- 2 days ago
Citadel S02E05
Category
🎥
Short filmTranscript
00:12To be continued...
00:30Hey!
00:31Hey!
00:46Turn that shit off.
00:48Is this a joke?
00:49Show a little respect.
00:57This driver doesn't deserve respect.
00:58Well, then your mother does.
01:00Not my mother.
01:02I came here tonight, didn't I?
01:13You know, you had the voice of an angel.
01:16Don't you remember?
01:17Oh, last year in London, you were in The Nutcracker.
01:22I mean, the chorus, of course.
01:25Oh, you could hear your voice above all the other little imps.
01:30You were a cherub.
01:32Oh, oh, oh.
01:34Cute and round and...
01:37And you had the little solo.
01:39Oh, God, your voice.
01:50You really don't remember?
01:53Not at all.
01:55Oh.
01:57Well, that's a shame.
02:01It was a good memory.
02:04One of the few.
02:05It was a good memory.
02:20If he was here for us, he'd pull us over.
02:25He's on radio.
02:26Smile.
02:28What?
02:30Smile.
02:36Easy.
02:49Easy.
02:51Easy.
03:11What the fuck did you just do?
03:14Things change quickly when you have a man in the trunk of your car.
03:16He was a kid.
03:17He was a cop.
03:18There are cameras on every street corner.
03:20In no time, they'll identify the make and model of the unmarked vehicle near the Plymouth Estate
03:25at the time of Paolo Braga's kidnapping.
03:28And it won't be long before they use those cameras to track us where we're heading.
03:31Do you want your wife back?
03:32Your boy had to die.
03:34It's maths.
03:42You're weak, Eve, like your father.
03:45At least Kyle is.
03:48Thankfully, Mason's here to get Kyle's wife back.
03:51At least he takes after me.
03:53He's a fucking monster.
03:54Hmm.
03:55The thing about monsters is...
03:57We get things done.
03:59God, this was a mistake.
04:01Coming back to you, trusting you again.
04:06We never learn in this family.
04:20What the fuck happened to him?
04:21Mason took Paolo.
04:22He's gonna use him as leverage to get Abby back.
04:25How the fuck could you let him take him?
04:26Don't you fucking put this on me!
04:27You brought him back!
04:28Goddammit!
04:34Pudge!
04:35Yo!
04:36Tell me you have Edison.
04:37We lost Edison.
04:38No.
04:39Paolo just killed Edison.
04:41That's not Edison.
04:43It's the wife.
04:44She's the hacker.
04:45What are you talking about?
04:46Now I'm confused.
04:48I may have fudged the truth a little bit.
04:50You fudged the truth a little?
04:52What?
04:52Wait, that reason I have bitched Edison.
04:55Well, find her!
04:56Dick.
04:56We lose Paolo and this is over.
05:03What the fuck you mean he's gone?
05:05Cain took him.
05:07Where?
05:08We don't know.
05:10Is he hurt?
05:11We don't know.
05:15I want you to call him every fucking favor.
05:20Metro Police.
05:2110 Downing.
05:23I don't give a fuck.
05:25Call them all.
05:27Yes, ma'am.
05:28Now!
05:30Now!
05:40Fuck!
06:02Fuckin' idiot.
06:11Fuckin' idiot.
06:13Your friends, or his, will find us here.
06:17I'd say we have two hours till they do.
06:20Why don't you go and clean up?
06:38Where would Mason go?
06:39Where would Mason go?
06:39He's laying low until they fly Abbey to London to make the exchange.
06:43But how'd he disappear so quickly?
06:45Coming in, there was a car parked.
06:47Just off the road.
06:48It was a grey Fiat, but I didn't get the plates.
06:51Well, I got some friends at the Met.
06:52They might be able to help with that.
06:53You think he sold the car, or?
06:55Or someone else was waiting there for him.
06:58Search all property records in London.
07:00Ever owned by a Dahlia Archer or a Thomas Kane.
07:02Yep, you got it.
07:21Look at you bringing us back together.
07:24Mending old wounds.
07:28You know this is suicide.
07:31How does this play out?
07:32Get in touch with your people.
07:34Make a trade.
07:35I get my wife, they get you.
07:38There's one big problem with the offer.
07:40I don't even know if she's still alive.
07:42It would be very bad for you if she isn't.
07:44It would be very bad for you if anything's happened to her.
07:48He has a son.
07:52Must be what?
07:53Ten, by now?
07:55Yeah.
07:57I would bring him his wife.
07:59I know you have little regard for children seen as you once tried to kill your own.
