🧡 Classic Darma Horny sensitive teenager with tough tomboyish girlfriend falls for his mother's gorgeous friend who's staying at their house.
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*
#watchfreemovie
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#ClassicMovies
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#MovieClips
#BestCinematography
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#LateNightMovies
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#MovieMarathon
#LoveStory
#romanticmovie
#WatchFree
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#Movie
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#filme
#Movies
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🎥
Short filmTranscript
00:00:20I voto emir, i voto suspirando
00:00:30Passo le notti interi senza sogno
00:00:38E mi chiesito io contemplando
00:00:48Le passo di la notte sino al giorno
00:00:57I voto emir, i voto suspirando
00:01:07Passo le notti interi senza sogno
00:01:16E mi chiesito io contemplando
00:01:25Le passo di la notte sino al giorno
00:01:33E ti hanno un fogo al suono che io dormirì
00:01:39Ma dimunna di chiù sta fritu fuori
00:01:50Sai quando io toio alla sari
00:01:57Quando la vita mia finisce morì
00:02:06Sai quando io toio alla sari
00:02:13Quando la vita mia finisce morì
00:02:22I voto emir, i voto suspirando
00:02:32Passo le notti interi senza sogno
00:02:39No
00:02:39Oh, oh, oh
00:03:19I've kept everything just as it was, but nothing ever stays the same.
00:03:24You have.
00:04:05I've kept everything just as it was, but nothing ever stays the same.
00:04:09She always spoke of you, and how it was important that you would come back someday to this house.
00:04:38Hold up.
00:04:44You dirty old rascal.
00:04:46How the holy hell did they ever let you back here?
00:04:50You know.
00:04:51Oh, by the way, that's a very dangerous game to play.
00:04:54I mean it.
00:04:55Guys have been killed for doing that.
00:04:57So don't joke around, or next time you'll end up in the family morgue.
00:05:01That'd be part of cruel, especially for the ladies, huh?
00:05:03Tell me, what was your average in Paris?
00:05:05Come on, how many?
00:05:06Probably two a day, eh?
00:05:08I've heard the French are eliminating adultery.
00:05:09They refuse to get married at all.
00:05:11And if they do, the husband will be given a maid to help out in case the dear wife gets
00:05:15a headache.
00:05:15Is that true?
00:05:16You've become just as pernicious as an old rake.
00:05:18Well, I always liked a little bit of variety, and I was born horny.
00:05:23I have no control over it.
00:05:25Well, let's have a look at you.
00:05:26You have the mark of the international traveler.
00:05:28You wear it well.
00:05:29Do I really?
00:05:30As a matter of fact, I've managed to do a little jet setting, too.
00:05:33Twenty-five lure days in Turkey.
00:05:35Of course, it doesn't have the same charms as Paris.
00:05:38Well, well.
00:05:39So you've come back to blow your horn and bang it around.
00:05:43No, no.
00:05:44I have no match for the competition here.
00:05:45Don't worry.
00:05:46It's only for a week or two.
00:05:47I should go before the end of the month.
00:05:49I'm selling the house.
00:05:50You've done well.
00:05:52I see you're right.
00:05:53In short, modestness is my success, too.
00:05:56And not only in the trade.
00:05:58Ah, yes?
00:05:59Yes.
00:06:01You see, I don't have the imagination of the scapolo.
00:06:04But I don't even the cornudo.
00:06:06That cornudo is also without the imagination.
00:06:09But today, the probabilities are in the increase.
00:06:12Eh, ma, cher, la femme.
00:06:14Ou è santa, ou è puttana.
00:06:17And in our showroom, the santa, I know the Santa Agatha.
00:06:20Well, let me a little elenco of the old friends.
00:06:23Quelle puttana, eh?
00:06:24And the santa, let's not lose.
00:06:26Dunque, Rosa, Rosetta, Rosina, sono riuscito ad andarci a letto solo dopo che si sono sposate.
00:06:32Sì, perché prima si erano rifiutate per una questiona di onestà.
00:06:35Con la D'Amico, invece, non ci sono riuscito perché si è sposata in Sud America con un'allavatora di
00:06:40bovine.
00:06:42Una produzione da conne scatola.
00:06:45Rita Favazza, invece, l'ho perso un poco di vista, ma mi risulta che ha sposato come marito un fenomeno,
00:06:51sai, un potente completo.
00:06:53Ma non è che è un fenomeno perché è impotente, ma perché è impotente con sette fighi.
00:06:57Invece, Mariella Lorusso non la vedo da molto tempo, ma so che non ha affatto un marrimone molto fortunato.
00:07:03Dicono che c'è capito a un marito un poco cornudo.
00:07:06Mi stai a sentire?
00:07:07Ah, sì, sì.
00:07:09È a Caterina, vuoi dire, eh?
00:07:11Beh, che è rimasta vedova, lo sai, no?
00:07:13Sì, sì.
00:07:15Senti, ma non mi dirai che sei tornato qui apposta per lei?
00:07:19Diciamo che non me la sono mai dimenticata.
00:07:23E allora?
00:07:24Allora, vedi, Caterina, è una che non saprei se mettere o no nell'elenco.
00:07:29Ma tu la frequenti?
00:07:31Sì, sì, ci ho provato, ma niente da fare.
00:07:34È l'unica sconfittata della mia carriera.
00:07:36E d'altronde a Napoleone, che era Napoleone, un perso, ma tra l'oppa.
00:07:39E ci ho provato a marito vivo e a marito morto, sai, mica solo io.
00:07:42Ma, riena a fare...
00:07:44Allora è una santa.
00:07:46Eccomano, sono sicuro che a letto farà maragola.
00:07:52Comunque, se non è una santa o una furba, che è più probabile,
00:07:56mi piacerebbe incontrarla per caso.
00:07:58Ah, è per questo, non è che te devo preoccupare.
00:08:00Tu dammi un giorno di tempo che te lo organizzo io apposta.
00:08:03Un incontro per caso.
00:08:04Eccomano, eccomano, eccomano.
00:08:20Allora...
00:08:29Allora...
00:08:40Allora...
00:08:48Allora...
00:08:54Allora...
00:08:58Allora...
00:09:15Allora...
00:09:18Allora...
00:09:20Oh
00:09:20Oh
00:09:49Louisa do you know just simply Lagana? No
00:09:52I certainly did know your mother.
00:09:54Sit down, please.
00:09:58It's over 15 years, isn't it?
00:10:00Seems a lot more.
00:10:02Well, it's like being a witness to an historic meeting.
00:10:05When I write my memoirs, I can say I was there.
00:10:08Notice I'm going to the bar discreetly.
00:10:14Well, I imagine I look different.
00:10:18As a matter of fact, no.
00:10:20You've changed a lot, you know that?
00:10:22Well, yes.
00:10:23Why shouldn't I?
00:10:24They used to take their toll.
00:10:25What can we do?
00:10:27You were merely pretty.
00:10:29Now you're stupendous.
00:10:32People are looking at us.
00:10:34Do you notice?
00:10:34Do you really care?
00:10:37Oh, maybe.
00:10:38I know who the gossips are.
00:10:40They're all here fishing.
00:10:41And a girl should consider her honor.
00:10:44We're all a little absurd with our sense of honor, aren't we?
00:10:48I was joking.
00:10:50Are you staying through the summer?
00:10:52Well, that depends, I guess, on you.
00:10:57Louisa, wait.
00:10:58What for?
00:11:00I just want to look at you without anyone around, that's all.
