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00:00The End
00:00The End
00:09Silvermane
00:09Charged of organized crime for 30 years
00:12Someone burned down his mansion a couple of nights ago
00:14Addison!
00:16You keep following me, it won't end the way you wanted to
00:18Does this guy have superpowers, like you?
00:22Do me a favor, hold off on printing that
00:24I want to warn Don at all before he gets himself killed
00:26It's enough for that
00:28There's gonna be a free-for-all
00:29The people could use a hero
00:31I hope they find someone
00:33I can't help but wonder what Ruby would think
00:36I'm not that guy anymore
00:38Any chance you know who this is?
00:40Oh, that's Cat Hardy
00:41Star attraction over at the alcove
00:43Is there somewhere we can talk? It's business
00:45Clint? Despite what I do, we don't enjoy hurting people
00:52Don't hurt him
00:53What the hell is this?
00:55Just leave us alone, please
00:56When someone tells you what they are, you have to listen
00:59Then what is he?
01:01Retired
01:02I came here to offer him a job
01:04My friend we met last night, he's disappeared
01:33You were saying Flint's your bodyguard
01:35Yes, he protects me and he's loyal
01:38Hard to find these days
01:40No kidding, I didn't marry my husband for his looks
01:43What else can you tell us? Does he have family, friends?
01:46I don't know anything about his personal life
01:48I know his address
01:50Are we gonna talk about the fact that he turned into some kind of sand monster?
01:55What I know, she knows
01:57What I know, she knows
01:57It started about six months ago
02:00Slow at first
02:02But, it's been getting worse
02:04And he never remembers when it happens?
02:07Oh, he always remembers
02:08Unless he gets clubbed in the head with an iron girder
02:12That's it
02:12He turned into sand
02:14That's it
02:14It was sand, right?
02:15It just seems like kind of like a big deal
02:17Yeah, so do you have any clues as to what's causing this to happen?
02:20You haven't given us much to go on
02:22Isn't that what the money's for?
02:23You're an investigator
02:26Investigate
02:28You know, an artist doesn't just paint with air
02:30He needs a canvas, brushes, paint
02:32Do you think I'm withholding from you, Mr. Riley?
02:35What if I said I did?
02:36I'd ask why you thought that
02:37I'd say a lifetime of experience
02:39With clients?
02:40With... women
02:43As fun as this little game is, I'm afraid I have other business to attend to
02:47Get to painting, Mr. Riley
02:58What do you think?
02:59I think you might need a cold shower
03:02I think I might need one
03:06But you're right
03:07She is hiding something
03:09All the fun ones do
03:11I'm gonna check out Flint's apartment
03:13Why don't you go down to the...
03:14Bureau of Criminal Records?
03:16Yeah
03:17Been a while since we've had a real case
03:19But I didn't remember
03:22You've got to accentuate the positive
03:27Dealing
03:29Money to negative
03:31And latch on
03:33To the affirmative
03:34Don't mess with mystery in between
03:37You've got to spread joy
03:40Up to the maximum
03:42Bring blue
03:43Down to the minimum
03:45And have faith
03:47Amen
03:48A pandemonium
03:49Lobble
03:50To walk upon the sea
03:53Amen
04:01Gonna meet a new supplier at the docks tomorrow
04:05Canadian
04:06You didn't tell me that
04:08I'm telling you now
04:10It's not smart for you to go out in public
04:12Do we know who tried to take you out?
04:14I'll go where I want
04:16With all due respect
04:17You don't pay me what you pay me
04:19For my charm or disposition
04:21You pay me to keep you alive
04:22And I'm telling you it's a bad idea
04:24If you dying benefited me
04:26I would have done it myself ten years ago
04:28But I know what I'm good at
04:29I know what I'm not
04:31And I need you to stay alive and in power
04:34So pretty please
04:35With cherries on top
04:36Let me go down to the docks ahead of you
04:38And once I make sure everything's kosher
04:39You can waltz on in
04:40And show everyone the brightness of your feathers
04:43Are you finished?
