- 5 jam yang lalu
Prepare for the upcoming Control Resonant (2026) by revisiting where the Remedy Connected Universe (RCU) all began! This Alan Wake Remastered cinematic gameplay is captured in glorious 4K with a completely hidden HUD, delivering an uninterrupted, movie-like experience of Alan’s descent into psychological madness.
As we walk through the fog of Bright Falls, this playthrough highlights the critical lore bridges connecting the Dark Presence to the Control Resonance. Long before Dylan Faden faces the reality-bending cosmic crisis in Manhattan, the Federal Bureau of Control (FBC) was already monitoring this Altered World Event (AWE). We dive deep into how Alan's typewriter acts as an early Object of Power and how the paranatural signals here lay the groundwork for what's coming in 2026.
Inside this cinematic walkthrough:
Alan Wake Remastered story edited with theatrical pacing.
Immersive HUD-less combat showcasing cinematic
flashlight and gunplay mechanics.Deep-dive analysis on the Control Resonant connection and FBC lore.
Hidden easter eggs linking Thomas Zane and the Dark Place directly to the Oldest House.
Whether you are hype for the Control Resonant 2026 release or a fan wanting to understand the parautilitarian connection, this atmospheric movie walkthrough is your ultimate guide.Like, comment your Remedy universe theories below, and subscribe as we count down the Road to Control Resonant!
Keywords:
Control Resonant 2026, Control Resonant Trailer, Alan Wake Remastered Cinematic Gameplay, Control Resonant Gameplay, Alan Wake Control Connection, Remedy Connected Universe Lore, Alan Wake 4K Movie Walkthrough, Altered World Event Explained, Dylan Faden Lore, FBC Darkness Resonance. Bright Falls AWE, FBC Dark Presence, Psychological Thriller Games, Psychological Thriller Cinematic.
Support Me:
https://saweria.co/jannuarybiru
https://paypal.me/jannuarybiru
As we walk through the fog of Bright Falls, this playthrough highlights the critical lore bridges connecting the Dark Presence to the Control Resonance. Long before Dylan Faden faces the reality-bending cosmic crisis in Manhattan, the Federal Bureau of Control (FBC) was already monitoring this Altered World Event (AWE). We dive deep into how Alan's typewriter acts as an early Object of Power and how the paranatural signals here lay the groundwork for what's coming in 2026.
Inside this cinematic walkthrough:
Alan Wake Remastered story edited with theatrical pacing.
Immersive HUD-less combat showcasing cinematic
flashlight and gunplay mechanics.Deep-dive analysis on the Control Resonant connection and FBC lore.
Hidden easter eggs linking Thomas Zane and the Dark Place directly to the Oldest House.
Whether you are hype for the Control Resonant 2026 release or a fan wanting to understand the parautilitarian connection, this atmospheric movie walkthrough is your ultimate guide.Like, comment your Remedy universe theories below, and subscribe as we count down the Road to Control Resonant!
Keywords:
Control Resonant 2026, Control Resonant Trailer, Alan Wake Remastered Cinematic Gameplay, Control Resonant Gameplay, Alan Wake Control Connection, Remedy Connected Universe Lore, Alan Wake 4K Movie Walkthrough, Altered World Event Explained, Dylan Faden Lore, FBC Darkness Resonance. Bright Falls AWE, FBC Dark Presence, Psychological Thriller Games, Psychological Thriller Cinematic.
Support Me:
https://saweria.co/jannuarybiru
https://paypal.me/jannuarybiru
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PermainanTranskrip
00:07Sampai jumpa.
00:30You're a patient at my clinic. Have been, for a while now.
00:34The shock of your wife's death triggered a mental illness.
00:37No, you're... you're lying.
00:39You're suffering from various symptoms of undifferentiated schizophrenia.
00:43Bastard.
00:45It's okay, Alan. Just let go.
01:06I felt groggy.
01:08Whatever Hartman had bumped in me was making me numb.
01:11I felt like this was happening to someone else.
01:14Someone I was watching on television.
01:16I couldn't think.
01:17Couldn't focus.
01:19There were only empty sheets of paper here.
01:22No manuscript pages.
01:28The door was locked.
01:30I was a prisoner here.
01:37Good evening, Alan.
01:39Are we feeling better now?
