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➡️ https://bit.ly/arydigitalyt.
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Timing : Mon & Tue at 08:00 PM Only On ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
➡️ https://bit.ly/arydigitalyt.
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Timing : Mon & Tue at 08:00 PM Only On ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
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FunTranscript
00:09Mujhe Işqa Hua
00:15Najaan Kaisa Hua
00:17Yeh Jana Ta Hai Khuda
00:21Mere Hamsafar Mere Dil Bara
00:25Tu Dhu Pumae Saaya Tera
00:28Tujh Memhepathi Dhuta Que
00:31Cuyo Yeh Mera
00:32Jihe
00:33Adio
00:36Dhirah Dhirah
00:38Hem Sulag Jaya Ge
00:40Aak rhoi
00:41Talendo
00:43Bastiumapi
00:44Dhekha Kero
00:46Tumhi Miara
00:48Naam Loh
00:50Dhirah Dhirah
00:52Hem Sulag Jaya Ge
00:54Aak rhoi
00:57Just let you see me, you are my name
01:49The same thing that I have to give on your daughter's婦
01:52The same thing that I have to give to you is my wife
01:53You will pay for your婦
01:53The same thing that I have to give to you today
01:54You have to give me on your wedding
01:54What's your wedding?
01:55Today?
01:55Today?
01:56Today? What did you say today?
01:58Today we don't have to pay salaries.
02:00It's less than $500,000.
02:02The workers will come to the hospital.
02:06So, I'm going to ask how many crores?
02:08I'm going to ask $30,000.
02:10$30,000 is not much for a marriage.
02:14All people are giving $50,000.
02:17I've told you earlier that I can give $30,000.
02:20It's not good for our business.
02:21It's not good for us.
02:23Okay?
02:24I won't give $1,000.
02:25What am I, Salim?
02:27What are you doing here?
02:28Oh!
02:29Wow!
02:30I asked you only $15,000.
02:32You took the whole house.
02:34This is not your money.
02:36Today is the salary day.
02:37It's a problem for you.
02:40What do you mean?
02:41I need money today.
02:43I've talked about it two days ago.
02:44Please talk to them.
02:46I told you.
02:47But the workers know it.
02:49But I have money today.
02:50But now I have committed to lunch and shopping with friends.
02:55It's embarrassing to cancel last minute, Abu.
02:57What will I tell you?
02:58That you don't have $15,000 to give me $15,000?
03:01You will have payments on Monday.
03:03Take it on Monday.
03:04Okay?
03:04Abu, commitment.
03:05Try to understand the situation.
03:06Abu!
03:07Try to understand the situation.
03:08Abu, it's a wrong thing.
03:09You're telling me that you're giving me money.
03:11Who do you want money?
03:13Tell me, Abu.
03:15You don't have money.
03:16So tell me.
03:18I'm going to be underground for three days.
03:20As long as you get money, I'll come out.
03:21You're talking about two or three days.
03:23Do it.
03:24Do it.
03:24Shazi, you give it.
03:25I'll give it to you.
03:27I?
03:28Where do I have money?
03:29Where do I have money?
03:30Where do I have money?
03:31Where do I have money?
03:31Where do I have money?
03:32I don't have money.
03:32How do you have money with the problem?
03:35You have money with the problem?
03:36Riders?
03:37Is there something else you have to get?
03:40There's a small gul'dan.
03:42It's a gul'dan.
03:43Where do you keep the gul'dan?
03:45What do you ask, Abu?
03:47No matter how much it is,
03:48I don't think it's a place to be able to make it.
03:49It's a place to be made for your own things.
03:51Yeah.
03:52Don't be able to divert all of them, Abu, please.
03:55If you have money, I also want you.
03:58Now you're right, Abu.
04:00So, son or son, decide.
04:30Let's go and dance.
04:31Hmm.
04:33What do you want with your children?
04:35You're a judge.
04:37Yes.
04:40I told you,
04:42if the city has a commitment to the city,
04:44then you can do it.
05:29If you're obsessed with your children in karate,
05:30then you can do it.
05:44I don't know.
