Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of Bas Tera Saath Ho Here : https://www.youtube.com/playlist?list=PLb2aaNHUy_gGgkDK4gTOWeGpBfKXDcS6t
Bas Tera Saath Ho Episode 7 | Digitally Presented by Diamond Paints | 25 MAY 2026 | Farhan Saeed | Sana Javed | ARY Digital Drama
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Timing : Mon & Tue at 08:00 PM Only On ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of Bas Tera Saath Ho Here : https://www.youtube.com/playlist?list=PLb2aaNHUy_gGgkDK4gTOWeGpBfKXDcS6t
Bas Tera Saath Ho Episode 7 | Digitally Presented by Diamond Paints | 25 MAY 2026 | Farhan Saeed | Sana Javed | ARY Digital Drama
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Timing : Mon & Tue at 08:00 PM Only On ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
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FunTranscript
00:01It's so dramatic entry
00:03There are a lot of tears and tears
00:05No one's wife, no one's girlfriend
00:30He was a good son and his son is also a good son
00:42But I can become a good father
00:46And not my father
00:49So, he is in his house
00:51He is a good son
00:54I have tried to stop him
01:00I am going to be a good son
01:02I am going to be a good son
01:04My son is a good son
01:06My son is a good son
01:06I am going to be a good son
01:13Mr. Dean, talk about it
01:16The eyes are burning
01:17The eyes are burning
01:22The eyes are burning
01:24The eyes are burning
01:27The eyes are burning
01:29The eyes are burning
01:29I don't need anything
01:31How many times have you said
01:32I only need your love
01:33Just anything
01:34I don't need anything
01:35Lass
01:35Yes, tell me
01:37Let me show you here
01:37Let me show you here
01:42Let me show you
01:43I am going to go
01:43I am going to go to university
01:47I am going to go
01:49I am going to go
01:51I will open
01:53I am going to go
01:54I am ready
01:54So I cannot change
01:56I am going to go
02:03Because I am going to go
02:03What has happened with the phone?
02:09The phone is not the that I had sent
02:12Where are you?
02:13Who is who?
02:18She has gone.
02:20I mean, she has gone?
02:25Why did you tell me I didn't know?
02:30I didn't know that I had gone.
02:39Why did you tell me I didn't know that I had made an omelette?
02:44I couldn't make it like that, Dada.
02:46Do you know me before going?
02:48I don't know what to do with Dada.
03:18I got charged by myself but is decided to make an omelette the department.거
03:23ce grand welcoming this woman into a congratulation. If
03:23youoped her husband she needed one thing and not let herンディング her. They
03:28gave me three concerns when she was the consciencatedший CORPSЗ aqui. I've
03:31done my as an obelette in her boss. And actually,
03:31THAT Dада I wasn't by
03:31Dada.. But during a new
03:33It smells good.
03:53You don't know what it is.
03:54You have a dog entering theplate.
03:56B préval.
03:573 Shine.
04:02Toph, ladies.
04:03Benty.
04:03Not at all.
04:16$35.
04:17Where are you?
04:43Please, please, let us know.
04:44Oppo, Oppo Jan.
04:45Yes, son, tell me.
04:47I was listening to you, I didn't hear you.
04:49Oh sorry, I didn't hear you.
04:51Tell me what the matter.
04:52I saw you on the phone.
04:54I saw you on the phone?
04:55Yes, I saw you on the phone.
04:58But you were talking about it.
05:00So, you were talking about it.
05:03You were talking about it.
05:05You were talking about it.
05:06I thought that I would become a police officer.
05:10And Asma, you are the ones you are.
05:13Oh, this is a very good thing.
05:17But to say Asma is very difficult to make me like this.
05:22God, don't do that you have to see me like this.
05:25Huzayad, come here.
05:28Okay, go ahead and finish it.
05:30The police are strong, right?
05:32Yes.
05:32Okay.
05:33Okay.
06:08Thank you, Alhamdulillah.
