Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of Bas Tera Saath Ho Here : https://www.youtube.com/playlist?list=PLb2aaNHUy_gGgkDK4gTOWeGpBfKXDcS6t
Bas Tera Saath Ho Episode 12 | Digitally Presented by Diamond Paints & Vince Care Shampoo | Farhan Saeed | Sana Javed | ARY Digital Drama
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Timing : Mon & Tue at 08:00 PM Only On ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of Bas Tera Saath Ho Here : https://www.youtube.com/playlist?list=PLb2aaNHUy_gGgkDK4gTOWeGpBfKXDcS6t
Bas Tera Saath Ho Episode 12 | Digitally Presented by Diamond Paints & Vince Care Shampoo | Farhan Saeed | Sana Javed | ARY Digital Drama
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Timing : Mon & Tue at 08:00 PM Only On ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
Category
😹
FunTranscript
00:00ڈیرے دیرے ہم سلگ جائیں گے آ کے تھام لو بس تم ہی دیکھا کرو تم ہی میرا نام لو
00:15جی جی جی میں سمجھ رہا ہوں جیان ٹھیک جیان
00:19السلام علیکم بھو اسلام علیکم
00:22جی میں نے آپ کو بتایا نا وہ اصول میں میرے والد صاحب حسپتال میں تھی تو اسب امرجنسی میں
00:27لگ گئے
00:30جی اوکے اوکے جی جی جی پوری کوشش کریں گے اوکے
00:34اللہ حافظ
00:39میں نے کہا تھا نا اببو نہیں مانیں گے
00:41کیا نہیں مانیں گے
00:44انس کو گھر میں نہ رکھنے کا فیصلہ اور کیا نہیں مانیں گے
00:47جب میں کوئی فیصلہ کر لوں تو کوئی سمانا کر سکتا ہے
00:50یہاں کوئی نہیں آپ کے اببہ جان ہے اور معاملہ ان کے چہتے انس کا ہے
00:55اور دوسری طرف میری چہتی بیٹی ہے
00:57اس کا سکونت تحفظ ہے
01:00انہا سب اس گھر میں نہیں رہے گا میں نے فیصلہ کر لیا
01:03اور اببو کنفرم کرنا تو میں کر چکا ہوں
01:07تو وہ مان گئے
01:10ایک کمال آدمی ہے
01:12ابھی معذرت کی ہے
01:13ایک پراپر ایکسکیوز دیا ہے کہ اببہ ہاؤسپرلائز ہوئے ہوئے ہیں
01:16پھر بھی لوکیشن بھیج دی
01:17کس نے کونسی لوکیشن بھیجی
01:20وہی جو کیا نام ہے اس کا
01:22قریشی فہام
01:24لوکیشن بھیج دی خام خام
01:25نہیں تو ہم نہیں جا رہے ہیں
01:27میں کیوں جاؤں گا
01:29ایکسنٹ ہو گیا خدا کا شکر ہے بچہ بچ گیا
01:31ہم نے مافی مانگی اور شکر نے ماف کر دی
01:34ابوڑ کیا کرے
01:35نہیں بڑھانے مجھے
01:36ان سے مزید تعلقات بس ختم بات
01:39مات تو سہیے
01:40چاہیے
01:40چاہیے
01:51چاہیے
01:55چاہیے
01:57چاہیے
01:59اممہ کا ہے
02:04آبدہ
02:04آپ دہ یہ کیا ہے سب
02:08آم
02:09آرب امی
02:10کیا ہوا
02:11امی
02:12کیا ہوا امی کو
02:13مجھے امی کے پاس لے چلے
02:15امی کے پاس
02:16پندی
02:17Oh my God, take my mother to give her so much to me that I will reach her to her
02:32face.
02:34Oh my God, take my mother to give her so much to me.
02:35How can I go to my mother?
02:37Why can't I go to my mother?
02:39Why can't I go to my mother?
02:40Why can't I go to my mother?
02:42Do you want to go to my mother?
02:43Okay, I can go to my mother.
02:46I will go to my mother.
02:48I will go to my mother.
02:49I will go to my mother.
02:50How can I go to my mother?
02:51What do I do?
02:55You know the whole situation.
02:58You're talking about my mother.
03:02You're not wrong with my mother.
