Celebs grace the grand premiere of Subodh Bhave starrer Shree Baba Neeb Karori Maharaj

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Transcript

00:21The one and only all-rounder from the movie is absolutely doing a great work in the cinema

00:29space and of course he's balancing sports analytics as well. He's doing some phenomenal work as an actor at the

00:34same time associated with Mumbai Indians IPIL team as well, Aamchi Mumbai ladies and gentlemen. I just want to call

00:40on stage the one and only Harishankar Ji. Can I have a huge round of applause for Mr. Harishankar? Thank

00:46you so much. There is the dapper man making his way through the stage. Great stuff. Congratulations. Thank you so

00:54much brother. Can we have a big round of applause for him please. So one and only Mr. Harishankar.

01:02My next introduction is going to be about somebody who just doesn't really need an introduction because manager introduced

01:10when I talked about Pushpa. So of course goes without seeing. I'm talking about the one and only Raj Tirindasu

01:17sir. Ladies and gentlemen. Brilliant work Daniel in Pushpa.

01:20And now he's going to be doing some phenomenal work in Katalini as well.

01:23Soar Sabadhi chahi ithaliya. Unkhhe liye please. Mr. Raj.

01:27Making his way with Bulls. Right. Thank you so much.

01:32I'm going to be on stage. A very very very fine actor. He knows how to do whatever he's been

01:39trusted with by the directors and the producers.

01:41You have seen a lot of great work already in Kill. And of course all I can say and take

01:46it forward from there is that he's literally literally killing it in Katalini.

01:50Ladies and gentlemen a big round of applause for Mr. Park Tiwali please.

01:57Ladies and gentlemen if I can have the biggest round of applause for Parth Tiwali. Thank you so much Mr.

02:18Tiwali.

02:19in the country that we have right now. Always killing it with whatever role that he's been trusted with.

02:24He's known for his physique but I think more than that he's known for his great skills as an actor.

02:28He was simply simply phenomenal as we all know.

02:31And Markoven I think he's only taking that legacy forward over here with Katala.

02:36Ladies and gentlemen Kameer Duhan Singh ke leye Zohar Sattali please.

02:39The man. The legend. The OG.

02:41Kameer Duhan Singh over here ladies and gentlemen for all of us.

02:46Kameer Duhan Singh over here ladies and gentlemen for all of us.

02:49Kameer Duhan Singh over here ladies and gentlemen for all of us.

02:49Thank you so much.

02:51Thank you so much.

02:54Thank you so much. What a pleasure.

02:56Individually aap logunne Thali bhaja hai. Consolidated Thali hoja hai.

02:59Charo kye ye. Please everybody.

03:01Kameer Duhan Singh over here ladies and gentlemen for all of us.

03:02Thank you so much. What a brilliant thing.

03:04Before I pass it on to my friends and incredible dignitaries from the media.

03:08I have certain questions for all of you over here which I want to actually ask.

03:13So Kameer ji mein aap se chalo karna cha ho ra.

03:16You know you were truly truly fantastic in whatever project you have played so far.

03:20Marko has truly played a brilliant role in that journey of yours as well right.

03:24And you are now continuing it wonderfully with Katalan.

03:26We just saw what you have to offer over here.

03:29What's been your experience and you know everything like.

03:32First of all good evening everyone and thank you for joining us.

03:39Let me talk about Cubes Sharif bhai.

03:42He is like family to me and this is my second movie with him.

03:46He is a great producer and he gives a you know open hand to all his directors.

03:50Aapne maar ko bhi dekhi hai.

03:52And it was a massive massive hit.

03:54So when you know director gives an open hand to go and make a good cinema I am standing next

03:59to him.

03:59So you know picture achhe bante hai.

04:01You saw the trailer or film aap logo ne dekhi hai.

04:04So production quality dekhi lo aap shot taking dekhi lo director kaam dekhi lo.

04:07It's really good and like I said it's a family to me.

04:10And many more to come yaar.

04:13I think I feel good to work.

04:15This is my 86th movie in last 10 years.

04:18And I am very grateful.

04:19Because the journey of being a haryanwik aai and now coming to Bollywood.

