- 18 hours ago
- #hammerhorror
- #classicmonster
- #themummy
Welcome back to our vintage cinema archive, your ultimate digital space for premium restorations of golden age horror and cult classics. Today, we invite you to awaken a curse that has remained dormant for millennia in the magnificent 1959 Hammer Horror masterpiece, The Mummy.
Produced at the absolute peak of Hammer Film Productions' influence, this film remains the definitive, colorful reimagining of the classic Egyptian curse. When a team of Victorian-era archaeologists, led by John Banning (Peter Cushing), accidentally disturbs the sacred tomb of the ancient Princess Ananka, they unwittingly unleash a terrifying force. The expedition’s guide, driven by madness, awakens Kharis the Mummy (Christopher Lee), an unstoppable, bandaged servant of the dead with one singular, relentless purpose: to hunt down and eliminate every member of the desecrating party. As the dark, vengeful spirit haunts the halls of the Banning estate, John must race against time to unravel the secrets of the ancient scroll and stop the immortal monster before it claims its final victim.
Featuring the unparalleled chemistry of Peter Cushing and Christopher Lee, lavish set designs, and that iconic, moody atmosphere that only Hammer could produce, The Mummy stands as a masterclass in supernatural suspense and Gothic dread. Our channel is fiercely dedicated to preserving historic film treasures, offering a curated library of rare horror, vintage monster movies, gritty film noir thrillers, and timeless maritime adventures.
If you love exploring premium archives of full-length 1950s and 1960s horror features, please support our movie preservation mission by liking this video, leaving a comment below to share your thoughts, and subscribing for daily classic cinema releases!
#HammerHorror #ClassicMonster #TheMummy
Produced at the absolute peak of Hammer Film Productions' influence, this film remains the definitive, colorful reimagining of the classic Egyptian curse. When a team of Victorian-era archaeologists, led by John Banning (Peter Cushing), accidentally disturbs the sacred tomb of the ancient Princess Ananka, they unwittingly unleash a terrifying force. The expedition’s guide, driven by madness, awakens Kharis the Mummy (Christopher Lee), an unstoppable, bandaged servant of the dead with one singular, relentless purpose: to hunt down and eliminate every member of the desecrating party. As the dark, vengeful spirit haunts the halls of the Banning estate, John must race against time to unravel the secrets of the ancient scroll and stop the immortal monster before it claims its final victim.
Featuring the unparalleled chemistry of Peter Cushing and Christopher Lee, lavish set designs, and that iconic, moody atmosphere that only Hammer could produce, The Mummy stands as a masterclass in supernatural suspense and Gothic dread. Our channel is fiercely dedicated to preserving historic film treasures, offering a curated library of rare horror, vintage monster movies, gritty film noir thrillers, and timeless maritime adventures.
If you love exploring premium archives of full-length 1950s and 1960s horror features, please support our movie preservation mission by liking this video, leaving a comment below to share your thoughts, and subscribing for daily classic cinema releases!
#HammerHorror #ClassicMonster #TheMummy
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Short filmTranscript
00:00:25You
00:00:30You
00:01:00You
00:01:30You
00:02:04You
00:02:05Come on.
00:02:27Wait.
00:02:48Let's look at this.
00:02:50What is it?
00:02:51We found it ten foot from the entrance.
00:02:54It looks like a badge of some sort.
00:02:56It is.
00:02:57And I think it proves that we're on the right track at last.
00:03:00I hope so, for John's sake.
00:03:03Let's go and talk to him.
00:03:05Steve.
00:03:05John must get his leg properly set.
00:03:08He's your son.
00:03:09You must send him back to base.
00:03:13That's for him to decide.
00:03:15I'll abide by what he says.
00:03:19Hello, Father.
00:03:21We've got something, son.
00:03:24Where exactly was this found?
00:03:27Ten foot from the entrance.
00:03:29It's the badge of the Karnak guards.
00:03:32It could be.
00:03:33But it is, man. You know it is.
00:03:35Look at that hieroglyphic on the reverse there.
00:03:40Yes, I believe it is.
00:03:41Have you seen this, Uncle Joel?
00:03:42Yes, I've seen it.
00:03:44Any idea of the length of the gallery?
00:03:46Hard to say. Five foot, possibly ten.
00:03:48We should break through in four or five days, then.
00:03:51What about your leg, John?
00:03:52What about it?
00:03:53Well, I don't know much about medicine,
00:03:54but I do know that if that leg isn't set properly now,
00:03:57it'll knit the way it is.
00:04:02It's your decision, son.
00:04:06Five days isn't long to wait.
00:04:07It's a damn sight too long.
00:04:09Joseph, you're not an archaeologist,
00:04:12but you know better than anyone else
00:04:13what's been put into this search.
00:04:15For 20 years, I've been trying to discover the tomb of Ananka.
00:04:18We know that she set out on a pilgrimage to Antak.
00:04:21We know that she disappeared with all her party.
00:04:24We've discovered a concealed tomb in the rock face out there,
00:04:27and we now have evidence that one of her soldiers had access to it.
00:04:30He might even have been part of the burial party.
00:04:33Think, man.
00:04:33In five days, we might be looking at Ananka herself.
00:04:37Or we might be looking at an empty hole in the ground.
00:04:42Joseph!
00:04:49I promise to abide by John's decision.
00:04:53You're his father. You could have ordered him back.
00:04:56That boy's going to have a twisted link for the rest of his life,
00:04:59and it'll be your fault.
00:05:15Well, this is it.
00:05:19Pity poor old John couldn't come in with us.
00:05:21I promise to let him know what we find.
00:05:25Glad you stayed, Joseph.
00:05:28I'll tell you that when I see how John's leg heals.
00:05:31Oh, it'll be all right, man.
00:05:33You haven't heard him complaining, have you?
00:05:35That's because he's as pig-headed as you are.
00:05:38He's my son.
00:05:40Are you ready?
00:05:41Ready.
00:05:43Mr. Banning.
00:05:47I'm Banning.
00:05:48I must ask you to stop these operations.
00:05:51I don't understand.
00:05:52He must not continue digging here.
00:05:54Why on earth not?
00:05:55We've got all the necessary permits, haven't we, Joseph?
00:05:57I'm not interested in permits.
00:05:59You're not from the Egyptian government?
00:06:01No, I'm not.
00:06:03There's no more to be said.
00:06:04Mr. Banning.
00:06:05Please, allow me to appeal to your reason.
00:06:08Believe me when I say that what you're doing
00:06:10places yourself and the rest of your party in the gravest danger.
