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00:00:41I suppose we could just fire him.
00:01:22I suppose we could just fire him.
00:01:24I suppose we could just fire him.
00:01:55I suppose we could just fire him.
00:01:57I suppose we could just fire him.
00:02:11I suppose we could just fire him.
00:02:17Go over the ceremony and stay on for a couple of months of lectures and seminars.
00:02:22Dr. Rosenblum, Dr. Kupfler, you both hold high claim on this great honor.
00:02:32The chairman is here, sir.
00:02:34Excellent.
00:02:35Send him in.
00:02:36Run and fetch Mr. Bean, will you?
00:02:38We're about to fire him.
00:02:40Now?
00:02:41Yes.
00:02:42Mr. Bean is the worst employee in the gallery's history.
00:02:56Mr. Bean is the worst employee in the gallery's history.
00:03:11Mr. Bean is the worst employee in the gallery's history.
00:03:25Good afternoon, sir.
00:03:28Sit down, sit down.
00:03:31Now, before we move on to the major business of the day, I should like to approach the question
00:03:35of Mr. Bean.
00:03:36Now, Mr. Bean has worked for us for many years.
00:03:38and will for many years to come.
00:03:41I employed this splendid young man when I was doing your job, Charles.
00:03:45And you can have my resignation if you go anywhere near him.
00:04:15And I'll let you know why.
00:04:18I guess we're better than the strategies of the job.
00:04:23The album is responsible for it.
00:04:24Mr. Bean is responsible for including the full job见.
00:04:26Misses Bobby and the Awareness of the guarante COVID-19听 state.
00:04:27Mr. Bean is responsible for hisarency.
00:04:34Mr. Bean.
00:04:44Is it a fine young girl?
00:04:46Absolutely. Quite right.
00:04:50Very well, moving on.
00:04:53The Grierson Gallery of California needs a representative of our great capital.
00:04:58They are looking for a scholar of a very high standard.
00:05:02I have therefore decided to recommend for the post and the three months sabbatical that goes with it,
00:05:09that splendid employee, Mr. Bean.
00:05:17All those in favor?
00:05:19Yes!
00:05:20Excellent. Carry.
00:05:22Our loss is America's gain.
00:05:26David, I got a letter from the Royal National Gallery.
00:05:30They're recommending a guy called Bean to represent him.
00:05:34Bean?
00:05:35I can't say I've heard of him.
00:05:37A letter signed by Dr. Rosenblum and Cutler.
00:05:39Well, that's impressive.
00:05:41They say he's a man whose incontrovertible genius dwarfs our own meager talents.
00:05:45Rosenblum and Cutler said that.
00:05:47Well, you asked for England's top man, I do believe I delivered him to England.
00:05:49It certainly sounds like it.
00:05:51However, before we confirm, Bernice here still feels that we get more media attention
00:05:56if we have someone from, let's say, the entertainment industry.
00:05:59I genuinely believe that we could get Jon Bon Jovi.
00:06:04Jon Bon Jovi?
00:06:05Mm-hmm.
00:06:06To unveil Whistler's mother?
00:06:08Yes.
00:06:10I have nothing against Jon Bon Jovi.
00:06:12The man who's had two great hairstyles in the last ten years, which is an achievement not to be sniffed
00:06:16at.
00:06:17But so far as I know, Mr. Jovi knows absolutely nothing about 19th century impressionism.
00:06:23He hasn't mentioned it in any of his recent songs.
00:06:25No, but David...
00:06:26This is not a rock video.
00:06:28This is a great and serious work of art.
00:06:30And Dr. D will give the occasion depth and dignity.
00:06:36You all right?
00:06:37We'll go with Beaton.
00:06:38No, no, no, no.
00:06:40David's our curator.
00:06:41This is David's call.
00:06:43It's his decision, his responsibility.
00:06:45Ultimately, his neck.
00:06:48And where do you want him to stay?
00:06:50I have a rather interesting idea.
00:06:53Here?
00:06:54In our house?
00:06:56For two months?
00:06:57Oh, Dave.
00:06:59And what, suddenly there's no hotels in Los Angeles?
00:07:01Okay, there's no need to get excited here.
00:07:03I just thought, you know, this is the Royal National Gallery of England's top man.
00:07:07I tell you, it'd be very excited to have a round to learn from and talk to.
00:07:11Uh-huh.
00:07:11So do we know anything about our new best friend?
00:07:13No, I think they might have mentioned it if he was a notorious serial killer.
00:07:16I'll say the lucky punk.
00:07:20David, you know, we have an expression in this country.
00:07:23It says, over my dead body.
00:07:25I'd like to put it on the table right here and now.
00:07:28This is a once in a lifetime opportunity.
00:07:30And it could be seriously great for the kids.
00:07:33You're kidding.
00:07:34Come on, it's gonna be great.
00:07:36Let's say there is a chart of the most intelligent people you've ever met in your life.