04:48The problem is not that the guy is out there
04:50The problem is
04:51That they thought they could take me out at all
04:54Ever since the spider disappeared
04:56Things have been comfortable
04:58Maybe someone's thinking that I got complacent
05:01Or soft
05:03Maybe you're one of them
05:06Thinking you could take me out?
05:09If you could set yourself on fire like Addison
05:11Then you know you have a shot
05:13Imagine controlling that kind of power
05:16Now Flint goes missing
05:19Right after
05:20He's been acting strange lately
05:22If those two things are related
05:26Go look for Flint
05:32And when the boys find our P.O.
05:34Riley
05:35Bring him straight to me
05:57But still you wouldn't know the hell
06:00This love was brought to life
06:01From shards of glass
06:03When you kiss me
06:04There's a shifting in the sepia tone
06:07Can't escape the madness
06:08Baby, magnetism
06:10Run away
06:11But something pulls me back into it
06:14Lately I've been staring at a broken man
06:17Needing someone to come out
06:20Oh
06:21Hey
06:21Hey
06:23Brother
06:24I need someone to save me now
06:26For all the pain
06:28I suffer
06:31And now
06:32Everyone will wake me down
06:34Cause now
06:35The world makes me
06:37It's better to taste
06:40But you can be my saving grace
06:43You can be my saving grace
06:47You can be my saving grace
07:02You can be my saving grace
07:02You can be my saving grace
07:02You can be my saving grace
07:02You can be my saving grace
07:02You can be my saving grace
07:02You can be my saving grace
07:02You can be my saving grace
07:03You can be my saving grace
07:05You can be my saving grace
07:08You can be my saving grace
07:10You can be my saving grace
07:33Great.
07:47Hi, this is Robbie Robertson calling.
07:49Mr. Robertson, how many times do I have to tell you you're never getting your old job back?
07:54Listen, I don't know if Walters has seen my article in the Gazette, but I just...
07:57Mr. Robertson, there's no point in this conversation.
07:59What I'm saying is I just need to sit with him, that's all.
08:02Mr. Robertson, please.
08:03But if you could just give me a chance to...
08:06I'm on to something truly sensational.
08:09It's the biggest story of years.
08:10There hasn't been anything this big since the spider.
08:14I promise it'll be worth his while.
08:21I'll see what I can do.
08:30Good, Marco.
08:32Got a delivery.
08:34Anybody home?
08:43I'll see you.
08:44Go and see you.
09:01I'll see you.
09:11I'll see you.
09:12This is a new light.
09:34It's Winston.
09:35Silverman wants to talk to you.
09:37Give me the key.
09:52Check the bedroom.
10:12Check the bedroom.
10:13All right.
10:18All right.
10:41All right.
10:47Nice place.
10:50Yeah, a bit fancy for my taste.
10:53And I got a pretty good idea why.
10:56Why?
10:58Let's go.
10:59You think you got a new lady?
11:01That why he ain't coming to poker lately?
11:10If you're blue and you don't know where to go to, why don't you go where fashion sits?
11:18Puttin' on the red.
11:20Damn it.
11:21All the time.
11:22I thought you might have wised up with Quintipis.
11:24Oh, no.
11:25Not me, Hank.
11:26Sad to report.
11:27I'm dumb as ever.
11:30Found the sitting outside.
11:31I didn't know if it belonged to anyone.
11:33Every Sunday evening where it's well, we're from there, but we're from there, but we're
11:38from there, but we're from there, but we're from there, but we're from there, but we're
11:39You know my wife made me quit eating these.
11:41Okay, well, in that case...
11:42I...
11:42Last I checked, you ain't my wife.
11:47Name?
11:47Quint Marco.
11:49All right.
11:50Right back.
11:51When you did touch that bag, it ain't a bribe if I don't get to eat it.
11:56Jack, you're just sitting...
11:57Oh, preacher, are waving?
11:59Yeah, yeah, yeah, yeah, yeah.
12:03Quite the record, our Mr. Marco.
12:05Grew up in Brooklyn.
12:07Working class.
12:08Came back with no prospects.
12:09Small crimes, then bigger ones.
12:11Arrest, arrest, arrest.
12:14Now, an enforcer for...
12:16Silverman.
12:17That Winston guy showed up while I was at Flint's.