06:10Come on.
06:11Allah Hafiz.
06:12Allah Hafiz.
06:17What's this bag in the bag?
06:19What do you want to take home?
06:22Yes, in the bag.
06:24I can show you what I want to take.
06:27What is this?
06:29Who is it?
06:30It's not yours.
06:31It's not yours.
06:32The name is mine.
06:34What's your name?
06:35What happened to you?
06:35You just have to take care of God.
06:38You can see the store in this house.
06:40Arif, this wallet is a man.
06:43Why don't you ask me to leave?
06:44No one can take it.
06:49Why don't you leave?
06:49Why don't you leave?
06:50You will leave a girl.
06:52Who will be your name?
06:53Who will be your name?
06:54Our.
06:55What has happened to you?
06:57What will happen to you?
06:59What will happen to you?
07:01Think about it.
07:08Anas.
07:12Thanks.
07:15Aray, stop it!
07:17Where is it?
07:19It's...
07:20What is it?
07:21Your wallet.
07:24It's not my wallet.
07:25My wallet is...
07:26It's old.
07:27I gave it.
07:28I gave it.
07:29Why?
07:30Because you were not capable of using it.
07:32So I took it.
07:33Keep it.
07:33Keep it.
07:34I told you about your wallet.
07:36I told you about it.
07:36I told you about it.
07:36Why did I need it?
07:37Why did I need it?
07:39And it's necessary to say.
07:42I thought I had to take it for you.
07:44Then I took it.
07:45And what do you think?
07:46It's a brand.
07:47I took it.
07:48I took it.
07:48800 rupees.
07:49Keep it.
07:51800 rupees.
07:52Please.
07:53One second.
07:54What's the deal with it?
07:56It's a different case.
07:57It's a different case.
07:58I don't mix up things.
08:00Let's keep it.
08:01I can't take it.
08:02I can't take it.
08:03I can't take it.
08:04Why can't I take it?
08:05Look at it.
08:05Your name is also written.
08:07Satcha, Satcha.
08:08My love is mine.
08:12Your heart is your heart.
08:13The color is your color.
08:15The color is your color.
08:16Put your name on the skin.
08:17Oh, Anas.
08:19Put it on me.
08:20Who is my name?
08:24Let me add an A at.
08:28Anas.
08:29Anus.
08:31Anus.
08:33Anus.
08:34Anus.
08:38Anus.
08:39Anus.
08:40Anus.
08:41Anus.
08:42Anus.
08:44Anus.
08:45Anus.
08:57Anus.
08:58Anus.
08:58Shame on you.
08:59No.
08:59What are you saying?
09:01We don't need any help.
09:02We've all seen everything.
09:04What did you see?
09:05By the way.
09:06Who was that?
09:07Who was that?
09:08Who was that?
09:09Who was that?
09:09Who was that?
09:10That's not important.
09:11I'm just wondering how many of them are criminal.
09:14Like these girls,
09:15don't need to be in university.
09:17You guys stop.
09:18What kind of stuff?
09:19Come on, Anila.
09:20Not a big deal, ya.
09:21Don't put your name on me.
09:23Don't let me with you.
09:24Don't keep a relationship with you.
09:25Don't keep a relationship with you.
09:26No big deal.
09:26No big deal.
09:27With my brother, that's a big deal.
09:28Come on.
09:29Go, please.
09:30I don't think I have too much.
09:31I don't think I have too much.
09:32Yeah, come on, come on.
09:33Let me, go.
09:34Don't be afraid.
09:34Don't come.
09:37Don't come.
09:37Look, how did Neela tell us
09:40that we were talking with each other.
09:41Neela, no doubt.
09:43No doubt.
09:43No doubt.
09:44No doubt.
09:44Our doubt.
09:45My doubt is that the woman's doubt.
09:47Aistha.
09:48That's the cause of the girl.
09:50We have to take the girl from that girl.
09:54We have to take you from home.
09:57Wow, wow, wow. I don't take you from home.