00:07:41Well, at number one with the bullet is Dr. Bean.
00:07:44Kevin, you know, sometimes you ask me questions that I can't answer.
00:07:46Like what is an intrauterine device?
00:07:49Well, I think more like what's the meaning of life.
00:07:51I never asked you that.
00:07:53It's fine.
00:07:53It doesn't matter.
00:07:54What I am saying here is that Dr. Bean is a very remarkable man.
00:07:59Hey, hey, for all you know, he could be very cute.
00:08:03Oh, come on, the guy is gonna be a creep.
00:08:05All Englishmen are ugly.
00:08:07I just look at Prince Charles and weep.
00:08:09Okay, so he's gonna look like Meatloaf's butt.
00:08:12Yeah, and that's if we get lucky.
00:08:13Jennifer, no one is asking you to marry him.
00:08:16You know, I don't know why we have these family conferences if Dad's already made up his mind.
00:08:20Perceptive child.
00:08:21Hey, what's wrong with Meatloaf's butt?
00:08:22Oh, come on everybody, it's gonna be great.
00:08:25Dr. Bean is a genius of the very highest order.
00:08:27Good evening.
00:08:29Dr. Bean is a genius of the very best way to get him.
00:08:31Oh no, sir.
00:08:32You're gonna give me some of his things.
00:08:36Em, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:08:47Oh.
00:08:49Oh.
00:08:49Yeah, honey.
00:08:51Oh.
00:09:25Good. Simple poster. Nice and big.
00:09:28What's the actual sign? A bargain at $9.99.
00:09:30Spend it?
00:09:31Yes, sir.
00:09:34That's how?
00:09:35Ooh, yeah. Pushing your luck a little here, Walter.
00:09:38It'll sell.
00:09:45It's Whistler's sister.
00:09:46Oh, you are kidding me.
00:09:47No, sir. We have a range for every member of the family.
00:09:51Whistler's mother's cookies.
00:09:53It's off a chip.
00:09:54Whistler's father's beer mug.
00:09:56And here's a really cute one for the younger brother range.
00:09:59Whistler's whistle.
00:10:00You just blow up a rag.
00:10:01Yeah, yeah, yeah, yeah.
00:10:02Good try.
00:10:08Mommy, I don't feel well.
00:10:31You're going to be sick.
00:10:32You're going to be sick.
00:11:00Any second now, I think we're looking for a Brad Pitt look-a-like.
00:11:43Police!
00:11:45Get out of him now!
00:11:46Hey, come on, watch it, watch it!
00:11:48We're on the way!
00:11:50We're for sure to go 415!
00:11:52We're made with a gun heading into Zon 10 Terminal 2.
00:11:54Get the people over here now!
00:11:55Get out of the way, get out of the way!
00:11:56Move it!
00:11:57Move, move, move!
00:11:59Police, come on!
00:12:00Come on, lady, watch it, move!
00:12:04There he is, there he is!
00:12:06Move, move, move!
00:12:07Police!
00:12:08Anywhere on the floor?
00:12:09Now!
00:12:11Get out!
00:12:12Not you, sweetie.
00:12:14Oh, right.
00:12:19Carefully take out your weapon, holding the butt with two fingers only.
00:12:24Slowly, slowly, place it on the floor and take three steps back.
00:13:15Mr. Bean, are you presently on any kind of medication?
00:13:19Not that I know.
00:13:22Well, you can certainly use some.
00:13:23You can certainly use some.
00:13:24OK...
00:13:25...
00:13:29...
00:13:29...
00:13:35...
00:13:35...
00:13:37So, Doctor...
00:13:38Uh...
00:13:39may you?
00:13:39Yes?
00:13:40Ok.
00:13:40Doctor Bean.
00:13:41Uh...
00:13:41Well?
00:13:42You made it.
00:13:45Nice flight?
00:13:47Oh...
00:13:48That's the wrong...
00:13:50Haha,
00:13:53Well, this is Kevin.
00:13:55Oh.
00:13:56And this is Jennifer.
00:13:58She's been very excited about meeting you.
00:13:59Uh-huh.
00:14:00My wife, Allison.
00:14:02Oh.
00:14:06David, could I just have the tiniest talk with you in the kitchen?
00:14:09All right, yeah.
00:14:10Let's go.
00:14:15I appreciate that on first viewing, he seems a little eccentric.
00:14:18David, there are Martians who have been exiled from Mars for looking weird, who look less weird than this guy.
00:14:24He has an original quality.
00:14:25He goes today.
00:14:37Wow.
00:14:38That was amazing.
00:14:40That's really cool.
00:14:42Hey, can you do this?
00:14:44No.
00:14:47No, but I can do this.
00:14:50Hey, how did you do that?
00:14:53Magic.
00:14:54Okay, so you're going to tell him today?
00:14:56Yes, today, today, today.
00:14:57Today seems like a good day.
00:15:20Well, sir, an unorthodox start.