08:05But if you ever speak about my son again,
08:08I will burn you to death like your husband.
08:12We're out of time.
08:14We need to call you people.
08:15We need a number.
08:16How do I know you'll hold up your end of the bargain?
08:20You don't.
08:22Number.
08:36How do you want to play this?
08:39There's a corner shop half the miles from here that sells prepaid mobiles.
08:45You stay here, I'll make the call.
09:10We have Edison now.
09:11So all this...
09:13It's meaningless.
09:14Unfortunately for you, I don't give a fuck up.
09:16I don't care about your satellites or the assassin or anything else.
09:19I'm just here for my wife.
09:22And you really trust your mother to make the call?
09:26Maybe she's negotiating for something more and we'll sell you out in the process.
09:30At least she's not here negotiating with you.
09:33So you don't trust her?
09:41I've been looking for you for a while now.
09:44And here you are.
09:47Here I am.
09:49I mean, you have to wonder.
09:52Maybe I wanted to be here.
09:54Tied up.
09:56Mono-mon.
09:57To finally have a private audience with Mason Cain.
10:00I felt a kind of...
10:03Kinship with you.
10:05Kinship.
10:06We both have parents that wanted the worst for us.
10:09I'd fucking applaud you if my hands weren't tied.
10:15You want to give...
10:16To your daughters.
10:18To your wife.
10:20A life worth living.
10:23Listen, that's what I want for my boy.
10:26I've been looking for you not to kill you.
10:28I want to make you an offer.
10:31You and I...
10:33Can create peace.
10:35A world free from war.
10:37Violence.
10:39Greed.
10:41Isn't that what we want for our children?
10:43For Asher.
10:45For Hendrix.
10:52Don't talk about my kids.
10:55Not interested in your offer.
11:14Who is this?
11:15Joanna.
11:16Lovely to hear your voice, dear.
11:18Though you do sound a little stressed.
11:20Listen, if you want him back, bring Abby Conroy to London immediately.
11:24This is you, Dahlia.
11:27Well...
11:27When your kid's in a pickle...
11:29Leave everyone on this.
11:30We'll find you within the hour.
11:32So I suggest you bring him back to us before we do find you.
11:37I'll make sure they don't...
11:38Make my death quick and painless?
11:40No, you really are out of your depth, you ridiculous twat.
11:44I'll call back with a location.
12:03Time to go.
12:09Is that you, Chris?
12:11How's it going, Frank?
12:12Frank Sharp.
12:15Sharp.
12:16The name's Sharp.
12:18Nope.
12:18It's not ringing any bells.
12:20Okay.
12:20That's fine.
12:21Nothing on Mason yet.
12:25You let him get to you.
12:30I didn't.
12:31If you didn't keep your daughter's very existence from him...
12:38He never would have flown off the handle.
12:40And he never, ever would have betrayed Citadel.
12:45And we would not be in all of this shit.
12:49You are to blame.
12:51You created him.
12:52You did.
12:53What's the first rule of the agency?
12:55Do not get involved with another agent.
12:57And you two were fucking around like it was fucking spring break.
13:03You compromised everything.
13:04Is your mother there?
13:06Sure.
13:06Everything that I built, you compromised.
13:08And had you not murdered his father and created him,
13:10maybe the agency would still be standing today.
13:13Why did you bring him into this, Bernard?
13:16You knew he was a mole.
13:17You knew he was unpredictable.
13:18He's the best killer I have.
13:20You have five killers, including yourself and me,
13:22and that Paddington bear-shaped motherfucker.
13:24So why did you bring him into this?
13:25He was supposed to work!
13:31He's still...
13:32He's still...
13:38Fuck.
13:51The things you build are flawed.
13:54Because you are flawed.
14:03Is that you, Malcolm, you lazy-eyed bastard?
14:07It's Frank Sharp.
14:10He's hung up.
14:12Oh, no, he's back.
14:13Frank Sharp.
14:14No, he's hung up.
14:33You always did have a temper.
14:35What'd they say?
14:36Can they get off the ground now?
14:38Don't pick up your mess.
14:56They're en route.
14:58We should burn the car, steal another one to transport him.
15:01You'll probably be better at that than me.
15:03You got him?
15:05Don't worry.
15:06Gorgeous young men like him don't excite me like they used to.
15:09Yes, I've got him.
15:11You go.
15:12Time's ticking.
15:14No, don't.
15:17Then you're in the dark.
15:26What's the matter?
15:29No, thanks, lord.
15:39Did you charm him with your wiles?
15:43That's right, though.
15:49Good to see you again.
