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00:00:28Gracias por ver el video.
00:00:54Gracias por ver el video.
00:01:00Max, it's that time again.
00:01:03Time to slowly, painfully ease yourself back into consciousness.
00:01:09No, I'm not a dream.
00:01:11Although I've been told I'm a vision of loveliness.
00:01:14Who told you that?
00:01:16I'm nothing less than your faithful girl Friday, Friday James, here with your wake-up call of today, which is
00:01:22Wednesday the 23rd.
00:01:24You got that?
00:01:26Wednesday the 23rd.
00:01:30And I have a message.
00:01:33Remember your meeting this morning at 6.30 with Shinji Kiraki of Hiroshima Video.
00:01:38This meeting is to take place at the Classic Hotel, Suite 17.
00:01:45And needless to say, it's your first of the day.
00:01:48Don't you know anyone who works nine to five?
00:01:52Over and out, Commander.
00:01:56Civic TV, the one you take to bed with you.
00:02:24Oh, my God.
00:02:35Y ya está listo.
00:03:16Y ya está listo.
00:03:24For fuck's sake, open that door.
00:03:32For fuck's sake, open that door.
00:03:38You just gotta open the fucking door.
00:03:41Well, I looked over the stills.
00:03:44I am interested a little bit.
00:03:46How many shows you got?
00:03:48Thirteen with the possibility of another six if the sales go well.
00:03:51You got cassettes?
00:03:53Of course.
00:04:03Hold it.
00:04:04Show me the last one.
00:04:05What time was that?
00:04:07Number thirteen.
00:04:08What marks?
00:04:09You won't understand anything.
00:04:10Everything is set up in the first two.
00:04:11My audience ain't gonna see the first two shows.
00:04:14Now show me the last one.
00:04:17Here we go.
00:04:26Here we go.
00:04:28Here we go.
00:04:43Here we go.
00:04:54Here we go.
00:04:54Here we go.
00:04:54Here we go.
00:05:01Here we go.
00:05:03Here we go.
00:05:04Here we go.
00:05:05Here we go.
00:05:05Here we go.
00:05:08Here we go.
00:05:09Here we go.
00:05:16¿Qué piensas?
00:05:19¿Quieres que se ha traído?
00:05:21¿Quieres que se ha traído?
00:05:23Creo que la sexo es la naturaleza.
00:05:26Creo que nos un público nunca.
00:05:30No me gusta.
00:05:32No me gusta.
00:05:33¿No me gusta?
00:05:35Me gusta.
00:05:35No hay que irme a la gente.
00:05:38¿Tú mucho clase?
00:05:39Es malo para sex.
00:05:41¿Maybe?
00:05:43No, no.
00:05:46Es un poco.
00:05:47Hay algo muy...
00:05:49...o...
00:05:50...o...
00:05:51...o...
00:05:51...es un poco que va a breakar,
00:05:56...es un poco...
00:05:58...tough.
00:06:05...
00:06:09...
00:06:18...
00:06:19...
00:06:30¡Gracias!
00:06:50Oh, ok.
00:06:53Here we go.
00:06:57I'll come through on that.
00:07:00We only got about 53 seconds, so keep your eyes open.
00:07:05They've got an unscrambler scrambler, if you know what I mean.
00:07:10It sensed that we were unscrambling and automatically changed its code on us.
00:07:15What satellite is it coming from?
00:07:18Snooker, I think.
00:07:19Country of origin?
00:07:22Assuming 53 seconds represents the period of delay, I'd say somewhere...
00:07:28...in Malaysia?
00:07:32Ok, here we go.
00:07:35This is it.
00:07:52What is that wall behind you? What is that, clay?
00:07:54Yeah.
00:07:55White clay.
00:07:57I think it's electrified.
00:08:25That's it.
00:08:26That's it.
00:08:29Grotesque, as promised.
00:08:31Ok.
00:08:32Can you hang a search on it next time?
00:08:35Already working on it.
00:08:36I was pretty insulted when it just shrugged us off in less than a minute.
00:08:40Well, patron.
00:08:43Interested?
00:08:45Yeah.
00:08:47Harlan, can you do something about these labels?
00:08:48I mean, this is supposed to be a clandestine operation.
00:08:51You know what I mean?
00:08:53Si, patron.
00:08:54Come on.
00:09:05I just find yourself getting just a little nervous, even if you've been doing it all your lives, don't you?
00:09:10Oh, yeah.
00:09:10Oh, for sure.
00:09:12Of course, that's part of the excitement of it.
00:09:14Mm-hmm.
00:09:18Smoke?
00:09:21No.
00:09:22No, thanks.
00:09:27Just relax.
00:09:30And now, here it is, the Rita King Show.
00:09:34And this afternoon, Rita's guests are Max Wren, controversial president of Channel 83,
00:09:39radio personality Nikki Brand, and media prophet Professor Brian Oblivion.
00:09:44Take it away, Rina.
00:09:46Max Wren.
00:09:49Your television station offers its viewers everything from softcore pornography to hardcore violence.
00:09:56Why?
00:09:57Well, it's a matter of economics, Rina.