12:20You hid in the closet?
12:21Yeah, hid in the closet.
12:25Mo Sargon.
12:26Didn't you fight there, too?
12:28Yeah, it was one of the biggest battles of the war, and where a million of us are.
12:32Hold on.
12:33Is that...
12:34Addison.
12:35Looks like they were in the war together.
12:37Is that what Kat is hiding from you?
12:39I bet she knew that Flint had a friend with superpowers.
12:42Oh, I know.
12:43What I don't know is why she didn't tell me.
12:45Probably thought you wouldn't have taken the case.
12:46She would have been right.
12:50She would have been right.
13:24I don't think I've ever heard that one.
13:26I wouldn't think so.
13:28It's an original.
13:31Visited Flint's apartment today.
13:36This mean anything to you?
13:38I knew he was in the war.
13:40Hard to believe he was ever so young.
13:43What about this guy?
13:44You see him?
13:45This little guy right over here?
13:46You ever come around the alcove, visit Marco?
13:51Can't say I've ever seen him.
13:53His name's Addison.
13:57He's the guy that burned down Silvermane's mansion.
13:59He's dead now.
14:01So is the P.I. that shot him.
14:03What can I say?
14:05The world's a dangerous place.
14:12You're pretty cool under pressure.
14:13I wasn't aware I was under any.
14:15Why don't you tell me Flint worked for Silvermane?
14:17Would you have taken the case if I had?
14:18I don't like surprises.
14:19I'll remember that when your birthday rolls around.
14:24The deed is under my name, but it's no secret Silvermane owns this place.
14:29And Flint's a good way to protect his investment.
14:32And you.
14:33And me.
14:35You see, this club lives and dies on people walking through that door because they want
14:39what I give them.
14:43You trying to get me, Mr. O'Reilly?
14:46Get you?
14:48Understand me.
14:49Seems you got my number.
14:51I've learned a lot of them over the years.
14:53Oh, one for every Tom, Dick, and Harry?
14:55Hmm.
14:57You're interesting.
14:58Oh, yeah?
14:59How's that?
15:00Oh, the other night when we met, you called yourself a coward.
15:03But I think you're braver than you let on.
15:06Oh, you're good.
15:08In an obvious sort of way.
15:10I must settle as the situation requires.
15:13You see, I have business with Silvermane and I have business with you, Mr. O'Reilly.
15:17One has nothing to do with the other.
15:19Now, have I said enough for you to keep the money you came here to return?
15:23Or have I misjudged you?
15:25No, I'll keep working the case.
15:27Not because I'm brave.
15:30Why then?
15:31Uh, a singer's got to know all the numbers.
15:34Maybe a detective's just got to know all the answers.
15:42Don't say no good hat.
15:45Let's eat it.
15:52Don't say no.
15:58Don't talk about it.
16:01Don't say no.
16:02Don't say no.
16:03But nobody gets on me.
16:03Don't say no.
16:03Uh...
16:28Oh, my God.
16:36Uh, it's, uh, Tai Chi.
16:40Yeah, that's right.
16:41It's Tai Chi.
16:42It's, uh, it's good.
16:43It's good for breathing and relaxation.
16:47I recommend it.
16:50I don't have the slightest clue what you're talking about.
16:52We don't care either.
16:56Oh!
17:01A toaster.
17:03Really?
17:03Gosh, I shouldn't have thrown it so hard.
17:16Come on, let's go for a ride.
17:27Do you mind telling me why I'm here?
17:29Silver man wants to see you.
17:31I figured that.
17:32I'm asking you why.
17:33We're not really the why guys.
17:35Maybe you wouldn't be here if you didn't try ripping the boss off.
17:38Ah, Donegal.
17:40I don't have anything to do with this little scheme.
17:42I actually try to talk him out of it.
17:44Like I said, the boss just wants to talk.
17:46And I've got no idea who hired Addison to burn down your boss's house.
17:50You don't know nothing, huh?
17:52Double negative, but we'll set that aside for now.
17:54My point is I'm not much of a detective.
17:55Yeah, then you've got nothing to worry about.
17:57Just like Donegal, right?
17:59Yeah, just like Donegal.
