- 9 hours ago
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00:28SILVAMINE
00:58SILVAMINE
01:00SILVAMINE
01:00SILVAMINE
01:00SILVAMINE
01:02SILVAMINE
01:04SILVAMINE
01:13SILVAMINE
01:14SILVAMINE
01:15SILVAMINE
01:16SILVAMINE
01:17SILVAMINE
01:18SILVAMINE
01:27SILVAMINE
01:28He is responsible for me and he is capable of. Where do you find such a moment?
01:32Of course, I didn't see the face of the husband's face.
01:35There is another one, like his family or his friends.
01:37I don't know anything about his own life.
01:40Yes, I know him.
01:42He changed a sand monster. Do you want to tell us something about that?
01:47What I know, I also know.
01:50For about six months, this started.
01:52First, it was less.
01:54Then, it started to grow slowly.
01:55Then, it started to grow slowly.
01:56After everything, it will be forgotten, or?
01:59No, I can't remember everything from him.
02:00But if he is killed by his head, he can't say anything.
02:03So, that's it?
02:04That's right, that's right. This is not a normal thing.
02:07I mean, this is not a bad thing for anyone else.
02:09Do you know what the reason behind it is? Why does it become like this?
02:12You have not given anything special about this.
02:14What am I giving you to your money?
02:16You are a jasus.
02:17Jasus is a jasus.
02:19An artist never makes painting in the air.
02:22He wants canvas, brush, paint.
02:24How do you think I'm hiding something from you, Mr. Riley?
02:27If I say that I'm a shame, then I'll ask you why it seems like this.
02:29I'll say that this is what I'm saying.
02:31With the clients?
02:31No.
02:32With the women.
02:35I'm talking about the fun of you, but I'm going to have a good time.
02:39Start painting, Mr. Riley.
02:50What do you think?
02:50I think this case will not be easy.
02:53I think it will be easy.
02:54We will shoot a lot of people.
02:58But you're right.
02:59There is something that is hiding.
03:01There are such women's sights.
03:03I'm going to go to Flint's house and check it out.
03:05And until you check it out.
03:06The Bureau of Criminal Records?
03:08Yes.
03:09We will get a lot of time for the case of the bad.
03:11But I will not.
03:12I'll let you know.
03:14I'll let you know.
03:14I'll let you know.
03:15You've got to accentuate the positive feeling.
03:21Funny to negative and latch on to the affirmative.
03:27Don't mess with mystery in between.
03:29You've got to spread joy up to the maximum.
03:34Bring it blue.
03:35Down to the minimum and half-face
03:39A pandemonium loveled a walk upon the sea
03:45Amen
03:53I'm going to get a new supplier to the docks
03:56He's Canadian
03:58Did you tell me before?
04:00I'm telling
04:02I'm telling you
04:03I'm telling you
04:04I'm telling you
04:04I'm going to go where I want
04:09You don't give me money
04:11because it's good for me
04:12You give me money
04:13So you can live
04:14and I think this is a very bad idea
04:16If you were to die
04:18Then you would have been killed
04:19You would have been killed
04:19I know my benefit
04:22and I don't know
04:23And my benefit is your life
04:25So do you have to believe me
04:27And trust me
04:28I've been told you
04:29You can do it
04:30and you can do it
04:32and you can do it
04:32and do it
04:35I've been told
04:36It's not
04:40The problem is that
04:41the person is a free
04:42The problem is that
04:43it's not that
04:44it's not that
04:44they can do it
04:46It's easy
04:46The problem is that
04:46the spider is a bit
04:48but it is easy
04:50And it's easier
04:51Maybe someone is thinking
04:51that I'm not going to be
04:53or than I'm
04:54or being a little
04:55You might be the one
04:56Maybe you're the one
04:56You might be thinking
04:58I'm going to kill you
05:00and I can kill you
05:01If you can also
05:02play the fire
05:02so it might be possible
05:04Maybe you can do it
05:05Maybe you can do it
05:05to be capable of
05:08To be able to
05:09You could have been exposed
05:09to the friend
05:10In such a moment, it was very strange.
05:14Now, if you have two things together,
05:18go to Flint.
05:23And if that guy will get the Jassus,
05:26Raleigh.
05:27Let him go to me.
05:44The colors fading from the photograph
05:47I could tell the story
05:48But still you wouldn't know the hell
05:52This love was brought to life from shots of glass
05:54When you kiss me there's a shifting in the sepia tone
05:58Can't escape the madness, baby, magnetism
06:02Run away but something pulls me back into it
06:05Lately I've been staring at a broken mirror
06:09Needing someone to come out
06:12Hey, lover, I need someone to save me now
06:18For all the pain I suffer
06:22And everyone to raise me down
06:25Cause now all day sweet is better to taste
06:31But you can be my saving grace
06:35Here we are
06:47It's easier
07:02It's easier
07:05I don't know.
