- 1 day ago
In the 1991 psychological thriller Raw Nerve, a serial killer terrorizes Mobile, Alabama. A race car driver named Jimmy (Ted Prior) experiences psychic visions of the brutal murders. When he reports them, the police target him as the prime suspect, prompting his sister and an investigative reporter to uncover the truth.
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Short filmTranscript
00:00:06Music
00:00:08Music
00:00:09Music
00:00:11Music
00:00:11Oh, my God.
00:00:46Oh, my God.
00:01:16Wow, isn't this great?
00:01:20Look at that.
00:01:23Can you believe this?
00:01:26Look at that one.
00:01:38Marsha?
00:01:41Marsha, where are you?
00:01:46Marsha, is that you?
00:01:47Luke?
00:02:17Brenda?
00:02:22Stop it, Brenda.
00:02:23This isn't funny.
00:02:32Stop it.
00:02:33You're scaring me.
00:02:35Hey!
00:02:38Oh, my God.
00:02:47Oh, my God!
00:03:14Oh, my God.
00:03:44Oh, my God.
00:04:26Oh, my God.
00:04:33Great.
00:04:47Oh, my God.
00:04:50Oh, my God.
00:04:52Oh, my God.
00:04:54Jimmy, breakfast is ready.
00:04:57Come and get it.
00:05:13Don't even think about going to school dressed like that.
00:05:19Don't you dare say a word.
00:05:20I had a little trouble shaving.
00:05:21It's not that funny.
00:05:25To me, it is.
00:05:29I meant what I said about those clothes.
00:05:31What?
00:05:33You know what?
00:05:34No, I don't.
00:05:35And if I did, I'm sure I could be of some assistance to you.
00:05:38The way you're dressed is what?
00:05:39If you came by the raceway like that, half the guys would drive off the track.
00:05:43You are, of course, taking into consideration that those guys are all brain dead.
00:05:47Well, that might be, but the other brain's alive, if you know what I mean.
00:05:50Oh, I know what you mean.
00:05:52Do you?
00:05:54What?
00:05:55I don't just go to school to make grades.
00:05:57I also have to deal with being a woman, which I am, even though you're about the only man alive
00:06:01who hasn't noticed it yet.
00:06:03You know, maybe if you went on a date once in a while like normal people, you'd have a more
00:06:06mature understanding of such things.
00:06:08But we're not going to get into this right now because I've got some great news and I'm not going
00:06:11to let anything spoil it for me.
00:06:15What?
00:06:17Ready?
00:06:18I'm ready.
00:06:19Want to take a guess?
00:06:21Gina, just tell me.
00:06:23I got accepted into the pre-med program.
00:06:26What?
00:06:26Let me see that.
00:06:30This is great.
00:06:32I'm so proud of you.
00:06:35You know, Mom and Dad sure would be too.
00:06:38You really think so?
00:06:39Sure.
00:06:41Uh-oh.
00:06:42What?
00:06:44I guess that means I better start making some more money.
00:06:46And you know what that means.
00:06:47I do?
00:06:48Yep.
00:06:49I'm going to get my ass to work.
00:06:54Look, you can wear the skirt but lose the shoes, okay?
00:06:56High heels are out of the question.
00:06:57Come on, Jimmy.
00:06:58Out of the question.
00:07:00Especially red ones.
00:07:00But red ones go with my outfit.
00:07:03Oh, righto, righto.
00:07:0586 the shoes.
00:07:08Hey.
00:07:09I was looking at you, kid.
00:07:11From the top of the clouds.
00:07:13Oh, no.
00:07:14I don't know.
00:07:19I know you're happy.
00:07:21I don't know.
00:07:22You know what the sun is supposed to be.
00:07:24I'm going to go.
00:07:27Can you come?
00:07:31I'm going to get to a beach.
00:07:32I'm going to get to the pool.
00:07:33I'm going to get to the beach.
00:07:34Of course, I'm going to get to the pool.
00:07:35I'm going to get to the pool.
00:07:43Come on, man. Let's go. We're going to be late.
00:07:46Quit screaming. We've got plenty of time.
00:07:56Oh, man.
00:07:58You all right, man?
00:07:59Shit.
00:08:04Get your fucking helmet, man.
00:08:05Never leave home without it.
00:08:12Stop!
00:08:16What are you doing?
00:08:20Come on, let's go.
00:08:23Breakfast.
00:08:33Want some? Some pure protein.
00:08:356.30 in the morning, pure insanity is going to like it.
00:08:38Well, we're not good, buddy. You just hold on. I'm your uncle. I ain't your little sister. So don't start
00:08:43treating me like her.
00:08:45What's wrong with the way I treat my sister?
00:08:48Come on, man. What's wrong with the way I treat her?
00:08:50Don't you like a damn kid?
00:08:51Oh, bullshit.
00:08:52It's true, Jimbo. I'm telling you, your trouble is you're going to go crazy. You don't date. You don't drink.
00:08:58You don't do nothing. You expect her to live the same way. Never happened.
00:09:03What the hell are you? What the hell are you, a family counselor now?
00:09:05Listen, four wives, six kids. Tell you the way it is, my boy. She's just 18 years old. She needs
00:09:13to be out running around, getting laid.
00:09:14Oh, man, I'll say that.
00:09:17It's true, Jimbo.
00:09:18I don't care if it's true. Just don't say it.
00:09:20Okay, I won't say it.
00:09:22Thanks.
00:09:24It's true.
00:09:25Here I am.
00:09:29Please, all the way around the race course, for your own safety.
00:09:34And the rules here at the Riverside International Raceway, you must be back 20 feet from the bench.
00:09:40You must remain 20 feet back from the bench with your cars, please.
00:09:47This is not only a rule here at Riverside, but it's for your own safety.
00:09:51What's the matter, Chief?
00:09:54Four hundred horses under here, and 350 of them are out grazing.
00:09:58Come on, man, you don't have to do better than that.
00:10:00New sponsor says if we can win this race, it'll get us a real gig.
00:10:03Yeah, that's what I heard.
00:10:05You're right.
00:10:07Yeah, they're going to build a whole new fucking racetrack just for you.
00:10:10Race starts in two minutes.
00:10:12How about get your sorry ass out on the track, or get the hell out of here?
00:10:18All right, have your time, Chief.
00:10:22One more time, I'm going to hit that man harder than 20 minutes.
00:10:26A bad car wreck.
