?
00:55:38Yeah. Yeah, I did. Eventually. Well, you saw how that went.
00:55:43You are so full of shit!
00:55:44Lily! What?
00:55:45Puss up and leave me alone!
00:55:46And she didn't want to believe me.
00:55:48There's no coming back from that.
00:55:50It's better to just head the road.
00:55:56So, she was protesting about coal trains then got run over by a coal train.
00:56:01Karma can be cruel at times.
00:56:03Well, that's not quite.
00:56:05Frodo, you know I can't comment on an ongoing investigation.
00:56:07Yeah, no, of course.
00:56:11Excuse me.
00:56:13Regan, I just want to thank you for bringing Shane's rates issue to our attention.
00:56:19No worries.
00:56:20You might not be up with the latest, but the debt has been paid off.
00:56:25What?
00:56:26By your mother.
00:56:28Scheduled payment.
00:56:29A wedding gift.
00:56:30That must be a relief for Shane.
00:56:33Excuse me, I have to go.
00:56:42Simms.
00:56:42A witness has Bridget McKelvey at the scene.
00:56:44Yeah, I'll be there.
00:56:50We have a witness that puts you with Rosalie's body after the train left.
00:56:54What witness?
00:56:55Are you denying that you were there?
00:56:58Okay, alright.
00:57:01Despite everything, I wanted to see the line in action again.
00:57:08And the train had moved off while I was watching, and that's when I saw her.
00:57:13Did you see anyone else there?
00:57:15No.
00:57:16A report was made to Crimestoppers around that time.
00:57:19Was that by you?
00:57:20One last act of kindness for your former friend, perhaps?
00:57:24If we checked your phone, would we find evidence of that call?
00:57:33Yes.
00:57:35It was me.
00:57:43Well, I couldn't just leave her there.
00:57:47After what you'd done.
00:57:49What?
00:57:50Well, you had motive.
00:57:51Your conflict over the railway line.
00:57:53Access to the likely murder weapon on your property.
00:57:56And opportunity.
00:57:57You were there when the train stopped.
00:58:00Did you climb aboard and murder Rosalie Barnes?
00:58:05You might want to call a lawyer, Ms. McKelvey.
00:58:13That feels like the closest we're going to get to a confession.
00:58:16What we have is only circumstantial, and I think Bridget knows that.
00:58:19Hmm.
00:58:20How did she know that the train would stop?
00:58:22Or that Rosalie would be at the front of the carriage?
00:58:25Maybe the details of Lily's protest are in the family group chat?
00:58:30Let's find out how chatty they were.
00:58:45I've just called Dad.
00:58:47He'll be here soon.
00:58:49That's fine.
00:58:51Lily, how much did your Nan know about your protest?
00:58:54What do you mean?
00:58:56Did she know exactly when you'd be stopping the train?
00:58:59I...
00:59:00I doubt it.
00:59:01Why would you want to know that?
00:59:06What?
00:59:07So she could get on board and attack Rosalie or something?
00:59:10No.
00:59:11No, wait.
00:59:12She would never do something like that.
00:59:14It was just me and Noah.
00:59:16Okay?
00:59:17Nan had nothing to do with it.
00:59:18You've got...
00:59:19Nothing to do with what?
00:59:20I was about to inform Lily.
00:59:22We've arrested Bridget for Rosalie's murder.
00:59:25What?
00:59:27Wanting to talk to her?
00:59:28Well, you can't just yet.
00:59:30No, you got it wrong.
00:59:31Have we?
00:59:33Bridget was seen on the tracks next to Rosalie's body.
00:59:36Your mother has found herself in a serious situation.
00:59:38That's all Lily.
00:59:39If we find out that she's been lying to us.
00:59:46Do you think we got to Troy?
00:59:48Without a murder weapon, it's hard to make those charges stick.
00:59:53Hey, what have you got?
00:59:55Uh, Mrs. Baker's run sheet.
00:59:57Everyone who had it would have known that Rosalie was scheduled to be at the front of the carriage to
01:00:02change outfits.