00:11:04Well, go ahead then.
00:11:05But hurry before any of our friends comes and notices us.
00:11:09Why, they'd think I was flirting while my husband's in Milan for four whole days.
00:11:12Time is up.
00:11:14I see.
00:11:15No, I don't.
00:11:15I want you.
00:11:17You must know that.
00:11:18I...
00:11:18You're mad.
00:11:20You mustn't say that anymore.
00:11:24You haven't taken your vitamin C.
00:11:26You're a love.
00:11:28But this kind of conversation is offensive, mere sentimental muck.
00:11:32Forced to hear it from my husband, and that's certainly ample.
00:11:35And you must admit that you've got no right to assume that I'd choose to sacrifice his trust in me.
00:11:40I know that, but I'm...
00:11:41It makes me unhappy you're so cold and cruel to me, yet I still adore you.
00:11:45And you flouted as if it were nothing.
00:11:47Many times I thought of you being all alone, and...
00:11:51If I could come and talk, I like to talk, you know, nothing ever important, but...
00:11:55Not a chance.
00:11:57I know your reputation.
00:11:59And when actually measured, who cares?
00:12:03Only this is there to say to you.
00:12:05So long, it's been nice, and in case I see you at the bar.
00:12:09And let's just say...
00:12:10Louisa, meet me tomorrow at 6.45.
00:12:23Alfredo, you break a blood vessel or something.
00:12:30Well, I had the impression you were rather a timid soul.
00:12:33You seem so years ago.
00:12:36Soon as you walked in the room.
00:12:38I don't know...
00:12:39It wasn't by accident.
00:12:41I was looking for you.
00:12:47How good is your memory?
00:12:49Don't worry.
00:12:50I don't forget a thing.
00:12:522-1-6-8-9-0-7.
00:12:56Here I am again.
00:12:58Sorry about that.
00:13:00Am I too soon?
00:13:01Oh, I think we've said it all.
00:13:03You can stay.
00:13:04I'll bet.
00:13:05Giuseppe, you're quite a character.
00:13:07They said so at the bar.
00:13:09It seems you have the status of a celebrity here at Catania.
00:13:11That you live in Paris.
00:13:13Only this I already knew.
00:13:15That you were the first to more platonic, that is, Catarina.
00:13:18But no one ever taught me that.
00:13:20Louisa.
00:13:21I said platonic.
00:13:22I have a good arm.
00:13:24I'll call you.
00:13:24I hope so.
00:13:26Well, Louisa.
00:13:27It was very pleasant.
00:13:28I hope I'll see you again.
00:13:30You will, darling.
00:13:30Whenever you decide.
00:13:32Oh, wow.
00:13:35He's death for a woman.
00:13:38Affectionate, intelligent, handsome.
00:13:40What more is there?
00:13:41And a bachelor?
00:13:43I don't know.
00:13:44Oh, you're being sly.
00:13:46But that's not important, is it?
00:13:53You forgot it, I know.
00:13:552-1-6-8-0-9-7.
00:14:00Merci.
00:14:05Pronto?
00:14:06Catalina, it's Giuseppe.
00:14:08Well, hello.
00:14:10Didn't you think I'd call?
00:14:13Why not?
00:14:14You said you would.
00:14:15How are you?
00:14:17Well, thank you.
00:14:19A little tired.
00:14:21You know, since I saw you last night, I haven't been able to think about anything else.
00:14:27I...
00:14:28I know.
00:14:30That's how I feel.
00:14:32Are you alone now?
00:14:35Yes.
00:14:36Can I come over?
00:14:38No, not here, no.
00:14:40Where then?
00:14:41Well, I don't know.
00:14:45Can you come tomorrow?
00:14:47How's your coffee?
00:14:48Not bad.
00:14:49I have lunch appointment.
00:14:51Can I come in, too?
00:14:52I, too.
00:15:18You've got an admirer.
00:15:20You've been hiding things.
00:15:22I pray.
00:15:23I pray.
00:15:23It's okay.
00:15:31It's a very special friend your mama grew up with.
00:15:35Giuseppe and I went to school together.
00:15:37He was very important to me, almost like a beau.
00:15:41Does that mean something special to receive roses from someone, mama?
00:15:45Well, yes and no.
00:15:47Depends on the roses.
00:15:49Depends on the woman.
00:15:50Depends on the person who sends them.
00:15:52And your aunt doesn't appreciate dirty nails.
00:15:53I don't feel like going there.
00:15:55I'll end up hating summer vacations if I'm forced to spend them there all the time.
00:16:05Oh, come on.
00:16:09She's very anxious to see you.
00:16:11It's not the whole summer.
00:16:12It's only a few days.
00:16:14Trade your big red rose for a smile.
00:16:20Isn't the man saying to a woman that he loves her when he sends her some flowers?
00:16:26Well, I know it says something.
00:16:28I suppose he's just saying...
00:16:30There's a car.
00:16:31Go ahead.
00:16:31Now, don't keep them waiting.
00:16:32Hurry up.
00:16:35Hey.
00:16:38And I've got to stay there all next week or what?
00:16:41Listen, you stay out of trouble.
00:16:43And Sunday I'll phone, I'll talk to your aunt, and tell her you to come back early Tuesday morning.
00:16:49Ciao, Bella.
00:17:16Ciao, you just about ran into my daughter.
00:17:20Well, they've got to meet her sooner or later.
00:17:26I didn't thank you for the roses.
00:17:28They were lovely.
00:17:39Well, you have something to drink?
00:17:42All right.
00:17:47We are doing nothing wrong.
00:17:49You haven't any reason to worry.
00:18:06I don't know.
00:18:12I don't know.
00:18:19I don't know.
00:18:40With the women confidence only at home,
00:18:44after they restrain the distance, one from here and the other from there.
00:18:48Of course, I have had respect and courtesy.
00:18:52Good evening, sir. Oh, I salute your husband.
00:18:54What love, love. Go to bed.
00:18:58But when you feel love, take an example of me.
00:19:01K!
00:19:18Who knows?
00:19:21It's the feeling you could find looking back.
00:19:24I don't know.
00:19:28That old tree in a park, a book I read, a sudden memory.
00:19:34For a minute I'm there before I know it goes.
00:19:38Mysticism.
00:19:39Go away.
00:19:40You're in love. You're trapped. I knew it would happen.
00:19:42The object is to stop on this danger.
00:19:44Yes?
00:19:45The sound of pride.
00:19:47Did you hear that?
00:19:48His sense of pride is abused.
00:19:50Even pools have pride.
00:19:52I've got a little hair right up inside this nostril.
00:19:54It bothers me.
00:19:55Find it, can you?
00:19:57No, no, no.
00:19:57Not that one.
00:19:58This one has been itching for a whole hour.
00:20:02Ah, that's better. Thank you.
00:20:06Ah, to get up in a fine morning.
00:20:08To begin to prepare for the intoxicating task of choosing between all the flowers in my meadow.
00:20:13And I'm happy because I have the freedom of choice.
00:20:16You, you plan to trade it for one old-fashioned perennial.
00:20:19That's a bad job.
00:20:20I know.
00:20:21It's not funny to you because you know I'm right.
00:20:23Although you won't admit it.
00:20:25But to break a date like that, I came up with those two for tonight and you're spoiling it.
00:20:29Now, where is there any harm in spending a few innocent hours with a pair of strippers from Hamburg?
00:20:33No complications, no responsibilities.
00:20:38Very relaxing time.
00:20:40But it's not for me.