00:09:59We're, uh, small.
00:10:01In order to survive, we have to give people something they can't get anywhere else.
00:10:04And, uh, and we do that.
00:10:08But don't you feel such shows contribute to a social climate of violence and sexual malaise?
00:10:13And do you care?
00:10:15Certainly I care.
00:10:17I care enough, in fact, to give my viewers, uh, uh, a harmless outlet for their, their fantasies and their
00:10:23frustrations.
00:10:23And as far as I'm concerned, that's a socially positive act.
00:10:28What about it, Nikki?
00:10:29Is it socially positive?
00:10:31Well, I think we live in over-stimulated times.
00:10:34We crave stimulation for its own sake.
00:10:36We gorge ourselves on it.
00:10:38We always want more, whether it's tactile, emotional, or sexual.
00:10:43And I think that's bad.
00:10:45Then why did you wear that dress?
00:10:48Sorry?
00:10:50That dress.
00:10:52It's very stimulating.
00:10:55And it's red.
00:10:58You know what Freud would have said about that dress.
00:11:00And he would have been right.
00:11:02I admit it.
00:11:03I live in a highly excited state of overstimulation.
00:11:08Listen, I'd really like to take you off to dinner tonight.
00:11:11Yeah, you...
00:11:11Professor Oblivion.
00:11:13What do you think?
00:11:13Do you think erotic TV shows and violent TV shows lead to desensitization?
00:11:19To dehumanization?
00:11:23The television screen has become the retina of the mind's eye.
00:11:31Yes.
00:11:32That's why I refuse to appear on television.
00:11:35Except on television.
00:11:37Of course, Oblivion is not the name I was born with.
00:11:40That's my television name.
00:11:42Soon, all of us will have special names.
00:11:46Names designed to cause the cathode ray tube to resonate.
00:11:50Yes, I am, actually.
00:11:51Yes.
00:11:53Yes, I am very...
00:11:54Nicky.
00:11:55Is Max Ren a menace to society?
00:11:58I'm not sure.
00:12:01He's certainly a menace to me.
00:12:08When does the plot start to unravel here?
00:12:11I mean, who is this black guy?
00:12:12Is he a political prisoner?
00:12:15There's no plot.
00:12:17It just goes on like that for an hour.
00:12:20It goes on like what?
00:12:21Like that.
00:12:23Torture.
00:12:25Murder.
00:12:25Mutilation.
00:12:29We never leave that room.
00:12:31Nope.
00:12:32It's a real sicko.
00:12:34Brilliant.
00:12:34For perverts only.
00:12:36Absolutely brilliant.
00:12:37I mean, look, there's almost no production costs.
00:12:39I can't take your eyes off it.
00:12:41It's incredibly realistic.
00:12:43Where do they get actors who can do this?
00:12:44Oh, help me.
00:12:45I think he wants it.
00:12:46Come on.
00:12:48It's worth checking out.
00:12:49Do you have any trouble locking onto it this time?
00:12:52Not after I realized the Malaysia delay was a plant.
00:12:57It's not coming from Malaysia?
00:12:58You cannot fool the prince of pirates for long.
00:13:01Harlan.
00:13:03Where is it coming from?
00:13:05Pittsburgh.
00:13:07That's in the USA.
00:13:10Pittsburgh.
00:13:14Pittsburgh.
00:13:16Get professional help.
00:13:18But it's not me.
00:13:20It's my sister.
00:13:21It's not your sister.
00:13:23It's you, lover.
00:13:25Can't you tell?
00:13:26Isn't that why you called me?
00:13:28You want help.
00:13:30You need help.
00:13:32You're going insane.
00:13:33I can hear you disintegrating while you talk to me.
00:13:38I've got your number, haven't I?
00:13:41I hate my sister.
00:13:46I don't want to.
00:13:48It's ripping me up inside.
00:13:50But I do.
00:13:51I do.
00:13:54You call our distress center.
00:13:56Will you call the CRAM distress center?
00:14:00It'll tell you where to get help, lover.
00:14:02And you need it.
00:14:03You need it now.
00:14:05I will, I will.
00:14:07Thank you, Nikki.
00:14:11We'll return to Nikki Brand and the Emotional Rescue Show in just a moment.
00:14:16This is CRAM in Toronto, and we've got the weather for you.
00:14:23Got any porno?
00:14:24You serious?
00:14:25Yeah.
00:14:26Gets me in the mood.
00:14:32What's this?
00:14:33Videodrome.
00:14:34Torturer, murderer.
00:14:36Sounds great.
00:14:39Ain't exactly sex.
00:14:42Says who?
00:14:56God, I can't believe it.
00:14:58I'll turn it off.
00:14:59No, no, no.
00:14:59It's okay.
00:15:00I can take it.
00:15:06Can you get it any clearer?
00:15:07It's a pirate tape.
00:15:08They scramble it.
00:15:12I like it.
00:15:14Yeah?
00:15:16Yeah, it turns me on.
00:15:20Take out your Swiss Army knife and cut me here just, just a little.
00:15:26Looks like somebody's peeping me to it.
