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00:20Do you know more than that?
00:23Yeah, it's just something I do.
00:25Reach me when I'm stuck.
00:26Keep going.
01:07You make me nervous.
01:13What is that?
01:39I can't do it.
01:40I can't do it.
01:43I can't do it.
01:56I can't do it.
02:15I know.
02:16I know.
02:17But I'm going to.
02:22Are you almost there?
02:24I'm trying.
02:26Keep going.
02:27I can do this.
02:29I can do this.
02:30I can do it.
02:43I can do it.
02:57Can you?
02:58I can do it.
02:59Well Z.
03:00Hey, I'm on the way to you right now.
03:01Got my flashcards and everything.
03:03Actually, about that.
03:07I know we're down to the wire and I promise I'll have you ready for Tober tomorrow.
03:12But.
03:13But?
03:13But I can't meet right now because I have my first songwriting session with Justin.
03:18I asked him for help with my showcase song, like you said, and you went for it.
03:25Hello?
03:28Did I lose you?
03:30I'm here.
03:30Are you keeping up?
03:32Calling to say that you were right.
03:33It's usually where you hit me with some arrogant reply.
03:36What can I say?
03:37I know my pretentious douches.
03:39There he is.
03:40Okay.
03:40Anyway, it's impossible to get a rehearsal space last minute, but I got one.
03:44So I have to push tutoring until later.
03:47Five-ish?
03:47Sure.
03:49Are you okay?
03:52Yeah.
03:53Yeah.
03:53Why?
03:55Because you're speaking in two- and three-word sentences.
03:58No, I'm not.
04:01Yes, you are.
04:03Well, Z, I am thrilled beyond words that we have accomplished this key step in Project Loverboy,
04:10and you are on the road to getting laid.
04:13Uh, excuse me.
04:14That's not what this is about.
04:17Well, Justin is not just some random guy I want to hook up with.
04:20He is a talented musician who I respect.
04:24And also want to hook up with.
04:28Well, yeah.
04:30Oh, my God.
04:31Oh, my God.
04:31I'm so nervous.
04:33Whew.
04:34You're overthinking.
04:36Get out of your head.
04:38You know your shit.
04:39Just do you.
04:41Yeah, right.
04:42Me.
04:45By the way, he may not know it yet, but you're the real catch.
04:51So, act like it.
04:55Thanks, coach.
04:57Okay.
04:59Gotta go.
05:10Come on.
05:13Come on.
05:18Yes!
05:20No!
05:20No!
05:21I win.
05:22Ian De Laurentiis, everyone.
05:23Losing to a girl.
05:25Sexist.
05:25How is that sexist?
05:26She is not a girl.
05:28She's a person in a girl's body.
05:30Aw, Dean.
05:32Mandel's cannibal.
05:33Sorry.
05:34You're good.
05:34Gee, this is Lexi's friend, Zoe.
05:36Zoe?
05:37Ha!
05:38Zoe!
05:38Two out of three, okay?
05:39Let's go.
05:40Let's go.
05:40Dean.
05:41Dean, chill.
05:42Garrett needs to study.
05:43Yeah, well, and I need to live.
05:44Okay?
05:44This is a living room.
05:46Hey, Dean.
05:46Come on.
05:47Garrett's bench if he doesn't pass this thing, and then he's fucked.
05:49Then your whole line is fucked.
05:50And the season's fucked.
05:51I can't be the number one fan of a shitty team.
05:53That's so embarrassing.
05:55Right.
05:55Guys, I'm trying here.
05:56Rain fuel flying in, Cap.
05:58We got you.
05:59High in omega-3s, car Ford, no keto bullshit.
06:03Yes, sir.
06:04What is that?
06:05More liquid IV.
06:07I thought you passed on the sponsorship.
06:08Yeah, I did.
06:09They DMed my dad some happy family marketing angle.
06:11They want me to do the whole thing with him.
06:13Wait.
06:14Sorry.
06:14That's it?
06:15How much money did you leave on the table?
06:16Does it matter?
06:17It's kind of his business.
06:18Y'all, he's trying to study.
06:19Trust me.
