- 3 weeks ago
- #swingingsixties
- #britishdrama
- #classiccinema
Welcome back to our vintage cinema archive, your ultimate digital destination for premium restorations of golden age international cinema. Today, we step back into the vibrant, rapidly changing streets of 1965 London for a candid look at youth culture and social exploration: the atmospheric 1965 drama, The Pleasure Girls.
Directed by Gerry O'Hara, this film is a stylish and authentic piece of 1960s British cinema that eschews the typical stereotypes of the era to provide a grounded, often bittersweet look at the lives of four young women sharing a London apartment. Each character represents a different facet of the evolving social landscape: some are pursuing professional dreams, while others are navigating the complex, often unpredictable waters of love, independence, and personal discovery. The film is beautifully noted for its depiction of the mid-60s metropolitan lifestyle—the coffee bars, the fashion, the burgeoning nightlife, and the quiet struggles beneath the surface of the "swinging" city. Featuring a compelling early-career performance by Francesca Annis and a memorable appearance by the intense Klaus Kinski, the narrative captures the optimism and the inevitable disillusionment that often comes with the pursuit of a modern lifestyle.
With its sharp, observational script and evocative cinematography, The Pleasure Girls remains a definitive—and criminally under-seen—milestone of British mid-century drama. Our channel is fiercely dedicated to preserving historic film treasures, offering a curated library of vintage dramas, rare B-movies, gritty film noir thrillers, classic westerns, and timeless high-seas swashbucklers.
If you love exploring premium archives of full-length 1960s and 1970s feature films, please support our movie preservation mission by liking this video, leaving a comment below to share your thoughts, and subscribing for daily classic cinema releases!
#SwingingSixties #BritishDrama #ClassicCinema
Directed by Gerry O'Hara, this film is a stylish and authentic piece of 1960s British cinema that eschews the typical stereotypes of the era to provide a grounded, often bittersweet look at the lives of four young women sharing a London apartment. Each character represents a different facet of the evolving social landscape: some are pursuing professional dreams, while others are navigating the complex, often unpredictable waters of love, independence, and personal discovery. The film is beautifully noted for its depiction of the mid-60s metropolitan lifestyle—the coffee bars, the fashion, the burgeoning nightlife, and the quiet struggles beneath the surface of the "swinging" city. Featuring a compelling early-career performance by Francesca Annis and a memorable appearance by the intense Klaus Kinski, the narrative captures the optimism and the inevitable disillusionment that often comes with the pursuit of a modern lifestyle.
With its sharp, observational script and evocative cinematography, The Pleasure Girls remains a definitive—and criminally under-seen—milestone of British mid-century drama. Our channel is fiercely dedicated to preserving historic film treasures, offering a curated library of vintage dramas, rare B-movies, gritty film noir thrillers, classic westerns, and timeless high-seas swashbucklers.
If you love exploring premium archives of full-length 1960s and 1970s feature films, please support our movie preservation mission by liking this video, leaving a comment below to share your thoughts, and subscribing for daily classic cinema releases!
#SwingingSixties #BritishDrama #ClassicCinema
Category
🎥
Short filmTranscript
00:00:29Transcription by CastingWords
00:00:36So, let's go.
00:04:23Here, let me take them.
00:04:26Well, the age of chivalry, isn't it?
00:04:28It is, but we can't have you falling down the stairs, can we? Think of the mess.
00:04:31Very thoughtful.
00:04:32You're the new one for the top flat, aren't you?
00:04:35I hope you know what you're doing.
00:04:36They're all mad.
00:04:37Angela's a nut.
00:04:38And as for Marion, well, I don't know what to make of Marion.
00:04:40Where do you fit in?
00:04:41I'm Dee's brother.
00:04:43We live in the flat below with another nutcase, an Australian girl.
00:04:45Oh, you mean Dee Wells.
00:04:46Oh, you mean Dee Wells.
00:04:46That's right.
00:04:47I'm Paddy Wells.
00:04:48Oh, super.
00:04:49We've all been at Longford together, Angela, didn't I?
00:04:52I'm Sally Feathers.
00:04:53Yes, I know.
00:04:53Nice to see you bounding around at the school sports.
00:04:55Yes, I expect you did.
00:04:57Oh, not more stairs.
00:04:58Last lap.
00:04:59Hey, Angela.
00:05:01I brought your new lodger.
00:05:03Sally.
00:05:04Hello.
00:05:05Angela at Mart.
00:05:06Hey, you're looking marvellous.
00:05:08Me too.
00:05:09You've met Paddy.
00:05:10He's very sweet and he's very useful.
00:05:12He works in the rag trade.
00:05:13Is that the only reason you love me?
00:05:14Now, Paddy, darling, you know you're the only real man in my life.
00:05:17Steady or I might call you a bluff then.
00:05:18What would you do?
00:05:19Mm-hmm, that'll be the day.
00:05:20Lucky for you're going to go now.
00:05:21Bye-bye.
00:05:22Bye-bye.
00:05:23Come and see the flat.
00:05:23Oh, and thanks.
00:05:25Actually, it's in a bit of a mess.
00:05:27Oh, it's super.
00:05:29From what you said in your letter, I expected some desperate slum with cockroaches, the
00:05:33leaking roof and the lawn.
00:05:34Oh, hell, we pay enough for it.
00:05:35Fifteen quid a week.
00:05:37Hey, super hattie.
00:05:39Actually, your room's a bit tidier than the rest.
00:05:41It's been empty since we got Elsa married on.
00:05:43Come and see it.
00:05:44Good.
00:05:45Yeah.
00:05:47Well, I thought she was never going.
00:05:49And I was, trapped in the wilds.
00:05:51Daddy wouldn't hear of me coming to London until I found a nice girl to share with.
00:05:56Thank you for those few kind words.
00:05:57Oh, by the way, that's the kitchen and that's the bathroom.
00:06:06Here we are.
00:06:10I could have gone in with Sue and Pam, but Daddy wouldn't agree.
00:06:13He says she's the type that's found to end up a fallen woman or something.
00:06:16What about me, for God's sake?
00:06:18Oh, darling, you can do no wrong.
00:06:20He says you're a good sort, not one of those dreadful beatniks, all eye-shadow and acorn beads.
00:06:23Oh, he hasn't seen me lately.
00:06:25And what about Marion?
00:06:27She fell out of her cot and never really got up again.
00:06:29Yes, Perry mentioned her.
00:06:31She's a nice kid, actually, but she's very unlucky with the men.
00:06:35Hey, that's my book.
00:06:37Incidentally, she's got the most infuriating habit of whipping one's stockings and things.
00:06:40Mm-hmm.
00:06:41If she's got a heavy date on, she'll raid all the gladrags, so watch out.
00:06:44Right.
00:06:45Yes, but you're a soft touch.
00:06:48Well, I'll get tough.
00:06:49You do that.
00:06:50Come on.
00:06:57Marion, this is Roger the lodger.
00:06:59Hi.
00:06:59Hello.
00:07:00Welcome to the sweet life.
00:07:02Big joke.
00:07:03Oh, what a day.
00:07:04I'm exhausted.
00:07:06What have you been doing?
00:07:07Oh, typing.
00:07:09I hate it.
00:07:10I love this flat.
00:07:11It's so alive and the country's so boring.
00:07:13I thought I'd never get here.
00:07:14Ah!
00:07:16Hello, Lou.
00:07:17Ah, what?
00:07:20What on earth is going on?
00:07:22I've cut my leg with a razor.
00:07:23There's blood all over the place.
00:07:25Have you got any plaster?
00:07:26Hang on.
00:07:26I'll break some out.
00:07:30Sally, come and say hello to Dee.
00:07:33Love to.
00:07:34Tell her I'll donate blood.
00:07:35For a price.
00:07:37Hello, Dee.
00:07:38Oh, I'm going to get you.
00:07:41What have you been doing?
00:07:42Oh, me or nothing.
00:07:43I'm waiting for this.
00:07:44Listen, Dee, I thought you were bleeding to death.
00:07:46Yeah, I was.
00:07:47I'm sure that razor's poised.
00:07:48Oh, but don't tell Patty, he goes mad if I use his thing.
00:07:50I've heard that.
00:07:51What things are money you've been using?
00:07:53Nothing.
00:07:54Blood.
00:07:54I can't stand.
00:07:55There's not blood.
00:07:56I say, everybody, I bumped into Miss Australia downstairs with a most marvellous man.
00:08:01Darling.
00:08:01Look outside.
00:08:02What?
00:08:03What's it?
00:08:05Good old Cobber.
00:08:06She always picks them quick.
00:08:07We must miss this one.
00:08:09Hey, Cobber.
00:08:11All right, there you go.
00:08:13You mind?
00:08:15Tell him to come up.
00:08:16He's smashing.
00:08:18You can't stay.
00:08:19He's got a milk round.
00:08:20Pity, I like the car.
00:08:22Hey, we can do with some milk.
00:08:28I think I'll have to get a job with a crazy horse.
00:08:30She seems to meet loads of rich men.
00:08:32Oh, darling, you're getting to sound awfully mercenary in your old age.
00:08:35What else, when I'm married, will be for love and money?
00:08:37Isn't that romantic?