00:10:28Well, let's win the race first, all right?
00:10:30Then I can hit him?
00:10:31As hard as you want.
00:10:35Off and down, huh?
00:10:48Off and down, huh?
00:11:25Jump.
00:11:27Jump.
00:11:27Oh, ja.
00:11:33Love you.
00:11:35Yeah!
00:11:36Fireworks.
00:11:37Oh, ja, ja.
00:12:25And then, uh, the pain got so bad I couldn't even stay on the track.
00:12:31Was it like you're in a dream state?
00:12:33I don't know.
00:12:36I don't know. I remember it was weird.
00:12:40You go to see a doctor.
00:12:41Shit, what for?
00:12:42The guy's going to give you a pill, tell you to go to sleep a couple days.
00:12:46It's going to cost you a hundred bucks.
00:12:48Now, I get teeth for three bucks a pop.
00:12:52Got a lot more kidding in that store-bought shit.
00:12:55Pop one of them, go to bed, get in the morning a brand new man.
00:13:05Stop the truck.
00:13:06What?
00:13:07Stop the truck!
00:13:08What?
00:13:08Turn it down!
00:13:25What are you doing?
00:13:25No one.
00:13:26I don't know.
00:13:28What?
00:13:32Oh!
00:13:38What?
00:13:48So,
00:13:49so...
00:13:55I got you.
00:14:03A couple of times to go to a ferry, ain't it, buddy?
00:14:06This is it.
00:14:08This is where it happened.
00:14:09A girl died in there last night.
00:14:11I saw it, man.
00:14:12I saw it happen.
00:14:13Whoa.
00:14:13Slow down.
00:14:15Whoa.
00:14:16Maybe you're just taking this thing a little bit too far.
00:14:19You know what I mean?
00:14:25Hey, you got a quarter?
00:14:27Come on, man.
00:14:27You got a quarter.
00:14:28Shh.
00:14:50Come on.
00:14:55Jimmy.
00:15:01Jimmy, you all right?
00:15:04It was real, man.
00:15:08It was real.
00:15:23She's got problems, aren't we?
00:15:28Big problems.
00:15:35Mrs. Needlemyer, this is the seventh rape you've recorded in less than two weeks.
00:15:41Mercy me.
00:15:42Isn't it just terrible?
00:15:44What is the world coming to, Sergeant?
00:15:46Don't ask me.
00:15:48Okay.
00:15:48Who did it this time, Mrs. Needlemyer?
00:15:51Well, of course, I can't be positive.
00:15:53He was wearing a mask, well.
00:15:55But I'm pretty sure it was my neighbor, Mr. Dentals.
00:15:59That's for two keys.
00:16:01Yes, ma'am.
00:16:02We'll get right on it.
00:16:03Thank you so much.
00:16:04Bye now.
00:16:05Bye-bye.
00:16:08Oh, my goodness, I almost forgot.
00:16:12I baked a fresh pound cake this morning.
00:16:15I thought you could enjoy a slice with your coffee, sir.
00:16:18Thank you very much, Mrs. Needlemyer.
00:16:20Now, don't forget.
00:16:21That's really good.
00:16:22With two keys.
00:16:23I got it.
00:16:23Bye-bye.
00:16:24Bye-bye.
00:16:26Just another day at the desk, huh, Sergeant?
00:16:29Hey, Gloria.
00:16:30How's the newspaper business?
00:16:32Shitty.
00:16:34Why don't you make it better and do something juicy on the latest killing?
00:16:37Sorry.
00:16:38Not a chance.
00:16:39Oh, come on.
00:16:40If I say a word, the captain will nail my nuts to that wall.
00:16:43Ouch.
00:16:45Good morning, Lieutenant.
00:16:46I wish.
00:16:47Hey, Bruce.
00:16:49Gloria.
00:16:51Bruce, I need some help.
00:16:54Yeah, you and everybody else.
00:16:55Come on, give me a break.
00:16:57Hey, you give me a break.
00:16:58I got some nun out there running around like a raw nerd shooting girls.
00:17:02The captain's about to blow a gas.
00:17:10I'll get out of here, dear.
00:17:11You said we got divorced, too.
00:17:13That's not fair.
00:17:20Yeah.
00:17:22You're right.
00:17:25Listen, when I got something, I'll call you.
00:17:28Leave me.
00:17:45I'm glad you could make it.
00:17:48Sorry, sir.
00:17:49I got hung up in the reference.
00:17:51No, it's all right.
00:17:52What do you got there?
00:17:55This is it.
00:17:56Counting to two last night, we've got six dead bodies.
00:17:59All young females.
00:18:01No priors on any of them.
00:18:02I've been over it and over it and over it.
00:18:04I can't find one thing that links them all together.
00:18:08What else?
00:18:09Well, I talked to this shrink down in Metro.
00:18:12He's working up a new profile on the killer.
00:18:14He says it's going to be tough.
00:18:16One thing we got on this creep is he likes to shoot young girls in the face.
00:18:20Face?
00:18:20It's always a face.
00:18:22It doesn't have something to do with the eyes.
00:18:24We found this at the scene.
00:18:27So she wore shooting.
00:18:29Well, we didn't find the other one.
00:18:32Maybe the killer's got it in his car or his house or something.
00:18:36Or maybe it's going to rain $100 bills at midnight tomorrow.
00:18:40What good does that do us now?
00:18:46He's stuck behind his desk when he's driving the crew.
00:18:48You know, he's out there looking for another victim and he is going to find one.
00:18:53And then he's going to find another and another.
00:18:55And they'll be stopping.
00:18:57Well, get him, Captain.
00:19:00I'm going to tell you something.
00:19:02You turn that lunatic over to me and I give you my word.
00:19:06He'll never see the light of day again.
00:19:10You understand me?
00:19:14Understood, sir.
00:19:15Good.
00:19:16All right, let's go over this again.
00:19:20No, not a thing.
00:19:21Nobody's talking.
00:19:23You can tighten it on everything.
00:19:26Yeah.
00:19:29Yeah.
00:19:33Okay, this is the deal.
00:19:35I'm going to meet with the shrink in about an hour and see if I can get a different angle
00:19:37on this thing.
00:19:40No, I don't know what it's going to be.
00:19:43At this point, I'm just reaching at Strauss.
00:19:48Excuse me.
00:19:51I need to see somebody in charge.
00:19:54So does everybody, pal.
00:19:55What's your beating?