00:20:42You can come or not, I don't care.
00:20:43I'll just have to squire both of them around by myself.
00:20:46But don't let that influence your decision.
00:20:48All right, I'll come then.
00:20:50Since I'm all busy and eating.
00:20:51You must be joking.
00:20:52I could easily handle both and you know it.
00:20:54Nobody has equaled my past record for epic womanizing that I know of.
00:20:57I'm far out front.
00:21:00No, I mean, that's enough.
00:21:02Come tonight if you can.
00:21:03You'll be doing me a favor, all right?
00:21:05Don't worry, I'll meet you about 11.
00:21:07I have a sneaky suspicion that you're going to forget.
00:21:10I won't forget.
00:21:11No, no, no.
00:21:12I was referring to women.
00:21:13You should look at things the way I do.
00:21:15A man's freedom is a gift not to be taken lightly.
00:21:18And that's something the youth of today understands.
00:21:21You got a lot of girls?
00:21:22I got four kids.
00:21:24What's so funny?
00:21:26He doesn't change anything.
00:21:27He's an exception, that's all.
00:21:28He's a little rabbit, this one.
00:21:34You're not a fool.
00:21:36The point is, you should try a new tactic, darling.
00:21:44Why bother?
00:21:45I'm not important to him.
00:21:46It's stupid to expect anything more.
00:21:51What's the point in tactics?
00:21:58We grew up together.
00:21:59After all, I went to school with Giuseppe.
00:22:01I knew his best friend.
00:22:05It seems so pointless to play games in art.
00:22:07I'm sure that's what he's doing, love.
00:22:09If you forget your pride.
00:22:10It's not pride at all, Louisa.
00:22:14We always have to start right back at zero.
00:22:19Mind as a child.
00:22:21Love, we start all over again each time.
00:22:25You're not making sense, darling.
00:22:27To jump to conclusions is silly.
00:22:29I know it's true.
00:22:30He could tell a thought.
00:22:31But it's hardly a tragedy.
00:22:33Who's making it a tragedy?
00:22:39Except I'm so mad at myself.
00:22:42I know you feel dreadful.
00:22:44You only.
00:22:46Come on, the truth now.
00:22:48Listen.
00:22:49I know I'm a bit of a tad, to put it nicely.
00:22:53Or you could save a penchant for wickedness.
00:22:55But fun is fun, I say.
00:22:57When you're going to fall, then you're going to fall, darling.
00:23:00Of course, it may be injurious to your pride.
00:23:03But you'll get used to it.
00:23:04And you'll forget it.
00:23:11Well, you're lucky.
00:23:14There's a spider in my room!
00:23:16I really mean it. It's a spider.
00:23:18A what?
00:23:18I saw it when it went out of the closet.
00:23:20Who?
00:23:21I wonder if he...
00:23:22Yes, all right. I'll be right there.
00:23:24Don't.
00:23:24I'm not going to stay.
00:23:25Ciao, Louisa.
00:23:26And don't worry, love.
00:23:28Auntie Cassandra says tomorrow he'll telephone.
00:23:31Ciao.
00:23:32That's your mind, do you?
00:23:32Ciao.
00:23:34All right, where'd our spider go?
00:23:36It's a big lie!
00:23:37It's a big lie!
00:23:39What did you say that for?
00:23:41I wanted her to leave and I thought that would help.
00:23:46I know she bores you, but then you don't understand her.
00:23:51Mama, tell me, do you still get flowers from that man?
00:23:55Get into your bed.
00:23:56Go ahead.
00:23:57Do you hear me?
00:23:58Uh-huh.
00:24:00No, he hasn't sent me anymore.
00:24:03All right.
00:24:05Down with it.
00:24:06Ciao.
00:24:09It doesn't matter.
00:24:10I'll come over there.
00:24:12No, don't worry.
00:24:14No one will see me.
00:24:15I'll be careful.
00:24:16You've got to trust me.
00:24:19Because I want to show you something.
00:24:23Why not?
00:24:25I know, but don't worry.
00:24:28I want you to see it.
00:24:31Fine.
00:24:34It's exquisite.
00:24:37But this is priceless, I can't.
00:24:47It belonged to my mother.
00:24:51I want you to wear it, please.
00:24:58It's great.
00:25:17I want you to wear it, please.
00:25:21I want you to wear it, please.
00:25:21Were you with a girl all this time?
00:25:25I was with Alfredo.
00:25:27Alfred will be chopped.
00:25:29Ah.
00:25:30With two girls, then.
00:25:35But I realized you're what I was looking for, Catalina.
00:25:44And I think about those years without you.
00:25:49All empty, useless, meaningless.
00:25:54I go to others and try to find you.
00:26:02I remember a girl.
00:26:04And she used to pray for this, you know?
00:26:07For God to make Giuseppe Harris.
00:26:08Yes.
00:26:09Did she?
00:26:10And now you're mine.
00:26:12Mine.
00:26:14Mine.
00:26:16And you're mine.
00:26:22I love you.
00:26:24I love you.
00:26:25I love you.
00:26:26I love you.
00:26:31Goody, goody.
00:26:32No school today, Mama.
00:26:34Why not?
00:26:35Because you forgot to set your alarm and it's after nine.
00:26:41Oh, God.
00:26:42What have I done?
00:26:43Mama Mia.
00:26:44I overslept.
00:26:47Did he give that to you?
00:26:49Oh, darling.
00:26:50That man.
00:26:51That man.
00:26:51I mean, the one that likes you, did he?
00:26:59Did you see him again?
00:27:03And in Paris, people think mostly money.
00:27:06A desperate pace.
00:27:09A peculiar way of living.
00:27:11One learns to adjust to it.
00:27:14Yet the tourist, after seeing the Tour Eiffel in the Arc de Triomphe,
00:27:19is sure he knows all Paris.
00:27:22Yes, but I heard the girls are a lot prettier.
00:27:25Where do you hear that?
00:27:26I know.
00:27:29They're often plain there.
00:27:31Here they're all pretty.
00:27:33Ah, and the French can be so gallant.
00:27:35You've managed to emulate that, I noticed.
00:27:37How come you took down a picture of your father?
00:27:40Oh, we've got it in the other room.
00:27:42It's a lot better suited for a desk than hanging against a wall.
00:27:45Mom, we're going in my room.
00:27:46Ciao.
00:27:52Mama Mia.
00:27:55There's a mine that's fast.
00:27:58She's no dope.
00:28:00I like her.
00:28:02Very important, you like her.
00:28:03That and more.
00:28:04I better have adored her anyway.
00:28:06I thought it was my idea.
00:28:08And she was the one to run to the rescue.
00:28:11It was a silly idea.
00:28:14She really adored Antonio.
00:28:17Maybe I had no right to take it down.
00:28:20I think she probably understands what you wanted.
00:28:22And she loved him.
00:28:26And then the last time.
00:28:29Ah.
00:28:30The power of love can change the weather, I see.
00:28:34It's too early to tell.
00:28:35Well, let's hope to perfect.
00:28:36I'm not seeing you that.
00:28:42I suddenly realized something.
00:28:44It's not so terribly important what others think.
00:28:48You have a daughter, and what concern for her?
00:28:52She could have misunderstood.
00:28:53That's what I was afraid of.
00:28:55The others aren't important.
00:28:56They mean nothing.
00:28:57Nothing.
00:29:20It was in there.
00:29:23Yes.
00:29:24Your father and my father went and studied.
00:29:26It was in there.