00:06:15If you persist in continuing with this operation,
00:06:18I cannot answer for the consequences.
00:06:20Nobody's asking you to, Sam.
00:06:22And now, if you'll excuse me.
00:06:24Mr. Banning.
00:06:26You would do well to remember the ancient saying.
00:06:35He who robs the graves of Egypt dies.
00:06:39Now, for the last time, please stop what you're doing
00:06:41and leave this place.
00:06:42And for the last time, kindly mind your own business.
00:06:44Come on, Dorothy.
00:07:38Yes, sir.
00:07:39Is it?
00:07:40Yes.
00:07:41It's the royal seal of Malanka.
00:08:06Yes, sir.
00:08:23Yes, sir.
00:08:24Now then, hold your breath, Judith.
00:09:05Marvellous.
00:09:08Absolutely undisturbed.
00:09:21Is it really a matter?
00:09:24It must be.
00:09:36I'm an uncle, a lady of the two kingdoms, high priestess of the great god Cardnock.
00:09:48Wait to you, sir.
00:09:49I'll tell John.
00:09:51Huh?
00:09:52Stephen, I'll tell John.
00:09:55Yes, do that.
00:10:07Is it the tomb, Efendi?
00:10:09Yes, the tomb of Ananka.
00:10:10.
00:10:12A la Cuba, a la Mira, a Nanka.
00:10:39It's the scroll of life.
00:10:55Is he quite sure? There's no doubt?
00:10:58No doubt at all.
00:11:01After all these years.
00:11:04Oh, confound this leg.
00:11:07You'd better get back. He'll need help.
00:11:10Let him have his moment of triumph.
00:11:11Ah!
00:11:31Steve, what is it? What's happened?
00:11:34What's happened?
00:11:35I don't know.
00:11:35I don't know.
00:11:38I don't know.
00:11:39I don't know.
00:11:41I don't know.
00:11:56I don't know.
00:12:14I don't know.
00:12:23I don't know.
00:12:30I don't know.
00:12:33I don't know.
00:12:36I don't know.
00:12:48I don't know.
00:13:00I don't know.
00:13:01I don't know.
00:13:03I don't know.
00:13:11I don't know.
00:13:12There's a charge twelve feet along the tunnel.
00:13:14It'll bring the roof down.
00:13:15I don't know.
00:13:18I don't know.
00:13:36I don't know.
00:13:44I don't know.
00:13:59Great God, Karnak.
00:14:01Father of all living things.
00:14:03Hear these words from me.
00:14:05The humblest of your servants.
00:14:08For this desecration, you will be avenged.
00:14:14Those unbelievers who disturb the rest of your handmaiden,
00:14:18the Princess Ananka, shall suffer for their blasphemy.
00:14:23Though it takes me years of earthly time,
00:14:26I shall re-enter the tomb and find the instrument of your revenge,
00:14:31as ordained by your servants 4,000 years ago.
00:14:42This, I swear.
00:15:18Yes, completely unexpected.
00:15:20It happened this morning when they went to wake him.
00:15:22He asked for you straight away.
00:15:24But for three years, he hasn't even acknowledged that he has a son.
00:15:26Now he starts asking for me.
00:15:28How do you explain it, Doctor?
00:15:30Frankly, at the moment, I can't.
00:15:32I had thought that his condition was permanent.
00:15:35As you know, I believe that he suffered a physical stroke to the brain.
00:15:39It should be incurable.
00:15:41Could this mean that he's gone?
00:15:42It's going to get better.
00:15:44I don't know, Mrs. Banning.
00:15:45His condition could be purely temporary.
00:15:48May I see him?
00:15:49Of course.
00:15:52I would suggest to learn.
00:15:54I'll wait for you here.
00:15:56All right.
00:15:58Oh, James.
00:15:59Show Mr. Banning to his father, please.
00:16:01Yes, sir. This way, then.
00:16:23Hello, Father.
00:16:25Yes.
00:16:28John.
00:16:31You must excuse me.
00:16:33I...
00:16:34I've been unwell, you understand.
00:16:37It's my memory.
00:16:40You look well.
00:16:42You're well, son.
00:16:42I am well, thanks.
00:16:45Your leg.
00:16:46What's the matter with it?
00:16:48Oh, I...
00:16:49I damaged it three years ago.
00:16:51It didn't mend very well.
00:16:53Oh.
00:16:56You should have seen a doctor and had it set.
00:17:01You wanted to see me, Father?
00:17:02Huh?
00:17:06Oh.
00:17:07Yes.
00:17:09The mummy.
00:17:14I wanted to tell you about the mummy.
00:17:18The mummy?
00:17:18From an anchor's tomb.
00:17:21She's in the British Museum, sir.
00:17:22Not the princess.
00:17:24Not her.
00:17:25It's the mummy who lives.
00:17:27I'm afraid I don't...
00:17:29I don't understand.
00:17:30The mummy I brought to life when I read the scroll.
00:17:33There was no other mummy.
00:17:34Don't talk rubbish, man.
00:17:36I was there.
00:17:36I saw it myself.
00:17:37It came from the rock when I read the scroll.
00:17:40What scroll?
00:17:41The scroll of life.
00:17:43After 4,000 years, the words of the scroll brought it to life again.
00:17:48It hates us, John.
00:17:50It hates us for desecrating the tomb of its princess.
00:17:53It will kill us.
00:17:54It will kill us.
00:17:55All of us.
00:17:56All of us.
00:17:57Father, you mustn't upset us.
00:17:58Stop thinking about it.
00:18:01Nothing really happened that day, you know.
00:18:09You're a fool, John.
00:18:17Thank you for coming.
00:18:23Goodbye, Father.
00:18:24Father.
00:18:28Remember, John.
00:18:31Someone has found the scroll.
00:18:34The mummy is released again.
00:18:54As I was saying, I says to him, if you think I'm going to cart goods which I don't know
00:19:00nothing about, then you've got another thing coming your ways, Mr. Assess.
00:19:04So he says.
00:19:06So he says.
00:19:07So he says it don't make no difference what you're carting so long as you get paid for it.
00:19:11So you says.
00:19:13To which I was forced to agree, times being what they are.
00:19:17But he didn't tell you what was in it.
00:19:20Something about relics.
00:19:23Relics.
00:19:23Relics.
00:19:23All the way from Egypt.
00:19:25Relics.
00:19:26Why send all the way to Egypt for them?
00:19:28You've got them right here in Englefield.
00:19:31Well, these come from Egypt.
00:19:33Well, I don't like the look of him.
00:19:36The cove we'd do her in the cart in for.
