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00:02:55¡Rapid oda!
00:02:56¡Suscríbete a bar самote.
00:02:59¡Gl peaceful!
00:03:00¡Suscríbete sr Reftime!
00:03:01¡Syscríbete!
00:03:02¡Nos vejia!
00:03:03Bienvenido, Larry. Gracias. Bye-bye.
00:03:08So Paul turned out to be a cop, huh?
00:03:10A cop?
00:03:11Yes, a policeman, you know.
00:03:12He's Captain Mumford. Retired.
00:03:26Father...
00:03:27I'm sorry about John.
00:03:32Your brother's death was a blow to all of us.
00:03:37Sit down, won't you?
00:03:40You know, Larry, there's developed what amounts to a tradition about the Talbot sons.
00:03:45The elder, next in line of succession and so forth, is considered in everything.
00:03:49The younger, frequently resents the position in which he's found, leaves home, just as you did.
00:03:54Yes, but, Father, I'm here now.
00:03:56Fortunately.
00:03:57But isn't it a sad commentary on our relationship that it took a hunting accident and your brother's death to
00:04:02bring you?
00:04:02Oh, it really isn't as bad as it sounds.
00:04:04I've watched every bit of news about you.
00:04:06I was mighty proud when you won the Belden Prize for research.
00:04:09The whole business is probably my fault.
00:04:12See, the tradition also insists that the Talbot's with a stiff-necked, undemonstrative type.
00:04:17Frequently, this has been carried to very unhappy extremes.
00:04:19Don't I know that?
00:04:21Larry, let's decide, you and I, that between us, there should be no more such reserves.
00:04:26Yes, sir.
00:04:28I'll do everything that I can, sir.
00:04:30Well, that should be considerable.
00:04:32Now, the 18 years you've been away should have qualified you to be of immeasurable benefit to the estate.
00:04:37Since, in a great many ways, we are a backward people, but don't quote me.
00:04:42What have we got there?
00:04:43Uh, it's from London, sir.
00:04:45I think it's a new path for the telescope.
00:04:48Oh, of course. Come along, Larry.
00:04:51Come on. Up to the attic.
00:04:53It's an observatory now.
00:05:05There you are, sir. I think that has it.
00:05:08Now, have a look at it.
00:05:29It's excellent. Where'd you learn such precision work?
00:05:33Optical company in California.
00:05:35We did quite a job on that Mount Wilson observatory.
00:05:39You're interested in astronomy?
00:05:41Not especially.
00:05:42I'm all right with tools.
00:05:45In fact, I've done quite a little work with astronomical instruments, but...
00:05:49When it comes to theory, I'm pretty much of an amateur.
00:05:52Well, all astronomers are amateurs.
00:05:54When it comes to the heavens, there's only one professional.
00:05:59Fine.
00:06:01Well, I've got some things to do for lunch. I'll leave you to it.
00:06:30Fine.
00:06:43Fine.
00:06:46Fine.
00:06:49Fine.
00:06:49Fine.
00:06:50Fine.
00:06:52Killer
00:06:52Fine.
00:06:52Fine.
00:07:01No, no.
00:07:22Good afternoon, sir.
00:07:24May I help you?
00:07:25Why, yes.
00:07:26I'm looking for a gift.
00:07:28Something in earrings.
00:07:29Certainly.
00:07:30Yes, they're very nice ones.
00:07:32There's these diamond ones.
00:07:34They're very smart.
00:07:35How about these pearl ones?
00:07:37No, I don't think any of those will do.
00:07:39What I'm really looking for is
00:07:41something half-moon shaped
00:07:43with spangles on it, golden.
00:07:45Oh, I'm sorry.
00:07:46We haven't any like that just now.
00:07:48Oh, yes, you have.
00:07:49Don't you remember?
00:07:50On your dressing table up in your room.
00:07:53In my room?
00:07:54Yes.
00:07:55Would you mind getting them for me?
00:07:57Well, were they not for sale?
00:08:01Well, I can't say that I blame you.
00:08:03They look so well on you.
00:08:08Well, perhaps my father can help you.
00:08:10I'll call him.
00:08:10No, no, that won't be necessary.
00:08:12As long as I can't have the earrings,
00:08:15perhaps I'll buy a cane, huh?
00:08:20Tell me, how did you know
00:08:22about the earrings in my room?
00:08:23Oh, I'm psychic.
00:08:25Every time I see a beautiful girl,
00:08:27I know all about her.
00:08:28Just like that.
00:08:31Well, what kind of cane would you like?
00:08:33We have them for day wear or evening wear?
00:08:35Oh, it doesn't matter.
00:08:36There's this one.
00:08:37That's very smart.
00:08:38Sully gold top.
00:08:40No, I don't think that'll do.
00:08:42Well, how about the little dog?
00:08:44That would suit you.
00:08:46No, thanks.
00:08:51Well, there's one.
00:08:53Make a good putter.
00:08:54Yes, it would.
00:08:57That's funny.
00:08:58Another dog.
00:09:00No, that's a wolf.
00:09:02A wolf?
00:09:03Mm-hmm.
00:09:05A wolf and a star.
00:09:08What does that mean?
00:09:09I thought you said you were psychic.
00:09:11Oh, I am.
00:09:12But this is only wood and silver,
00:09:15and it hasn't blue eyes.