01:41Feeling calm?
01:42Yeah.
01:43I see you brought your pet gorilla with you.
01:45So sure, I'm calm.
01:46I get the message.
01:48Loud and clear.
01:49Why, right.
01:50That's the spirit?
01:51You're being very brave, Alan.
01:53I understand you're confused.
01:56I would be more concerned if you weren't suspicious of me.
01:59I don't blame you for it.
02:01Big of you.
02:02Now, why don't you come with me?
02:05We'll reacquaint you with my clinic and go over everything you might have forgotten.
02:10Little walk and some fresh air?
02:12Yes, it will do you good.
02:18This corridor is for patients.
02:20Most of them aren't here right now.
02:22Jack took them out for a fishing trip.
02:24Except for the ones who are particularly vulnerable, of course.
02:29I encourage creativity as a part of the recovery process here at Cauldron Lake Lodge.
02:34I specialize in treating artists.
02:37I bet you do.
02:39Splendid, Alan.
02:40I honestly believe we can get this thing under control if we work together.
02:46This way, Alan.
03:13Now, Alan, from past experience with you, I know I need to get right into the heart of
03:18the matter as quickly as I can after an episode.
03:21So I'm just going to say this.
03:24Alice is dead.
03:26No.
03:28You're in a very vulnerable state until you understand and accept this.
03:33Alice drowned.
03:34And you couldn't face that.
03:37You're suffering from hallucinations, paranoid delusions, unusual thinking, an obsession about
03:44light and darkness, a feeling that everything revolves around you, your thoughts and dreams.
03:51Your mind has constructed an elaborate fantasy scenario in which your writings are affecting reality.
03:59She has been kidnapped and supernatural forces of darkness are trying to stop you.
04:06We go this way, Alan.
04:07I wasn't ready for another shot.
04:09So I went along with it.
04:11He had to be lying.
04:12But under the influence of the drug he had given me, I had to fight not to believe his words.
04:18It's all in your head.
04:20You've been making it up.
04:22Apart from the tragic accident with your wife, no one has been killed.
04:26Your delusions are just a manifestation of your subconscious mind trying to protect you from the too painful truth.
04:34Unless we fight the fantasy, it will return.
04:38I know the instinct is to resist me, but think about it.
04:41Doesn't this make far more sense than the insane supernatural conspiracy you have concocted in your mind?
04:48You're a skeptic by nature, Alan.
04:50We both know this.
04:52Everything can be explained logically.
05:12Beyond the shadow you settle for, there's a miracle illuminated.
05:18TZ.
05:20In the memory of a dear friend and a poet.
05:39Ah, I'd never get tired of this view.
05:42Very inspiring, isn't it?
05:45Cauldron Lake spread below us.
05:47I could see Mira Peak on the other side of the lake.
05:49I thought I could make out the spot where Diver's Isle had been when I arrived with Alice.
05:54Now there was nothing but waves.
05:59It seems there's a storm coming.
06:02Funny, I don't recall there being a mention of that in the weather forecast.
06:06Well, no matter.
06:08This way.
06:09Follow me.
06:12Alan, what I'm telling you is good news.
06:14Right now we're in control.
06:16Every time you have a relapse, it gets more and more difficult to resurface from the dark depths of your
06:22imagination.
06:23Not surprising, considering your profession.
06:26Imagination is what you work with.
06:29After all your nightmares, this should come as an immense relief to you.
06:33If it doesn't, why is that?
06:35Because I'm lying?
06:37Or because you don't want to admit that you're not well?
06:41It's very natural for you to think of me as your enemy.
06:44I let him talk.
06:46Hartman obviously loved his own voice.
06:48His words echoed madly inside my head.
06:51I dug my nails into the palms of my hands to stay focused.
06:55You need to work with me.
06:56Once you accept that, we can begin the journey towards your recovery.
07:02Come along.
07:04Let's go inside.
07:10Here's the entrance to the office wing.
07:13That's for staff only.
07:14You were impressed by my trophies when you first arrived here.
07:18I do love to hunt.
07:20The great outdoors.
07:22Man versus nature.
07:24It's wonderful stuff.
07:26Pretty damn wonderful, yeah.
07:31Scary, scary, scary.
07:41Emerson.