03:05You're thinking about your sister.
03:06You're thinking about your sister.
03:08That's who you're thinking about,
03:11your sister and your sister.
03:13Her story is not your interest, but...
03:16You don't even want that.
03:18Sit here.
03:21No difference between our life and our life and us.
03:25She will go to my friend.
03:27She will stay with me by someone.
03:28She will stay with me either.
03:28She will have many places.
03:31Her son was telling me that I was going to go to the hostel.
03:35I will go away.
03:36And you have to eat it too, right?
03:39You won't come to her in this house.
03:42Okay.
03:44You have to leave it.
03:46You have to call her home.
03:48You have to leave it on your head.
03:50But look,
03:53my hand is in front of you.
03:56She is in front of me.
03:57She is in front of me.
03:59She is in front of me.
04:02She is in front of me.
04:04She is in front of me.
04:06She is in front of me.
04:08She is in front of me.
04:19Hey!
04:21I am really a man.
04:23I am really a man.
04:26You have to call me a man.
04:30Please call me a man.
04:31Don't give me a brother.
04:36I will not say that.
04:37I will not say that.
04:39Kaleesha,
04:41I will die.
04:44You are very good.
04:46Call my brother.
04:47Please.
04:48Please.
04:48Please.
04:53Aye,
04:54Please.
04:54We need to live peace.
05:36We need to live peace.
05:38We need to live peace.
05:39Accident, thank you for your child.
05:41We have asked for forgiveness.
05:42Thank you for your forgiveness.
05:43What do you do?
05:50You don't say anything about me.
05:51I have a lot of respect.
05:52I have a lot of respect.
06:07Ami, you don't care about Abbu,
06:09but you don't think about it.
06:11What do you think about that?
06:13One of them had an accident,
06:15then they took a long time for forgiveness.
06:16And when they finally forgive them
06:18and invited them to their pleasure,
06:18and invited them,
06:20then we don't want to go to our mood.
06:23You are fine,
06:25but what can we do?
06:26Mursaleen is going to give up.
06:28So,
06:29you are calling Abbu,
06:31saying that you are going.
06:32Are you crazy?
06:33I will not go alone,
06:35without Mursaleen.
06:38So, Shayan,
06:39how do you say Shayan?
06:42How do you say Shayan?
06:47I am going home.
06:52I am sorry.
06:52But, Ami is going to leave.
06:54I am sorry for the time.
06:54one time,
06:55see that we are coming,
06:57and the discussion is finished.
07:02Then,
07:03I will go and I will go.
07:04How are you?
07:05I...I...
07:05How are you?
07:06You are very careful for your brother.
07:08No...
07:09He is still there for your brother.
07:15Let's go.
07:15I'll go again.
08:03This time, thank you.
08:12Missouri.
08:14Your name is Paul.
08:15Let us get my name.
08:19Your name is Raola.
08:21Mrs.
08:22Mrs.
08:22Mrs.
08:22Mrs.
08:23Mrs.
08:24Mrs.
08:25Mrs.
08:25At first, she goes home with her.
08:30Anas is a Giving.
08:31She will be working with her.
08:32Why do you call your name?
08:34Arnaps, you call her phone.
08:37I want to tell her that I have called her house as well.
08:43This is her own house.
08:48No one can go out.
08:51No one can go out here.
08:55We need to talk about her.
08:56We need to talk about her.
08:59Call her.
09:00Call her.
09:02Who is she?
09:02I'm sorry.
09:15Hello?
09:16Yes, hello.
09:17Ahmar, you are.
09:18Anas, are you talking about?
09:20I can't talk about her.
09:23We have to go to Ansa.
09:23We have to go to Ansa.
09:25Hospital?
09:26What happened to Anas?
09:28Anas, no.
09:29Aunty Ansa.
09:30Hello?
09:30Hello, son.
09:31Which hospital?
09:33Tell me.
09:33It's not serious.
09:34Hello?
09:35Send me a pin quickly.
09:37I'm not coming to the hospital.
09:38What happened to Anas?
09:40Hello?
09:40I'm not coming.
09:42Send me a location quickly.
09:43Anas?
09:46I want to go.
09:48Abbu, leave your house.
09:49Leave me.
09:49I don't want to go.