00:09:18Well, that stick is priced at three pounds.
00:09:21Three pounds?
00:09:22Fifteen dollars for an old stick?
00:09:23Well, that's a very rare piece.
00:09:26It shows the wolf in the pentagram,
00:09:27the sign of the werewolf.
00:09:29Werewolf?
00:09:29What's that?
00:09:30Oh, that's a human being
00:09:32who at certain times of the year
00:09:33changes into a wolf.
00:09:35You mean runs around on all fours
00:09:37and bites and snaps and bays at the moon?
00:09:40Oh, even worse than that sometimes.
00:09:44What big eyes you have, Grandma?
00:09:47Little Red Riding Hood was a werewolf story.
00:09:50Of course, there have been many others.
00:09:52There's an old poem.
00:09:55Even a man who is pure in heart
00:09:57and says his prayers by night
00:09:58may become a wolf when the wolfbane blooms
00:10:01and the autumn moon is bright.
00:10:03Yes, but what's this pentagram business?
00:10:06Every werewolf is marked with that
00:10:08and sees it in the palm of his next victim's hand.
00:10:11Look, lady,
00:10:12if you're trying to scare me out of here,
00:10:14you're not getting very far.
00:10:16I'll take the cane.
00:10:17Oh, please tell me.
00:10:20Have you ever seen me before?
00:10:22Of course.
00:10:23How do you suppose I knew about the earrings?
00:10:26I can't remember ever.
00:10:28Tell you what we'll do.
00:10:29We'll take a little walk tonight
00:10:30and we'll talk it over.
00:10:32No.
00:10:39See you at eight.
00:10:40No.
00:11:00No.
00:11:10Fine, I'll be here at eight.
00:11:19Yes, that's the sign of the werewolf.
00:11:22That's just a legend, though, isn't it?
00:11:24Yes, but like most legends,
00:11:25it must have some basis in fact.
00:11:27It's probably an ancient explanation
00:11:29of the dual personality in each of us.
00:11:31How does it go?
00:11:34Even a man who is pure in heart
00:11:36and says his prayers by night may become a wolf
00:11:38when the wolfbane blooms
00:11:40and the autumn moon is bright.
00:11:42That's funny.
00:11:43That's the same thing the girl in the antique shop said.
00:11:46Oh, you met Gwen Cunliffe, have you?
00:11:50So that's her name.
00:11:52I was just looking the town over.
00:11:54Naturally.
00:11:55Continue to look it over.
00:11:58I want you to know not only the pretty girls,
00:11:59the old men and women and the young men.
00:12:02Get to know all about them, Larry.
00:12:03They're nice people.
00:12:04They're your people.
00:12:05After all, you're going to run the estate.
00:12:08Of course, I want to know all of them.
00:12:10Seems to have made a pretty good start.
00:12:13Well, now.
00:12:14Get on with the good work.
00:12:16All right, thanks.
00:12:17Good night.
00:12:18Good night.
00:12:32Good night.
00:12:49It's you.
00:12:50Why, of course.
00:12:51Who did you expect?
00:12:53No, nadie.
00:12:54Te dije que no podía ir conmigo.
00:12:57Y aún tienes que usar los earrings que me gustan.
00:13:00Bueno, eso es porque...
00:13:02Oh, no.
00:13:03No quiero ir sola.
00:13:05Estoy muy preocupado por la noche.
00:13:08Y también me he usado.
00:13:12Jenny.
00:13:18Esta es Jenny Williams.
00:13:19She wants to have a fortune told, too.
00:13:23I'm very pleased to meet you, mister.
00:13:25Just call me Larry.
00:13:27If you don't mind, Larry.
00:13:33Well?
00:13:41Oh, look.
00:13:44A wolf head.
00:13:48Even a man who is pure in heart and says his prayers by night.
00:13:52They become a wolf when the wolf vein blooms.
00:13:55And the autumn moon is bright.
00:13:57So you know that one, too, huh?
00:13:58Of course.
00:13:59Everyone knows about werewolves.
00:14:19We have to have our fortunes told.
00:14:21Can you really read the future?
00:14:23I will not disappoint you, my lady.
00:14:26Will you step inside, please?
00:14:28Do you mind if I go in first?
00:14:29No, no.
00:14:30Go right ahead.
00:14:31Go on, silly.
00:14:32Oh, yes.
00:14:38Quite a pipe the old boys got in.
00:14:45Cut the cards.
00:14:52We didn't come down to listening on Jenny, did we?
00:14:56No.
00:14:57Well, maybe if you took a little walk with me, I could tell your fortune.
00:15:08So you're a fortune teller.
00:15:10Uh-huh.
00:15:11Is that how you knew about the earrings?
00:15:12Well, not exactly.
00:15:14You see, a telescope has a mighty sharp eye.
00:15:16It brings the stars so close that you feel you can almost touch them.
00:15:19A telescope?
00:15:20Sure.
00:15:21And it does the same thing to people in their rooms.
00:15:23That is, if you point it in the right direction.
00:15:25Oh, you wouldn't.
00:15:26Well, now, I was only testing the refractor.
00:15:29I didn't know about you, and all of a sudden, there you were.
00:15:34Well, from now on, I'll be sure to draw the curtains.
00:15:36Oh, don't do that.