00:19:58It's about the murders last night.
00:20:00The carnival.
00:20:01That's the hell.
00:20:03Do you think?
00:20:08I saw it happen.
00:20:11Hold on.
00:20:14You may be just what the doctor ordered, pal.
00:20:18Follow me.
00:20:27I'm going to just stand our angle.
00:20:30I'll tell you later.
00:20:34Come in.
00:20:36What is it, Sergeant?
00:20:37I got a guy out there.
00:20:39I said they witnessed the murder last night.
00:20:42You've got a break after all.
00:20:45I don't understand.
00:20:46There's an amount.
00:20:47Yes, sir.
00:20:55I'm Lieutenant Ellis.
00:20:57This is Captain Gavin.
00:20:59Your name?
00:21:01Clayton.
00:21:02Chief of Clayton.
00:21:03I have a seat, Mr. Clayton.
00:21:06I have a seat, Mr. Clayton.
00:21:09Well, I understand that you might be able to help us in our investigation.
00:21:12Yeah, I hope so.
00:21:14Why don't we start with just exactly what you saw?
00:21:18Okay.
00:21:20I saw a girl running through a big room full of mirrors.
00:21:28Oh, yeah.
00:21:30Well, then I saw somebody, uh, following, chasing on it, I think.
00:21:37Did you see a face?
00:21:39No, it was, uh, it was too dark.
00:21:43Just exactly what did you see, Mr. Clayton?
00:21:45Well, then I saw a gun go off.
00:21:48A shotgun, I think.
00:21:50Do you remember the exact time of this incident?
00:21:52It was somewhere around 10.30.
00:21:54Warner put the death of 12.40.
00:21:57But the coroner isn't always right.
00:22:03Why didn't you call the police right then and there from the coroner?
00:22:07Well, I wasn't at the coroner.
00:22:09I was at work.
00:22:11Let's back this thing out.
00:22:13Let me say you were at work 10.30 last night.
00:22:16Let's start from there.
00:22:17No, not last night.
00:22:18This morning.
00:22:19I saw it at work 10.30 this morning.
00:22:21That's it.
00:22:22Get this man out of here.
00:22:23Wait a minute.
00:22:24Don't you want to hear the rest of it?
00:22:25I've heard all I want to hear, mister.
00:22:27Look, I'm telling you, I saw it happen.
00:22:29I got this pain in my head and I saw it.
00:22:31One more word from you.
00:22:32I'm going to pick up the phone and you're going to end up on the funny farm.
00:22:34Look, you're making a mistake.
00:22:36I don't think it's mistakes people want, though.
00:22:37All right.
00:22:46Where do they come from, Ellis?
00:22:49I don't know.
00:22:51We hope the news media don't get a hold of this.
00:22:54It's all right.
00:22:55That's for sure.
00:23:01Sir, excuse me.
00:23:03Do you mind if I ask you a couple questions?
00:23:05Why?
00:23:05Well, I couldn't help it over here.
00:23:07You're a detective?
00:23:07Yes.
00:23:08No.
00:23:09Well, you might say I'm an investigator.
00:23:11I'm through talking.
00:23:12No, please.
00:23:13Wait.
00:23:14Look, lady.
00:23:15Do I have the word idiot snapped on my forehead or something?
00:23:17You people made a fool out of me once today.
00:23:19I'm not coming back for a second.
00:23:20You got it?
00:23:21Please, just a minute.
00:23:22Hear me out.
00:23:23Stop!
00:23:28I just want to hear what you have to say.
00:23:30That's all.
00:23:32Trust me.
00:23:34Come on.
00:23:35There's a little place around the corner.
00:23:36I'll buy you a cup of coffee.
00:23:38We'll talk.
00:23:39What do you say?
00:23:42Come on.
00:23:44Come on.
00:23:55Come on.
00:23:58Sure.
00:24:01Come on.
00:24:02Let me know if I get you anything else.
00:24:06So, anyway, to make a long story short, the pain got so bad, I couldn't stand a track.
00:24:11Are these sort of things that have happened to you before?
00:24:14Nope.
00:24:15No psychic episodes of any kind.
00:24:19No.
00:24:20No.
00:24:20I know if it doesn't happen again, it would be very painful.
00:24:25But if it does, you might be able to solve the face case.
00:24:31But I just wanted to stop.
00:24:33I want the pain to get out of my face.
00:24:35Hold on.
00:24:39Can we, uh, let's start talking about this.
00:24:43Pardon?
00:24:44Sure.
00:24:49Are you okay?
00:24:53Yeah.
00:24:56Look, I am.
00:24:57I better be going.
00:25:00Wait a minute.
00:25:01I said I would take you for a little coffee.
00:25:05Jim, listen, I'd really like to talk to you some more about this.
00:25:09How about dinner dinner?
00:25:10My treat.
00:25:12No, I don't think that would be a good.
00:25:13I won't take no for an answer.
00:25:15We have dinner here.
00:25:17Okay.
00:25:21Done.
00:25:23Good.
00:25:25See you then.
00:25:43What a story.
00:25:56I don't know, Lori.
00:25:58I mean, I know he's really good looking and all that,
00:26:01but he's kind of a jerk, you know?
00:26:04No, I don't want to go out with a nice guy who's a nerd.
00:26:06I'd rather go out with a really nice guy who's really good looking.
00:26:11Yeah, I know, I know.
00:26:12But it doesn't hurt to wish.
00:26:14Here I come, ready or not.
00:26:16Okay.
00:26:17Okay, I'll see you then.
00:26:18I gotta go, bye.
00:26:30Woo!
00:26:31What do you think?
00:26:32You look great.
00:26:34You really think so?
00:26:35Yeah, turn around, let me see.
00:26:37Mm-mm-mm.
00:26:38You look hot, Jimmy.
00:26:40I don't know who this chick is, but unless she's blind, you're gonna drive her crazy.
00:26:44Well, let's not get carried away, so this is not exactly a date, you know.
00:26:48The way I see it, it's whatever you make it out to be.
00:26:51We'll see.
00:26:52Laurie picking you up tonight?
00:26:54Yeah, in about a half hour.
00:26:56All right.
00:26:57Well, I better scoot.
00:27:00Hey, remember to lock up and, um, be home by 12.
00:27:03I always lock up, and I'll be home by 1.
00:27:0712.
00:27:091.
00:27:114.30?
00:27:13Okay, 12.30.
00:27:14If you're home by 12.30, too.