00:15:34I wonder how you get to be a contestant on this show.
00:15:38I don't know.
00:15:39Nobody ever seems to come back next week.
00:15:42What did you say happened to your shoulder?
00:15:45A friend.
00:15:46I think he'd like Videodrome.
00:15:49You let somebody cut you?
00:15:52Uh-huh.
00:15:55What do you think?
00:15:57Well, I don't know.
00:16:00You want to try a few things?
00:16:27You should be gonna lie.
00:16:35I don't know.
00:16:39I don't know.
00:16:40What?
00:16:47Oh my God.
00:16:51Oh.
00:16:52No, no.
00:17:37No, no.
00:17:52No, no.
00:18:24No, no.
00:19:17No, no.
00:19:25No, no.
00:19:28No, no.
00:19:32No, no.
00:19:38No, no.
00:20:18No, no.
00:20:21It's just torture and murder.
00:20:23No plot, no characters.
00:20:24Very, very realistic.
00:20:27I think it's what's next.
00:20:30Then God help us.
00:21:01Better on TV than on the street.
00:21:08I don't have the temperament.
00:21:10I don't have the temperament.
00:21:41I don't have the temperament.
00:21:57I don't have the temperament.
00:21:59I don't have the temperament.
00:22:04I don't have the temperament.
00:22:07I don't have the temperament.
00:22:17I don't have the temperament.
00:22:20I don't have the temperament.
00:22:24I don't have the temperament.
00:22:39I don't have the temperament.
00:22:41I don't have the temperament.
00:23:11I don't have the temperament.
00:23:34I don't have the temperament.
00:23:42I don't have the temperament.
00:23:43I don't have the temperament.
00:23:54I don't have the temperament.
00:23:56I don't have the temperament.
00:23:56I don't have the temperament.
00:23:57I don't have the temperament.
00:24:01I don't have the temperament.
00:24:30¡Suscríbete al canal!
00:24:38Did you get in touch with our friends in Pittsburgh?
00:24:41In a way, at a distance.
00:24:45Subterranean grapevine.
00:24:46And?
00:24:50Max, videotrome is something for you to leave alone.
00:24:54It is definitely not for public consumption.
00:24:59Channel 83 is a little small to be considered public.
00:25:02It is still too public.
00:25:05Do you understand me?
00:25:06No, what is it? What's the punchline?
00:25:09I think it's dangerous, Max. Videotrome.
00:25:12Why, but it's mafia. They do business.
00:25:14No, no, no.
00:25:15It's more, um...
00:25:17How can I say...
00:25:19More political than that.
00:25:22Come on, Marsha, what are we talking about?
00:25:25Videotrome.
00:25:26What you see on that show, it's for real.
00:25:30It's not acting.
00:25:33It's snuff TV.
00:25:35I don't believe it.
00:25:41So, don't believe.
00:25:44Why do it for real?
00:25:46It's easier and safer to fake it.
00:25:49Because it has something that you don't have, Max.
00:25:54It has a philosophy.
00:25:56And that is what makes it dangerous.
00:25:59Who's philosophy?
00:26:01There must be a name.
00:26:05Give me a name I can talk to.
00:26:06Marsha, Marsha.
00:26:08You know me.
00:26:09I stay away from the scary stuff.
00:26:15Max.
00:26:17You are going to have to be nice to me for this.
00:26:21We can take a shower together.
00:26:23Anytime you say.
00:26:28I'm sure you would be very beautiful.
00:26:32But, uh, you're a little older than I prefer.
00:26:36Uh, thank you so much.
00:26:48Sell me a name.
00:26:51And I'll make Apollo and Dionysus part of the package.
00:26:56That hurts me, Max.
00:26:58Hey, the world is a shithole, ain't it?
00:27:04Yes, Max.
00:27:06It is.
00:27:14Brian Oblivion.
00:27:16That is the only name I have to give.
00:27:21Professor Brian Oblivion.
00:27:28Wait, wait, you're going.
00:27:29I'm going to hit me, buddy.
00:27:31Why don't you go back?
00:27:32You got a button?
00:27:33Hey, are you going in now?
00:27:34You got to say goodbye.
00:27:35Oh, my God.
00:27:37Come on, get on the face of me.
00:27:38I'm going to treat who wants you.
00:27:40I'm going to have a smoke when a cup of coffee to me.
00:27:42I don't start coffee in there.
00:27:43You're going to have to serve pissed.
00:27:44Pissed water.
00:27:46Oh, fuck.
00:27:46Get out of here.
00:27:47I don't think it's a fuck.
00:27:48I don't need to put up with this shit.
00:27:49Young woman.
00:27:50This water is, like, no water.
00:27:52Let's look at me.
00:27:53Let's take a third look at me.
00:27:54I'm going to look at this young woman.
00:27:55I got to take it.
00:27:55Let's go.
00:27:58Let's go.
00:28:00OK.
00:28:05OK.
00:28:30¡Gracias!
00:29:02¡Gracias!
00:29:13¡Gracias!
00:29:14¿Me Anco Oblivion?
00:29:14Yes.