00:15:37I mean, not on account of me.
00:15:40I mean, uh...
00:15:41Well, you know what I mean.
00:15:44Yes, I'm afraid I do.
00:15:46But it's only fair to tell you I'm engaged.
00:15:49I'm going to be married very soon.
00:15:52In fact, I really shouldn't be here.
00:15:54Oh, but you are here.
00:15:59Can you tell me when I'm going to be married?
00:16:15What did you see?
00:16:20Your hands, please.
00:16:23Your left hand shows your past.
00:16:27Your right hand shows your future.
00:16:37What's the matter?
00:16:41I can't tell you anything tonight.
00:16:44Come back tomorrow.
00:16:46What did you see?
00:16:48Something evil?
00:16:50No, no.
00:16:52Now, go away.
00:16:54Go quickly.
00:16:56Go!
00:16:57Yes.
00:16:58Yes, I'm going!
00:17:00Come back tomorrow.
00:17:18Come back tomorrow.
00:17:21I'll come back here.
00:17:25Come back.
00:17:27Hello.
00:17:28Come back!
00:17:30I don't know. I've never heard anything like it before.
00:17:36Stay here.
00:17:42Larry! Wait! Larry!
00:18:26Larry!
00:18:27Larry, where are you?
00:18:44Larry!
00:18:45Larry, what happened? What's the matter?
00:18:50A wolf.
00:18:57Help!
00:18:58Help!
00:18:59Help!
00:19:00Help!
00:19:03Help!
00:19:03Oh, please, hurry!
00:19:06Hurry, please!
00:19:17What happened to him?
00:19:18A wolf bit him.
00:19:24Do something! Can't you help him?
00:19:27We must take him home.
00:19:31Big boy, isn't he?
00:19:33Huge.
00:19:33Like the red Torbethone.
00:19:35We should have had him in the guards.
00:19:37Oh, no. He'll be invaluable here.
00:19:39Looking after this state. He's had a lot of experience in America.
00:19:46Here, here.
00:19:46Here, here. What's the matter?
00:19:50Sir John!
00:19:51Master Larry, what's happened?
00:19:52He was bitten by a wolf.
00:19:53A wolf?
00:19:54It's happened to wolves around here for years.
00:19:56When did all this happen?
00:19:57By the marsh.
00:19:57That woman came to help.
00:19:59Where is she?
00:20:00Who?
00:20:00By the gypsy woman.
00:20:02I'd never have got him here without her.
00:20:03Yes, of course, the old woman who was just in the doorway.
00:20:05Kendall, find her.
00:20:06Was there anyone else with you?
00:20:07Jenny.
00:20:08Someone get Jenny.
00:20:10Sir John!
00:20:10Captain!
00:20:12For the marsh?
00:20:13Yes, yes, for the marsh.
00:20:14Big shot, man.
00:20:14Jenny!
00:20:15Jenny Williams!
00:20:16What about her?
00:20:17She's been murdered, sir.
00:20:18Wolf?
00:20:19Gypsy woman? Murder?
00:20:20What is this?
00:20:21What makes you say she was murdered?
00:20:22Her throat, sir.
00:20:24Come, come. Let's look into this.
00:20:25Show me what it happens.
00:20:27I'll send Dr. Lloyd to John.
00:20:28Fine. Roberts, give me a hand, Master Larry.
00:20:30Come on, Larry.
00:20:31We'll get up to his room.
00:20:33Come on.
00:20:36Mr. Twiddle!
00:20:37Yes, sir.
00:20:46Take it out, Twiddle.
00:20:47Very good, sir.
00:20:48Jenny Williams, attacked by some large animal.
00:20:51That right, Dr. Lloyd?
00:20:52A jugular was severed with a bite of powerful teeth.
00:20:55The cause of death, internal ambridge.
00:20:58What's the matter with you, Twiddle?
00:20:59Oh, I'm a little squeamish, sir.
00:21:01Well, don't be squeamish. Write down what I told you.
00:21:03Very well, sir.
00:21:10Captain Monford, here, sir.
00:21:15It's the gypsy who passed through town this afternoon.
00:21:18Was he killed by the same animal, Dr. Lloyd?
00:21:20No, his skull was crushed by heavy blows with a sharp instrument.
00:21:24Take a note, Twiddle.
00:21:25Very well, sir.
00:21:26Bail of the gypsy found dead near the body of Jenny Williams.
00:21:29Cause of death, heavy blows from some sharp instrument.
00:21:32Look, his feet are bare.
00:21:33So they are.
00:21:34Otherwise, he's fully dressed.
00:21:36Make a note of that, Twiddle.
00:21:37Very well, sir.
00:21:38Oh, what's this?
00:21:40Oh, a stick with a horse's head handle.
00:21:44It's not a horse's head.
00:21:45That's a wolf's head.
00:21:46But, Mr. Frank, them tracks back there.
00:21:48A wolf!
00:21:50Take it out, Twiddle.
00:21:51Very well, sir.
00:21:52Mound on scene of tragedy.
00:21:53Silver-handled stick mounted with a wolf's head.
00:21:56Let's have a look at those tracks.
00:21:58Oh.
00:22:00Oh.
00:22:02Oh.
00:22:03Oh.
00:22:04Oh.
00:22:30Larry.