00:19:38He's a foreigner.
00:19:40Well, he can't help that poor chap.
00:19:42Come on, drink up.
00:19:43We've got to get going.
00:19:47Ah.
00:19:50Good night, Bill.
00:19:52Good night.
00:19:58I'll drive.
00:20:00I'll drive.
00:20:01You're drunk.
00:20:01Yes, my cart.
00:20:03My horse is.
00:20:04I'll drive.
00:20:05Great, dear old horse.
00:20:07A man's best friend is a horse.
00:20:10It's a dog.
00:20:12It's a horse.
00:20:13I'm not that drunk.
00:20:15And I'll drive.
00:20:16All right.
00:20:16You're right.
00:20:17All right.
00:20:18All right.
00:20:25Do you think we'd better toy that down?
00:20:28What for?
00:20:29The road's bumpy.
00:20:31Oh, just past the nursing home, he said.
00:20:33All right.
00:20:33It's got me half a mile.
00:20:34All right.
00:20:35Key up.
00:20:35Of course.
00:20:45The mummy.
00:20:52It's waiting.
00:20:54It's always there.
00:21:19Help.
00:21:20Help.
00:21:21Help.
00:21:22Help.
00:21:22Help.
00:21:23That's from another house.
00:21:24That's one of them got out.
00:21:25Watch it.
00:21:25Come on.
00:21:32The boxes are half moving events.
00:21:34You better slow down over the causeway.
00:21:37They're not going to have my throat cut by no lunatic.
00:21:40Not for all the relics in these chickens.
00:22:08Not for all the relics in these chickens.
00:22:10Oh, it's hopeless.
00:22:12Parts of this bog are next to bottomless.
00:22:15We'll never find it.
00:22:17Now for some particulars, if you don't mind.
00:22:20First, what was on the card?
00:22:22A great ruddy box.
00:22:24We was taking it to the house up the ways there.
00:22:26And what was in the box?
00:22:28I don't know.
00:22:29But whatever it was, I reckon it's better at the bottom of the bog.
00:22:32Well, why do you say that?
00:22:33It's my idea there was something in that box which wasn't quite right.
00:22:36I see.
00:22:39Now where do you say you was taking the box?
00:22:42Up the ways there.
00:22:43The big house set back, he said.
00:22:45Who said?
00:22:46I said, officer.
00:22:50Oh, morning, sir.
00:22:52You was expecting this box?
00:22:54Yes, I was.
00:22:56I engaged this man and his companion to transport it from the station.
00:23:00I see.
00:23:01Well, hard luck, isn't it?
00:23:03I mean, losing it like this.
00:23:04Is it quite irrecoverable?
00:23:06Oh, yes, sir.
00:23:08Quite.
00:23:09I see.
00:23:11Thank you, officer.
00:23:13One moment, sir, if you don't mind.
00:23:15The contents of the box.
00:23:17Relics, officer.
00:23:20Egyptian relics.
00:23:21Nothing more.
00:23:28I'm very sorry, Mr. Banning.
00:23:30I simply cannot explain it.
00:23:31First we have this recovery after three years, and now this...
00:23:35I've never known him so violent.
00:23:38He seems to have a persecution mania.
00:23:41He thinks there is somebody who wants to kill him.
00:23:43When did it start?
00:23:45Yesterday evening.
00:23:48There's nothing I can do, I suppose.
00:23:50Nothing whatever, I'm afraid.
00:23:51If we have him in a padded cell for his own safety.
00:23:55Is that really necessary?
00:23:57We cannot possibly afford to take any chances.
00:23:59He may do himself a serious injury.
00:24:02You see, with this persecution complex, he's quite liable to take his own life in order to cheat whoever he
00:24:09thinks is after him.
00:24:10It's quite common.
00:24:11But what could have put him in this state of mind?
00:24:14As far as I know, he hasn't an enemy in the world.
00:24:37Great Karnak.
00:24:39God of all light and darkness.
00:24:42Hear this prayer from the humblest of your servants.
00:24:46Help me in my task.
00:24:49Make my way easy.
00:24:51That I may achieve your desires and return to the land of my forebears.
00:25:17Do not pass.
00:25:19Excuse your well, moles and purple karnak.
00:25:20Do not pass.
00:25:34Say yes, yes.
00:25:39That I may receive your romance for the Christmas.
00:25:40You can find your love.
00:25:41O'bar the double, O'bar the soul, pulse strong, O'ab, the heart.
00:25:46Make supple the limbs and strong the sinews.
00:25:49Refill, O my soul, this heart with tenderness,
00:25:52that ye may walk again the land of Khem,
00:25:55in all thy strength and beauty,
00:25:57and wear once more the Urelet.
00:26:29O'Karnak, through me, guide this thy servant on his appointed task.
00:26:38O'Karnak, through me, guide this thy servant on his appointed task.
00:26:41Go now, go and destroy those who desecrated the tomb of our princess,
00:26:47those unbelievers who gazed upon her long-dead face.
00:26:53Go, and let the spirit of Karnak, our god, go with you.
00:27:11I'm Mr. Lord.
00:27:11Go, and let the spirit of Karnak go.
00:27:13O'Karnak!
00:27:34Now, if you wanted a thing in the night, just ring this bell.
00:27:39And it's no good shouting or banging on the door.
00:27:42We won't hear you.
00:27:44All right now?
00:27:51Good night, Mr. Fanny.
00:28:14Good night.
00:28:53Good night.
00:29:24Oh, my God.
00:29:46The very nature of this deed points to the fact that it was committed by some homicidal mania.
00:29:53And if it were not for the evidence of forced entry, I would have no hesitation in telling the doctor
00:30:00of the nursing home to look among his own inmates.
00:30:03However, there is no doubt that the perpetrator of this crime came from outside the nursing home and left the
00:30:12premises immediately after the crime.
00:30:15I can only exhort the police to do everything in their power to apprehend this individual with the utmost dispatch.
00:30:22The verdict of this court is murder by person or persons unknown.
00:30:36The coroner said it was the work of a maniac.
00:30:38I can't believe that. There must be a motive somewhere.
00:30:42We must go through his papers. Perhaps we'll find something there.
00:30:45It's in the nursing home for three years.
00:30:47And before that, ten years in Egypt.
00:30:50Then we'll have plenty to work on. Father kept a record of everything.
00:30:59I still don't know exactly what we're looking for.
00:31:02Oh, I don't really know myself. A letter, a note, anything that may give us a lead.
00:31:09But Uncle, you knew Father pretty well. Did he ever mention anyone to you who bore him a grudge or
00:31:13he disliked?