00:15:24I guess I never expected things with a man of your caliber to be normal.
00:15:55Well, I got to confess, I've never actually read anything you've written.
00:16:04Good morning, Elmer.
00:16:05Good morning, sir.
00:16:06Dr. Bean?
00:16:07Oh.
00:16:09Would you like to sign in, sir?
00:16:16Welcome to the Grierson, Dr. Bean.
00:16:24Welcome to my world.
00:16:29We were expected in Grierson's office at 9 a.m.
00:16:32Now, this is a man who does not like to be kept waiting.
00:16:35Oh, yeah, okay, absolutely.
00:16:37You bet.
00:16:38All right.
00:16:42You bet.
00:18:24Doctor, we should make a move. We're very late.
00:18:43Oh. Doctor, when you're ready. Okay.
00:18:55Ah, David, finally.
00:18:59And this must be our professor from across the sea.
00:19:02Yes, George Grerson. This is Dr. Bean.
00:19:03I'm delighted, Doctor.
00:19:06Actually, I'm...
00:19:07Dr. Bean.
00:19:07Can you get a photo, please, sir?
00:19:09You heard a great deal about you, Doctor.
00:19:12A great deal of you.
00:19:15And this is Bernice, in charge of PR.
00:19:17An absolute honor, Doctor.
00:19:18All right, thank you. And Walter Huntley, our merchandise manager.
00:19:23Nice to meet you.
00:19:24Moving along. Take a seat, Doctor.
00:19:26Here, let me take that old thing.
00:19:28Oh, oh.
00:19:29This is very out of date.
00:19:31Back. Before we settle in, you might want to piece your eyes on these.
00:19:48This is very out of date.
00:20:13I've asked Bernice to run through the order of events for the opening.
00:20:17Dr. Bean, would you like to join us?
00:20:19Uh, no, no, I'll just go.
00:20:23Very well.
00:20:25Bernice?
00:20:27Now, you will note that anything pertaining to your special media requirements is prefixed with an asterisk,
00:20:32i.e., glossy stills requested by some of the favored weeklies, that sort of thing.
00:20:37Right.
00:20:38So, the big day unfolds as follows.
00:20:41Our generous benefactor, General Newton, will be arriving at 10 a.m. to meet the members of the staff.
00:20:45Then at 10.30, we'll have the unveiling of the picture.
00:20:48Now, this will be in front of all press and media.
00:20:51Walter, I'm assuming all this merchandising will be made available.
00:20:54Oh, absolutely.
00:20:55From fridge magnets to frisbees will be ready.
00:20:57So, it will probably be at about 11 a.m. when the stage is set for Dr. Bean.
00:21:03Yeah.
00:21:04I really should bring in the doctor here.
00:21:15Dr. Bean?
00:21:17Dr. Bean?
00:21:27Dr. Bean, we've just been inspecting the schedule.
00:21:31And if you would just like to take a look at yours right over there at your convenience.
00:21:35The general should be arriving at 10 a.m. and he'll unveil the picture at 10.30.
00:21:40So, at about 11 o'clock, we should be ready for your speech.
00:21:45Yes.
00:21:45Dr. Bean, I think 20 minutes should be long enough.
00:21:49Don't you?
00:21:50Absolutely.
00:21:51I know you could fill hours, doctor.
00:21:53But for the press, it would be best if you could keep it quite light.
00:21:57Maybe throw in some anecdotes about the actual painting of the picture.
00:22:00And explain why it is considered to be America's greatest painting.
00:22:05Is that going to be enough, doctor?
00:22:0820 minutes.
00:22:12Well, dear friends, if you'll excuse me, I have lunch with the mayor.
00:22:16Not the kind of thing I like.
00:22:17But duty calls.
00:22:18Well, doctor, it's good to meet you.
00:22:21It's a complex experience.
00:22:24Enjoy your stay with David.
00:22:25They're simple people, but warm.
00:22:28David, if I may have just a private word.
00:22:30Okay.
00:22:31I tell you, why don't you wait for me back at new acquisitions?
00:22:34I'll join you shortly.
00:22:35Yeah.
00:22:42He's a genius, right?
00:22:44Yeah.
00:22:44He's eccentric, but...
00:22:46Yes.
00:22:47Yeah.
00:22:50The unveiling of Whistler's mother is the most important thing to ever happen at this town.
00:22:57And Dr. Bean was your choice.
00:23:00Yes, I understand that.
00:23:02Thank you, sir.
00:23:19Dr. Bean, when we get home, I wonder if you would mind giving me a private moment with my wife.
00:23:27There's a little something we need to work out.
00:23:29No problem.
00:23:41Just wait in here would be good.
00:23:44Just ignore that.
00:23:46Her mother gave it to us.
00:23:47Huge sentimental value, you know.
00:23:49So just make yourself at home.
00:23:51I'll be just a couple minutes with Allison.
00:23:59Oh, um, doctor, I would actually not do that.
00:24:03That's a limited edition.