00:22:32Shouldn't you be in your bed?
00:22:34Oh, no.
00:22:35I'm all right.
00:22:36Good morning, Larry.
00:22:37This is Dr. Lloyd.
00:22:38You frightened us last night, my boy.
00:22:41I'm sorry.
00:22:42I guess I did kind of pass out.
00:22:45Is this your stick?
00:22:47Well, of course.
00:22:49That's the one I killed the wolf with.
00:22:53Larry.
00:22:55Baylor the gypsy was killed last night.
00:22:57They found your stick with a wolf.
00:22:57He was killed by the body.
00:23:00You mean...
00:23:01Baylor the fortune teller?
00:23:03Mm-hmm.
00:23:04What?
00:23:07I only saw a wolf.
00:23:10He bit me.
00:23:12Look here.
00:23:25That's funny.
00:23:28Must have healed up.
00:23:31Larry, Paul wants to ask you some questions.
00:23:33Well, sure.
00:23:34Sure.
00:23:34Go ahead.
00:23:35I think we ought to leave him alone.
00:23:37What's the matter with you?
00:23:38Paul wants to question him.
00:23:39Go ahead, Paul.
00:23:40Yeah.
00:23:41Go ahead.
00:23:42But don't try to make me believe that I killed a man when I know that I killed a wolf.
00:23:46Yes.
00:23:47Yes.
00:23:48We're all a little bit confused.
00:23:50He needs a good rest.
00:23:53We'll talk to you later, Larry.
00:23:54Come on, doctor.
00:23:56Coming, Sir John?
00:23:58Yeah, I'll be down in a minute.
00:24:06Now, Larry, will you stop worrying and let me handle this?
00:24:09Oh, but they're treating me like I was crazy.
00:24:13I'm not accusing him of foul play, Sir John, but after all, two people are dead and I am Chief
00:24:18Constable.
00:24:19That's no reason to make a great mystery out of it. You talk like a detective in a novel.
00:24:22Now, please, gentlemen, there's a very simple explanation.
00:24:25A dog or a wolf attacked Jenny Williams. That's proven.
00:24:28When she cried for help, Larry and Baylor went to her rescue.
00:24:30It was dark.
00:24:32Excitement and confusion. The gypsy was killed.
00:24:34What about Baylor's bare feet? He just didn't have time to put his shoes on.
00:24:38And what about this non-existent wound?
00:24:40Larry imagined he'd been bitten after all the beast jumped at him and tore his coat to shreds.
00:24:44Still, he insists he received a wound. You tell me his coat was bloody when the two women brought him
00:24:48in.
00:24:48Surely a wound can't heal overnight.
00:24:50The patient is mentally disturbed and perhaps the shock did it.
00:24:54I'd rather you didn't bother him with questions just now.
00:24:57You policemen always in such a hurry, as if dead men hadn't all eternity.
00:25:02Well, he'll be declaring me a mental case next.
00:25:05Oh, no, I wouldn't dare.
00:25:07Thank you.
00:25:09In return, I won't question your patient again. Do you think fit?
00:25:12Thank you.
00:25:12Let's go.
00:25:13Let's go.
00:25:41It's the gypsy fortune teller.
00:25:43And the man that killed him.
00:26:15Come on.
00:26:19Thank you.
00:26:25Thank you.
00:26:39Thank you.
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00:30:42May I see her, please?
00:30:44Of course.
00:30:46Thank you.
00:30:52Larry.
00:30:55Oh, you...
00:30:56You heard them?
00:30:58Yes.
00:31:01I suppose you can't blame them too much.
00:31:05Kind of a mess, isn't it?
00:31:07I came over to tell you how sorry I am about Jenny.
00:31:12Tell me just exactly what did happen.
00:31:15I saw a wolf attacking her and I killed it.
00:31:18In the fight it bit me.
00:31:21This morning there's no sign of the wound.
00:31:24Now they're trying to make me believe that I killed Bela, the fortune teller.
00:31:30Maybe there wasn't a wolf.
00:31:32It was dark and foggy and...
00:31:35Well, perhaps the story I told you about the werewolf confused you.
00:31:39Why does everyone insist that I'm confused?
00:31:44Hello, Frank.
00:31:45Hello, Mr. Conless. Is Gran in?
00:31:46Yes, but she has a visitor.
00:31:49Larry Talbot?
00:31:50Yes.
00:31:51Well, that's all right. I want to see him too.
00:32:00Larry, this is Frank Andrews.
00:32:04Quiet!
00:32:09You better take him outside, Frank.
00:32:12All right, come on, come on.
00:32:17So that's him, huh?
00:32:19Yes. We grew up together.
00:32:22He looks like a nice enough chap.
00:32:24What does he do?
00:32:26He's the gamekeeper for your father's estate.
00:32:29Oh.
00:32:33Glad to know you, Andrews.
00:32:39I just came over to see that Gwen was all right.
00:32:42I guess I'd better be going now.
00:32:44Goodbye, Gwen.
00:32:45Goodbye.
00:32:51Frank, why were you so rude?
00:32:53Well, I'm sorry, but...
00:32:55I couldn't take my eyes off that walking stick of his.
00:32:59Gwen, be careful, will you?
00:33:02Careful?
00:33:03Yes.
00:33:03He's been away for 18 years, I know, but he's still the son of Sir John Talbot.