07:48I'm a real bad dream, mister.
07:51You should be afraid of me.
07:52Don't want to run into me in the night, that's for sure.
07:55Please, Emerson.
07:56Mr. Wake is confused enough as it is.
08:00Yeah, you'd like me to go away so you won't be scared.
08:03But you can't just decide what kind of dream you have or when you have it.
08:06Emerson.
08:08Okay.
08:09Okay.
08:09Sorry, sorry, sorry.
08:10Boo.
08:12That's Emerson.
08:14We're actually making some progress with him, I'm happy to say.
08:18He works on video games.
08:20Elbow strike.
08:21It's trash, of course, but it does involve some small creative effort,
08:27which makes him receptive to my therapeutic methods.
08:31No kidding.
08:32No kidding.
08:44Now, you might have noticed the typewriter in your room.
08:48You've been writing as a part of the therapy.
08:51As soon as you feel up to it, you should continue.
09:22Welcome to Cauldron Lake Lodge.
09:53selamat menikmati
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17:06selamat menikmati
17:08karena mereka mempunyai feelings juga
17:09dan saya harus mendengar mereka
17:11karena mereka tidak terluka
17:14dan semua orang harus berhubung
17:15berhubung
17:17berhubung
17:18tapi saya tidak melihat malam lagi
17:20karena saya terluka untuk mereka
17:23saya mengambil dua pembinaan
17:24dan satu setiap setiap
17:26dan empat ketika saya
17:28dan itu membuat saya
17:29terluka terluka
17:37terluka
17:43oh, hello
17:45saya melihat Anda
17:46ok
17:47saya baru terluka dengan inspirasi
17:50beberapa hari lalu
17:51Dr. Hartman ingin saya melihat
17:53dan itu saya melihat
17:55tapi sekarang saya melihat ini
17:58banyaknya
17:58terluka
17:59terluka
18:01Dr. Hartman suka mereka
18:03dia mempunyai mereka
18:04ya
18:05dia
18:06dia sangat mempunyai
18:08dia mempunyai saya
18:11saya melihat saya melihat
18:12saya melihat saya melihat
18:12yang melihat saya melihat
18:16nah
18:17saya menurut saya
18:18menurut saya
18:18berusaha menitapkan ini
18:19ini berharga
18:20di atas
18:21sehat
18:22saya mencari
18:23di atas
18:24di atas
18:24terluka
18:26di atas
18:31di atas
18:33Dilemma. The engaging new book by Dr. Emil Hartman, the author of the best-selling Creative Flow.
18:40His groundbreaking techniques, engagement therapy, and the flow explained in his own words.
18:48Now available in bookstores across the country.
19:00Hey, Wake. Why don't you humor Dr. Hartman and give the writing a shot, huh?
19:05Typewriter's in your room. You can get to your room by those stairs, Wake.
19:14The doors were locked. Hartman and the nurses would have keys, but there was no way to get my hands
19:19on them.
19:32Something's wrong. I'm not myself. It's hard to think that there's a shadow inside my head.
19:38I can only focus on writing. Everything else is a blur. I'm trapped in this cabin. Have been for days,
19:44but it's always dark outside.
19:46My editor is real. I saw her again. She's not human. It's not human. A dark presence is wearing the
19:54old woman's face.
19:55She was covered in clinging shadows. There's a hole in her chest where her heart should be.
20:02I think I've made a horrible mistake. I don't think I'm any closer to saving Alice. It's been lying to
20:08me. Using me to get the story at once. And the story will come true.
20:16Hartman wanted me to write. I knew I couldn't. But I figured I should just play along for now. It
20:22was the only thing I could do with Nurse Birch watching me like a hawk.
20:26Hartman had mentioned that the power had been acting up. Maybe that was the reason for the generator and the
20:31work light on the balcony.
20:33The generator hadn't been activated and there was no key. The white glare of the blank page in front of
20:41me hurt my eyes. My hands began to shake uncontrollably.
20:51Everybody, calm down. Put that down.
20:55Bert, I need help.
20:58Hey, wake. You stay here. I'm gonna go see what's up. You just keep doing what you're doing. Be cool,
21:03okay?
21:09I didn't know what the chaos was all about, but it could be my only chance of getting out of
21:14here.