00:29:30No one realized that we've been left alone.
00:29:34I was here in the dark looking out the window.
00:29:39And then I saw you come in.
00:30:19I was sitting here.
00:30:21Let's go.
00:30:23Do you mind?
00:30:24Of course not.
00:30:26You can do it now.
00:30:29You know, I think she likes treating you as a father.
00:30:32I hope that doesn't terrify you.
00:30:33No.
00:30:39You going to sleep here?
00:30:43You really want me to stay?
00:30:45Yes, I want you to.
00:30:48Good night, Christine.
00:31:11Good night.
00:31:14You're finished.
00:31:15Oh, no.
00:31:21Eccole, pazzi.
00:31:22Mamma mia, che rumore.
00:31:25Ragazze, basate il volume.
00:31:27Siva, arriva.
00:31:28Girls, the volume.
00:31:31I'll go make the call.
00:31:33Hey, George.
00:31:34No, stay here, come ganna.
00:31:37Make it on your nerves.
00:31:39It'll fall.
00:31:40Ow!
00:31:42That's so loud, I thought.
00:32:05I can't smell for something interesting with blah-bye-do.
00:32:09I'm setting it up.
00:32:11Listen to Richard.
00:32:13Oh, wait.
00:32:13I just thought you'd be back.
00:32:19Kitty, may I have a time, Lord?
00:32:22Oh.
00:32:32Do you want the banana?
00:32:56Oh, you've done the floor.
00:32:58Oh, you've done the floor.
00:33:05Oh!
00:33:06Oh!
00:33:09Oh!
00:33:10Oh!
00:33:11Oh!
00:33:12Oh!
00:33:19Oh, oh, oh, oh, oh, oh, oh.
00:33:43Oh, oh, oh.
00:33:50Why are you carrying that basil around?
00:33:54Aphrodisiac.
00:33:56My condolences.
00:33:57No, it's not for me.
00:33:59It's for the others, the dear souls.
00:34:01What souls, male or female?
00:34:03My boy, aside from you and me, there isn't a worthy cock on the walk.
00:34:06They pass from adolescence directly into senility.
00:34:09They're all hopelessly entounted.
00:34:10The female, the female.
00:34:12Now, I feel it's our duty to help them.
00:34:16And what about you?
00:34:18Are you fighting the boredom?
00:34:20Deeply in love.
00:34:22Deeply?
00:34:23Naturally.
00:34:24Of course, for a cynic, it must be a bore.
00:34:27Yeah, you seem down, though.
00:34:29You're way off the mark.
00:34:30I'm in an excellent mood.
00:34:32It's not exactly euphoric, I would say.
00:34:35I wonder why.
00:34:36Your lover's a widow, therefore no infidelity, no crime of passion.
00:34:39A perfect set-up, you know, I mean that.
00:34:41And to think that you lived there,
00:34:43and with the blessing of a rather hot-blooded daughter.
00:34:46Graziella.
00:34:47Yes, but...
00:34:49I only suggested that her interests were unusually mature.
00:34:52I didn't call her a putain.
00:34:54I think it's better if we just change the subject, Alfredo.
00:34:59She's a charming girl.
00:35:01Who says she's not?
00:35:03No, you've got to get yourself out of that situation.
00:35:05Please, I'm worried about you.
00:35:07No, let me explain.
00:35:08You're living dangerously.
00:35:09You don't consider the possibilities.
00:35:11How do you mean?
00:35:14I'll make it plainer.
00:35:16No man is a cuckold as long as he's not married, true?
00:35:19But a lover leaves an opening for a husband.
00:35:21So your status is fragile.
00:35:22Unless you marry Catalina.
00:35:24Let's say you do.
00:35:25But then she could choose to be untrue when they're inclined to,
00:35:28so it doesn't make sense to entertain the thought.
00:35:30Therefore, while you remain as her lover, cuckold,
00:35:32yet when she sleeps with him, she's being true to you.
00:35:35And even though you're single, you suffer as a true cuckold.
00:35:38You see, it's all hopeless because two cuckolds coexisting in the same household you can't have.
00:35:43So all this leads to a fight, each for the other under arrest.
00:35:45Either way, you lose.
00:35:49That has to be Piridello.
00:36:08Why are you being rude?
00:36:10Didn't you hear me call?
00:36:11It did not apply to me.
00:36:13And when I read, I'm usually concentrating.
00:36:27What is that?
00:36:28Nothing.
00:36:33What are you reading?
00:36:36Nothing.
00:36:45How long has your mother been gone?
00:36:47Long time.
00:36:52Long time.
00:36:53Long time.
00:36:55Long time.
00:37:05Long time.
00:37:06Long time.
00:37:10Long time.
00:37:11Long time.
00:37:12Long time.
00:37:13Long time.
00:37:14Long time.
00:37:15Long time.
00:37:16Long time.
00:37:16Long time.
00:37:17Long time.
00:37:18Long time.
00:37:19Long time.
00:37:19Long time.
00:38:20Let's say she's a nun.
00:38:22Ah.
00:38:23She's a fat nun.
00:38:25Then I don't mind.
00:38:26If you can't stand, then you shouldn't take a bus.
00:38:28And I'm including the old and the pregnant, for they should have bothered to plan things a little bit better.
00:38:32What about the routine we go through?
00:38:33Please, senora, sit down, and so forth.
00:38:36It's a lot of stupid, right?
00:38:37A woman makes love.
00:38:39And it's a known fact that most fine pleasure as we do, no?
00:38:42Fine, but what's the point of this farce?
00:38:43You call a woman up, candy, flowers.
00:38:45She meets you at two o'clock in the morning, and then you get less than a half hour together.
00:38:48It's a waste of time, no?
00:38:50If they want to call, let them call.
00:38:52I'm here and they know it.
00:38:53Oh, of course, they call me a bidet, because I got them spoiled.
00:38:57Pronto, joyeux de la femme.
00:38:58Pronto, Alfredo.
00:38:59It's Louisa.
00:39:01Oh, ciao, darling.
00:39:03Are you all right?
00:39:04What do you mean?
00:39:04I'm fine.
00:39:05I couldn't.
00:39:06Besides, you told me you were willing to wait until Thursday or Friday.
00:39:08What's the matter with you, man?
00:39:10What's happening to you?
00:39:11Listen, have you...
00:39:12That's right, it's impossible.
00:39:13No, I told you yesterday when you called, I thought we had a little understanding, my pet,
00:39:17that you tried to be just a teeny-weeny bit more patient.
00:39:20Please listen, I never called you Alfredo.
00:39:22And if we have an understanding, it's that you were going to repair my pewter pot for me.
00:39:27Do you remember?
00:39:28Yes, I know.
00:39:30Only I can't tonight.
00:39:31But, no, tomorrow I'm going to...
00:39:33You want to play the proper jackass, huh?
00:39:35Well, there are those who appreciate it, but I'm immune.
00:39:38Oh, I can make it.
00:39:40I'll come over later.
00:39:42I just got through saying I'm immune.
00:39:45Don't be a fool.
00:39:46Your heart can take it.
00:39:48I'm sure it's not broken.
00:39:50Now, don't cry.
00:39:51Please, my pet, don't cry.
00:39:52You know what that does to me.
00:39:54I'm going to get very angry in a moment.
00:39:56Calm yourself.
00:39:57All X level is to bamboo.
00:39:59Vanessa is catch, so big, sop, sop.
00:40:03I know you do.
00:40:05All right, I'll be there.
00:40:06After midnight, though.