00:27:18Deal.
00:27:20You look great.
00:27:22Now go on, knock her dead.
00:27:26Sometimes you act like such a child.
00:27:28Come on.
00:27:56I tried and tried.
00:27:57You know, there's no way they're pregnant, but it couldn't do it.
00:27:59See, it was Palm Reader.
00:28:02Damn.
00:28:03What do you mean, Bobby?
00:28:04Magnets on the pocket.
00:28:06Why?
00:28:06You playing steel balls, Blake?
00:28:08I got your steel balls, buddy.
00:28:09Yeah, yeah, yeah.
00:28:11So anyway, it's Palm Reader.
00:28:13Tell them to do it blindfolded.
00:28:14Blindfolded?
00:28:15Yeah, blindfolded.
00:28:16There's nothing left home but a shooter.
00:28:18Hey, I done that before.
00:28:20Good old Susie.
00:28:21Hey, what up, man?
00:28:23You doing with Susie?
00:28:24I done that with Susie.
00:28:26Susie.
00:28:27Blonde, Susie, with the big...
00:28:28Ah, this is Burnett Susie.
00:28:30Flat-chested.
00:28:31So then she tells him to do it blindfolded.
00:28:33Nothing else on but a shooter.
00:28:35Then she takes his hand, man.
00:28:37She starts rubbing his little finger, you know, like a little tiny circle.
00:28:41And this starts turning this guy like he's totally freaking out.
00:28:46This is...
00:28:58Wouldn't you?
00:29:01What?
00:29:01He hasn't had any depth.
00:29:03He thinks he should have laid right there on the table.
00:29:05Wouldn't you?
00:29:05Yeah, I don't know.
00:29:07Oh, wait a minute.
00:29:07Don't you want to hear the rest of the story?
00:29:09Later.
00:29:16Hey, pal.
00:29:17You want to hear a hell of a story?
00:29:19Hey, honey, bring me a beer over here, please.
00:29:21There was this guy trying to try his own way to bring it.
00:29:24He couldn't do it.
00:29:26Have you heard the story?
00:29:28Hey, what's the truth?
00:29:29You heard the story.
00:29:31Hey, buddy.
00:29:32Let me tell you something.
00:29:50Hi, this is Gina.
00:29:51And this is Jimmy.
00:29:52Sorry, but we're not home right now.
00:29:54Gina's at the school dance.
00:29:56And Jimmy's out swinging his hammer in all the wrong directions.
00:29:58Gina.
00:29:59Leave us a message and we'll get back to you.
00:30:02Maybe.
00:30:02Or maybe not.
00:30:03Bye-bye.
00:30:04Bye-bye.
00:30:38That's my car you're digging in.
00:30:42Hey, pal.
00:30:44Let's get yourself a drink.
00:30:47Oh, thanks, mister.
00:30:49I think I will.
00:30:54Hey, mister.
00:30:57Whenever you want to rent another car,
00:30:59I need a man.
00:31:00I need a man.
00:31:01You got it.
00:31:36I feel guilty, like a teenager.
00:31:41I never thought I would do this on the first date.
00:31:45Me neither.
00:31:48Do you mean me or you?
00:31:50Both.
00:31:55You're not going to tell me you're married or something, are you?
00:31:58You really think I'd bring you in my apartment if I was married?
00:32:01I don't know. Stranger things happen.
00:32:05The answer is no.
00:32:09How about you? Is there anybody special in your life?
00:32:15Married? No.
00:32:18Special? Yeah.
00:32:22Her name's Gina.
00:32:25She's beautiful.
00:32:27Eighteen years old.
00:32:29Great legs.
00:32:31Can't compete with that, huh?
00:32:35Nobody can.
00:32:36She's my kid's sister.
00:32:38No special thing in my life.
00:32:42That is maybe up until now.
00:32:46How does that make you feel?
00:32:51Makes me feel like a teenager.
00:33:08Deep land, about the strange vacation.
00:33:12Fine town, I'm afraid I can't stay.
00:33:15There is a fine land.
00:33:17Most of the boredom and frustration.
00:33:20Hard land.
00:33:21We all have to play.
00:33:23You've got to rise up.
00:33:25Like a kid to look at you.
00:33:27You've got to stride back.
00:33:29It's the horrors of the need.
00:33:30It's time to take charge.
00:33:33Because what do you want is the better way.
00:33:54I'm afraid I can't stay.
00:34:02You're pretty good.
00:34:02So are you.
00:34:04Um, Gina's business is Brad.
00:34:05Brad, this is Gina.
00:34:07Hi, Brad.
00:34:08I know you, don't I?
00:34:09Well, kind of.
00:34:10I mean, we're in chemistry together.
00:34:12Right, right.
00:34:13Yeah.
00:34:14I recognize your eyes.
00:34:16Let's slip outside and be a little doobie.
00:34:17Great.
00:34:18I don't think that's a very good idea.
00:34:20Come on, Gina.
00:34:21Everybody does it.
00:34:23Hey, that's cool.
00:34:23We'll just do it without it.
00:34:25Fine.
00:34:29Gina, come on.
00:34:31Oh, God, boy.
00:34:39That's some good shit, Brad.
00:34:43It's the best, man.
00:34:45It's for sure.
00:34:47No, I don't want to.
00:34:48Come on, Gina.
00:34:49No.
00:34:55Go on.
00:34:56Come on, Gina.
00:34:57Come on, guys.
00:34:58Go on.
00:34:59Come on.
00:34:59I won't, Gina.
00:35:04Go on.
00:35:05Go on.
00:35:06Don't worry, that was a little funny PSON.
00:35:08Don't think she was a killer PSON.
00:35:10Do you have a THING?
00:35:13¶¶
00:35:14¶¶
00:35:15¶¶
00:35:15¶¶
00:35:16¶¶
00:35:17¶¶
00:35:26¶¶
00:35:27I don't care, I don't care.
00:35:41Did you hear that?
00:35:43Don't get paranoid on us, Gina.
00:35:47She hears something.
00:35:53No, I don't want any.
00:35:59Come on.
00:36:00Come on.
00:36:01Guys.
00:36:16Don't worry.
00:36:17I'll see to them in the morning.
00:36:20Ken Mitchell.
00:36:22Let's see, that was Brad Felker, wasn't it?
00:36:27That was Mr. Felker, was it not?
00:36:30Yes, sir.
