Kabir Singh Duhan, Parth Tiwari, Harishankar Narayanan, Premiere of Kattalan from Marco makers

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Transcript

00:21The one and only all-rounder from the movie is absolutely doing a great work in the cinema

00:29space and of course he's balancing sports analytics as well. He's doing some phenomenal work as an actor at the

00:34same time associated with Mumbai Indians IPIL team as well, Aamchi Mumbai ladies and gentlemen. I just want to call

00:40on stage the one and only Harishankar Ji. Can I have a huge round of applause for Mr. Harishankar? Thank

00:46you so much. There is the dapper man making his way through the stage. Great stuff. Congratulations. Thank you so

00:54much brother. Can we have a big round of applause for him please. So one and only Mr. Harishankar.

01:02My next introduction is going to be about somebody who just doesn't really need an introduction because manager introduced

01:10when I talked about Pushpa. So of course goes without seeing. I'm talking about the one and only Raj Tirindasu

01:17sir. Ladies and gentlemen. Brilliant work Daniel in Pushpa.

01:20And now he's going to be doing some phenomenal work in Katalini as well.

01:23Soar Sabadhi chahi ithaliya. Unkhhe liye please. Mr. Raj.

01:27Making his way with Bulls. Right. Thank you so much.

01:32I'm going to be on stage. A very very very fine actor. He knows how to do whatever he's been

01:39trusted with by the directors and the producers.

01:41You have seen a lot of great work already in Kill. And of course all I can say and take

01:46it forward from there is that he's literally literally killing it in Katalini.

01:50Ladies and gentlemen a big round of applause for Mr. Park Tiwali please.

01:57Ladies and gentlemen if I can have the biggest round of applause for Parth Tiwali. Thank you so much Mr.

02:18Tiwali.

02:19in the country that we have right now. Always killing it with whatever role that he's been trusted with.

02:24He's known for his physique but I think more than that he's known for his great skills as an actor.

02:28He was simply simply phenomenal as we all know.

02:31And Markoven I think he's only taking that legacy forward over here with Katala.

02:36Ladies and gentlemen Kameer Duhan Singh ke leye Zohar Sattali please.

02:39The man. The legend. The OG.

02:41Kameer Duhan Singh over here ladies and gentlemen for all of us.

02:46Kameer Duhan Singh over here ladies and gentlemen for all of us.

02:49Kameer Duhan Singh over here ladies and gentlemen for all of us.

02:49Thank you so much.

02:51Thank you so much.

02:54Thank you so much. What a pleasure.

02:56Individually aap logunne Thali bhaja hai. Consolidated Thali hoja hai.

02:59Charo kye ye. Please everybody.

03:01Kameer Duhan Singh over here ladies and gentlemen for all of us.

03:02Thank you so much. What a brilliant thing.

03:04Before I pass it on to my friends and incredible dignitaries from the media.

03:08I have certain questions for all of you over here which I want to actually ask.

03:13So Kameer ji mein aap se chalo karna cha ho ra.

03:16You know you were truly truly fantastic in whatever project you have played so far.

03:20Marko has truly played a brilliant role in that journey of yours as well right.

03:24And you are now continuing it wonderfully with Katalan.

03:26We just saw what you have to offer over here.

03:29What's been your experience and you know everything like.

03:32First of all good evening everyone and thank you for joining us.

03:39Let me talk about Cubes Sharif bhai.

03:42He is like family to me and this is my second movie with him.

03:46He is a great producer and he gives a you know open hand to all his directors.

03:50Aapne maar ko bhi dekhi hai.

03:52And it was a massive massive hit.

03:54So when you know director gives an open hand to go and make a good cinema I am standing next

03:59to him.

03:59So you know picture achhe bante hai.

04:01You saw the trailer or film aap logo ne dekhi hai.

04:04So production quality dekhi lo aap shot taking dekhi lo director kaam dekhi lo.

04:07It's really good and like I said it's a family to me.

04:10And many more to come yaar.

04:13I just felt good to work.

04:15This is my 86th movie in last 10 years.

04:18And I am very grateful.

04:19Because yaar.

04:21I am being a haryanvika guy.

04:23Khaaom se nikal ke.

04:24Fusauut mei khaam karak.

04:25Now coming to Bollywood.

04:27It's a great story.

04:30It's a great story.

04:31It's a great story.

04:33It's a great story.

04:33And it's a great story.

04:35It's a great story.

04:37And I've been working very well.

04:38It's a great story.

04:39In short, I have come three bowl, 86 movies.

04:41And it's not easy for me.

04:43Yaar, you had to come here.