06:20No amount of money is worth it.
06:22That's why, uh, Taco Shack is the ideal sponsorship.
06:24No strings attached.
06:26Just carne asada.
06:27All I'm saying is cash is better than tacos.
06:29Unless you don't need the cash, I guess.
06:30Jules.
06:31What?
06:31He knows he's a nepo.
06:33Okay, you know what?
06:33I need to focus.
06:35Geez.
06:35No.
06:37See what you did?
06:40Think he's coming back with that?
06:49I mean, it's just a start.
06:52What I have.
06:53It's rough still.
06:56Might totally suck.
06:58That might suck.
06:59Might not.
07:00It's a process.
07:03Yeah.
07:13Yeah, I like this, uh, like this phrase here.
07:16You do?
07:17Yeah.
07:19These, are these lyrics?
07:21No, uh, maybe.
07:24Maybe.
07:25They're my attempt.
07:27Um, I haven't written lyrics since high school.
07:29Okay.
07:30Uh, can you sing it for me?
07:31Oh, no, I'm not a singer.
07:33Sorry.
07:34Well, I, um, I can't read your handwriting.
07:38You know what?
07:39That, that might be fine.
07:40Okay.
07:41Uh, um, why don't you, why don't you tell me what you think the song is about?
07:48Yeah, yeah, sure.
07:50Um, uh, it's a love song, I think.
07:56Um, kind of wanted to use the cello here.
07:59Like a guitar.
08:00Kind of like a George Harrison vibe, right?
08:03Um, like a counterpoint to the vocals.
08:05Like they're having a conversation.
08:08Uh, sorry.
08:09But the lyrics, um, could be about, like, being in love with someone who doesn't see you.
08:16And the cello's like, hey, I see you.
08:19I'm, I'm into you.
08:20You, you know?
08:23Yeah.
08:25Yeah, I, um, I get what you're circling.
08:29Really?
08:29Hmm.
08:32Hey, can I, can I borrow this?
08:34Mess around with it a bit?
08:36Yes, please.
08:37Of course, take it.
08:38Sweet.
08:39Sweet.
08:47Your life is about to change.
08:48It is?
08:49Yeah.
08:50Well, we think my life's about to change.
08:52Hence, ergo, therefore.
08:53Do you remember that agent I told you about?
08:58The one that reps Riger Youth Theatre legend, Joanna Maxwell?
09:01Mm-hmm.
09:02Well, he came to see our town a couple weeks ago, and he wants to sign me.
09:07Oh, wow, that's great.
09:08It is.
09:09Look at that.
09:09Look, it really, really is.
09:10It's, it's, it's, agency has offices all over the place.
09:14So this could mean film and TV work in LA, like, stage work in New York.
09:18Like, this is everything.
09:19Everything.
09:21What happened in Vermont?
09:22I thought you'd join me there after you graduated.
09:24My family, my dad's insurance company.
09:27Vermont was summer.
09:29Well, Vermont was the plan.
09:32Vermont was your plan.
09:36Maybe I have different plans.
09:39It's, it's just, what are the odds?
09:44What do you mean?
09:46I mean, what are the odds of you actually making it?
09:48You know, Vermont, we can build a life together.
09:50Yeah.
09:51A great life that's stable and secure.
09:53Yeah, and that is a great life, but I...
09:56And you can select.
09:56I mean, you can do all the summer stock you want.
09:58You basically always get the lead, which I know you love.
10:01Okay.
10:02And what about fall and winter, spring?
10:06I guess I just thought you'd grow all this.
10:12Whoa.
10:13I didn't mean it like that, Allie.
10:16And then...
10:18Look, I'm getting cold.
10:20Can we talk about this later?
10:21Are you done?
10:26No, I'm not.
10:39Uh, hey, you don't have to lock it.
10:41You just leave it on the porch.
10:42Or actually, you know, I can leave it on the porch.
10:46Oh, hi.
10:47Thanks.
10:53What happened to your Subaru?
10:55Oh, my blue-baroo.
10:57How do you know about that?
10:59I fixed it.
11:00Freshman year, you brought it to my family's garage just off Route 6.
11:03That was you?