04:27It has a great success.

04:29It's a great success.

04:31It's a great success.

04:33And it's a good success.

04:34And it's a good success.

04:34It's a good success.

04:36It's a good success.

04:37And it's a great success.

04:37It's a great success.

04:38It's a great success.

04:42It's a great success.

04:42And it's not easy for me.

04:43Yaar yaar yaar taak aana aap saap ke khada hai ho na yaar.

04:47And yeh lada hai toh bhot lambbi chalne wali hai.

04:51So thank you so much sir.

04:53And I can say it's lada hai lambbi chalne wali hai sir.

04:56Lekin you have already started in a victorious note.

04:58So I am sure it's only gonna get bigger in the dead.

05:00Thank you so much.

05:01That's true.

05:01That's what it is.

05:02Har Har Mahadev.

05:04That is what it is.

05:04Jinkai uber Mahadev ka haath hai.

05:06Or kya he chahiye.

05:07Mere seh pucha jata yaar who's your manager.

05:09Who takes care of your work.

05:10Mere haal koi puchhta mose.

05:12Domei pulta hain yaar.

05:12He's my manager.

05:13Naadev.

05:14So he's taking care of my work nicely.

05:15Kya bata.

05:16The best manager one can have indeed.

05:18I have to ask a question.

05:20Raj ji.

05:20Raj ji has a mic.

05:22Thank you so much.

05:23I have to ask a question.

05:26Right in the very introduction itself.

05:27I was talking about Pushpa.

05:28All the great work that South Film industry is doing.

05:31And leading the way for the rest of the country.

05:33You've been a part of that.

05:35You're being a part of this right now.

05:37You're going to be a part of everything that's happening in the country in the future.

05:40Touched by God's grace.

05:41But I just want to understand.

05:43Exactly.

05:44Manifestation is the ultimate power.

05:45But I want to understand what was the similarity about being a part of this as well as Pushpa.

05:51And also how different was Katalan in terms of a beautiful cinematic experience for you?

05:56Pushpa is a completely different role for me.

06:00You guys already saw that really bright.

06:02His attention is always on the edge kind of.

06:05But comparatively that Pushpa role, this Katalan is a much more mature role for me.

06:11Yeah.

06:12The complete team is different.

06:14You know, the industry is different.

06:17And Malayalam is also different.

06:18But the director, Paul Judge, the technical knowledge, whatever he had is brilliant.

06:25Every frame envelope they say is brilliant.

06:28Our technical knowledge also both are great.

06:30And I'm very glad that I got an opportunity to work with that guy in Malayalam.

06:35This is my first Malayalam film movie.

06:38I mean like debut for me in Malayalam.

06:40So I'm very happy with this.

06:42And yeah, please watch this movie in theatres and let us know.

06:46Thank you so much.

06:47I want to tell about the director, Yasmin.

06:49I was the first one in this movie.

06:51His film was Sony.

06:52I was shooting for one of my upcoming Malayalam movie with Suresh Gopi sir.

06:56Orta Kumban, who next movie is Emery.

06:58So I was shooting for that movie and he came to my location.

07:02He narrated me this film.

07:03He told me, you're the first person.

07:04He don't have a film to watch.

07:05But I want to narrate this film to you.

07:07And I said, yes.

07:08And I've seen his, you know, hard work.

07:11It was 110 single shoot in the movie.

07:13And day and night.

07:15It's dark.

07:16It's dark.

07:29It's dark.

07:30It's very less.

07:30Who calm.

07:31Whenever I go to him.

07:34He was very particular for the shot.

07:37The shot he will never compromise in the shot.

07:40So very calm.

07:41Relax in the set.

07:43And all are very grateful.

