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00:00THE END
00:09Silvermane.
00:10Charged of organized crime for 30 years.
00:12Someone burned down his mansion a couple of nights ago.
00:15Addison!
00:16You keep following me, it won't end the way you want it to.
00:18Does this guy have superpowers, like you?
00:22Do me a favor, hold off on printing that.
00:24I want to warn Donnerville before he gets himself killed.
00:27It's enough without.
00:28There's gonna be a free-for-all.
00:29The people could use a hero.
00:31I hope they find someone.
00:33I can't help but wonder what Ruby would think.
00:36I'm not that guy anymore.
00:38Any chance you know who this is?
00:40Oh, that's Cat Hardy.
00:41Star attraction over at the alcove.
00:43Is there somewhere we can talk? It's business.
00:45Clint?
00:45Despite what I do, we don't enjoy hurting people.
00:52Don't hurt him.
00:54What the hell is this?
00:55Just leave us alone, please.
00:56When someone tells you what they are, you have to listen.
00:59And what is he?
01:01Retired.
01:02I came here to offer him a job.
01:04My friend we met last night, he's disappeared.
01:33You were saying Flint's your bodyguard.
01:35Yes.
01:36He protects me and he's loyal.
01:38Hard to find these days.
01:40No kidding.
01:41I didn't marry my husband for his looks.
01:43What else can you tell us?
01:44Does he have family?
01:45Friends?
01:46I don't know anything but his personal life.
01:48I know his address.
01:50Are we gonna talk about the fact that he turned into some kind of sand monster?
01:55What I know, she knows.
01:58It started about six months ago.
02:00Slow at first.
02:02But it's been getting worse.
02:04And he never remembers when it happens?
02:07Oh, he always remembers.
02:08Unless he gets clubbed in the head with an iron girder.
02:11That's it?
02:12He turned into sand.
02:14That's it.
02:14What's sand, right?
02:15It just seems like kind of like a big deal.
02:17So do you have any clues as to what's causing this to happen?
02:20You haven't given us much to go on.
02:22Isn't that what the money's for?
02:23You're an investigator.
02:26Investigate.
02:28You know, an artist doesn't just paint with air.
02:30He needs a canvas, brushes, paint.
02:32Do you think I'm withholding from you, Mr. Riley?
02:35What if I said I did?
02:36I'd ask why you thought that.
02:37I'd say a lifetime of experience.
02:39With clients?
02:39With women.
02:43As fun as this little game is, I'm afraid I have other business to attend to.
02:47Gifted painting, Mr. Riley.
02:58What do you think?
02:59I think you might need a cold shower.
03:02I think I might need one.
03:06But you're right.
03:07She is hiding something.
03:09All the fun ones do.
03:11I'm going to check out Flint's apartment.
03:13Why don't you go down to the...
03:14Bureau of Criminal Records?
03:16Yeah.
03:17Been a while since we've had a real case.
03:19But it ain't been none long.
03:22You gotta accentuate the positive feeling.
03:29Find it the negative and latch on to the affirmative.
03:35Don't mess with Mr. In-between.
03:37You gotta spread joy up to the maximum.
03:42Bring the gloom down to the minimum and half faith.
03:47Amen.
03:48For pandemonium lovel to walk up on the sea.
03:53Amen.
04:01Gonna meet a new supplier at the docks tomorrow.
04:05Canadian.
04:07You didn't tell me that.
04:08I'm telling you now.
04:11It's not smart for you to go out in public
04:12until we know who tried to take you out.
04:15I'll go what I want.
04:16With all due respect, you don't pay me what you pay me
04:19for my charm or disposition.
04:21You pay me to keep you alive,
04:22and I'm telling you it's a bad idea.
04:24If you dying benefited me,
04:26I would have done it myself ten years ago.
04:28But I know what I'm good at.
04:29I know what I'm not.
04:31And I need you to stay alive and in power.
04:34So pretty please, with cherries on top,
04:36let me go down to the docks of Hetty,
04:38and once I make sure everything's kosher,
04:39you can waltz on in and show everyone
04:41the brightness of your feathers.
04:44You finished?
04:48The problem is not that the guy is out there.
04:50The problem is that they thought
04:52they could take me out at all.