06:03I am Boo.
06:07I am Boo.
06:09How did you get your head?
06:10Get up, get up.
06:10Get up, get up.
06:13Get up, get up.
06:18Where is Anas?
06:19Anas?
06:20Anas!
06:20Anas!
06:21He's here.
06:24He hasn't been going.
06:25He's gone. How will he go?
06:27Who will he take?
06:28He's gone.
06:29Anas!
06:29Get up!
06:31Get up!
06:31Get up!
06:33What happened?
06:34How did he get up?
06:34How did he get up?
06:36He didn't feel like he got up.
06:37How did he get up?
06:38You're helping him.
06:39Get up!
06:40Anas!
06:41What are you doing?
06:42I'm old.
06:43You're going to talk to me.
06:44Get up!
06:45He's coming.
06:46What do I do?
06:48I'll do it.
06:49I'll do it.
06:49Go back.
06:50Go back.
06:51Go back.
06:53Go back.
06:54Get up!
06:55Get up!
06:56Get up!
06:56Get up!
06:56Get up!
06:58Why didn't you hear me?
06:59You heard me?
07:01You heard me!
07:02You heard me!
07:03Why did you leave me?
07:04I was with him.
07:05He was with my dad.
07:07He was ready.
07:08He was ready for us.
07:09We'll take a break.
07:10We'll take a break.
07:11You didn't feel like that.
07:12A thousand times said that you put a mess in the mirror,
07:14but you don't need a camera from your own.
07:18I'm going to study it.
07:19I'm going to study it.
07:19Dad is disturbed.
07:20Dad is at a minute.
07:21I'm going to study it.
07:21Who will you throw a mess?
07:23You will study it like that.
07:27I am going to study it.
07:29Oh, my God.
07:29I need to see you again.
07:30I'm going to go.
07:30He's going for me.
07:30He's going for me, daddy.
07:31No, I'm going to change the clothes.
07:32I'll leave you.
07:34I'm going to leave you.
07:34Marceline.
07:35Dad, I'm leaving you.
07:37I'll leave him.
07:38I'll leave him with him.
07:38I'll leave him with him.
07:39I'll leave him with him.
07:40He's listening.
07:41He's not going with him.
07:43Dad, he's coming.
07:44I'm not looking at it.
07:46This shirt piece is wrong. I have to do it too.
07:49I'll do it late.
07:50I'll do it myself too late.
07:51You haven't done it yet?
07:53What do you want to tell you in your house?
07:56Is it that they eat everything now?
07:59What about you?
08:02These people.
08:03Come on.
08:08These people.
08:12This is not work.
08:14Shaiyan, you will leave it.
08:15And the rest will be a lot of money.
08:17Go.
08:18I'll leave my grandfather.
08:20Go.
08:21I'll do it.
08:22Go.
08:24Go.
08:25Look.
08:25Go.
08:27Go.
08:31Who will do it?
08:32He was saying, I'll do it.
08:34But it was soon to send him to him.
08:36He had to save 200 rupees.
08:38Pajda.
08:39Leave the nashita.
08:41Take him and take him to the vipers.
08:42We don't have to do it.
08:51Shaiyan!
08:52Come there.
08:55Come there.
08:57Come there.
08:58Come there.
08:59Come there.
09:00Come there.
09:01Come there.
09:02Come there.
09:02Come there.
09:04It's late.
09:05Let me leave you.
09:06Please.
09:09It's late.
09:09Let me leave the university.
09:12Do you know the university?
09:14In this hulia?
09:16Come there.
09:18Come there.
09:19Come there.
09:21Come there.
09:22You have to wear a shirt.
09:23You have to wear a shirt.
09:26I'll sit in my back.
09:28The Shaiyan Mursaline.
09:30The Shaiyan Mursaline.
09:30The Shaiyan Mursaline.
09:31It's not a job.
09:33Do you do a paddle.
09:34Come there.
09:35It's good to walk.
09:36Do a ten thousand steps.
09:37And you'll thank me later.
09:39Okay?
09:44I see.
10:05Anos?
10:08You left Fayan.