07:48we are a part of this film yeah thank you thank you i think uh calm calm me calm that's

07:56what it is

07:58uh i want to take my next question to mr party yeah perfect thank you so much i want to

08:03understand

08:03that to my introduction maybe you've killed it and killed and now you're going to be killing it

08:08in catalan as well uh what is like your mental state when you do these kind of pillars and

08:15uh really intriguing roles because it takes a lot from you within right to deliver as per the

08:21expectations of the director so how do you prepare yourself mentally for these kind of intriguing roles

08:30oh okay

08:36i talk about my preparation so i'm kind of a after this information so i'm always after the

08:44director of the director of the director of the director tell me what his past story was

08:47with kata rand and paul was the same on call i think we had six calls and i was like

08:53what is robby like

08:54so my preparation is always discussion and more of information which can build the character

09:00in sithi in kill was more raw rustic uh a lower medical class background from there is a lot of

09:14takes his own decision but goes with the family and here Robby is the main difference in both the characters

09:24and I am very happy that I got the chance to work in Mallianam cinema because I think Mallianam cinema

09:31is the one

09:33which is the most important thing at least I really love movies coming out of that industry and they have

09:39come into action

09:40and Makho was a very good example of it and I hope Kata Leng be aakko achhi lage so we

09:47did our hard work

09:48the team did their work and I am very thankful that I am a part of this project

09:53Fantastic stuff I think all we can see is Fortune 3 was delayed

09:56so if you are working on the other side so that's exactly what's happening in your case as well

10:03I wanna move quickly to you sir what is this balancing of sports analytics movies completely different parallels

10:09because here are two really really popular things in a beautiful country like India

10:12you are working with Mumbai Indians and you are working with movies and you are working with Mumbai Indians

10:16what is left?

10:19Good evening everyone, I am very happy to come to Mumbai and I was working with Mumbai Indians

10:27now

10:29your experience is always there

10:31yeah it's always there

10:32no but we have to be right

10:34yeah yeah

10:35so I used to work with Mumbai Indians for 3 years, good 3 years, 20, 30, 20, 40, 20, 15

10:42and then you know it was a long journey with cricket analytics but then after a point I decided I

10:49need to chase one more passion

10:51this was always been my dream so I left everything and you know wanted to pursue this and that's how

10:58I started

10:59yeah this is my third big role movie

11:03I am very very happy to be part of Kartalan such a great set up

11:07you know the entire star cast and the entire crew members they are all you know

11:13they have list of movies to say when they call

11:16but for me I have only one or two pick and choose

11:20but still you know such a character which was given to me

11:25Paul I mean I just have to thank the director Paul George sir

11:29you know he is I don't know I am just indebted to him

11:36I have to be and Sherif sir the producer

11:41it is tough for any person to believe on a fresher

11:46you know I am kind of a fresher and giving such a big screen space

11:52it is truly a blessing and I am very very happy to pursue my cinema career

12:00which is starting in Mumbai that is where my entire professional journey has been

12:06so I am really really happy and it is a real moment

12:10I think all I can say is that you have experience of a fresher

12:13but then the talent of somebody really really experience

12:15Kapi sir wants to say something

12:17I have a picture of my own

12:19so I would like to add one thing

12:22for our leading man Anthony Burgess Pepe

12:25we have seen him in Nam Namaali Diaries

12:27and here it is a very different work

12:30I just want you guys to give a big round of applause to Anthony Burgess Pepe

12:35thank you so much for all those wonderful pointers as well

12:39now what I am going to do is

12:41I am going to be opening up the floor for the media for the Q&A now

12:43so can we have the questions

12:45I will just request you to please direct to whom your question is to

12:48so that the person knows that he has to answer

12:51can we have the first question please

12:53Director during the shoot of this movie

12:57first of all like I said

12:59I am very grateful that I am part of this film

13:01and the cast of you

13:04Burd, Harishankar, Raj

13:07Pepe

13:07this is my first movie with Pepe

13:09and he was damn good

13:12I have never heard of him

13:13trying to do his work in short

13:14he did not do it

13:15although it is a new genre for him

13:17so he has never seen so much action before

13:19so he has seen the climax

13:23so he was one of the hard working actors

13:24that I have seen in the last couple of times

13:26the cast of me was very good

13:29so I have done that

13:29I have done that

13:29and I can do that

13:30so the cast of me was very good

13:33so it is very good

13:34so the cast of me and the cast of me is very good

13:40when you work with honesty

13:42the result leaves well

13:44so I am very grateful

13:45that I have worked with it

13:48and the cast of me came back

13:50and I have seen some of the characters

13:51I have seen some of the characters

13:53I was there for 25 days for this film

13:58and sleepless nights, we used to sit together up to 12 o'clock, 1 o'clock, so we used to

14:03discuss next morning scenes,

14:05he was having black coffees at night, and I said, sir, relax, it will happen, it will happen, it will

14:13happen, so Sharif, I told you, it's like coming back to home,

14:18second movie, Marko was massive hit, and finger cross, we made this film with honesty and soul correct, so it's

14:27actually one thing.