04:54Ever since the spider disappeared,
04:56things have been comfortable.
04:58Maybe someone's thinking that I got complacent.
05:01Or soft.
05:03Maybe you were one of them.
05:06I'm thinking you could take me out.
05:09If you could set yourself on fire like Addison,
05:11then you'd only have a shot.
05:13Imagine controlling that kind of power.
05:16Now Flint goes missing.
05:19Right after.
05:20She's been acting strange lately.
05:23You know, if those two things are related,
05:26go look for Flint.
05:32And when the boys find our P.I., Riley,
05:36bring him straight to me.
05:52The colors fading from the photograph.
05:55I could tell the story, but still you wouldn't know the hell.
06:00This love was brought to life from shots of glass.
06:03When you kiss me, there's a shifting in the sepia tone.
06:07Can't escape the madness, baby.
06:09Magnetism.
06:11Run away, but something pulls me back into it.
06:14Lately, I've been staring at a broken mirror.
06:17Needing someone to come out.
06:20Hey, lover, I need someone to save me now.
06:27For all the pain I suffer.
06:31And let everyone raise me down.
06:35The world ain't sweet.
06:38It's better to taste.
06:40But you give me my saving grace.
06:43A heart of the pain.
06:43It's better to have something to save me.
06:45To be alone.
06:45Let meいい len tymイem.
06:57You can't wait for it.
07:00What does it mean?
07:00You're not there anyone else you've ever seen?
07:01Be trying to lose?
07:01I need someone else you've ever seen me.
07:04You're not there people.
07:04You're not there people.
07:05You're not there people.
07:05You're not there people.
07:06You're not there.
07:06I'm there people.
07:12I'm there.
07:33Great.
07:48Mr. Robertson, how many times do I have to tell you you're never getting your old
07:53job back?
07:54Listen, I don't know if Walters has seen my article in the Gazette, but I just-
07:57Mr. Robertson, there's no point in this conversation.
07:59What I'm saying is I just need to sit with him.
08:01That's all.
08:02Mr. Robertson, please.
08:03Mr. Robertson, I'm going to hang up now.
08:06I'm on to something truly sensational.
08:09It's the biggest story in years.
08:10There hasn't been anything this big since the spider.
08:14I promise it'll be worth his while.
08:21I'll see what I can do.
08:30Look, Marco, got a delivery.
08:34Anybody home?
08:35All right.
09:02Mm-hm.
09:04?
09:22?
09:23?
09:23?
09:23?
09:24?
09:25? ?
09:33Ben, it's Winston.
09:35Silverman wants to talk to you.
09:38Give me the key.
09:52Check the bedroom.
10:12Come on.
10:47Nice place.
10:50Yeah, a bit fancy for my taste.
10:53And I got a pretty good idea why.
10:56Why?
10:58Let's go.
10:59You think he got a new lady?
11:01That why he ain't coming to poker lately?
11:04Let's go.
11:10If you're a fool and you don't know where to go to, why don't you go where fashion sits?
11:18Puttin' on the red...
11:19Janet, all the time.
11:22I thought you might have wised up with Quintibus.
11:24Oh, no, not me, Hank.
11:26Said to report, I'm dumb as ever.
11:29I was sitting outside.
11:31I didn't know if I belonged to anyone.
11:33Every Sunday evening when it's well...
11:37We're off the phone, let's make sure...
11:38You know my wife made me quit eating these.
11:41Okay, well, in that case...
11:42I...
11:42Last I checked, you ain't my wife.
11:46Name?
11:47Quint Markup.
11:49All right.
11:50Right back.
11:51Don't you dare touch that bag.
11:52It ain't a bribe if I don't get to eat it.
11:55Puttin' on...
11:56Janet, you're just sitting...
11:57Hey, Charlie, how you been?
12:02Quite the record, our Mr. Marco.
12:05Grew up in Brooklyn, working class, came back with no prospects.
12:09Small crimes, then bigger ones.
12:11Arrest, arrest, arrest.
12:14Now, an enforcer for...
12:16Silvermane.
12:17That Winston guy showed up while I was at Flint's.
12:20You hid in the closet?
12:22I hid in the closet.
12:24Mo Sargon.