00:33:08Oh, I see.
00:33:10And I'm the daughter of Conleaf, who owns the antique shop, is that it?
00:33:13Yes, that and...
00:33:16Well, there's something very tragic about that man.
00:33:20I'm sure that nothing but harm will come to you through him.
00:34:02Oh, aren't you glad I brought you?
00:34:04Mm-hmm.
00:34:05Thank you.
00:34:06Thank you.
00:34:06Aren't you glad I brought you?
00:34:08There's Larry Talbot.
00:34:12Let's go and say hello, eh?
00:34:14Well, I just wanted to show you that I'm not jealous.
00:34:20Larry Talbot!
00:34:24I saw you walking along by yourself.
00:34:26Thought you might like to join us.
00:34:27Well, thanks. I was just on my way home.
00:34:29Oh, don't say that.
00:34:30Come on, we'll have some fun together.
00:34:32Please do, Larry.
00:34:33Two guns, please.
00:34:34Yes, sir.
00:34:38See what you can do.
00:34:40All right.
00:34:48He seems to be able to handle a rifle.
00:35:04Go ahead and shoot before he bites you.
00:35:12Bad luck.
00:35:15See? Nothing to it.
00:35:16You want to try another one?
00:35:19No, thanks.
00:35:21You win.
00:35:22He's unstrung.
00:35:24Long trip.
00:35:26Well, unfortunate accident the other night.
00:35:32You've been a long while coming.
00:35:34I'm not buying anything.
00:35:35And I'm not selling anything.
00:35:37I expected you sooner.
00:35:39You were like, oh, my God.
00:35:45I remember you.
00:35:47That night.
00:35:49And in the crypt.
00:35:52Go inside.
00:36:06¡Suscríbete al periódico!
00:36:09¡Suscríbete al periódico!
00:36:10¡No hay culpa en eso, ¿no?
00:36:11El periódico fue Bala.
00:36:14¿Crees que no sé la diferencia entre un periódico y un hombre?
00:36:17Bala became a wolf, and you killed him.
00:36:21A werewolf can be killed only with a silver bullet,
00:36:24or a silver knife, or a stick with a silver handle.
00:36:28You're insane.
00:36:30I tell you I killed a wolf, a plain ordinary wolf.
00:36:33Take this charm.
00:36:35The pentagram, the sign of the wolf.
00:36:38It can break the evil spell.
00:36:41Evil spell, pentagram, wolfbane.
00:36:44Oh, I'm sick of the whole thing. I'm gonna get out of here.
00:36:46Whoever is beaten by a werewolf and lives,
00:36:51becomes a werewolf himself.
00:36:54Oh, quit handing me that.
00:36:55You're just wasting your time.
00:36:58The wolf beat you, didn't he?
00:37:01Yeah.
00:37:02Yeah, he did.
00:37:04Wear this charm over your heart, always.
00:37:08All right, all right, I'll take it.
00:37:10What's it worth to you? I'll give you...
00:37:11Do you dare to show me the wound?
00:37:12What?
00:37:13Do you dare to show me the wound?
00:37:27Go now.
00:37:29And heaven help you.
00:37:42One more time,
00:37:46No, no, no.
00:38:21No, no, no, no, no.
00:38:25I'm glad to see you. I thought you left with Frank.
00:38:28Oh, we had a quarrel night.
00:38:31Well, I'll take you home.
00:38:35We better go this way.
00:38:39What a hectic night, wasn't it?
00:38:41Yes.
00:38:45What's that?
00:38:47Oh, that?
00:38:48Well, that's a charm. I just saw the old gypsy woman.
00:38:55They give you quite a sales talk, don't they?
00:38:57Let me see.
00:39:00The pentagram.
00:39:02Yes.
00:39:04She said that I was a werewolf.
00:39:08Oh, but surely...
00:39:10You don't believe in...
00:39:12Gwen.
00:39:14I won't need this.
00:39:16I want you to have it.
00:39:19It'll protect you.
00:39:22Protect me?
00:39:25From whom?
00:39:26Me?
00:39:28Just in case.
00:39:34I never accept a present without giving something in return.
00:39:39Here's a penny.
00:39:43That isn't enough.
00:39:49Well, the gypsies are all leaving.
00:39:50I must go, too.
00:39:52But, Gwen.
00:39:54Hey, hey, hey.
00:39:55What's all the excitement?
00:39:56The werewolf and cats.
00:40:15That wasn't ...
00:40:31You know, but ...
00:40:43I'll look...
00:41:01¡Gracias!
00:41:41¡Gracias!
00:42:11¡Gracias!
00:42:38¡Gracias!
00:43:04¡Gracias!
00:43:19¡Gracias!
00:43:22¡Gracias!
00:43:24¡Gracias!
00:43:24¡Gracias!
00:43:25¡Gracias!
00:43:30¡Gracias!
00:43:31Did you hear that, Mr. Twiddle?
00:43:33Claro que sí, si no hubiera nada más.
00:43:37Eso es como un antiguo animal.
00:43:38Puede ser una especie de gipseas que había dejado.
00:43:43Seguimos desde el jardín de la iglesia.
00:43:45No están hablando. Vamos a ver.
00:43:48Vamos a ver. Vamos a ver.
