00:00First of all, welcome to INES.
00:02First of all, welcome to INES.
00:03First of all, you should know the story of the first talkie show that you have started.
00:08You can see a film in a house like a dongle.
00:11They are also the latest film.
00:16So, what do you think about it?
00:19How do you think about this idea?
00:22Actually, this idea was my first year before.
00:26I had to polish it.
00:28Three, four, five, six failures.
00:31There was no result here.
00:33But after COVID, we understood that it was problematic.
00:37We had to find a solution for touring talkies.
00:40Truck pit.
00:43But COVID has told us that this is also a problem.
00:46After that, we used technology to use it.
00:50It started thinking.
00:52It started thinking.
00:53And in that, we made our hardware.
00:56We made it to us, to take our jobs.
00:59We made it to the people in the houses.
01:01The reason behind it is that you have no obligation.
01:05You have no support of existing platforms.
01:09You aren't dependent on someone.
01:11You don't have to pay someone.
01:12You don't have to pay someone on the payment.
01:13In the moment, we don't have any commission, no cutting, so we created our own hardware, our own network, and
01:20that's why we can give the producers 50% of their income.
01:24In 1999, the cost of 99 is that every Indian has a pervert, and it doesn't cost as much, because
01:32if you watch the film in Mumbai today, it will be 3-4 thousand dollars for a family.
01:35So, we thought that in 1999 we can do this, and in 1999 we can get 50% of the
01:40producer's income.
01:43We thought that we started this project and started this project.
01:47Sir, about rural areas or tribal areas, there are also people who don't have to go to the theatre.
01:53If you go to the theatre, then you have to go to the theatre.
01:57So, I think that the best option is that 99 rupees now?
02:00Is it possible that 99 rupees can be cost?
02:02Yes, it is possible that 99 rupees can be cost.
02:06When we researched this project, we found out that there are 4 people living in a family.
02:11So, there are people in the towns that say that we have 2-3 families and put a TV on
02:16the TV.
02:17And the producers don't have any problem.
02:19If there was a community living before, when we had a program, the whole town would come to the TV.
02:24So, today we have to sit down to the TV.
02:25So, today we have to sit down to the TV.
02:27So, there are people who are living in a family, who are living in a house.
02:30We have to sit down to the TV.
02:33So, we have to sit down to the TV.
02:34So, the producer is also not a company.
02:36And the people who do want to see this film.
02:39And the people who are watching this film is good.
02:40So, we are going to talk about the content.
02:42The content is already coming.
02:45You know how the content is staying.
02:47So, what do you want to say about that?
02:49I will talk about the ╧А╬▒fire.
02:50╪е╪░┘Ж┘К╪з ╪з┘Д┘Е╪╣┘Д┘И┘Е╪з╪к ┘Д Randall 2.
02:53who are talking about the content is gonna be in the house as much as possible.
03:05I will talk about them, whereas there are some metal tens├╢r.
03:07I will talk about the way that the comfix would die.
03:10We will talk about them and how much work is the film and what causes the film to sit down.
03:11So, when we have to rest and know the content is .
03:17So, when Mmh to take the film to its team they чЪДerm desapareasu,
03:20If you have a film, you can put a certificate in the family.
03:27But if you have a picture of a family,
03:30if you have a film with a family,
03:34you can keep the contents.
03:37If you have a certificate in the family,
03:41you can see a film with a family,
03:44and you can see a film with a family.
03:49When will you see Hindi films?
03:53I will not get a picture of Hindi,
03:57because we are targeting the regional language.
04:00And if there is a film with a Hindi,
04:02then you can see them in Marathi.
04:06So do you have no idea about Hindi?
04:09I need Hindi.
04:11There is a market for Hindi.
04:13I have no idea about Hindi.
04:14I have no idea about Hindi.
04:16I have no idea about Hindi.
04:17So why do you buy Hindi?
04:20So if you want to go to the UPA or Bihar side,
04:24if you want to expand the future,
04:28then you can go to the UPA or Bihar side.
04:30You can go to the UPA.
04:31You can go to the regional language.
04:34But in Hindi film?
04:36There is no problem.
04:37Hindi is made money.
04:38Hindi producers make money.
04:39Hindi producers make money.
04:43Hindi producers make money.
04:43Some of them will not have money.
04:44But there are also too many people in Hindi.
04:46they start on their own.
04:47So it's a mistake.
04:48If the law comes to those guys,
04:49there will be a grief for them.
04:52Lastly,
04:53what do you want to say about viewers?
04:55We will not say that
04:57we want to say that
04:58in our hearts,
04:59This is our hope that a system will be brought into a country where it will be completely controlled, built
05:07in a country,
05:08and its hardware, and its culture.
05:12Every state's culture will reach every state.
05:15Wherever there are films, there will be films.
05:18This is a rich culture.
05:20It will be stopped to become a good picture.
05:22Because we have shown this film in Maharashtra.
05:28In this film, Maharashtra is the state where it started.
05:31That's why we have started a story from Maharashtra.
05:34After that, we announced it for Karnataka and Gujarat.
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