18:01By the way, I am sorry about the nose.
18:04Me?
18:05That was him.
18:21Where'd he go?
18:22Check the side.
18:30Boss ain't gonna like this.
18:32Yeah, he wanted us to bring you, man.
18:35Get back.
18:37Tough ass.
18:46Times are tough all over.
18:49But the true measure of a city
18:51is in how it responds to the hard times.
18:54And this isn't Topeka or Kalamazoo.
18:58This is New York.
18:59We're gonna link arms
19:01and stand strong against the rising tide.
19:03It was easy to stand behind you to win.
19:07What's the headline here?
19:10Desperate Morris delivers dud.
19:13I'd go with quadruple M.
19:15Mayor's missive misses Mark.
19:18Man, I wouldn't dress Hudson to do my laundry.
19:20That man's gonna beat Morris by 10 points.
19:22Sometimes you just want a different brand of snake oil.
19:25So, uh, you gonna explain your face?
19:29Let's just say you should lay off the Addison reporting.
19:34Silverman?
19:34He's on a war path about Addison.
19:36He wants to know what's coming after him.
19:38So tread lightly.
19:41I'm not the one with the face that looks like hamburger meat.
19:44I've kind of with those guys before.
19:46As the man with the mask and the goggles.
19:49New York's beloved hero of the hour.
19:51Not as Ben Riley.
19:53You know what?
19:53Give me that.
19:54I'm making a declaration right now.
19:57That's right.
19:59If I was elected, you could say goodbye to prohibition.
20:03The man knows his audience.
20:04As God is my witness, you'll never go thirsty again.
20:10Look, all I'm saying is, in it with Silverman now,
20:13the choice is to suit up or die.
20:16It might be time to tango again.
20:17Maybe you'd be doing the city a favor in the process.
20:20Oh, come on, Robbie.
20:21Enough of that.
20:22You know what I'm doing after this?
20:23What?
20:24Being beautiful.
20:25And working the Addison story.
20:27I don't publish.
20:30I don't eat, my friend.
20:33I've been thinking about the Canadians.
20:36You're going to let me handle it?
20:39No, I'll do it.
20:41Plan stands, but...
20:43Go ahead of me.
20:45Scout it out.
20:50Huh.
20:52But I think it's stylish.
20:54What do you think, Winston?
20:55Listen, I'm not one for fashion, but the whole thing is a little tired.
21:03Now, Winston, have you got a gripe at her?
21:07No, I just think there's a better thing to spend time on than dressing up dolls.
21:11Ha.
21:12Well, there's fashion and there's taste.
21:15Box it up.
21:16You like it too, right?
21:18Honestly, I think it's...
21:20Yeah, yeah, it's perfect.
21:40Excuse me, ma'am.
21:41I'm looking for the Addison.
21:55Mrs. Addison.
21:59I'm looking for the Addison.
22:10Yes, it's so nice.
22:22Let's see.
22:28Who are you?
22:34Hey, brother.
22:35Don't hate brother me.
22:37I asked you a question.
22:38You sure did.
22:40And seeing as you are a very large and angry man,
22:44I'm going to answer.
22:46Looking for Vera Addison?
22:48You know who she is?
22:49Why do you want to know?
22:50Well, I am a reporter.
22:53Working a story on James Addison's death.
22:55I wanted to talk to his widow.
23:01Jimmy's dead.
23:04Oh, I'm sorry.
23:05You guys were friends.
23:08How did he die?
23:10It was an explosion.
23:14Standard oil depot.
23:16Why are you writing about him?
23:18Before he died, he burned down the wrong house.
23:21Whose?
23:23Silverman.
23:32I think it's time for you to leave.
23:33Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
23:35Hmm.
23:36Addison didn't just take it upon himself to burn down the house of the most dangerous man in the city.
23:40Someone paid him to do it.
23:42Now, look, he was your friend, so I'm guessing he wasn't a bad guy.
23:46He was sick.
23:47And these days, colorful men who use their sicknesses to get by until their sicknesses eat them alive.
23:52Hang on, what do you mean he was sick?
23:54I don't know who hired him.
23:57But yeah, his wife might.
24:00Then do you know where I can find her?