00:29:15I'm Max Ren. I run Civic TV.
00:29:18I did a panel show with Professor Oblivion.
00:29:21The Rena King show.
00:29:22Oh, yes. He said some very superficial things.
00:29:25Violence, sex, imagination, catharsis.
00:29:28My exact words.
00:29:29What do you want?
00:29:31I want to talk with your father about a new twist in video
00:29:34that he may not be aware of.
00:29:58I love the view.
00:30:00You look like them.
00:30:01Like one of father's darlings.
00:30:04I think it's a style that's coming back.
00:30:07In their case, Mr. Wren, it's not a style.
00:30:10It's a disease forced on them by their lack of access to the cathode ray tube.
00:30:14You think a few doses of TV are going to help them?
00:30:17Watching TV will help patch them back into the world's mixing board.
00:30:22Absolutely.
00:30:26And I guess you encourage Father Zerelicts to make home movies?
00:30:30The world's mixing board?
00:30:33Professor Oblivion sends video letters all over the world.
00:30:36Is the professor here?
00:30:37I am my father's screen.
00:30:47Once you've told me what this little visit is all about,
00:30:51he may choose to send you a cassette.
00:30:52If he does, which format would you like?
00:30:54If he does, it's going to make conversation a little difficult.
00:30:58My father has not engaged in conversation for at least 20 years.
00:31:01The monologue is his preferred mode of discourse.
00:31:07Format.
00:31:10Videodrome.
00:31:12Is that a Japanese configuration?
00:31:17You've never heard of it?
00:31:19No.
00:31:20Then there have been serious gaps in your education.
00:31:23Videodrome.
00:31:25Mention it to your father.
00:31:27You may want to have a conversation.
00:31:32I love the view.
00:31:33I love the view.
00:31:48Torture.
00:31:49Murder.
00:31:51Mubilation.
00:31:52Videodrome.
00:31:54What you see on that show,
00:31:57it's for real.
00:31:59I'm going to audition.
00:32:01I was made for that show.
00:32:05It has something that you don't have, Max.
00:32:09It has a philosophy.
00:32:11And that is what makes it dangerous.
00:32:18It has a philosophy.
00:32:27And that is what makes it dangerous.
00:32:41It has a philosophy.
00:32:57Hi. This is your wake-up cassette.
00:33:00And this is something that came to the office for you by courier.
00:33:03What did they say at CRAM?
00:33:05They said that Nikki Brandt is definitely not on assignment for them.
00:33:08She had a month off coming to her. She decided to take it now.
00:33:11Don't touch that!
00:33:20Jesus, Max. You scared me.
00:33:25What the hell's wrong with you?
00:33:27I don't know. I think I'm getting a rash or something.
00:33:33What?
00:33:34Are you all right?
00:33:36I didn't mean to hit you.
00:33:38You hit me?
00:33:41You didn't hit me.
00:33:43No. No. No, I know I didn't hit you. I mean...
00:33:50Do you want me to stay here?
00:33:54Uh...
00:33:54You look awful. Can I get you something?
00:33:58No. Um...
00:33:58No, I'm just, uh...
00:34:01Uh...
00:34:02I'm...
00:34:04I'm exhausted. I was...
00:34:05I was in a deep sleep when you knocked, and I guess I'm still not out of...
00:34:09I'll remember to set the timer. Don't worry.
00:34:11You're sure?
00:34:12I'm sure.
00:34:12Are you sure?
00:34:13Thanks, Bridie. Tomorrow.
00:34:15Max, that other cassette is from the office of Brian Oblivion.
00:34:18I promised I'd hand deliver it directly to you.
00:34:22Will you call me if you need me?
00:34:27I'm gonna be.
00:34:41You gotta be.
00:34:54No, no.
00:35:23The battle for the mind of North America will be fought in the video arena, the video drone.
00:35:31The television screen is the retina of the mind's eye.
00:35:36Therefore, the television screen is part of the physical structure of the brain.
00:35:41Therefore, whatever appears on the television screen emerges as raw experience for those who watch it.
00:35:50Therefore, television is reality, and reality is less than television.
00:36:00Max, I'm so glad you came to me.
00:36:04I've been through it all myself, you see.
00:36:08Your reality is already half video hallucination.
00:36:13If you're not careful, it will become total hallucination.
00:36:19You'll have to learn to live in a very strange new world.
00:36:24I had a brain tumor.
00:36:26And I had visions.
00:36:29I believed the visions caused the tumor and not the reverse.
00:36:34I could feel the visions coalesce and become flesh.
00:36:41Uncontrollable flesh.
00:36:45But when they removed the tumor,
00:36:48it was called Videodrome.
00:36:55I was Videodrome's first victim.
00:37:04Who's behind it?
00:37:06What do they want?
00:37:09I want you, Max.
00:37:13You.
00:37:17Come to me.
00:37:21Come to Nicky.
00:37:24Come on.
00:37:27Don't make me wait.
00:37:33Please.
00:37:35Please.
00:37:38Don't make me wait.
00:37:38Don't make me wait.
00:37:49Don't make me wait.
00:37:52Don't make me wait.