10:12He is Pagar.
10:14Come on, I'll drop you.
10:17I'll go.
10:18I'll drop you, it's not a problem.
10:21Come on.
10:26It's on my university back table.
10:28I'll do it please.
10:30I'll do it.
10:43I'll do it.
10:44Sonia, where are you?
10:46I'll go.
10:48Go ahead.
10:49Okay, see you.
11:08I feel like I will find out a man who works for a girl.
11:14I'll do it.
11:15Let's go.
11:34Let's go.
11:45I'm home.
11:47It's home.
11:52Money.
11:54I don't have anything to eat with my stomach.
12:00My husband and other people,
12:06It's good to see them.
12:09What's going on, what's going on?
12:10You'll eat something.
12:12They're going to take off everything.
12:14Yes, brother.
12:18You've made a new house and made a new house.
12:23And that's what you did.
12:29What do you want, brother?
12:31That I also made a new house?
12:33Don't know that I'll make a new house.
12:40You'll leave the house.
12:41You'll leave it on the house.
12:46You'll leave it on the house.
12:47And you'll leave it on the house.
12:49And you'll leave it on the house.
12:50And I'll tell you that you'll be able to see that they'll be able to see the house.
12:52What did she do?
12:55You're your son, brother.
12:58You're responsible.
13:00I'm not a bad guy.
13:02I'm not a bad guy.
13:03What did you say?
13:08Why did you say she's talking to her?
13:11This is a bad guy.
13:15You made a good deal.
13:19You didn't get a bad deal.
13:20And if you don't get a better deal,
13:22you won't get a good deal.
13:24You won't get a bad guy.
13:27You made a bad guy.
13:31I didn't believe that.
13:33I was thinking about it.
13:34And you were trying to deceive me.
13:38You don't know that I'm not a bad guy.
13:42You just wait for your family.
13:43You are only a bad guy.
13:44So I'm not a bad person.
13:45What did you say?
13:47My family is a good deal.
13:49How much?
13:51How much?
13:53You did an awful lot.
13:55I didn't give a chance, I didn't give a chance, if I didn't give a chance, I didn't give a
14:01chance.
14:01So the children's right is the right thing. What are you talking about?
14:08The children's right is the right thing, and this is my son's son.
14:15This is my son.
14:17This is my son's son.
14:20You are forgetting that this is the son who is the right thing, and is the right thing, and is
14:26the right thing, and is the right thing, and is the right thing.
14:31That was my fault.
14:35He told me that I want to marry a girl from another girl.
14:41I should accept her.
14:49In this case, you are a better father to me.
14:54My son has abandoned her.
14:56She was standing with her.
14:58Our son has abandoned her.
15:01I have made her for her.
15:03Please, Abul.
15:05I was listening to you for the last 16 years.
15:09I went to you and said to you, that you have told me that Suleiman is not my son.
15:18My son is my son.
15:20My son is Marceline Suleiman, and my son is Ambrine Suleiman.
15:25I am not prepared for her for one inch to give her home.
15:29Where is the story of the relationship?
15:33I have been trying to let her out.
15:35She has been trying to let her out.
15:36She has been trying to let her out.
15:39She has been trying to let her out.
15:41And she does not know her.
15:44She will not know her.
15:49She will try to let her out.
15:53I am not sure.
15:53She has been trying to let her out.
16:07She has been trying to let her out.
16:08I need to let her out.
16:08She must look in the dark.
16:09But she is not cut off.
16:12What do you think, when I am going to sit and sit on the front of you?
16:18I have never thought of, Shree Lee.
16:21What you thought, you didn't think about it.
16:25I'm here to sit here so that you can understand the decision and the difference of my friends.
16:31The decision and the difference of my friends were very different.
16:36Oh.
16:37Why did you say all that?
16:42I don't know.
16:43Take a ride from here and take a look at the sun.
17:10I don't know.
17:11Do you know?
17:12Sheena said, go and leave.
17:15Sheena is a very smart girl.
17:16Sheena said, go and leave.
17:16Sheena said, go and leave.
17:19How are you?