09:50I don't want to go.
09:51I don't want to go.
09:52I don't want to go.
09:54Everything will be fine.
09:55Don't worry.
09:56Take it.
19:59You are coming? But you are coming now?
20:03You have seen it now.
20:05What do you mean?
20:08I am so sorry. I think you are coming here probably.
20:14It's okay.
20:16Ammi, let's go.
20:19Yes, I am coming.
20:21It's wrong.
20:24How soon do you have to forgive?
20:26I mean, to your brother.
20:29Yes.
20:31I didn't have to forgive you again.
20:34You have to forgive me.
20:40What did you do to meet?
20:42You have to forgive me.
20:51Ammi, let's go.
20:54How are you?
20:56It's okay.
20:57Yes, I am.
20:58Let's go.
20:59Bye.
21:10You have to forgive me.
21:12Bye.
21:13Bye.
21:13He's dropped and he's also a little bit.
21:16This is a new story.
21:18You're all talking about the truth.
21:19I'll meet you all.
21:21You're talking about the truth.
21:23I'm not talking about the truth.
21:24I'll call you again.
21:26You're talking about the truth.
21:28You can't make me fear.
21:30Give me a second.
21:31Please give me a second.
21:34When are you talking about the truth?
21:36You don't listen to me.
21:38You're talking about the truth.
21:40Hello, brother.
21:43You're talking about the truth.
21:45I don't know where to go.
21:48There's no place to go.
21:50Wherever you want, go.
21:52It was yesterday night too.
21:55There's no problem for you.
21:56Yesterday?
21:58Yesterday I stayed in the woods.
22:00I stayed in the woods.
22:02I was trapped in my house.
22:03I was trapped in my house.
22:05And you're telling me.
22:07I'm talking about it.
22:12Arif.
22:13I'm talking about the truth.
22:15But I didn't talk to anyone.
22:17Neither with you nor with anyone else.
22:19Arif, you're very wrong.
22:21You're going to leave your children like this.
22:23You're going to leave the door and stop.
22:26I'm going to leave the door.
22:26I'm going to leave the door.
22:28Arif.
22:30I'm going to leave the door.
22:32That's my house.
22:34I'm going to leave the door.
22:35I'm going to leave the door.
22:36I'm going to leave the door.
22:37I'm going to leave the door.
22:38Ansa?
22:39Ansa, what are you doing?
22:40What are you doing?
22:42You're crazy.
22:43You're stuck right now.
22:45Ansa, the blood is out.
22:46Leave me.
22:48What do you mean?
22:49Leave me.
22:50Leave me.
22:51Where are you going?
22:52You can't go to this situation.
22:54If you're falling asleep,
22:55what are you looking for?
22:57Please take me.
22:58Leave me.
23:00Leave me.
23:02Leave me.
23:03Leave me.
23:04I don't even say a word.
23:08Nobody does this with me.
23:09Be careful.
23:10You're going to leave the door.
23:12You're going to leave.
23:14You're going to leave.
23:16No.
23:17I'm going to leave.
23:19Sorry.
23:20Sorry.
23:21I'm going to leave.
23:27But you're gone.
23:28Don't come on.
23:31Don't come on.
23:38Don't come on.
23:40You cannot do anything.
23:41You've done a reputation.
23:43Oh, come on.
23:43Come down.
23:44Come down, Shavas.
23:45Please.
23:46Like, I will.
23:46Don't come on.
23:47Please.
23:48Don't come on.
23:57I'm sorry.
24:00Take a look.
24:29Hello, brother.
24:30Hello.
24:31This is the patient's room number 3.
24:33Sir, all the dues have been cleared.
24:35Where?
24:35I mean, when?
24:37What time?
24:38Sir, 3 hours before.
24:54Hello?
24:55Amreen and Abu-chan are coming home?
24:56No, it's not yet.
24:58It's not yet.
25:01She's got a phone.
25:02She's got a phone.
25:03She's got a phone.
25:04She's got a phone in the Quran.
25:13Hello?
25:14Hello, Mr. Kams.
25:16How are you?
25:17Welcome.
25:18How did you think about the good of asking today?
25:20How are you?
25:22Today, I saw your brother.
25:23I saw you, brother.
25:25Where are you from?
25:27Where are you from?