00:24:05It's delicate, so if you...
00:24:08Put it there would be good.
00:24:09Yeah.
00:24:10Okay.
00:24:17Hi.
00:24:18Hi.
00:24:20Now, Dr. Bean?
00:24:21Actually, no, he's still here.
00:24:23But let me...
00:24:23Jennifer?
00:24:24Kevin?
00:24:26Plan B!
00:24:26Do you have luggage, Kevin?
00:24:28What is plan B?
00:24:29Plan B is, if you haven't gotten rid of Dr. Bean, you go straight to Grandma's.
00:24:33I can't believe you...
00:24:33You grew it up again, huh, Dad?
00:24:35Oh, come on.
00:24:35There was no time to raise the subject.
00:24:37Kevin, stop the car, would you, sweetie?
00:24:38Oh, Allie, wait a second, and look!
00:24:41No.
00:24:42You look, David, my darling.
00:24:43I have asked very little from you, but I did ask you to get rid of Dr. Bean, and you
00:24:47have made your choice.
00:24:48So you two can stay here and really come to grips with this modern image, but I am taking
00:24:53our children to my mother's.
00:24:55Just give him one last chance.
00:24:57Just one.
00:24:59David, I can't.
00:25:03Okay.
00:25:06Thanks.
00:25:08Once you get to know him, I think you're going to...
00:25:10Hey, no.
00:25:16Hello, doctor.
00:25:17Hello.
00:25:21No, no, no, no, doctor.
00:25:22That is not for the TV.
00:25:23That's for the...
00:25:23Ah!
00:25:25Ah!
00:25:27Ah!
00:25:30Ah!
00:25:32Ah!
00:25:33Ah!
00:25:34Ah!
00:25:34Ah!
00:25:35Ah!
00:25:37Yeah.
00:25:40Well, there they go.
00:25:49Well, doctor, we got the whole weekend together.
00:25:53Yeah.
00:25:55Get to know each other, and, uh...
00:25:58If we're speaking tomorrow, we might really do L.A.
00:26:01There's the Gallery of American Indian Art.
00:26:03There's the California State Gallery.
00:26:05There's actually this new place, the Rabowitz,
00:26:07which is kind of the place for abstract expressionism.
00:26:11Does that sound good to you?
00:26:16Do you have something else in mind?
00:26:18Round, round, get around, I get around.
00:26:21Yeah, I get around, round, round.
00:26:23I get around, I get around.
00:26:24Get around, round, round.
00:26:26I get around, round, round, I get around.
00:26:30I get around, round, round, I get around.
00:26:33Get around, round, round, I get around.
00:26:36I'm getting bug drivin' up and down the same old strip.
00:26:39I gotta find a new place where the kids are hip.
00:26:45My body's alive.
00:26:46I'm getting bug-
00:26:47I'm getting bug-
00:26:55Hey.
00:26:57Ohhhhhhh!
00:26:58What happened?
00:26:59No!
00:27:04Oh, oh, oh!
00:27:05Oh, oh, oh, oh!
00:27:21Incredible.
00:27:22He said?
00:27:31Why don't you get another ticket?
00:27:33One second, talk out.
00:27:51Okay.
00:27:55Come on.
00:27:57Brace yourself.
00:28:04Oh, no.
00:28:08No.
00:28:10Oh, no.
00:28:11Oh, no.
00:29:22That's what they call me.
00:29:31Well, it looks like a fruitcake to me.
00:29:37You willing to take responsibility for his actions?
00:29:43Well, you're a braver man than me.
00:29:45I single-handedly take on gangs armed with AK-46s.
00:29:51Get him out of here.
00:29:52Tell him his is a butt I would dearly love to kick.
00:29:55And the next time I will.
00:30:01Doctor, there is something we have to talk about.
00:30:07I don't quite know how to put this.
00:30:11What I am concerned about is whoever that is, I am getting rid of him.
00:30:20There he is.
00:30:22Hey, sorry we're late.
00:30:25Mwah, mwah.
00:30:27Trapped?
00:30:28Oh, terrible.
00:30:28You couldn't believe it.
00:30:29Every day.
00:30:30Worse and worse.
00:30:31That's the way she...
00:30:32It's green.
00:30:33No, it's the yellow.
00:30:35It's just...
00:30:35It's the yellow.
00:30:36She isn't.
00:30:38Well, where is Allison?
00:30:39Well, I've got some bad news and some good news.
00:30:42The bad news is that Allison has had to go visit her mom, who, well, is not well.
00:30:48This is bad.
00:30:49Yeah, poor thing.
00:30:50Sorry to hear that.
00:30:51The good news is that Dr. Bean and I will be cooking.
00:30:55Oh.
00:30:56Sure, that's good news.
00:30:57Well, of course it is.
00:30:59All the greatest chefs in the world are men.
00:31:02So, what's on the menu, maestro?
00:31:07Oh, what the hell are we going to give them?