00:31:15I never remember your father saying a harsh word about anyone, ever.
00:31:19Except that Egyptian fellow that time.
00:31:22What Egyptian?
00:31:23You remember, I told you. The day we entered an anchor's tomb.
00:31:27The man who tried to stop us.
00:31:28Yes, yes, I remember. That sort of thing was always happening.
00:31:32Dear Mr. Banning, unless this account is settled, poor old Dad.
00:31:36He was such a methodical man in everything else, but he would leave paying bills till the last minute.
00:31:40He was always being sued.
00:31:43Do you remember the argument you had when you decided to take him in hand?
00:31:46He said he was perfectly capable of dealing with his own business affairs.
00:31:50And two minutes later, there was a little man on the doorstep serving a writ.
00:31:53We had a good laugh about it afterwards.
00:31:55You're very fond of your father, aren't you?
00:31:59Yes. Yes, I was.
00:32:03In spite of that leg.
00:32:04Well, that was my own fault. I could have gone back to base and had his set.
00:32:08Then all the trouble started.
00:32:11Do you remember that day?
00:32:13I don't think I shall ever forget it.
00:32:16That look on your father's face when he realized he'd discovered an anchor's tomb.
00:32:21And then afterwards.
00:32:23It was, er... it was never really established what made him crack, was it?
00:32:28The work, and then the excitement.
00:32:31That was the doctor's verdict.
00:32:32That's what it was. What else could it have been?
00:32:34I can't get out of my mind what father said to me the other day when I went to see
00:32:37him.
00:32:38Well, that nonsense about the living mummy and the scroll of life.
00:32:41Mm-hmm.
00:32:42You better, otherwise you'll be having a breakdown, too.
00:32:56What, sir?
00:32:57The Anonchofolio. Do you know the legend?
00:33:00Daily, yes. What about it?
00:33:02Do you know it?
00:33:04No, I don't really.
00:33:06Some wild story about the living dead, that sort of thing, wasn't it?
00:33:11Well, here it is.
00:33:14In the year 2000 BC, the Princess Anonchofolio, High Priestess of the Temple of Karnak, set out on a pilgrimage.
00:33:21She was bound for Amtac, the reputed birthplace of her god.
00:33:26The great procession travelled for three months when the Princess was stricken with the sickness from which she died.
00:33:32The body of the Princess lay in state in her own tent, while the involved and lengthy mourning ceremonies took
00:33:38place.
00:33:38I am come unto thee, O Osiris, who art cleansed of all impurities.
00:33:50Thou goest round heaven, thou seest Ra, thou seest the beings who have knowledge.
00:33:59Behold, thou art in the sectate boat, as it goeth round the horizon of heaven.
00:34:10Prosper thou for me, all the ways unto thee.
00:34:18Homage to thee, O Osiris, thou mighty and beneficent being, thou holy god, thou prince of eternity.
00:34:37Then her body was prepared for embalming by the incredible process known only to the ancient Egyptians.
00:34:42First it was anointed with the holy oils.
00:34:47Hail Osiris, triumphant!
00:34:50The goddess Wa hath given thee birth.
00:34:54And Anubis, who sitteth upon the hill, hath set thee in order,
00:35:00and will fasten thee thy swathings.
00:35:05Thou art more beautiful than a goddess,
00:35:07and hath been begotten for transformations more numerous,
00:35:12and with a created form more perfect than those of the gods.
00:35:23Then the embalmers, with natron and sweet spices, prepared her for everlasting preservation.
00:35:29The god, Tar-Secret, hath given unto thee the honors of the divine house which he hath.
00:35:39Peoples and nations, exalt thee.
00:35:42The majesty of thy terror is in the hearts of men and the dead.
00:35:49And thus she lay for seventy days in her bath of natron.
00:35:55Custom decreed that after purification the body of the princess should be returned to the coastal plains where she had
00:36:01ruled in life.
00:36:02But Caris, high priest, for reasons of his own, chose to ignore custom.
00:36:08Here she had died, and here she would remain for all time.
00:36:13He caused a tomb to be prepared close to the place of death.
00:36:16And it was to this tomb that the ceremonial cortege moved in final procession.
00:36:26Centuries of time had laid down the laws governing the order of the procession.
00:36:32The Sekhmet boat, forbearing the spirit of the dead to the afterworld.
00:36:40The living god, personification of the recorder of souls.
00:36:50Anubis, guardian of the tomb.
00:36:57The head of the goddess Harthorn.
00:37:02Maidens bearing the Ushapti, symbols of mythical power and significance.
00:37:07The royal mummy itself, the mortal remains of the princess Ananka.
00:37:20Cares, high priest, the personal representative of his god Karnak, nursing within him a terrible secret.
00:37:29The tomb had been hewn deep in the side of a mountain.
00:37:32It was designed to remain inviolate for all time.
00:37:42Although a thousand miles from her home, the princess was laid to rest with the full pomp and circumstance which
00:37:48was her divine right.
00:37:49As the high priestess of the god Karnak, to have done less would have been committing sacrilege.
00:38:01Under the watchful eye of Cares, the royal mummy was taken from its bier by Nubian slaves and was carried
00:38:08into the tomb.
00:38:09Behind it walked Cares.
00:38:12And behind him came the casket containing the heart of the princess.
00:38:26Much blood was to flow during the succeeding days.
00:38:29Many were to die both for the further glorification of their princess and to ensure that the location of the
00:38:35tomb remained a secret.
00:39:04The Nubian slaves were put to the sword.
00:39:07Their fate was ordained as was the fate of the six maidens.
00:39:11They all died so that their spirits could accompany that of their princess into the afterworld.
00:39:52The dead man had killed the breast.
00:39:53Of course it was a siete to be crushed for the t- Ihr.
00:40:05surfaces of the점.
00:40:16Hail to thee, child of the god Shu.
00:40:20The underworld hath gained mastery over his diadem.
00:40:24Like the hammer-made beings, may thou arise,
00:40:28even as Karnak doth arise, and fair forth.
00:40:34Have power over the speech.
00:40:40Thus started the final rites, rites that continued for six days,
00:40:45culminating in the sealing of the tomb.
00:41:09That night, Kares returned to the tomb alone.
00:41:12He violated the royal and sacred seal to regain entry.
00:41:36.
00:41:37.
00:41:37.
00:41:55Oh, my God.
00:42:22Oh, my God.
00:42:58Oh, my God.
00:43:08Oh, my God.
00:43:36Oh, my God.
00:43:43Oh, my God.
00:44:01Oh, my God.
00:44:10Oh, my God.