09:59We'll take you from home. We'll take you from home.
10:01What is the idea?
10:02We don't take you from home.
10:03What do you say?
10:05We'll die from inside.
10:07No, we'll die. We'll do something.
10:09We'll take you from the way.
10:11We'll leave it alone.
10:12We'll leave it alone.
10:14We'll leave it alone.
10:15How do you do it?
10:27Oh.
10:29So you've come to defend your brother.
10:32You don't think so much about it?
10:36You can see any formalities.
10:39Yes.
10:44You've taken the case again.
10:45What's the rest of the case?
10:47No.
10:48No.
10:49I don't want to call someone.
10:51Okay.
10:52Okay.
10:54What's that, Abu?
10:55I'm getting frustrated.
10:57Fairyt.
10:58They had taken the case again.
11:00What's his name?
11:02What's his name?
11:03What's his name?
11:04What's his name?
11:04I understand, Qureshi.
11:06Abu, I was thinking that
11:08you don't want to leave everything to the attorney.
11:11I want to thank you.
11:14But I'll go with you too.
11:17You?
11:18What's your name?
11:20I'll talk to you like yesterday.
11:22You weren't listening to me.
11:24You were listening to me.
11:25There's nothing left to say.
11:26Whatever left to say,
11:27the attorney will take care of it.
11:28No need to run behind them.
11:32Come on.
11:33Let's eat.
11:34Yes.
11:36Oh, God!
11:43You are saying something.
11:45You were talking to me.
11:46You called me this guy?
11:47She didn't feel it.
11:48And we had to talk to you.
11:48Who did she was talking to you?
11:52We had to talk with our.
11:54What's your name?
11:55People believe in this up.
11:56You said that she was a shepherd.
11:58She is a shepherd and a man.
11:58And she is a shepherd.
12:01I've never said this money.
12:02The last six months of your money was you.
12:03You told me for 6 months, now you'll have to see my face for a year and that's half a
12:08year.
12:11I'm going to put in the committee. I'm going to make a dress and clothes for a girl.
12:16But no, I'm going to say something. You will also say something.
12:25We won't have to do anything. We'll have to do something.
12:29And that's what? Where are you going? You told me that you won't go to work.
12:37Let me tell you.
12:38Let me tell you.
12:54What are you going to do?
12:54What are you going to do? What are you going to do?
12:57I'm going to give you a few months to this house.
13:00What are you going to do with this house? What are you going to do with this house? Why are
13:05you going to do this house?
13:10How are you going to do it with this house?
13:13Where are you at school?
13:15How are you going to school?
13:19What are you all going to do?
13:22How are you getting a school?
13:24Let us screen up for these class.
13:25I couldn't even see myself how my marriage works on this house.
13:34Home.
13:35she will go home from home.
13:40I don't understand that a house
13:43is so clean and beautiful
13:46and beautiful woman's heart
13:47how could it be?
13:50Think.
13:52This is the case of your head.
13:54If God forbid...
13:56No.
13:58That's why I told you
14:00Shereen and Anis
14:03related to the relationship.
14:07What?
14:09You said,
14:10Anis and Shereen
14:12related to the relationship?
14:13What?
14:17This is when?
14:19Why didn't you tell me?
14:22What do you tell me?
14:24What?
14:27What?
14:28And Anis and Anis
14:29and Anis and Anis
14:32and Anis and Ais
14:35and Animes and a family
14:39and she is like,
14:40you are the same?
14:43I am thinking,
14:44That I am thinking
14:45is still
14:48doing.
14:49So,
14:49you are the same?
14:50Dada,
14:50something
14:55It's less than that, it's less than that.
15:03It's less than that.
15:06But that's okay.
15:08But you tell me every thing.
15:12You tell me.
15:14How have you missed?
15:18And I ask you, I'm telling you, it's not a joint.
15:23You're talking about the earth and the sky.
15:27You're saying that you're saying?