17:20Why are you sitting on her face with her?
17:23Don't tell her about her.
17:24The pole is also holding her.
17:28You're crazy.
17:30Let's go.
17:31You don't have to wait.
17:46I don't know.
17:56Don't tell her about her.
17:58You're crazy.
17:59They're so happy.
18:03How are you doing for her?
18:09?
18:11?
18:37You will feel like you will cry now.
18:39I am very proud of my students for maintaining their excellence.
18:47Yes! Yes! Yes!
18:50I knew that.
18:53So friends, I want to tell you all about this moment.
18:57That all my work and respect didn't get me like that.
19:01This is my day-night努力.
19:03And I will reach you to my mother's prayers.
19:07Yes, and our nalaiqi.
19:10If you're nalaiqi, you don't have to change my position like that.
19:15Your second position has come, let's do it.
19:17What do you mean?
19:19Who's first position has come, let's see it.
19:22Who?
19:22No reaction.
19:23Anas Mushtabat, where is she?
19:25Where is she?
19:35Congratulations Anas.
19:39You have maintained your position.
19:42Yes.
19:45So bad reaction.
19:47Look at that.
19:49Second, you are so happy.
19:52Congratulations.
19:52Thanks.
19:54Huh?
19:56So bad reaction.
19:59What was it like?
20:02If my position has come, I would be capable of it.
20:05I would have toped it like this.
20:07I would have taken my head to the sky, in truth.
20:10What is your head on the ground?
20:13It's a laugh, a dance, and a dance.
20:16God has not given up to him.
20:19I don't want anyone to lift up.
20:21By the way, he's also ignored.
20:26Yes, I didn't think so.
20:28It's a shame.
20:30A shame?
20:31You have checked his hair.
20:34It's a rough and tough side.
20:35Hey, brother.
20:37You have to swim in a girl's style.
20:38You haven't seen how big it is in a car.
20:41Every person who is in a car is not a famous person.
20:45It's not stupid.
20:46You have said one thing.
20:48Why are they so sad and sad?
20:52Is it?
20:55He didn't have to be ashamed of it.
21:00Let's go.
21:01Let's go here.
21:03Get up.
21:03Get up.
21:03You have to be very misbehaved with Shereen and Anas.
21:07At least you were thinking so much that I was sitting there.
21:10What do you mean you were sitting there?
21:12You are with children.
21:15I am saying that.
21:17Now we are not children.
21:19It's such an insult.
21:20I don't understand how to listen to you.
21:25Here is your juice.
21:32Now we have to maintain our GPA.
21:34I will take a full scholarship.
21:36I will take a full scholarship.
21:37I will take my heart for three nights.
21:39I will take care of myself.
21:41I will take care of myself.
21:41And then I will not be here.
21:43I will not be here.
21:45I will be here.
21:45Shhh.
21:46Shhh.
21:46Outside.
21:48London or Australia.
21:50Any universities are not good at all.
21:52And then I will take a job at an executive post.
21:56I will take a apartment.
21:58And then you will see my look and my style.
22:01What do you see?
22:02You will see the whole world.
22:04Look at that.
22:04That is Jari Ansa Jameel.
22:06Haseen and Jameel.
22:07Hey!
22:08Tanbhal.
22:09What?
22:10What do you mean Shekh Chilli?
22:13Yes.
22:14So…
22:14And how do Shekh Chilli do?
22:16Come out of corn.
22:17Come out of corn.
22:20Come out of corn.
22:21Come out of corn.
22:22Come out of corn, come out of corn.
22:23Come out of corn.
22:24You will make corn with corn.
22:25Come out of corn with corn.
22:27And then from corn with corn.
22:29Now from corn.
22:30Come out of corn.
22:30When we start from zero to zero.
22:32What do you feel?
22:33I will not do it.
22:35I will do it now and I will show you.
22:37Yes, you have to do it, but you need to get paid for this semester.
22:47You are my friend.
22:50Don't be happy.
22:51I want to be happy too.
22:53You have to leave this topic.
22:55Let's go.
22:57Laughter is the best therapy.
22:59Let's go!