00:44:25Oh, my God.
00:44:27Oh, my God.
00:44:31Oh, my God.
00:44:31Oh, my God.
00:44:32Oh, my God.
00:44:33Oh, my God.
00:44:34Oh, my God.
00:44:43Fulfill ye now the will of the Lord God Karnak.
00:44:48For this dreadful profanity, Charis was sentenced to have his tongue cut from his mouth
00:44:53so that the cries he would utter during the faith that awaited him
00:44:56should not offend the ears of the gods.
00:45:11Death was not for Charis, nor was life.
00:45:15For his sins, he was sentenced to remain for all time on guard near the body of his princess.
00:45:21He was buried alive in a secret tomb specially prepared for him.
00:45:40The End
00:45:52The End
00:46:00The End
00:46:11The End
00:46:22The End
00:46:42The End
00:46:44Some of them never got back to Egypt.
00:46:46Illness, perhaps? Savages?
00:46:48Who knows?
00:46:50That is the legend of Ananka.
00:46:52The dictionary defines legend as being historical myth.
00:46:57But don't forget, half the story we know is fact.
00:46:59We know that Ananka died on a pilgrimage and was buried somewhere in the jungle.
00:47:03We know that no survivors ever returned to Egypt.
00:47:05Now, if half the story is true, why not the other half?
00:47:09Because the other half is removed from fact. It's fantasy.
00:47:14Dad knew all about the legend.
00:47:16Perhaps having discovered that half of it was true,
00:47:18he let his imagination persuade him that the rest of it could have been.
00:47:20Is it possible that's what drove him out of his mind?
00:47:23Possible, yes. He was overexcited. He'd been working too hard.
00:47:27But remember, John, historical myth.
00:47:30Treat it as such if you don't want the same thing to happen to you.
00:47:34A fairer story, nothing more.
00:47:58A fairer story, a fairer story, a fairer story.
00:47:59Help us, your servants, Okarnak, to fulfill the second of our tasks.
00:48:31Go now.
00:48:35Destroy the second of the infidels...
00:48:38who dare to desecrate the tomb of your princess.
00:48:51Let's go.
00:49:27Hey, Bill. Give us a whiskey. Make it a large one.
00:49:33Anything wrong, mate?
00:49:35Gamekeeper, Thrull.
00:49:36I wish it was gamekeepers.
00:49:38I've seen the light tonight that mortal eye shouldn't look at.
00:49:41Well, you've been round to Molligrad is again.
00:49:43Ten foot tall he was, swathed in bandages,
00:49:47come lumbering through that wood like a great bear.
00:49:50Who?
00:49:51You mean what?
00:49:53I tell you, it wasn't human.
00:49:57I needed that.
00:49:59Are you sure that's the first one you've had tonight?
00:50:01Have you been seeing the little people?
00:50:04If it's little people, it's the biggest little people ever you heard anything about.
00:50:09I'll have another one of those.
00:50:11I tell you, something very unpleasant's going to happen here tonight.
00:50:15Well, John, I can go to bed.
00:50:17I think you should, too.
00:50:19We'll do some more in the morning.
00:50:21Yes, of course.
00:50:22You must be tired.
00:50:22I'm sorry.
00:50:23Good night.
00:50:24Good night.
00:50:25Good night.
00:50:38Good night.
00:50:39Good night.
00:50:39Good night.
00:50:43Good night.
00:50:48Good night.
00:50:50Good night.
00:50:51Good night.
00:50:52Good night.
00:50:53Good night.
00:50:54Good night.
00:50:54Good night.
00:50:55Good night.
00:50:55Good night.
00:50:56Good night.
00:51:19What I don't understand, Mr. Banning, is that if you hit him like you say you did, you must have
00:51:23killed him.
00:51:23You didn't do that, otherwise there would be a body, so we must assume that you missed.
00:51:27I tell you, Inspector, I hit him twice at least from here.
00:51:30At four yards?
00:51:31At four yards.
00:51:32I see.
00:51:33All right, let us have your impressions as to who this intruder must have been.
00:51:38You've never seen him before?
00:51:39I told you, Inspector, he was bandaged. There was just a slit for his eyes. The rest of him was
00:51:43covered.
00:51:44With bandages? Extraordinary. And you hit him twice?
00:51:47At four yards.
00:51:49I see.
00:51:50Well, I've got men out there looking for him now. That's all we can do at the moment.
00:51:54You'll let me know if you have any ideas.
00:51:58I have one already.
00:51:59You have? Why didn't you say so?
00:52:00You wouldn't believe me.
00:52:02I don't believe you about hitting him, if that's what you mean.
00:52:05All right, Inspector. I believe the intruder was a mummy. A living mummy.
00:52:10A mummy? One of these Egyptian things?
00:52:12That's right.
00:52:13I thought they were always dead people.
00:52:15They usually are, but writes this one should be dead, too.
00:52:18Now, look.
00:52:18Now, Inspector.
00:52:19Would you sit down, please?
00:52:21I want to tell you about something that happened three years ago.
00:52:24Something I'm now convinced happened to my father.
00:52:27As you know, he was driven out of his mind.
00:52:30We were excavating a tomb.
00:52:32The tomb of a Princess Ananka who died 4,000 years ago.
00:52:35I was out of action at the time, my leg.
00:52:38Father and my Uncle Joseph entered the tomb without me.
00:52:42Uncle had promised to let me have any news as soon as he could.
00:52:55Ananka, Lady of the Two Kingdoms, High Priestess of the Great God Karnak.
00:53:05Look at it, Joseph.
00:53:07I'll tell John.
00:53:09Mm-hmm.
00:53:11Stephen, I'll tell John.
00:53:13Yes, do that.
00:53:36I'll tell John.
00:53:51It's the cruel of life.
00:53:53It's the cruel of life.
00:53:56It's the cruel of life.
00:54:25To restore to life.
00:54:29O thou, Lord of Son,
00:54:33O Thou Lord of the Tomb, Thou Mighty One hath armented.
00:54:45Let not these limbs be without movement.
00:54:52Let them not pass away, and let them not suffer
00:55:00from corruption. Make supple these limbs,
00:55:08and strong these sinews.
00:55:14Refill, O my soul, this heart with tenderness,
00:55:23that he may walk...
00:55:37Humpback!
00:55:38Take a place!
00:55:51Take a place!
00:56:31When my uncle found him, father's mind was completely unbalanced. He never recovered.
00:56:36I didn't believe the story my father told me. I thought he was...
00:56:41Well...
00:56:41But I'm beginning to think differently now.