14:28Can you see in Kannada industry when you can see it in Kannada industry?

14:32I didn't sign any time ago, because I was listening to the script, not up to the mark, so yes,

14:40Malayalam is coming, two films, three Hindi movies are coming,

14:43one OTT, two OTT subjects are coming, two Tamil films are coming, so we will release 5-11 films.

14:49Thank you so much, before we move to the next question, just one minute, the production house wanted,

14:54and you work on the set, so what I am going to do is, I am going to put it

14:57in the chest for all of you.

14:58Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, in short time.

15:03My question to anybody who wants to take it is that, what aspect do you think will surprise the audience

15:10the most, according to you, or all of you can take it?

15:13Man, blood and sweat is very costly, so blood and sweat, yes, my original elephants fight, so I think it

15:20is a very different thing which we showed, so,

15:30The first episode we have done in Bank of the original elephants which are all started.

15:37Those elephants are already working on that mode.

15:40So with that elephants we worked.

15:42That was really scary actually.

15:45But yeah.

15:47Original fights which we shot in Thailand Bank of.

15:52We have the next question please.

15:55Hello Kabir sir.

15:57Hello.

15:57This side.

15:58The question is for you like I saw this movie right now.

16:02The action and the thriller is wonderful.

16:04So what do you think like when we see a regular thriller action film in cinema and what makes this

16:09a part?

16:10Like what is different between them and in this film?

16:12Yeah.

16:13My answer is the same.

16:15Blood and sweat is very costly.

16:17We have given this film.

16:18And music is really good.

16:21You have seen KJF Salah, Dragon is coming.

16:24Marko's music is one of the key points.

16:26And of course smuggling world here.

16:32How fight between Mari's world, Edi's world and Pepe's world.

16:37Emotionally we are fighting.

16:39Fighting for a reason.

16:40That was my father's dream.

16:42Soul is a good story.

16:44Casting is a good story.

16:45Music is a good story.

16:46I am sure you will feel a good story.

16:53I am sure you will feel a good story.

16:53You will feel a good story.

16:54So yes.

16:55Hello.

16:57Sir.

16:58Sir.

16:59My question is that this film has a hint of Marko's film.

17:03And then Marko's father has shown us.

17:05We know that this film is connected to the universe.

17:08But this film is the end of your death.

17:11And this film is the end of your death.

17:13So how will it connect?

17:14What do I do?

17:19It's not Marko's universe.

17:21But of course it's connected to Lord Marko.

17:24You are laughing at me.

17:26So I am the only one of the questions that I have asked.

17:31But I love you a lot.

17:33I love you a lot.

17:34So when I heard this film, I can be part of Lord Marko.

17:39So let's see.

17:42Can we move to the next question?

17:44Yeah.

17:44Yes.

17:50Hello.

17:51Hello, Kabir sir.

17:51Hello, bye.

17:52My question is, now today audience are expecting larger than live performance.

17:58Can you tell me, do you feel any pressure while performing?

18:02No, I don't feel any pressure. I read my script, I read my scene and I give my best.

18:12I understand my last film and it's my last film. So you have to give me a thousand percent.

18:18So I performed that way. And when Marco released, I remember I got some 28,000 messages on tweet and

18:25Instagram.

18:26It was not a single negative message. It was a very dark character. My life and career was a very

18:31dark character.

18:33When I shoot that film, my wife was seven months pregnant and it was really tough for me.

18:39But still, like I said, I take God's name and sit in my chair and I don't allow anybody to

18:49touch me.

18:50I don't allow anybody to talk to me before my scene.

18:54So this was not dark, that was a very violent film.