21:14Where the hell did he get a damn hell?
21:17I don't know what the hell is up.
21:18Here's our rich hulk from the old near winch.
21:22Oh, afraid of the crazy brothers, are you? Not so weak now, are we?
21:31Well, things are unraveling fast, aren't they? Ha ha! Nah! Ah! Ha ha!
21:40Hartman kept talking, giving Barry the grand tour, clearly proud of the place.
21:44He went on and on about his hunting trophies, and Barry was impressed, but he was here on business.
21:50He raised his voice, cut through the monologue.
21:52Hey, Hartman, where's Al?
21:55Hartman stopped in mid-sentence, annoyed at the interruption.
21:58He nodded at the hulking orderly standing nearby.
22:01The man smiled and clapped a practice hand on Barry's shoulder.
22:08It's my store! I'm takin' it!
22:15We're on a comeback door, baby!
22:17Sinclair looked bad. That wasn't a love tap.
22:20The crazy old fart hit her hard.
22:22If she was one of Hartman's goons, she had it coming.
22:25I could get the key to the office room from Sinclair.
22:33The backstage is all yours, Tom. Seize your destiny.
22:43Come out and face the music, Birch! It's time to pay the piper!
22:52Maybe you could come out and beat our wrinkled, adult-diapered asses for us, since you're so tough, Birch.
23:02We were on the road, man!
23:05You think we haven't seen punks like you before, mortal knave?
23:15Yeah, you better hide, Birch. My wrath will break you.
23:20He's probably kidding, Birch.
23:23He's got a great sense of humor.
23:25Just ask Sinclair.
23:27Sinclair.
23:33Children of the Elder God, scourge the light upon the dark.
23:43I had to get to Hartman's office.
23:45He had taken all my manuscript pages.
23:47That's where he'd been keeping them.
23:50I wish I had my axe.
23:55Oh, memory and thought, get black and clawed!
24:16The photo on the wall caught my attention.
24:19In it, the clinic staff was standing outside the lodge.
24:22I knew the man next to Hartman.
24:25He was the kidnapper.
24:27Hartman had been playing me all along.
24:46Hartman wasn't happy.
24:47Mott could see it in his eyes.
24:49He quickly lowered his own.
24:51He had made a mess of it, and he knew it.
24:53The shame of failure was hard to bear.
24:56He hadn't expected Wake to say he needed more time, and he blurted out two days, less than Wake had
25:02asked for to show him who was in charge.
25:04But that wasn't part of Hartman's plan.
25:12The markings on the tape said they were recordings Hartman had made at the sessions with his patients.
25:18I saw Alice's name on one of them.
25:20For a moment, I couldn't breathe right.
25:24Now, Mrs. Wake, can you tell me about Alan's problems?
25:27He's more and more out of control all the time.
25:31The parties, he's so angry all the time.
25:34He's getting violent.
25:36He's...
25:36Do you mean with you?
25:37No, not with me.
25:39No, never.
25:43I...
25:43Sometimes I almost wish Alan would take a swing at me,
25:47because at least that led to a conversation he couldn't just march out of.
25:52But no.
25:54He just...
25:55Alan doesn't really sleep.
25:56And the work, well...
25:58He's not writing.
26:00At all.
26:01He sits there for hours and just gets more and more frustrated.
26:06And I can't talk to him.
26:07Yes.
26:08Tell me, Mrs. Wake.
26:09What would you say to him if he'd listen?
26:11I don't know.
26:13I want to say, I look at you, and it's not you.
26:18Just some stranger who resembles you.
26:20Looking out from behind your eyes.
26:23And I don't like that guy much.
26:25And now it's all gonna go to hell.
26:27But you don't ever say this.
26:29No.
26:30No.
26:31I've tried, but he's not listening.
26:34He's too deep in his own problems.
26:37Always going on about something else.
26:40I'm so afraid I'm gonna lose him.
26:43And we're not even talking anymore.
26:45He doesn't let me in anymore.
26:46He just keeps me in the dark.
26:49I'm so alone here.
26:51Even when he's home.
26:53Please help me, Doctor.
26:55Because I'm at my wit's end.
26:57Well, if you can just get him here, I'll absolutely do my very best.
27:01Yeah, but Doctor, you need to be careful with him.