00:08:38I don't know how Cobber can stand the hours at that club.
00:08:40You stand only for money.
00:08:42Can I borrow your brush, though?
00:08:43Yeah.
00:08:43Oh, I don't know.
00:08:44She goes on at seven.
00:08:45She's three by twelve.
00:08:45So I'm on the sideline.
00:08:46What else does she do?
00:08:47Uh, takes elocution lessons.
00:08:49She wants to act.
00:08:50Crokey mates, don't do that again.
00:08:52You'll scare him off.
00:08:52Oh, my God, I've forgotten about my hair.
00:08:55He's rather dishy.
00:08:56What's his name?
00:08:57Peter.
00:08:57Peter who?
00:08:58Peter E-Type.
00:09:00Come on, darling, do you know Sally?
00:09:01Hello, Sally.
00:09:02Come on, kids, tea.
00:09:03Oh, fabulous.
00:09:04You're a beautiful, Paddy.
00:09:05Of course I am.
00:09:06I should have been a missionary to the Australians.
00:09:08I don't know what they would have made of you at home, Paddy.
00:09:10Oh, well, perhaps I'm not cut out for the great outdoors.
00:09:13Anyway, who'd run problem corner?
00:09:15Paddy gives comfort to the love lawn.
00:09:17Oh, fine, but I'm on the career kick.
00:09:19No time for love.
00:09:20Darling, it was fine time.
00:09:21Who's going to keep you when you're too old for modelling?
00:09:22Well, hey, give her a chance.
00:09:24She hasn't begun yet.
00:09:25When do you stop model school?
00:09:2610.30 Monday morning.
00:09:28Hmm.
00:09:28That only gives you tomorrow and Sunday.
00:09:30Well, it's a good thing.
00:09:31I won't have time to get bored.
00:09:32Oh, you are taking Sally to Neville's party, though.
00:09:34Of course.
00:09:35Oh, no, really.
00:09:36I think I'll just unpack and leave about.
00:09:38No, no, no, you won't.
00:09:39You're going to come to this party.
00:09:40It'll be smashing.
00:09:41It's a firework party.
00:09:42Oh, oh, Superman.
00:09:44Oh, you've got to come, Sally.
00:09:45It's going to be a marvellous party.
00:09:47It is.
00:09:47It's going to be a marvellous party.
00:09:48Oh, my God.
00:09:50I'm so drunk.
00:09:51Ow, ow.
00:09:52Ow.
00:09:53Be careful.
00:09:53Hey, be careful.
00:09:57Are you going to the party, Paddy?
00:09:59I can't, darling.
00:10:00I'm going to the stag party.
00:10:01Oh, do go.
00:10:02Look, I'll go if you will.
00:10:04Oh, very sweet.
00:10:06I can't get out of this other thing, unfortunately.
00:10:09But you're going if I have to deposit you on the doorstep.
00:10:18Ow, Mike!
00:10:26Ow, oh, Mike!
00:10:30Oh, Mike!
00:10:31Oh, Mike!
00:10:31Oh, Mike!
00:10:32Oh, Mike!
00:10:33Oh, Mike!
00:10:33Oh, Mike!
00:10:34Oh, Mike!
00:10:36Oh, Mike!
00:10:36Oh, Mike!
00:10:45Hey!
00:10:46Hey, Niko, Jack!
00:10:48Oh, he's going out!
00:10:51Oh, he's going out!
00:10:52Oh, he's coming out!
00:10:54Oh, Mike!
00:10:57Oh, Mike!
00:10:59Hey.
00:11:00Hey, Niko, Jack!
00:11:01Oh, Mike!
00:11:01Who's the new chick?
00:11:02Don't bother.
00:11:02She's not ready for you yet.
00:11:04She's not ready for me now.
00:11:05She never will be.
00:11:06Suit yourself.
00:11:14Hey, Tad, Serena's looking for you.
00:11:17That's all I need.
00:11:19Who's Serena?
00:11:21What?
00:11:21I said, who's Serena?
00:11:22Oh, Serena, she's a girl.
00:11:24Well, I didn't think she was a dog.
00:11:26Actually, she is a bit of a dog.
00:11:28Oh, charming.
00:11:30Can you say that about all the girls?
00:11:31No, they're the dogs.
00:11:34No, actually, you see, Serena's not here.
00:11:36I just wanted to lose Tad.
00:11:38You did?
00:11:39Yeah.
00:11:42Why don't you tell me to look after you, you see?
00:11:44Well, I can take care of myself, thank you.
00:11:46Very dodgy characters around here.
00:11:47You might get laid straight.
00:11:49And, of course, there's nothing dodgy about you.
00:11:51Come inside, no, Mark, you can't.
00:11:59Incidentally, my name's Keith Dexter.
00:12:01What do you do?
00:12:02Oh, well, how do you do?
00:12:03No, I said, what do you do?
00:12:05Oh, I'm a photographer.
00:12:06Oh, really?
00:12:07Are you any good?
00:12:08Great, my photographer's good, too.
00:12:10And you're the sort of chap I've been hoping to meet.
00:12:12Good.
00:12:12I mean, I'm going to become a model.
00:12:14My name's Sally Feathers.
00:12:16Great name.
00:12:17Makes you think of pillow fights.
00:12:18And public houses.
00:12:19Now, you're not one of the poor feathers.
00:12:24Incidentally, where do you speak from?
00:12:25I haven't seen you around before.
00:12:26I'm fresh from the country today.
00:12:28Like a new lady.
00:12:29That's right.
00:12:29You haven't got one of those little lions, don't you?
00:12:32No, I haven't.
00:12:34Shall we dance?
00:12:36Hmm.
00:12:54Has he got to you already?
00:12:55Has he given you the I can get you on the front of Vogue bit yet?
00:12:58He will.
00:12:59You know all the wrong people, you know.
00:13:01It wasn't Vogue.
00:13:01I was hoping to get you on the smear with it.
00:13:03Hey, darling, this is Sally, a friend of Angie's.
00:13:05This is Prinney, Polish nobility, way back.
00:13:08A long way back, I'm afraid.
00:13:10Well, Keith, what's new?
00:13:11Need a good agent?
00:13:12I'm your man.
00:13:12Don't call me.
00:13:13I'll call you.
00:13:14Come on, let's get to the bar.
00:13:15See you later.
00:13:18Come, Prinney, it's about as titled as I am.
00:13:20Oh, he looks very aristocratic.
00:13:21Hmm, it's not a word croupier.
00:13:22I hear Marion's stuck on him, but I gather he treats her badly.
00:13:25He's no gentleman, the prince.
00:13:28Do you know everyone here?
00:13:29Yeah, pretty well.
00:13:30You meet them all up and down to King's Road.
00:13:33Where do you meet Angie?
00:13:34I'm staying at her flat and we went to school together.
00:13:36Not number 48.
00:13:37Hmm.
00:13:38Oh, no, not another one.
00:13:40What do you mean?
00:13:41Oh, number 48, right, block, that is.
00:13:42What are you talking about?
00:13:44Oh, the Australian girl's living there,
00:13:45and that tall bitch with the wet brother.
00:13:48Dee Wells happens to be a friend of mine,
00:13:50and her brother's very nice.
00:13:51It's a damn psych better manner than you are, anyway.
00:13:54Oh, wait a minute.
00:13:55Don't take off like a rocket.
00:13:56Well, I'm not standing here listening to you criticising my friends.
00:13:59Darling, little darling, calm yourself.
00:14:01If I've said something that's made you angry, I'm sorry.
00:14:04I didn't mean it.
00:14:05I really am sorry.
00:14:06All right.
00:14:07Get me a drink, then.
00:14:09At your service.
00:14:17Excuse me.
00:14:19Dean, you've got to introduce us.
00:14:21I'm dying for Cigarette.
00:14:22Of course.
00:14:23And Nico Stalmer and Sally Feathers.
00:14:26Be nice to him as our landlord.
00:14:27Oh, good.
00:14:28Can't you get him to lower the rent?
00:14:30Well, I'm working on it.
00:14:32Now I understand why he came out with me.
00:14:34This is a crazy party.
00:14:35The men are either very rude or super.
00:14:37Well, here comes one kind.
00:14:39Now, which kind of what?
00:14:41Harlow passport photographs.
00:14:43Oh, would you love to be secretary of my family?
00:14:45Which phone box are they meeting in nowadays?
00:14:47Do you know each other?
00:14:48Oh, yeah, with me.
00:14:49How do you do?
00:14:50Nico, darling, want when to think about leaving.
00:14:53Whenever you want, darling.
00:14:54Already?
00:14:54Well, these places get a bit much when the word gets right.
00:14:57It's getting a bit crowded.
00:14:58Well, make room for some others.
00:14:59We're going to play Shenley.
00:15:01I'm addicted to gambling, and Dee brings me luck.
00:15:04And Shannon, do meet you, darling.
00:15:05Bye.
00:15:05Bye, darling.
00:15:06See you tomorrow.
00:15:07All right.
00:15:07Have a nice time.
00:15:09She picks him like a water diviner.
00:15:12Now what?
00:15:13I thought he was sweet.
00:15:14Sweet?
00:15:15Shannon makes his money than rent like it.