00:36:33I'm going to say, I'm quite disappointed in the both of you.
00:36:36Especially you, Gina.
00:36:38You've got a bright future, don't throw it away.
00:36:40Now, this will not happen again, am I correct?
00:36:43Yes, sir.
00:36:45Yes, sir.
00:36:46I'm seated at the same time.
00:36:52That was close.
00:36:54Come on, let's go find the guys.
00:36:56Just forget it.
00:36:57I'm going home.
00:37:00Brad, that's not funny, Brad.
00:37:02You asshole.
00:37:05You asshole.
00:37:31My God, you nearly scared me to death.
00:37:34I'm sorry, I thought you were sleeping.
00:37:36I thought you were too.
00:37:38No such luck.
00:37:41What'd you do to your hands?
00:37:43No.
00:37:44It's nothing.
00:37:45Dropped a knife in the dark and picked it up at the wrong end.
00:37:48It's only a scratch.
00:37:50Why don't you come back to bed?
00:37:53Can't sleep.
00:37:55I've got too much on my mind.
00:37:56The murders, the visions.
00:37:58Whatever they are.
00:38:00You.
00:38:03It's a lot to take in all at one time.
00:38:06That's understandable.
00:38:09Listen, I better be going home.
00:38:11Give me a second to throw something out and I'll give you a little-
00:38:13No, stay in bed.
00:38:14That's okay, I'll make it.
00:38:16Jim.
00:38:19You're welcome to stay.
00:38:23Thanks.
00:38:25But I really need time to think.
00:38:27Besides, Gene is probably worth it.
00:38:37Jim?
00:38:40Jimmy, what was it?
00:38:42Jimmy?
00:38:44What's happening?
00:38:47Jimmy?
00:38:51Jim?
00:39:03No!
00:39:06No!
00:39:09No!
00:39:12No!
00:39:15Jimmy?
00:39:17Jimmy?
00:39:22Can you hear me?
00:39:26Are you alright?
00:39:31Yeah.
00:39:32Yeah.
00:39:33Yeah, okay.
00:39:34Okay.
00:39:36Let's go.
00:39:41What is it?
00:39:43Jimmy, what happened?
00:39:48What?
00:39:50Gina!
00:39:51It was Gina! Come on!
00:39:57No!
00:39:59No!
00:40:01No!
00:40:18No!
00:40:25No!
00:40:26No!
00:40:27No!
00:40:32No!
00:40:39Oh, my God!
00:40:47Come on, Jimmy.
00:40:51Come on.
00:40:56Sit down.
00:41:02It's gonna be okay.
00:41:05It's gonna be okay.
00:41:08No, it's not.
00:41:12It's gonna be okay.
00:41:14So what in the hell are you doing here?
00:41:19Try to show a little compassion, will you, Bruce?
00:41:22That was his sister.
00:41:23His sister?
00:41:24Yeah, his sister, Gina Clayton.
00:41:27Well, Gloria, I think you got your wires crossed again.
00:41:31That's not Gina Clayton.
00:41:34That's Laurie Ann Klein.
00:41:37What?
00:41:39Laurie Ann Klein.
00:41:43Where's Gina?
00:41:44Where's my sister?
00:41:45Hey, back off, pal.
00:41:46Right over there in my car.
00:41:48The alarm has reached out.
00:41:52The alarm has reached out.
00:41:58Oh, my God, Jimmy, it was horrible.
00:42:05Laurie's dead.
00:42:07It's okay.
00:42:09It's okay.
00:42:10It's okay.
00:42:11It's okay.
00:42:11It's okay.
00:42:12It's okay.
00:42:12It's okay.
00:42:13It's okay.
00:42:16It's okay.
00:42:17It's okay.
00:42:18Come on.
00:42:19Let's get out of here.
00:42:20Hey!
00:42:21Where the hell do you think you're going?
00:42:23I'm taking her home.
00:42:25I'm not done questioning her yet.
00:42:27I'm taking her home!
00:42:36You found a new way to get your stories, huh, Gloria?
00:42:39That's ugly, Bruce.
00:42:40Very ugly.
00:42:41I just call them as I see them.
00:42:44When it's a cop, always a cop.
00:42:46You got it.
00:42:50No. I had it. I got rid of it.
00:43:42I got rid of it.
00:43:47Come on.
00:44:34No, you wouldn't want.
00:44:36I know where you are. I want you to leave Jimmy alone. He's had enough pain in his life. So
00:44:44just stay away.
00:44:49Should I take that as a threat?
00:44:51Take it any way you want it, lady. Just take it.
00:45:11Don't tell me. Seven murders in 14 days and we haven't got a clue, right?
00:45:16I'm wrong.
00:45:19What do you mean wrong?
00:45:21Got a partial license plate number for a vehicle leaving the scene.
00:45:26Teacher over at the school.
00:45:28Is that all?
00:45:30That's it for now. I'm running it, but you know about partials. Could take hours, could take days.
00:45:36Don't remind me. What about that Clayton girl? She was there. She must have seen something.
00:45:43She was found unconscious. Says she remembers a gun blast, but she doesn't remember a face.
00:45:49Figures.
00:45:53Come in.
00:45:58Do you realize it's 3.30 in the morning, Captain?
00:46:02Well, I thank you for that information, Doctor. Now perhaps you can give me some information to possibly to change
00:46:07this case.
00:46:08Have a look.
00:46:12I can't read this. What it says, Captain, is that this is a classic case of object-induced dream state
00:46:20psychotic dysfunction.
00:46:22What the hell is that supposed to mean?
00:46:24This guy that you're after, he keeps taking things from the victims, right?
00:46:29Piled shoes, pieces of jewelry, small items of clothing.
00:46:35See, this guy looks at an object, and it somehow connects in a subconscious, and how?
00:46:44Elimination of the person connected with that object, namely murder, it's insane, but it's still premeditated.
00:46:52Listen a minute. What you're trying to tell me is that this nut gets locked into something, and then sniffs
00:46:57out its victim like a hound dog.
00:46:59Correct.
00:47:00Ah, crudely put, but correct. I prefer to refer to this person as someone suffering from maladaption and socially dysfunctional
00:47:08traits.
00:47:08You know, I didn't call you in here to get an education.
00:47:11Okay, Captain, okay. Just, uh, what is it you want from me?
00:47:14I want a list of all the people in the city, in this state, as a modus operandi, anything near
00:47:20that profile of yours.