00:31:12This.
00:31:12I think they may be expecting something slightly more formal.
00:31:18I'm here.
00:31:19Just on its own.
00:31:22No, no, don't be ridiculous.
00:31:23At least for Thanksgiving, Allison would kill me.
00:31:25No, no.
00:31:26Must be something else.
00:31:30You ever cook one of these before?
00:31:32Oh, yes.
00:31:34But I think we would need to take, like, five hours, right?
00:31:38Not necessarily.
00:31:46I feel like I'm doing this.
00:31:50I had, I don't know.
00:31:53Okay, you sure this is going to work?
00:31:55Okay, you're the chef.
00:31:56Just put on some vegetables and come and say hello.
00:32:04Maestro, my taste buds are positively tingling with anticipation.
00:32:10Oh, no, thanks.
00:32:18People pass on the appetizer.
00:32:22So, Bean?
00:32:24Big day to me.
00:32:26Your big day.
00:32:27My big day.
00:32:29Have a question for you, please.
00:32:36He's very, uh, attentive to detail.
00:32:40Everything must be just so.
00:33:00Bean, I think we need to be honest with each other.
00:33:03I cannot deny that over the last days,
00:33:06some suspicions have begun to gather in my mind.
00:33:10And I would just like to ask you some direct questions.
00:33:14Okay?
00:33:16Number one.
00:33:19Are you a doctor?
00:33:30Number two.
00:33:33Do you know anything about art?
00:33:38Well, well, well, just for instance,
00:33:47was Leonardo da Vinci, an American basketball player.
00:34:02Yes.
00:34:03Yes.
00:34:15Hi, Dad.
00:34:16Hi, Dad.
00:34:17Hello, doctor.
00:34:18Hi, Dad.
00:34:19Hi, Dad.
00:34:39Hi, Dad.
00:34:40Oh.
00:34:42Yeah.
00:34:55Oh, my God.
00:35:25I'm Mr. Gerson, yes.
00:35:27He's just here in the shower with me.
00:35:30Are you afraid?
00:35:32Yes.
00:35:33Hello, Mr. Gerson.
00:35:35Oh, no, no.
00:35:36You must have misunderstood him.
00:35:37What can I...
00:35:38She is?
00:35:40Oh, thank you for calling me.
00:35:42Yes.
00:35:42Okay.
00:35:43Goodbye.
00:35:44Bye.
00:35:50I can't believe it.
00:35:51Whistler's mother has actually arrived in America.
00:35:54Now, listen.
00:35:55Listen, I am begging you.
00:35:56Listen, I am begging you.
00:35:56As a man whose entire professional career depends on you,
00:35:59behave rationally today.
00:36:04There is no God.
00:36:32What do you think?
00:36:37No, this is right.
00:36:39She's magnificent.
00:36:42David, well done.
00:36:44Worth every bright green buck.
00:36:47She's something else, isn't she?
00:36:51All right, folks.
00:36:52Enjoy her while you can.
00:36:53After this morning, we lock her away until the guy who paid $50 million for her turn.
00:36:58And, Elmer, I believe we have a security lead.
00:37:00That's right, sir.
00:37:01And, uh, this is your key to the occasional system.
00:37:05There are only two.
00:37:06I have the other one.
00:37:07So, if the painting turns up missing, I'll know where to come.
00:37:11And if you could all join me at the security console...
00:37:14Doctor, why don't you just stay here?
00:37:15Maybe a look at the real thing will inspire you on your speech.
00:37:21Let's just stay here.
00:37:22Don't leave this room until I get back, okay?
00:37:39This chart maps all the security elements for the big day.
00:37:43And, as usual in these circumstances, I've given the operation a code name, which is Operation Whistler's Mother.
00:37:49It's not a snazzy title, but I think it worked.
00:37:52I think it worked.
00:38:28It's not a snazzy title, but I think it worked.
00:38:32It worked.
00:38:36It worked.
00:38:39It worked.
00:38:40It worked.
00:38:42It worked.
00:38:42It worked.
00:38:42It worked.
00:38:42It worked.
00:38:43It worked.
00:38:43It worked.
00:38:44It worked.
00:38:46It worked.
00:38:48It worked.
00:38:50It worked.
00:39:02Fear not gentlemen, with the system we put in here, nothing will touch that painting short of an earthquake that
00:39:07brings down the whole gallery.
00:39:21Oh!
00:39:23Oh!
00:39:27Oh!
00:39:28Oh!
00:39:31Oh!
00:39:35Oh!
00:39:36Oh!
00:39:38Oh!
00:39:39Oh!
00:39:43Oh!
00:39:44Oh!
00:39:44Oh!
00:39:44Oh!
00:39:44Oh!
00:39:44Oh!
00:39:45Oh!
00:39:46Oh!
00:39:48Oh!
00:39:50Oh!
00:39:52Oh!
00:40:03Oh!
00:40:26Once we've gotten the general safely inside, the key figure security-wise will be Dr. Bean.