15:29Yes, you're saying that you're saying that.
15:32You've also thought that you're the city and where Anas.
15:38What you're saying is that you're saying that you have made your business into a sea?
15:43You have to get rid of it.
15:45What do you want to do?
15:48Where are you going to see?
15:52I wish you a woman that does not like it.
15:54How much is a woman of God?
15:55Is it a woman of God?
15:59I want such a girl for him, who is with his life, with his suffering, with his suffering, with his
16:09friends.
16:12Where is she? Where are you from? Where are you from?
16:16There is no doubt about her. She has never been to her.
16:21She has no doubt.
16:23She has no doubt about her.
16:30Abou, Abou. I'm talking to you.
16:33What is she doing?
16:34You know what I'm talking about with my dad.
16:37She is saying that she is very hard, she is not capable of. I don't know what to do.
16:43I'm telling you.
16:44Don't leave me alone.
16:46Don't leave me alone. I'll do it.
16:56I'm telling you.
16:58I'm telling you.
16:58You have used my daughter to use my daughter.
17:01And she is also due to her.
17:04I haven't said anything.
17:05And what I've said is the better for her.
17:09You said that I'm telling me for my daughter to use my daughter.
17:11What?
17:13It's fine.
17:14That she knows my own.
17:16Don't leave me alone.
17:19I'm telling you.
17:19That you're not the pitiful of her.
17:20You have no attitude on your.
17:22You're not talking about your body.
17:28I'm telling you.
17:32How about now?
17:37You are covering you.
17:41I told you I'm covering you too.
17:41She said that she is a good friend of mine.
17:43She is a good friend of mine.
17:45She is a good friend of mine.
17:46She is a good friend of mine.
17:49If she is a good friend of mine,
17:51she will be a good friend of mine.
17:53Tell her about it.
17:55When are you upset?
17:57Tell her about it.
17:58Now it will not happen.
17:59Tell her about it.
18:09I said something wrong.
18:12What did I say wrong?
18:15The relationship of my wife and uncle,
18:19and uncle,
18:21and uncle,
18:21and uncle.
18:22It is a good friend of mine.
18:27I am so happy that my daughter is both.
18:29I pray that Allah will give her the love of her.
18:33As she wants to live with her.
18:37But,
18:37she will keep her with her.
18:46She will kill her.
18:47She will kill her.
18:49She will kill her.
18:51She will kill her.
18:52I will not see this.
19:06This is a good one.
19:07Please don't mind when she else is a good girl girl.
19:09She is a good friend of mine.
19:09That she is a good friend.
19:09I am so happy to hear Tulaime.
19:12My favourite dude.
19:12Because of her good friend of mine,
19:14We have some documents behind it.
19:16We have to ask you a couple of questions.
19:20We have to ask you a couple of questions.
19:58I'll see you next time.
20:05What's wrong with you?
20:07It's written.
20:08It's written.
20:10It's written.
20:13Wow, man.
20:14It's not clear, right?
20:15Where can I make it?
20:16I don't want to make it.
20:19This is...
20:20You're going to be on a footpath.
20:26What?
20:28I don't want to make it.
20:30Come on.
20:36What are we going to say about you?
20:39You know, we all know.
20:43We all know.
20:44We know, we know.
20:45We all know.
20:54How are we going to get away?
21:22Oh my god, Elsa, everything has happened to me.
21:24You did wrong.
21:25You didn't want to talk to your uncle.
21:28You wanted to call directly to the police.
21:30Police?
21:31No, they're my brothers.
21:34They love brothers.
21:35But they love brothers and sisters.
21:39And I thought they don't know who they are,
21:41who is responsible for their rights.
21:44That's why they will be like brothers.
21:47Will my brothers be like this?
21:49I can't fight, Elsa.
21:51Hmm.
21:52And my sister, what do they say?
21:54They love their brothers and sisters.
21:58How do I leave them?
22:00What do they have?
22:01They do their work.
22:03They have their investments.
