00:00You could kill a man or it could be cute.
00:05Like a really polite insult.
00:09Like a witty insult.
00:10Like clapping back to someone but with like class and wit.
00:15With lack of a better word.
00:17I feel like our biggest skill is being able to make anything look graceful when we're
00:22totally going through hell and back on the inside.
00:26Hormones. Just, you know, the monthly struggle.
00:31But dance in itself is like the best way to put it because to the public eye
00:36and to on surface level, dancers are graceful, elegant, soft, gentle.
00:42But they're doing it all with bloody toes, broken ankles,
00:46and they put a smile on their face and keep going.
00:49And that's been my experience my whole life.
00:51And I'm so finally, I'm so glad we finally have a film that really represents the real life of a
00:57dancer.
00:57And so it's brutal.
00:59But you have to suffer for your art sometimes.
01:03Yeah.
01:03Her sense of humor.
01:05Yes, a hundred percent.
01:07Cause it, drop in one joke, you could kill a man.
01:13Or it could be cute.
01:14I don't know.
01:15You'll see a lot of lethality and a lot of gracefulness in Pretty Lethal.
01:20I think that's the combination that they combined in these stunning action sequences
01:27that really are quite boundary pushing and exceptional.
01:30The Violet
01:31Club, there's the major that does now for the Willett Club. You that's
01:31a revolutionary who was the backstage.
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