00:47:22And I want a follow-up that might give me some idea when this maniac might strike again.
00:47:28I'll get on it at first daylight.
00:47:30No. You'll get on it right now.
00:47:35I should have been a dentist.
00:47:38I should have been a florist.
00:47:41Well, I like flowers.
00:47:42Oh, my gosh.
00:48:19Hey, you awake?
00:48:23Sort of.
00:48:24Come on, get up.
00:48:26Brought you breakfast.
00:48:29It's breakfast in bed.
00:48:30Thanks.
00:48:35You okay?
00:48:36I guess so.
00:48:39What time is it?
00:48:40I gotta get to school.
00:48:41There's no school for you today.
00:48:43Jimmy, I have to go to school.
00:48:44I have finals.
00:48:45I talked to your principal.
00:48:46He's gonna let you make up finals next week.
00:48:49I guess you really did think of everything.
00:48:51Hey, what are big brothers for?
00:48:53Eat.
00:48:54Go to the kitchen.
00:48:57I'm just looking at you, kid.
00:48:59I'm the top of the clouds.
00:49:08Good morning, sergeant.
00:49:10Good morning, lieutenant.
00:49:15Captain?
00:49:16Yeah.
00:49:19Captain, you been here all night?
00:49:21Yes, I have.
00:49:24Can I get you some coffee?
00:49:25No, I don't want any coffee.
00:49:26Here, sit down.
00:49:32Now, the good doctor gave us this new profile.
00:49:35I'm gonna spend the last four hours going over it.
00:49:39What about what I do?
00:49:40Five possibilities.
00:49:41One you might find very interesting.
00:49:45Well, I'll be there.
00:49:47Yeah.
00:49:48Well, did you get anything on that license plate yet?
00:49:51Still waiting?
00:49:52Don't wait.
00:49:52Get up in the street and try to find that character and bring him in.
00:49:55I'm on my way.
00:49:57One thing.
00:49:58Yeah?
00:49:59What led you in this direction?
00:50:01A hunch.
00:50:02A hunch?
00:50:03Huh.
00:50:05Hell, I wish I could come up with hunches like that.
00:50:07And when you do, you'll be captain.
00:50:11Go on.
00:50:12Go on.
00:50:20All right, I'm coming.
00:50:21Come on.
00:50:23Jeez.
00:50:24Didn't I tell you, Jimmie, huh?
00:50:26Didn't I tell you not to talk to anybody?
00:50:28Yeah, it was nice to see you, too.
00:50:29What the hell are you talking about?
00:50:31Didn't I tell you not to talk to the place in the first place, huh?
00:50:34Didn't I tell you to keep it to yourself?
00:50:36It was good advice, Jimmie.
00:50:37You should have took it.
00:50:39What?
00:50:40Yes.
00:50:43And that ain't all of me, go.
00:50:45Look at who wrote the thing.
00:50:49Shit, I thought she was a cop.
00:50:53Well, Bubba, now the whole city thinks you're a fruitcake.
00:51:15Jimmy, it's not what you think.
00:51:18It's really not.
00:51:19Oh, no?
00:51:20Then what exactly is it?
00:51:21I had to prove the story.
00:51:23It's my job.
00:51:24You lied to me.
00:51:25No, I didn't lie.
00:51:27Now, I told you that I was an investigator, and that was the truth.
00:51:30The truth?
00:51:31What the hell do you know about the truth?
00:51:33Would you just please let me explain everything?
00:51:35I don't want to hear your explanation.
00:51:37Then why did you come here?
00:51:40Good point.
00:51:49Jimmy, please let me explain.
00:51:52I didn't want it to happen this way.
00:51:54I really didn't.
00:51:55Okay, I was after a story at first.
00:51:57I admit that.
00:51:58But then it changed.
00:51:59I care about you.
00:52:00Please believe me.
00:52:02Jimmy!
00:52:07Stop!
00:52:09I slept with you because I wanted to.
00:52:12You used me.
00:52:14You lied to me, and you used me.
00:52:17And it's my fault.
00:52:18I should have known that.
00:52:19God damn it, I should have known that.
00:52:22I don't know how you live with yourself, Gloria, but whatever it takes, I hope this is worth it.
00:52:27You're not listening to me, Jimmy.
00:52:28I tried to dump this story, but my editor wouldn't let me.
00:52:31It was a story or my job.
00:52:33Take your job and your story and sleep with them tonight.
00:52:36Don't even listen to me, honey.
00:52:39All right.
00:52:43Damn it!
00:52:57Gloria!
00:52:59Great.
00:53:00Get in his car.
00:53:02No chance, Buster.
00:53:05Gloria, if you get your sweet butt in this car right now, I'll put you under arrest.
00:53:10For what?
00:53:12For anything I damn well please.
00:53:13You wouldn't dare.
00:53:15You try me.
00:53:18Now get in the car.
00:53:19Now!
00:53:36Okay, Bruce, what is this all about?
00:53:39Look, I'm sorry about the rough stuff, but I had to talk to you.
00:53:41It's really important.
00:53:42We don't need to go for a ride to talk.
00:53:45You do for this one.
00:53:46If the captain knew I was talking to you, I'd be writing parking tickets for the next ten years.
00:53:50Well then, please, tell me what this is all about.
00:53:52I can't stand the suspense.
00:53:55Jimmy Clayton.
00:53:57Damn you, Bruce.
00:53:59We've been divorced for three years.
00:54:01I'm gonna go out with other men whether you like it or not.
00:54:03So don't you sit there and lecture me with your sanctimonious bullshit, because I've heard it.
00:54:07Will you shut up and listen to me?
00:54:09I don't care if you go out with other men.
00:54:14Well, maybe I do, but that's not what this is about.
00:54:18I came here to warn you.
00:54:20Warn me? About what?
00:54:22Jimmy Clayton is our number one suspect in the face killings.
00:54:26What?
00:54:28This is your idea of a joke, Bruce. It's a sick one.
00:54:31This is no joke.
00:54:33The department shrinks for our profile.
00:54:36The computer's speeding him out as number one on the list.
00:54:40I don't believe this.
00:54:42Gloria, listen to me.
00:54:45Stay away from this character.
00:54:47He's troubled.
00:54:49His past bears it out.
00:54:51I want to hear about it.
00:54:53Off the record?
00:54:54Off the record.
00:54:56According to the report, Jimmy Clayton fits the classic pattern of a psycho.