00:37:54Don't make me wait.
00:37:54Don't make me wait.
00:37:55Don't make me wait.
00:37:56Don't make me wait.
00:37:56Don't make me wait.
00:37:57Don't make me wait.
00:37:59Don't make me wait.
00:38:03Don't make me wait.
00:38:06i want you max
00:38:08you
00:38:13come on
00:38:17come on
00:38:24come to me now
00:38:28come to nikki
00:38:30don't keep me waiting
00:38:33please
00:38:40please
00:38:41please
00:39:01today lady luck may smile on these four players and start cam on the road to twelve thousand dollars
00:39:07you need a new group of people coming in this afternoon so tell the staff about that
00:39:11all right
00:39:23exciting
00:39:24very lively
00:39:26careful
00:39:28it bites
00:39:35you watch the cassette
00:39:37yeah
00:39:38and
00:39:38changed my life
00:39:40i'm not surprised it's dangerous you know
00:39:43because your father admits he's somehow involved with videodrome
00:39:45more than that
00:39:46it bites
00:39:48isn't that what you said
00:39:50what kind of teeth do you think it has
00:39:52i triggered off a series of hallucinations
00:39:54i woke up with a headache
00:39:56first time ever
00:39:57no i've been hallucinating for a while ever since
00:40:00what
00:40:04since i first saw a videodrome
00:40:09how did you come to be exposed to it
00:40:12pirate satellite dish
00:40:15an accident
00:40:18i made some tapes
00:40:20this is part of my own videodrome collection
00:40:22but that tape is just your father sitting at his desk
00:40:25the tone of the hallucinations is determined by the tone of the tape's imagery
00:40:30but the videodrome signal the one that does the damage
00:40:34it can be delivered under a test pattern anything
00:40:43damage
00:40:44the signal induces a brain tumor in the viewer
00:40:48it's the tumor that creates the hallucinations
00:40:51do you let me watch it
00:40:53i expect them to come to me eventually to hurt me
00:40:56i thought it might be you
00:40:59now i realize you're just another victim
00:41:02just like father was
00:41:04where is your father
00:41:06i think i better talk to him
00:41:08he's in there
00:41:14i'm afraid he'll disappoint you
00:41:22this is him
00:41:24this is all that's left
00:41:26what are you talking about
00:41:28brian oblivion died quietly on an operating table 11 months ago
00:41:33the brain problem
00:41:35the videodrome problem
00:41:37you have it too
00:41:39but he was on that panel show with me
00:41:42on tape
00:41:43he made thousands of them
00:41:45sometimes three or four a day
00:41:47i keep him alive as best i can
00:41:50he had so much to offer
00:41:52my father helped to create videodrome
00:41:55he sought his next phase in the evolution of man
00:41:57as a technological animal
00:42:00when he realized what his partners were going to use it for
00:42:03he tried to take it away from them
00:42:05and they killed him
00:42:07quietly
00:42:09at the end he was convinced that public life on television was more real than private life in the flesh
00:42:16he wasn't afraid to let his body die
00:42:24tell me about my videodrome problem
00:42:28my father knows much more about it than i do
00:42:31listen to him
00:42:39where's harlan
00:42:40he's not in the lab
00:42:41i think he's up in vtr
00:42:44max
00:42:44not now
00:42:48marlon
00:42:48si patron
00:42:50have you been hallucinating lately
00:42:53no
00:42:55should i be
00:42:56yes
00:42:58you should be
00:43:04i believe
00:43:05that the growth in my head
00:43:09this head
00:43:10this one
00:43:11right here
00:43:13i think that it is not really a tumor
00:43:17not an uncontrolled undirected little bubbling pot of flesh
00:43:22but that it is in fact
00:43:24a new organ
00:43:26a new part
00:43:28of the brain
00:43:29i think that massive doses of
00:43:32videodrome signal
00:43:34will ultimately create a new
00:43:36outgrowth
00:43:38of the human brain
00:43:40which will produce
00:43:41and control hallucination
00:43:44to the point that it will change human reality
00:43:49after all there is nothing real outside our perception of reality
00:43:54is there
00:43:59you can see that can't you
00:44:09you can see that can't you
00:44:36you can see that can't you
00:44:56you can see that can't you
00:45:09No, no, no, no.
00:45:47No, no, no, no, no, no.
00:46:10No, no, no, no.
00:46:39No, no, no, no.
00:46:58No, no, no, no.
00:47:25No, no, no.
00:47:32No, no, no, no.
00:47:35No, no, no, no.
00:47:37No, no, no, no.
00:47:38No, no, no, no.
00:47:43No, no, no, no.
00:47:44No, no, no, no.
00:47:47No, no.
00:48:03No, no, no, no.
00:48:41No, no, no, no.
00:49:00I hope you realize you're playing with dynamite.
00:49:03No, no, no, no, no.
00:49:38No, no, no, no.
00:49:44No, no, no.
00:49:53No, no, no.
00:50:07No, no, no, no, no.
00:50:21No, no, no.
00:50:22No, no, no, no.
00:50:42No, no, no, no.
00:51:13No, no, no.