12:26Didn't you fight there, too?
12:28Yeah.
12:28It was one of the biggest battles of the war, where a million of us are.
12:32Hold on.
12:33Is that...?
12:34Addison.
12:34Looks like they were in the war together.
12:36Is that what Kat is hiding from you?
12:39I bet she knew that Flint had a friend with superpowers.
12:42Oh, I know.
12:43What I don't know is why she didn't tell me.
12:45Probably thought you wouldn't have taken the case.
12:46She would have been right.
13:23I don't think I've ever heard that one.
13:26I wouldn't think so.
13:28It's an original.
13:31Visited Flint's apartment today.
13:36This mean anything to you?
13:38I knew he was in the war.
13:40Hard to believe he was ever so young.
13:43What about this guy?
13:44You see him?
13:45This little guy right over here?
13:46He ever come around the alcove to visit Marco?
13:51Can't say I've ever seen him.
13:54His name's...
13:56Addison.
13:57He's the guy that burned down Silvermane's mansion.
13:59He's dead now.
14:01So is the P.I. that shot him.
14:03What can I say?
14:05The world's a dangerous place.
14:12You're pretty cool under pressure.
14:13I wasn't aware I was under any.
14:15Why don't you tell me Flint worked for Silvermane?
14:16Would you have taken the case if I had?
14:18I don't like surprises.
14:19I'll remember that when your birthday rolls around.
14:24The deed is under my name, but it's no secret Silvermane owns this place.
14:29And Flint's a good way to protect his investment.
14:32And you.
14:33And me.
14:35You see, this club lives and dies on people walking through that door because they want what I give them.
14:43You trying to get me, Mr. Riley?
14:46Get you?
14:48Understand me.
14:49Seems you got my number.
14:51I've learned a lot of them over the years.
14:53Oh, want one for every Tom, Dick and Harry?
14:55Hmm.
14:57You're interesting.
14:58Oh, yeah? How's that?
15:00Well, the other night when we met, you called yourself a coward.
15:03But I think you're braver than you let on.
15:06Oh, you're good.
15:08In an obvious sort of way.
15:10I must settle as the situation requires.
15:13You see, I have business with Silvermane and I have business with you, Mr. Riley.
15:17One has nothing to do with the other.
15:19Now, have I said enough for you to keep the money you came here to return?
15:23Or have I misjudged you?
15:25No, I'll keep working the case.
15:27Not because I'm brave.
15:29Why then?
15:31Uh, a singer's gotta know all the numbers.
15:33Maybe a detective just gotta know all the answers.
16:03about her.
16:10How about her?
16:12Do you want her to come here?
16:16Come on, sir, Mr. Riley.
16:16Well, let her go for a second.
16:18I can't agree.
16:36Uh, it's, uh, Tai Chi.
16:40Yeah, that's right.
16:41It's Tai Chi.
16:42It's, uh, it's good.
16:43It's good for breathing and relaxation.
16:47I recommend it.
16:49I don't have the slightest clue what you're talking about.
16:52We don't care, either.
16:56Oh!
17:01A toaster.
17:03Really.
17:03Gosh, I shouldn't have thrown it so hard.
17:16Come on, let's go for a ride.
17:27You mind telling me why I'm here?
17:29Silverman wants to see you.
17:31I figured that.
17:32I'm asking you why.
17:33We're not really the why guys.
17:35Maybe you wouldn't be here if you didn't try ripping the boss off.
17:38Ah, Donegal.
17:40I don't have anything to do with this little scheme.
17:42I actually try to talk him out of it.
17:44Like I said, the boss just wants to talk.
17:46And I've got no idea who hired Addison to burn down your boss's house.
17:50You don't know nothing, huh?
17:52Double negative, but we'll set that aside for now.
17:54My point is I'm not much of a detective.
17:55Yeah, then you've got nothing to worry about.
17:57Just like Donegal, right?
17:58Oh, yeah.
18:00Just like Donegal.
18:01By the way, I am sorry about the nose.
18:04Me?
18:05That was him.
18:12Get out!
18:21Where'd he go?
18:22Check the side.
18:30Boss ain't gonna like this.
18:32Yeah, he wanted us to bring him in.
18:35Get back.