00:55:01Doc says he may even have a split personality.
00:55:03He was an abused child.
00:55:07Sexually abused.
00:55:08By his mother.
00:55:11Oh, no.
00:55:14Apparently, it's been going on for a number of years.
00:55:17One day, his father caught him in the act.
00:55:19He killed his mother.
00:55:21He shot her in the face.
00:55:23Then he turned to God on himself.
00:55:25I guess the kid was about 14 at the time.
00:55:28He spent the next three years in a funny farm over summer.
00:55:31You getting the picture yet?
00:55:36Take me back.
00:55:39You got it.
00:56:00Listen to me, Gloria.
00:56:01We may not have the evidence on this guy yet.
00:56:04We'll get it.
00:56:06You trust me.
00:56:08You got a real strong hunch about this one.
00:56:19Lieutenant Ellis, please respond on Pac-7.
00:56:22Lieutenant Ellis, respond on Pac-7.
00:56:23Over.
00:56:26This is Ellis.
00:56:27What is it?
00:56:28That vehicle ID you were waiting for just came in.
00:56:31Only three possibilities.
00:56:32It's over.
00:56:33All right.
00:56:33Let's have it.
00:56:40Let's have to go.
00:56:45We're going to go.
00:56:50I'm gonna go, when Michael is on the bus.
00:56:51All right.
00:56:51We're on the bus.
00:56:53We are going to move.
00:56:53We're on the bus.
00:56:53You're on the bus.
00:56:57É, we're on the bus...
00:57:03We're on the bus.
00:57:04Let's have a movie.
00:57:13What are you doing here?
00:57:15I think that's just like a reporter.
00:57:17Asking all the questions.
00:57:20I need to see Jimmy.
00:57:22But that ain't possible.
00:57:25What'd you do to him?
00:57:27Question is, lady, what'd you do to him?
00:57:32Please, would you tell me where he is?
00:57:34It's very important.
00:57:36Just can't get him after.
00:57:43Can I at least use the phone?
00:57:45Sorry, temporarily out of order.
00:57:49Right.
00:57:51Take some advice, reporter lady.
00:57:53Don't push your luck.
00:57:55Just let him kill him.
00:58:02Over here.
00:58:06Over here.
00:58:11You're Gloria, right?
00:58:13Yeah.
00:58:14You must be Gina.
00:58:16Heard a lot about you.
00:58:18I've heard a lot about you, too.
00:58:21Who is that crazy man in your house?
00:58:23Uncle Blake.
00:58:24Don't worry about him, he's harmless.
00:58:26You're in love with him, aren't you?
00:58:28I mean, Jimmy.
00:58:32I think so.
00:58:34I knew it.
00:58:35I just knew it.
00:58:37Listen, I think I know where you can find Jimmy.
00:58:39See, there's this place he likes to go whenever he wants to be alone.
00:58:42I hope you рай.
00:58:52I love you.
00:59:22I
00:59:24I
00:59:33I'm sorry. I didn't know.
00:59:39The police...
00:59:43The police think that you're the killer.
00:59:48That didn't surprise me.
00:59:55Do you believe that?
00:59:58No.
01:00:01No, I don't.
01:00:03But they do.
01:00:13It doesn't matter what they think.
01:00:17It's Chino.
01:00:23It's all gonna come back now.
01:00:54I'll...
01:01:00You see, I'm her brother.
01:01:03And her brother.
01:01:29I guess it's time to go.
01:01:31Clayton?
01:01:35James Clayton.
01:01:37Stand up.
01:01:41Don't worry, Jimmy.
01:01:42I'll do everything that I can to help.
01:01:47Put your hands up behind your head.
01:01:49And step forward.
01:01:57Feel easy, Eddie.
01:02:00You're wasting your time.
01:02:01He didn't do it.
01:02:03We saw the truck leave the school last night.
01:02:06We've got a positive ID.
01:02:08A truck.
01:02:10Keep moving.
01:02:12I said keep moving.
01:02:20Jim?
01:02:23Jim?
01:02:27What's he doing?
01:02:29Come out of it.
01:02:29Jim?
01:02:30What the hell's going on here?
01:02:31You got me.
01:02:41Come out of it, Jim.
01:02:51Jim?
01:02:53Get him up.
01:03:07It was Blake.
01:03:08Blake.
01:03:09It was Blake.
01:03:10Blake Garrett did it.
01:03:12I saw him.
01:03:12He's the one you want.
01:03:13Who is Blake?
01:03:14It's his uncle.
01:03:16Oh, my God.
01:03:17He's with Gina.
01:03:18What?
01:03:19Blake is with Gina.
01:03:20He's gonna kill her.
01:03:21You gotta let me go.
01:03:22Please, listen to him.
01:03:24Put him in the car.
01:03:25No!
01:03:35Get the hell out of the way, Gloria.
01:03:37No, Bruce.
01:03:38He's not running away.
01:03:39He's running home.
01:03:43Please.
01:03:44Let me take you there.
01:03:54All right, let's go.
01:03:55Move it out.
01:04:16Go, go, go, go.
01:04:38I want to know what happened to him back there.
01:04:41I want to know now.
01:04:42He was having a vision, something about the murders,
01:04:45and saw Blake Garrett.
01:04:47Do you believe that nonsense?
01:04:49I saw it happen last night, Captain.
01:04:51It's not nonsense.
01:05:19Get the truck.
01:05:35Gina!
01:05:38Go back! Go back! That was Jimmy!
01:05:41Can't do that.
01:05:42Why? Why are the police after Jimmy?
01:05:45You don't want to know.
01:05:49Go after him!
01:05:53Go after him, goddamn it! He's got my sister!
01:05:56You're not listening to him!
01:05:58Don't worry. Pick him up.
01:06:01Wait a minute.
01:06:02Tickets. He had airline tickets.
01:06:04He's going to the airport.
01:06:06That's it. Call it in. Follow me.
01:06:08Let's do it.
01:06:12All passengers are listening to Airways land.
01:06:15Call 10.
01:06:17Please contact me with a figure of what a ticket counter is in the main lobby.
01:06:26What's it, Blake?
01:06:27I'm not going to the airport, can you tell me what the hell is going on?
01:06:30We're leaving the country, and I'll explain the appointment.
01:06:33Okay?
01:06:34I got Jimmy.
01:06:35We can't wait. Come on.
01:06:37Freeze!
01:06:44See you, kid.
01:06:45Blake!