00:51:15No, no, no.
00:51:17No, no, no.
00:51:19No, no, no, no.
00:51:20No, no, no.
00:51:20No, no, no.
00:51:23No, no, no.
00:51:29That's too bright.
00:51:29I can't take it.
00:51:30Yes, I forgot.
00:51:31Sorry.
00:51:32Shit.
00:51:32How's that?
00:51:34Yeah.
00:51:35Yeah.
00:51:36Yeah, that's fine.
00:51:43Okay, we're rolling.
00:51:45The taping mechanism is all self-contained.
00:51:48You don't have to do anything now but hallucinate.
00:51:51Yeah, yeah, okay.
00:51:57I'll come back for you later.
00:52:01You'll forgive me if I don't stay around to watch.
00:52:05I just can't cope with the freaky stuff.
00:52:57Thank you.
00:53:01There it is.
00:53:02Bueno, aquí estamos en la parte de donde deberíamos estar en la videota.
00:53:26¿Qué estás esperando, amor?
00:53:27Let's perform.
00:53:30Let's open those neural floodgates.
00:54:03Let's go.
00:54:48What's going on, Professor Oblivion?
00:54:50I mean, really.
00:55:10I mean, really.
00:55:24I'm sorry.
00:55:27I'm sorry.
00:55:33I'm sorry.
00:55:58I'm sorry.
00:56:03I'm sorry.
00:56:07I'm sorry.
00:56:10I'm sorry.
00:56:13I'm sorry.
00:56:17I'm sorry.
00:56:22I'm sorry.
00:56:27I'm sorry.
00:56:33I'm sorry.
00:56:37What are you doing?
00:56:38I know what he's doing now.
00:56:53I want to speak to my son.
00:56:56Bueno?
00:57:01Max.
00:57:06I don't see anything.
00:57:09You didn't just want me to shoot your bed, pillows, sheets.
00:57:12Did you?
00:57:25Max, are you in some kind of drug warp?
00:57:29I've got friends who can help.
00:57:31Bridie said she came by a couple of days ago.
00:57:33Did you take Videodrome last night?
00:57:35Yeah, if it was transmitted, the machine would have caught it.
00:57:37I'll meet you in the lab in one hour. I want to see it.
00:57:39Jeez, Max, it's not even seven hours.
00:57:41I am not just fucking around, do you understand me?
00:57:44Oh, fuck you.
00:57:45I'm not sure some fucking servo mechanism you can switch on and off.
00:57:47You want me to fall out of bed and run around like an asshole,
00:57:49you tell me what I'm doing it for.
00:57:50Otherwise, I'll see you during office hours.
00:57:52Yeah, no.
00:57:52Harlan, you're right.
00:57:56It's momentum. I'm running like an express train here.
00:57:59I don't know how to stop.
00:58:00Look, I'll meet you in the lab in one hour, okay?
00:58:03And then we'll see if we pulled in any Videodrome last night
00:58:06and I'll tell you what's going on.
00:58:07I'll everything, I promise.
00:58:10Okay?
00:58:11Hey, I'm sorry I freaked out.
00:58:15I'll work with you for the money.
00:58:16I know that.
00:58:18Those pirates is never just for the money.
00:58:21You want a cup of coffee?
00:58:21No, look, I'll meet you in 11 an hour.
00:58:23Okay.
00:58:40I'll meet you in 11 an hour.
00:58:41I'll meet you in 11 an hour.
00:58:41I'll meet you in 11 an hour.
00:58:41I'll meet you in 11 an hour.
00:58:42I'll meet you in 11 an hour.
00:58:42I'll meet you in 11 an hour.
00:58:42I'll meet you in 11 an hour.
00:58:43I'll meet you in 11 an hour.
00:58:43I'll meet you in 11 an hour.
00:58:43I'll meet you in 11 an hour.
00:58:44I'll meet you in 11 an hour.
00:58:44I'll meet you in 11 an hour.
00:58:45I'll meet you in 11 an hour.
00:58:47I'll meet you in 11 an hour.
00:58:48I'll meet you in 11 an hour.
00:59:09¡Suscríbete al canal!
00:59:22Oh, fuck.
00:59:24Not ever.
00:59:27What are you talking about?
00:59:33I'm out of my depth now, Patron.
00:59:36I have to bring in the reinforcements.
00:59:48Max?
00:59:51An intriguing combination.
00:59:53Very interesting.
00:59:56Don't let me interrupt.
00:59:57I think I was saying something like, what are you talking about?
01:00:01I was playing you tapes, Max.
01:00:05Pre-recorded cassettes.
01:00:08Videodrama's never been transmitted on an open broadcast circuit.
01:00:13Not yet.
01:00:14I guess Barry sent you here, what, two years ago?
01:00:17It has been two years, hasn't it, Carlin?
01:00:21Two.
01:00:23Two wonderful years.
01:00:26Why?
01:00:32To get you involved.
01:00:36To expose you to the videodrome signal.
01:00:40It didn't affect you because you never watched it.
01:00:45You knew it was there.
01:00:46You didn't have to see it.
