- 2 hours ago
Spider-Noir Episode 2 Engsub
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Short filmTranscript
00:00The New York Times
00:03The New York Times
00:05The New York Times
00:06The New York Times
00:09Silvermane, charge of organized crime for 30 years.
00:12Someone burned down his mansion a couple of nights ago.
00:15Addison!
00:16You keep following me, it won't end the way you wanted to.
00:18Does this guy have superpowers, like you?
00:22Do me a favor, hold off on printing that.
00:24I want to warn Donnerville before he gets himself killed.
00:27It's a little for that.
00:28There's gonna be a free-for-all.
00:30The people could use a hero.
00:32I hope they find someone.
00:33I can't help but wonder what Ruby would think.
00:36I'm not that guy anymore.
00:38Any chance you know who this is?
00:40Oh, that's Cat Hardy.
00:41Star attraction over at the alcove.
00:43Is there somewhere we can talk? It's business.
00:45Clint? Despite what I do, we don't enjoy hurting people.
00:53Don't hurt him.
00:54What the hell is this?
00:55Just leave us alone, please.
00:56When someone tells you what they are, you have to listen.
00:59And what is he?
01:01Retired.
01:02I came here to offer him a job.
01:04My friend we met last night, he's disappeared.
01:33You were saying Flint's your bodyguard.
01:35Yes.
01:36He protects me and he's loyal.
01:39Hard to find these days.
01:40No kidding.
01:41I didn't marry my husband for his looks.
01:43What else can you tell us?
01:44Does he have family, friends?
01:46I don't know anything but his personal life.
01:48I know his address.
01:50Are we gonna talk about the fact that he turned into some kind of sand monster?
01:55What I know, she knows.
01:57What I know, she knows.
01:58It started about six months ago.
02:00Slow at first.
02:02But it's been getting worse.
02:04And he never remembers when it happens?
02:07Oh, he always remembers.
02:08Unless he gets clubbed in the head with an iron girder.
02:12That's it.
02:12He turned into sand.
02:14It was sand, right?
02:15It just seems kind of like a big deal.
02:17No.
02:17So do you have any clues as to what's causing this to happen?
02:20You haven't given us much to go on.
02:22Isn't that what the money's for?
02:24You're an investigator.
02:26Investigate.
02:28You know, an artist doesn't just paint with air.
02:30He needs a canvas, brushes, paint.
02:32Do you think I'm withholding from you, Mr. O'Reilly?
02:35What if I said I did?
02:36I'd ask why you thought that.
02:37I'd say a lifetime of experience.
02:39With clients?
02:40With... women.
02:43As fun as this little game is, I'm afraid I have other business to attend to.
02:47Get to painting, Mr. O'Reilly.
02:58What do you think?
02:59I think you might need a cold shower.
03:02I think I might need one.
03:06But you're right.
03:08She is hiding something.
03:10All the fun ones do.
03:11I'm gonna check out Flint's apartment.
03:13Why don't you go down to the...
03:15Bureau of Criminal Records?
03:16Yeah.
03:17Been a while since we've had a real case.
03:19But it ain't been number.
03:23You gotta accentuate the positive healing.
03:29Money to negative and light to sharp.
03:33To the affirmative, don't mess with mystery in between.
03:37You gotta spread joy up to the maximum.
03:42Bring the gloom.
03:44Down to the minimum and have faith.
03:47Amen.
03:48A pandemonium lovel to walk upon the sea.
03:53Amen.
04:01It's gonna be a new supplier at the docks tomorrow.
04:05Canadian.
04:07You didn't tell me that.
04:08I'm telling you now.
04:11It's not smart for you to go out in public until we know who tried to take you out.
04:15I'll go where I want.
04:16With all due respect, you don't pay me what you pay me for my charm or disposition.
04:21You pay me to keep you alive and I'm telling you it's a bad idea.
04:25If you dying benefited me, I would have done it myself ten years ago.
04:28But I know what I'm good at.
04:30I know what I'm not.
04:31And I need you to stay alive and in power.
04:34So pretty please, with cherries on top, let me go down to the docks ahead of you.
04:38And once I make sure everything's kosher, you can waltz on in and show everyone the brightness of your feathers.
04:44You finished?