00:40:31We've got to protect the painting without getting in the good doctor's way.
00:41:14Oh, my God.
00:41:16Oh, my God.
00:42:06Oh, my God.
00:42:36Oh, my God.
00:42:57Oh, my God.
00:43:12Oh, my God.
00:43:15Oh, my God.
00:43:16Oh, my God.
00:43:39Oh, my God.
00:43:44Oh, my daughter becomes a prostitute.
00:43:46I wind up on death row staring a cell with Butch McDick.
00:43:49Oh, come down.
00:43:50I just got to come down.
00:43:51Okay. Okay.
00:43:53Look at the painting.
00:43:56Oh, God! Oh, God!
00:43:58Oh, God!
00:43:59which renders the underground ventilation ducts completely secure.
00:44:03Yes, well, that's good to know.
00:44:04Thank you, sir.
00:44:26Hey, you drinking?
00:44:29No.
00:44:30Good! Neither do I.
00:44:37Yankees grab five.
00:44:38Yeah, that's why they have their credit written all over it, doesn't it?
00:44:41Highs the Kings over the plate.
00:44:43He's got the long ball threat from the left side.
00:44:46Straight towards one, right field.
00:44:47Down the line.
00:44:48Back off.
00:44:50It's going!
00:44:51Tom Brady!
00:44:52Tom Brady!
00:44:54It's a home run!
00:44:55And the Cardinals have one hit!
00:45:01Yeah.
00:45:02Carry on.
00:45:07You want to know what the reality of the situation is?
00:45:10Okay.
00:45:11This is it.
00:45:13Because you moved into my house, my wife has moved out.
00:45:17Yes, she did.
00:45:18She might have moved out anyway.
00:45:19But it was one point one, point two.
00:45:25I've given my life.
00:45:28And from here on in, the only art I will get anywhere near are the pictures I draw on the
00:45:35painting, hoping passers-by will throw nickels in my hat.
00:45:39I think it's long and short of that.
00:45:43I wish I had no more.
00:45:57I wish I had no more.
00:46:00But it was anything I could do.
00:46:20I wish I had no more.
00:46:23I wish I had no more.
00:46:24I wish I had no more.
00:46:24I wish I had no more.
00:46:26But it's just a thing.
00:46:28Come on.
00:46:29I wish I had no more.
00:46:29Oh, I wish I had no more.
00:46:30I believe, in yesterday, suddenly.
00:46:42Roll, roll, roll your boat, gently down the stream.
00:46:47If you see a crocodile, don't forget the stream.
00:46:52Ah!
00:46:55Roll, roll, roll your boat, gently down the stream.
00:47:01If you see a crocodile, don't forget the stream.
00:47:06Ah!
00:47:08I can explain everything.
00:47:10Okay, explain everything.
00:47:16David, no, David, the reason that I came home was because I missed you.
00:47:21And also because I live here, and they lived here.
00:47:25But David, we have been waiting for five hours.
00:47:29And what do we get?
00:47:30A drunk and his friend from the planet Zog.
00:47:33I know, and it seems like this horrible situation.
00:47:37But if you could, if you could just hear my full horrific tale.
00:47:43David, I think I'm going to have to leave you.
00:47:48You are?
00:47:53Well, then things really have gotten bad.
00:47:59Yeah.
00:48:22Hi, David.
00:48:27Can't sleep, huh?
00:48:32I don't think I'll make you a woman.
00:48:37What about you?
00:48:39This is not bad.
00:48:41Well, whatever turns you on.
00:48:46Hmm.
00:48:48Hmm.
00:48:49Take care around, moon man.
00:48:53Oh, I mean, when you're still kids, come to my room.
00:48:56I got some great posters of snakes walking around here.
00:51:21Come on!
00:51:39Come on!
00:51:48Come on!
00:52:16Come on!
00:52:27Come on!
00:52:30Come on!
00:52:46Come on!
00:53:10Come on!
00:53:22Come on!
00:53:32Come on!
00:53:35Come on!
00:53:41Come on!
00:54:09Come on!
00:54:11Come on!
00:54:38Come on!
00:54:41Come on!
00:55:08Come on!
00:55:21Come on!
00:55:23Come on!
00:55:24Come on!
00:55:25Come on!
00:55:26Come on!
00:55:29Come on!
00:55:31Come on!
00:55:32Come on!
00:55:37Come on!
00:55:39Come on!
00:55:44Come on!
00:56:04Come on!
00:56:05Come on!
00:56:12Come on!
00:56:36Come on!
00:56:39Come on!
00:56:40Come on!
00:56:43Come on!
00:56:55Come on!
00:56:58Come on!
00:56:59Come on!
00:56:59Come on!
00:57:00Come on!
00:57:01Come on!
00:57:03Come on!
00:57:09Come on!
00:57:13It's a one!
00:57:14David?
00:57:15It's time.
00:57:15We'll take the time for one.