22:04They have their bank balance.
22:07They have their bank balance.
22:08And they don't have a part of their wealth.
22:10They have given me a gift from the above.
22:13And they have a gift from someone.
22:15What?
22:17I'm thinking about you, Anissa.
22:19If you do this, you go to my house.
22:22With me.
22:23Yes.
22:23This is my sister.
22:24That I'll leave.
22:27I'll never leave.
22:27You can't get a gift from someone else.
22:28Oh, that's great.
22:29That's great.
22:30We look on the TV and my brother
22:32took his wife's daughter's son.
22:35Yes, he took his daughter's son.
22:36I'll take care of the brother's son.
22:38I'll take care of the brother's son.
22:39But I've done everything.
22:40I'll name my entire family.
22:42I'll name my entire family.
22:45I'll make my entire family.
22:45My entire family?
22:47Yes, yes.
22:48You're right.
22:49I'm a new friend of my family,
22:50but who am I?
22:56Listen, go to the shop.
22:59Shopping?
22:59You?
23:00Yes, yes.
23:00I'll do it too, man.
23:02What's wrong?
23:03Yes, it's very good, my dear.
23:05It's very good.
23:06Open your phone with your camera.
23:08Open your hair.
23:10Keep it like this.
23:23You just need to open your hand up with your camera.
23:25Repeat.
23:30Hard time.
23:48Cort on one day.
23:49In theory, how can you create your bedroom all the way?
23:50Do you want to do this?
23:53What do you mean?
23:54I don't want to do one job.
23:57One job?
23:58You say one job.
24:00You change your clothes for 4 times in a day.
24:02Yes, that's my style.
24:04Style, right?
24:05Leave your layout.
24:06That's your style.
24:08I want to get it.
24:10You just make it for everyone.
24:12You've given up your friend, brother.
24:15I've also given up to anyone who knows my wife.
24:17I've given up to you, brother.
24:19If you don't get up to me, I don't want to do that.
24:21It's my age too, Mr. Ba.
24:23Very nice.
24:25Okay, let's take a look.
24:28You will live in less than 60 years.
24:31I will live in less than 60 years.
24:33I will live in less than 120 years.
24:37I will live in less than 120 years.
24:42Don't do it, brother.
24:43They listen to us.
24:45They listen to us.
24:46I'll wear a coat.
24:49I'll wear a coat.
24:49I'll wear a coat.
24:50You'll do it yourself.
24:50And also, a coat is easier to do with Abbu.
24:54Do you understand?
24:55I understand.
25:04I'm not going torickshy.
25:06We're not going to be in a coat.
25:08We're going in a coat.
25:09I said to you, today we're going to make a coat.
25:13A coat is flying.
25:16Alas.
25:18No.
25:19We're not going to the coat.
25:20There's no deck.
25:20Come on.
25:24Do you know the world's cool music?
25:28I don't think it's a dream.
25:29Let's go.
25:51How many people are going to go?
25:53What?
25:54What did you say to Elsa?
25:57What are you going to go?
26:00Where are you?
26:01Will you take it to the sea?
26:03Take it to the sea.
26:04You won't be with it.
26:06You'll take it to the market.
26:09No, Elsa.
26:11It's a lot of fun in the sea.
26:13There's no water in there.
26:16There's no water in there.
26:19If there's such a problem,
26:21then why do the girls go to the sea?
26:25It's just that they get rid of the sea.
26:28There's no water in the sea.
26:29There's no water in there.
26:30I'm going to die.
26:32The girls seem good to see these things.
26:34I don't like these things.
26:38You don't like it.
26:39You don't have to give it to the sea.
26:41You don't have to give it to the sea.
26:42You don't have to give it to the sea.
26:47You don't have to give it to the sea.
26:49Oh, wow.
26:50I'm saying I'm wrong.
26:51No, right?
26:52Oh, DJ, stop the sea.
26:55Let's go.
26:56This is the sea.
26:59It's the sea.