00:40:08She's going insane, I tell you.
00:40:10She's going mad.
00:40:13Giuseppe.
00:40:16Wake up.
00:40:17Here's your coffee.
00:40:19Hey, wake up, you.
00:40:34Hey, I said to wake you before I left.
00:40:37See you after that.
00:40:39Ciao.
00:40:39All right.
00:40:47Bye.
00:40:49Bye.
00:40:51Bye.
00:40:57Bye.
00:41:47You look so comfortable there.
00:42:19I bet I could sleep a whole week.
00:42:50I bet I could sleep a whole week.
00:42:51I bet I could sleep a whole week.
00:43:32I bet I could sleep a whole week.
00:44:14I bet I could sleep a whole week.
00:44:16I bet I could sleep a whole week.
00:44:45I bet I could sleep a whole week.
00:45:16Darling, there is no question that you are blossoming physically.
00:45:20You look like a flower.
00:45:22I feel sorry for you.
00:45:23I feel sorry for your sway.
00:45:24He seems crestfallen.
00:45:26He's too beautiful.
00:45:27He's a little tired, though.
00:45:29Katarina, I'm going to be for a walk, do you mind?
00:45:31But we told the others we were going to play canasta.
00:45:34Well, it doesn't matter.
00:45:35No, you stay here.
00:45:36I'll come back to get you in a couple of hours.
00:45:39I don't have to stay.
00:45:41Don't eat her plan.
00:45:43All right.
00:45:43I was just telling Katarina that you look somewhat pale.
00:45:47It's only an affectation, an air of debauchery that irresistibly fascinates the female.
00:45:57He could get me into trouble.
00:46:00I'll take him when you're finished with him.
00:46:02If there's anything left.
00:46:05I mean it, darling.
00:46:16I mean it, darling.
00:46:21Ciao.
00:46:22I forgot my lighter.
00:46:23Mama's not here.
00:46:25She's playing canasta.
00:46:26I see.
00:46:27Why did she leave here?
00:46:28I don't know.
00:46:29About three ice cones.
00:46:53You tired?
00:46:55No.
00:47:07I don't know.
00:47:16I don't know.
00:47:23I don't know.
00:47:29I don't know.
00:47:58I don't know.
00:48:06You men, look at the mess we got to clean up.
00:48:11Want some help?
00:48:13No.
00:48:16What do you say?
00:48:17Is there any more untidy?
00:48:19Everyone I know.
00:48:21That's not true. I'm not.
00:48:23Oh, yes, you are.
00:48:25Come here.
00:48:27No.
00:48:32Give me that magazine, will you?
00:48:38Here.
00:48:40Sit down a while.
00:48:42I got too much to do.
00:48:45Why don't you rest? You can clean up later.
00:48:48No.
00:49:04I'm not.
00:49:04I'm not.
00:49:07I'm not.
00:49:08I'm not.
00:49:08I'm not.
00:49:08I'm not.
00:49:08I'm not.
00:49:09I'm not.
00:49:09I'm not.
00:49:10I'm not.
00:49:10I'm not.
00:49:11I'm not.
00:49:11Who can do it?
00:49:12I'll meet you both when it's over.
00:49:15Don't bother me.
00:49:16I'll just take a taxi home.
00:49:17I don't mind.
00:49:19I'll bet he's got a date.
00:49:21If I were you, darling, I would get suspicious about now.
00:49:24You're on my waiting list for an appointment.
00:49:27Ciao.
00:49:28I could catch him in the dark.
00:49:30Yeah, it's so easy to have.
00:49:32You'll, uh, let me...
00:49:33Oh, what have we here?
00:49:35Hey, I think you've got something caught under your nose, Orlando.
00:49:38Is that a mustache?
00:49:40It's my first dash.
00:49:44There's no point in your making it so painfully blatant.
00:49:48When you kiss a woman, she must feel the mere hint of hair, not a rose garden.
00:49:52My lips are free, see, but your lips are denied completely their right to the joys of the sun.
00:49:58The pulp, it must be bare.
00:50:00Yes, sir.
00:50:01My wife says the same thing.
00:50:03I knew that heaven was so complicated and shaving it off.
00:50:07Get rid of it.
00:50:08Shave it all off.
00:50:09It's better.
00:50:09Yes, sir.
00:50:10Thank you, sir.
00:50:12Another marriage saying.
00:50:16Giuseppe!
00:50:18Bien, est-o quoi?
00:50:21He's someone you should know.
00:50:23Born and raised in Catania.
00:50:25And one of the most famous fornicators in Europe.
00:50:28That was honed for many years in Paris.
00:50:30Montmartre, Taspigal, the Latin Quarter.
00:50:33They named it the Latin Quarter because there you find the greatest, uh, Latin lovers of the world.
00:50:38And that's where they're noted for their, uh, bravura.
00:50:40I know.
00:50:41And you can guess what that one's noted for.
00:50:44Sit down, Giuseppe.
00:50:46Enjoying this informal assembly of time wasters here.
00:50:49Giuseppe.
00:50:52Now, you see, we are gathered here spontaneously to exchange perspectives, to talk of, uh...
00:50:56The fun.
00:50:57No, no, no, no, no, no, no.
00:50:58Actually, we aren't talking of women.
00:50:59Ah.
00:51:00No, it's psychology this time.
00:51:01Oh, good.
00:51:01Yes, the psychology of women.
00:51:03Very intriguing.
00:51:04Well, it is.
00:51:04You make love to one, and then afterwards, she sees you in the street.
00:51:08You know, she never even notices you.
00:51:12Look, look.
00:51:13Oh, that one.
00:51:14Oh, don't turn around.
00:51:15She's never been talking about it.
00:51:17She had an attack the 24th time.
00:51:20What?
00:51:21The 24th time.
00:51:23Ah, Vincent.
00:51:24Nothing serious.
00:51:25A slight case of overstimulation.
00:51:26Now she passes without the slightest recognition.
00:51:30Female, I hate thee.
00:51:34And Shakespeare said it so well.
00:51:36Honorable villain.
00:51:37Damn it.
00:51:38Saint.
00:51:38Insidious.
00:51:39Perfidious.
00:51:40That one was worth six.
00:51:42A very improper remark.
00:51:43Someone could hear you.
00:51:44And take offense.
00:51:45Or worse.
00:51:48It may be offensive, but she's married to a very small man.
00:51:51Now, you see, risks are no problem for suave seducer.
00:51:55A man gets old when he doesn't want to take them.
00:52:00He laughs instead, whose loins are dead.
00:52:03Never is he.
00:52:05Giuseppe, you are being followed.
00:52:07No, no, don't turn around.
00:52:09It's Graciela.
00:52:11A cornucopia of child.
00:52:14Mediocrity is going to spoil that.
00:52:17Why?
00:52:18Because my friend she'll end up married to a waiter.
00:52:22And listen, what is going on?
00:52:24Is she spying on you?
00:52:26Or is it the other way around?
00:52:29Excuse me.
00:52:32What did I say?
00:52:33Did I say anything?
00:52:35I didn't say anything at all.
00:52:44Giuseppe!
00:52:51Child, this is Bebe.
00:52:52Hello.
00:52:53I thought you decided to go to the concert.
00:52:55I never said I was.
00:52:57I was sure you would.
00:52:59I'm not going to stay out, because I've got a lot to study.
00:53:02You want me to take you home, don't you?
00:53:04Yes, but only as far as the door.
00:53:05See you later.
00:53:07Bye.