18:58So like I said, I do every film, I do laugh films so much.

19:01So I don't have any pressure on myself.

19:04I'm not a single pressure.

19:06I had a dialogue in Malayalam.

19:09I studied the dialogue in Malayalam.

19:10I studied the dialogue in Malayalam.

19:12I studied the dialogue in Malayalam.

19:14They got a dialogue in Malayalam that day.

19:17And in Malayalam it was quite long.

19:19Malayalam is a very difficult language because it's a tongue twisted.

19:23I got a lot of things in Telugu.

19:25I got a lot of things in Telugu.

19:27But Malayalam has also seen it.

19:29But it was my fifth movie.

19:31And I'm going to do my homework.

19:33If I'm doing my homework, I'm going to do my homework.

19:36I'm going to do my homework.

19:36I'm going to do my homework and I'm going to do my homework.

19:46I'm going to do my homework.

19:48I'm going to do my homework.

19:48Malayalam, you have already explained that I hadshots with real elephants.

19:54So, what is the experience of my life?

19:56What was the most exhausting thing as a incident at the scene

20:01Or something like that?

20:03Malayalam said, I'm lying.

20:05He's watching.

20:09He's watching, he's clicking.

20:12I'm lying.

20:12What is the most exhausting thing?

20:12When is the most of it?

20:13That's right.

20:15and I don't want to hit it

20:19so it was scary actually but you know once we entered into the character

20:24I have leaked that master

20:28the teacher master took responsibility

20:30so he didn't have anything

20:31so he didn't have anything

20:32so he did it once

20:34so he did it once

20:35so that was scary actually

20:40so train the elephant was still

20:43you know when I shot that killing

20:44I played that character

20:46I have noticed the character

20:48I played that character

20:49so I had a fight scene with the elephant

20:53but he took the killing

20:55so it was

20:56I was scared little scared

20:58when he left me from here

21:00it was amazing

21:02train elephants

21:03but still

21:03there was nothing

21:05there was nothing

21:06there was nothing

21:07and actors

21:11one more question

21:13we think that

21:15every scene

21:16we know

21:17every scene

21:18but after the release of this film

21:21what do you think

21:22that any scene

21:24that people talk about

21:26or your personal scene

21:28that you are very attached

21:29or emotionally connected

21:31to any such scene

21:34what do you think?

21:36I mean, if I get a little answer

21:39then

21:41I don't think you have to get a question

21:42I want to say

21:44as an actor

21:47everyone seems to know

21:48as an actor

21:50as an actor

21:51as an actor

21:53as an actor

21:56if you have to talk about

22:00what is he gonna talk about

22:04is that

22:04as an actor

22:05you have to talk about

22:06such an actor

22:11when you have to talk about

22:14the scene

22:15of someone's character

22:15which was quite powerful

22:20because

22:25I love the film, there are emotions and of course it's irradiated but it's for action, not for violence.

22:36So, E.T.M. is working for his father, he killed his castle in the forest, the castle of the

22:45forest, the castle of the forest.

22:46So, it's gang lord, gang sirs.

22:54Hello, hello, hi.

22:57My name is Radul, my question is from you all.

23:00First of all, Kabeer sir, tell me that you played in my book, you had a very brutal character in

23:08the film.

23:08You had a very brutal character with children.

23:11It was a very brutal film.

23:13What was the USP?

23:14What was the USP?

23:20What was the USP?

23:30Shariq Bhai, USP?

23:33He is a very good producer.

23:35His production quality was a good way.

23:38He also enjoyed it in terms of his film.

23:42Malayalam cinema has a very limited budget for a lot of the money, and the film has made it very

23:48well.

23:49He is a very limited budget for their production.

23:51We made up to 110 CR, so this is a lot of quality and we have seen a lot of

23:57production quality.

23:58The other thing, I told you the same question.

24:02We have seen our blood and sweat.

24:04And that is also the fact that my performance, Park's performance.

24:09Anthony's career, Pepe's career is a very different film.

24:13We have never done so much action on it.

24:14What effort he was putting on that.

24:16So we have witnessed it.

24:18We have seen a lot of damage on it.

24:20We have seen a lot of damage.