26:59It's the sea.
27:00It's the sea.
27:01You don't have to give it to the sea.
27:02You don't have to give it to the sea.
27:04Yes, brother.
27:05This wall is the next one.
27:06You should have to get out.
27:07Yes, sir.
27:08Just, just.
27:08It's wrong.
27:10You're going to die now.
27:11Why did you go back to the factory?
27:14Yes, sir.
27:15Yes, sir.
27:16Yes, sir.
27:18Yes, sir.
27:19Yes.
27:19I want to do it right.
27:21Do you want to hear it?
27:22Yes.
27:22Yes.
27:22I want to do it right.
27:24Okay.
27:24Okay.
27:25Thank you, madam.
27:27It's a good thing.
27:30I'm tired of people.
27:31I'm tired of giving it.
27:33No one asked if it was wrong.
27:36Yeah, he didn't.
27:40I'm tired of getting out.
27:40Do you want to get out?
27:41No one asked.
27:42No one asked.
27:43Please take a phone.
27:43Do you want to give it?
27:44There's thousands of thousands of people.
27:46You have to get out.
27:46Yes, sir.
27:47How do you work?
27:49It was about how you do.
27:49I think, you know, I'm just.
27:50I'll start with you.
27:52He was done.
27:52Um, I'll save you.
27:56No one did.
27:56They didn't have to.
27:57They didn't get out.
27:58They didn't get out.
27:59The other one did.
27:59I wasn't.
28:00I talked to her with her phone.
28:03She's talking about this and she's talking about it.
28:05And her daughter has so much liked it for her.
28:08Who? Any?
28:10She's a very beautiful girl and she's very beautiful.
28:15Everything is happening with her.
28:18How long she talked about her, she's talking about the video.
28:21She was telling her to stop her with her.
28:23You've also seen her?
28:24You've also seen it, right?
28:29Why is this here?
28:33Hello.
28:34Hello. Come on, son.
28:36Hello.
28:38Hi, Sonia.
28:40How did I get the phone?
28:41I just wanted to talk with you.
28:44Let's go to the camera.
28:46Let's go.
28:47Hashtag justice for Alice.
28:49You see?
28:50At university, I talked about this.
28:53I talked about this.
28:55I talked about this.
28:57I liked it.
28:58But I also commented that Anas is a better driver.
29:02And he can't do accident.
29:04So then, if you leave a storm,
29:07it's not a problem.
29:09I'm not surprised.
29:10What's the case?
29:12This accident has been done.
29:14What a case?
29:16You're all right.
29:19It's so much.
29:20It's not that it's not that it's always.
29:23But now it's a bad thing.
29:25I don't understand.
29:27How can I do this?
29:29How can I do this?
29:30It's a bad thing.
29:31I'll stop.
29:33Yes.
29:39You're all right.
29:40I don't think any of you.
29:44But it's very good.
29:46That's a good thing.
29:56You're welcome.
29:58I'm asking you very much.
29:59You will come again.
30:00If you don't come to university, you won't have any benefit.
30:03You've heard everything from me.
30:05And I've listened to it.
30:07You didn't want to listen to it.
30:09I didn't want to listen to it.
30:16You're saying okay.
30:18I didn't want to listen to it.
30:32What are you saying, Aarif?
30:34I told you that if you're married,
30:36you'll be able to lose your life.
30:37And you're saying that your entire life is a part of your life?
30:41I'm not saying it.
30:43The law and law are saying it.
30:46After marriage, the kids will come to the store.
30:50And they'll take part of the house.
30:52I can't do anything.
30:53I'm talking to you.
30:54They'll do nothing.
30:56But you've done nothing.
31:03You've done nothing.
31:04I'll never do that.
31:06I will have a great life.
31:08My son is my son.
31:09I will read and write.
31:11I will be able to do a good job.
31:13But in the case of my son,
31:16I will never become a part of my son.
31:18The land of my son is my son.
31:21You're doing it.