01:00:03Uh, so Mrs. Baker, Rosalie, Shane...
01:00:06Yeah, but there was someone else. Shane emailed me a copy of the run sheet, and as I scrolled back
01:00:12through the chain, I saw all the recipients, including someone who received it in error.
01:00:19Hi, it's Becky.
01:00:21I'm mortified.
01:00:23When DC Chan was called, I could have kicked myself. In my defence, it was an easy mistake to make.
01:00:27Her address was very similar to Rosalie's.
01:00:31Regan Barnes.
01:00:32Well, she said she didn't know about the wedding. I guess it is possible she never read the email. Or...
01:00:39She's lying to us.
01:00:42Hey, I've got a little job for you.
01:00:48Hi, Regan, it's Detective Sims. I was hoping we could have a chat.
01:00:58Sorry to intrude.
01:01:00Well, you actually shut up.
01:01:01We were just going through some photos for the Remembrance Board. Thought we'd do it over at Pimm's.
01:01:06So much to choose from. Such an amazing life she had.
01:01:09Uh, could we have a private word?
01:01:10Sure.
01:01:11What about this one of you and your mum? Yeah, your name?
01:01:13No.
01:01:15Some people find their baby photos embarrassing, I suppose.
01:01:19Did not rock the boat.
01:01:23Regan, some of the things you told us don't match up to what we've discovered elsewhere.
01:01:29Would you like me to spell them out for you, or would you like to tell me yourself?
01:01:33God, um, I was afraid this would come up.
01:01:36I did tell a white lie, but it was only because I wanted to protect him.
01:01:39Who?
01:01:41Dad.
01:01:43Keep talking?
01:01:44When the other guy was asking Dad about the bunch of roses, I told him that I'd been the one
01:01:49to deliver them to Mum.
01:01:51But that wasn't true.
01:01:52Dad was there that day.
01:01:54He was on the train.
01:01:59I need to see my Nana.
01:02:00Which person is you?
01:02:02How many old women do you have in custody, you factious pigs?
01:02:05Alright.
01:02:06Take it down a notch.
01:02:07No, where is she?
01:02:09If you calm down, you can come on through.
01:02:14You good?
01:02:20Where's your dad?
01:02:21Shouldn't be alone when you're this upset.
01:02:22I don't know, he took off after those other cops came out.
01:02:26I'll make you a cup of tea.
01:02:27Try calling him again.
01:02:42Okay, yes, I put the roses on the train, I promise you.
01:02:46I took off before I saw Rosalie.
01:02:48Why give her flowers at all?
01:02:49I wanted her to know I wished her well.
01:02:51It was her big day.
01:02:52You knew about the wedding.
01:02:54How?
01:02:54Well, she told me.
01:02:56After we signed the papers.
01:02:57Two champagnes.
01:02:59First date, right?
01:03:00Last, actually.
01:03:02We just got divorced.
01:03:03Oh, slave.
01:03:04Sorry.
01:03:05No, not at all.
01:03:07We are celebrating closure.
01:03:10To the end of our journey.
01:03:20Happy ex-wife, happy life, right?
01:03:22Do you really mean that?
01:03:23Don't tell me you want half the house after all.
01:03:26I want something from you, but not that.
01:03:29What?
01:03:30Shane and I are going to get married.
01:03:33Quite soon.
01:03:35I'd love it if you would give us your blessing.
01:03:38Yeah, she'd ask for the moon, that one.
01:03:40And not for a second think why you might not be able to give it to her.
01:03:43But I got there in the end.
01:03:44That's what the flowers were.
01:03:46Closure for me, only start for her.
01:03:48So why lie about your whereabouts that day?
01:03:51Or rather why I let Regan lie for you.
01:03:53I was in shock.
01:03:54And I suppose I was worried how it might look to you lot.
01:03:57How's that?
01:03:59Like the angry ex did it.
01:04:01You would have heard about those fights we had in public.
01:04:04But that was early on.
01:04:05I got over it.
01:04:06What about Regan?
01:04:08Not so forgiving.