24:23We have seen a lot of damage.

24:24So when you have seen a lot of damage,

24:26we have seen a lot of damage.

24:30We have seen a lot of damage.

24:31I am not sure that the damage is done.

24:32But I think that the damage is done.

24:34Ivority is done.

24:37It is really a big factor.

24:40And it is not a big difference in this world.

24:42But no one has done that.

24:44Especially if we go to Kerala and Sri Lanka,

24:47in the middle of the beach

24:49It's a good friend that the cartel is watching in the movie

24:53Snowy Inwards or Trust

24:54It's not a picture of a world

24:56No, no

24:56It's a picture of a world

24:58It's a picture of an elephant

25:01It's a connection

25:02It's a picture of a hunter

25:04It's a picture of a house

25:06It's a picture of a elephant

25:07It's coming to the place

25:12It's coming to the place

25:13What happens with them?

25:15We'll watch the film

25:16and cartels in which he spends money, he will also see how much he spends his life.

25:23So that is I think the USP and difference thing understood.

25:27I have a question from you.

25:28You have a great question.

25:32And that action and this action are a little different.

25:36What was your difference in your approach to the film?

25:41Yes, there is a lot of difference between Kill and Heather.

25:45Kill was more fast-paced, raw and rustic action.

25:50Because there is no bother, I think the mind sequences,

25:5530-40-50 second sequences of without cut,

25:59you have two different cameras and you have a lot of cramped space.

26:03So that action was very different from what I did here.

26:06As I said, the character is a lot of different.

26:10He has a lot of different driving points.

26:13He has a lot of money and ego.

26:15He has a lot of money and ego.

26:15He has a lot of character.

26:18So where the action performed,

26:21I think it was more style-oriented.

26:25And it is a different way to explain action.

26:28For me, Kill was very different.

26:29And I think I learned something new.

26:32I think it's a lot of different people.

26:33I think the role of my work in the future.

26:38The role of my work in the future.

26:38I think both are the same.

26:39The role of my work in the future,

26:40the role of my work in the future.

26:44I think we have to work in a very different way.

26:45I think you asked the USB question to all of them.

26:47So, Hadeesh and Raj, if you can also answer that part.

26:50Yeah, I am just pointing at USB is elephants,

26:53which is what Park also does.

26:55I love your outfit.

26:59USB is elephants and with elephants, movies have not done wrong things, so I think we are

27:08all waiting for people to see and tell about the movie.

27:14We can take a very important role.

27:20No point of view regarding the USB.

27:25I am very proud of you.

27:27I am very proud of you.

27:31It is all good action.

27:36I am very proud of you, so I am very proud of you, so just focus on actual watch and

27:40social videos and nature.

27:44Yes, it's good.

27:45The Indian audience also wants to watch a good Indian film.

27:49Whether it's Malayalam or Tamil or Tamil.

27:52You will have a good food to eat at the plate.

27:55It's not going to be able to eat at the plate.

27:58Marko was released at the E.T. 7 and then at the E.T. 7.

27:59It was released at the E.T. 7 and then at the E.T. 7.

28:02So it was a good food to eat at the plate.

28:08Marko was released from Kerala.

28:10He was released in England.

28:11And Kill was released from Bollywood.

28:14He was released from Kerala.

28:16We were shooting on Marko at that time.

28:20Everybody wants to watch a good film these days.

28:28Hi, my name is Farad Talal.

28:30I'm from Moppawn YouTube.

28:32My question is,

28:34You were four of them.

28:35You were released from the individual characters.

28:40And the other question is,

28:43I'm assuming that you are not well-versed with the Malayalam language.

28:48Because it was in the original film.

28:51You were in a new language.

28:54In every scene,

28:55How do you enjoy as an actor?

28:59How do you enjoy the emotion?

29:01How do you enjoy the original language?

29:04How do you enjoy the original language?

29:04You have to mouth your lines in Malayalam.

29:07But the emotions have to be intact.

29:10So how do you ensure this?

29:12How do you enjoy the original language?

29:13Yes.