00:53:29Is that your boyfriend?
00:53:32How would you say?
00:53:34I see him sometimes, that's all.
00:53:36Is it just a friend or the one that...
00:53:38Yeah, that's the one.
00:53:39But I haven't known him for very long.
00:53:42Were you planning to come here together?
00:53:44He did ask, that's true, but I said no.
00:53:48I told him things weren't like they were before.
00:53:50Before what?
00:53:56Let's go up, do you want to?
00:54:00Hey, wait.
00:54:01Ciao, Mama.
00:54:02I was having ice cream with Bebe and we bumped into Giuseppe.
00:54:06Really?
00:54:07What was the problem?
00:54:07Beethoven.
00:54:18It's sad, how we get so lost.
00:54:24Go on.
00:54:27Because it's only by luck that you learned to love.
00:54:31You understand that, though?
00:54:36I'm lucky.
00:54:37All the same.
00:54:39Knowing I could have missed that is frightening.
00:54:42Our meeting.
00:54:43You looked and you said, poor little ragdoll, and that was the first thing you said.
00:54:49And you might never have said it.
00:54:52I've forgotten.
00:54:56You have a good memory.
00:55:01Touch me, please.
00:55:33You have a good memory.
00:55:35I have not forgotten.
00:55:38You have to be addressed.
00:55:47You're not sure.
00:55:47You're not sure.
00:55:50You're feeling the same.
00:55:50You're feeling the same.
00:56:38It's nothing.
00:56:39Shh.
00:56:43It was only a window, that's all.
00:56:47Good mother.
00:57:03Get out of this house.
00:57:05Catalina, let me explain.
00:57:07Nothing to blame, get out of this house, I said.
00:57:10But nothing's happened.
00:57:11We haven't done what you think.
00:57:15Fine, fine.
00:57:17Of course it was all a game, just kid stuff.
00:57:19I mean hell, if you did nothing, if you never took your pants down.
00:57:22Listen to me.
00:57:25I'm not trying to excuse myself.
00:57:27I only know I love you.
00:57:29And you and I have got to remain the same.
00:57:35But this is evil.
00:57:37What you've done is evil.
00:57:39But why?
00:57:41Why, Graciela?
00:57:44My God, what's happening to me?
00:57:47What's happening?
00:57:49You've done this to a child of my own blood.
00:57:52Yet that meant very little, I imagine.
00:57:55Oh God, how can I?
00:57:57I trusted you.
00:57:58All right, calm down.
00:58:00At least try.
00:58:03We'll get nowhere if you're going like this.
00:58:05I offered to love you and it seemed right.
00:58:08All I, all I had.
00:58:11I didn't hold back.
00:58:14It was too much to keep inside.
00:58:16So much love for you.
00:58:20And yet I know it hasn't gone.
00:58:22Only it's confused so.
00:58:25With loathing you and the sick feel of nausea.
00:58:28But I know it's here inside me.
00:58:31Because you can't expect love to go away in a second.
00:58:34It dies slowly.
00:58:40It takes a while.
00:58:42And when it dies,
00:58:44whatever happens, I know.
00:58:46I'll feel only empty inside.
00:58:49Just empty death.
00:58:51All right, I promise to go away from here.
00:58:53Just empty death.
00:58:54But, please, I beg you.
00:58:57Forgive me, Gatine.
00:59:00You've got to forgive me.
00:59:02No, it's not that easy.
00:59:04No, that doesn't solve a thing.
00:59:05You can't get off that easy.
00:59:07My God, can't you keep it under control any longer?
00:59:10You bang it up there and you imagine everything's all right again?
00:59:12I love you just the same.
00:59:14You love an object, God damn it.
00:59:15You had the love of a woman, only it seems to have meant nothing.
00:59:19Meant nothing.
00:59:20It's all the same to you, isn't it?
00:59:23I'm only where you put it, whenever it gets cold, huh?
00:59:29Love.
00:59:30Being in love for you is using that.
00:59:32Only you don't understand.
00:59:33Whatever the hell it's for, love doesn't mean that.
00:59:36No, my dear sir, get that into your head.
00:59:39No, that's not all there is.
00:59:41No.
00:59:42No, it's more.
00:59:44I thought you realized that you knew what it means.
00:59:49But I couldn't have invented it all.
00:59:51You made a choice, so did I, because I needed you.
00:59:54I needed you.
00:59:56Oh, I...
00:59:59I know, of course.
01:00:01For the modern man, the word fidelity is out of use.
01:00:04But I trusted you entirely.
01:00:06And that's the one thing you ignored.
01:00:08You canceled everything.
01:00:10Just like that.
01:00:12But what's the use?
01:00:14What does it matter anymore?
01:00:15I'll get over this somehow.
01:00:17I'm old enough to take care of myself.
01:00:20But Gratela, no!
01:00:22Gratela, no!
01:00:25You see, I don't worry about me.
01:00:27But she...
01:00:28She's only a baby.
01:00:30She's got the right to be young a little while longer.
01:00:33Do you have to spoil that, too?
01:00:35Another woman, that's easy.
01:00:37All right, I know, I understand.
01:00:38You took my daughter, though.
01:00:40How am I to forget that?
01:00:41I mean, a child, can't you see that?
01:00:43Only a small child.
01:00:45I mean, is there a reason
01:00:46that your body demands the body of a baby?
01:00:49Because the baby kept me in the same state.
01:00:51They suffer inside.
01:00:53Their minds, their hearts are open.
01:00:55Do you know what that means?
01:00:57She doesn't know what these things are.
01:00:59She's incapable of that.
01:01:00She's incapable.
01:01:01That's enough.
01:01:01She's only a baby.
01:01:02Can't you understand?
01:01:03There's time for her to learn.
01:01:05There's time for her to understand.
01:01:06There's time.
01:01:08There's time.
01:01:11There's time for her to grow.
01:01:12There's time for her.
01:01:27There's time for her to learn.
01:01:45get dressed you're going away you don't want me to go to school that's right not today where am i
01:01:52going i'll stay with your aunt at least until i find you a decent boarding school i'm gonna pee my
01:02:00pants
01:02:04i'm not going away to any school
01:02:07you're being nasty that's all
01:02:13i promise that i'll be good mama but if i have to go away
01:02:16i don't think you realize
01:02:23i don't think you know what you've done do you
01:02:25i do and i'm very sorry about it
01:02:34i no longer feel i can count on it
01:02:36then you'll have to count on giuseppe
01:02:40giuseppe has nothing to do with it
01:02:41we're not speaking of giuseppe giuseppe won't be coming back you won't be seeing giuseppe at all
01:02:45understand you and i were talking about what happened last night what you've done and what
01:02:49you've done to me do you have any idea
01:02:51you're hurting me
01:02:54you're hurting me
01:02:55you're hurting me
01:02:55you're hurting me
01:02:55you're hurting me
01:03:12oh
01:03:12that's it
01:03:14thank you
01:03:16Let's go! Let's go!
01:03:24I... Gazzella, I don't want to punish you.
01:03:28It's not what I want.
01:03:30But what happened is very serious.
01:03:35Very serious.
01:03:41Se ci fosse tuo padre...
01:03:44Se ci fosse mio padre, non ci sarebbe Giuseppe.
01:03:55È vero, è giusto, hai ragione.
01:03:58Ho sbagliato tutto, tutto.
01:04:03Ma adesso riparerò.
01:04:06Adesso mi difenderò e difenderò anche te.
01:04:11A costo di soffrire.