11:04That was me.
11:05Yeah.
11:05I loved that car.
11:07Tragically, she died.
11:08Oh, shit.
11:09Sorry.
11:09No, no.
11:10You gave my blue-baroo six more months of life.
11:12I had her my whole freshman year.
11:14That was huge.
11:14Well, if your bike ever needs to tune up, I'm your guy.
11:19Okay.
11:20I'm actually...
11:20I'm serious.
11:21I kind of made a little business out of fixing things, doing handyman work, whatever I can
11:26get around campus.
11:27I'm actually currently on my way to hang Professor Walden's new widescreen TV for 25 an hour.
11:34Nice.
11:35Yeah.
11:35I'm rolling it.
11:37Well, I'm holding down three jobs at the moment for...
11:40Wait for it.
11:41Minimum wage.
11:43Damn!
11:43Where's the Bentley?
11:44Come on.
11:45I love riding my bike.
11:46Keeps me grounded.
11:47You know?
11:48Really good for you.
11:49Yeah.
11:49I'm proud of you.
11:50You're a hockey player.
11:51I thought all you guys got free rides.
11:53Yeah, well, scholarship money only goes so far.
11:56Can't all be Gary Graham, right?
12:00Anyway, he is studying in his room.
12:03It's the last door on the...
12:04On the left.
12:04I know.
12:06Right.
12:07All right.
12:08Bye.
12:12Bye.
12:23Garrett?
12:25Garrett!
12:28I'm not sure how cherry pies can do to fill us...
12:31Oh, my God!
12:33Sweet cherry pie!
12:35Sweet cherry pie!
12:36Sweet cherry pie!
12:37Sweet cherry pie!
12:37Sweet cherry pie!
12:37Hannah, wait.
12:38You know, locking the door is a thing that people do.
12:40I'm sorry.
12:41Okay, you know I plan these sessions for you and you're always distracted.
12:44You're at the gym, curling, or pressing, or whatever, or sexting, or...
12:48God, fuck!
12:50Actually having sex.
12:51Which, by the way, kind of blows up our entire story.
12:53No, it doesn't.
12:54Yeah, it does.
12:55We're supposed to be a couple.
12:56Yeah, but we're not exclusive.
12:58We talked about this.
12:59Well, I know that nobody would believe that Mr. I Don't Do Girlfriends would actually
13:02have a girlfriend.
13:04That's not the point.
13:05The point is that you're not taking us this seriously.
13:09Yes, I am.
13:09I was studying.
13:10Studying what, exactly?
13:12Okay, no.
13:13Actually, don't.
13:14Don't answer that.
13:15Zoe offered to help, you know, take my mind off of things, loosen up a little bit.
13:19Oh, my God.
13:20Please, stop.
13:20You changed the study time.
13:22Yeah, I changed it to now.
13:23And you agreed.
13:25Okay, hold on.
13:25Wait.
13:28Okay, I'm sorry.
13:30I want to learn this.
13:31I do.
13:32I...
13:34I don't get how there can be two truths.
13:36Like, shit's either true or it's not.
13:40Subjective, objective.
13:41I mean, what the fuck, Kierkegaard?
13:45Okay, he believed that people needed to define truths for themselves.
13:50Like, believing in God.
13:53See, this is why I need you.
13:55That actually makes sense.
13:56Yeah, well, what can I say?
13:57I know my pretentious philosophers.
13:59Hm.
14:01Okay, look.
14:02I messed up.
14:04Can you please come back inside?
14:06Tucker made salmon.
14:07We can eat.
14:08Study.
14:08Okay, you have a naked woman in your room.
14:11Oh.
14:13Shit.
14:13I do.
14:14Uh, that's okay.
14:15Just, uh, give me, give me five minutes.
14:19What?
14:20Uh, Justin has some thoughts.
14:23About the song.
14:25All right.
14:26Well, what about studying?
14:27I'll send you a video on Kierkegaard that explains everything.
14:30Okay?
14:31And I'll meet you tomorrow before class.
14:34With your clothes on!
14:56And then the cello part you wrote for the pre actually worked great as a vocal melody.