01:04:10I blamed her mum for the break up.
01:04:11She always took my side.
01:04:12Even though I was no angel.
01:04:14I never asked her to lie.
01:04:16Anyhow, I didn't think it would matter, since I had an alibi.
01:04:21Your gardener.
01:04:23So, why do you think Regan decided to tell the truth now?
01:04:26No clue.
01:04:28I love that girl to bits.
01:04:30But Rosie had that girl in therapy for years.
01:04:31I still have no idea what makes her tick.
01:04:41The tickies have Regan's laptop.
01:04:43They should be able to find out if she opened that run sheet attachment
01:04:47or if it went straight to spam, like she claimed.
01:04:50Since she's been erratic with the truth, I wanted to check on her movements.
01:04:54I saw her get picked up by someone at the council offices while her car was in for a service.
01:05:01I've got the council CCTV footage.
01:05:09Okay.
01:05:10That ute.
01:05:12That's Troy McKelvey's.
01:05:13So he was playing taxi.
01:05:15Well, that makes sense.
01:05:16Helping her out as she grieves her mother.
01:05:18An olive branch, perhaps?
01:05:19Well, I saw him parked outside Hayden's place today.
01:05:22He took off when you saw me.
01:05:23And they were both at the coffee cart today?
01:05:25Together?
01:05:26No.
01:05:27Regan took off when she saw her.
01:05:29It's almost like she didn't want to be seen with her.
01:05:31Because her families hate each other?
01:05:34Or an illicit love affair?
01:05:36Well, Shane did say that Rosalie and Regan had been arguing about a guy she was seeing.
01:05:41Well, there you go.
01:05:41Romeo and Juliet.
01:05:43And Troy kills Rosalie so that he and Regan can be together.
01:05:46Well, they are both grown adults that don't need parental permission to be in a relationship.
01:05:52And killing your partner's mother is hardly a romantic gesture.
01:05:58Can you tell me when Troy shows up to pick up Lily?
01:06:09Troy and Regan, what do you know about their relationship?
01:06:13There isn't one. They hardly know each other.
01:06:15Yes, given the hostility between your families.
01:06:19How far back does that go?
01:06:20What do you mean?
01:06:22Troy and Regan, did they know each other when they were young?
01:06:24I told you.
01:06:26After Rosalie came back here, we didn't have much to do with each other.
01:06:29Well, I was busy with Troy trying to make a go of the farm.
01:06:32And Rosalie was busy snagging herself a rich young husband.
01:06:37Different worlds.
01:06:39And then there was the conflict over the rail.
01:06:42Oh, Rosalie always had to get away, no matter who she hurt.
01:06:45I guess that almost counts as a motive.
01:06:48What?
01:06:49You seem determined to prove that you have one.
01:06:53Troy McHelvey's here.
01:06:54He wants to talk.
01:06:58But whatever Mum might be saying, she didn't kill Rosalie.
01:07:02How can you be so sure?
01:07:03Well, she's pretty fit for her age.
01:07:06But it's still a big ask, isn't it, to think that she could climb onto a train,
01:07:10attack Rosalie, throw her off the back and then jump off?
01:07:15All in a matter of minutes.
01:07:17Well, you seem to have a very clear idea of what happened.
01:07:20Do you want to tell us about the murder weapon too?
01:07:23Well, how about I tell you that we believe it was a length of sawn off rail line.
01:07:28The likes of which were lying around on your farm.
01:07:31That Bridget would have had access to.
01:07:33She also had a motive.
01:07:34So did I.
01:07:36Doesn't prove anything.
01:07:37Well, it could be either of you.
01:07:39Could be both.
01:07:41Were you working together?
01:07:43No.
01:07:45I was in the paddock.
01:07:48Jock saw me.
01:07:49You remember?
01:07:50I do.
01:07:51So unless you want to change your story, Bridget will remain in custody.
01:07:57Why don't you tell us about your relationship with Regan Barnes?
01:08:01There is no relationship.
01:08:03Well, you've been seen near each other multiple times recently.