18:37Don't pass.
18:46Times are tough all over.
18:49But the true measure of a city
18:51is in how it responds to the hard times.
18:54And this isn't Topeka or Kalamazoo.
18:58This is New York.
18:59We're gonna link arms
19:01and stand strong against the rising tide.
19:04It was easy to stand behind.
19:07What's the headline here?
19:10Desperate Morris delivers dud.
19:13I'd go with quadruple M.
19:15Mayor's missive misses Mark.
19:17Man, I wouldn't trust Hudson to do my laundry.
19:20That man's gonna beat Morris by 10 points.
19:22Sometimes you just want a different brand of snake oil.
19:25So, uh, you gonna explain your face?
19:29Let's just say you should lay off the Addison recording.
19:33Silverman?
19:34He's on a war path about Addison.
19:36He wants to know what's coming after him.
19:38So tread lightly.
19:40I'm not the one with the face
19:42that looks like hamburger meat.
19:44I've tended with his guys before.
19:46As the man with the mask and the goggles.
19:49New York's beloved hero of the hour.
19:51Not as Ben Reilly.
19:53You know what?
19:53Give me that.
19:54I'm making a declaration right now.
19:57That's right.
19:59If I'm re-elected,
20:00you can say goodbye to prohibition.
20:03The man knows his audience.
20:04As God is my witness,
20:06you'll never go thirsty again.
20:09Look, all I'm saying is,
20:11you're in it with Silverman now.
20:13The choice is to suit up or die.
20:16It might be time to tango again.
20:17Maybe you'd be doing the city a favor in the process.
20:20Oh, come on, Robbie.
20:21Enough of that.
20:22You know what I'm doing after this?
20:23What?
20:24Being beautiful.
20:25And working the Addison story.
20:28I don't publish.
20:29I don't eat, my friend.
20:33I've been thinking about the Canadians.
20:36You're going to let me handle it?
20:38Nah, I'll do it.
20:41Plan stands, but...
20:43Go ahead and me scout it out.
20:50Huh.
20:52But I think it's stylish.
20:54What do you think, Winston?
20:57I'm not one for fashion.
20:58But the whole thing is a little...
21:01tired.
21:02Now, Winston,
21:04have you got a gripe at her?
21:07No, I just think there's a better thing to spend time on
21:09than dressing up dolls.
21:11Ha.
21:12Well, there's fashion and there's taste.
21:15Box it up.
21:16You like it too, right?
21:18Honestly, I think it's...
21:20Yeah, yeah.
21:20It's perfect.
21:23Perfect.
21:40Excuse me, ma'am.
21:41I'm looking for the Addison.
21:51Excuse me.
21:52I'm looking for the Addison.
21:55Mrs. Addison?
21:56Mrs. Addison?
22:01Mrs. Addison?
22:04Mrs. Addison?
22:06Mrs. Addison?
22:07Mrs. Addison?
22:08Mrs. Addison?
22:09Mrs. Addison?
22:10Mrs. Addison?
22:11Mrs. Addison?
22:12Mrs. Addison?
22:13Mrs. Addison?
22:14Mrs. Addison?
22:15Mrs. Addison?
22:18Mrs. Addison?
22:28Who are you?
22:34Hey, brother.
22:35Don't hate brother me.
22:37I asked you a question.
22:38You sure did.
22:40And seeing as you are a very large and angry man,
22:44I'm gonna answer.
22:46Looking for Vera Addison?
22:48You know where she is?
22:49Why'd you want to know?
22:50Well, I am a reporter.
22:53Working a story on James Addison's death.
22:55I wanted to talk to his widow.
23:01Jimmy's dead.
23:04Oh, I'm sorry.
23:05You guys were friends.
23:08How did he die?
23:10It was an explosion.
23:14Standard Oil Depot.
23:16Why are you writing about him?
23:17Well, before he died, he burned down the wrong house.
23:21Whose?
23:25Silvermane.
23:32I think it's time for you to leave.
23:33Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
23:35Hmm.
23:36Addison didn't just take it upon himself
23:37to burn down the house of the most dangerous man in the city.
23:40Someone paid him to do it.
23:42Now, look, he was your friend, so I'm guessing he wasn't a bad guy.
