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Raquel Laguna/ SUCOPRESS. The Los Angeles Latino International Film Festival 2026 (LALIFF) celebrates its 25th edition, marking a quarter-century of sharing stories from the Latino perspective and bringing culturally significant cinema to audiences in Los Angeles and beyond. This milestone reflects decades of commitment to nurturing talent, showcasing authentic voices, and connecting communities through the power of storytelling. Diana Cadavid, director of Industry Programs for the Latino Film Institute (LFI), and International Programmer for the Toronto International Film Festival (TIFF), talks in this interview about the evolution of the festival, what excites her the most personally about LALIFF 2026, and also about how is Latino storytelling evolving globally. LALIFF will have special guest appearances throughout festival screenings and conversations, including Alina Robert (Aguadilla), Guillermo del Toro (I Am Frankelda), Daniel Suárez and Wilmer Valderrama (Suárez), Dennis Mencia (Eva), Bobby Soto (Motos), Julio Macias (Three Years Gone), Eugenio Derbez, Omar Chaparro, Diana Bovio (Circo Gómez), and Cristo Fernández (No Translation Required). The festival will open with Valentina, previously announced as Opening Night. Closing Night will screen TheyDream, written and directed by William D. Caballero. A deeply personal documentary, TheyDream blends animation and live action to explore the transformative nature of grief within the director’s Puerto Rican family. Drawing from a range of visual styles, Caballero interweaves new animation with archival and live action footage to create a formally distinctive and intimate reflection on memory, loss, and the creative process. The film premiered at the 2026 Sundance Film Festival to critical acclaim, receiving the NEXT Special Jury Award for Creative Expression. John Leguizamo and Ben DeJesus have recently joined the film as Executive Producers. The festival’s Centerpiece selection is the adult animated series Circo Gómez, created by 3Pas Studios and F3 Media, marking an expansion of serialized storytelling within LALIFF’s programming. The series follows a chaotic and endearing circus family struggling to keep their operation afloat, led by an optimistic but flawed patriarch and supported by a cast of eccentric performers who also happen to be his own family. Following the screening, cast members Eugenio Derbez, Omar Chaparro, and Diana Bovio, and executive producer Jordan Rubio, will participate in an extended conversation exploring the creative process behind creation of the series. In addition to the Opening, Centerpiece, and Closing Night selections, LALIFF 2026 presents a wide-ranging program of narrative and documentary features, shorts, episodic works, and animation from across the U.S., Latin America, and the Latino diaspora. LALIFF takes place May 27–31, 2026 in Hollywood.

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00:00What was the biggest challenge programming the festival, the Los Angeles Latino International Film Festival this year?
00:09Yeah, I think that definitely something that is very challenging is not being able to include every film that you
00:16love.
00:17During the days of programming, we're always very, you know, like even become excited about the possibility of making the
00:24festival longer.
00:25Right now that we're in production, we are very happy with how like long our festival is.
00:31But yes, you know, like I the entire programming comedy of the festival really loves film, you know, and audiovisual
00:41content.
00:42So definitely sometimes we are forced to leave out some films that we think would be great to have at
00:49the festival.
00:49So I would say that's the biggest challenge. And I think also always being able to position the films in
00:56the way you want it.
00:57Like which one is your opening night film? Which one is your centerpiece? Which one is your closing night?
01:03Because definitely those kind of like give kind of like an overview of what the rest of the of the
01:12festival is bringing.
01:14So I find that challenging, but at the same time exciting.
01:17And when you are programming a film festival, what are you looking for?
01:26We're looking, I mean, like I know this sounds sometimes cliche and as if you're really not saying much,
01:34but definitely this idea of finding unique voices and finding films and content that speaks to people from the heart,
01:46from like a very genuine place, it's something that it's difficult to kind of like point at when you're like
01:55explaining it.
01:56But when you see something, you can absolutely feel it.
02:00I think it's also we try to be relevant with like the times because film festivals are a very important
02:09part of the entire ecosystem of the industry.
02:12And they also have this very unique way to engage audiences in conversation.
02:19So we are looking for films that speak to each other in a way that shows kind of like where
02:27we are at as humanity.
02:28And by that, I don't mean we have a focus just, let's say, on documentaries that are very literally speaking
02:37about issues, which we have some of those.
02:41But you can also get a sense of the times we're living by the comedies that we make, by the
02:46horror that we make.
02:48So that is definitely something that we're looking for when programming for a festival, creating a dialogue between all these
02:57films to give this opportunity for audiences to engage with cinema, regardless of where they're coming from.
03:09With over 30 red carpets in just four days, how do you maintain your sanity during the festival?
03:20We drink a lot of water, we drink a lot of water, we try to stay hydrated, we have a
03:26few changes of shoes so that you can run around, which like for real, that is very important to keep
03:34in mind, especially after you do it for so many years.
03:36And after, you know, like the first festivals, you end up, you know, like sick and because it's so intense,
03:44but it's just such a nurturing environment.