01:08:07Today, for example, when I saw you waiting outside her house,
01:08:11picking her up from the council offices yesterday.
01:08:13We hung out a few times, that's all.
01:08:16You dated?
01:08:18Regan pulled a pin long before it got close to that.
01:08:21Because her mother disapproved?
01:08:24Rosalie interfered?
01:08:25Regan called time?
01:08:27And how did that make you feel?
01:08:30Angry?
01:08:32No.
01:08:34Wasn't like that.
01:08:35So why have you been trying to see her?
01:08:37The woman just lost her mother.
01:08:39I was offering her condolences.
01:08:42That's all.
01:08:44Nothing concrete to charge him with?
01:08:47Hopefully his concern for Bridget will keep him close by.
01:08:50Mike!
01:08:51Gina!
01:08:55I brought you this.
01:08:56Oh.
01:08:57The love train.
01:08:59A trans-Siberian journey into the heart of Russia.
01:09:01You were so interested yesterday.
01:09:03The translation is poor, but the story...
01:09:06Oh, well, thank you.
01:09:10Actually, are you free tomorrow morning?
01:09:13For you?
01:09:14Yes, of course.
01:09:15Work or pleasure?
01:09:16Answer, but of both.
01:09:18Let's call it field work.
01:09:19I look forward to it.
01:09:25What?
01:09:26What?
01:09:27I said it was work, didn't I?
01:09:38All aboard!
01:09:40I say that.
01:09:41Well, you'd better get it in there quicker than this.
01:09:50So romantic.
01:09:52Steam travel.
01:09:54Thank you for this, Mike.
01:09:56I'm taking it off my bucket list.
01:09:58It just...
01:09:59Mm-hmm.
01:10:02Yeah.
01:10:18That's...
01:10:21emojis!
01:10:41Right, this is where the work part of the trip begins.
01:10:47Okay, start the train up again, same speed as the other day.
01:10:51I'll tell you when to stop.
01:10:52Roger that.
01:10:53Yeah, I'll roger that too.
01:11:11Now's the road, yeah?
01:11:18Sims?
01:11:19Regan's not at home, and she's not answering her phone.
01:11:21Could she be at Shane Griffin's or funeral plan?
01:11:24Chalmers checked.
01:11:25They were supposed to have a meeting, but she never showed.
01:11:28Still no answer.
01:11:29Is this like her?
01:11:30Not the first time she's taken off to get her head together.
01:11:33Stop here, please.
01:11:34What?
01:11:34No, no, no, not you.
01:11:35Keep looking.
01:11:36Gotta go.
01:11:44There are better spots for a picnic further back.
01:11:48Eight minutes.
01:11:49Mike, if this is all you needed to calculate, I could have done it with simple mathematics.
01:11:54If a train leaves point A, travelling at X kilometres per hour.
01:11:59Ah, yes, but what would happen if a person jumped from a moving train, travelling at X kilometres per hour?
01:12:05I think this is not a hypothetical question.
01:12:08If they were fit and strong in their role on landing, they could survive jumping from a moving train with
01:12:15no injuries.
01:12:16Still need to clear the fence and make it to the paddock, though, to be seen from Jock's house.
01:12:27Oh, move a bit slower. Imagine you're carrying a heavy murder weapon.
01:12:36I often imagine this for my job.
01:12:41Mike, some of these fence posts are made of iron.
01:12:45A very particular iron.
01:12:49Yeah, and...
01:12:51A person of interest was seen here on the day, meaning the fiends.
01:13:08Oppa!
01:13:09Gotcha.
01:13:10Gotcha.
01:13:29Go, listen to me, Regan.
01:13:31I can't.
01:13:33Call Simms.
01:13:34Get back up here now.