01:06:46Go, go! Get out of the way!
01:06:48Go!
01:06:49Go!
01:06:49Go!
01:06:49Go!
01:06:50Go!
01:06:53Go!
01:06:54Go!
01:06:56Go!
01:07:00Go!
01:07:06Get out!
01:07:06Go!
01:07:14Get out!
01:07:15Get out!
01:07:15Get out!
01:07:15There you are.
01:07:15Get them out.
01:07:23There's it!
01:07:25There's Cheetah!
01:07:25I'll get him.
01:08:11Sheena, are you okay?
01:08:13What's going on?
01:08:14Oh, honey, don't worry.
01:08:17Everything's gonna be okay.
01:08:25I'll get you.
01:08:57I'll get you.
01:09:31I'll get you.
01:09:41I'll get you.
01:10:12I'll get you.
01:10:13I'll get you.
01:10:57I'm gonna give you one minute, Garrett, to get out of there.
01:11:01If you don't, we're coming in to get you.
01:11:06Captain.
01:11:08Captain, let me talk to him.
01:11:11Come on.
01:11:11I think he'll listen to me.
01:11:23Take a cook, doctor.
01:11:39Take a cook, doctor.
01:11:45Dad, let's listen to me.
01:11:48I'll be right there.
01:11:57I'll be right back.
01:12:21I don't think I'll be doing that.
01:12:27Come on, man. What the hell are you doing? What were you doing at the school last night?
01:12:35You really don't know, do you?
01:12:37No.
01:12:44You know, the day your father died, he made me pause. I always look out for your ingenuity.
01:12:56I have trouble with these officers. See a little later. Got to pay off.
01:13:15Hold your fire.
01:13:23Let's go.
01:13:30Let's go.
01:13:34Let's go.
01:13:35Let's go.
01:13:41Let's go.
01:13:43Let's go.
01:13:45Let's go.
01:13:57Let's go.
01:14:07Let's go.
01:14:08Let's go.
01:14:09Let's go.
01:14:20Let's go.
01:14:27Let's go.
01:14:32Let's go.
01:14:33Let's go.
01:14:36Let's go.
01:14:51Let's go.
01:14:56Let's go.
01:14:57Let's go.
01:14:58Let's go.
01:15:09Let's go.
01:15:11Let's go.
01:15:12Let's go.
01:15:17Let's go.
01:15:28Let's go.
01:15:31Let's go.
01:15:33Let's go.
01:15:34Let's go.
01:15:36Let's go.
01:15:43Let's go.
01:15:53Let's go.
01:16:22Hi, dear.
01:16:22Oh, Gloria, you look hot.
01:16:26Do you think you'll like it?
01:16:28I think you're going to drive him crazy.
01:16:31I'm heading off to the movies so you two can be alone,
01:16:34and I'm going to be very disappointed if you behave yourselves.
01:16:37Understand?
01:16:38You're embarrassing me.
01:16:39And don't worry, I'll knock real loud before I come back in.
01:16:44Go on.
01:16:58Hi.
01:17:01Hello, Gloria.
01:17:06Aren't you going to tell me how great I look in my new outfit?
01:17:11I'm sure you look just fine.
01:17:16What is it, Jimmy?
01:17:17What's wrong?
01:17:21Just thinking about it all.
01:17:25Look, I know that this has all been terrible,
01:17:28but you have to let go of it.
01:17:29It's all over now.
01:17:31I don't think so.
01:17:34Why would you say that?
01:17:37I know Blake didn't do it.
01:17:41Jim, of course Blake did it.
01:17:43The police found all the evidence in the apartment,
01:17:46including the murder weapon.
01:17:48He set it up that way.
01:17:51He was just covering.
01:17:53What?
01:17:54Covering for who?
01:17:56Billy.
01:18:00Billy?
01:18:03Billy's the one who started it all.
01:18:07I never slept with my mother.
01:18:08He did.
01:18:10He's the one who's been doing all the killings.
01:18:14Blake's the real psychic.
01:18:17He'd know it was Billy all along.
01:18:18He's just trying to cover up.
01:18:22I'm sorry, Jimmy, but...
01:18:24I don't...
01:18:24I don't understand.
01:18:26Who was Billy?
01:18:29Billy?
01:18:30Billy?
01:18:36I'm Billy.
01:18:41Jimmy.
01:18:43Jim!
01:18:44Jimmy's not here anymore.
01:18:48And he won't be coming back.
01:18:52Jimmy, no.
01:18:55I'm Billy.
01:18:57Don't you understand that?
01:19:01Jimmy is hiding.
01:19:03Jimmy always hides when things go wrong.
01:19:07He couldn't take it when Mother came in his room with her red high heel.
01:19:16He couldn't take it when Gina was born.
01:19:20And he can't take it when it comes time for killing.
01:19:24So I'd do it for him.
01:19:26But I like it.
01:19:29Pretty good at it, don't you think?
01:19:31Getting better all the time.
01:19:37So tell me something, Gloria.
01:19:40What did you really see in Jimmy?
01:19:44Because it is...
01:19:46Boya's charm.
01:19:49His dashing good looks.
01:19:53Hmm?
01:19:55Cat got your tongue?
01:19:57You should have went for a real man.
01:20:01Like me.
01:20:05I'm sorry I don't have a gun, Gloria.
01:20:08I'd really prefer to blow up your face, but...
01:20:11We'll just have to make do.
01:20:14Let's see.
01:20:21Huh?
01:20:22You okay?
01:20:27I don't know.
01:20:28Huh?
01:20:33Oh!
01:20:34Ah!
01:20:36Ah!
01:20:56Come on, come on, come on.
01:21:11Sorry, I'm dead.
01:21:26Jimmy, don't, don't do this.
01:21:29It's me.
01:21:31Gloria, can you hear me?
01:21:38Jimmy, come out.
01:21:41You got, you got to stop Billy.
01:21:43Don't let him do this.
01:21:45It's not going to work.
01:21:47He's gone.
01:21:54Jimmy, I love you.
01:22:15He's gone.
01:22:16Kim, I love you.
01:22:22Ok.
01:22:40It's going to be okay.
01:22:54I fooled you, didn't I?
01:22:57Chop, chop.
01:23:09Are you all right?
01:23:16Yeah.
01:23:29Can't come back now.
01:23:32Can't hear.
01:23:35How did you know?
01:23:39Just a hunch.
01:23:41What did you know?
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