27:05He's not just going to listen to you and cooperate.
27:07He's the most stubborn man I've ever met.
27:10Well, I'll be sure to bear that in mind.
27:12Hearing her voice, what she was saying made me happy and sick and guilty all at once.
27:17Worst of all, I recognized the words.
27:20The phone call from her.
27:22It had been a cut-up of this.
27:24Just a recording.
27:27Rudolph Lane's case is interesting.
27:29He was completely blocked, and frankly, I was about to discard him as useless.
27:33However, once Wake arrived and started writing, something changed in Rudolph.
27:38He's producing extraordinary work.
27:41Increasingly dark pieces.
27:43Unfortunately, he doesn't respond to direction at all.
27:46And it's my belief that he's not so much a creator as an illustrator, perhaps.
27:53A recorder of sorts.
27:54I hadn't considered the existence of such a role before, let alone its implications.
27:59But the paintings he has produced are informative.
28:02At least he's easily controlled and useful.
28:05I wish I could say the same about Wake.
28:08It's frustrating that the best subjects are always so damn difficult to deal with.
28:15I'm not buying that.
28:16I was tailing Wheeler, and this is the only place he could have gone.
28:20That means Wake is probably there, too.
28:23Agent Nightingale, this is private property, and I will not allow you to disturb my patients.
28:29Yeah?
28:29I can get a warrant.
28:30How are your fragile little patients like that?
28:34Oh, I'm thoroughly intimidated by your mighty authority now, Agent.
28:40Listen, you smug snog.
28:42How would you like it if I busted through this gate and knocked you around a little?
28:47Agent Nightingale, first of all, I'm recording this conversation.
28:50So you might want to watch what you say.
28:52Secondly, you're not dealing with a hick now.
28:56I know the law, and if you can get a judge to grant a warrant, I'll be glad to cooperate.
29:02But you won't get one.
29:04Be advised that any further communications with me are to be made through my lawyer.
29:08I don't believe this.
29:10Good day, Agent.
29:11Yeah.
29:20Let me out of here!
29:22Harmsman, do you hear me?
29:23I'm gonna sue your crazy quack ass to shreds!
29:30Seriously!
29:31Do you have any idea how much trouble you're in?
29:33I am famous!
29:36I represent a celebrity!
29:39They'll be looking for me!
29:41Oh, that's how you want to play it?
29:43Is that how you want to play it?
29:46Really?
29:46Okay!
29:47That's how we'll play it!
29:49It'll be hardball!
29:50All the way, jerk!
29:53Seriously, man!
29:54I'm willing to forget the whole thing if you let me out now!
29:58Just let me out!
30:00Hey!
30:01You think I can't hear you out there?
30:03I hear you just fine!
30:05You what?
30:05Is this how you get your kick, Hartman?
30:07I knew you were weird.
30:08You got that weird guy look.
30:11If you're one of those nurses, I'll double what he's paying you, okay?
30:15Do you have any idea how much I make as an agent of a best-selling writer?
30:19A lot!
30:21Uh, is a personal check good?
30:28Barry?
30:30Ow!
30:31About time!
30:32Barry!
30:33Man, am I glad to see you!
30:35We need to get to Hartman's office!
30:38It's right next door!
30:40You okay?
30:41Yeah!
30:42I mean, no!
30:44The cops found me at Rose's trailer, but they didn't hassle me too much!
30:48I'm obviously a victim in this, and I demanded to be treated as such!
30:52Or else, I'd sue their asses!
30:55Speaking of asses, that vet gave me a real hard time, but I had no clue where you were!
31:01That guy's crazy, Al!
31:02But he let me go, and then I get a call from Hartman, that son of a bitch, who tells
31:07me you're here, and I should come pick you up,
31:09but when I got here, two goons clobbered me and stuck me in there!
31:13What's... what's with the cutout?
31:15I stole it from the diner to piss off Rose after what she did to us?
31:20That'll teach her!
31:22Yeah, that's a harsh punishment.
31:24Come on, pal, we gotta get going.
31:43These were all the pages I had on me, and more.
31:55Alan, please. You're sliding back into the...
31:58Tell me one more lie, and I'll shoot you in the face.
32:02Ah, well, it was worth a shot.
32:05Really, Wake? Come on, let's work together on this.