31:22but there are some facts that you have to face to face.
31:26There are rights of daughters.
31:28It is God's law.
31:29I will give you my daughter.
31:31Okay, they will give you?
31:32But they will give you the amount of money.
31:35You don't like your father.
31:36Don't make your head of your head.
31:39Whoever listens is crazy.
31:42A half a half.
31:43Hey.
31:46Don't sit on this hand.
31:49Go and meet someone else.
31:50But there will be no reason for this.
31:55There is a reason.
31:57What?
32:01If the death comes from her,
32:04then I can get everything I can get.
32:24I have two classes.
32:32I think you will get late because...
32:35...the night-to-night-to-night-to-night-to-night-to-night-to-night-to-night-to-night-to-night
32:40-to-night-to-night-to-night.
32:50I am not angry.
32:51I am angry birds too.
32:58I am angry birds too.
32:59Do you have any work, Shereen?
33:02I am angry birds too.
33:04I am bad and my friends.
33:08I am angry.
33:09I am angry with you.
33:09What, like that, did you call me?
33:12To do the work, what is that done?
33:14You will eat all you will not for both of you.
33:15With depression, believing them.
33:20You also want to know your story, right?
33:24Yes, but I have to tell them about this situation.
33:29You have to tell them and they have to tell them?
33:34Yes, Sheree.
33:36If you don't tell them, they will tell them.
33:41One minute?
33:43What does this mean?
33:47Now, you will show me the attitude.
33:50I'm not saying anything, Sheree.
33:54What happened?
33:56What are you saying?
33:58Shayan is saying that I am saying something wrong.
34:01If we don't want to see it, we will talk about it.
34:10What's going on in your mind?
34:14What's going on in your mind?
34:18What's going on in your mind?
34:19It's going on in your friends.
34:21It's not your friends in this house.
34:25It's my house.
34:26Sheree.
34:27Here is my sound.
34:29What is the matter?
34:33Leave me alone, Sheree.
34:37What will you do if you leave me alone?
34:41What will you say?
34:41What will you say?
34:42Or what will you say?
34:43I don't need to tell the truth about it.
34:46You've been told me.
34:49You've told me no one had known for social media.
34:51She gave me my fucking speech.
34:54She gave me my quote.
34:54Especially the one that...
34:56Which one?
34:58That's what she's doing with her.
35:01She's got to make a noise and a woman.
35:04She's got to make a noise.
35:06She's got to make her noise with a woman.
35:08She's got to make them play to a woman.
35:14Don't leave my collar, Shaan.
35:16No, don't leave the collar.
35:22Who is that girl?
35:24Tell me.
35:26There was a gun in the checker,
35:28and a gun also killed me.
35:31Who is that girl?
35:34Who is that girl?
35:34This girl's name is not the same.
35:37Look, there's a scene in this girl's name.
35:40And I'm telling you,
35:41that girl's name is in her heart.
35:44What does that mean?
35:46It's the easiest way to register yourself on social media.
35:51You get the truth,
35:53you get the truth,
35:54you get the truth,
35:54you get the truth.
35:57It was a very good attempt to take a lime night.
36:00By the way,
36:01and now,
36:03you'll see everywhere,
36:04because it will be popular,
36:05it will increase the fan following.
36:08Mission accomplished.
36:12Mission accomplished.
36:21Mmmm.
36:27John was stolen.
36:30Nicolásen.
36:34Let's go.
36:48You've got to get back.
36:51Do you do anything?
36:53Nothing. Not much.
36:55I'll do anything.
37:06It means that you can register yourself on social media.
37:10This is the most easy route.
37:11Get the truth.
37:13Look at our feelings.
37:14And go back to night and go back to night.
37:24Where is this judge?
37:26The house is coming quickly.
37:27Shaldi.
37:28There's such a deal,
37:29that we'll take the girl right away.
37:32You'll hear, right?
37:34We'll find out.
37:38Let's go.
38:27I'll see you next time.
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