04:48The problem is not that the guy is out there.
04:50The problem is that they thought they could take me out at all.
04:54Ever since the spider disappeared, things have been comfortable.
04:58Maybe someone's thinking that I got complacent.
05:01Or soft.
05:03Maybe you're one of them.
05:06Thinking you could take me out?
05:09If you could set yourself on fire like Addison, then you might have a shot.
05:13Imagine controlling that kind of power.
05:17How Flint goes missing.
05:19Right after.
05:21He's been acting strange lately.
05:23You know, those two things are related.
05:26I'll look for Flint.
05:32And when the boys find our P.I., Riley, bring him straight to me.
05:53The colors fading from the photograph.
05:55I could tell the story, but still you wouldn't know the hell.
06:00This love was brought to life from shorts of glass.
06:03When you kiss me, there's a shifting in the sepia tone.
06:07Can't escape the madness, baby.
06:09Can't escape the madness, baby.
06:09Magnetism.
06:11Run away, but something pulls me back into it.
06:14Lately, I've been staring at a broken mirror.
06:31I've been staring at a broken mirror.
06:45I've been staring at a broken mirror.
06:45No, no, no, no.
07:33Great.
07:48Hi, this is Robbie Robertson calling.
07:49Mr. Robertson, how many times do I have to tell you you're never getting your old jaw back?
07:54Listen, I don't know if Walters has seen my article in the Gazette, but I just...
07:57Mr. Robertson, there's no point in this conversation.
07:59What I'm saying is I just need to sit with him, that's all.
08:02Mr. Robertson, please.
08:03But if you just give me a chance to...
08:06I'm on to something truly sensational.
08:09It's the biggest story of years.
08:10There hasn't been anything this big since the spider.
08:15I promise it'll be worth his while.
08:21I'll see what I can do.
08:30What's up, Marco?
08:32Got a delivery.
08:34Anybody home?
08:35All right.
08:44Let's go.
09:22Oh, Blanche.
09:33Blanche, it's Winston.
09:36Silvermane wants to talk to you.
09:38Give me the keys.
09:52Check the bedroom.
10:13www.theonline.co.nz
10:14All right.
10:18You did not know anyone quite any more than anything.
10:24See if I could play Bane in a row,
10:24it would be me to get the room to be able to be fired.
10:25It would be me to be able to get the room for the room.
10:26A little bit from the room we could spend a bit of time,
10:35so I think I can be able to get the room so somebody can get the room and see.
10:47Nice place.
10:50Yeah, a bit fancy for my taste.
10:53And I got a pretty good idea why.
10:56Why?
10:58Let's go.
10:59You think you got a new lady?
11:01That why he ain't coming to poker lately?
11:10If you're blue and you don't know where to go to,
11:14why don't you go where fashion sits?
11:18Puttin' on the red...
11:20Janet, all the time.
11:22I thought you might have wised up with Quintabish.
11:24Oh, no, not me, Hank.
11:26Said to report, I'm dumb as ever.
11:30Found the sitting outside.
11:31I didn't know if it belonged to anyone.
11:34Every sunny evening when there's a world over the world,
11:38let's make sure you don't know where to go.
11:39You know my wife made me quit eating these.
11:41Okay, well, in that case...
11:43Last I checked, you ain't my wife.
11:47Name?
11:47Quint Marco.
11:49All right.
11:50Right back.
11:51When you did touch that bag,
11:52it ain't a bribe if I don't get to eat it.
11:56Janet, you're a deceased.
11:58Oh, hey, Charlie, how you been?
12:02Quite the record, our Mr. Marco.
12:06Grew up in Brooklyn, working class,
12:08came back with no prospects.
12:09Small crimes, then bigger ones.
12:11Arrest, arrest, arrest.
12:14Now an enforcer for...
12:16Silverman.
12:17That Winston guy showed up while I was at Flint's.
12:20You hid in the closet?
12:22I hid in the closet.
12:24Mo Sargon.
12:26Hold on, didn't you fight there, too?
12:28Yeah, it was one of the biggest battles of the war,
12:31and where a million of us are.
12:32Hold on, is that...?
12:34Addison.
12:35Looks like they were in the war together.
12:37Is that what Kat is hiding from you?