15:00Then I added another section before the call and response, like, um...
15:04What was it all for?
15:07Hello, hello, pain.
15:10Sinking into your yellow, yellow eyes.
15:16Yellow, yellow.
15:18And then your cello part?
15:22Yellow, yellow.
15:29Yellow, yellow.
15:31Yellow, yellow.
15:32Something like that.
15:33You just came up with that?
15:35Well, it's your melody.
15:36I just, um, just gave it words.
15:39Do you like it?
15:41Yeah, yeah, I do.
15:43I really, really do.
15:45Yeah, I mean, I thought you would.
15:46I'm just, yeah, I'm really glad you like it.
15:52Uh, shit, sorry.
15:53Hang on.
15:55Uh, do you, do you always record yourself?
15:58Well, you never know when inspiration might strike.
16:00Like, if you see me around campus with my phone in the air, it's because I'm recording.
16:04Like, the sound of the wind, or, uh, trees rustling.
16:08Or the ceramic clinking of Malone.
16:10Such a specific sound.
16:11Such a specific sound, yeah.
16:13And then you use it?
16:15Yeah, sometimes.
16:16Usually, like, really deep in the mix if I'm trying to change things up.
16:19Ben Folds does it, too.
16:21And Sharon Van Etten.
16:22Like Billy Iris and Phineas.
16:23Yeah, yeah, exactly.
16:24Oh, my God.
16:25Yeah.
16:27Uh.
16:28Let me, um, send you this file, and we can, we can riff on it.
16:32Are you a Pro Tools or a Logic, girl?
16:35Logic.
16:36All the way.
16:36Right.
16:41I'm safe.
16:45Um.
16:46So, uh, let me actually just...
16:49Shit, it's, um, it's 7.30.
16:51I've got to...
16:52I've got to go.
16:55Okay.
16:56Yeah, yeah.
16:57No problem.
16:58I'll see you later.
16:59Yeah.
17:00Cool.
17:01Yeah.
17:05Yeah.
17:10Fuck.
17:11All right.
17:20Got a lot of friends that I can't escape.
17:22Sleeping in my head like a Motel 6.
17:24Hold it all together with a little duct tape.
17:26It bends, it breaks.
17:28Got a lot of dreams, but it done die.
17:30Ping pong, drip drop, oh my my.
17:32The TV's on, but the noise is white.
17:34What am I doing now?
17:35God, can I catch my breath?
17:38Not even for a second.
17:40She, since then I hit the winds.
17:43And I, obsess, I slow dreams with attention.
17:48Can you taste it on my lips?
17:51I'm so scared, babe.
17:55For a second, I don't feel insane.
17:59Come medicate me.
18:00I don't sleep at all, yeah.
18:02I've been counting sheep.
18:04I look perfect on the surface, but the nightmare underneath.
18:08I call in good problems, I say things that I don't mean.
18:12Some people pay for therapy, I find it in the sheets.
18:26Hey, let me send you this file and we can riff on it.
18:29Uh, we could.
18:33Or...
18:34Oh.
18:35Baby, don't make me spell it out for ya.
18:39All of the feelings that I've got for ya.
18:44Can't be a dream, but I can try for ya.
18:48Baby, don't make me spell it out for ya.
18:51You keep on asking me the same questions.
18:55Why?
18:55Once I can guess, I know my intentions.
18:59Should know by the way I use my confessions.
19:04You check out the answers to my confessions.
19:07It's like I'm powerful with a little bit of tender.
19:12Any emotion, no sexual offender.
19:16Mess me up, yeah.
19:18But no one does it better.
19:20There's nothing better.
19:23There's just the way you make me feel.
19:25Like, what can't you guess?
19:27Pull down it up, yeah.
19:28When you wake me feel.
19:30No, I'm so good so good.
19:32Soня-me.
19:34Easy.
19:35There's just the way...
19:36Please, come.ylene
19:39-09's 주세요. Whoa!
19:40There's
19:41just the way you make me feel. What do
19:44you want, Wellse.
19:45Okay. Wellesie. Wellesie.
19:51Sorry. Yes? What?