24:02Try the Jeffrey Hotel.
24:04She always went there when they came in some money.
24:05And when she came back, the money was gone.
24:09Go figure.
24:11Oh, thanks.
24:13I'll pay her a visit.
24:18I told you, he hardly comes to the office anymore.
24:21I can't remember the last time I saw him.
24:24Well, maybe this will show you a memory.
24:27Please, don't tell you the truth.
24:31For your sake, I hope so.
24:34We'll be back.
24:50Janet, did they hurt you?
24:54No, not this time.
24:56But they said they'd be back.
24:58Then they put a gun to my hand.
25:01They kept saying that I'd end up like Donegal,
25:03that if I didn't tell them where you were,
25:06he and I'd be crossing the river six together.
25:09What does that mean?
25:11It means Donegal's dead.
25:14Silverman killed him.
25:16But I'll take care of it.
25:17Ever since Ruby died, I've been waiting for you to get it back together.
25:21Back to the man I know is buried somewhere inside you.
25:25Five years.
25:28And this is how it ends.
25:31Janet, go home.
25:33Get some rest.
25:34You'll feel better.
25:35And I'll call you when it's safe.
25:38Yeah, I'm gonna go home.
25:41But I am not coming back.
25:43I care about you, Ben.
25:45So deeply.
25:48But not enough to die for you.
25:51Janet.
25:54Janet!
26:12There's time to die for you.
26:14I'll call you when it comes back.
26:17Don't like.
26:18They're ready for you.
26:21There's no way for you.
26:23I have to die for you.
26:23I have to find the order for you.
26:24Now, you're not going to lie to this place.
26:25Hey, I'll be lending for you.
26:44Hiya. I'm Pete with maintenance. Sorry about the leak. It'll be no problem. I'll just...
26:48Gosh, the unit downstairs. Big mess. Water. Water. Everywhere.
26:52What's going on?
26:53Something about a leak?
26:54You know, I like what you've done with the place.
26:55Although, if you move the table over by the window, you really get that sunset glow at dinner.
27:00I told you that.
27:01I'm sorry. Have you been here before?
27:03I am familiar with the unit, yes. Bathroom's that way.
27:25Well, don't just stand there and say something.
27:28Um, sir, what exactly are you fixing?
27:32Oh, yeah. I found the issue. You've got a busted Jerry Jackson.
27:37It's a misalignment of the mission joint.
28:03Excuse me. What's happening in there?
28:05Bit of an existential crisis, if I'm honest.
28:10About my toilet?
28:12About my toilet?
28:29I don't think that guy was a plumber.
28:54Says it to the left.
28:57Thanks for your trouble.
29:00Thanks for the dollar.
29:04Mrs. Addison.
29:09I didn't order anything.
29:11My name is Robbie Robertson. I'm a reporter.
29:14Hold on, hold on, hold on. Now I just, I just want to talk.
29:18You have three seconds to get out of here or I'm going to scream.
29:21Then I don't think you want a white woman screaming about a black man trying to force his way into
29:24a hotel room?
29:26Actually, I got a hunch that you wouldn't want the city's most ruthless gangster knowing that the money someone paid
29:33your husband to kill him was being spent on lobster and designer clothes.
29:40So go ahead and scream, honey.
29:42Unless you want me to do it.
29:43I got a pretty deep voice.
29:44It really carries.
30:08So that's it?
30:10What do you mean?
30:11No tears?
30:12I just told you your husband died.
30:15People grieve in different ways.
30:19You already knew.
30:22James was a lot of things, but not the type to cut and run.
30:26When he didn't come home that night, I figured he was never coming home.
30:30When did he start setting fires?
30:31Six months ago.
30:32Suddenly discovered he had an innate talent for it.
30:35Who hired him for the silver main job?
30:38Just because I didn't scream doesn't mean I'm an open book.
30:41As far as I'm concerned, James dug his own grave and now he's lying in it.
31:02This place feels haunted.
31:05Ask as it is.
31:08Speaking of ghosts.
31:12Jimmy Addison's dead.
31:14Why?
31:16What?
31:17A couple days ago, some reporter came around asking about him.