00:15:17Let no bloody rotten tell him it's the West Indians.
00:15:19Oh, I don't believe it.
00:15:20Darling, it's true.
00:15:21Your friend Dee knows it.
00:15:22I mean, she's money mad.
00:15:23She'll sit with him every night in the casino.
00:15:25Every time he wins, he'll give her a few chips.
00:15:27She's a shemmy, darling.
00:15:28She wouldn't accept money like that.
00:15:31You see that drawing on her finger?
00:15:33You don't get rings like that in the work and go to fame.
00:15:36Yes, I did see.
00:15:36It's beautiful.
00:15:38Yeah, well, they'll let me catch you dripping with diamonds, eh?
00:15:40Well, what am I doing here with you?
00:15:42Don't talk photographers, shall they're girlfriends with diamonds?
00:15:44Oh, sure.
00:15:45Mixed cars, the lot, you know?
00:15:47Are you going to be a big head when you get home?
00:15:49Do you really think I'm a big head?
00:15:51I mean, does he show?
00:15:52Comes out and you're dancing.
00:15:53Does he?
00:15:54Come on, I'll have another look.
00:16:00Do you really think I am?
00:16:02Do you think I'm crazy?
00:16:03No, that's right.
00:16:04Do you think I'm crazy?
00:16:05Angie.
00:16:06Peter, this is Angie.
00:16:07Hello.
00:16:08You know, the girl scared you off this afternoon.
00:16:09I bet I did.
00:16:10You looked a bit of a witch.
00:16:11I had just washed my hair.
00:16:13Don't look like a witch now, do I?
00:16:14No.
00:16:15You were right the first time.
00:16:16She'd be in that little photo you'd have seen her room.
00:16:18Oh, charming.
00:16:19You'd like my mother, haven't you?
00:16:20Yeah.
00:16:21Hey, look who's how he's dancing with.
00:16:23Do you think you love me?
00:16:25The piece doesn't waste any time.
00:16:27Please love me.
00:16:30If you're just sure you love me, just let me be who you think I am.
00:16:34Did we do this on Mr. X7?
00:16:36Yes, it was all arranged at the hunt ball.
00:16:38Oh, come on.
00:16:39Do you think I am?
00:16:40Do you think I am?
00:16:42Yeah, you think I am?
00:16:44Oh, young baby.
00:16:46Yeah, young baby.
00:16:50Do you love me?
00:16:52No!
00:16:52Do you want me?
00:16:54No!
00:16:55Ain't I clean?
00:16:56No!
00:16:58I am.
00:16:59When you are there.
00:17:02Who do you think I am, baby?
00:17:03Who do you think I am?
00:17:05Who do you think I am?
00:17:07Who do you think I am?
00:17:08Do you think I'm crazy?
00:17:10Do you think I'm crazy?
00:17:12Yeah, I'm a baby.
00:17:14Oh, baby.
00:17:17If you're the choice of me, just let me be and tell me what you think I am.
00:17:22Oh, baby.
00:17:23Baby, what do you think of me?
00:17:24What do you think of me?
00:17:26Baby, what do you think of me?
00:17:28Do you think you love me?
00:17:30Do you think you love me?
00:17:32Oh, love me.
00:17:34Please, love me.
00:17:36If you're not sure you love me
00:17:38Just let me be who you think I am
00:17:41Oh, I think I am
00:17:42Yeah, I think I am
00:17:44Oh, I think I am
00:17:47Hey
00:17:49Ah, honey, child, honey, child
00:17:51You think I am
00:17:53Yeah, you think I am
00:17:55Oh, yeah, baby
00:17:57Yeah, yeah, baby
00:17:59Do you love me?
00:18:03No!
00:18:04Do you want me?
00:18:06Ain't I clean?
00:18:08Oh, yeah
00:18:12Oh, yeah
00:18:14Ooh, yeah
00:18:19Oh, yeah
00:18:30The
00:18:30The
00:18:30The
00:18:30The
00:18:30I'm sorry, I'm sorry, I'm sorry.
00:18:44C'est la banque.
00:18:46J'ai dis-donc.
00:18:50Je ne sais pas.
00:18:51J'ai dis-donc.
00:18:51J'ai dis-donc.
00:18:52Je ne sais pas.
00:18:53Je ne sais pas.
00:18:56Neuf.
00:18:59Et c'est là-bas.
00:19:02Let's go.
00:19:14Should we go down?
00:19:16Yes, let's.
00:19:23Charming.
00:19:25I should have been a farmer.
00:19:41Thank you very much.
00:19:52This should be me.
00:19:53I'll buy you one.
00:19:56Thanks, darling, but I don't want to be all meat-top like a tart.
00:20:00If you'd like to buy me a sports car or a mini.
00:20:04What about parking meters?
00:20:05Oh, those nasty little men with books and pencils.
00:20:08Is it driving test?
00:20:09Nothing to it.
00:20:09I used to drive a tractor in the holidays.
00:20:11Okay, I'll buy you a tractor.
00:20:13Come on.
00:20:27Go on.
00:20:29I feel wonderful.
00:20:30Everything's so fresh.
00:20:33Isn't it awful? People are working. We haven't been to bed yet.
00:20:38A couple of hours, Trishy.
00:20:39Yes, I don't.
00:20:40I'll give them a chance. Great stuff for hangovers.
00:20:43Is it?
00:21:10You know, the odd thing is that I don't want to go to bed with you.
00:21:13Oh, how very disappointing.
00:21:15Thanks. I'll see my doctor about night starvation.
00:21:18Is this why I'm listless and unattractive to men?
00:21:21Don't send me up. Here am I, trying to behave like a gentleman.
00:21:23You're very decent and terribly British.
00:21:25Oh, good, sir.
00:21:27I'll tell you one thing. I didn't come to London with that in mind.
00:21:31Even in the country, there's a touch of the sweet life. It's not exclusive.
00:21:34Yeah, yeah, but seriously.
00:21:36Yes, seriously.
00:21:37Stop sending me out.
00:21:39Seriously, I'll stop sending you out.
00:21:41Good. Now, where were we?
00:21:42You didn't want to go to bed with me.
00:21:45That can't be right.
00:21:46It is. I have it all written down.
00:21:48You'll hear from my lawyer in the morning.
00:21:50I shall appeal to a higher court now, will you?
00:21:52Get me my lawyer, please.
00:21:53There is no appeal. You've lost your case.
00:22:05How do you plead mitigating circumstances?
00:22:07Like I've got a wooden leg.
00:22:09No, something psychological.
00:22:11Like I'm a mixed up kid. I am.
00:22:13Will you help me to a better life?
00:22:14I might.
00:22:16Yeah, well, will you help me up these steps to your flat and make me a cup of coffee?
00:22:19No, I will not.
00:22:21No, you will not.
00:22:24Shall I call you tomorrow, then?
00:22:25I mean today.
00:22:26Hmm.
00:22:27Do you know the number?
00:22:28It's emblazoned on my heart.
00:22:31Just how do you know the number?
00:22:34Cobra and I were friends for a time.
00:22:37And?
00:22:38Blew me out.
00:22:40I had a fool for a while, but she tumbled me. Do you think you will?
00:22:43I wonder.
00:22:44If you really want to know, she wanted to go up in the world, not down.
00:22:48Oh, what about me? Are you going to drag me down?
00:22:50Down and down onto a feather bed of love.
00:22:54All right.
00:22:56Good night, Mr. Dexter.
00:23:02Good night, Miss Feathers.
00:23:32Good night, Miss Feathers.
00:23:33Good night, Miss Feathers.
00:23:36Good night, Miss Feathers.
00:23:38Good night, Miss Feathers.
00:23:42Good night, Miss Feathers.
00:23:42Good night, Miss Feathers.
00:23:43Good night, Miss Feathers.
00:23:43Good night, Miss Feathers.
00:23:43Good night, Miss Feathers.
00:23:43Good night, Miss Feathers.
00:23:44Good night, Miss Feathers.
00:23:44Good night, Miss Feathers.
00:23:45Good night, Miss Feathers.
00:23:47Good night, Miss Feathers.
00:23:51Good night, Miss Feathers.
00:24:19Missed it.
00:24:19I can't stand people who ring off before you get there.
00:24:22Oh, never mind. They'll ring again.
00:24:23Once again.
00:24:24Yes. I'll put the kettle on if you get the letters.
00:24:26Okay.
00:24:32Hello. Good morning.
00:24:37The nightbirds are staring at last.
00:24:39Oh, Panny, you should have been with us. It was great fun.
00:24:41Did you miss me?
00:24:42Inconsolably.
00:24:43Except I met a rather super young photographer.
00:24:46Well, you wouldn't come with us.
00:24:47I couldn't, darling.
00:24:48Well, you could have taken me to yours.
00:24:49Oh, hardly, darling. It was not that sort of party.
00:24:52I'm so behind this morning.
00:24:53Well, we've done all your shopping. We haven't done anything.
00:24:56This is only half of it.
00:24:57I'm going again when Ivor comes.
00:25:00Who's Ivor?
00:25:01Friend of mine.
00:25:02Oh, is he nice?
00:25:03Well, some people don't like him.