04:47And this work is a long time ago.

04:51Thank you so much sir.

04:53And I can say it's a long time ago.

04:55But you have started in a victorious note.

04:58So I am sure it's only going to get bigger.

05:00I thank you so much.

05:01That's what it is.

05:02Har Har Mahadev.

05:04That is what it is.

05:05Who is our manager?

05:08who takes care of your work.

05:10I ask everyone who is my manager, so he is taking care of my work nicely.

05:15The best manager one can have indeed.

05:18I am going to ask a question, Rajji. Rajji has a mic.

05:22Thank you so much.

05:23I am going to ask that, right in the introduction itself, I was talking about Pushpa,

05:28all the great work that South Film industry is doing and leading the way for the rest of the country.

05:33You have been a part of that, you are being a part of this right now.

05:36You are going to be a part of everything that is happening in the country in the future,

05:40touched by God's grace.

05:41I just want to understand.

05:44Manifestation is the ultimate power.

05:45I want to understand what was the similarity about being a part of this as well as Pushpa

05:51and also how different was Kathala in terms of a beautiful cinematic experience for you?

05:56Pushpa is a completely different role for me.

06:00You guys already saw that feeling, right?

06:02His aggression is always on the edge, kind of.

06:05But competitively, that Pushpa is a much more mature role for me.

06:11Yeah, the complete team is different.

06:14You know, the industry works different.

06:17Malayalam is also different.

06:19But the director, Paul Judge, the technical knowledge, whatever he had is brilliant.

06:25Every frame you have looked at is brilliant.

06:28Our technical knowledge is also good.

06:30And I am very glad that I got an opportunity to work with that guy in Malayalam.

06:35This is my first Malayalam film movie.

06:38I mean, like, debut for me in Malayalam.

06:40So I am very happy with this.

06:41And yeah, please watch this movie in theatres.

06:45And let us drop time. Thank you so much.

06:47I want to tell about the director, yeah.

06:49I was the first one in this movie.

06:51This is a film, Sonichi.

06:52I was shooting for one of my upcoming Malayalam movie.

06:55It's Suresh Gopi, sir.

06:56Or Takamban, who next film is a very.

06:58So, I was shooting for that movie and he came to my location.

07:01And he narrated me this film.

07:03He told me, you are the first person.

07:04Hero has not listened to the film.

07:05But I want to narrate this film to you.

07:07And I said yes.

07:08And I have seen his, you know, hard work.

07:11It was 110 things in the movie.

07:13And day and night.

07:14There is a pain.

07:15There is no pain.

07:16There is no pain.

07:17There is no pain.

07:17So, I have seen Paul George's work.

07:21What did he deliver?

07:22And you have witnessed the film now.

07:23You have seen the film.

07:25He was one of the very calm and relaxed directors.

07:28I mean, he speaks very less.

07:30That work, whenever I go to him,

07:34He was very particular for the shot.

07:37He will never compromise in the shots.

07:41So, very calm, relaxed in the set.

07:43And just calm.

07:46We all are very grateful.

07:48We are part of this film.

07:50Yeah?

07:53I think, calm, calm, calm.

07:56That's what it is.

07:58I want to take my next question.

08:00Mr. Parth, here is the mic.

08:01Yeah.

08:02Perfect.

08:02Thank you so much.

08:03I want to understand that,

08:04in the introduction, you have killed it in Kill.

08:07And now you are going to be killing it in Katalan as well.

08:11What is like your mental state when you do these kind of thrillers and really intriguing roles?

08:17Because it takes a lot from you within, right?

08:20To deliver as per the expectations of the director.

08:23So, how do you prepare yourself mentally for these kind of intriguing roles?

08:30Oh, okay.

08:31Okay.

08:34Okay.

08:35Okay.

08:35I talk about my preparation.

08:38So, I am kind of an actor who has a lot of information from before.

08:43So, I am always after the director.

08:45What is it?

08:46What is it?

08:48What is it?

08:50On call.

08:51I think we had six calls.

08:52And I was like, what is Robbie like?

08:54So, my preparation is always discussion and more of information.

08:58which I can build a character.

09:00Siti in Kill was more raw, rustic,

09:04a lower one-class background.

09:07And he was a very different character.

09:09Here, Robbie is rich, stylish,

09:12and Siti doesn't take his own decision,

09:16but goes with the family.

09:18And here, Robbie is doing his own purpose.

09:21So, that is the main difference in both the characters.

09:24And I am very happy that I got the chance to work in Malaya.

09:28Malayaanam cinema because I think Malayaanam cinema is the one

09:33which is most of the risk.