00:56:44Mr. Banning, are you trying to tell me that these two murders were committed by a dead man?
00:56:49I knew you wouldn't believe me.
00:56:51You're right, I don't.
00:56:52I find it incredible that you should even imagine such a story.
00:56:56I deal on facts, Mr. Banning. Cold, hard facts.
00:57:00And the facts tell me that someone broke in here, committed a murder, then got away.
00:57:05There is no doubt whoever did it killed your father, too.
00:57:09This I consider a fact also.
00:57:11But that's where the facts run out.
00:57:16Well, it's my job to dig around until I unearth some more facts.
00:57:20But facts, Mr. Banning, not fantasies straight out of Edgar Allan Poe.
00:57:25I know.
00:57:26If you have any more ideas, please let me hear them.
00:57:28They make fascinating listening, if nothing else.
00:57:31There is one more.
00:57:34I think I'm the next to be killed.
00:57:39Sorry, sir. It was only a little hair, sir.
00:57:41Thank you, Sergeant.
00:57:42It was dead anyway, sir.
00:57:43Sit down, would you?
00:57:44I picked it up.
00:57:45But it was a...
00:57:45I'm Inspector Bull Rooney, criminal investigation from London.
00:57:49Inspector from...
00:57:50Squire's gone mad altogether.
00:57:52I beg your pardon?
00:57:52Well, it was only a little hair, sir.
00:57:55And you're a...
00:57:57I'd better explain to you the way it was, sir.
00:57:58You see, I was out having a bit of a stroll, like minding me own business.
00:58:02See, through the woods.
00:58:02And I happened to see this little bunny lying down there.
00:58:06It was dead, sir.
00:58:06Killed.
00:58:07Be one of them wicked traps.
00:58:08So I...
00:58:08I picked it up, sir.
00:58:10I was going to give it a decent burial like, sir.
00:58:11And what else did you see in the woods?
00:58:13Well, nothing, sir.
00:58:15Only the little bunny.
00:58:16It was lying there, sir.
00:58:16Now, it's been reported that you rushed into the Red Lion last night
00:58:19saying you'd seen a man in the woods.
00:58:21Oh, yes, sir.
00:58:23I saw him all right, sir.
00:58:25Describe him to me, please.
00:58:26Oh, well, sir.
00:58:27He was horrible, sir.
00:58:28He was about ten foot high.
00:58:29And...
00:58:29How high?
00:58:31Well, um...
00:58:32Seven foot six.
00:58:33Yeah, he'd be about that, sir.
00:58:35About seven foot six.
00:58:36Seven foot seven.
00:58:40And then?
00:58:42Well, and then there was all this yelling coming from the nut house.
00:58:46I got scared and whipped up the horses.
00:58:48Went over the causeway and the box just fell off.
00:58:50Straight into the swamp.
00:58:52Wasn't a hope of saving it.
00:58:53Not a hope.
00:58:54Ah.
00:58:55It was nasty business all round.
00:59:00Very scarifying, you watch.
00:59:05Give him another, will you?
00:59:07I saw the crane was gone for good.
00:59:10Oh, parts of the bug are next to bottomless, you understand, sir.
00:59:13Well, I was going up to see this man.
00:59:15Which man?
00:59:16Oh, the one whose crane he was.
00:59:17The Egyptian.
00:59:19Anyway, I didn't have to.
00:59:20He arrived on the scene and, well, I told him straight away.
00:59:23How did he take it?
00:59:24Oh, it's funny that was, sir.
00:59:26Here's this crate come thousands of miles from Egypt.
00:59:30Then to lose it practically on his doorstep.
00:59:32Well, he didn't seem to mind.
00:59:34Treated the old thing casual like.
00:59:36And the contents of the box?
00:59:38Relics, he said, sir.
00:59:39Relics?
00:59:40Egyptian relics.
00:59:43The last task is upon us, O'Khanak.
00:59:47Watch over us as you have watched over me during the past three years.
00:59:53Watch as you did throughout the long journey from our own land to this strange country of the unbeliever.
01:00:02Watch while Karis, the living mommy, your servant, performs this last task.
01:00:08The one that will release him from his eternal bondage.
01:00:12The destruction of the last member of the party who desecrated the tomb of your High Priestess.
01:00:34Go now, Karis.
01:00:37Kill the last unbeliever who disturbed the sleep of your beloved.
01:01:02John, isn't it time you came to bed?
01:01:09What's the matter?
01:01:10It's extraordinary.
01:01:12I've never noticed it before, but with your hair like that, you're the image of Ananka.
01:01:16Henri?
01:01:18She was considered the most beautiful woman in the world.
01:01:20Oh, I am flattered.
01:01:22Mind you, the world wasn't so big then.
01:01:23Oh, don't spoil it all.
01:01:30Have you heard anything more from the police?
01:01:32No, not since this morning.
01:01:34Why don't they hurry up and do something before there's another murder?
01:01:37Well, they're doing the best they can, I suppose.
01:01:39It's frightening to think there's some maniac wandering around loose in the countryside.
01:01:43Yes.
01:01:45Yes, it is.
01:01:50Oh, thank you.
01:01:54You know something, don't you?
01:01:57Well, it's just an idea.
01:01:59Have you told it to the police?
01:02:00I've told them, but they didn't believe me.
01:02:02I can't blame them either.
01:02:04Won't you tell me?
01:02:11It's just that I think the... the maniac might come here again.
01:02:15Here?
01:02:17Yes, he wants to kill me.
01:02:19John, what are you saying?
01:02:20Of course, I may be wrong, but if I'm not, my only chance of catching him is to sit here
01:02:24and wait.
01:02:24But you told me the police didn't believe you.
01:02:27They didn't.
01:02:30You're going to do this by yourself.
01:02:32What else can I do?
01:02:34I won't allow it.
01:02:36John, this is ridiculous.
01:02:38What can you do alone against this man?
01:02:40I'll have to take a chance.
01:02:42I'll have my gun and be ready for it.
01:02:45I won't let you.
01:02:48If what you think is true, you should get away now.
01:02:51Or at least ask for police protection.
01:02:53Darling, I tried to convince the inspector, but he wanted facts.
01:02:56Isabel, if you really want to help me, you'll go upstairs to your room and lock the door.
01:03:00Oh, but I...
01:03:01Isabel, I've never ordered you to do anything before, but I'm doing so now.
01:03:06Please do as I ask.
01:03:10Please go, Isabel.
01:03:13Very well, John.
01:03:18John, please take care.
01:03:24Hello, darling.
01:03:25How do you?
01:03:28I am.