00:25:04He's a bit unconventional, you know.
00:25:06And, of course, he's got the tongue of a demon.
00:25:08That doesn't make friends an influence to people.
00:25:09Sounds clever.
00:25:10Oh, he is. Very.
00:25:11We work together. He's a buyer.
00:25:13Oh, I thought they were always women.
00:25:14No, not always.
00:25:15See you later.
00:25:16See you later.
00:25:16Come on.
00:25:20Is Paddy a good job?
00:25:21Yes, very.
00:25:22Paddy has invited a friend over.
00:25:24I brought something.
00:25:25Oh, Patrick.
00:25:26Honestly, if all the men in the world were like that, I think I'd shoot myself.
00:25:30Like what?
00:25:30Oh, nothing.
00:25:33Hey, listen.
00:25:35Sue Rogers is marrying that awful boy Paul from Mansfield.
00:25:38No, let's be.
00:25:39Your father needn't have worried about her being a foreign woman.
00:25:42She's fallen on her feet.
00:25:43His family are loaded.
00:25:45I'm not going to pay you to.
00:25:46All right.
00:25:47Well, where's the tea then?
00:25:48I've got a mouth like a snake pit.
00:25:50Good morning, sweet prince.
00:25:52Oh, you are horrible.
00:25:53I'm sure men don't look as bad as that, do they?
00:25:55We've got to know this morning.
00:25:56Oh, look, don't have a go of me.
00:25:57Go and make some tea.
00:25:58All right.
00:25:59Coming up.
00:25:59Almost immediately.
00:26:00See, some people like a fag first thing in the morning.
00:26:02I like tea.
00:26:03One pint of boiling hot tea.
00:26:05In you or over you?
00:26:08Charming.
00:26:10I wouldn't notice you seeing a horror like that.
00:26:13Who knows?
00:26:14My mother said, I never should.
00:26:16Couldn't wait to get to the bloody gypsies.
00:26:18Sorry, Mary.
00:26:19Oh, no, darling.
00:26:20You're quite right.
00:26:21For some silly reason, I can't let him go.
00:26:25Up with wall-to-wall carpeting and central heating.
00:26:28Very extravagant.
00:26:28Exactly.
00:26:29And how about one of those old television sets?
00:26:31We could put a fish tank where the screen should be
00:26:33and everybody would try and switch them off.
00:26:35It's fabulous.
00:26:35It's an idea.
00:26:36Not bad, is it?
00:26:37What else did Nico say?
00:26:38Just that.
00:26:39He'll let us know when the family clear out
00:26:41or he'll tell Dee and she'll let us know.
00:26:43Good for Dee.
00:26:44She's a handy thing.
00:26:45And one needn't be too depressed about that part of volume.
00:26:48It's going up like crazy.
00:26:49You can say that again.
00:26:50And it'll get you out of this madhouse.
00:26:52Oh, they're all right.
00:26:53Now, look, I know one of them's your sister, but not...
00:26:55No, but they're not too bad.
00:26:58Now, why do you do that?
00:26:59Do what?
00:27:00You always disagree with me.
00:27:03Don't.
00:27:03Yes, you do.
00:27:04Now, look, this isn't fair.
00:27:05Oh, I've had enough.
00:27:07I'm going out.
00:27:09Listen, listen.
00:27:10This is ridiculous.
00:27:12Look, I'll get this stuff away, then we'll go down the road and have a beer.
00:27:14Okay?
00:27:15Okay.
00:27:16Well, go on, then.
00:27:18Well, when was I?
00:27:19When you fell asleep thinking about me.
00:27:21Yes, that's right.
00:27:23So did I?
00:27:24So did you what?
00:27:25I fell asleep thinking about you, don't I?
00:27:29Well, nothing.
00:27:30Was I there when you woke up?
00:27:32No.
00:27:33No, you weren't here either.
00:27:35Did you phone earlier?
00:27:36No, should I have them?
00:27:37Oh, well, somebody didn't say hello.
00:27:39Well, it wasn't me.
00:27:40Do you like jazz?
00:27:41Yeah, I'm a little bit.
00:27:42And I can hear it in the background.
00:27:44It's super.
00:27:45Well, come round.
00:27:46We'll have a session.
00:27:47Why don't you bring us round here?
00:27:49No, it's better here.
00:27:52I've got a high five.
00:27:53No, you come to me.
00:27:55What are you doing later on?
00:27:57Oh, shopping.
00:27:58This afternoon?
00:28:00Then more shopping.
00:28:02Well, can I pick you up tonight?
00:28:04Yes, if you like.
00:28:05Bye-bye.
00:28:06Okay.
00:28:07Great.
00:28:08See you then, bye.
00:28:08Bye, Keith.
00:28:09Oh, don't keep going on about it.
00:28:11I told you I'll make inquiries.
00:28:12Great.
00:28:13You're the cause of all the trouble, and now I'm in the wrong.
00:28:15Look, I can't charge into a chemist and buy by the sackful.
00:28:18I've got to find out where to get the stuff.
00:28:20I've never been in a jam like this before.
00:28:23What about Evelyn?
00:28:25Look, darling, you told me yourself.
00:28:26Look, I told you.
00:28:26You've got a short memory.
00:28:27I will make inquiries, and I will make inquiries,
00:28:30so stop going on about it.
00:28:33I've got other problems.
00:28:34In fact, I've got nothing but problems.
00:28:36I'm going out.
00:28:44Trouble in the cup?
00:28:45No.
00:28:46Come on, Sal.
00:28:47If we're going to do the shopping, we'd better get a move on.
00:28:49Okay, let's go.
00:29:01If we're going to do what's going on.
00:29:03All right.
00:29:18We'll go.
00:29:19You're going to do it like me.
00:29:20You'll be there, meidän Predator.
00:29:21You're a nice because they're very,utterly content.
00:29:21and in our hearts with free opti tiempo.
00:29:21You know the money card the entire part of this is.
00:29:26Our hearts have been in there.
00:29:29We'll give you these boxes.
00:32:01Get him, boy.
00:32:26Don't get out.
00:32:28Nico, I feel sick.
00:32:31Forget it, darling.
00:32:32Nothing happened.
00:32:33They were going to beat you up.
00:32:34Maybe, but we didn't wait to find out.
00:32:37Why were they?
00:32:38Hey, look, mine is a funny business.
00:32:41Funny?
00:32:42Doesn't give me much of a laugh.
00:32:43You make enemies in every business.
00:32:45Anger beaten up?
00:32:46Stop it.
00:32:47Get out of it.
00:32:48Sell it off.
00:32:49You could make a go of anything.
00:32:50I've told you I'm getting out.
00:32:52These things can't be wound up just like that.
00:32:54Well, make it soon.
00:32:55The occupational hazards are too much.
00:32:58Forget it.
00:32:58Come on.
00:33:11Here she comes.
00:33:16You're improving.
00:33:18Here she comes.
00:33:36Come on.
00:33:41Come on.
00:33:42Here she comes.
00:33:43Come on.
00:33:44Come on.
00:33:46Come on.
00:33:57Hi.
00:33:57Hi.
00:33:59Not nearly ready.
00:34:00I had to wear my dress.
00:34:01Oh, it's all right.
00:34:02There's no rush.
00:34:09I'm sorry about this morning.
00:34:15Yeah, me too.
00:34:21No more rush, eh?
00:34:23No more rush.
00:34:38Where are we going?
00:34:41That's a good question.
00:34:48Well?
00:34:51Uh, I don't think we're going anywhere, actually.
00:34:53Oh, now, look, Penny.
00:35:02Penny, you're so good, Penny.
00:35:25I spent all that time ironing my dress.
00:35:29Well, you're a mad impetuous fool, aren't you?
00:35:46I don't think we'd sit down with her.
00:35:48We could all go there.
00:35:55Oh, my God.
00:35:58Yeah.
00:36:10Oh, my God.
00:36:13Oh, my God.
00:36:18Well, now, how about some food? Chinese?
00:36:20No, sir.
00:36:21Hey, but wait, what about your figure?
00:36:22Maybe you're right.
00:36:23I know, I know the very place.
00:36:25What?
00:36:25My place.
00:36:26Oh, no, I'm not falling for that.
00:36:38How are the tea and the sandwich, huh?
00:36:39Can I have a Chelsea bun to soak up their cheese?
00:36:41Funny you should say that.
00:36:42I've just made a whole stack of Chelsea buns this afternoon.
00:36:44Then they'll be too fresh.
00:36:45Come on.
00:36:46I know the very place.
00:36:47Not again.
00:36:48Not your place.
00:36:49Not your place.
00:36:51Not your place.
00:36:53Not your place.
00:37:04Not your place.
00:37:42You went to the doctor's today.
00:37:44Did you?
00:37:45Mm-hmm.
00:37:48He said, um, well and truly pregnant.
00:37:55I see.
00:37:57Did you talk to him about having a...
00:37:59about not getting through with it?
00:38:02You touched on it.
00:38:04And?
00:38:06He said we should get married, make a go of things.
00:38:08What?
00:38:09It's marvelous, isn't it?
00:38:11Bloody doctors make me laugh.
00:38:13He thinks we should make a go of it.
00:38:14Did he tell you where we get the money from?