09:35At least, I really love movies coming out of that industry.

09:39And they have come into action.

09:41And Mako was a very good example of it.

09:44And I hope that Gatalan also feels good.

09:47So, we did our hard work.

09:48The team did their work.

09:50And I am very thankful that I am part of this project.

09:53Fantastic stuff.

09:54I think all we can see is Fortune 3 was the blade.

09:56So, if you are working on the other side,

09:59and you are working on the other side,

10:01and you are working on the other side.

10:01So, that is exactly what is happening in your case as well.

10:03I am going to move quickly to you, sir.

10:05What is this balancing of sports analytics, movies,

10:08completely different parallels?

10:09These are two really popular things in a beautiful country like India.

10:13You are working with Mumbai Indians,

10:13and you are working with movies.

10:16What is left?

10:19Good evening, everyone.

10:20I am very happy to be here in Mumbai.

10:23And I was working with Mumbai Indians.

10:26And I was working with Mumbai Indians.

10:27Now.

10:29The experience is always there.

10:31Yeah.

10:31It is always there.

10:32Yeah.

10:44It is always there.

10:45There is no money with cricket analytics.

10:47But then, after a point, I decided,

10:49I need to chase one more passion.

10:51This was always my dream.

10:54So, I left everything and, you know,

10:56wanted to pursue this.

10:58And that is how I started.

10:59Yeah.

11:00This is my third big role movie.

11:03I am very, very happy to be part of Katalan.

11:06Such a great set up.

11:08You know, the entire star cast and the entire crew members,

11:12they are all, you know,

11:13they have list of movies to say when they call.

11:17But for me, I have only one or two.

11:20Pick and choose.

11:21But still, you know, such a character,

11:23which was given to me, Paul,

11:26I mean, I just have to thank the director Paul George, sir.

11:29You know, he is...

11:33I don't know.

11:34I am just indebted to him.

11:36I have to be.

11:37And Sherif, sir, the producer,

11:41it is tough for any person to, you know,

11:44believe on a fresher.

11:46You know, I am kind of a fresher.

11:48And giving such a big screen space,

11:53it is truly a blessing.

11:55And I am very, very happy to pursue my

11:59cinema career, which is starting in Mumbai.

12:01That's where my, you know,

12:04the entire professional journey has been.

12:06So I am really, really happy.

12:08And it's a real moment.

12:10I think all I can say is that

12:11you have experience of a fresher,

12:13but then the talent of somebody,

12:15really, really experienced.

12:16Kapisa wants to say something.

12:17I am in picture.

12:18I am in picture.

12:19So I would like to add one thing.

12:23Our leading man, Anthony,

12:25work is Pepe.

12:26We have seen him in Nam Namali Diaries,

12:28Jalli Reddu,

12:29and here it's a very different work.

12:30I just want you guys to give a big round of applause to Anthony Pepe.

12:35Thank you so much.

12:36Thank you so much for all those wonderful pointers as well.

12:39Now what I am going to do is,

12:41I am going to be opening up the floor for the media for the Q&A now.

12:44So, can we have the questions?

12:45I will just request you to please direct to whom your question is to,

12:49so that the person knows that he has to answer.

12:51Can we have the first question please?

12:53What is the director during the shoot of this movie?

12:56Yeah, first of all,

12:58like I said,

12:59I am very grateful that I am part of this film.

13:02And the cast of you,

13:04Bodh, Harishankar, Raj,

13:07Pepe,

13:07this is my first movie with Pepe,

13:09and he was damn good.

13:12He has never met someone for the job,

13:14he didn't do it.

13:15He has never done it.

13:16It's a new genre for him.

13:17He has never done that action before.

13:19So,

13:22he was one of the hard working actors.

13:25I have seen him in the past few moments.

13:27He was one of the hard working actors.

13:28He was very good with me doing my work.

13:30Raj,

13:31he was not my work.

13:33Unfortunately,

13:33he was a combination of all his work.

13:36He was a combination of all his work.

13:37So,

13:38he was a good man-tie team.

13:39And what is happening?

13:40It's a good thing.

13:41When you work with honesty,

13:43the result is good.

13:44So,

13:44I am very grateful

13:46that

13:47I have worked with everything.

13:48and

13:49the result is good.

13:50The director,

13:51I have said,

13:52he was one of the hard working directors.

13:54I have seen his hard work.

13:55I was there for 25 days for this film.

13:58And

13:58sleepless nights,

13:59we used to sit together

14:00up to 12 o'clock,

14:011 o'clock.

14:01So,

14:01we used to discuss

14:03next morning scenes,

14:05what are we going to do?