01:13:39put the knife down Rick put it down right here Regan yeah that's the conclusion I came to you
01:13:49have to arrest him take him away he's dangerous I can certainly take care of things from here
01:13:53Regan put the knife down please you have to arrest him I will but I can't do that until
01:13:58you put the knife down you won't let him get away backups on the way you're not going anywhere are
01:14:03you Troy except jail Regan Regan but he didn't do it alone Regan Barnes I'm arresting you as an
01:14:25accomplice in the murder of Rosalie Barnes so you have a right to remain silent you do not
01:14:29have a no I didn't do it give it up Regan give it up this ain't no point lying anymore
01:14:44I'm gonna take your handcuffs off of you now
01:14:56don't have to say anything remember
01:15:06it was always about her everything was always about her she never put me first
01:15:12and some mothers are supposed to do this first but they told us first but she never said
01:15:15she was selfish and she used people everyone me and and Dad and Bridget and everyone
01:15:34the psych team are on their way
01:15:36what color were your love design what songs did she sing to you in the night did she comb your
01:15:47hair and tie it up when she looked at you did she see
01:15:54herself
01:16:05take me to the place where you grew your home
01:16:19it took me a while to figure out how you did it for starters how did you know that Rosalie
01:16:25would
01:16:25be in the cubicle when the train stopped and then I realized Regan knew she got sent the run sheet
01:16:33by mistake
01:16:36the only place to change is at the front of the carriage there's a cubicle that's where she'll be
01:16:41you knew enough about Lily's protest to know where she would stop the train so you lay in wait
01:16:51you wanted Rosalie's death to look like an accident so your weapon matched the rails that Rosalie would fall on
01:16:57go clean
01:17:10with everyone preoccupied by the protest you made your move
01:17:16Oh fortune teller
01:17:21Don't tell me too much
01:17:29Count it on my fingers
01:17:33The night fingers
01:17:37Then blows
01:17:41You read it in the water
01:17:46So much slaughter
01:17:48What you didn't know is that Bridget saw you
01:17:52What?
01:17:53She was there, she saw it all
01:17:56In silence, in silence
01:18:08You then hid in the cubicle
01:18:11Quicker to train to Old Creek Paddock than to run
01:18:22Making it in time to be seen by Jock at 3pm
01:18:26You returned later to conceal the murder weapon
01:18:28Having welded it back to the rail
01:18:44Buried, it became part of the fence line
01:18:55Smart guy aren't you?
01:18:56To be fair I didn't have it all figured out
01:19:00I mean I could see what your motive would be
01:19:03But Regan, why would she have wanted her mother dead?
01:19:09Look I've never seen you like that before
01:19:12Completely
01:19:14Out of her mind
01:19:20You shouldn't be here
01:19:21The police think I had something to do with it
01:19:23Yeah?
01:19:24Well showing up here is not going to make you look more innocent
01:19:26Well what do I do?
01:19:29Regan, listen to me
01:19:31The cops think it was mum
01:19:32Have arrested her
01:19:33What?
01:19:35She's letting them think it was her
01:19:39I tried to talk to her
01:19:42Talk some sense and she wouldn't listen
01:19:44What the hell is the matter with you?
01:19:45But that's good
01:19:46If she's prepared to take the blame
01:19:48That's good
01:19:48Look I can't do that to mum
01:19:50I can't
01:19:50But if Bridget's already convinced
01:19:51Look it doesn't matter
01:19:54I'll leave you out of it
01:19:55I promise
01:19:56What?
01:19:56The cops don't need to know you had anything to do with it
01:19:59It's just me
01:20:00No, they'll know
01:20:01They'll work it out
01:20:02You'll say the wrong thing
01:20:03Please
01:20:04Look they will
01:20:04Believe me
01:20:06For mum's sake
01:20:15Make them believe you
01:20:17Show them
01:20:18How desperate you are
01:20:22I'll help you
01:20:23Put the knife down Regan
01:20:24Put the knife down
01:20:25Come on
01:20:26Put the knife away Regan
01:20:27She wanted you to look guilty by taking your own life
01:20:31That's a rather extreme suggestion
01:20:33It's the only way she could trust me not to drop her in it
01:20:37Rosalie disapproved of your relationship
01:20:40You see that's the bit I couldn't understand
01:20:44Until I spoke to Bridget again
01:20:47The photo of Troy as a baby
01:20:49It was taken at a maternity hospital
01:20:52In Poland, I told you
01:20:54I saw a similar photo yesterday
01:20:56Same curtains, same pictures on the wall
01:20:58Same baby
01:21:00Only the woman holding him was Rosalie
01:21:03So?