15:53It's been a while since you signed my death warrant.
16:00You're looking more and more like your father.
16:06Oh.
16:10Chin-chin.
16:16What's in it for you?
16:19Helping him.
16:21Oh.
16:24Love.
16:30Love.
16:33Maybe I wanted to make amends to him.
16:39I was a mantic or more.
16:41In the highest echelons of British government.
16:45He knew what I did.
16:49He could have posed a threat.
16:50So you wanted him killed.
16:55I had something greater to protect.
16:59I was helping to build a safer world.
17:01Where the things that happened to my family, to good innocent people, would never happen again.
17:08That's why I built Manticore.
17:11You built Manticore to set the world on fire.
17:14Just like they did to your husband so the world could know your pain.
17:17My father rescued you.
17:21I'm here to do it again.
17:26So are we going to negotiate or what?
17:31I'm here to help my son.
17:38But I don't have you gagged, do I?
17:51Is that Claude with the curved cock?
17:53Good.
17:54It's Frank Sharp.
17:56Yeah.
17:57Yeah, that Frank Sharp.
17:58I'm good.
17:59How are you?
18:00Listen, I need a favor.
18:02I need eyes on the Plymouth Estate, Windsor.
18:06It's a brave Fiat at around 10.20 this evening.
18:09You find me late?
18:10We haven't done anything yet.
18:11Except finally get someone to remember your name.
18:13Fiat 95.
18:14Great, yeah.
18:14That's it.
18:15The Plymouth Gallery to Croydon.
18:18Okay, thanks very much.
18:18The camera's lost a car on the outskirts of Croydon, but it's definitely there.
18:22Okay.
18:27Here.
18:2837.
18:29St. Anne's Way.
18:44I'm in here, love.
18:54What's this?
19:02Well, I'm starving.
19:05You must be famished.
19:06No?
19:08I thought it would be nice, you know, a little, um, family dinner.
19:15Not sure when we'll get the chance again.
19:18Come on, they'll be landing in an hour.
19:20Sit.
19:21Eat.
19:27I remember this smell.
19:29Your chicken.
19:31It's a favorite.
19:34Smells never leave you.
19:36Chicken cacciatore.
19:39Drugstore perfume.
19:42Burning flesh.
19:51At the moment I met your father, I knew he was the love of my life.
19:58It wasn't an act or a decision.
20:02It just was.
20:03Because he was brilliant and intoxicating and certain.
20:16And he was dishonest and cruel and small.
20:23And I loved him.
20:25Not because of all, despite those things, but because one-to-one.
20:33I was his and he was mine.
20:37And here you are, risking the woman you love for the woman you married.
20:42I love Abby.
20:45Do you?
20:47She's my wife.
20:51It doesn't mean that you love her.
20:54No, dear.
21:01You're fucking with me.
21:03Excuse me?
21:06You're fucking with me.
21:10No, dear.
21:11Yes, dear.
21:15I-I'm simply not.
21:17I can't.
21:17Did you make a deal with him?
21:21Of course not.
21:23He tried to kill me.
21:25Yeah, you tried to kill me.
21:26A few times.
21:32We entered negotiations, but...
21:36A deal I didn't make.
21:41Eat up.
21:43And then I'll call Joanna.
21:47And you can get him ready.
21:54Smells just like I remember.
22:03You're looking more and more like your father.
22:08Not a shred of me.
22:56You're making a mistake.
22:58Under the Hamas Bridge.
23:00East End.
23:014 a.m.
23:03Don't be late.
23:04Don't be late.
23:14Don't be late.
23:14So you tried to cut a deal with her?
23:17No.
23:18I didn't try to cut a deal with her.
23:20She tried to cut one with me.
23:22But it didn't make.
23:23Is that what she said?
23:29I'm playing with you.
23:32I wanted something she wasn't willing to give.
23:36Or maybe she gave it.
23:43Is that your father?
23:46Do you often think of him?
23:49No.
23:50I dream of my father sometimes.
23:55It's the same dream.
23:59We're in the ocean.
24:00Off the coast of St. Louis.
24:03It's just him.
24:05Me.
24:08We're droning.
24:12The boat is out in the distance.
24:16Closer and closer the boat comes.
24:21And just as my father realizes that the boat sees us,
24:27we'll save us.
24:32I push him under the water and hold down his skull until he goes deep.
25:05It was cancer that took him.
25:10Not in the dream.
25:12And creative.
25:14I never thought that fair.
25:17Not that it took him.
25:20Just...
25:22I wasn't the one to do it.
25:26I heard once that...
25:30we become our true selves.