14:06And he was like,

14:07he was having black coffee at night.

14:09and he was like,

14:09he was like,

14:10relax,

14:11it will happen.

14:12It will happen,

14:13it will happen.

14:14So,

14:14I told you,

14:16it's like coming back to home.

14:18Second movie,

14:19Marco was massive hit.

14:21finger cross,

14:23we made this film with honesty,

14:25and soul connected.

14:26So,

14:27it's a good thing.

14:29When do you see Kannada industry?

14:32I have not signed a few years ago,

14:35because I'm listening to the script,

14:37it's not up to the mark.

14:40Malayalam is coming,

14:412 films,

14:413 Hindi movies are coming,

14:431 OTT,

14:442 OTT subjects are coming,

14:462 Tamil films are coming.

14:47So,

14:47I have released the next 5th,

14:4711th film.

14:49Thank you so much.

14:50Before we move to the next question,

14:52just one minute.

14:53The production house wanted,

14:54you guys only sent me,

14:55I don't want to work here.

14:55So,

14:56what I'm going to do is,

14:57I'm going to quickly put it in the chest,

14:58for all of you.

14:58all of you are coming.

15:03My question to anyone,

15:05who wants to take it,

15:06is that,

15:06what aspect do you think,

15:08will surprise the audience,

15:10the most,

15:10according to you?

15:11Or all of you can take it?

15:13Ma'am,

15:13blood and sweat,

15:14is very costly.

15:16So,

15:16we've done blood and sweat,

15:17we've done traditional defense fights.

15:19So,

15:19I think,

15:20it's a very different thing,

15:21which we showed.

15:22other things,

15:23you've seen,

15:23and you've seen,

15:27the first episode,

15:32we have done in bank of,

15:35original elephants,

15:36which are hostile.

15:37Those elephants,

15:37are already working in,

15:39long back home.

15:40So,

15:40with that elephants,

15:41we've worked,

15:42that was really,

15:44scary actually.

15:45But yeah,

15:46we are trying,

15:47original fights,

15:48which we shot in Thailand,

15:50Bangkok.

15:52and we have,

15:52We have the,

15:53next question please.

15:55Hello,

15:56Babir sir.

15:57Hello.

15:57This side.

15:58The question is for you,

16:00like,

16:00I saw this movie right now,

16:02the action,

16:03the thriller is,

16:03wonderful.

16:04So,

16:05what do you think,

16:05like,

16:05when we see a regular,

16:07thriller action film in cinema,

16:08and what makes this apart?

16:10Like,

16:10what is different between them,

16:12and in this film?

16:12Yeah,

16:13it's the same thing,

16:15that blood and sweat,

16:16is very costly.

16:16We have given this film,

16:18and,

16:19music is really good.

16:21You have seen,

16:22KJF,

16:22Salah,

16:23Dragon is coming,

16:24Marko Myung's music,

16:25one of the key points,

16:27and,

16:27of course,

16:28smuggling world,

16:31how,

16:32fight between,

16:34Mari's world,

16:35Edie's world,

16:36and Pepe's world.

16:37Emotionally,

16:38we are fighting,

16:38fighting for a reason.

16:40It's just,

16:40my father's dream.

16:42the story of the story,

16:43the story is great,

16:44the story is great,

16:44casting is great,

16:46the music is great,

16:47and,

16:49I'm sure,

16:50you will feel better,

16:52and,

16:52you will feel better,

16:52and,

16:53you will feel better.

16:54So,

16:54yes.

16:55Hello.

16:57Sir,

16:58sir,

16:59my question is,

17:00that this film,

17:01has a hint of Marco's film,

17:03and,

17:03you will see Marco's father,

17:05and,

17:05you will know that this film,

17:06is connected to the universe,

17:08but,

17:09in the end,

17:10in the end,

17:10you will be dead,

17:11and,

17:11in the end,

17:12you will be dead,

17:13so,

17:13how will it connect?

17:14What will I do?

17:15I will kill you again,

17:15and,

17:16I will kill you again.

17:19It's not Marco's universe,

17:21but,

17:21of course,

17:22it's connected somehow,

17:23to Lord Marco,

17:24I will kill you again,

17:26so,

17:27I will kill you again,

17:28and,

17:29I will kill you again,

17:30I will kill you again,

17:31and,

17:32I will kill you again,

17:33and,

17:33I will kill you again,

17:35when I hear this film,

17:36I can be part of Lord Marco,

17:39also,

17:39so,

17:39let's see.

17:42Can we move to the next question?

17:44Yeah.

17:50Hello Kabir sir.

17:51Hello bhai.