23:27Let's go!
23:31Assalamualaikum Thayji.
23:32Waalaikumsalam.
23:39Why are you standing in my head?
23:41That's...
23:42I don't know where to go.
23:44I don't know where to go.
23:47I don't know where to go for this house.
23:50Why don't you do anything else?
23:53I know Thayji.
23:55Yes, you know.
23:56Don't worry about yourself, brother.
23:58This house is mine.
24:00It's my children.
24:01There's no part in it.
24:03Do you understand?
24:06I don't know where to go, Thayji.
24:06You told me the first day, Thayji.
24:08Please, don't take your name.
24:10If you go, you'll do it.
24:12If you go, you'll do it.
24:13If you're a 10-year-old child, you'll see them.
24:16You're young.
24:17When you were young.
24:25You're old.
24:28You're not old.
24:31You're old.
24:31But I'm old.
24:31Because it's supposed to be my father's house.
24:34That you're old.
24:35I'm old.
24:35That my father's house is mine.
24:36My children.
24:37I'm old.
24:41So, I'll be old.
24:43I'm old.
24:44I'm old.
24:45Go ahead. And one minute, one minute.
24:49At the morning, there are no clothes, no clothes, no washrooms in the morning.
24:55I didn't understand, Tay-chan.
24:57Because you didn't put water in your house with water.
25:00There's a machine with a button. It's stuck to it.
25:03So, at the morning, it doesn't have to play.
25:05It doesn't play, right?
25:08Tay-chan, that was out of the bed.
25:11At the morning, your dad or...
25:12Okay, stop it.
25:13Don't take Abu Ghraam.
25:15I'll go now, Tay-chan.
25:16Now I can go now.
25:18But now there's no light.
25:22I'll go now.
25:24Now keep the water in the washrooms.
25:26What will they do in the washrooms?
25:28Let's go.
25:29In the washrooms.
25:33Tay-chan, when did you come here?
25:38I work in the electric company.
25:39What do I know?
25:44I've got a seat set.
25:45Come here.
25:47I need help.
25:50See?
26:00I need help to go.
26:04I want to find a path.
26:05Okay.
26:09Let's see.
26:11I need help.
26:19Where did he come from? And why do I keep him from here?
26:23This is my house, my children.
26:26Abba has decided that he will keep him here and he will leave him here.
26:35We can't believe him to understand.
26:38Today, this child is a small child.
26:40He will grow up and grow up in his house.
26:43What do you think?
26:44I will give everything to him so easily.
26:46The reason why he was angry, I don't know.
26:49Don't think about it.
26:51Do it and accept it.
26:52He will do it.
26:55It's dry and dry, Abba.
26:57He is in his mouth.
26:58So he will go to his mother's house?
27:03He will send them.
27:04He will not accept it.
27:05He will not accept it.
27:06That's why we have to leave him here.
27:09He will not accept it.
27:10He will come to a liliopist,
27:23He is in his hands.
27:23That's why he Virtue不正常,
27:25his wife is in their house.
27:25Only seeing that marriage is what he is with.
27:27however, he will lose.
27:27He is the only one.
27:28Of the married husband of the married couple,
27:28Ape of her husband is the only one.
27:37And she does not to have her husband's wife.
27:39Anas! Shazia! Shaini! Anas, what have you come here?
27:42No, Abuji! Anas hasn't come yet!
27:45Now, hurry up!
27:48Abuji will come back as soon as your happiness comes.
27:50Now, we will keep listening.
27:55The light has come.
27:59I'm going to drive the motor.
28:20I'm going to drive.
28:22You have to drive.
28:23Go and stop.
28:24Stop.
28:25You did a loss, don't you get me, don't you get me?
28:29Yes, I'll get you.
28:30I'll get you all.
28:31Yes.
28:32I'll get you all.
28:32I'll give it all.
28:32I'll give it all!
28:32I'll give it all.
28:32I'll give it all to you.
28:32I'll give my brother, he can't come back.
28:34Okay, okay.
28:35Let's give it all to me of your boy,
28:36and his mother and father and his mother and father and tell them that his result has come.