00:38:16The people seem to manage all right.
00:38:18Look, I'm not interested in other people.
00:38:21First of all, we get some money.
00:38:22The married Bliss can wait.
00:38:28What about you?
00:38:29How did your inquiries go?
00:38:30Oh, all right.
00:38:31At least I didn't get that nauseating spiel about making a go of it.
00:38:34The fellow will do it for 50 quid.
00:38:36Cash.
00:38:3750 pounds?
00:38:38When do we find 50 pounds?
00:38:41Well, haven't you got any money?
00:38:43I could about three quid till the end of the week.
00:38:46Great.
00:38:46That's marvelous, isn't it?
00:38:47Eh?
00:38:48I'm skint.
00:38:49All my gears in hock and you're good for three lousy quid.
00:38:55Look, Prinny, what about my watch?
00:38:56Do you think we get a few pounds on that?
00:38:59That's a nice enough watch.
00:39:00Paul Broker's drawers are full of them.
00:39:03You get a few, Bob, on it?
00:39:04Five at the most.
00:39:06We need 50 pounds.
00:39:08Hey, what about that brooch?
00:39:10That my new grandmother gave you?
00:39:12Oh, no, Prinny, I can't part with that.
00:39:14But we're only hocking it.
00:39:22We'll, er, just have to save up our pennies and get it out again, will we?
00:39:26Look, Prinny, not the brooch.
00:39:28Oh, Gran gave it to me.
00:39:29It was her mother's before her.
00:39:31Look, darling, anything else but not the brooch.
00:39:33You haven't got anything else.
00:39:35Except a few bits of old tat.
00:39:38Now get it out.
00:39:42Look, I'll ask the girls for some money.
00:39:44They'll lend us some.
00:39:45The girls are as skint as we are.
00:39:48Get an advance on my salary, then.
00:39:49All right, so you get an advance on your salary.
00:39:51What are you gonna live on for the next few weeks?
00:39:53Come on, get it out.
00:39:56Where is it?
00:40:00I said, where is it?
00:40:03In my bag.
00:40:34I'll be writing it out.
00:40:34Don't worry, I've got this sorted out.
00:40:35Where are you going?
00:40:36Where are you going?
00:40:36I'll go and see a man above.
00:40:39I'll go and see a man above it.
00:40:39I'm going to see a man.
00:40:40Darling, must you go tonight?
00:40:42Look, I've got to find somebody with that much ready cash.
00:40:45Not everybody carries that kind of money around with him, you know.
00:40:47Look, I have your phone.
00:40:49Do it now.
00:40:51That's what my dad says.
00:40:52Do it now.
00:40:53Look, Prinny, you...
00:40:57You'll call?
00:40:58Yes, I'll call.
00:41:01Don't worry.
00:41:27Well, it looks great, but can you afford it?
00:41:30You leave me no choice. You blew out my van.
00:41:32Oh, now you make me feel awful.
00:41:33Well, actually, darling, I'm kidding. I'm loaded.
00:41:35Oh, fine. I've suddenly got the most enormous appetite.
00:41:38You wear duff and they get stale, the buns.
00:41:40Eat them in bed tonight.
00:41:42I didn't tell you.
00:41:43I've got tins and tins of baked beans, tomato soup, lots of other delicacies.
00:41:46Look after you, Mr. Dexter.
00:41:50Oh, well. It's only money.
00:41:58Yes?
00:42:00Nico, it's Prinny here. Can I come in?
00:42:02I'm pretty busy. Is it important?
00:42:04Yes, it is, rather.
00:42:05Okay, come up.
00:42:06Thanks.
00:42:16Hello, Prinny. Come in.
00:42:18Hello, Nico.
00:42:19How are things?
00:42:20Fine, and you?
00:42:22Any improvement?
00:42:23Have a drink.
00:42:24Oh, not too bad, you know. Not too bad.
00:42:26One or two irons in the fire.
00:42:29Oh, vodka, please.
00:42:37Tonic?
00:42:38Uh, yes, thanks. Yes.
00:42:41What's the problem?
00:42:44Why does it have to be a problem?
00:42:46All right. So it's a social cord.
00:42:50Or are you peddling financial advice? How to make a fortune, et cetera.
00:42:54You're getting warmer.
00:42:57You're getting warmer.
00:42:58Go on. You're reaching me.
00:42:59You do yourself proud. It's very nice.
00:43:03We money plebeens can always buy good taste.
00:43:09Like, um...
00:43:11Like this?
00:43:13It's very pretty.
00:43:15And?
00:43:16Oh, come on, Nico. I'm no thief and you're no fence.
00:43:19Certainly I'm no fence.
00:43:24It's very pretty.
00:43:27It isn't the sort of stuff I usually go for, but...
00:43:31You're sure it's straight?
00:43:32I'm just doing somebody a favor.
00:43:34Plus commission.
00:43:36Well, you need the money. Uh, very cash, that is.
00:43:38And, uh...
00:43:40Well, I thought you were the kind of chap that would have it to hand.
00:43:43I will give you a hundredfold, right?
00:43:45Oh, well, now, wait a minute.
00:43:46Um...
00:43:46What's the matter? Not enough?
00:43:48Well, no, it's not that. It's just that, uh...
00:43:50Oh, come on. You're here to sell it, aren't you?
00:43:53Well...
00:43:56Guinness, then.
00:43:57One hundred and five pounds.
00:43:59One hundred for your friend and a fryer for you to spiel with, okay?
00:44:03Okay, don't. Cash?
00:44:04Sure.
00:44:16Okay.
00:44:19And you're five.
00:44:25Well, uh...
00:44:25Another drinky?
00:44:26For the road.
00:44:28Fine.
00:44:29Help yourself.
00:44:30Thanks.
00:44:32Sir, this is the heart of the Stalman Empire.
00:44:35Yes.
00:44:35This is where it all goes on.
00:44:37What about your house in Mill Hill? Have you still got that?
00:44:39One's got to keep a place to store the family.
00:44:42You're lucky to catch me here.
00:44:44I usually go there weekends.
00:44:46Yes.
00:44:46Well, uh...
00:44:48How must we go?
00:44:50I'm very...
00:44:51What I mean is, my client would be very great.
00:44:53Everybody's happy.
00:44:55Yeah.
00:44:56Well, thanks again, Nico.
00:44:58And, uh...
00:44:59I'll be seeing you.
00:45:00I'm afraid so. Bye-bye.
00:45:10Turn it off, darling. You have had enough.
00:45:12Can one have enough?
00:45:14Moderation and all things.
00:45:15Oh, that's priceless, coming from you.
00:45:17Shall I make you drink?
00:45:18Not just now, thanks.
00:45:21Who was it?
00:45:22Just a fellow.
00:45:23Ah.
00:45:26Close your eyes.
00:45:30Now...
00:45:32What's the matter?
00:45:34Where did you get it?
00:45:35Don't you like it?
00:45:36I know it.
00:45:37It's Marion's.
00:45:39About the only thing she's got that's worth a damn.
00:45:41I see.
00:45:44She'd never sell it.
00:45:45It's been in her family for ages.
00:45:50It was pretty, wasn't it?
00:45:52Yes.
00:45:52The little swine.
00:45:53He must have stolen it.
00:45:55You want to give it back to her?
00:45:57Mm-hmm.
00:46:03You are a darling.
00:46:04If only people knew.
00:46:10She'll make it up to you.
00:46:11I'll help.
00:46:12It's only money.
00:46:14I will fix the prints one day.
00:46:19Say you found it on the floor or something.
00:46:22You don't have to tell her what a louse is.
00:46:28You know, I adore you.
00:46:34Do you?
00:46:37My nails.
00:46:54No.
00:46:54You have to go out.
00:46:55You have to go out.
00:46:56I'll do it.
00:46:57A little bit, sir.
00:46:57I'll kill him if you are.
00:47:02I'll kill you, sir.
00:47:02And if you would too, show up.
00:47:05You'll kill me in the afternoon.
00:47:06You'll kill me in the afternoon.
00:47:06You do that, sir.
00:47:08I don't want you.
00:47:08You have to go out, sir.
00:47:11Try 13.
00:47:12Why?
00:47:13It's about due.
00:47:15So is Christmas.
00:47:16Well, they're both certainties.
00:47:18Well, we'll see, shall we?
00:47:24There you go.
00:47:26Brianna the Pooh.
00:47:40Fox. Voila.
00:47:42Lucky us.
00:47:46Yep.
00:47:49Well, let's, uh...
00:47:51Let's go and play with the big boys, shall we?
00:47:53Why not? What have we got to lose?
00:47:55My shirt and your chemise. Come on.
00:48:04Fremantle 2602.
00:48:05Hello, Marion. It's me.
00:48:08Hello, Angie.
00:48:09Listen, has George phoned?
00:48:12No. Should he have?
00:48:14No. He's supposed to meet me at the bistro, that's all. He hasn't shown up.
00:48:18I've been in all evening expecting a call myself. He hasn't phoned.
00:48:21Oh, well. There's plenty more trout in the tank.
00:48:24Yeah, as they say.
00:48:26Yeah.
00:48:27Okay. Well, have a good time. Bye, darling.