17:52My question is,

17:54now,

17:55today,

17:55audience are expecting larger than live performance,

17:58can you tell me,

17:59do you face any pressure while performing?

18:03No,

18:03I don't feel any pressure,

18:06I just,

18:07I read my scripts,

18:09I read my scene,

18:10and,

18:11I give my best,

18:12I understand every film,

18:13every film,

18:14that,

18:14this is my film,

18:15so,

18:16you have to give you a thousand percent,

18:18so,

18:18I performed that way,

18:20and,

18:20when Marco released,

18:21I remember,

18:22I got some,

18:2328,000 messages,

18:25on tweet,

18:25and insta,

18:26that,

18:27I have no single negative message,

18:28but,

18:28it was a very dark character,

18:29I was a very dark character,

18:33when I was shooting the film,

18:34my wife was seven months pregnant,

18:36especially then,

18:37she was really tough for me,

18:39but,

18:39like I said,

18:42I take God's name,

18:44you know,

18:44take my chair,

18:45and,

18:47I don't allow anybody to touch me,

18:50I don't allow anybody to talk to me,

18:52before my scene,

18:54so,

18:54this was not dark,

18:55that was very violent film,

18:57and,

18:58like I said,

18:59I do every film,

19:00laugh films so much,

19:01so,

19:02I have no pressure on me,

19:03man,

19:04that was very violent film,

19:09that was very violent film,

19:09like I said,

19:11every film I do,

19:12I love films so much,

19:14so,

19:14I don't have any pressure on me,

19:16and,

19:16it was very long,

19:17it was very long,

19:19Malayalam is a very difficult language,

19:21because it's a tongue twisted,

19:23I got a 60 plus film in Telugu but Malayalam was also my 5th movie

19:30and I am going to do my own home work

19:32so if an actor comes to the home work

19:35then the director and the producer also

19:37and the actor also makes it easier

19:42Hello, it was amazing

19:46and my question is

19:48as you told me, I shot real elephants with real elephants

19:53so how did you experience it?

19:56what was the most exhausted?

19:59or something like that?

20:02or something like that?

20:03Malayalam fell

20:03he fell

20:04he fell

20:06he fell

20:07he fell

20:09he fell

20:10he fell

20:11he fell

20:12he fell

20:14he fell

20:15he fell

20:16he fell

20:17he fell

20:19so

20:20it was scary actually

20:21but you know once we entered into the character

20:24I have a league at the master

20:27that he took responsibility for me

20:31but he doesn't have anything

20:31so he fell

20:32so he got me

20:33he got me

20:35so he got me

20:36so he got me

20:37so he got me

20:39so that was scary actually

20:40yeah

20:41though they trained elephants

20:42he was saying

20:43you know

20:43I shot that killing

20:44I played that

20:45that kind

20:46so I had a fight scene with the elephants

20:53but the people

20:54that killed me

20:55I was scared

20:57when he left me from the air

21:01amazing

21:01train elephants

21:03but

21:03he was able to explain anything

21:06anything

21:06or the fact I didn't mean anything

21:09And for actors, one more question.

21:13For actors, we think that every scene we know about each scene.

21:19But after the release of this film, what do you think?

21:23Is there a scene where people talk about it?

21:26Or is there a scene where you are very attached, emotionally connected?

21:31Or is there a scene where you connect with each scene?

21:35What do you think about it?

21:36I mean, if you get a small answer, then...

21:41What do you think about it again?

21:43I would like to say that as an actor,

21:47everyone seems to know about each scene.

21:50As an actor, there is a scene where you connect with the audience.

21:55And after the release of this film, you talk about it.

21:59If I talk about it, my introduction scene was a big build-up scene.

22:02It was a big build-up scene.

22:04And there was a part of the entry where it was.

22:06It was a bit different.

22:08It was a bit more update.

22:09It was a bit better shoot.

22:12So when you have a big build-up on someone's character,

22:15it was a big build-up character.

22:17It was very powerful.

22:19So I thought I was looking at the scene.

22:21It was a bit more nice shot.

22:23Because I know that scene was a bit better.

22:25I love the film.

22:28There are emotions too.

22:31Of course, it's irradiated.

22:33But it's for violence.

22:34It's for action, not for violence.

22:38It's for violence, not for violence.

22:52It's for violence.

22:54Hello.

22:55Hello.

22:56Hi.

22:57My name is my brother.

22:58My question is from all of you.

23:00First of all, Kabeer sir, tell me,

23:02I was thinking that you liked,

23:03my brother, you had a photo of my brother.

23:05The movie at the time,

23:07You had a very brutal character.