23:46He was sick.
23:47And these days, call for men to use their sicknesses to get by
23:50until their sicknesses eat them alive.
23:52Hang on, what do you mean he was sick?
23:54I don't know who hired him.
23:57But yeah, his wife, mate.
24:00Then do you know where I can find her?
24:02Try the Jeffrey Hotel.
24:04She always went there when they came in some money.
24:06And when she came back, the money was gone.
24:09Go figure.
24:11Oh, thanks.
24:13I'll pay her a visit.
24:18I told you.
24:19He hardly comes to the office anymore.
24:22I can't remember the last time I saw him.
24:24Well, maybe this will show up your memory.
24:27Please, stop telling you the truth.
24:31For your sake, I hope so.
24:34We'll be back.
24:51Janet, did they hurt you?
24:54No, not this, but they said they'd be back.
24:58Then they would have gone to my head.
25:01They kept saying that I'd end up like Donagol,
25:03that if I didn't tell them where you were,
25:06he and I'd be crossing the river six together.
25:09What does that mean?
25:11It means Donagol's dead.
25:14Silverman killed him.
25:16But I'll take care of it.
25:17Ever since Ruby died,
25:19I've been waiting for you to get it back together.
25:21Back to the man I know is buried somewhere inside you.
25:25Five years.
25:28And this is how it ends.
25:31Janet, go home.
25:33Get some rest.
25:34You'll feel better.
25:35And I'll call you when it's safe.
25:38Yeah, I'm gonna go home.
25:41But I am not coming back.
25:43I care about you, Ben.
25:45So deeply.
25:48But not enough to die for you.
25:51Janet.
25:54Janet!
25:55Janet!
25:56Janet!
25:57Janet!
26:00Janet!
26:10What?
26:18I hear you.
26:19I hear you.
26:44Hiya, I'm Pete with maintenance.
26:46Sorry about the leak, it'll be no problem.
26:48I'll just, gosh, the unit downstairs, big mess.
26:50Water, water everywhere.
26:52What's going on?
26:53Something about a leak?
26:54You know, I like what you've done with the place, although if you move the table over
26:57by the window, you really get that sunset glow at dinner.
27:00I told you that.
27:01I'm sorry, have you been here before?
27:03I am familiar with the unit, yes.
27:05Bathroom's that way.
27:06Mm-hmm.
27:25Well, don't just stand there and say something.
27:27Um, sir, what exactly are you fixing?
27:32Oh, yeah, John, I found the issue.
27:34You've got a busted cherry basket.
27:37It's a misalignment from the mission joint.
28:04What's happening in there?
28:06I've been in an existential crisis, if I'm honest.
28:10About my toilet?
28:29I don't think that guy was a plumber.
28:31I'm here.
28:54Sizzle to the left.
28:57Thanks for your trouble.
29:00Thanks for the dollar.
29:04Mrs. Addison.
29:09I didn't order anything.
29:11My name is Robbie Robertson.
29:12I'm a reporter.
29:14Hold on, hold on, hold on.
29:15Now I just, I just want to talk.
29:18You have three seconds to get out of here or I'm going to scream.
29:21Then I don't think you want a white woman screaming about a black man trying to force his way into
29:24a hotel room?
29:27Actually, I got a hunch that you wouldn't want the city's most ruthless gangster knowing that the money someone paid
29:33your husband to kill him was being spent on lobster and designer clothes.
29:40So go ahead and scream, honey.
29:42Unless you want me to do it.
29:42I got a pretty deep voice.
29:44It really carries.
29:46Hmm.
30:08So that's it?
30:38What do you mean?
30:39I mean, I'm an open book.
30:42As far as I'm concerned, James dug his own grave and now he's lying in it.
30:48It's a good place.
31:04I'm an open book.
31:05It's a good place.
31:06I don't know.
31:06I don't know.
31:06I don't know.
31:09You're lying in it's a good place.
31:12Then Iона's dying.
31:15I'm going to do it.
31:16What?
31:17Couple days ago, some reporter came around asking about him.
31:21Wanted to know who hired him to kill Silverman.
31:26You didn't know.
31:28If I'd known, I would've stopped him.
31:38Flynn.
31:40You don't look so good.