00:57:17The speech.
00:57:17What speech?
00:57:18Congratulations, David.
00:57:19Dr. Bean's speech about the painting.
00:57:21Yes, of course, the speech.
00:57:25Now, Doctor, try to keep it below an hour.
00:57:27There could be one joke.
00:57:29That would be nice.
00:57:30Good morning, America.
00:57:31Coming up on a flying monkey about isms and, uh...
00:57:35Oh, you know what I mean?
00:57:39It doesn't have to go on for long.
00:57:40Just, Dr. Bean.
00:57:41We're ready.
00:57:42Just, just, just, just, just...
00:57:46And now, uh, for the second highlight of it.
00:57:49Dr. Bean, great English art scholar,
00:57:52is here to speak for a few minutes, not too long, Doctor,
00:57:55on the subject of our new purchase.
00:57:57Ladies and gentlemen, Dr. Bean of the National Gallery of England.
00:58:01Okay.
00:58:01Yeah.
00:58:02Okay.
00:58:16Hello.
00:58:18I'm Dr. Bean.
00:58:21Apparently.
00:58:24And, and my job is to sit and look at painting.
00:58:31Just him and the painting.
00:58:37So, um, what have I learned that I can say about this painting?
00:58:47Um, well, well, first, it's quite big, which is excellent.
00:58:57Because if it was really small, you know, microscopic,
00:59:03then hardly anybody would be able to see it.
00:59:06Which would be a tremendous shame.
00:59:10Um, secondly, and I'm getting quite near the end now,
00:59:15as long as this analysis of this painting.
00:59:26Secondly, why was it worth this man here spending 50 million of your American dollars on this portrait?
00:59:37And the answer is, um, well, this picture is worth such a lot of money because it's a picture of
00:59:55Whistler's mother.
00:59:57And as I've learned by saying that my best friend, David Langley, and his family, families are very important.
01:00:12And even though Mr. Whistler was perfectly aware that his mother was a hideous old bat who looked like she
01:00:23had a cactus lobbed up her backside,
01:00:26he stuck with her and even took the time to paint this amazing picture of her.
01:00:35It's not just a painting. It's a picture of a mad old cow who he thought the world of.
01:00:46That's marvellous.
01:00:49Well, that's what I think.
01:01:08I'll show it to you.
01:01:10Hey, let's sit.
01:01:29Mr. Langdon, may I have a word?
01:01:33Stay, shut up.
01:01:35Okay, I can explain everything.
01:01:38What can you say?
01:01:39About the painting.
01:01:40Which painting?
01:01:40Whistler's mother.
01:01:42My friend, Mr. Langdon, here in my capacity as a police officer, not as long.
01:01:47It's about your daughter.
01:01:48She's been on the motorcycle.
01:01:49She's been on the motorcycle.
01:01:53She's been on the motorcycle.
01:02:20She's been on the motorcycle.
01:02:36She's been on the motorcycle.
01:02:40I need Jennifer Langley's room. She came in about 11 o'clock. Motorcycle accident.
01:02:59She's on the fifth floor east way. Just take the elevator off.
01:03:13Just stay here and do nothing. If you do nothing, nothing can go wrong.
01:03:20I've got to take care of my family now.
01:03:41The nurse says that it's not a coma. She's just sort of taking time out.
01:03:49I can't see Dr. Jacobson.
01:03:58Dr. Jacobson?
01:03:59Yes?
01:04:00We need you urgently in OR3.
01:04:01No, can do. I'll do a number four at one.
01:04:03Sir, it's urgent. We have a ruptured kidney and massive bleeding.
01:04:06Okay.
01:04:18Yes, it's urgent. What's happening?
01:04:22He's on his way up.
01:04:25Last.
01:04:28Hello, doctor. We've got a 45-year-old male from Type B negative brought in by paramedics ten minutes ago.
01:04:33He's got a penetrating injury to the left.
01:04:35Yes, sir.
01:04:37The stuff is cold.
01:04:38Got to get him in there right now.
01:04:42Doctor, it looks like a bullet in the lower thorax.
01:04:44Seems to have ruptured the lung and there's severe inner bleeding along the abdomen.
01:04:47Doctor, he's coming too.
01:04:48All right, give him a T-70.
01:04:49Got it?
01:05:00Shall I extend the incision, sir?
01:05:01I'm taking it from the breastbone to the diaphragm.
01:05:03We may have to extend further to get to the spleen.
01:05:07Sorry, sir. It's only my first week.
01:05:10You're right, doctor. We should wait for the x-rays.
01:05:13Help! We are losing this guy out here!
01:05:15We need help!
01:05:16Help! We need help!
01:05:18We need help!
01:05:18Help!
01:05:18Help!
01:05:18Help!
01:05:18Help!
01:05:19Help!
01:05:20Help!
01:05:20Watch he doesn't go into hemodynamic shock.
01:05:30Help!
01:05:36Help!