12:39I bet she knew that Flint had a friend with superpowers.
12:42Oh, I know.
12:43What I don't know is why she didn't tell me.
12:45Probably thought you wouldn't have taken the case.
12:47She would have been right.
13:24I don't think I've ever heard that one.
13:26I wouldn't think so.
13:28It's an original.
13:32Visited Flint's apartment today.
13:36Does this mean anything to you?
13:38I knew he was in the war.
13:40Hard to believe he was ever so young.
13:43What about this guy?
13:45You see him?
13:45This little guy right over here?
13:47You ever come around the alcove, visit Marco?
13:51Can't say I've ever seen him.
13:54His name's Addison.
13:57He's the guy that burned down Silvermane's mansion.
14:00He's dead now.
14:01So is the P.I. that shot him.
14:04What can I say?
14:06The world's a dangerous place.
14:12You're pretty cool under pressure.
14:13I wasn't aware I was under any.
14:15Why don't you tell me Flint worked for Silvermane?
14:17Would you have taken the case if I had?
14:18I don't like surprises.
14:19I'll remember that when your birthday rolls around.
14:25The deed is under my name, but it's no secret.
14:28Silvermane owns this place.
14:29And Flint's a good way to protect his investment.
14:32In you?
14:33In me.
14:35You see, this club lives and dies on people walking through that door
14:38because they want what I give them.
14:44You trying to get me, Mr. O'Reilly?
14:46Get you?
14:48Understand me.
14:49Seems you got my number.
14:51I've learned a lot of them over the years.
14:53Oh, one for every Tom, Dick, and Harry?
14:56Hmm.
14:57You're interesting.
14:58Oh, yeah?
14:59How's that?
15:00Oh, the other night when we met, you called yourself a coward.
15:03But I think you're braver than you let on.
15:06Oh, you're good.
15:08In an obvious sort of way.
15:10I must settle as the situation requires.
15:13You see, I have business with Silvermane and I have business with you, Mr. O'Reilly.
15:17One has nothing to do with the other.
15:19Now, have I said enough for you to keep the money you came here to return?
15:23Or have I misjudged you?
15:25No, I'll keep working the case.
15:28Not because I'm brave.
15:30Why, then?
15:31Uh, a singer's got to know all the numbers.
15:34Maybe a detective just got to know all the answers.
15:59Oh, my God.
16:36Uh, it's, uh, Tai Chi.
16:40Yeah, that's right.
16:41It's Tai Chi.
16:42It's, uh, it's good.
16:43It's good for breathing and relaxation.
16:48I recommend it.
16:50I don't have the slightest clue what you're talking about.
16:52We don't care either.
17:02I'm a toaster.
17:03Really.
17:04Gosh, I shouldn't have thrown it so hard.
17:16Come on.
17:16Let's go for a ride.
17:27Do you mind telling me why I'm here?
17:30Silverman wants to see you.
17:31I figured that.
17:32I'm asking you why.
17:34We're not really the why guys.
17:35Maybe you wouldn't be here if you didn't try ripping the boss off.
17:38Ah, Donegal.
17:40I don't have anything to do with this little scheme.
17:42I actually try to talk him out of it.
17:44Like I said, the boss just wants to talk.
17:46And I've got no idea who hired Addison to burn down your boss's house.
17:50You don't know nothing, huh?
17:52Double negative, but we'll set that aside for now.
17:54My point is I'm not much of a detective.
17:56Yeah, then you got nothing to worry about.
17:57Just like Donegal, right?
17:58Oh, yeah.
18:00Just like Donegal.
18:01By the way, I am sorry about the nose.
18:04Me?
18:05That was him.
18:12Get out!
18:21Where'd he go?
18:22Check the side!
18:30The boss ain't gonna like this.
18:32Yeah, he wanted us to bring him in.
18:35Get!
18:37Dumbass.
18:47Times are tough all over.
18:48But the true measure of a city
18:51is in how it responds to the hard times.
18:54And this isn't Topeka or Kalamazoo.
18:58This is New York.
18:59We're gonna link arms
19:01and stand strong against the rising tide.
19:05It was easy to stand behind.
19:07What's the headline here?
19:10Desperate Morris delivers dud.