07:40I don't know.
08:06I don't know.
08:07I believe that they will not be able to do it.
08:12I'll see you.
08:22Drink, Marco.
08:24Delivery.
08:26Perfect we have.
08:27I don't know.
08:29I don't know.
08:43I don't know.
08:53I don't know.
09:09.
09:14Clint.
09:19Addison!
09:24Clint.
09:26I'm Winston.
09:27Silverman wants to talk to you.
09:29You are great.
09:44Let's go to the bedroom.
10:09Woo!
10:39The house is beautiful.
10:42Yes, it's more beautiful.
10:45And I know exactly why.
10:47Why?
10:49Let's go.
10:51There's no new girl here.
10:53So why don't you play today?
11:11Janet, it's been a long time ago.
11:14I thought it was a good job.
11:16No, no, no, no, no, no.
11:17I don't know.
11:18But I think it was a good job.
11:21I found a parcel outside.
11:23Maybe it's yours.
11:30My baby stopped me from eating this.
11:33Okay, if this is something...
11:34What are you doing?
11:35You're not my baby.
11:39My name?
11:39Flint, Marco.
11:41Okay.
11:41I'm here too.
11:42I'll take my hand back.
11:44I'll take the rest of my baby.
11:45That's the reason I'm eating.
11:48What are you doing?
11:49Oh, I'm going.
11:50How are you doing?
11:54There's a record of Marco's record.
11:57He's a young man.
11:58He's a poor man.
12:00He's a poor man.
12:01He's a small man.
12:02He's a big man.
12:03He's a big man.
12:03He's a jail.
12:04He's a jail.
12:05He's a gang.
12:07He's a man.
12:09When I came to Winston,
12:10I was hiding in Flint's house.
12:12He's hiding in Flint's house.
12:12He's hiding in the mud?
12:14Because there was no other place.
12:16Mo Sargon.
12:18Your posting was there, right?
12:20Yes.
12:20It was the biggest war of World War.
12:22There were millions of young people here.
12:24One minute.
12:25What is this?
12:25Addison.
12:26It was the same.
12:26They were both fighting together.
12:28Is that the cat hiding from you?
12:30Is that the cat hiding from you?
12:31Is that the cat hiding from you?
12:31Is that the cat hiding from Flint's friend,
12:32who was a super boss?
12:34I don't know.
12:34I don't know.
12:35I don't know.
12:35Why did he tell us?
12:36Maybe he thought that you wouldn't find this case.
12:38He thought it was right.
12:39He thought it was right.
12:42He thought it was,
12:43was that it was purple.
12:44I can't see that.
12:51It was much vibe.
12:52Would it stop at hotремling.
13:01I really could only see it.
13:05I'm failing hands with no two near-countryman.
13:11Oh
13:11Oh, I've never heard this song
13:17How can I hear it?
13:20It's an original
13:23Today I was going to the house of Flint
13:27Do you know anything about this?
13:29I know that she was in the army
13:31I don't believe that she was so young
13:34What do you know about this?
13:36This one, this one, this one, this one?
13:38This one, this one?
13:38This one?
13:39No, I've never seen this one
13:45His name is Addison
13:48His name is in the middle of the river
13:51He's dead
13:52He's dead
13:53And he's dead
13:55What can I do?
13:57This world is over here
13:59I've never seen this one
14:04You're not seeing this one
14:05You're not seeing this one
14:05I didn't know that I was in danger
14:06Why don't you tell me?
14:07Flint's silverman
14:08You're telling me
14:09You don't like this one
14:10You don't like this one
14:11I don't like this one
14:14I'll remember this one
14:16This place is my name
14:17But the world knows that it's the king of silverman
14:21Flint's investment
14:24You're telling me
14:24You're telling me?
14:25Yes, you're telling me
14:30You're telling me
14:39You're telling me
14:40You're telling me
14:40You're telling me
14:43What are you telling me?
14:43How many years ago
14:44With all people
14:45with all the people
14:46You're telling me
14:48You're telling me
14:49How are you telling me?
14:52That day
14:52I was told
14:53That you're scared
14:55But you're telling us
14:57That she's more
14:57You're telling me
15:00But I'm telling you
15:02I'm telling you
15:03I want to give myself
15:04To compare it
15:05I'm doing my job
15:06That's the same
15:07You're working
15:08Mr. Riley
15:08I don't want you
15:10I hope to read this one
15:11If you want to hear your money, you have to replace your money.
15:15Or I have said you wrong.
15:17No, no, I will work on this case.
15:19That's not why I am a Bahadur.
15:21So, what's your fault?
15:23Like for a singer, you have to know all the answers.
15:25Or you have to know all the answers.