29:15The first one, the most important one,

29:16is the main character,

29:19the characters,

29:21the characters,

29:22the characters,

29:23from Malayalam

29:25so

29:26the character doesn't mean it.

29:29But the English dialogue has no problem.

29:31So,

29:32we will end on the 7th and 2.

29:42So, SP Nelson obviously was a tiny district SP

29:46When Paul said that he would talk about the Tamil and the Tamil.

29:54He was 50-50.

29:56and I am playing my brother-in-law of my character

30:05Malayalam was not tough for me because Tamil and Malayalam are very similar

30:11slightly tongue twisted

30:14so we managed it

30:16it was really brief

30:18it was really good for me

30:20in English we had a lot of dialogue

30:23and the meaning of our language

30:27one or two, we had to practice it

30:35so we were very well prepared

30:39I want to give credit to my first movie director Jill

30:43which was released in 2015

30:46and the producer of this film

30:49and I came up with 10 years

30:52and I was prompted to say that

30:54either I would say it or I would say it

30:56so credit goes to my first movie director

30:58because I had to control two scenes

31:02and he was like that you have to learn your own dialogue

31:06so that was the effect that was easy to do today

31:10and if I had to control my mind

31:12and if I had to control my mind

31:12and I would say that

31:13I would say that

31:14I would say that

31:17but he was very strict with me

31:18and he

31:20you have to learn

31:21you want to associate directors with you

31:23you want voice notes

31:24you want in English dialogue change

31:26so

31:27whatever you want to do

31:28but I want you to say your own dialogue on the set

31:32so

31:3315 days

31:33I have to write a line of the first movie

31:35and I am telling you

31:36that

31:36it was so helpful

31:37that

31:38I made a dialogue

31:38so

31:39I will start to take a process

31:41so

31:42when the movie was released

31:43on the 27th March

31:45March

31:46March

31:46and then 7 days in the end of the film.

31:48That was set.

31:49And today I am going to process that,

31:53one day before I asked for voice notes,

31:57I would like to listen to them,

31:59so I listened to them,

32:00so that I would like to write that slang

32:02and I would like to write them.

32:04My friends would like to write,

32:08but when you write it,

32:09it becomes a memory, it becomes a memory,

32:11so I would like to listen to them.

32:13So I would like to listen to them

32:16so that I would like to listen to them.

32:17so that I would like to listen to them.

32:20And they would like to save time

32:22for other actors,

32:23so that they would like to take a lot of time.

32:27So this is how my process is,

32:31he would like to listen to them,

32:33in English, in English, in Tamil language,

32:35in Tamil language.

32:36So I would like to prompt them

32:41when you have some 40 lines,

32:42otherwise I would like to listen to them.

32:46Otherwise, I would like to listen to them,

32:47so that I would like to listen to them.

32:53But I was nervous,

32:54so that you were nervous.

32:55The first day,

32:58two cameras closed up,

32:59and my director came to me,

33:00and was like,

33:01what happened?

33:14cinema has no language barriers

33:16if you manage it, there is no language barrier

33:20it is not a language barrier

33:25it is not a language barrier

33:27it is a language barrier

33:31it is not a language barrier

33:35but the words should come and it is not a language barrier

33:39after going to ABTB or ABTB

33:42I have already done a full film

33:59So, I don't have a pronunciation, but we were actually talking about Malayalam lines, and the emotion that we talked

34:07about is her word is meaning

34:11In Malayalav's dialogue, they are very point to point.

34:16Anybody is not speaking to much.

34:18The line is less and it is clear of meaning.

34:25Malayalav's set up is very different.

34:28It's good.

34:29So, we have heard the words and emotions.

34:33They are associated.

34:36They are sitting there and they are in the background.

34:41I will mention Rajesh sir, Krivil, Jogi sir.

34:46All three pictures.

34:50Let me move to the next question please.

34:52I have a question for Paal.

34:55Sorry.

34:56I have two questions for Paal.

35:06So, that snake thing was very frightening.

35:11And also visually and after that your face as well.

35:20So, how was that?

35:22Thank you for asking that question actually.

35:24So, when my director said Paal will be his character.

35:27His mind was like that little bit of a truff playing.

35:31Like, oh, this and that.