01:00:49It really does work on just about anybody.
01:00:53Anybody who watches it, Max.
01:00:56But why would anybody watch it?
01:00:59Why would anybody watch a scum show like Videodrome?
01:01:04Why did you watch it, Max?
01:01:07Business reasons.
01:01:09Sure.
01:01:10Sure.
01:01:12What about the other reasons?
01:01:15Why deny you get your kicks out of watching torture and murder?
01:01:19You murdered Brian Oblivion, didn't you, you freak?
01:01:22Did you enjoy that?
01:01:32North America's getting soft, Patron.
01:01:35And the rest of the world is getting tough.
01:01:38Very, very tough.
01:01:41We're entering savage new times.
01:01:44And we're going to have to be pure and direct and strong if we're going to survive them.
01:01:54Now, you and this cesspool, you call a television station,
01:02:03and your people who wallow around in it,
01:02:06and your viewers who watch you do it.
01:02:12They're rotting us away from the inside.
01:02:16We intend to stop that rot.
01:02:19We're going to start with Channel 83, Max.
01:02:22We're going to use it for our first authentic transmissions of Videodrome.
01:02:26I have a hunch it's going to be very popular.
01:02:29For a while.
01:02:31I've got to be hallucinating now, right?
01:02:33I mean, you two can't possibly be for real.
01:02:39Uh, we did record your hallucinations, Max.
01:02:42As I said, we would.
01:02:46And we did analyze them.
01:02:50You're ready for something new.
01:02:52That's terrific.
01:03:02What do you, uh, what do you want from me?
01:03:05I want you to open up, Max.
01:03:08Open up to me.
01:03:24I've got something I want to play for you.
01:03:30Oh, my God!
01:03:31Oh, my God!
01:03:59¡Suscríbete al canal!
01:04:03¡Suscríbete al canal!
01:04:37¡Suscríbete al canal!
01:05:25¡Suscríbete al canal!
01:05:55¡Suscríbete al canal!
01:05:58¡Suscríbete al canal!
01:06:00¡Suscríbete al canal!
01:06:02¡Suscríbete al canal!
01:06:06...y give us Channel 83.
01:06:11Hello, Max.
01:06:23How you doing, Max?
01:06:34Where's Moses?
01:06:37He's in a meeting with Rafe.
01:06:39I'll tell him you want.
01:06:43Don't.
01:06:55Dub it a funny track, it's a gentle comedy.
01:06:58Mm-hmm.
01:07:00And you'd be the one to write it.
01:07:01Yeah. Yeah, I would.
01:07:03I used to write in high school.
01:07:04Haven't lost it.
01:07:07Hi, Max.
01:07:08Hey, just in time to throw some light at an interesting problem.
01:07:14Don't.
01:07:24Max.
01:07:27What the fuck?
01:07:38Max.
01:07:39What happened?
01:07:40Are you hurt?
01:07:41They killed us.
01:07:42They...
01:07:42What happened?
01:07:43They killed us.
01:07:44What happened?
01:07:44And...
01:07:46Jesus!
01:07:47Look out!
01:07:52In here.
01:07:53In here.
01:07:55Get out.
01:07:56Just clear out of here.
01:07:57Come, get out!
01:07:59Let me see.
01:08:04Max!
01:08:06Max!
01:08:10In here.
01:08:20Mary!
01:08:21In here!
01:08:35What?
01:08:37Excuse me.
01:08:51kill Bianca Oblivion
01:08:54she knows too much
01:08:56she can hurt us
01:08:59don't let her hurt us Max
01:09:02kill her
01:09:04kill Bianca Oblivion
01:09:21kill Bianca Oblivion
01:09:38kill Bianca Oblivion
01:09:39kill Bianca Oblivion
01:09:40kill Bianca Oblivion
01:09:44kill Bianca Oblivion
01:09:47kill Bianca Oblivion
01:09:50kill Bianca Oblivion
01:09:51kill Bianca Oblivion
01:09:54kill Bianca Oblivion
01:09:55kill Bianca Oblivion
01:09:55kill Bianca Oblivion
01:09:56kill Bianca Oblivion
01:10:00kill Bianca Oblivion
01:10:28No, no, no, I'm Max Wren.
01:10:30I run Civic TV.
01:10:31I don't...
01:10:36I don't kill people.
01:10:37Oh, but you do.
01:10:39You're an assassin now.
01:10:41A video drone.
01:10:43They can program you.
01:10:46They can play you like a videotape recorder.
01:10:49They can make you do what they want.
01:10:52And they want you to destroy whatever is left of Brian Oblivion.
01:10:57They want you to destroy me.
01:11:00Destroy you?
01:11:30They killed her, Max.
01:11:32They killed Nikki Brand.
01:11:37She died on Videodrome.
01:11:40They used her image to seduce you, but she was already dead.
01:11:45Don't back away.
01:11:48I stole it from them just for you to see.
01:11:57Videodrome is death.
01:12:20That's better.
01:12:23So much better.
01:12:29It's always painful to remove the cassette or change the program.
01:12:37But now that we have, you'll see that you've become something quite different from what you were.