01:04:13A costo di rimanere sola come un cane.
01:04:17A costo di mandarti via.
01:04:19Giuseppe non permetterà che tu mi mandi via.
01:04:33Giuseppe farà tutto quello che dico io.
01:04:35Non è vero.
01:04:37Se tu mi farai delle cattiverie, lui mi difenderà.
01:04:41Graziella.
01:04:42Ho fame.
01:04:44Posso farmi un caffè latte o no.
01:04:49Graziella.
01:04:52Lui non ti deve difendere da me.
01:04:54Sarò io che ti difenderò da lui.
01:04:57Mamma, perché non mi dici la verità?
01:05:02Ma cosa intendi per la verità?
01:05:06A me sembra che hai ragione essere arrabbiata con me e con Giuseppe per quello che abbiamo fatto.
01:05:11Ma se adesso ti promettiamo di non farlo più...
01:05:25Graziella, ascolta.
01:05:26Ascolta, amore.
01:05:28Io non sono arrabbiata.
01:05:31Sono addolorata.
01:05:33E non solo per quello che pensi tu.
01:05:37Io...
01:05:37Vedi, io devo ragionare per te.
01:05:41Anche a costa di sembrarti cattiva.
01:05:44Mamma, senti.
01:05:45Io ti giuro che sono pentita.
01:05:48Che non ti voglio più far soffrire.
01:05:51Che...
01:05:52Tutto può tornare come prima, mamma.
01:05:59Cosa intendi dire come prima?
01:06:02Cioè...
01:06:04No, come prima.
01:06:07Quando...
01:06:08Non era successo niente.
01:06:11Ma che...
01:06:19Cosa attraverso, non è tutto?
01:06:21Ma...
01:06:25Iscrivito...
01:06:25Niente?
01:06:25Cosa attraverso?
01:06:26Non si non va a sembrare.
01:06:26Non è poco a tempo.
01:06:29È un'acqua per il tutto?
01:06:29È un'acqua per il tutto?
01:06:33No.
01:06:34Non non quando ci sono s ganhari e ag 이미.
01:06:39I think he should come back here right away.
01:06:42Come back here?
01:06:43What do you mean by that?
01:06:44You mean that he should stay here?
01:06:46I promise you nothing will happen.
01:06:48Please don't make me leave here or you wish you hadn't.
01:06:51Touch with each other.
01:06:54It's very easy to get letters to a friend.
01:06:57We'll see each other.
01:06:59You won't force me into anything.
01:07:02Sending me away isn't going to help, Mama.
01:07:05I thought you could be trusted alone again.
01:07:13You can trust us.
01:07:16I mean it.
01:07:18I do. I swear I do.
01:07:24If you mean it.
01:07:27If you mean it, darling.
01:07:31Don't ever let me down.
01:07:34E lui?
01:07:44E lui?
01:07:48Lui deciderà come vuole.
01:07:53Vuoi un caffè?
01:07:59No
01:08:02No, Grazie
01:08:04Graziella non è innamorata di me
01:08:06Era un gioco per lei
01:08:07E sono caduto in basso
01:08:08Ma sapendo quello che c'è stato fra di noi
01:08:10Credi veramente che questo abbia l'importanza che gli dai tu
01:08:13Un gioco
01:08:15Not to me, no joke
01:08:18I only know that I'm in love with you
01:08:20You're everything to me
01:08:21But you're now suggesting something that is utterly stupid
01:08:23Stupid, stupid
01:08:24If we have to go on this way, on Graziella's terms
01:08:27Then let's forget everything
01:08:28It's pointless, it can only destroy you and destroy her and destroy me
01:08:31You're shouting, Giuseppe
01:08:34You ought to have seen your face just now
01:08:36But this is no solution
01:08:37To me it makes no sense, Caterina
01:08:39Fine, go ahead, let's talk of sense
01:08:41You've no more brains than a peacock
01:08:42Do you think I wanted this?
01:08:45Not at all
01:08:46I don't believe it at all
01:08:48But it'll be worse without you
01:08:49She'll suffer even more
01:08:51This I know
01:08:53This I know
01:08:54And so we just forget about us
01:08:57Is that it?
01:08:58Sure
01:08:59Each go his own way
01:09:00You can write the book
01:09:01We have nothing left anymore
01:09:06Don't be silly, I know that Mama knows that I see you here
01:09:09I don't believe
01:09:10It's very true
01:09:11It's just that she realized what she'd rather not say
01:09:14I tell you, she does know
01:09:15And I don't care
01:09:16Why don't you care?
01:09:22Because I feel my mother's a perfect knucklehead
01:09:24You shouldn't talk like that
01:09:25Then you still love my mother?
01:09:27Yes
01:09:28Even more
01:09:31And me
01:09:31Do you love me more than her?
01:09:33It's not the same thing
01:09:35I decided
01:09:36I don't want you to love anyone else
01:09:38You gotta love only me
01:09:40Better wait till you know what it means
01:10:05I don't want you to love anyone else
01:10:09I don't want you to love anyone else
01:10:10I don't want you to love anyone else
01:10:10I don't want you to love anyone else
01:10:11I don't want you to love anyone else
01:10:32It was the time when the newspaper had sent me to Korea.
01:10:37It's been a long time.
01:10:39It's been a long time.
01:11:09It's been a long time.
01:11:11It's been a long time.
01:11:15Excuse me, Giuseppe.
01:11:17Non dicevo su serio.
01:11:18Stavo scherzando.
01:11:23Andiamo al cinema, vuoi?
01:11:25No, ho da fare.
01:11:28E anche tu non sarebbe male che studiassi un po'.
01:11:31Non è il caso che per ruolo del buon papà sai.
01:11:33Perché non dice tranquillamente anche lei che vai fuori a divertirti?
01:11:37Quando torni?
01:11:38Ci telefoniamo.
01:11:42Stupida!
01:11:46No, cioè sì.
01:11:47Sì, voglio dire o capì che c'è della tensione.
01:11:51Ma sa com'è Caterina?
01:11:52E poi magari con ragione.
01:11:56Ma non è che Caterina si fidi molto di me per delle confessioni serie.
01:12:01E io invece mi fido di lei, Luisa.
01:12:07Ho bisogno di una cortesia.
01:12:12Occorre che qualcuno che non sia io le parli.
01:12:16Stia tranquillo, caro, che ci darò una mano.
01:12:20Ecco, tra me e Caterina non può più andare avanti così.
01:12:28La situazione per me è diventata insostenibile, ma ormai non mi interessa più.
01:12:33Bravo, così bisogna fare.
01:12:35Fregarsene.
01:12:38È che le cose si sono complicate.
01:12:42Troppo.
01:12:44E per quanto ci abbia pensato su, mi creda, non mi resta che chiudere.
01:12:52Ma vede, Luisa, vede, è proprio questo che Caterina si rifiuta di capire.
01:13:01Lei pensa che non l'ami più.
01:13:04Ma benedetto Giuseppe, ma perché non se ne è rimasto a Parigi?
01:13:08In ogni modo io sono dalla sua parte.
01:13:11A Caterina posso cercare di parlare io, ma...
01:13:15A chi sa lei?
01:13:17Chi è che lo fa?
01:13:19Senti Giuseppe, io non so niente.
01:13:20Non ci capisco niente.
01:13:21Non ci voglio capire niente.
01:13:22E alla fine non me ne frega niente.
01:13:24E non te ne deve fregare niente.
01:13:25E poi scusa, non è bello che devo sapere le cose dagli altri.