00:43:53Buenos días.
00:43:55¿Vale, Capitán?
00:43:57Puede ser mejor, doctor.
00:43:59¿Vale, doctor?
00:44:04¿Vale, Capitán?
00:44:05Sí.
00:44:07El jugador.
00:44:10¿Es la forma que Jenny Williams fue matado?
00:44:13Sí.
00:44:22¿Tienes algo?
00:44:23El tráfico animal.
00:44:29Un ratón.
00:44:39Un ratón.
00:44:41Un ratón.
00:44:45Un ratón.
00:44:50¿Tienes algo?
00:44:54Alredón.
00:44:55Un ratón.
00:44:55Un ratón.
00:45:25¡Gracias!
00:45:52¡Gracias!
00:46:14¡Gracias!
00:46:49¡Gracias!
00:46:51Hola, Gary.
00:46:53¿Estás bien?
00:46:55Sí, yo he oído que hay gente está en el corredor. ¿Algo está mal?
00:46:59Richardson fue killed last night, el cajón de la caja.
00:47:02Las aguas son las que sigan a esta casa.
00:47:05¿Puertas?
00:47:06No, las aguas de las aguas.
00:47:08¿A la aguas?
00:47:11¿De dónde viene la aguas?
00:47:13De la aguas de la ciudad de la circus o el zoo.
00:47:17¿Qué es esta historia de un hombre convertido en un wolf?
00:47:20¿Tienes que el werewolf?
00:47:22Sí, señor.
00:47:23Es una antigüedad.
00:47:25Se encontrará algo así en la historia de cada país.
00:47:28El llamado científico es Likentropia.
00:47:30Es una variedad de schizofrenia.
00:47:32Eso es para mí.
00:47:34Sí, es para mí.
00:47:35Es una expresión técnica para algo muy sencillo.
00:47:38El buen y el malo en cada persona.
00:47:41En este caso, el malo en la forma de un animal.
00:47:46La verdad es que no saben lo que sea.
00:47:48Si me engañas las aguas de la aguas de la caja.
00:47:51Pero...
00:47:52Eso es lo que hago con mis manos, pero estas cosas no te puede manzar.
00:47:55¿Qué es lo que pasa con ti, Larry?
00:47:58Oh...
00:47:59No, nada, señor.
00:48:02¿Puedes creer en las aguas?
00:48:06Larry...
00:48:07Para algunos, el mundo es muy simple.
00:48:09El mundo decide que esto es bueno, esto es malo.
00:48:11Esto es malo, es malo.
00:48:13Y es malo.
00:48:14No hay nada, no hay nada, no hay nada, no hay nada, no hay nada, no hay nada, no hay
00:48:17nada, no hay nada.
00:48:18Eso sería... Paul Monfort.
00:48:21Exacto.
00:48:22Algunos de nosotros creen que nada, nada, nada, nada, son muchas cosas.
00:48:27Temos que ver cada lado.
00:48:28Pero el más que vemos, el menos que estamos.
00:48:31Ahora, me preguntan si crees que un hombre puede ser un wolf.
00:48:35Si me dice que puede ser un animal físico, no, es genial.
00:48:39Pero yo creo que más nada puede suceder a un hombre en su propia mente.
00:48:48Time for church.
00:48:50You know, Larry,
00:48:52la creación de la hereafter es una muy buena contrabanda
00:48:54a todos los conflitos de los conflitos que se descanse con estos días.
00:48:58Vamos.
00:49:13No hay nada, no hay nada.
00:49:14No hay nada que se descanse con el de la condena.
00:49:15El único es lo que hay que se descanse con el de la condena.
00:49:18Y ahora lo que se descanse con él.
00:49:18No puedo abrir mi puerta ni más.
00:49:20No puedo abrir mi puerta ni más.
00:49:20¿Fel que ese, ese, ese, ese, ese...
00:49:21¿Ese ha visto?
00:49:23No creo que eso está bien.
00:49:25Muy raro.
00:49:26No hay murders aquí antes Larry Talbot llegó.
00:49:28No hay que decir que...
00:49:29No hay una palabra, Mrs. Williams.
00:49:30¿Sabes ese es el error?
00:49:32Lo sé.
00:49:34Lo sé.
00:49:34Lo de lo que...
00:49:35Lo que ha visto en la casa de la cama.
00:49:36como un antiguo animal, con la muerte de los ojos.
00:49:39¡Shh! Aquí está.
00:49:50Buenas tardes.
00:49:51Un placer ver con usted, señor.
00:49:53¿Cómo estás, Larry?
00:49:55Bien, gracias.
00:49:58¿Cómo estás?
00:49:59Bien, señor.
00:50:33Bien, gracias.
00:51:00¡Gracias!
00:51:08I think I'll send this cast of the animals' tracks to the expo at Scotland Yard.
00:51:12Why? They'll laugh at you. There's no question about it. It's a wolf.
00:51:15Probably hiding in the woods somewhere.
00:51:16What about traps?
00:51:18We've got to do something before the town becomes completely hysterical.
00:51:20Yes, this muttering of werewolves.
00:51:23Come along, Larry.
00:51:25We're discussing this wolf that seems to be roaming the countryside.
00:51:28Yes, you saw him. What's he like? Is he a big fella?
00:51:32It isn't a wolf.