19:52What if she picks Kierkegaard? I still don't get the two truths thing. I'm so screwed if I get them.
19:58No, you're not. You know everything on these cards. I promise.
20:03What if I forget or something, you know? I've been told her. It kind of intimidates the fuck out of
20:07me.
20:08Okay, well, pretend she's a defenseman from Eastwood coming at you. Okay, what would you do?
20:14Skate away. Hockey's easy.
20:19Okay, well, if you forget, just look at me. Okay, convince me.
20:28Isn't this fun? Huh?
20:53Kierkegaard.
20:54Shit.
20:55Shit.
20:56Okay, Mr. Graham, your topic is ghosting. Would Kierkegaard argue ghosting is moral or immoral and why?
21:06Uh, Kierkegaard would argue that ghosting someone is immoral, uh, because it is, like, um, you know, really wrong to
21:23do to somebody morally.
21:32Uh, you know, ghosting might sound like no big deal, but Kierkegaard would say not only is it harmful
21:40to the victim, it is an absolute abdication of selfhood.
21:49While an objective truth is supported by facts, Kierkegaard believed that, as individuals,
21:55we have a shared moral responsibility to be honest, based on our own subjective definition of truth.
22:04To suddenly disappear from someone's life without an explanation is basically like discarding their humanity.
22:13Ghosting is choosing comfort over courage, despair over strength.
22:18It is labeling another human being as unworthy.
22:22And as Kierkegaard himself said, once you label me, you fucking negate me.
22:32Uh, I'm paraphrasing.
22:38Ah!
22:39We did it! A fucking B!
22:41Plus! Don't bring up the plus!
22:43B plus?
22:43Yeah, you are officially a professional bullshitter.
22:46Thanks to you.
22:46Oh.
22:50What do you want, Wellesie?
22:52Um, you can put me down now.
22:55Y'all know how much you can bench.
23:01Shit.
23:02I think Justin saw me.
23:07Uh, yeah, he just waved at you, crazy.
23:11He's walking away now.
23:14What's going on?
23:16So embarrassing.
23:18I think he saw my Justin Cole playlist.
23:20You have a Justin Cole playlist?
23:22Hey, don't make it worse.
23:24Are we talking, like, songs that remind you of him or his band stuff?
23:31His band stuff?
23:33And some solo stuff from high school.
23:36Wow.
23:37You went down the fangirl rabbit hole.
23:38Hard.
23:39Hard.
23:39That is the exact opposite of everything we've been working on.
23:42Okay, I know.
23:45Oh, my God.
23:46He wants to know if I'm good.
23:49What should I say?
23:49Am I good?
23:50Nope.
23:51What are you doing?
23:52You're not going to respond.
23:53Say nothing.
23:54What?
23:55Hey, fangirl.
23:56Start thinking like a fuckboy.
23:58Ghost his ass.
23:59Wait, didn't you just give a whole impassioned argument about how ghosting is immoral, that
24:03it's an abdication of selfhood?
24:05That was to get me the grade.
24:06This is to get you the guy.
24:09You want that, right?
24:13Yeah, I do.
24:14All right, well, then you're stuck with me, because we've only finished half of the deal.
24:17And, uh, oh, shit.
24:19Haven't I been completely right about everything so far?
24:22You are intolerable.
24:24So, you are not going to text Justin.
24:27You are going to put your phone away and come to Malone's with me and the guys tonight.
24:32Tonight.
24:33You're not working, are you?
24:34No.
24:34Okay, so you're coming.
24:35To Malone's?
24:35Yes.
24:36Okay, with all the guys?
24:37We've established this.
24:38Garrett.
24:38Hannah.
24:39Do you know what tonight is?
24:40Hell yeah, I do.
24:42Let's be going on a karaoke night with Garrett Graham.
24:45And the rest of the team, and you, if you're free.
24:48Maybe.
24:50Oh.
24:53Oh, my slut top.
24:56Take it.
24:57My boobs to yours.
24:58Okay, what do you mean, maybe?
25:00You might stay in.
25:01Stay in?
25:03Allie, you didn't even stay in last year when you sprained your ankle.
25:06You bedazzled your boot.