25:27No, in the court.
25:29I was happy with your wife.
25:31Amreen?
25:32Yes, that is.
25:34There is a problem.
25:35If there was any problem,
25:36I would have to call you.
25:37I'm going to go home.
25:38No, I understand.
25:40Yes.
25:41Okay.
25:47Don't talk to my brother.
26:07I know.
26:09You can go home.
26:12You can only go home.
26:13How are you?
26:15You can go home.
26:16Of course.
26:17Yes.
26:17Well, I have to go home.
26:17He gave it to him, and he gave it to him.
26:24This way, he didn't have any thoughts on my mind.
26:31There were also other people.
26:35Did you feel bad?
26:36No.
26:40I feel good.
26:41I thought...
26:42I thought that...
26:44...it's not worth it...
26:46...and...
26:46...it's the same thing...
26:51...it's not going to end my life...
26:56...we don't understand that.
27:06Habbo...
27:07...you've thought a lot to think of...
27:10Yes, brother.
27:12What do you think of me?
27:15Where does it look like this?
27:17Did he tell you something about it?
27:22No, I didn't talk about it.
27:25I think I don't know about it myself.
27:52What do you think of Arif's phone?
27:55He probably closed it.
27:56I'm happy, Chacha.
27:58Ansa will go to my house.
28:00I won't go to my house, Misha.
28:01Ansa is a shame.
28:03I've also felt that I'm wrong.
28:05Don't do it anymore.
28:06Don't do it anymore.
28:07Please.
28:08So, where are you going?
28:10Tell me too.
28:11You've also listened to me.
28:12How many options have you given me?
28:14At any friend's house, hostel, or Jehannam.
28:19No, no, no.
28:20They don't say that.
28:22I didn't say that.
28:23My brother is doing it.
28:25I'll give you that.
28:28But you're my responsibility.
28:30I'll give you that.
28:32I'll give you that.
28:33Kurashreeg, Chacha.
28:35When you don't come to Arif,
28:36you can take on your own home, right?
28:40No, son.
28:42I can take on my own.
28:43I'll stay alone alone.
28:46You're a child.
28:47It's like a father.
28:50We don't know the world.
28:53I'm like a father.
28:55I'm not a father.
29:01Why are you okay?
29:03Why don't you take it with yourself?
29:06If you arrive, you'll come back.
29:10I don't live here.
29:13I live in Dubai.
29:14I live here for a few days.
29:16I'll be back for a few days.
29:17Don't do it, honey.
29:19How much will you do it?
29:21No, son.
29:24It's not such a thing.
29:25Let's do it.
29:27You're running in this hospital, right?
29:29You're going to ask me to take my home.
29:31Hansa, what are you doing?
29:34You?
29:36You haven't been afraid of taking my home?
29:41I'm not afraid of you.
29:42I'm not afraid of you.
29:43But you need more than you.
29:51I don't have any home.
29:54But no.
29:58What are you saying?
30:01I'm saying right, dad.
30:02I'm not afraid of you.
30:04I'm not afraid of you.
30:06I'm not afraid of you.
30:07I'm not afraid of you.
30:08And you?
30:09What's your name?
30:11Ansa.
30:12Ansa.
30:31Ansa.
30:34Ansa.
30:38Ansa.
30:41Ansa.
30:44Ansa.
30:57Ansa.
31:01Ansa.
31:05Ansa.
31:07Ansa.
31:08Ansa.
31:09Ansa.
31:20Ansa.
31:26Ansa.
31:42Ansa.
31:43Ansa.
31:45Ansa.
31:46Ansa.
31:46Ansa.
31:46Ansa.
31:46Ansa.
31:51Ansa.
32:08Yes, ma'khaah's penchayat.
32:11He didn't feel so much as he told us and told us.
32:14What do you need to know?
32:17I'm going to go and enter the house.
32:19Because we don't understand you.
32:22And what's more of your nisdiki?
32:25She'll be living in a wheelchair, Shaheen.
32:28That's what I'm saying, Shereem.
32:29Okay.
32:31So, what does that mean?
32:32He didn't say that he didn't.
32:34He didn't say that.
32:35He didn't say that he didn't say that.
32:36He didn't say that.
32:36He was so handsome, so beautiful.
32:39And in particular, that girl...