00:51:34What do you mean?
00:51:35It's a werewolf.
00:51:38Werewolf?
00:51:40Maybe he's right. Let's have a hunt and drive it out.
00:51:43That'd be a valuable addition to anybody's collection of animals.
00:51:46Just imagine having a stuffed werewolf staring at you from the wall.
00:51:49I wouldn't joke about it, Paul.
00:51:55Doctor, do you believe in werewolves?
00:51:58I believe that a man lost in the mazes of his mind may imagine that he's anything.
00:52:05Science has found many examples of the mind's power over the body.
00:52:08A case of the stigmata appearing in the skin of zealots.
00:52:11Self-hypnotism.
00:52:13But if a man isn't even thinking about the thing, isn't interested in it,
00:52:18then how could he hypnotize himself with it?
00:52:21It might be a case of mental suggestion plus mass hypnotism.
00:52:25You mean by that that he could be influenced by the people about him?
00:52:29Yes.
00:52:30Oh, come now, doctor.
00:52:31You're letting your science run away with your common sense.
00:52:33Have you ever met a werewolf doctor?
00:52:36Not that I know of.
00:52:38Doctor, can these sick people be cured?
00:52:41Not they.
00:52:43An asylum's the only safe place for them.
00:52:45Any disease of the mind can be cured with the cooperation of the patient.
00:52:50Well, while you gentlemen are figuring it out scientifically,
00:52:52I think I'll go and set a few traps.
00:52:54Yes, I'll help you.
00:52:55We may not find anything more than a diseased mind,
00:52:57but even that may be interesting.
00:53:00Doctor, I've got to talk to you.
00:53:01Later.
00:53:01Now I want you to go and get some rest.
00:53:04Go and I.
00:53:18You're the one I want to talk to.
00:53:20I didn't like what you said to him about mass hypnotism.
00:53:22Sir John, your son is a sick man.
00:53:24He's received a shock that has caused definite psychic maladjustment.
00:53:27You must send him out of this village.
00:53:29You're talking like a witch doctor.
00:53:31My son is ill.
00:53:32The best place for him is in his own home, proving his innocence.
00:53:34Does the prestige of your family name mean more to you than your son's health?
00:53:38Oh, nonsense.
00:53:39The one way for him to get cured is to stay here and find his way out of this.
00:53:43And I tell you that shock therapy is too strong for him in his present state.
00:53:46Listen to me, Doctor Lloyd.
00:53:48Five generations of Talbots haven't been affected by this village.
00:53:51That boy stays here.
00:53:52Oh, very well.
00:53:53We'll see how he is in the morning.
00:54:15All right, sir.
00:54:16Last one on?
00:54:17I don't have to hold him.
00:54:28¡Vamos!
00:54:57¡Vamos!
00:55:17¡Vamos!
00:55:22¡Suscríbete al canal!
00:55:23¡Suscríbete al canal!
00:55:24¡No se ha desaparecido en el aire!
00:55:25¡Vale a Philips y velo con el mar!
00:55:27¡Vale a ver si se puede encontrar el canal!
00:55:29¡Vale a ver!
00:55:30¡Vale a ver!
00:55:54¡Vale a ver!
00:55:59¡Vale a ver!
00:56:11¡Vale a ver!
00:56:11The way you walk is thorny,
00:56:14through no fault of your own.
00:56:18But as the rain enters the soil,
00:56:22the river enters the sea,
00:56:25so tears run to a predestinate end.
00:56:31Find peace for a moment, my son.
00:56:48What are you doing here?
00:56:49I came to help you.
00:56:53Where am I? What happened?
00:56:54You are caught in a trap.
00:56:57Here, here, let me do that.
00:57:01Hurry, the dogs, they are hunting you.
00:57:20Hello there! Stop!
00:57:22Come here! You!
00:57:32It's Master Larry.
00:57:34What are you doing here, sir?
00:57:35Well, the same thing that you are, of course, hunting.
00:57:46Why are you talking to someone?
00:57:48It was Master Larry.
00:57:51All right, go along.
00:58:03All right, go along.
00:58:34I have brought it to you.
00:58:36So, you do have to go along.
00:58:48No, no, no.
00:59:07Larry.
00:59:11Glenn, I'm going away.
00:59:15Away? But why?
00:59:16I've got to go. I can't stay here any longer.
00:59:19Let me go with you. I'll fetch a few things and be back in a minute.
00:59:23No, no. I'm going alone.
00:59:25But I can help you.
00:59:28You wouldn't want to run away with a murderer, would you?
00:59:31Oh, Larry, you're not. You know you're not.
00:59:34I killed Baylor.
00:59:36I killed Richardson.
00:59:37If I stay around here much longer, you can't tell who's going to be next.
00:59:43Wait.
00:59:47It might even...
00:59:48Please.
00:59:50I still got the charm you gave me, remember?
00:59:53Yeah, yeah, I know. But I'm afraid.
01:00:02Larry, what is it?
01:00:05Your hand.
01:00:09Can't see anything.
01:00:11Mr. Talmud.
01:00:13Father, I'm going with Larry.
01:00:16No! It's not you!
01:00:24Going out, Larry?
01:00:29Father, I've got to get away from here.
01:00:33Baylor the Gypsy was a werewolf.
01:00:35I killed him with that silver cane.