15:27You have to know all the answers.
15:49Let's know!
16:10Let's go along!
16:30This is Tai Chi, yes, this is Tai Chi, this is good, this is good, this is good, this is
16:37good to keep your heart and mind, this should also be able to do it.
16:41Hmm, so what are we saying? We don't have to worry about it.
16:44Or not, we have to worry about it.
16:50What's that? That's enough?
16:55Sorry, I didn't have to worry about it so much.
17:08Let's go, let's go for the Goma.
17:19I don't know why I'm here.
17:21I don't know why I'm here.
17:21I want to meet the Silverman.
17:23Who didn't ask me? I asked why.
17:25We don't ask questions.
17:27So it doesn't happen if you don't try to steal your boss?
17:30Ah, Donegal.
17:31I don't have to worry about it.
17:33I didn't have to worry about it.
17:34I didn't have to worry about it.
17:36I didn't have to worry about it.
17:36I said, you have to only talk about the boss.
17:38I don't even know how much money he gave you to your boss's house.
17:42So you don't know anything?
17:43I don't know anything.
17:49I don't know anything about it.
17:49Donagal is like it.
17:50Donagal is like it.
17:51Yeah, Donagal is like it.
17:53I want to say sorry for the dead.
17:55Donagal is like that.
17:57I do not know anything about it.
18:02Donagal away, donagal…
18:08I just made a two-year-old character…
18:24Now, we won't be able to get out of the car in the car.
18:29Come on, come on.
18:38Today, every side of the street has been found.
18:41But a city has been recognized as far as it is,
18:43that it is a place where it is.
18:46And this city is not Topeka, nor Kalamazoo.
18:50This is New York.
18:51We will all be able to face these changes.
18:57Headline, what is it?
19:01Morris' words in the air.
19:05You should have four words in the air.
19:07Mayer, Mahathongi, Mahanagar, Mandir.
19:10I don't have to trust Hudson.
19:11And you can see that he will also have 10 points.
19:14Man, it's a brand from a brand.
19:17Can you tell me that the car changed?
19:32And I'll go, Mr. truthful.
19:44I mean, I'll tell you about your jokes now too.
19:49Is that his
19:49I don't want to lose the drink.
19:54I'll be right back.
19:55I'll be right back.
19:56I'll be right back.
19:58Here's no money.
20:01I'll be right back.
20:02I'm just saying that you're now silverman.
20:05If you're getting to the suit and the death of Moth,
20:06then you'll get to the suit and get two-fourth.
20:09You'll get your hands.
20:11I'll tell you something.
20:13What do you want to say?
20:14What do you want to say?
20:15What do you want to say?
20:17I'll be right back.
20:18I'll be right back.
20:20I'll be right back.
20:23I was thinking about those Canadians.
20:28Do you want me to go?
20:30No, I'll be right back.
20:32I'll be right back.
20:35you go first and go to the place.
20:37I'll be right back.
20:38I'll be right back.
20:42Yes.
20:43I feel very stylish.
20:45What are you eating Winston?
20:48I don't know about fashion.
20:50But I'm seeing that it's...
20:52boring.
20:54What's that Winston?
20:55Do you have any problem with this?
20:59No, it's not a problem.
21:00It's just a bad thing.
21:01It's just a bad thing.
21:03What do you know about fashion and style?
21:06What do you know about fashion and style?
21:08Do you think it's good?
21:10I'll be right back.
21:11I'll be right back.
21:15I'll be right back.
21:32Let's go.
21:32And, what do you think?
21:33Let's go to another town here.
21:34Let's get back.
21:35Alright.
21:36Let's go to another town.
21:38This town is here.
21:47Mr. Dadeson?
22:19Mr. Dadeson?
22:21Mr. Oruf.
22:27Mr. Dadeson?
22:28Mr. Dadeson?
22:29I have asked you a question.
22:30Yes, I have asked you.
22:32And because I can see you as a big man who is a big man,
22:36I'll give you a question.
22:37I'm looking for Vera Addison.
22:40Do you know where he is?
22:41What do you mean by her?
22:42I'm a reporter.
22:44I'm James Addison's death.
22:47I'll talk about her.
22:48I'll talk about her.
22:52Jimmy is dead.
22:55Oh, forgive me.
22:57You were friends.
22:59What happened to her?
23:02There was a mess.
23:05It was in Standard Oil.
23:08What about her?
23:09Why did she write about her?
23:10Because before she died,
23:11she had a man's house.
23:13Who did she?
23:14She was a man's house.
23:24You're right.
23:25Oh my God.
23:26Oh my God.
23:27Oh my God.
23:28Oh my God.
23:39Oh my God.
23:48Oh my God,
23:50I will see her.
23:54Oh my God.
23:55Oh my God.