01:13:28Lasciami in pace, eh?
01:13:28No, no, no.
01:13:30No, no, no.
01:13:41No, no.
01:13:42No, no, no.
01:13:54No, no.
01:13:55No, no.
01:13:55No, no.
01:13:55No, no.
01:13:58No, no, no.
01:14:00No, no.
01:14:06No, no.
01:14:15No, no, no.
01:14:19haven't gotten into my head yet. I, no matter how hard I try, I can't understand how you,
01:14:26for someone as innately intelligent as you, how could you ever get entangled in a situation of
01:14:31this kind? I don't understand it either. That's the whole point. I find that after living as I've
01:14:36lived all these years, I've probably lost all the good sense I have. So by the time I realize that
01:14:41I'd have myself become a Charles Toy, it's too late. Graziella isn't going to suffer. She was
01:14:47only play-acting anyway, but I told you the truth. I love Katarina. I want her to believe me.
01:14:57God, I don't know what I'm doing. Do you understand? I don't know what to do.
01:15:18God, I don't know what to do. I don't know what to do. I don't know what to do. I'm
01:15:38going to know what to do.
01:16:32I don't care what you do, but I will not see her in agony.
01:16:37Graziella, no, not her.
01:16:39I don't believe she is.
01:16:40She's a young girl, after all.
01:16:42They suffer no more.
01:16:44Forget about this bit of dramatics.
01:16:46How do you know?
01:16:47They're not tough inside.
01:16:48They suffer and horribly.
01:16:50As a matter of fact, she's hardly a child anymore.
01:16:51Thanks.
01:16:52Thanks again.
01:16:53What do you want from me?
01:16:54Just to go on fighting?
01:16:55I want you to continue to see her.
01:16:57Call her and ask her if she's all right.
01:16:59Don't let her think you don't want to see her.
01:17:01Don't always neglect her.
01:17:02You're the one I miss.
01:17:06I don't want to talk about her.
01:17:11There's nothing more.
01:17:12What would you do with the pieces?
01:17:15A woman demoralized, without the respect of her own child.
01:17:21I deserve it.
01:17:22I admit that.
01:17:24It's all your imagination.
01:17:25I'm certain of that.
01:17:26Why worry?
01:17:26I've lost it.
01:17:27But you're wrong to feel that.
01:17:28No, Giuseppe.
01:17:30Don't you think I know?
01:17:32I don't know how I'm going to regain it.
01:17:34But yet all this is proof to mean much more than that.
01:17:37I know no one's as guilty as I because I deluded myself.
01:17:40But you're wrong, wrong, wrong.
01:17:41You're not responsible.
01:17:42Not in any way.
01:17:44You're saying that isn't going to help me.
01:17:47Spare me your charitable manner.
01:17:49Why should you make my excuses?
01:17:53Listen, Giuseppe.
01:17:54I only ask you to do this.
01:17:56Be nice to Graziella.
01:17:58That's all.
01:17:58Be nice to her.
01:18:00You don't sacrifice anything.
01:18:01You owe her that much.
01:18:03Even if it's a lie.
01:18:04Don't let her feel you want to avoid her.
01:18:05You've got to make her feel that she matters to you.
01:18:08That she means something to you.
01:18:09Please.
01:18:10To me, that's useless, hopeless.
01:18:11To put an end to her, to be sure of the simplest way.
01:18:15Can't we be honest?
01:18:17God, how you talk.
01:18:19Could you explain yourself better?
01:18:21Oh, I see you're being honest because it suits you.
01:18:24It's got to end sometime.
01:18:25You ended it.
01:18:26I got my notice by messenger.
01:18:28You imagine by sending Louisa you can ease and soften my pain.
01:18:31That's amusing.
01:18:33And happily we end the story.
01:18:35Well, it was nice.
01:18:36Pity it's ended.
01:18:37Bravo.
01:18:38Molto bravo.
01:18:39The man offers condolences a dozen roses and on he goes.
01:18:43So that's why we're here.
01:18:45You told me to meet you.
01:18:47But you didn't make that clear.
01:18:50I thought you came to talk about Graziella.
01:18:52Forgive me.
01:18:56I thought you came to talk about Graziella.
01:19:14And hopefully we'll see you next time.
01:19:18We'll see you next time.
01:19:20I'm sorry.
01:19:22Bye.
01:19:47Can't you swim?
01:19:51Are you waiting for Graciela?
01:19:53I feel more like reading.
01:19:56You're not afraid of me, are you?
01:19:58You're being funny.
01:20:00I wouldn't like to feel I'm boring.
01:20:05Where's Graciela?
01:20:07Miss Duarte.
01:20:09And if she sees the two of us alone?
01:20:11Why should it matter to Graciela if we're alone here?
01:20:14You and I know that.
01:20:16Yes, I know the whole thing.
01:20:18Why are you saying this? What are you hinting at?
01:20:21Watch now what you say, because I'm on to your game.
01:20:25Graciela tells me all.
01:20:27It's juicy, lurid fact.
01:20:30If you let me use your cabin, I might let you buy me ice cream and candy.
01:21:02You go!
01:21:03You go!
01:21:05On bats, huh?
01:21:06Why didn't you tell you were my friend?
01:21:07Giuseppe doesn't care about you.
01:21:08He can't.
01:21:09He doesn't mean anything to you.
01:21:11What did you do it for?
01:21:13I've been hoping to test this guy, but that can't affect you.
01:21:16He was fun, but frankly, a bit old-fashioned.
01:21:18Anyway, he was your mother's lover before, and you didn't seem to care about that.
01:21:22You didn't know anything about it.
01:21:24Giuseppe loves me alone.
01:21:25Giuseppe loves me.
01:21:28He's mine.
01:21:31She really made a scene.
01:21:34Really belted it to Hong Kong.
01:21:36Giuseppe's mine.
01:21:37I don't want to hurt her anymore.
01:21:39Don't worry.
01:21:40She'll get over it.
01:21:43What do you care anyway?
01:21:44It's about time she grew up.
01:22:03A.
01:22:03A.
01:22:25Graziella.
01:22:29Graziella. Graziella. Graziella. Graziella, what happened? What is it? Why are you crying? Tell me. Come on, please, tell me.
01:22:39What is it? Tell me. I can't say anything, Mama. What do you mean? Try.
01:22:49Why? Come on. Don't be afraid to tell me. I don't want to see you like this. Please, don't. Don't
01:22:59cry, Graziella. She was there. I stood from his mouth. Who? Rosita. Rosita.
01:23:23I want him to love me and he'll hurt me.
01:23:27E neanche a me vuole bene. Graziella, ascolta. A te vuole bene, me l'ha detto. Non devi più pensare
01:23:33a lui. E nemmeno io. Dobbiamo dimenticarlo.
01:23:34Tu sei grande, riprenditelo tu. Tu sei grande. Tu sei grande.
01:23:40You're not gonna treat me like that. Deve farlo per te.
01:23:46Don't, it's alright.
01:23:53No. No, don't cry.
01:24:00Cosas debo far.
01:24:02Cosas debo far away.
01:24:17Cosas debo far away.
01:24:21I pass the night all day, without a dream
01:24:30It is difficult to contemplate
01:24:37I pass the night to the day
01:24:52I pass the night back
01:25:02I pass the night, without a wish
01:25:08I'm a baby
01:25:10I can contemplate the past of the night, until the night,
01:25:28I'll see you next time.
01:26:17I'll see you next time.
01:26:25I'll see you next time.
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