32:41What's his name?
32:42I understand.
32:43Yes.
32:44You were saying that he was doing a lot of rude behavior.
32:45I didn't say that.
32:47Obviously, when your brother's accident came,
32:50it was so rude to me, right?
32:53And why don't you sit behind your face?
32:57He's not coming.
32:58What will you forget, Anas?
33:01Anas!
33:01Mom!
33:03Anas didn't forget anything.
33:04You're forgetting.
33:05What?
33:08What?
33:09What?
33:10What's going on?
33:11You'll have to run the motor again.
33:14I'll go and change the way you can.
33:15I will change the way I think that will change the way Gumnos.
33:19How does Gumnos look so good in her house?
33:21Well, it's good.
33:24You'll get a good home.
33:26I know that your house is a good home.
33:28I know that the house is my very bad.
33:29Hmm.
33:31Hmm.
33:31But when you have to change the house...
33:33...you had to change the power of Anas.
33:35Anas, change the color of the wall.
33:37Anas, change the color of the wall.
33:40Anas, change the color of the wall.
33:42Anas, change the color of the wall.
33:44He took a lot of work.
33:46Anas went on.
33:47Now he will have to do his work.
33:51Or call him back to his.
33:52The lawyer.
33:53He's gone from this problem.
33:56He gets two people on one call.
33:59What do you think?
34:01He'll come back.
34:01Then he'll come back.
34:04I think he'll come back.
34:05He'll come back.
34:06Actually, it's difficult.
34:08He's gone from the night.
34:10I've cut the information from Anas.
34:13And I've said that I'm talking about Mursaleen.
34:15I think that Mursaleen will not let her at home.
34:19But I've thought about this.
34:22What?
34:25We...
34:27I think that Mursaleen will have to be the best to her.
34:28The Commissioner of Abdu.
34:30That's what we should call this house.
34:31But I'm speaking.
34:34You're a good one, Mursaleen.
34:37So, Daddy, we'll use that name?
34:42Put it?
34:43Put it.
34:44Either for their health or power,
34:46we need to address something we need to do.
34:48Are you talking about Puppo?
34:50Puppo.
34:51Puppo.
34:52Puppo.
34:53He's going to be Puppo.
34:54Dad, he's not so much.
34:56He's not going to sign anything.
34:58You don't challenge me to my intelligence.
35:02Chaayan!
35:06Welcome, Abu.
35:07Welcome.
35:12Where is Abu?
35:13He's gone, right?
35:15You had to take him to take him from the hospital.
35:17How will he come from the hospital?
35:24He's not in the hospital.
35:26He's not?
35:28Where is he?
35:31My friend saw him about the law.
35:37Law?
35:41Law?
35:47He's not in the hospital.
36:01In 2026, it's not in 1726 that every issue of the first and last thing is just that you can
36:09marry someone with your hand.
36:11And that's the one who is available to you.
36:14Ansop, please, believe me.
36:17We will get all the issues.
36:20You're crazy.
36:22Or do you understand me crazy?
36:25How are the marriages?
36:28You will do it, anyone.
36:31Anas is not anyone.
36:34We all know him.
36:36Right.
36:39Anas is good.
36:42Good.
36:44Forgive me, Dad and Uncle.
36:47There is no doubt in your heart.
36:50You have told me the truth.
36:53But the marriages are not like this.
36:55Listen to me.
36:57Listen to me too.
37:02You'll do it like you're saying.
37:07You'll do it like you're saying.
37:09You'll do it like you're saying.
37:18Yes, that's right. I'm saying something okay, son.
37:23Yes, Dad, Dad and Uncle are saying something right.
37:30People say that the person who is in this age
37:36doesn't work properly.
37:42I believe that there is no better.
37:44There is no better.
37:46I've also got a patience.
37:50Four days.
37:55And another life that I love.
37:59What?
38:02A patience.
38:03He's married to you.
38:05If he can't save you, his son and his cousin,
38:08he will give me a patience.
38:15I'm sorry, I can't do this.
38:17Koshi, Dad, please.
38:19Please leave me here.
38:20Call a nurse to this.
38:22I'm going to think about it.
38:24I'll see you later.
38:24A detto.
38:28I did get you to the gathering house youutan.
Comments