35:35But, that's what he would say.

35:37He would say something or something.

35:38But, the mind and his impression was that.

35:43Because he is educated.

35:45Rocky is educated.

35:47He is educated.

35:48He is educated.

35:51So, salam is educated.

35:52But, he is educated.

35:54He is educated.

35:55He has educated.

35:55You are educated.

35:56So, he is educated.

35:58So, he is educated left by him.

35:58You know, that are educated,

35:59Theestedượng who is educated.

36:00So, that he is ???

36:00Well, he is educated.

36:04He is educated.

36:05But, he is not educated.

36:06He will not flow out.

36:15He is very nice.

36:21And I have a question.

36:23You are Raj.

36:26You look very fragile.

36:32The way you walk and the way you speak is very simple.

36:43And the contrast is like the gap is huge.

36:46So how do you cross that gap?

36:48I think the contrast is like the way out.

36:54So look, first of all, we have a lot of active roles.

36:57So very soon I think you guys will definitely change the set up.

37:07I think you guys are very positive in real life.

37:15Please tell us about Prakash Raj, Prakash Raj

37:21and he actually did his .

37:23These were the Pukhi vibes.

37:26He actually did his Pukhi vibes.

37:28He actually did that Pukhi vibes.

37:32Pukhi Raj!

37:38Say something and then we will take the question.

37:40No, no, no, it does.

37:42So, sir, just as you said, it's very simple.

37:46In Kuchpa, we have seen a lot of different action.

37:50In this film, there is a lot of different action.

37:52But I don't know how challenging it is during action.

37:56What are the preparations for you to share with us?

37:59Yeah.

38:00In Kuchpa, they were both difficult.

38:02It was very, you know, kind of information, super-serving, you know.

38:10It's because of Covid, we got time for six months.

38:13After connecting to Korea.

38:15So, he injected me character like anything.

38:18The great thing is, that is that, you know, free plan.

38:23After coming to the place,

38:27I can't do anything.

38:30I can't do anything.

38:31I don't have any work.

38:32I think it's a little bit more important to the character.

38:37It's a unique kind of work.

38:41I give you a little bit of time.

38:43I practice it.

38:44So, I've practiced a lot.

38:46I know it's a great way.

38:50Coming to this film,

38:54I really want to play the kind of subtle performance and intense performance

38:58Some kind of roles, you know, that is different completely

39:01Always, it's meh rata, Jeeja ji will go no to bide ko maanake le dajata

39:05I don't know, he wants

39:07Jeeja ji go no to bide ko maanake le dajata

39:09But this is not like that, so I really like this character

39:14Thank you so much, I think, we'll just take one last question

39:18This would be the last question for the conference

39:22My name is Devan

39:23First of all, congratulations for the talent

39:28My question is, film is full of action, drama, intense, but it looks like masala

39:34So, how was the involvement behind the camera?

39:37Was there any funny incident happened behind the camera or just like film was all intense?

39:43Yeah, it was funny, I was trying to get the basket

39:45But, of course, this is a lot of work, so we didn't forget it

39:51See, like I said, villains, they are very tense, but we are very opposite in real life

39:55Far5, Raj, Raj, Haril 5, and even Pepe

39:59Sunil Sar and Pepe, we are missing Sunil Sar and Pepe

40:15How is this fun?

40:19You will see the film in your life

40:20Right, but, of course, how did you see the film?

40:30How was it?

40:31Yes

40:31I was waiting for people in your life

40:39Yes

40:40Let's go

40:40Mwake

40:53and he told me, what's going on?

40:57I didn't say anything.

40:59I didn't say anything.

41:00I didn't say anything.

41:07He had some injury in the first place and he got some injury injury.

41:12I did not have an injury injury but he did not have a injury injury.

41:19He did not have injury injury.

41:23A lot of injuries.

41:27Just to tell you what I am saying.

41:30Masala cook is very dangerous, not everybody can relate to that kind of comedy.

41:46Thank you so much to all our friends from the media for all the wonderful questions.

41:50Thank you so much for watching the movie over here.

41:52I appreciate it.

41:52Thank you very much sir.

41:55Please, please give me your love.

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