23:08In that film there was a lot of brutal character.

23:09Or a little kid of the scene with her.

23:12It was brutal you.

23:13That was a lot of BS and you didn't know what USP was written.

23:20What was that BS?

23:20We don't have to go out of our cinema world, the action is always big and if you have released

23:27this film, it's an action-ordinary film.

23:30Sharif Bhai is a very great producer and his production quality is very good in terms of the film.

23:42Malayalam cinema knows a lot of good things in Malayalam.

23:48Marco was a very limited budget.

23:50I think 40 CR made up to 110 CR.

23:54So, this is a lot of quality.

23:56I have seen a lot of production quality.

23:58I have said that the same questions are given.

24:02We have seen a lot of blood and sweat.

24:04It is also a lot of my performance.

24:09Anthony's career and Pepe's career is a very different film.

24:13I don't understand how much Michelle's career is.

24:14When we were able to dry this film, the time of the film was put in the film.

24:16We were able to grasp this film.

24:20With that film, we were able to expand this film.

24:23We gave people the courage of 대통령 doing something.

24:24So, we were able to expand this film.

24:25So, if you wanted to expand this film, you would get the film soon.

24:28We will give appreciation for the film.

24:31I am just like to add in that film.

24:34Ivory report is true and this is a bad fact.

24:39But in that world, no one has done anything in that world.

24:44Especially in Kerala, Kerala and Sri Lanka's network,

24:49they are going to visit the cartel in this movie.

24:53Snowling world or dust, it's not a picture.

24:56No, it's not a picture.

24:56But in which way, elephants are killed?

25:00That's a connection.

25:03And they have been talking about hunters.

25:04They have been living in the village.

25:06They are killed by elephants.

25:10They are coming from a place where they are coming from.

25:14And what happens in this movie?

25:15That's what we will see in the film.

25:16And the cartels, which they earn money,

25:19that's what we will see.

25:22So that is, I think, the USP and different things are understood.

25:27My question is,

25:28what is the deal about this movie?

25:32What is the deal about this movie?

25:34And it's a bit different from the action.

25:36What was the deal about this movie?

25:41What was the deal about this movie?

25:41Yes, it was a lot of different.

25:43Kill was more fast-paced, raw and drastic action.

25:50Because no one bothered me.

25:52I think the two people said,

25:54I think that the fight sequences,

25:5530, 40, 50 seconds,

25:58without cutting.

25:59Two different cameras were made.

26:01They were made in a lot of crammed space.

26:03So, the action was very different from what I did here.

26:07I said, that I did the character.

26:08The character was very different.

26:09In fact, the action was very different.

26:11The driving point was very different.

26:13The action was very different.

26:22I was very timely and oriented and all of us are one way to explain the action.

26:27I was very distant to me and I think I learned something new here.

26:33I learned something from there and I learned something from them.

26:36I think both of them were the best help of the film.

26:44You asked the USP question to all of them right?

26:47Harithi and Rajiv, if you can also answer that.

26:50I was just pointing at USP is elephants which is what Park also said.

26:55I love your outfit.

26:59USP is elephants and with elephants, movies have not done the wrong thing.

27:06So I think we are all waiting for people to see them.

27:12Tell them about the movie.

27:14We are the super-sarcurs.

27:16We can take a very important role here.

27:19There is no point of view regarding the USP.

27:44The Indian audience wants to watch a good Indian film.

27:49...

27:51you can get a good place in the play, you can get a good place to eat.

27:56No one has to be able to get a good place to eat.

27:58Marco released at 7 and then at 1st, it was a good place to eat.

28:04So, the good place is a good place to eat.

28:08Marco, from Kerala, was a film from England, which was a theater.

28:12And Kill, from Bollywood, was a film from Kerala.

28:16We were shooting on Marco at that time.

28:20Everybody wants to watch a good film, these days.

28:23Foundries, dear dear dear, get to come forward.

28:28Hi, my name is Farad Dallal, I am from Bopcon Reviews.

28:32My question is, my question is,

28:35what was your individual characters?

28:39And the other question is,

28:43I am assuming that you are not well-versed with the Malayalam language,

28:48because it was a new language in the original way.

28:52So, in every scene, how do you ensure that your emotions land in understanding the original language?

29:04You have to mouth your lines in Malayalam.

29:07But the emotions have to be intact.

29:10So, how do you ensure that your emotions land?

29:12How do you ensure that your emotions land?

29:13Yes.

29:15I am just saying that,

29:17I am saying that your characters are not a big deal.

29:21You are not a big deal,

29:22but the characters come from Madurai,

29:26so I am not a big deal.