01:03:28And why?
01:03:47Come on.
01:04:03Come on.
01:04:29Come on.
01:04:58Come on.
01:05:01Come on.
01:05:16No!
01:05:29Come on.
01:06:10Come on.
01:06:13Tommy.
01:06:14Are you all right?
01:06:29Come on.
01:06:32He thought your wife here was this an uncle woman. Is that it?
01:06:35You'll admit there's a strong resemblance.
01:06:36She's been dead 4,000 years.
01:06:39So has the mummy. The comatose state of living death.
01:06:43You know, Mr. Barion, this morning I was all for having you certified.
01:06:46And now?
01:06:47I've been asking questions all day, trying to get some sort of lead.
01:06:51And what I've come up with helps to confirm what you're saying.
01:06:55I'm glad you're convinced.
01:06:56I didn't say that, but it is a theory.
01:06:58My facts seem to have gone wrong.
01:07:02Now tell me what you know about this man who's supposed to be an Egyptian.
01:07:06What man?
01:07:07The one that's just taken the big house past the nursing home.
01:07:10An Egyptian?
01:07:10So the locals say.
01:07:12Though it's my belief they wouldn't know an Egyptian from a Chinese acrobat.
01:07:15But what's an Egyptian doing here?
01:07:16That's what I ask myself.
01:07:18Didn't you ask him?
01:07:19Mr. Banning, if he tells me he's over here to grow mushrooms, I'll have to accept it.
01:07:22And he's not likely to say he's over here to murder a few people.
01:07:25Don't you know anything about him?
01:07:27Nothing.
01:07:27I don't even know if he's really Egyptian.
01:07:29I could find out.
01:07:30No doubt, but you're not going to.
01:07:31This must tie up.
01:07:32It's too great a coincidence.
01:07:33If he's up to something, you'll be placing yourself in danger.
01:07:36I know it's your neck, but at the moment I'm partially responsible for keeping it where it belongs.
01:07:41It's my duty to warn you not to take any action yet.
01:07:43All right, Inspector.
01:07:44It'll take a little time, but I'll find out about him eventually.
01:07:47You're going, Inspector.
01:07:49I am, but I shan't be far away.
01:07:51Now, remember, Mr. Banning, no private police work, please.
01:07:55Good night, Inspector.
01:07:55Good night.
01:08:12Great God, we have accomplished what we set out to do.
01:08:17Now, the three desecrators are now dead.
01:08:20At last you have been avenged.
01:08:24Now, we are free to return to our own country, if that is your desire.
01:08:32You have done well, Carice.
01:08:34You may rest.
01:08:35Soon we start the long journey home.
01:08:47Rest, Carice.
01:08:48I will call you when it's time.
01:08:53Go.
01:09:08Come on, Cluster.
01:09:17Come on.
01:09:40Good evening.
01:09:42My name is Banning. I live a few miles from here.
01:09:45I'd heard there was a newcomer to this rather lonely district,
01:09:47so I thought I'd pay your neighborly call.
01:09:50This is very courteous of you, Mr. Banning.
01:09:53I hope I haven't called at an inconvenient time.
01:09:57Not at all. Do come in.
01:10:05My name is Mehmed Akir.
01:10:08This way, please.
01:10:14It is so difficult getting to know people in a strange land.
01:10:18You come from Egypt, don't you?
01:10:20Yes, I do.
01:10:21I spent many years in your country.
01:10:25You must know Egypt very well, then.
01:10:27There's still a lot I want to learn.
01:10:33You're not Banning the archaeologist.
01:10:35John Banning, junior member.
01:10:37Of course. You're Stephen Banning's son.
01:10:40You knew my father?
01:10:42Only by reputation.
01:10:44I haven't heard about him lately. Has he retired?
01:10:48My father is dead.
01:10:50I'm sorry.
01:10:52Please accept my sympathy.
01:10:54May I have your coat?
01:10:59Won't you sit down?
01:11:06Well, this is indeed an honor.
01:11:09To meet someone who has taken part in unearthing so many of the sacred secrets of my country.
01:11:14Are you interested in archaeology?
01:11:16Yes, I am.
01:11:19Academically, that is. Not commercially.
01:11:23It has often puzzled me about archaeologists.
01:11:25Has it never occurred to them that by opening the tombs of beings who are sacred, they commit an act
01:11:32of desecration?
01:11:33If we didn't, the history of your country and either of a great part of civilization would still be unknown.
01:11:38Nevertheless, those tombs were sealed for all time.
01:11:41You are an intruder.
01:11:43You force your way in.
01:11:45You remove the remains of the long-dead kings and send them to places like the British Museum,
01:11:51where thousands of people can stare at them.
01:11:55Does this not trouble your times?
01:11:57Your conscience, perhaps?
01:11:59No, it's my job.
01:12:00But it troubles you.
01:12:02Why should it trouble me?
01:12:04I'm a civilized man, Mr. Banning.
01:12:07To me, the dead are the dead.
01:12:09Clay.
01:12:11Can I offer you some refreshment?
01:12:14No, thank you.
01:12:16A cigar, perhaps?
01:12:18Do you mind if I keep to these?
01:12:21Not at all.
01:12:25I'm very sorry to hear about your father.
01:12:28When did he die?
01:12:30Recently.
01:12:33Had he been ill for some time?
01:12:36Yes, he had.
01:12:38But that wasn't the cause of his death.
01:12:41What was the cause then?
01:12:44He was murdered.
01:12:45Oh.
01:12:49It was a great shock to me.
01:12:53Oh, please forgive my apathy.
01:12:56In my country, as you know, violence is quite commonplace.
01:13:00It doesn't leave the same impression as it does in this peaceful, well-ordered community.
01:13:05The history of your country is steeped in violence.
01:13:09Indeed it is.
01:13:10I remember the opening of Princess Ananka's tomb.
01:13:14She was height recessed to a pagan god, Karnak.
01:13:16We have reason to believe that over a hundred people were put to death during her funeral rites.
01:13:21Most probably.
01:13:22And Karnak wasn't a particularly important deity, a third-rate god.
01:13:27Not to those who believed in him.
01:13:29Perhaps not.
01:13:30But their standard of intelligence must have been remarkably low.
01:13:34Why do you say that?
01:13:36He was insignificant.
01:13:38He had nothing to commend him to anyone with the slightest degree of intelligence.
01:13:42But surely you're assuming a great deal.
01:13:44I don't think so.
01:13:46I made an extensive study of this so-called religion.
01:13:49It was based upon artificial creeds and beliefs, some of them ludicrous in the extreme.