19:13I'd go with quadruple M.
19:15Mayor's missive misses Mark.
19:17Man, I wouldn't trust Hudson
19:19to do my laundry.
19:20That man's gonna beat Morrison
19:21by 10 points.
19:22Sometimes you just want
19:23a different brand of snake oil.
19:25So, uh,
19:27you gonna explain your face?
19:29Let's just say you should lay off
19:30the Addison reporting.
19:34Silverman?
19:35He's on a warpath about Addison.
19:37He wants to know what's coming after him.
19:38So tread lightly.
19:41I'm not the one with the face
19:42that looks like hamburger meat.
19:44I've tangled with those guys before.
19:46As the man with the mask and the goggles.
19:49New York's beloved hero of the hour.
19:52Not as Ben Reilly.
19:53You know what?
19:54Give me that.
19:54I'm making a declaration right now.
19:57That's right.
19:59If I'm reelected,
20:00you can say goodbye to prohibition.
20:03And there's his audience.
20:04As God is my witness,
20:06you'll never go thirsty again.
20:09Yeah!
20:10Yeah!
20:10Look, all I'm saying is,
20:11you're in it with Silverman now.
20:13If the choice is to suit up or die,
20:16it might be time to tango again.
20:17Maybe you'd be doing the city a favor
20:19in the process.
20:20Oh, come on, Robbie.
20:21Enough of that.
20:22You know what I'm doing after this?
20:23What?
20:24Being beautiful.
20:25And working the Addison story.
20:28Ah.
20:28I don't publish.
20:30I don't eat, my friend.
20:33I've been thinking about the Canadians.
20:36You gonna let me handle it?
20:39Nah, I'll do it.
20:41Plan stands, but...
20:43go ahead of me.
20:45Scout it out.
20:50Well, I think it's stylish.
20:54What do you think, Winston?
20:57I'm not one for fashion,
20:58but the whole thing is a little...
21:02tired.
21:03Nah, Winston.
21:04Have you got a gripe at her?
21:07No, I just think there's a better thing
21:09to spend time on than dressing up dolls.
21:11Ha!
21:12Well, there's fashion and there's taste.
21:15Just box it up.
21:16You'd like it too, right?
21:19Honestly, I think it's...
21:20Yeah, yeah, it's perfect.
21:40Excuse me, ma'am.
21:41I'm looking for the Addison's.
21:55Mrs. Addison?
21:57Mrs. Addison?
22:05Addison?
22:25This table?
22:26Yeah, yeah, yeah.
22:27I'm looking for the Addison.
22:28Who are you?
22:34Hey, brother.
22:35Don't hate brother me.
22:37I asked you a question.
22:39You sure did.
22:40And seeing as you are a very large and angry man,
22:44I'm gonna answer.
22:46Looking for Vera Addison?
22:48Know who she is?
22:49Why'd you wanna know?
22:50Well, I am a reporter
22:53working a story on James Addison's death.
22:55He wanted to talk to his widow.
23:01Jimmy's dead.
23:04Oh, I'm sorry.
23:05You guys were friends.
23:08How did he die?
23:10Well, there was an explosion.
23:14Standard Oil Depot.
23:16Why are you writing about him?
23:18Well, before he died, he burned down the wrong house.
23:21Whose?
23:23Silverman.
23:32I think it's time for you to leave.
23:33Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
23:35Hmm.
23:36Addison didn't just take it upon himself to burn down the house of the most dangerous man in the city.
23:41Someone paid him to do it.
23:42Now, look, he was your friend, so I'm guessing he wasn't a bad guy.
23:46He was sick.
23:47He was sick.
23:47And these days call for men to use their sicknesses to get by until their sicknesses eat them alive.
23:53Hang on.
23:53What do you mean he was sick?
23:54I don't know who hired him.
23:57But yeah.
23:59His wife, mate.
24:00And do you know where I can find her?
24:02Try the Jeffrey Hotel.
24:03She always went there when they came in some money.
24:06And when she came back, the money was gone.
24:09Go figure.
24:11Oh, thanks.
24:13I'll pay her a visit.
24:18I told you.
24:19He hardly comes to the office anymore.
24:22I can't remember the last time I saw him.
24:24Well, maybe this will show your memory.