25:34When our father dies.
25:39I suppose you had a lot more time than me to figure out who that is.
25:50Your father was...
25:51a saint.
25:53What was that like?
25:55I'm done talking about my father.
25:57Why?
25:57I find that it's so...
26:00interesting that...
26:01your father was killed with...
26:04hundreds of others.
26:06And then you killed...
26:08thousands...
26:09to avenge his death.
26:13Do you think he will be proud of you?
26:15What you did for him?
26:17Is this...
26:18Don't you think you're gonna get to me?
26:19I don't think you have any intention of following through on...
26:22your end of this bargain.
26:25I think I leave here...
26:28with that man.
26:31So you please.
26:33Flat rate didn't work earlier.
26:36I'm thinking maybe...
26:39guilt could.
26:56We can remake the world the way your father saw it.
26:58I told you I'm done talking about my father.
27:01Because he would be ashamed of you?
27:03That you're his son?
27:05Because he would be.
27:07I'm giving you a choice.
27:09To absolve yourself from what you've done.
27:12To reject what you are.
27:16That's why you became a spy, isn't it?
27:18Because it was the only way to hide your true nature.
27:21Your true soul.
27:23It was survival, wasn't it?
27:26To hide even you from yourself.
27:28Because if you saw what you really were...
27:30you wouldn't be able to go on.
27:33You've brought only pain and death.
27:36To everyone who loves you.
27:38And your daughters...
27:39who grow up.
27:40And they'll have to spend the rest of their lives...
27:43scrubbing themselves.
27:44of any residue of you so...
27:47so horrified that they're yours.
27:49That they'll dream about drowning you out in an ocean.
27:52And wonder...
27:53why the world didn't allow them the chance...
27:56to kill you themselves!
27:58shut up!
28:13Oh God.
28:21Bob?
28:28Bob!
28:33Fuck!
28:34Fuck!
28:35Fuck!
28:58Fuck!
29:28Fuck!
29:34This was Grandpa Arthur's chair, right?
29:38I remember having a little bad breath.
29:43How'd he die?
29:45He shot himself.
29:48To spite my mother who loved him.
29:51And did it in that chair to spite me who loved that chair.
30:06You may have just killed your wife.
30:12What are we gonna do?
30:22What size suit you wear?
30:29Let's go!
30:36Let's go!
30:43Lights are on.
30:58I don't know.
31:46It's still warm.
31:51Not a bad cook.
31:57Yeah.
31:58Madison's gone.
31:59They flew around.
32:24What?
32:26Change of plan.
32:27No.
32:28No change of plan.
32:29I'm speaking now.
32:30Charing Cross Tube Station.
32:31Old Platform 3.
32:32Ten minutes.
32:49No matter what happens.
32:56Just keep her safe.
32:59Understand?
33:00And if this exchange happens to go pear-shaped, you be sure to make way for Mason.
33:05Sure.
33:06We're gonna need every bit of him.
33:09I don't think there's much of Kyle left.
33:12It looks that way.
33:18Let's do this.
33:20Let's do this.
33:37Let's do this.
33:37Let's do this.
33:38Let's do this.
34:05Let's do this.
34:30Let's do this.
34:34Let's do this.
34:35Let's do this.
34:39Let's do this.
34:46You're dead.
34:53Let's do this.
34:54Let's do this.
34:54You're dead.
34:58Oh, man.
35:01It's a bad guy.
35:26Stop that!
35:27Joe, don't pull anything.
35:29No one's doing anything.
35:33Where's Mason?
35:34Well, someone has to keep eyes.
35:35I'm certain you're doing the same.
35:40Just the two of you.
35:42Slowly.
36:09Just know.
36:11I go.
36:14He goes.
36:15She's not fucking around.
36:17Shut up!
36:18Okay, let's just relax.
36:25A girl walks to me.
36:29And I let Paolo go.
36:30No.
36:32You let him go first.
36:33No, that's not happening.
36:34I'll kill him where he stands.
36:36And I'll kill her.
36:36I will fucking do it!
36:39Help me!
36:40Sing, Dad.
36:41What's my guarantee, dear?
36:42What's mine, Dahlia?
36:45Oh, no.
36:59Oh, oh.
37:12You're smart moves.
37:14Always a pleasure, don't you?
37:27All right, go.
37:31You're safe now.
37:32Am I?
38:19I told you to go!
38:21Fuck off.
38:28Down!
38:33Ow!
38:34You're hit.
38:36I'm fine.
38:39Gabby, you okay?
38:42You mean Celeste?
38:46You mean Celeste?
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