32:10You have no idea...
32:11Hartman, shut up!
32:12Barry, get out of here. I'll catch up with you. Get a car.
32:17Oh, Al, let's just...
32:19Go!
32:21Wake, listen to me. This is a mistake.
32:25Don't you see?
32:26Together we can create something absolutely wonderful with your ability and my...
32:55The dark presence will be on me in a moment. I had to find a way out.
33:03Hartman followed the fall of Alan Wake with his binoculars.
33:06When the rider hit the water, he ordered Jack to take the boat to him.
33:10The spot was easy to see in the dark, even with all the extra lights in the boat.
33:14The flare floated and kept burning, even in the water.
33:17Jack turned the radio louder as the engine sputtered.
33:20The music was rough and clanking, something the Anderson brothers would no doubt have enjoyed.
33:25But Hartman chose to ignore it. Wake was finally within his reach.
33:37Anne's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's
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33:45album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's album's
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33:48album's album's album's album's album's album's album's album's album's album's album
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40:34Terima kasih telah menonton!
40:37Terima kasih telah menonton!
40:37Terima kasih telah menonton!
40:38Terima kasih telah menonton!
40:39Terima kasih telah menonton!
40:41Terima kasih telah menonton!
40:45Terima kasih telah menonton!
40:48Terima kasih telah menonton!
41:01Terima kasih telah menonton!
41:03Terima kasih telah menonton!
41:04Terima kasih telah menonton!
41:05Terima kasih telah menonton!
41:05Terima kasih telah menonton!
41:07Terima kasih telah menonton!
41:07Terima kasih telah menonton!
41:08selamat menikmati
41:52selamat menikmati
42:22selamat menikmati
42:24selamat menikmati
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45:35an ordinary storm. Wake had been writing, and he had woken something up in the depths of the lake.
45:40Now, it was coming for him. Hartman had naturally prepared for a situation like this. The idiot
45:46brothers would keep Wake distracted while Hartman double-checked everything, just to be sure.
46:15You get two bells in the morning, and then you'll be nice and calm all day long.
46:30You get two bells in the evening.
46:47Like things to be normal. That way, we won't have any trouble.
46:53Help!
46:54Help!
47:00Stand still!
47:04Stand still!
47:06Stand still!
47:06Terima kasih telah menonton!
47:18Terima kasih telah menonton!
47:38Terima kasih telah menonton!
48:09Terima kasih telah menonton!
48:11Terima kasih telah menonton!
48:12Terima kasih telah menonton!
48:14Terima kasih telah menonton!
48:15Terima kasih telah menonton!
48:16Terima kasih telah menonton!
48:18Terima kasih telah menonton!
48:22Terima kasih telah menonton!
48:24Terima kasih telah menonton!
48:56Terima kasih telah menonton!
48:57Terima kasih telah menonton!
48:58Terima kasih telah menonton!
48:59Terima kasih telah menonton!
49:01Terima kasih telah menonton!
49:23Terima kasih telah menonton!
49:27Terima kasih telah menonton!
49:29Terima kasih telah menonton!
49:31Terima kasih telah menonton!
49:46Terima kasih telah menonton!
49:49Terima kasih telah menonton!
50:01Terima kasih telah menonton!
50:04Terima kasih telah menonton!
50:16Terima kasih telah menonton!
50:27Terima kasih telah menonton!
50:40Terima kasih telah menonton!
50:41Terima kasih telah menonton!
50:42Terima kasih telah menonton!
50:43Terima kasih telah menonton!
50:44Terima kasih telah menonton!
50:45Terima kasih telah menonton!
50:45Terima kasih telah menonton!
50:45Terima kasih telah menonton!
50:46Terima kasih telah menonton!
50:54Here it is!
50:55Al, I found the key!
51:17Al, please tell me we're headed for the nearest.
51:20You're now leaving Bright Falls.
51:21Come back soon, sign.
51:23We're going to the Anderson farm.
51:25I knew you were going to say something like that.
51:27You know what?
51:27You owe me big time for this.
51:29When this is through, if we make it, I don't care what anybody says, I'm done with darkness.
51:34You're going to buy me a tanning bed as a gift, and I'm going to live in it!
51:57You're going to buy me a tanning bed as a gift.
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