24:27Please, stop telling you the truth.
24:31For your sake, I hope so.
24:34We'll be back.
24:50Janet.
24:52Did they hurt you?
24:54No, not this night.
24:56But they said they'd be back.
24:58Then they put a gun to my head.
25:01They kept saying that I'd end up like Donegal.
25:03That if I didn't tell them where you were,
25:06he and I'd be crossing the river six together.
25:09What does that mean?
25:12It means Donegal's dead.
25:14Silverman killed him.
25:16But I'll take care of it.
25:17Ever since Ruby died, I've been waiting for you to get it back together.
25:21Back to the man I know is buried somewhere inside you.
25:25Five years.
25:28And this is how it ends.
25:31Janet.
25:32Go home.
25:33Get some rest.
25:34You'll feel better and I'll call you when it's safe.
25:38Yeah, I'm gonna go home.
25:41But I am not coming back.
25:43I care about you, Ben.
25:45So deeply.
25:48But not enough to die for you.
25:51Janet.
25:53Janet!
25:54Get out of here.
26:00And what are you doing?
26:08I'm sorry.
26:09I'm fine.
26:10Now I'm fine with you.
26:10You're dead!
26:10Stop this, Vanity.
26:15You're dead.
26:16Look at me.
26:20Let's go home.
26:21You're dead.
26:23You're dead.
26:44Hiya! I'm Pete with maintenance. Sorry about the leak. It'll be no problem. I'll just...
26:49Gosh, the unit downstairs. Big mess. Water. Water. Everywhere.
26:52What's going on? Something about a leak?
26:54You know, I like what you've done with the place. Although, if you move the table over by the window,
26:58you really get that sunset glow at dinner.
27:00I told you that. I'm sorry, have you been here before?
27:03I am familiar with the unit, yes. Bathroom's that way.
27:26Well, don't just stand there and say something.
27:28Um, sir, what exactly are you fixing?
27:32Oh, yeah, John, I found the issue. You've got a busted cherry basket!
27:37It's a... it's a lie, mate!
27:39And the mission's going!
28:03Excuse me, what's happening in there?
28:06Bit of an existential crisis, if I'm honest.
28:10About my toilet?
28:30I don't think that guy was a plumber.
28:54It says it to the left.
28:57Thanks for your trouble.
29:00Thanks for the dollar.
29:05Mrs. Addison?
29:09I didn't order anything.
29:11My name is Robbie Robertson. I'm a reporter.
29:14Hold on, hold on, hold on. Now I just... I just want to talk.
29:18You have three seconds to get out of here or I'm going to scream.
29:21Then I don't think you want a white woman screaming about a black man trying to force his way into
29:24a hotel room?
29:26Actually, I got a hunch that you wouldn't want the city's most ruthless gangster knowing that the money someone paid
29:33your husband to kill him was being spent on lobster and designer clothes.
29:40So go ahead and scream, honey. Unless you want me to do it. I got a pretty deep voice. It
29:45really carries.
29:46Hmm.
30:09So that's it?
30:10What do you mean?
30:11No tears? I just told you your husband died.
30:15People grieve in different ways.
30:19You already knew.
30:22James was a lot of things, but not the type to cut and run.
30:26When he didn't come home that night, I figured he was never coming home.
30:30When did he start setting fires?
30:31Six months ago.
30:33Suddenly discovered he had an innate talent for it.
30:35Who hired him for the silver main job?
30:38Just because I didn't scream doesn't mean I'm an open book.
30:42As far as I'm concerned, James dug his own grave and now he's lying in it.
31:02This place feels haunted.
31:05Ask as it is.
31:09Speaking of ghosts.
31:12Jimmy Addison's dead.
31:15What?
31:16What?
31:17Couple days ago.
31:19Some reporter came around asking about him.
31:21Wanted to know who hired him to kill Silverman.
31:27He didn't know.
31:28If I'd known, I would've stopped him.
31:39Flynn.
31:40You don't look so good.
31:43It happened again.
31:45Changed completely this time.
31:48Never changed back.
31:49Yeah, not all the way.
31:52It's like the doc said.
31:55Our clocks are ticking.
31:58Faster and faster now.
32:01Everything we went through.