01:05:43Help!
01:05:46Help!
01:05:47Help!
01:05:47Help!
01:05:48Help!
01:05:49Help!
01:05:49Help!
01:07:29Come on, people.
01:07:29He's crashing on us.
01:07:30Yeah.
01:07:31I'm not getting ready.
01:07:32Hang in there.
01:07:33Come on.
01:07:34Hold on to him.
01:07:34We don't find it. He's a dead man.
01:07:36I am not gonna lose this guy.
01:07:37He's flipping.
01:07:39Sir, sir, we're losing him. I've got to get in there now.
01:07:46The doctor, you can't just...
01:07:47It's too dangerous.
01:08:01God.
01:08:06Incredible.
01:08:07Her brain is stabilizing.
01:08:08Look where she's climbing back.
01:08:24Doctor, thank God my daughter was in an accident.
01:08:26No one's even taken a look at her yet.
01:08:28We're desperate for some medical attention in here.
01:08:31Would you mind?
01:08:36Don't worry. I'll need the doctor. We'll check her out.
01:08:38Oh, thank God.
01:08:43God, I'm just gonna explain.
01:08:45Any kind of damage to the brain is a very sensitive thing to reserve,
01:08:48so maybe we should just step outside and give the doctor a little room to work.
01:08:52The first nurse said we shouldn't think of a coma, but more like a deep sleep.
01:08:55This is what it's true.
01:09:14I'll be sitting here.
01:09:41I don't know what to say about Pete.
01:09:44He's clearly a force-tend disaster area, but...
01:09:49God, help me.
01:09:51I like him.
01:09:56Now, having said that, there is no reason in the world why any of you should ever have anything to
01:10:03do with him again.
01:10:13Oh.
01:10:42Mom!
01:10:44Dad!
01:10:44Hey, hey, hey, hey.
01:10:45Hey, hey, hey.
01:10:46Oh, my God.
01:10:47Oh, my God.
01:10:47Oh, my God.
01:10:49Oh, look at you.
01:10:49Oh, my God.
01:10:50You had an accident, honey, but everything is going to be OK.
01:10:54But what happened to Stingo?
01:10:55Oh, just a bruise his collarbone.
01:10:57He'll be fine.
01:10:58I'll get my hands on him.
01:11:00OK, doctor, where are you going?
01:11:02Where are you going?
01:11:03How can we ever say thank you?
01:11:05No, you've made us so happy.
01:11:07Tell us, what can we do?
01:11:08We'll do anything.
01:11:17Well, I suppose you could let me stay another week.
01:11:33Sunset Boulevard.
01:11:34Rolling down the Imperial Highway.
01:11:38Big nasty bed at my side.
01:11:41Santa in the wind blowing hot from the north.
01:11:44We were born to ride it.
01:11:48Roll down the wind.
01:11:50Put down the top.
01:11:51Crank up the beach for us, baby.
01:11:53Don't let the music stop you.
01:11:55We're going to ride it, do it.
01:11:57Just can't ride it no more.
01:12:02From the side, baby.
01:12:04To the valley.
01:12:05From the west side.
01:12:07To the east side.
01:12:09Everybody.
01:12:10Very happy.
01:12:11Because the sun is shining all the time.
01:12:14Looks like another perfect day.
01:12:18I love L.A.
01:12:21We love it.
01:12:24I love L.A.
01:12:28We love it.
01:12:31We love it.
01:12:34What's this all about?
01:12:37This is a...
01:12:39Something.
01:12:40Lily.
01:12:40Eggs.
01:12:42Something like that, huh?
01:12:45Wax in it.
01:12:46Yeah, a whole box of them.
01:12:48Oh, hey, there they are.
01:12:50Eggs.
01:12:51Six of them.
01:12:52Look at those trees.
01:12:53Barbie.
01:12:54Look at that bum over there, man.
01:12:55He's down on his knees.
01:12:57Look at these.
01:12:57What'd you get here?
01:12:58Ain't nothing like them no well.
01:13:02Da-da.
01:13:04Sanctuary Boulevard.
01:13:07Sanctuary Boulevard.
01:13:09We love it.
01:13:10Sanctuary Boulevard.
01:13:12We love it.
01:13:13Six feet.
01:13:15We love it.
01:13:16We love it.
01:13:19We love it.
01:13:20Give us a smile.
01:13:27Bye.
01:13:28Bye.
01:13:29Bye.
01:13:29Bye, Minnie.
01:13:32See ya.
01:13:38Farewell.
01:13:48Well, Beanie, it's been surreal.
01:13:54Uh, I want you to know, uh, you can come back and visit any time.
01:14:00In the fairly distant future.
01:14:06I know it sounds insane, but I'm really going to miss you.
01:14:10Stay six feet.
01:14:12Good.
01:14:14Bye, are you?
01:14:14Bye, are you?
01:14:34Bye.
01:14:38Oh.
01:15:09Oh.
01:15:39Oh.