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  • 2 weeks ago
Natalia Pinilla, photographer and activist, embarks on a journey across Santander, Norte de Santander, and Madrid, Spain, to uncover the work of Amalia Ramírez, a forgotten woman who, at the beginning of the 20th century, captured one of the most impactful images in Colombian history: the pyramid of skulls at Palonegro, a brutal symbol of the Thousand Days' War. More than a century later, this photograph resurfaces, establishing Amalia as the country's first female photographer. Along the way, she discovers previously unseen archives, connects with descendants unaware of her legacy, and finds a contemporary echo of her struggle in other women photographers. Through historical revelations and intimate encounters, the documentary reconstructs not only Amalia's work but also the memory of a country scarred by violence. The rediscovery of her photographs—portraits, everyday scenes, and forgotten visual testimonies—transforms her into a symbol of resistance, art, and memory.
Transcript
00:10We started with the question of where women were photographing.
00:16Indudablemente, we remitimos to what happened with Amalia.
00:20A woman of the 19th century, with a giant dress,
00:25carrying a big camera.
00:26That is so big.
00:29In that time, the woman didn't have any role in the professional aspect.
00:46It was a very recognized photo.
00:49The first time I saw it, I didn't know that it had been made by the aunt.
00:55The first time I saw it, I consider it the most important photo in her history.
01:04The story of a woman who was the first photographer in Colombia,
01:09not only photographer, but also photographer of war.
01:12그러면, with a journal and każdym PD,
01:26that is where the l woods is the most important part of my servicios.
01:26And I know that they live in San Francisco.
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