32:05We deserve better, you and I.
32:08Let's get out of here.
32:10You can crash at my place.
32:12Better for us to stick together right now.
32:16Yeah.
32:16Yeah.
32:18You have to check every crate.
32:20Is it cause we're Canadians?
32:22Yeah, it's cause you're Canadian.
32:23No.
32:24Boss doesn't trust anyone.
32:26Myself included.
32:27The place still runs this town.
32:30Shipping's good, boss.
32:31Ready for you to come.
32:33All right.
32:34I'm on my way.
32:35Bye boy.
32:35All right.
32:37Bye.
32:46Bye.
32:47Bye.
32:49Bye.
32:51Bye.
32:54Bye.
32:55Bye.
32:56Bye.
32:58Bye.
33:08What is that?
33:16Hey, go check it out.
33:17Go, go, go, go, go, go.
33:21We found the room.
33:28Shoot him.
33:29Shoot him.
33:30Shoot him.
33:39Shoot him.
33:50Shoot him.
33:52Shoot him.
33:52Shoot him.
33:52Where'd he go?
33:59Where'd he go?
34:09Where'd he go?
34:13Come here.
34:18Oh, God.
34:20I can't remember one on the door.
34:23Guess you do.
34:34Well, what the hell are you waiting for?
34:38After you.
34:39No, no, by all means.
34:41Out of the car!
34:51Whoa, whoa, whoa, whoa, not another step.
34:57See?
34:58Hi, Chi.
35:12It's been a while.
35:14You've done well without me around.
35:16Haven't you?
35:17I didn't know you did hit jobs now.
35:19Do you mind if I ask you who hired you?
35:21Nobody hires me.
35:23I'm here because of Ben Riley.
35:25Riley the Flatfoot?
35:26Yeah, that's right.
35:28I owe him a favor.
35:29Sorry, where are my manners?
35:30Do you want to drink?
35:31No.
35:32I want you and your guns to lay off Riley.
35:35He doesn't know who tried to kill you,
35:36and roughing up his secretary isn't going to change that.
35:40So, I leave the guns to you alone, and that's it?
35:43Because, you know, back in the day,
35:44you really couldn't leave me alone, could you?
35:47I don't think you're listening to me, Silverman.
35:50This is your only warning.
35:52If you mess with Riley or any of his people,
35:56I will kill you.
36:25I will kill you.
36:33I will kill you.
36:34Let's see.
36:49Riley.
36:50This you?
36:51This you're doing?
36:52What are you talking about?
36:54Did you stop Silverman's car?
36:56Well, you heard about that, huh?
36:57Yeah, well, I got some bad news for you.
36:59Cops had an ambush set up for Silvermane at the docks.
37:02Someone gave him a tip about a booze exchange.
37:04Someone tipped off the cops about a Silvermane booze exchange?
37:07Yeah, they're rounding up about a dozen of his guys right now.
37:09Cops were all set to catch the man himself in the act,
37:12but Silvermane never showed.
37:13Do they know why he didn't show?
37:16No, don't worry.
37:17Police got word that someone stopped Silvermane from coming.
37:20They don't know it was you.
37:21Shit, gotta go.
37:23I ain't trying to die in no phone booth.
37:28No!
37:50What the hell did I just do?
37:58Now, you say you're a lover of me.
38:05You said you cried the whole night through.
38:10Well, you can cry me a river.
38:15Cry me a river.
38:19Cause I cried a river over you.
38:24Ooh.
38:27Now you say you're sorry.
38:33For being so untrue.
38:40Ooh.
38:41So what?
38:42Just cry me a river.
38:45Cry me a river.
38:50I cried a river over you.
38:53I cried a river over you.
38:56You drove me, you drove me out of my head.
39:05Why, you never shed a tear.
39:12Remember, I remember all you said
39:16Told me love was too lovely and
39:21Told me you were through with me
39:25And now you say you love me
39:32Well, just prove you do
39:37Go on and cry me over
39:42I'd like to see you cry over
39:48Cause I'm tired of crying over
39:55You
40:27Go on and cry me over
40:58Go on and cry me over
41:28Go on and cry me over
41:58Go on and cry me over
42:28Go on and cry me over
42:30Go on and cry me over
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