01:21:04She was there on the day?
01:21:06Of course she was
01:21:08She was wearing a hospital gown
01:21:10And a patient bracelet
01:21:12The last letters of your name were clearly visible
01:21:15It was Rosalie who gave birth but to the hospital
01:21:17It was Bridget McKelvey
01:21:19It was your name on the birth certificate
01:21:23Who were we hurting?
01:21:27I wanted a child
01:21:29And Rosalie wasn't ready to be a mother
01:21:32Never really was
01:21:34Asked Regan
01:21:35Did Troy know all this?
01:21:37Oh, Aunt Regan must have told him
01:21:40She came to me in a state a few weeks back
01:21:43Is it true?
01:21:44What?
01:21:45What my selfish cowardly mother said
01:21:47Is it true?
01:21:48I finally find a decent man
01:21:49And mom has to ruin it
01:21:51She can't stand to send anyone else happy
01:21:53Least of all me
01:21:54She just has to hoard it all for herself
01:21:56All the attention, all the love
01:21:58She's just sick
01:21:59Regan, listen, I don't-
01:22:00No, just tell me
01:22:01Is it true?
01:22:03It's Troy, my brother
01:22:16If it were up to me
01:22:18Troy would never have known
01:22:21He's mine
01:22:23And that's all that matters
01:22:27Regan obviously told you
01:22:31And you didn't say anything to Bridget
01:22:35Didn't change anything between us
01:22:36But it changed everything with Regan
01:22:40She told me at the pub
01:22:42And yeah, she was a little dark on it
01:22:44Hey
01:22:47If Rosalie had been a better mother to her
01:22:50She might have been able to let it go
01:22:53But
01:22:55Something snapped
01:22:59She was obsessed with getting back at her
01:23:02And then at a point
01:23:04She shared her plan with you
01:23:11Don't bail on me now
01:23:15We deserve some happiness
01:23:16So does Bridget
01:23:19Since we can't be together
01:23:20We can at least get us all some money
01:23:22You went along with her plan to frame Shane
01:23:30Proof of his debt, Mr. Droid
01:23:32I bloody hope so
01:23:33You believed that Regan would inherit a large chunk of money from Rosalie
01:23:38That Regan offered to share it with you
01:23:40Maybe it was enough to clear your debts
01:23:44Keep Bridget in her old age
01:23:47What you didn't know was that Rosalie had already committed most of her funds to clearing Shane's rates bill
01:23:54You killed her for money that was never coming your way
01:24:16Thank you for her lovely service
01:24:18May she rest in peace now
01:24:20Time for a Pimms, I feel like
01:24:23Trains keep on rolling
01:24:30Time for a Pimms
01:24:32Throughout the little town
01:24:38It all feels different
01:24:42Without you around
01:24:46Lovely isn't it?
01:24:48How a funeral can bring people together
01:24:51Funeral's a freebie
01:24:53Excuse me?
01:24:55Put it on my tab
01:24:57Well don't you imagine what kind of tab you're running
01:24:59Tell him
01:25:01Now
01:25:03Trudy offered me a year of free tab beer
01:25:06Because I did a favour for her
01:25:09Shifting some stolen goods
01:25:12It wasn't as dodgy as it sounds
01:25:15And don't think I haven't been keeping track either
01:25:17Your year's up as of yesterday
01:25:19Shut up
01:25:20Excuse me, I don't want to come between you two lovebirds
01:25:23What the hell is that supposed to mean?
01:25:25Just try to keep it seemly, eh?
01:25:26This is a wake, after all
01:25:29Another beer?
01:25:30Yeah, I reckon
01:25:32On your tab?
01:25:33I haven't got a bloody tab
01:25:34Start one
01:25:35No
01:25:38That's true
01:25:39No
01:25:43So
01:25:44It was a big time
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