29:28and there is no problem with the change and dialogue, so we will end on the session

29:42SP Nelson is a tiny district SP.

29:48Paul said that he will talk about it and he will talk about it.

29:57He is my brother-in-law of my character.

30:05Malayalam was not tough for me because Tamil and Malayalam are very similar,

30:11slightly tongue twisted, so we managed it.

30:16It was really good for me.

30:20In English, we had a lot of dialogue and the meaning of our language.

30:27One or two, we had to practice it.

30:35We were very well prepared.

30:39Yeah, I want to give credit to my first movie director, Jill, which was released in 2015.

30:45Obviously, Kopee Chan Kravash was a producer that was called Kravash.

30:48And I had to say that I was very prompting here.

30:56So credit goes to my first movie director.

30:58Because in 2015, I had two scenes.

31:02And he was like that you have to learn your own dialogue.

31:06So that was my first time.

31:09It was easy to do this.

31:10If I had to do it in my mind,

31:12I would have to do it in my mind.

31:14I would have to do it in the background.

31:17But he was very strict with me.

31:18And he said, you have to learn.

31:21You want to associate directors with you.

31:23You want voice notes.

31:24You want in English dialogue.

31:26So, whatever you want to do.

31:28But I want you to say your own dialogue on the set.

31:32So, in 2015, I have seen some advice in the first movie.

31:35I am going to tell you something.

31:36Because I got so much help.

31:37That I have got dialogue.

31:39So, I am going to study this process.

31:41So, when Jill movie was released.

31:43In 2017, I was going to play around 7 days.

31:46The uns Australia film was released.

31:48So, it was first time.

31:49All these days.

31:54I got to share exactly what you did when I smoked black 32.

31:55Asgmailed by.

31:56They had books I sent,

31:56Whose notes you often called,

31:57and used them how to meditate.

31:59And then I able to recite a verse.

31:59So, I listened one more time

32:00So, that I made that all off track.

32:03Though it's our mind is allowed for my boys.

32:04Like we told him to read .

32:07Since you wrote through,

32:09All the memories were made.

32:10And grandparents learned is that.

32:11But,

32:11It wasunci 2 years ago.

32:14Today things did I intend to like ones you.

32:16I can read, read, read and read.

32:20And this time also saves time to other actors.

32:23I can't see anything more.

32:24The director is very happy.

32:27He comes with full homework.

32:30So this is how my process is to listen to voice notes.

32:33In English, English or Tamil language, there are dialogues.

32:37So I have a lot of prompting when you have some quality lines.

32:42Otherwise, I don't know.

32:45I didn't know my first film.

32:47This time I was nervous.

32:49We don't know how to talk about it.

32:51We don't know how to talk about it.

32:53In that day, I was nervous.

32:55The first day, two cameras close up.

32:59And my director came to me and said,

33:01What happened?

33:02Are you nervous?

33:03I said, no.

33:04But this time, I got involved.

33:06But we don't know how to talk about it.

33:08We don't know how to talk about it.

33:09I said, no.

33:10I didn't know how to talk about it.

33:12I'm nervous.

33:14I told you, my friend,

33:15There are two languages barriers.

33:16Do you manage any language barriers?

33:20No.

33:21No.

33:23No.

33:23I'm nervous.

33:24So,

33:25I'm going to give a trainer to our parents.

33:29It's like we have to say a prenunciations.

33:31They're like a prenunciations.

33:34I don't know if you have any questions but the words should come out so I doubt that you will

33:39know after that

33:40you will speak a little bit of a song or a song or something like that.

33:43But I have also been doing this video and doing this video.

33:49I have heard that you will have a video and we will have a video.

33:53We will have a video and we will have a video.

33:55We will have a video and we will have a video.

33:58I don't know what to say

34:00So, this is not a pronunciation

34:02but we actually used to do Malayalam line

34:05and we used to do the emotion

34:06which we talked about, every word

34:07has a meaning

34:09and it has a meaning of the whole line

34:11actually, Malayalam has a dialogue

34:13and they are very point to point

34:16anybody is not speaking to much

34:18who has given lines

34:19is less and clear

34:21and has a clear meaning

34:23Malayalam has a very

34:25very cool set up

34:27it is very good

34:29so, they have a meaning

34:31and the emotion

34:32is written in the words

34:33as an associate director

34:36he was sitting

34:37and he is a character

34:41I will mention Rajesh sir, Krivil

34:45and Jogi sir

34:46all three pitches

34:50Can we move to the next question please

34:51I have a question for Paal

34:55I have a question for Paal

34:56I have a question for Paal

35:01I have a question for Paal

35:02In fact, I have two questions for Paal

35:05So, that snake thing was very frightening

35:11and also visually and after that

35:17your face as well

35:20So, how was that?