01:00:38I was bitten.
01:00:40Look.
01:00:41The pentagram.
01:00:43That scar could be made by most any animal.
01:00:46Yes, but it's the sign of the werewolf.
01:00:49They say that he can see it in the palm of the hand of his next victim.
01:00:53That's hard to believe.
01:00:55I saw it.
01:00:58Tonight, in Gwen's hand.
01:00:59Larry, Larry.
01:01:01How can I help you get rid of this fear, this mental quagmire you've got yourself into?
01:01:06What can I say to you?
01:01:08You don't understand.
01:01:09You think I'm insane.
01:01:11Why?
01:01:13What is that?
01:01:14Well, that's Paul Munford and the men.
01:01:16They caught nothing in the traps, and now they're going to hunt the wolf.
01:01:18They're out hunting for me.
01:01:19Stop it! Stop it!
01:01:26You can't run away.
01:01:29That's it.
01:01:31That's what she said.
01:01:33Who?
01:01:34The Gypsy Woman.
01:01:37Gypsy Woman?
01:01:39Now we're getting down to it.
01:01:41She's been filling your mind with this gibberish.
01:01:43This talk of werewolves and pentagrams.
01:01:45You're not a child, Larry.
01:01:47You're a grown man, and you believe in the superstitions of a Gypsy Woman.
01:01:50No, but the scar, the footprints in my room.
01:01:54Look, Father.
01:01:55I was caught in a trap tonight.
01:01:58I don't know how I got there.
01:01:59The old Gypsy Woman helped me get away.
01:02:02Now they're all out hunting for me.
01:02:04Listen to me.
01:02:05You're Lawrence Talbot.
01:02:07This is Talbot Castle.
01:02:08You believe those men can come in here and take you out?
01:02:11No.
01:02:13I'll go out to them.
01:02:16I can't help myself.
01:02:18Then I'll see to it that you can't go out to them.
01:02:22Come on, Larry.
01:02:35There.
01:02:36You're fast to the chair.
01:02:40All the windows are locked.
01:02:42I'll bolt the door so that nothing can get in or out.
01:02:47Now you'll see that this evil thing you've conjured up is only in your mind.
01:02:51Sir John.
01:02:52Yes?
01:02:53Captain Montero and the Maine are waiting for you and Master Larry.
01:02:56I'm coming.
01:02:57But you're going to stay with me, aren't you?
01:03:00Oh, no.
01:03:00I've got to go, Larry.
01:03:01These people have a problem.
01:03:02You must make your own fight.
01:03:04But we'll settle this thing tonight.
01:03:06Dad.
01:03:07What is it?
01:03:09Take the cane with you.
01:03:12What do I want for the cane?
01:03:14Please.
01:03:16Just take it with you.
01:03:17Please.
01:03:22All right.
01:03:39He should come right across through there.
01:03:41The beaters are driving right towards this point.
01:03:48Did you give your son the sleeping pill?
01:03:50Oh, no.
01:03:51But I wanted him to sleep through all this hullabaloo.
01:03:53And I want him cured tonight.
01:03:55In the morning, you'll have conclusive proof it was all in his mind.
01:03:58What did you do?
01:03:58Strapped him to the chair.
01:04:00Turned him to the window so that he could see something of the hunt.
01:04:03I hope you won't be sorry.
01:04:05Dr. Lloyd.
01:04:08Coming.
01:04:31You are not frightened, are you, Sir John?
01:04:35Frightened?
01:04:35Of what?
01:04:36Of the night.
01:04:39Rubbish.
01:04:40You startled me.
01:04:41Don't be startled, Sir John.
01:04:43You have the silver cane for protection.
01:04:54Who are you?
01:04:55Hasn't your son told you?
01:04:58You're the gypsy's been filling his mind with this werewolf nonsense.
01:05:01Nonsense, Sir John?
01:05:02Yes.
01:05:03You've been preying on his gullibility with your witch's tales.
01:05:06But you fixed him, didn't you, Sir John?
01:05:08You don't believe the witch's tales, do you?
01:05:12Not for a minute.
01:05:13Then where were you going, Sir John?
01:05:16Why aren't you back there at the shooting stand?
01:05:19I was.
01:05:20Were you heading back to the castle?
01:05:22Did you have a moment's doubt?
01:05:24Were you heading to make sure he's all right?
01:05:27I wanted to be with my son.
01:05:29I was going back.
01:05:32Yes, Sir John, you were going.
01:05:38Hurry, Sir John.
01:05:40Hurry.
01:05:42Come around this way, men.
01:05:44Swing out to the right there and come through again.
01:05:46Wait, you and Felix take charge.
01:05:48I could have sworn I hit him dead arm.
01:05:49And I too.
01:05:50Have you forgotten?
01:05:51It takes a silver bullet for a werewolf.
01:05:59Have you seen Larry?
01:06:00Don't go through the woods.
01:06:01Why?
01:06:02Listen, the hunt is on.
01:06:04But, but I want to help him.
01:06:05You'd better come with me.
01:06:07Oh, no.
01:06:08I've got to find him.
01:06:09Come with me or he will find you.
01:06:16Come with me.
01:06:42Come with me.
01:06:58Come with me.
01:06:59All right.
01:09:04¿Estás bien?
01:09:56Gracias.
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