00:48:29Right. Thanks.
00:48:31Bye.
00:48:37Thank you, monsieur.
00:48:43Here's he come.
00:48:44Well, you've changed my luck. Not before time.
00:48:53Bye.
00:48:54254,000.
00:48:54Vincent Leiband, book.
00:48:55Marky Vosjes, book.
00:49:02200.
00:49:041,200.
00:49:052,200.
00:49:051,200.
00:49:061,200.
00:49:071,200.
00:49:071,200.
00:49:12Let me cut, sir, please, sir.
00:49:17Cut. Cut.
00:49:19I don't know. Never le banc.
00:49:22Eh, listen.
00:49:28Getting a bit thin.
00:49:32It's only money. Another 25.
00:49:34Sure, sure.
00:49:39Bienvenue, monsieur.
00:49:40Quartier, v'en banque.
00:49:42Bon, cop.
00:49:43Quartier, v'en banque.
00:49:44Quartier, v'en banque.
00:49:45Quartier, v'en banque.
00:49:45Quartier, v'en banque.
00:49:47Quartier, v'en banque.
00:49:52Well, thanks for the dinner.
00:49:54Pleasure, madame. You just cleaned me out, that's all.
00:50:02Don't go in yet.
00:50:04You bohemians are too much for me.
00:50:07Don't you ever sleep?
00:50:09Sometimes.
00:50:10I'm a country girl.
00:50:11Early to bed, early to rise.
00:50:15What shall we do tomorrow?
00:50:18I think I'd better not see you tomorrow.
00:50:19Why not?
00:50:20Well, I've got things to do for Monday.
00:50:22You know last night when I said I didn't want to sleep with you?
00:50:25Yes.
00:50:26Well, I do. Of course I do.
00:50:27Do you?
00:50:28Well, that's the silly thing.
00:50:30I mean, you tell a girl you do,
00:50:31and you're very likely to get your face slapped.
00:50:33You tell her you don't,
00:50:34and she thinks you're a right Charlie.
00:50:36I don't think you're a Charlie.
00:50:39I mean, surely every girl wants you to want to,
00:50:41even though she doesn't want to.
00:50:44At least that's what I think.
00:50:45Well, I think you think too much.
00:50:47Ring me tomorrow.
00:50:49And what time?
00:50:50I'll be in all day.
00:50:53Good night.
00:50:55Good night, Miss Feathers.
00:51:03Save my place for me.
00:51:05Sure thing.
00:51:06Don't run off now.
00:51:12He's doing his dough.
00:51:14Have this one of me.
00:51:21Can I see you for a minute?
00:51:23No.
00:51:47You're going in a bit strong, aren't you?
00:51:50Double strong.
00:51:52Don't worry, I can cover it.
00:51:54I only hope you can, brother.
00:51:57That's my 80.
00:51:59And a score for you to punt with.
00:52:01I'm choked.
00:52:02I thought you'd sign him H-R-H.
00:52:05The prince of the ponces.
00:52:07Oh, no.
00:52:08Prince charming, at least.
00:52:11For luck, lover.
00:52:14How can I lose with you on my side?
00:52:16Okay, come on, let's play.
00:52:18Right.
00:52:18But no more kites.
00:52:21Makes me nervous.
00:52:33There you go, you've got it again.
00:52:38Come on, love.
00:52:41Let's go back to my gap.
00:52:43Do us all a favor, darling.
00:52:45Drop dead.
00:53:21Whitey, whitey.
00:53:23Help!
00:53:23There's a man in my room.
00:53:25Oh, Paddy, you are a dung.
00:53:28Milak, sugar, one lump or two.
00:53:31Just a tidge of milk and one lump of sugar.
00:53:33One big one.
00:53:34I'm trying to give it up.
00:53:35No big ones.
00:53:36You'll have two small ones and put up with it.
00:53:38Sound fussy.
00:53:39Give us a kiss for Christmas.
00:53:40I should think so.
00:53:42I don't know where you've been, do I?
00:53:51Marian?
00:53:52Can I come in?
00:53:53Who is it?
00:53:54It's me, Fred.
00:53:56Fred who?
00:53:58Fred Vanakapan.
00:53:59Who do you think?
00:54:00Pour you some tea.
00:54:01Thanks.
00:54:03I brought an extra cup, I thought.
00:54:05No.
00:54:06Oh, well.
00:54:07I'll just have to try and make up for him then, won't I?
00:54:10You can make up for him any day of the week.
00:54:13Well, I might as well have a cup.
00:54:15It's a pity to waste it.
00:54:16Oh, do that, Pad.
00:54:17I could do with some company.
00:54:18Oh, love.
00:54:20You feeling a bit down in the dumps?
00:54:21A bit.
00:54:23I always wonder why I came to this lousy town.
00:54:26You're the type.
00:54:28You'd have come to London if it had meant swimming the wash.
00:54:31It's a white pad.
00:54:33It'd be such a lonely place.
00:54:35I know.
00:54:36You know, I nearly married a boy at home.
00:54:38He was a nice kid.
00:54:40He'd done anything for me, but I had to see life.
00:54:44So?
00:54:44You've seen him.
00:54:46Go back and marry him.
00:54:47I can't.
00:54:47He got married already to a friend of mine.
00:54:50They've got a baby now.
00:54:51They tend to envy me, the sweet life kid.
00:54:54The other side of the fence?
00:54:57Cheer up, love.
00:54:59There's another fella for you kicking around someplace.
00:55:02There is.
00:55:04Oh, not the prince, but some young chap.
00:55:08He'd wake up this morning, shuffle about,
00:55:12make a pot of tea, burn a toast or that bit,
00:55:14and he's thinking to himself,
00:55:17where the hell is she?
00:55:19My girl, my wife.
00:55:21She must be around here somewhere.
00:55:23And there you are, idling in bed,
00:55:28smoking a bag when you should be up,
00:55:30cooking bacon, eggs, fried bread.
00:55:32Come on, come on.
00:55:33Out of your bed, you know!
00:55:36It's out of your bed!
00:55:38And now, Easy Beat Features released.
00:55:43So, where are you?
00:55:45I'm out here.
00:55:46What are you doing out there?
00:55:48I'm meant to be doing my exercises.
00:55:50I brought you some tea.
00:55:51Oh, lovely.
00:55:54Oh.
00:55:55What are you doing up so early?
00:55:56I hate lying in bed.
00:55:58Once I'm awake, I like to be up and doing.
00:55:59Oh, me too.
00:56:01Oh, that's enough of that.
00:56:04Do you have to get up early during the week?
00:56:06No, but I do.
00:56:07Can you help me with the Sunday lunch later on?
00:56:08Oh, I'd love to.
00:56:09There's a good girl.
00:56:12Does anybody fancy a movie or a game of cards?
00:56:15I can't.
00:56:16I've got to get ready.
00:56:18Nico's going to take me for a driving lesson.
00:56:19Yes, sir.
00:56:20All right, Halfley.
00:56:21Deal me in, but I warn you, I'm a very bad loser.
00:56:26Oh, heck, that's him.
00:56:27I'm not nearly ready.
00:56:29Selinda, come up.
00:56:30Perhaps we can take him for a couple of bucks.
00:56:32It's not him.
00:56:33It's Keith for you, Sal.
00:56:35But I'm not seeing him today.
00:56:37Hmm, that's what you think.
00:56:42Oh, hello.
00:56:44Come on, we're off to the country.
00:56:45I thought you said you were going to phone me.
00:56:47Decided to put in a personal appearance.
00:56:49You need some fresh air.
00:56:50And I'm not made up or anything.
00:56:53He says he don't need makeup.
00:56:54He says he looks super.
00:56:56Oh, he's lovely.
00:56:57Whose is he?
00:56:58Mums.
00:56:59I went home for lunch.
00:56:59He, er...
00:57:01He says he loves you, too.
00:57:02Okay.
00:57:03Give me five minutes.
00:57:04Well, there we are.
00:57:05The song will go in.
00:57:07Do you mind if I run out on you?
00:57:08Mm-hmm.
00:57:09He's giving you the full treatment.
00:57:13Don't you mind.
00:57:17You're very cheeky.
00:57:18Come on, get out.
00:57:24Yeah?
00:57:28What, friend?
00:57:30What's the game?
00:57:31What's the game, your highest?
00:57:33Postman's knock.
00:57:34Knock, knock.
00:57:35What's that?
00:57:36A bouncing check.
00:57:37Whatever, silly.
00:57:38It's Sunday today.
00:57:39The bank's down open till Monday morning.
00:57:41Monday morning, 10 o'clock.
00:57:42And the rumor is that you haven't got a light.
00:57:45You're a skinned as a fortnight rabbit.
00:57:47You shouldn't go karting around like that, you naughty boy.
00:57:50Listen, I can cover it.
00:57:52Er...
00:57:52No, let me turn around.
00:57:53I'm gonna go and see my mother.
00:57:55And my mother's gonna, erm...
00:57:56We've heard all that before.
00:57:57Now, let me finish.
00:57:58And the form is...
00:58:00You're gonna get a little pressure in.
00:58:02No, look, I wanna...
00:58:02I don't know, mate.
00:58:03Sure.
00:58:04You want bank's down?