28:44What's going on?
28:46What's going on?
28:47Why do you have a child?
28:49Your result has come.
28:52So?
28:53So this is...
28:55Mama!
28:56He gave me three drops.
28:59Just stay, son.
29:01This is your book.
29:02He will pay for thousands, but millions of dollars.
29:05Let him go back.
29:07Okay.
29:08Go and take it.
29:10What's the meaning of this?
29:13I mean?
29:14I don't even know.
29:18Look at that.
29:19How he's holding hands.
29:22Brother!
29:25Brother!
29:25My result has come.
29:27It's a very good thing.
29:28Congratulations.
29:29Congratulations.
29:29Good luck.
29:30Give me two drinks and tea.
29:32One minute, one minute.
29:34He has to pay for me for the semester.
29:37Yes, then.
29:38So when will you give me?
29:40Where can I give it?
29:41I can give it.
29:42The situation in front of you.
29:43I have put money in the shop.
29:44And your mother was wrong.
29:46It was a lot of money.
29:48And it's like two or four thousand dollars.
29:50We give it.
29:51Where do you give it?
29:5288,000.
29:54What?
29:5588,000?
29:56That means 88,000?
29:59$735,000.
30:00I don't have enough money.
30:02I can't give it.
30:03What else?
30:05Why will you give it?
30:07They will go out of my fees from the shop.
30:10They will go out of the shop.
30:10They will pay a little bit.
30:11But I'll do that.
30:12I won't manage that.
30:13No problem.
30:14What's your relationship with the shop?
30:16I don't know.
30:18Abu has written a letter.
30:20You go outside.
30:21The shop room.
30:21We both sisters will cut together.
30:24You are taking 4 months of the shop.
30:26It will give me half of money.
30:28It will be me.
30:29I will not ask anything.
30:36A lot of money.
30:37Buy it from the shop.
30:38You be able to drive the machine.
30:40A motor drive.
30:41A motor drive.
30:41I don't know how to do it.
30:43Mr. Neel has also called a phone for cheating.
30:50Are you a child of a 12-14 year old, Hannes?
30:59Okay, let's open your mouth.
31:02Let's open your mouth.
31:04I don't want to open your mouth.
31:08Hannes has not come here.
31:13I'm telling you,
31:15that the old, the old, the old, the old, the old, the old,
31:18which person will believe in it?
31:25Do you know how I feel that I'm coming?
31:28How do you know how I feel that I'm going to be?
31:38I'm going to be a child of the old, the old, the old, the old...
31:45Yes, I'm going to be a child of the old, the old man.
31:49It's the old man.
31:50It's better than it's better than it's better.
31:54I don't know what to do.
31:57Do you know?
31:58Yes.
31:59And what else?
32:01One week they're telling me that
32:03at nine o'clock to three o'clock,
32:05there was a message.
32:10Let's eat it.
32:12I'm sorry.
32:14Why are you hungry?
32:15You didn't eat at the morning.
32:17I believe that you didn't eat every day.
32:21What's the matter, Anis?
32:25Dad, you talked to me
32:29and Sherin's family.
32:32Do you ask me?
32:35I ask you too.
32:45If I ask you, what do you say?
32:48Do you deny it.
32:50Do not think so.
32:52Don't think so.
32:55Sherin is a good child.
32:57Yes, very much.
33:00I don't want to be such a good girl, Dad.
33:04I don't have good people.
33:04I don't have good people.
33:05I don't have good people.
33:08I don't have good people.
33:09You have something to say to me?
33:12Shazia?
33:16Sheerine?
33:16Houston?
33:16I don't know.
33:18I don't have good people.
33:22You are the only one.
33:23What is the difference between my and her,
33:24my and her people and my, the child?
33:25How can we say, Dad?
33:26How many difference?
33:28You both are my kids.
33:30My blood is spreading in your body.
33:32I am.
33:42Father.
33:44Do you remember that...
33:47...Bashpur had been sent to Mr. Desterkhan.
33:52If I could sit, I would not sit.
33:55And Taja had taken me.
