00:00See more?
00:01Back in!
00:02Back up!
00:03Here we go in three, two, one.
00:06Donagle, Riley, I think we should talk about last night.
00:11I know who I used to be, and I know who I am now.
00:16Pinka.
00:18I want to see something spark.
00:20And I want it to be treated with the regard
00:24that I would treat any other masterpiece with great reverence.
00:28This is a Spider-Man that's fresh, gutsy, new.
00:33Action!
00:35And of a time of dangerous gangsters in the 30s, noir style.
00:41Howdy, boys.
00:42For the cine enthusiasts, the art direction is superb,
00:47and you get it in full sumptuous black and white.
00:50The thing that's amazing about a noir is that the opportunity
00:53was there to create a black and white show.
00:56And then turn to color.
00:57And we kind of colorized it.
00:58Colorized it.
01:00It will be a completely different experience.
01:03You get to appreciate the attention to detail,
01:06seeing Noor in color.
01:07Everything is so authentic.
01:11From every creative angle, costume, hair and makeup, the set,
01:15and Darren Tiernan has done extraordinary work.
01:17With the camera, it's been pretty special.
01:19It's unlike anything they've ever seen.
01:22And it's Nick Cage.
01:23It's one of the greatest of all time.
01:25That's pretty damn cool.
01:26Marker!
01:27When criminal things start happening in New York,
01:29he gets pulled back into being a hero.
01:31Am I an extraordinary man?
01:34Yes.
01:35Am I an ordinary man?
01:37Yes.
01:38I'm both.
01:39I'm neither.
01:41But aren't we all?
01:45I tried to have us do everything as practical as much as possible,
01:48because I wanted the world to feel gritty and grounded.
01:52And so it felt real because it was real.
01:55I mean, it's Spider Noir.
01:57Well, hell yes.
01:59Of course I'm going to do that.
02:01Who wouldn't do that?
02:02I'm going to do that.
02:12You guys took me the chance of doing this,
02:13Great.
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