00:58:06Bounce!
00:58:08And bring the torch up!
00:58:10Ah!
00:58:30It's difficult for me to convince you, isn't it?
00:58:32All things worth doing are worth waiting for.
00:58:35Worth doing well.
00:58:36What?
00:58:38Nothing.
00:58:40I do fancy you, Ian.
00:58:42Oh, I hate that expression.
00:58:45Well, what are we gonna do, Sally?
00:58:51Do you think you love me, Keith?
00:58:53Well, it's all a bit new to me,
00:58:55but it's certainly the first time my chat's got me nowhere.
00:58:58I wish I hadn't asked you that night.
00:59:00Well, I wish I hadn't answered you night like that.
00:59:03Now, give us a kiss and say you're sorry.
00:59:04I'm sorry?
00:59:11Oh, I do love you, you know, Sally.
00:59:13You know I do.
00:59:14It's just that I don't believe it.
00:59:16I could love you so much.
00:59:19Please don't make it easy for me.
00:59:29You must have had your own way an awful lot.
00:59:32Must have just like that, eh?
00:59:34Now, I wanna take you just like that.
00:59:36I saw some pictures once, you know.
00:59:38It was some birds just after they'd made love.
00:59:41Beautiful.
00:59:42It was something in the eyes, you know?
00:59:46Are you a good photographer?
00:59:48Better than anything else.
00:59:51Can you make a gurbit on your own?
00:59:53Hmm?
00:59:55Well, it's, er, all coming together now.
00:59:59But, er, getting a studio's the hard bit, you know.
01:00:05And most of the people you get a chance to photograph are a bit square.
01:00:09Am I a bit square?
01:00:11Oh, no, you're all round and curvy.
01:00:14Am I gonna see a lot more of you, then, eh?
01:00:18Why not take the risk of asking for a date?
01:00:21What do you mean, the risk?
01:00:22Well, the risk of being turned on.
01:00:24Tuesday night, then?
01:00:26Um...
01:00:27No?
01:00:28Yes.
01:00:31Blimey, the dog, I've forgotten all about him.
01:00:41Keith!
01:00:42Keith!
01:00:43Keith!
01:00:45Keith!
01:00:46He's here!
01:00:50Keith?
01:00:51At last, I've got you in the woods, my pretty.
01:00:53I'll tell her.
01:00:54Quiet!
01:00:57Keith!
01:01:03mujah!
01:01:16Let's go!
01:01:22Oh!
01:01:26Oh!
01:01:28Oh!
01:01:31Oh, look!
01:01:33Fool!
01:01:35Fool!
01:01:40Fool!
01:01:42Fool!
01:01:45Fool!
01:01:52The poor creep was left hanging like a side of beef.
01:01:55Bloody fool. Obviously doesn't know how to handle these fellas.
01:01:58I remember one day at Brand's Hatch these fellas had a terrible tussle with me.
01:02:02This chap came charging it.
01:02:04It's a shame about old Pliny, but there you are, if you will, going at the deep ends.
01:02:07It's not the first time either.
01:02:09Oh, well, see you, love.
01:02:10Yeah, bye.
01:02:11See you.
01:02:12I say, is there a party tonight somewhere?
01:02:15I don't think so. Have you heard of anything?
01:02:16Nothing I'd care for.
01:02:17What a bore this weekend is.
01:02:19I say, like another.
01:02:21Yes, please.
01:02:24Your season ticket.
01:02:27I didn't know you lived in Bromley.
01:02:28Just a refuge.
01:02:29I live in town, but there's nowhere to park the old bus.
01:02:32That's what I can do.
01:02:34Good.
01:02:40Good-bye.
01:02:41There's a pint of bitter and, uh...
01:02:43Miss.
01:02:44I say.
01:02:47Hello, Angie.
01:02:48Hi, how are you?
01:02:50Yeah, all right.
01:02:52Yeah, all right.
01:02:53Yeah, we'll see you, Pat.
01:02:54Hi, Angie.
01:02:55Hello.
01:02:55Oh, look, there's a party at my place later on.
01:02:57You gonna come?
01:02:58Yeah, it's great.
01:02:59Good.
01:02:59But don't bring Mr. Autosport with you, eh?
01:03:01You're joking.
01:03:02OK, see you, Doc.
01:03:06Here we are, the old libido loosener.
01:03:09And a pint of best bitter for myself.
01:03:11Cheers.
01:03:22Thanks.
01:03:26So?
01:03:27So, I couldn't find him.
01:03:29It's but last night.
01:03:30Last night I thought I could, but I couldn't.
01:03:33Prinny, it seemed when you dashed off like that...
01:03:35Look, I'll try again tonight.
01:03:36There's someone else I've got to see, somebody who's expected back.
01:03:39Tonight?
01:03:40I suppose you'll call me again tonight.
01:03:42Look, I've just told you.
01:03:43I was up till two o'clock looking for this chap.
01:03:45Now, don't go on at me, for God's sake.
01:03:50Do you have the brooch on you?
01:03:53Well, of course not.
01:03:53Then carry it around with me.
01:03:55Back at my place.
01:03:56Quite safe, then.
01:03:57Hmm.
01:03:58Cut the wheel.
01:04:00Good.
01:04:03Look, I've got enough.
01:04:04We've got enough on our mam without worrying about a bloody brooch.
01:04:08Go on, eat food.
01:04:16You fool.
01:04:18Huh?
01:04:19You poor, silly, self-deluding fool.
01:04:21Come on.
01:04:29How, um...
01:04:29Dee returned it this morning.
01:04:32Yeah.
01:04:33Yeah, I should have, um...
01:04:34Yes, you should have.
01:04:35You were too greedy to see more than one step ahead.
01:04:37To see anything but all that beautiful money.
01:04:39Listen, it would have been all right if I'd won.
01:04:40It would have sold everything.
01:04:42The abortion, everything.
01:04:43Did you win?
01:04:44Do you know, I was dead unlucky.
01:04:45Do you know, I was 300 pounds...
01:04:46Had you got anything left?
01:04:50No, nothing.
01:04:58You realize what you were doing, didn't you?
01:05:01You were putting me on that gambling table.
01:05:05Well, you lost.
01:05:06And you lost me, too.
01:05:07Come on, man.
01:05:09Yeah.
01:05:09Don't you know what you've done?
01:05:11I loved you.
01:05:12I don't have anything for you.
01:05:13Look, look, you don't know the trouble I'm in.
01:05:15I'm in up to here.
01:05:20Unless you can still...
01:05:21How, with this?
01:05:22Why not?
01:05:22Look, I won't.
01:05:23You don't have to give it to me.
01:05:24I won't even touch it.
01:05:25Stop it.
01:05:28I think it's bad enough not loving you anymore.
01:05:29Don't disgust me, please.
01:05:32Why, after all this time?
01:05:35Yes, after all this time.
01:05:42Don't worry about the abortion.
01:05:45I'm gonna have the baby.
01:05:46But I won't need you or anyone like you.
01:05:52What about me?
01:05:57What am I gonna do for the money?
01:06:01Oh, my God.
01:06:04Oh, look at this.
01:06:08How much is it?
01:06:09I'm gonna do my 18 change.
01:06:11Let's go.
01:06:11Let's go.
01:06:43Let's go.
01:06:47Let's go.
01:06:52Let's go.
01:06:58Let's go.
01:07:06Let's go.
01:07:10Let's go.
01:07:18Let's go.
01:07:22Let's go.
01:07:39Let's go.
01:07:44Let's go.
01:07:46Let's go.
01:07:47Let's go.
01:07:48Let's go.
01:07:51Let's go.
01:08:09Let's go.
01:08:21Let's go.
01:08:22Let's go.
01:08:46Let's go.
01:08:49Let's go.
01:08:53Let's go.
01:09:20Let's go.
01:09:33Let's go.
01:09:42Let's go.
01:09:48Let's go.
01:09:57Let's go.
01:10:08Let's go.
01:10:25Let's go.
01:10:39Let's go.
01:10:42Let's go.
01:10:44Let's go.
01:11:01Let's go.
01:11:04Let's go.
01:11:05Let's go.
01:11:25Let's go.
01:11:26Let's go.
01:11:26Let's go.
01:11:27Let's go.
01:11:28Let's go.
01:11:40Oh, young lovers.
01:11:42Something a bit of a fifth.
01:11:43That's all.
01:11:44Not too wani, eh?
01:11:50Why do so many girls fall for the completely, utterly wrong man?
01:11:55Men often do the same.
01:11:56Do they?
01:11:57Sure.
01:11:58But we could slice up the whole damn thing.
01:12:00We could be happy, normal people, dunking babies in the front, left, right and center.
01:12:03But of course we won't. It's too easy.
01:12:06Look, I don't want to rush to the altar. I want to try for a career.
01:12:08Sally, I love you. No, no, I'm a bloody fool. I'm going to spoil everything.
01:12:11But I must go to bed with you.
01:12:12Look, why must we rush things?
01:12:15I think I love you, but...
01:12:16Sally, I promise you, this is not just another affair for me.
01:12:20When I met you, I knew you're the girl I'd always dreamt.
01:12:22And I know it's corny, but it's true.