25:07Yeah.
25:08I'm feeling a little, yeah.
25:11What's going on?
25:13I told Sean I got an agent, and he got all like, but what about the real world, babe?
25:18I'm sorry, you got a what?
25:19Oh, yeah.
25:19No, I got an agent.
25:21Yay.
25:21Oh, my God.
25:22You let me go on about my shit when you have news like that?
25:25Allie, this is everything.
25:27Every fucking thing.
25:29No, yeah.
25:29It, like, is everything.
25:31Right?
25:34You're the best.
25:35I love you.
25:36I love you, too.
25:39Okay, screw him.
25:41You're coming out with me, and we're celebrating you.
25:45I don't know.
25:46It's karaoke night.
25:47Are you really going to rob the people of your talent?
25:52Take me for what I am, who I was meant to be, and if you give a damn, take me,
26:05baby, or leave me.
26:08Woo!
26:09Yeah.
26:10Woo!
26:10She's really going at it.
26:12The stage is our happy place.
26:14Hey, who's next?
26:16Someone, please save us from Adele Dazeem up there.
26:21Choose every night who's in your bed!
26:26Woo!
26:28Wellesie, what'd you sing?
26:29Nothing.
26:30Come on.
26:31It's karaoke.
26:32Yeah, well, sober karaoke's no fun.
26:34I'm sober, too.
26:35Game tomorrow.
26:35Yeah, and what are you singing?
26:37I don't know.
26:37You guys will pull me up or something.
26:39I'm good.
26:40Thanks.
26:41All right.
26:56You know, you don't have to be sober if you don't want to be.
26:59Yeah, well, I, I don't...
27:00Drink it public?
27:01No, I know.
27:03But, do you want to?
27:05Want to what?
27:06Drink.
27:09I, I told Ali I'd...
27:11I will look after Ali.
27:11She's a no-filter drunk.
27:13Gotta rein her in.
27:14I can handle it.
27:17And I will guard your drinks with my life.
27:21I got you, Mossie.
27:24Do you trust me?
27:27Yeah.
27:28Yeah, I, I do.
27:34Okay.
27:35Uh, I, I will have a drink.
27:37A drink drink.
27:38And what is your drink drink of choice?
27:41I don't know.
27:42Well, that is a fun problem to solve.
28:04I think we found you a drink drink.
28:08Yummy!
28:09I think we found you a drink.
28:10You thought I would outgrow acting.
28:14Like, dude, I would love to be your nurse number two with half a line.
28:18Like, Jon Hamm had one scene in Gilmore Girls.
28:20I know he's the bad man.
28:23I'm like, dude, I get it.
28:24There's no guarantee that I'll make it.
28:26But isn't that kind of what's exciting about it?
28:28Like, that's why they call it a dream.
28:30But I do love him, you know?
28:32And, and I know he loves me.
28:36And, like, we're supposed to be together.
28:43God, we've broken up and gotten back together so many times.
28:46It's, like, insane.
28:48I mean, that's gotta mean something, right?
28:50That we keep getting back together.
28:54My mom always used to tell me, never give up on love.
28:59Well, that and love your body, which I do.
29:02My mom said the same thing.
29:04Oh, my God, really?
29:07Wait, hold on.
29:09The love thing or the body thing?
29:14Hang in there, girl.
29:26G-Lo?
29:28Maverick.
29:33I've got a boyfriend, you know.
29:34Yeah, no, I heard.
29:35Along with the rest of the ladies' room.
29:38Doesn't sound like he's gonna last long, though.
29:39Okay.
29:40This is supposed to be, like, a sacred space.
29:43Who the hell hooks up in the ladies' bathroom, anyway?
29:45I'm sorry.
29:46Not you.
29:47You're a sweetheart.
29:48And you're disgusting.
29:55Well, I walk into the room, passing out hundred-dollar bills, and it kills, and it thrills, like the horns
30:02on my super-auto grill.
30:04And I fire the barred up around the crown, and everybody's getting down in this town.
30:10Ain't never gonna be the same.
30:13Hey, sister!
30:14Cause I stand and love my horse, and I'm riding to the city.