24:10I'll tell her,
24:10I said, he didn't come to the office today.
24:13When I saw you, I didn't remember.
24:15Okay, maybe I'll remember.
24:18Please, I'm saying the truth.
24:22The truth is better.
24:25We'll come back.
24:42Janet, you didn't leave me.
24:46No, I didn't.
24:47They told me that they would come back.
24:50Then, they took me off.
24:53They told me that I was the one who was with Donegal.
24:55If I didn't give you any knowledge,
24:57they would also reach me to Donegal.
25:01What does this mean?
25:03I mean, Donegal is dead.
25:06Silverman is dead.
25:07But don't worry about it.
25:09When Ruby was dead,
25:11I had to give you my life to my house.
25:13I wanted to see that the man out there
25:14is a place where you are.
25:17Five, six.
25:20But everything is gone.
25:22Janet, go home.
25:25Go home, go home.
25:25Go home, go home.
25:27Everything will be fine.
25:28I'll call you.
25:29Yes, I'm going home.
25:32But I'm not going back now.
25:35I'm thinking about it.
25:36I'm thinking about it.
25:37I'm thinking about it.
25:40But I don't want to know it.
25:43Janet.
25:45Janet!
25:46I can't.
25:52.
25:53.
26:07I don't know.
26:53I don't know.
27:19I don't know.
27:21I don't know.
27:22I don't know.
27:47I don't know.
27:57I don't know.
28:01I don't know.
28:03My toilet?
28:21I don't know.
28:22I don't know.
28:22I don't know.
28:33I don't know.
29:16I don't know.
29:25I don't know.
29:29I don't know.
29:32I don't know.
29:55I don't know.
30:00I don't know.
30:02I don't know.
30:26I don't know.
30:29I don't know.
30:58I don't know.
31:01I don't know.
31:02I don't know.
31:04I don't know.
31:09I don't know.
31:14I don't know.
31:20I don't know.
31:28I don't know.
31:33I don't know.
31:42I don't know.
31:44I don't know.
31:45I don't know.
32:29I don't know.
32:31I don't know.
32:33I don't know.
32:34I don't know.
32:34I don't know.
32:35I don't know.
32:36I don't know.
32:37I don't know.
32:37I don't know.
32:37I don't know.
32:38I don't know.
32:38I don't know.
32:59Oh
33:00Okay
33:01Oh, my God.
33:08Hey!
33:08Keep going!
33:09Go!
33:10Go!
33:15Shoot!
33:32License, hey?
33:52The Honk Air!
34:01The Honk Air!
34:05Here!
34:07Thank you!
34:10The Honk Air!
34:12The Honk Air!
34:13The Honk Air!
34:14The Honk Air!
34:26What happened?
34:26What are you seeing?
34:27What are you seeing?
34:30First of all.
34:31No, no.
34:32First of all, you.
34:33Let's go, get out of here!
34:43Hey, wait!
34:45Let's go!
34:49What's that?
34:50Do you know what Taiji?
35:04What are you seeing?
35:05Where are you seeing?
35:06My brother has taken a good job.
35:07You've taken a good job.
35:08You've taken a good job.
35:09You've taken a good job.
35:11Right?
35:12You'll tell me who's my son?
35:13Who's the one who gave me?
35:13I don't do anything for anyone.
35:15I'm here with Riley.
35:16Riley is here with her.
35:17Riley is a Jassus.
35:18Yes, right.
35:19That's right.
35:19That's his job.
35:21I'm sorry.
35:21I don't want to make a small job.
35:23I don't want to make a small job.
35:23I want to make you and your Bryce Riley.
35:26He doesn't know who's going to kill you,
35:29and who's going to kill you.
35:31Don't do any of his jakimi.
35:32So, let me just forget that Jassus.
35:34That's so.
35:35Because you never left me from the back.
35:38Right?
35:38That's right, isn't it?
35:38You are probably not understanding me,
35:41Silverman.
35:42You will give me another time.
35:44If you have unless you have at a cost to him or anything,
35:48I will kill him.
36:16No longer.
36:19No longer.
36:19No longer.
36:22No longer.
36:25I'm sorry.
36:26I'm sorry.
36:28I'm sorry.
36:31I'm sorry.
36:33I'm sorry.
36:34I'm sorry.
36:38I'm sorry.
36:41Riley.
36:42You were here.
36:43You did it, right?
36:44Who are you talking about?
36:45You have to do this.
36:47I'm sorry.
36:48But I'm sorry.
36:53I'm sorry.
36:54Someone told me to tell me?
36:58Someone told me that this car should be stopped.
37:01Right?
37:01Who did he tell us about it?
37:07Why don't they tell us?
37:07So, the one who told us didn't tell us to tell us.
37:11Not sure.
37:13They told us that if they didn't tell us.
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