01:12:23I wonder. It's true.
01:12:24Well, then you must wait for me.
01:12:26It's not as easy as that, sexy.
01:12:28It's like a drug and I can't kick it that easily.
01:12:32Supposing you do go on with your modeling course?
01:12:34But wait. But wait.
01:12:36I got on my mind.
01:12:37The birds will be falling off the trees and I'll jack eat in.
01:12:40I know I will. I'm like that, but I do love you.
01:12:43Well, if you can't wait, you'd better settle for the birds.
01:12:48Now, Sally, wait.
01:13:08Sally!
01:13:16Sally!
01:13:17Sally!
01:13:18Sally!
01:13:18Sally!
01:13:18Sally!
01:13:18What are you running away for?
01:13:20Sally, what's the matter?
01:13:24Sally!
01:13:24You shouldn't have barged in like that.
01:13:25Look, I don't care.
01:13:28Sally, I've been and I...
01:13:29Look, it's got nothing to do with me.
01:13:30But it has. We're friends.
01:13:32Look, I don't want you to shut me out just because...
01:13:34I'm not shutting you out. I don't want to talk now.
01:13:36But you did want me for something. You wanted to talk.
01:13:39It's nothing.
01:13:41Sally, we've got to have this out.
01:13:44I know when you're looking at me as if I was a...
01:13:47Look, I won't. I won't, Paddy, but not now. I'm a bit tired.
01:13:53Good night, Sally.
01:13:56Good night.
01:13:58You know, you're so like a girl I once knew.
01:14:04Before I came to London, real girlfriend, steady.
01:14:09We danced, went about.
01:14:12I used to take her home, goodnight kiss, all that bit.
01:14:17But she wanted more.
01:14:20I couldn't.
01:14:21I just couldn't.
01:14:26So we didn't see each other anymore.
01:14:28And I came to London.
01:14:31I met Ivor.
01:14:34And everything sort of fell into place.
01:14:39That's it, really, in a nutshell.
01:14:43I know Paddy.
01:14:45So?
01:14:48It's Keith, isn't it?
01:14:51Hmm?
01:14:54He thinks I'm an iceberg or something. I don't know.
01:14:59I'm not used to the pace.
01:15:01You're not an iceberg.
01:15:03He'll be back.
01:15:05If he really cares, he'll be back.
01:15:08Off to bed now.
01:15:09You start your new life tomorrow.
01:15:11I was going to be so good and get lots of rest and start tomorrow as fresh as the days.
01:15:15So what are you waiting for?
01:15:17Bed.
01:15:19Very good kind, sir.
01:15:25Paddy.
01:15:28Wish I'd been your first girl.
01:15:32You know, I'll have a good day.
01:15:33I've got a good day.
01:15:37I'm a mega-to-day.
01:15:39I've got a good day.
01:15:41You're good.
01:15:45You've got a good day.
01:15:47What about my mind?
01:15:50I'm a mega-to-day.
01:15:53I'm a mega-to-day green-to-day.
01:15:57I've got a good day.
01:15:58Yeah, I've got to eat.
01:15:58I'm a mega-to-day.
01:16:04Oh, my ring.
01:16:08It's still in Nicker's car.
01:16:56Oh, my ring.
01:17:00Get the picture?
01:17:08It's plain enough.
01:17:09We're here on behalf of your tenants.
01:17:12Don't tell me my little rent payers got you to get me talking, too.
01:17:18I know the scene.
01:17:19You're just full of chat.
01:17:21And you'll need some to get yourself out of this bit of bother.
01:17:24I've been expecting you, Birch, for months.
01:17:26Oh?
01:17:28I've been in the game long enough.
01:17:32How much?
01:17:33You couldn't afford us.
01:17:34I mean a lot.
01:17:36You're all wishing the others weren't here.
01:17:39So you could haggle.
01:17:41What's all the talk?
01:17:42We got him, and he's not going to lip his way out of it.
01:17:45Well, come on, then.
01:17:47You got away last night, but there are no Alsatian dogs this time.
01:17:52No knuckle men.
01:17:53You're strictly on your own.
01:17:56That's right.
01:17:56You got away last night, but there are no Alsatian dogs, but there are no Alsatian dogs, but there are
01:18:26no Alsatian dogs, but there are no Alsatian dogs, but there are no Alsatian dogs, but there are no Alsatian
01:18:26dogs, but there are no Alsatian dogs, but there are no Alsatian dogs, but there are no Alsatian dogs, but
01:18:26there are no Alsatian dogs, but there are no Alsatian dogs, but there are no Alsatian dogs, but there are
01:18:26no Alsatian dogs, but there are no Alsatian dogs, but there are no Alsatian dogs, but there are no Alsatian
01:18:26dogs, but there are no Alsatian dogs.
01:18:32Oh, bastard.
01:18:34Spread out.
01:18:35We'll get him.
01:18:42I've got him!
01:18:51I just want one good look at you, because I'm going to remember you.
01:19:18How much?
01:19:19Half a dollar, Miss.
01:19:31You're a large dollar.
01:19:51I just don't know you.
01:19:55Hey.
01:20:03I'll give you $500 in cash.
01:20:04Come back to my place.
01:20:06Now, we couldn't go bursting in in your place at this time of night?
01:20:09What would Mrs. Stalmar say?
01:20:12What are things like at your place?
01:20:15Have you got light and eat?
01:20:17Or is somebody putting the squeeze on you?
01:20:24I'm not really about this.
01:20:26Still, I expect you've got another one.
01:20:28Good stuff. Handmade, eh?
01:20:30Don't worry, I have to hunt us like us.
01:20:31You'll need them. We can keep going for a long, long time.
01:20:34Go and have a look out front.
01:21:05We'd better get out of here.
01:21:07Some girl's found a pump man.
01:21:08Think she's called the cops.
01:21:10Well, we're just about through.
01:21:12This is our big finish.
01:21:15All right.
01:21:16Think about that when you wake up.
01:21:19Come on, nurse.
01:21:34I'll get us a cup of tea.
01:21:36I won't be long.
01:21:42Nurse.
01:21:44Darling.
01:21:49Tea.
01:21:51You were here?
01:21:53Of course.
01:21:54Don't talk, darling. I'll get the nurse.
01:21:56No, wait.
01:21:58You do me more good than she will.
01:22:01Oh, Nico, I love you.
01:22:03What are you?
01:22:06Yours.
01:22:07You'll marry me.
01:22:08No, I'm not.
01:22:10I'll never leave you.
01:22:12I don't care about anything anymore.
01:22:16What if I grew old?
01:22:20Or go broke?
01:22:23Never.
01:22:26If you want me to come and live in your flat, I will.
01:22:29I want to now.
01:22:33Tonight,
01:22:34I knew what losing you would mean.
01:22:40I'll get the nurse.
01:22:41She told me to, if you won't.
01:22:43Your baby, Peg.
01:22:45Of course.
01:22:47Okay.
01:23:27Where are you going?
01:23:29He's got another visitor.
01:23:31His wife.
01:23:35His wife.
01:23:35I'm not going to leave.
01:23:43I'm not going to leave.
01:23:45I want to leave.
01:23:45I want to leave.
01:23:46I want to leave.
01:23:46I want to leave.
01:23:49I want to leave.
01:23:52Saltford?
01:23:53Hello.
01:23:53Can we have an extra half a pint, please?
01:23:56Yes, certainly, my dear.
01:23:57Every day.
01:23:57Yes, please.
01:23:58You've got a new lodger.
01:23:59Right.
01:24:03No sound.
01:24:04Up to school.
01:24:05That's right. Me too.
01:24:06Morning, girls.
01:24:07Remember, Cobber,
01:24:08the rain in Spain falls mainly in the plague.
01:24:10Oh, Patrick, do leave off.
01:24:12That's it.
01:24:13Wait.
01:24:13Have a good day, Paddy.
01:24:15You too, Sally.
01:24:24Morning, girls.
01:24:26Hello.
01:24:27Hello.
01:24:28Shirt to service.
01:24:30Big deal.
01:24:31Bye.
01:24:32Bye.
01:24:33Well, first day on earth,
01:24:34well, you might get lost.
01:24:35What happened to the birds?
01:24:37Birds?
01:24:38Oh, the birds.
01:24:40Fly away in the winter,
01:24:41too bloody cold.
01:24:46Get out of here.
01:24:57Fast and low.
01:24:58Oh, the birds.
01:25:13Get out of here.
01:25:13You too.
01:25:13All right.
01:25:15Let's go.
01:25:15You too.
01:25:15You too.
01:25:18You too.
01:25:22Enjoy.
01:25:23How many days have to leave?
01:25:25Gotta keep on the move
01:25:28And if the game gets run
01:25:31Taking the rope with the smooth
01:25:36Trust me, boy, you get much older
01:25:40Even the pleasure's girl
01:25:43Love will tap you on the shoulder
01:25:46Love, he pleasure's girl
01:25:49If his arms are so inviting
01:25:52And his kids are so exciting
01:25:55He's the boy you'll love forever
01:25:59He's the boy who'll leave you never
01:26:02So long, pleasure's girl
01:26:05So long, pleasure's girl
01:26:09So long, pleasure's girl
Comments