03:49Because as much as we're working so hard, when you see the talent on the red carpets, or when you're
03:57walking around and you hear people coming out of the screenings, talking about their experience with the films, that already
04:06makes it all very worth it.
04:07And it just like fuels you, you know, like it gives you this energy to continue, because there's so, there's
04:16so much happening is one of these like, beautiful chaos, right?
04:21Like the or these chaos that operate very well, because you just see people running around, going from one film
04:27to the other, or trying to catch the photo or trying to catch the panel.
04:33And in that, you can feel the energy of people and how they are enjoying and also gaining so much
04:45from an event that our team puts together.
04:48So that already, you know, like makes it very exciting, and it gives you enough adrenaline to be there and
04:56enjoying it as much as you're suffering through it, you're also enjoying it a lot.
05:02Speaking of excitement, what excites you the most, personally, about this edition?
05:11Well, the fact that it's like the 25th edition is super exciting.
05:16Not only because, you know, like it makes me feel very honored and very proud of being part of a
05:23team that's been able to work for all this time to keep, you know, like, to maintain an event
05:32and an organization that it's so important for our community and not only for the Latinos in LA, but also
05:41for the wider, you know, like LA audience.
05:44But also because when you're part of an organization that's reached that, like that type of milestone, it definitely pushes
05:55you to think towards the future.
05:59So being part of that conversation, offering, you know, like, or having this option to be part of a group
06:12of people who are thinking about how are we looking at the future makes it very important.
06:18And I think it's very exciting and very unique about this edition.
06:22And that has fully, you know, like that vision towards the future is put together, you know, like it's shown
06:31through the selection of films.
06:33Like we were very conscious of this as we were selecting films, but also as we were planning the panels,
06:41the master classes, who are the speakers?
06:44Who are we inviting here to share their experience, their voice, their knowledge with our audience?
06:52I think that makes it like very exciting for like this particular year.
06:58I'm very unique from any other editions of the festival.
07:02And from your perspective, how is Latino storytelling evolving globally?
07:10Oh, I think Latino storytelling is one of the most exciting, you know, like industries right now.
07:18I get the opportunity to see a lot of like the both like what is being produced by Latinos in
07:26Latino America, but also what's being produced by Latinos in the diaspora, in the U.S. and in other parts
07:33of the world.
07:33And what I feel is that the complexity of our, the complexity and richness of our like culture and our
07:44cultural identity translates into very strong cinema and very strong television.
07:52I feel that something that you can, that is very palpable is that, you know, like there's this perception that
08:00because you're Latino, you're going to be telling these Latino stories, you know, and Latino stories understood from an exoticized
08:07perspective or, you know, like from like kind of like a flattened perspective.
08:11And in reality, what I see in the evolution of Latino cinema is that our stories are rich, different, complex,
08:20told from so many different angles.
08:22I think we are at a time when our use of the language of like the language of film and
08:28the language of television is very sophisticated.
08:31How important is for you for this edition, for example, we will have Omar Chaparro, Guillermo del Toro, Eugenio Derbez.
08:42Those are big names, everyone knows, but also to have artists that they probably, this festival will be their platform
08:52where they can show their work.
08:55How important is for you?
08:57That's fundamental, you know, and definitely like the, that is the beauty of it, right?
09:04Like the fact that we have these big names, these very recognized stars who we admire and like their work
09:12so much.
09:14The fact that they're present at the festival makes this a bigger platform for these new voices.
09:20But most of the festival is in reality, new voices and, and, you know, and like filmmakers and talent coming
09:30here either for the first time or people with very established careers whose names are not necessarily recognized in like
09:40the trades or for, you know, like in a more commercial way or in a larger way.
09:46But who have like incredible bodies of work, something that I, that I really enjoy throughout the process is precisely
09:55this combination of some films that have this like more, like, like wider appeal.
10:02That speak to films that speak to films that speak to films that are coming from the more like film,
10:08international film festival buzz, a critically acclaimed and, you know, like with great responses for audiences, but are very different
10:18audiences.
10:19Or the films that are the films that are the films that are the films that we're like presenting their
10:23world premieres.
10:24This is the first time they are being seen by anybody.
10:29So the fact that, you know, like we're like that, that in film festivals, you're able to put all of
10:35this work to, to be shown, it really opens doors for new filmmakers, new generations.
10:44And it's very important because we are the ones who bring new perspectives to audiences.
10:53It's always so gratifying when, you know, like when you talk to an audience member, people who not necessarily are
11:02part of the industry, but who enjoy film or who enjoy television.
11:05And they come to the festival and they discover a talent that they have never seen in their lives and
11:11they're like, wow, this, I, I absolutely love how these women acted in this film, or I really love how
11:19this director, this, this or that.
11:22So we are really offering new things, exciting things.
11:26And I think that's very valuable.
11:29And I think that's very valuable.
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