01:12:45You've become the video word made flesh.
01:12:50I am the video word made flesh.
01:12:53Now that you are the video word made flesh, you know what you have to do.
01:13:02You turn against Videodrome.
01:13:05You use the weapons they've given you to destroy them.
01:13:10Death to Videodrome.
01:13:13Long live the new flesh.
01:13:17Death to Videodrome.
01:13:23Long live the new flesh.
01:13:38It was only 26 hours ago in the building you see behind me that a bizarre apparently motiveless shooting occurred
01:13:44which has triggered off an intensive manhunt by Metro Police.
01:13:4734-year-old Max Wren, president of the Civic TV Corporation, is being sought in connection with the shooting deaths
01:13:53of two executives in Channel 84.
01:13:55I want to say the monkey dance.
01:13:56You pay the piper.
01:13:58See what I'm saying here, Teddy?
01:13:59You know how much my monkey's batteries cost?
01:14:01They don't last in the cold.
01:14:03The cold knocks them right out.
01:14:04I can't dance.
01:14:06You know I would if I could, but I can't, so...
01:14:09You got some change, Teddy?
01:14:10You got something?
01:14:11Half a buck.
01:14:12Teddy.
01:14:12Yeah, of course.
01:14:13You got something, Teddy?
01:14:15See what I'm saying here, Teddy?
01:14:17You got something?
01:14:18Just put a little something in Teddy.
01:14:45You got something?
01:15:04You got something.
01:15:10You got something.
01:15:12You got something.
01:15:14You got something.
01:15:15I do.
01:15:15Good.
01:15:15All right.
01:15:15I'm like, you're on the floor.
01:15:16I got something.
01:15:16¿Qué es lo que se ha hecho?
01:15:19Esto es una escritura que se ha hecho aquí.
01:15:24Muy complicado.
01:15:25No me imagino que se puede ver con ellos.
01:15:29Pero no se preocupa.
01:15:47¿Dónde está el convicto?
01:15:50Estaba en un negocio de la trade show.
01:15:53¿Dónde está el spring line?
01:15:55¿Qué está en el box?
01:15:56Tu head.
01:15:59Tu head en este box.
01:16:04Un poco más busy, Max.
01:16:07He leído sobre ti en los papers.
01:16:10¿Has ido a ver Bianca Oblivion?
01:16:12No, no.
01:16:14¿Dónde está ella?
01:16:15No.
01:16:17No?
01:16:19That's good.
01:16:22Maybe you'd like to visit somebody else now.
01:16:25Is that why you're here?
01:16:26Maybe.
01:16:30You've been very useful to us, Max.
01:16:33We'd like to keep using you until you're all gone.
01:16:38Open up to me.
01:16:45No.
01:16:48No.
01:16:50No.
01:16:51No.
01:16:51No.
01:16:51That's something I want to play for you.
01:16:54No.
01:16:56No.
01:16:56No.
01:16:57No.
01:17:08No.
01:17:10No.
01:17:13No.
01:17:14No.
01:17:16No.
01:17:17No.
01:17:17No.
01:17:37¡Suscríbete al canal!
01:17:49¡Gracias!
01:18:32¡Gracias!
01:19:16¡Gracias!
01:19:20¡Gracias!
01:19:20¡Gracias!
01:19:34¡Gracias!
01:19:38¡Gracias!
01:19:39¡Gracias!
01:19:41¡Gracias!
01:20:07¡Gracias!
01:20:13¡Gracias!
01:20:26¡Gracias!
01:20:27¡Gracias!
01:20:42¡Gracias!
01:20:42¡Gracias!
01:20:43¡Suscríbete al video?
01:20:44¡Long live the new flesh!
01:24:27¿Qué es eso?
01:24:28Tu cuerpo ya ha hecho un cambio.
01:24:31Pero es solo el principio.
01:24:34El principio del nuevo cuerpo.
01:24:38Tienes que irse todo el camino.
01:24:40Total transformación.
01:24:43¿Crees que estás listo?
01:24:47Sí, sí.
01:24:50¿Cómo se puede hacer?
01:24:53Para ser el nuevo cuerpo,
01:24:54primero tienes que matar el viejo.
01:24:58Pero no te preocupes.
01:25:01No te preocupes de dejar tu cuerpo morir.
01:25:04Just come to me, Max.
01:25:07Come to Nicky.
01:25:10Watch.
01:25:11I'll show you how.
01:25:13Es fácil.
01:25:25No, no, no.
01:25:32No, no.
01:25:36No, no, no.
01:25:40No, no, no.
01:25:43No, no, no.
01:25:44Along with the new flesh.
01:26:13¡Gracias!
01:26:35Long live the new flesh.
01:27:09Long live the new flesh.
01:27:35Long live the new flesh.
01:27:44Long live the new flesh.
01:27:46Long live the new flesh.
01:27:47Long live the new flesh.
01:27:47Long live the new flesh.
01:27:50Long live the new flesh.
01:27:51Long live the new flesh.
01:28:21Long live the new flesh.
01:28:51Long live the new flesh.
01:28:51Long live the new flesh.
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