31:21Wanted to know who hired him to kill Silverman.
31:27You didn't know.
31:28If I'd known, I would have stopped him.
31:39Flynn.
31:40You don't look so good.
31:43It happened again.
31:46Changed completely this time.
31:47Never changed back.
31:49Yeah, not all the way.
31:52It's like the doc said.
31:54Our clocks are ticking.
31:58Faster and faster now.
32:00Everything we went through.
32:05We deserve better.
32:06You and I.
32:08Let's get out of here.
32:09You can crash at my place.
32:11Better for us to stick together right now.
32:16Yeah.
32:18You have to check every crate.
32:20Is it because we're Canadians?
32:21Yeah, it's because you're Canadian.
32:23No.
32:24Boss doesn't trust anyone.
32:25Myself included.
32:27Troy still runs this town.
32:30Shipping's good, boss.
32:31Ready for you to come.
32:33All right.
32:33I'm on my way.
33:08What is that?
33:16Hey, go check it out. Go. Go, go, go, go, go, go.
33:21We are the room.
33:28Shoot him.
33:40Oh.
34:00Where'd he go?
34:09That word.
34:13Come here.
34:18Oh, God.
34:20I feel the one on the boat.
34:23Guess you do.
34:24Oh.
34:34Well, what the hell are you waiting for?
34:38After you.
34:39No, no, by all means.
34:41Out of the car!
34:51Oh, not another step.
34:57See?
34:58Hi, see.
34:59Hey.
35:12It's been a while.
35:14You've done well without me around, haven't you?
35:17I didn't know you did hit jobs now.
35:19Do you mind if I ask you who hired you?
35:21Nobody hires me.
35:22I'm here because of Ben Riley.
35:25Riley the Flatfoot?
35:26Yeah, that's right.
35:27I owe him a favor.
35:29Sorry, where are my manners?
35:30Do you want a drink?
35:31No.
35:32I want you and your guns to lay off Riley.
35:35He doesn't know who tried to kill you, and roughing up his secretary isn't going to change that.
35:40So, I leave the gumshoe alone, and that's it?
35:43Because you know, back in the day, you really couldn't leave me alone, could you?
35:46I don't think you're listening to me, Silverman.
35:50This is your only warning.
35:52If you mess with Riley or any of his people, I will kill you.
36:27I don't think you're listening to me.
36:50Did you stop Silverman's car?
36:56Well, you heard about that, huh?
36:58Yeah, well, I got some bad news for you.
36:59Cops had an ambush set up for Silverman at the docks.
37:02Someone gave them a tip about a booze exchange.
37:04Someone tipped off the cops about a Silverman booze exchange?
37:07Yeah, they're rounding up about a dozen of his guys right now.
37:09Cops were all set to catch the man himself in the act.
37:11The Silverman never showed.
37:13Do they know why he didn't show?
37:16No, don't worry.
37:17Police got word that someone stopped Silverman from coming.
37:19They don't know it was you.
37:21Shit, gotta go.
37:22He's gonna die in no phone booth.
37:50What the hell did I just do?
37:58Now, you saved your love for me.
38:05Said you cried the whole night through.
38:09Well, you can cry me a river.
38:15Cry me a river.
38:39So what?
38:41Just cry me a river.
38:45Cry me a river.
38:49I cried a river over you.
38:56You drove me, you drove me out of my head.
39:05While you never shared a tear.
39:11Remember?
39:13I remember all you said.
39:18Told me love was too lovely and
39:21told me you were through with me.
39:25And now you say you loved me.
39:32Well, just to prove you do.
39:38Go on and cry me over.
39:42I'd like to see you cry a river.
39:48Cause I'm tired of crying over you.
40:05THE END
40:55THE END
41:03THE END
41:33THE END
42:03THE END
42:27THE END
42:27THE END
42:27THE END
42:28THE END
42:28THE END
42:29THE END
42:29THE END
42:29THE END
42:29THE END
42:30THE END
42:30THE END
42:31THE END
42:35THE END
42:35THE END
42:36THE END
42:36THE END
42:37THE END
42:38THE END
42:39THE END
42:40THE END
42:40THE END
42:40THE END
42:41You
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