34:02I can't be afraid of the girl who couldn't stop me with 10 minutes.
34:07I'm saying that my whole life is about to ask myself.
34:10I don't know what to do.
34:25Why don't you stay here?
34:27You have to leave a house with a house.
34:29You have to leave a house with a house.
34:31Yes.
34:33Do you have to leave a house with a house with a house?
34:36Do you have to leave a house?
34:37Do you have to leave a house with a house?
34:40We don't have to sleep at 10 o'clock.
34:42And you have to leave a house with a house with lights on.
34:45And who does the bill pay on?
34:47We do it, right?
34:49That's what I'm saying.
34:51I have to leave my house with my money.
34:55A brother can't eat his little girl and his wife at the same time.
35:01It's not the same thing.
35:03It's not the same thing.
35:03It's the same thing.
35:05It's the same thing.
35:06If I want to leave a house with a house, I'll give it to him.
35:09Okay.
35:12I'll take my house with my own own house.
35:15And I'll take my house with my own own.
35:17If you say, I'll take my own own to my own.
35:20Good.
35:22She's got a baby.
35:24Now she's got a baby.
35:25What's your baby?
35:27You've never heard of it.
35:29Give her a raise and give her a raise.
35:32She's just saying and saying and saying,
35:33she's all forgive me.
35:35Give me an example.
35:37She's giving love to her sisters.
35:43Then she's giving love.
35:47Because I'm alive,
35:48she needs to be alive.
35:55It's so warm, Ami.
35:57Oh my God.
35:59I promised to come before you come.
36:02Baby, you're calling your dad.
36:09Ami,
36:10I've come to my house
36:11and my dad started to give me a voice.
36:13She sent her to her.
36:15Now we'll try to act.
36:15We'll try to act.
36:17And I and Abou will tell you
36:20that what they want is not possible.
36:26Where are you going?
36:28I'm going to tell you.
36:29I'm going to tell you this situation.
36:30Okay.
36:30Let me tell you.
36:32We don't have a voice on any of them.
36:34They feel like we're doing it.
36:36Okay.
36:36Listen to your ears.
36:39Anish.
36:40Yes.
36:42Anish.
36:42I'm going to talk about this.
36:45I'm going to talk about this.
36:46I'm going to talk about this.
36:48I'm going to talk about this.
36:48After learning,
36:49you're going to talk about it.
36:50It's not that hard.
36:52What are you doing?
36:53You're going to talk about it.
36:54It's two of me.
36:54What the story, dad?
36:56Let me tell you.
36:57Chuprao Anas.
36:57This will not go anywhere.
36:59This will be the same because all the pieces are made.
37:08I have no pieces.
37:10Chuprao Anas, you will only listen.
37:12Do you understand?
37:17Dad, you...
37:18People have decided to keep the children at home.
37:22You have to keep the children at home
37:24because they are the ones that are not possible until the end.
37:28With your mouth's mouth, I was standing on the street.
37:33Dad, how do you think about it?
37:36You can see it.
37:38And you can see it.
37:41Dad, this is my job.
37:47Hey.
37:52Anas, it's good.
37:53What?
37:54Yes.
37:55Anas is a very good cook.
37:57Anas is a very good driver.
37:59You can do the laundry too.
38:02What are you doing?
38:04I am doing it.
38:06Dad, you are not doing it.
38:08I am doing it with my name.
38:10Think about it.
38:11I am not talking about it.
38:12I am talking about it.
38:14You are listening to it.
38:16The dog is not the only thing.
38:18The dog is not the only thing.
38:19You are not the only thing.
38:21Who is the dog?
38:22Who is the dog?
38:24Who is the dog?
38:26Who is the dog?
38:32Who is the dog?
38:35I am going to take a look.
38:40You are not the dog.
38:42The dog is not the only thing.
38:44I am without him.
38:45Now you will give my advice.
38:50I will give you your prayers.
38:51Shini...
38:52You are wrong with the dog.
38:54I'll put it in, please.
38:56I'm done with this.
38:57You can keep it.
38:59Stupid.
39:24I'll put it in, please.
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