01:13:54Did it ever occur to you that beneath the superficial you've learned about,
01:13:58there could be a great and passionate devotion to this god?
01:14:01Well, it occurred to me, but I dismissed it.
01:14:05You're intolerant, Mr. Banning.
01:14:07Not intolerant, just practical.
01:14:10Intolerant.
01:14:13Because you are unable to experience the greatness of a deity,
01:14:17you dismiss it as of no consequence.
01:14:22But believe me, to those who worship and serve Karnak, he is all-powerful.
01:14:28Surely there can't be people who still have such beliefs.
01:14:33Now you talk about something of which you know nothing.
01:14:37You've scratched only the surface, and you know nothing.
01:14:41You assume the right to disturb the everlasting peace of the gods.
01:14:46You pry and meddle with unclean hands and eyes.
01:14:51Profanity, blasphemy, religious desecration, all these you are guilty of.
01:14:57But the powers with which you have meddled do not rest easy.
01:15:04I think you will not go unpunished.
01:15:07Punished? By who?
01:15:10There are certain things for which civilization has no answer.
01:15:15But if you choose to meddle thus, then you must be prepared to face the consequences, whatever they are.
01:15:22Consequences? It sounds like a threat.
01:15:26You must excuse me, Mr. Banning.
01:15:29We like to think that our European dress, our liberal education have varied the past.
01:15:35But occasionally one is forced to realize that all this is only a veneer.
01:15:41Thousands of years of traditional belief cannot be dismissed in one generation.
01:15:46Please accept my apologies.
01:15:48Please.
01:15:49I should apologize to you.
01:15:51After all, I only came here to welcome you.
01:15:53I'm afraid I got rather carried away.
01:15:56I mustn't detain you any longer.
01:15:59You haven't detained me at all.
01:16:09May I?
01:16:11Please do.
01:16:14See?
01:16:15The 20th dynasty, isn't it?
01:16:17The 19th.
01:16:19Oh, yes, of course.
01:16:20That's stupid, aren't they?
01:16:22Have you any other pieces in this period?
01:16:24Very few, I'm afraid.
01:16:26A large consignment was lost in transit, I'm sorry to say.
01:16:29How unfortunate.
01:16:30The trouble is, these things are irreplaceable.
01:16:32Quite.
01:16:34Most interesting.
01:16:44Thank you for calling.
01:16:46We shall meet again.
01:16:47It's a small world.
01:16:49Good night.
01:16:50Good night.
01:16:51Good night.
01:17:21Good night.
01:17:22Good night!
01:17:22Good night.
01:17:23have failed you. The task is not yet accomplished, but this will be remedied.
01:17:28Before the sun strokes the horizon, the last desecrator will be dead.
01:17:34This I promise. I have served you faithfully, great God, to the best of my humble ability.
01:17:43But if it should be that I'm unable to commune with you again, then so be it.
01:17:53We go now. Our fate and our destiny we place in your merciful hands.
01:18:15Come, Carice. This time you shall not fail.
01:18:20If it had strangled you there and then it would have served you right.
01:18:23Inspector, my father and his brother were both being killed. I had to do something.
01:18:27Anyway, I found out what you wanted.
01:18:28Are you sure it was him?
01:18:30I'm certain. Apart from his conversation, he had the seal to an uncle's tomb.
01:18:34And what more do you want, Inspector? Surely...
01:18:37I'll tell you, Mrs. Banning. Perhaps your husband is right. Perhaps this man is controlling the mummy.
01:18:42I'm inclined to think he is. But what you don't understand is he has been forced into a position where
01:18:47he has got to act and act soon.
01:18:48I didn't want to force any action until I was ready to deal with it.
01:18:51At that time it might have been too late.
01:18:53Couldn't we get more help?
01:18:54At the moment the sergeant is trying to round off some of the villagers.
01:18:57In the meantime, all I have is P.C. Blake and another man.
01:19:00Where are they?
01:19:01Blake is at the back of the house. The other man is up the road.
01:19:03Let's look.
01:19:05Now, sir, as you're acting as decoy, I think it would be safer if Mrs. Banning came with me.
01:19:09Oh, I don't think so.
01:19:10Oh, don't worry, Mrs. Banning. The man up the road will give us plenty of warning.
01:19:13It's best.
01:19:19If anything happens, fire your gun as a signal.
01:19:50Here he of it are.
01:19:53Let'sし up.
01:19:56Oh, my goodness,ive is over me.
01:20:06You are sharp, Miss.
01:20:06I'm over him.
01:20:09Call me.
01:20:12I will tell you.
01:20:13I'll be sure.
01:20:41Let's go.
01:20:57You stay here, Mrs. Benning.
01:20:59I'm going around the front to check up.
01:21:01All right.
01:21:12You stay here, Mrs. Benning.
01:21:13Let's go.
01:22:24Inspector Mulroney!
01:22:26Inspector Mulroney!
01:22:47Inspector Mulroney!
01:22:52Isabel, go ahead!
01:23:04Stop!
01:23:23Kill her, Carys. Kill her!
01:23:37Kill her!
01:23:43Kill her!
01:24:11What happened?
01:24:14He's taken Isabel.
01:24:23Where do you think you'll take her?
01:24:25The house.
01:24:38Wait! Look!
01:24:44He's taking her to the swamp!
01:25:00No! Don't risk it!
01:25:11Don't shoot!
01:25:12She'll hit Mrs. Benning!
01:25:16Now what are we going to do?
01:25:18Isabel!
01:25:18Have the men line up here.
01:25:20Come on.
01:25:20In a position.
01:25:25Isabel!
01:25:26Isabel!
01:25:27This is John!
01:25:28Isabel!
01:25:29Isabel!
01:25:34Isabel!
01:25:35Tell him to put you down.
01:25:37Tell him, Isabel!
01:25:38Quickly!
01:25:40Carys!
01:25:45Carys!
01:25:46Put me down!
01:25:48Let's get round the other side.
01:25:49Tell the men to be ready.
01:25:51Stand by, Ben!
01:25:52Be ready!
01:25:56Put me down!
01:25:58Carys!
01:25:59Put me down!
01:26:23Isabel!
01:26:25Start walking towards me!
01:26:26Slowly!
01:26:27When I shout, get down as low as you can!
01:26:33Now, Isabel!
01:26:34Fire!
01:26:44See you.
01:26:58Come on!
01:27:00Come on!
01:27:29Time To be alone!
01:27:30No!
01:27:44No!
01:27:46No!
01:27:48No!
01:27:48No!
01:27:49No!
01:27:49No!
01:27:50No!
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