30:19I'm making light and noise, cause the girls, they also entertain.
30:24Riding up and down Broadway, and my old star, Leroy, and the girls say,
30:29Save a horse, ride a cowboy!
30:33Good, you're here.
30:34I'll put you and Garrett down for summer nights.
30:36I know that's a joke, but I would kill Santa.
30:41You know, I wasn't sold on them at first, but I can see it now.
30:44Yeah, sure.
30:51Hey.
30:52Oh, man!
30:54You fixed my car.
30:56You fixed my car.
30:58You have a car?
30:59No.
31:00Had a car.
31:01Great car.
31:03I'm buying you a very special thank you drink.
31:12Okay, you're gonna love it.
31:14Hannah has discovered the piña colada tonight.
31:17I only had one.
31:19Or four.
31:20Is that what I'm doing, too?
31:22Nope.
31:25Okay, for my mechanic, I call this the blue baroon.
31:29See?
31:30Wow, that looks like wiper fluid.
31:31That might actually be wiper fluid.
31:33It's mostly blue curacao with a secret ingredient.
31:37Or blue curacao.
31:39Oh, I'm so excited.
31:41I can't believe that.
31:43Hey, G.
31:43So.
31:44Brought you something.
31:46I thought you were looking a little parched.
31:50I know.
31:50Nebo babies have feelings, too.
31:52Sorry, I was an asshole.
31:53You're always an asshole.
31:55There.
31:55Here goes.
31:56Here goes.
32:01Say the whole.
32:04This is pretty good.
32:05They just keep sending you those for free?
32:07Yeah, they still want them.
32:08They want my dad.
32:09Wait.
32:09You guys should just do it together.
32:11I mean, look at you.
32:13Best friends.
32:13All right, maybe we'll slow down on the pina coladas a little.
32:16No, I mean it.
32:17Screw your dad.
32:18Do it with Logan.
32:19You could be teammates spotting each other at the gym.
32:25Or besties wingmanning each other at the bar.
32:27No, besties.
32:28Besties.
32:29Am I drunk or is she brilliant?
32:31No, I'm drunk.
32:31And you're brilliant.
32:33And I'm brilliant, too.
32:34It's not a bad idea.
32:35Thanks, man, but I don't need the charity.
32:37Yeah, you do.
32:38I mean, seriously, nobody wants to see oldie McGold's fuck husband, okay?
32:43What's better than two hot young hockey players?
32:48Three hot young hockey players?
32:50Yeah!
32:54Hannah Wells.
32:56Hey.
32:56You're up, bitch.
32:58Woo!
32:58All right, hold on.
32:59Wait, I thought you weren't singing.
33:00Well, that was before I found the perfect song.
33:13Oh, shit, girl.
33:15You know this one?
33:16Yeah.
33:19She's my cherry pie.
33:22Cold drink of water, such a sweet surprise.
33:24Tastes so good, like a homemade pie.
33:27Sweet cherry pie.
33:31Woo!
33:34Woo!
33:35Woo!
33:40We're swinging on the front porch, swinging on the lawn.
33:43Swinging what we want, cause there ain't nobody home.
33:46Swinging to the left hand, swinging to the right.
33:49Think about hockey, I'm swinging on that.
33:51Yeah.
33:54Come on.
33:57Swinging in the living room, swinging in the kitchen.
34:00Most folks do, cause they're too busy bitching.
34:02Swinging in the decks, you want to get the beat of so I mix up the back.
34:06Water is chilling, the beat of so I scream, you scream, me all scream.
34:10Boah, don't even track us, you can't ignore.
34:14She's my cherry pie.
34:17Such a sweet surprise.
34:20She'll make it through a man.
34:22Woo!
34:24She's my cherry pie.
34:27Put a smile on your face, ten miles wide.
34:30Looks so good, bring your tears to your eyes.
34:32Sweet cherry pie, yeah, yeah, yeah.
34:41Swing it!
34:46Kind of sweet, isn't it?
34:48Seeing Garrett being serious about someone.
34:51You think he's serious?
34:53Everyone on 5th Line seems to think so.