35:21I have a question for Paal

35:23asking expression actually

35:24so, when I was a director

35:26I have a character

35:27his mind was like

35:29when he was like

35:30when he was playing

35:31he was like

35:33he was like

35:39and then he was like

35:43because he is educated

35:44because he is educated

35:45Rocky is educated

35:47and he is a character

35:47who is a character

35:49he is a character

35:52who has a character

35:53so, he is able to fantasize

35:55He is angry but he is not losing control, he will not flow out of the person, he will not

36:22flow out of the person.

36:26He looks very frightened on school and the way you walk and the way you speak, now when you speak,

36:39it is very simple and the contrast is like the gap is huge.

36:46So how do you cross that gap?

36:48I think the start is like the start of the day.

36:54So look, first of all, we have been watching the active roles, so very soon I think you guys will

37:03be in a different place.

37:05So I will set up.

37:05Good idea.

37:07We have a wonderful relationship.

37:12It is very trendy as I am a conscious.

37:15You can see this in the apartheid.

37:16You need to take that in the Middle East.

37:17But look at this in the Middle East.

37:19And do this in the Middle East.

37:24I've seen it in the Middle East.

37:25How do you think this is very funky by yourself?

37:26So that is, he actually has the funky right words right?

37:30There are such things that he has the funky world.

37:30I am very sorry.

37:32I am very sorry.

37:34Raj, I am very sorry.

37:38Say something and then we take a question.

37:40No, no, no.

37:42Sir, you said it was very simple.

37:47We also have seen a different action.

37:50In this film, there was a different action.

37:52But do you know how challenging it is during action?

37:56What are you doing?

37:58What are you doing?

37:59I am very sure both to speak about the people.

38:03So you know, the kind of information for me,

38:08I am very sure.

38:10We've got time for six months after connecting to the theater.

38:15So it's a character like anything.

38:18The great thing is that it's not pre-planned.

38:22But after coming to the effects, you can't wait for me.

38:30I don't have any work.

38:32I think that this character is a little bit of a unique kind of character.

38:41I have a little bit of time to practice.

38:54I really want to play the kind of subtle performance and musical performance, some kind of roles, you know,

38:59I think it's different completely.

39:01I always say it's like, Jesus, you could go on, you could go on, you could go on, you could

39:08go on.

39:09But this is not like that, so I really like this character.

39:14Thank you so much, I think, we'll just take one last question, this would be the last question for the

39:20conference.

39:22My name is Devan, first of all congratulations for the talent.

39:28My question is, film is full of action, drama, intense, everything goes like masala.

39:34So how was the involvement behind the camera, like was there any funny incident happened behind the camera or just

39:40like film was all intense?

39:42Yeah, it was fun.

39:44We were all intense, trying to pass the camera.

39:46Of course, it was fun.

39:51Like I said, villains, they are very tense.

39:54We are very opposite in real life.

39:56Raj, Raj, Haritha and Yun Pepe.

39:59We are missing Sunil Tar and Pepe.

40:01We are very tense.

40:04I think you know, not just like the fans, really, they come the same.

40:06We are very tense.

40:10We are very tense, we are very tense.

40:14And people have very tense, we are very tense, and we are very tense.

40:15So do you, not to ask them, did you, or did you get to ask them to ask them a

40:30few questions?

40:30And now I'm sorry.

40:31Oh my God, if we are now, if we are now,

40:37we see how to make sure it is.

40:39We're going to kill you.

40:46And then you have to tell me,

40:56I'm not asking you to tell me.

40:58Yes, he did not get out of my house, do not shoot and then he got a pair of injury

41:12with him and I would like to be able to capture him.

41:14He did not get out of my house, do not shoot and then he got a pair of injury with

41:25him and I would like to be able to capture him.

41:26You know, all I can say.

41:28Just to tell your, what I said.

41:30Masala, Masala is really good.

41:34Yeah, that's what we are saying.

41:37Masala is cooked.

41:38Masala is cooked.

41:39Masala is cooked.

41:41The comedy is very dangerous.

41:43Not everybody can relate to that kind of comedy.

41:46Thank you so much to all our friends from the media for all the wonderful questions.

41:50Thank you so much for watching the movie over here.

41:52I appreciate it.

41:52Thank you very much sir.

41:55Please, please leave, leave me tomorrow, give me your love.

41:59I am a person who is a man who is a man who is a man who is a man.

42:08He is with his friend.

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