31:43It happened again.
31:45Changed completely this time.
31:47Never changed back.
31:49Yeah, not all the way.
31:52It's like the Doc said.
31:54Our clocks are ticking.
31:58Faster and faster now.
32:00Everything we went through.
32:05We deserve better, you and I.
32:08Let's get out of here.
32:09You can crash at my place.
32:11Better for us to stick together right now.
32:16Yeah.
32:18Do you have to check every crate?
32:20Is it because we're Canadians?
32:21Yeah, it's because you're Canadian.
32:23No.
32:24Boss doesn't trust anyone.
32:25Myself included.
32:27The place still runs this town.
32:30Shipping's good, boss.
32:31Ready for you to come.
32:32All right.
32:33I'm on my way.
32:35All right.
32:58All right.
33:00I'm on my way.
33:08We've got this.
33:08What is that?
33:16Hey!
33:16Go check it out!
33:17Go!
33:18Go!
33:19Go!
33:20Go!
33:20Go!
33:20Go!
33:21We found the roof!
33:28Oh
33:28Shoot him
33:59Where'd he go?
34:11Come here
34:15Thank you
34:18Oh
34:19God
34:20Don't you ever run on a boat?
34:23Yes you do
34:33Well
34:34What the hell are you waiting for?
34:38After you
34:39No, no, by all means
34:41Out of the car
34:51Oh
34:52Not another step
34:57See?
34:58Tai Chi
35:12It's been a while
35:13You've done well without me around
35:16Haven't you?
35:17Didn't know you did hit jobs now
35:19Do you mind if I ask you who hired you?
35:21Nobody hires me
35:22I'm here because of Ben Reilly
35:25Reilly the Flatfoot?
35:26Yeah, that's right
35:27I owe him a favour
35:29Sorry, where are my manners?
35:30Do you want a drink?
35:31No
35:31I want you and your guns to lay off Reilly
35:35He doesn't know who tried to kill you
35:36And roughing up his secretary isn't gonna change that
35:39So
35:40So
35:41I leave the guns you alone
35:42And that's it
35:43Because you know
35:43Back in the day you really couldn't leave me alone
35:46Could you?
35:46I don't think you're listening to me
35:49Silverman
35:49This is your only warning
35:51If you mess with Reilly
35:53Or any of his people
35:56I will kill you
36:32As
36:33as
36:49Rielly.
36:50This you?
36:51This you're doing?
36:52What are you talking about?
36:54Did you stop Silvermane's car?
36:56Well, you heard about that, huh?
36:57Yeah, well, I got some bad news for you.
36:59Cops had an ambush set up for Silvermane at the docks.
37:02Someone gave him a tip about a booze exchange.
37:04Someone tipped off the cops about a Silvermane booze exchange?
37:07Yeah, they're rounding up about a dozen of his guys right now.
37:09Cops were all set to catch the man himself in the act,
37:12but Silvermane never showed.
37:13Do they know why he didn't show?
37:16No, don't worry.
37:17Police got word that someone stopped Silvermane from coming.
37:19They don't know it was you.
37:21Shit, gotta go.
37:22I ain't trying to die in no phone booth.
37:50What the hell did I just do?
37:57Now, you say you're a lonely.
38:05Said you cried the whole night through.
38:09Well, you can cry me a river.
38:15Cry me a river.
38:19Cause I cried a river over you.
38:28And now you say you're sorry.
38:33For being so untrue.
38:40So what?
38:42Just cry me a river.
38:45Cry me a river.
38:49I cried a river over you.
38:56You drove me nearly, you drove me out of my head.
39:05While you never shed a tear.
39:12Remember, I remember all you said.
39:16In my heart.
39:18Told me love was too lovely.
39:20And told me you were through with me.
39:25And now you say you love me.
39:32Well, just prove you.
39:37You do.
39:38Go on and cry me a river.
39:42I'd like to see you cry a river.
39:48Cause I'm tired of crying over you.
39:56Oh, my God.
40:06You do.
40:10I want to cry me a river.
40:11I'm tired of crying over you.
40:16And is, I know you had a love out of my head.
40:16That's my favorite song.
40:16I'm tired of crying over you.
40:25Get ready.
40:54you
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