34:55They get more likes than anything else I post.
34:58Swinging in the bathroom, swinging on the floor
35:01Hanging so hard, forgot to lock the door
35:03In a walk with daddy, so I'm six foot four
35:06Said Jane, gonna swing with my daughter no more
35:10She's my cherry pie
35:13Such a sweet surprise
35:15She make a comment
35:20She's my cherry pie
35:22Put a smile on your face, ten miles wide
35:25Life's so good, bring your tears in your eyes
35:28Sweet cherry pie
35:31Sweet cherry pie
35:53You did good, Mosey
35:55Thank you
36:52You guys, I forgot my purse at the bar.
36:55Your purse with my wallet and keys in it?
36:56We gotta go back.
36:58It's close.
36:59What now?
37:03Next party.
37:12Night-night.
37:18Wellesie?
37:30Wellesie?
37:32Back of my mind.
37:33Back of my mind.
37:35Back of my mind.
37:36I'm a little scared.
37:37I'm a little wired.
37:39I don't wanna put my foot down right now.
37:42I stop it all happening.
37:44Back of my mind.
37:45Back of my head.
37:47You look really nice, wanna share a bed.
37:51I don't wanna put my foot down right now, but it's happening.
37:56Don't kiss me.
37:57Time might end up on the ceiling.
38:01Way too hard to ever come down to reality.
38:06Back to my sanity.
38:08Guess it's too late for that now.
38:10Hope is a scary thing.
38:15Hope is a scary thing.
38:19Flying on temporary wings.
38:24Hope is a scary thing.
38:30I found something to sleep in.
38:32I can see that.
38:45Well, uh...
38:46But I'm a fuckbunny.
38:48A-a puck funny.
38:49No, no.
38:52A fuckbunny.
38:54That's it.
38:55You're a drunk bunny.
38:57Come here.
38:59Come here.
39:02All right.
39:22A fake relationship means we can fake sleep together?
39:26I don't think it's a great idea.
39:27I actually think it's my best idea.
39:33Well...
39:44Go to sleep, Rosie.
39:47Hey, we're not gonna remember any of this in the morning.
39:56There you go.
39:58I don't wanna believe it.
40:00If you are мет Oder to fazem 84 that appears...
40:01a grill canEverybody...
40:09there's no helmet.
40:10Have a seat then?
40:18If this is jeering,
40:29Oh, my God.
40:36Can you?
41:07Coffee?
41:12Oh, uh, uh, thanks.
41:26Morning.
41:28Morning.
41:30You were pretty drunk last night.
41:34How much do you remember?
41:35All of it.
41:37You tried to have sex with me.
41:39Yeah, I know.
41:41And now you're bringing me coffee.
41:45Yep.
41:48Okay, are you 100% awake?
41:51Because there's something really important that I need you to do for me.
41:56Oh.
42:05Okay.
42:09I need you to give me an orgasm.
42:18Oh, no.
42:19Oh, no.
42:21Oh, no.
42:21I think I'm losing all my self control.
42:24If you say I should go.
42:27But if you don't, I think I'll risk it all.
42:43Don't underestimate me, I can't change your life
42:49My friends say fakes in you, it's just a waste of time
42:56Call me to send a man to kiss me at the bar
43:02Think I'm the happiest when I'm within your arms
43:08I mean, I don't even know what to say at this point
43:13Uh-oh, oh no, I think I'm losing all my self-control
43:18If you say I should go
43:22But if you don't, I think I'll risk it all
43:26Give you a reason, I will
43:29Baby, I think it's for the win
43:32Cut off ties with the old
43:35And I'll give you something to miss
43:39When the good gets harder to hold
43:42Throw it all to the wind
43:45For the wind, for the wind, for the wind
43:50Don't underestimate me
43:52I'm losing my
43:55Oh, oh, oh, oh no
43:59I think I'm losing all my self-control
44:02If you say I should go
44:06But if you don't, I think I'll risk it all
44:28That's a high!
44:30And I'llanno only get 大路
44:47That's my life
44:47I'm about to show you
44:48So for the wind
44:48Before I'm chasing you
44:48If you don't miss쌰
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