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00:00The End
00:01The End
00:02The End
00:05The End
00:07The End
00:11The End
00:14The End
00:15The End
00:20Good morning
00:21No, not this tune
00:24No, you're never gonna get it
00:25Now you promise me the moment starts
00:30The more you talk, the more the sound the same
00:31The more you talk, the more the sound the same
00:31How good was Florent?
00:33I told you
00:34Carolyn
00:35I need the updated book for the Melancho
00:38Working on it
00:39Okay, bring it to my desk
00:40Thank you
00:40Good morning guys
00:43I just sit back and watch you make a fool of yourself
00:49Cause you're just wasting your time
00:51No, you're never gonna get it
00:54Not this sound
00:56You're never, never gonna get it
00:57Well, can you call her Moscow rep?
01:01She can't close the show for us from Russia
01:03Hi, I'm her assistant
01:04She doesn't want the flowers
01:06Will you take them back?
01:07No, she told me at the casting there were no problems with her visa
01:11Well, never gonna get one
01:14Never gonna get it
01:16Never gonna get it
01:17Never gonna get it
01:19Never gonna get it
01:20Whoa, whoa, whoa...ныеι
02:06To be continued...
02:10I don't know about that.
02:11Maybe even a Daryl Hannah? Huh? Yeah?
02:14She looked pretty good as a mermaid.
02:16Maybe we could put her in a sexy Salem witch outfit.
02:21That'd bank some ad dollars.
02:22So you can see it then, right?
02:25All the fun and innovative ways that we could market this.
02:28I mean, the options in Rolodex are endless.
02:33Look, it's one thing for people to be sitting at home,
02:36watching the news, reading the paper,
02:38but I just don't see a world in which they're going out of their way
02:41to buy a magazine about politics.
02:43But that's because politics has always been presented the same way,
02:47which is just a bunch of old guys falling asleep on C-SPAN.
02:51I genuinely believe that with the right marketing,
02:54we can get people as engaged with politics as they are pop culture or the NFL.
03:02Where are you in all this?
03:03I mean, let's be honest here.
03:05That's the real selling point.
03:08If you did this magazine like Martha Stewart Live and you put yourself on every cover,
03:12that's a different story.
03:14And some free advice from people actually in the business?
03:17Your brand's only as strong as its name.
03:20Calling the magazine George after George Washington makes it feel like homework.
03:27I'm going to do another Malbag.
03:29Oh, there she is.
03:31My wife was in the neighborhood.
03:32They told her about Popeye.
03:33Hope that's all right.
03:35In the neighborhood.
03:37They live in Rye.
03:39You know, it was just so obvious that these guys had already made up their minds
03:42before they even stepped foot in the restaurant.
03:44It's like, why waste everybody's time?
03:46Because they want to be seen having lunch with you.
03:48You could have pitched them a magazine about hot dogs and they would have taken the meeting.
03:53And a part of you has to be okay with that because, no offense,
03:56this magazine does not come to fruition without your celebrity.
04:00Oh, really?
04:01I haven't heard.
04:02Look, I get it.
04:04You want to be taken seriously.
04:06You want to make your mark for you.
04:09Before what?
04:12I hadn't thought that far ahead.
04:13That's all you think about.
04:14That's why you never know where anything is.
04:17Just the hand cream or the soap.
04:18You know, I just want to create something of my own.
04:21From the ground up.
04:22I just think that if anyone can bridge the divide between politics and pop culture, it's me.
04:28I know, speaking of things coming together.
04:32You're not proposing, are you?
04:34What?
04:35To Daryl?
04:37I forgot I have to be more specific when it comes to your love life.
04:40Daryl was seen buying a wedding dress in a thrift shop in Santa Monica.
04:45I just thought it seemed weirdly specific.
04:51You know, you're supposed to be a refuge from all this noise and bullshit.
04:54Oh, my God.
04:55I'm sorry.
04:55I didn't know that was my role.
04:57Fuck off.
04:57No, no, no.
04:58Please, let me try again.
04:59Mr. Kennedy?
04:59I have your sister on the phone from Cornell Hospital.
05:09Calvin has to push the meeting with Creative to two.
05:12Apparently, there's some kind of emergency.
05:19Do you think you should be reading tablets while you're at work?
05:21It's people.
05:23Honey, I know you don't care, but my astrologer did see John and Daryl fighting at a Halloween
05:28store in the village, like, screaming at each other.
05:31And she also said they're both Sagittariuses, which is like, Jesus, take the wheel.
05:35Yeah, well, I'm a Capricorn, so we probably wouldn't have fared much better.
05:38Also, maybe it's people like your astrologer peddling gossip about them that's a problem.
05:43Maybe if people left them alone, they'd thrive.
05:46You know, I know you're trying to take the high road, but I don't want to.
05:51Is that the press packet?
05:52Yeah.
05:53I love having to compile favorable press clippings from each beak in order to justify
05:57the entirety of the publicity department.
05:59I know he increased your clothing allowance when he got that promotion.
06:02I do not feel bad for you.
06:04Black paper clips.
06:05I couldn't find any.
06:07There's a Staples on 57th and 3rd.
06:10Serious?
06:10He's fired people for a whole lot less, and I would rather not lose you as an assistant.
06:15Okay, let's scrap this.
06:17He hates full body shots.
06:18He thinks he has chicken legs, and let's ditch the New York magazine piece.
06:21He doesn't like being compared to Ralph.
06:23Lauren?
06:24No, Macchio.
06:27A karate kid?
06:30You know what my dad told your father before we got married?
06:33Keep her riding, and she'll always be in a good mood.
06:37See, I wish we would have known that.
06:39We would have installed a riding ring in your apartment.
06:42Still, I recommend you stay on two feet for a while.
06:45You said you had a headache before you were thrown from the horse.
06:47Were you experiencing any other symptoms?
06:49No, I was just tired.
06:51I didn't have much of an appetite, so I didn't eat breakfast, which is probably where all of
06:55this started in the first place.
06:57And as far as lifestyle?
06:59I'm as healthy as can be.
07:00I don't eat sweets.
07:02I exercise every day, sometimes twice a day.
07:06Mom.
07:06She smokes.
07:07This is just retribution for making her meet with a nutritionist during recess.
07:12Yes, thank you again for neutralizing my sweet tooth at such a young and impressionable age.
07:16We'll need to keep you overnight as a precaution.
07:19Monitor your vitals.
07:20No, thank you.
07:21I will not sleep a wink in this place, and what I need is a good night's rest.
07:27If you do insist on leaving, you'll need to sign discharge papers stating that you left against the medical...
07:32I've spent my fair share of time in hospitals.
07:34I know how it works.
07:37Of course.
07:38I'll be back to check on you in a bit.
07:40Thank you, Dr. Moore.
07:49Why don't you and Maurice head to the cafeteria, I'd love a cup of tea.
07:53You think that'll be enough time for him to relay all your reservations about the magazine?
08:00Why don't you and I go get some tea?
08:01And list the fireworks.
08:05Please try to maintain inside voices.
08:14Well, I'm just trying to understand why you'd want to join the ranks of an industry
08:19that's profited off our family's misfortune for years.
08:23Generations, actually.
08:24Why is it any different from you working at Doubleday or Caroline writing books?
08:27Those are genuine interests of ours that we've cultivated over years.
08:31And this idea of seemingly out of nowhere, and you finally pass the bar exam.
08:38I mean, I just think you should...
08:39Dad wanted to be a journalist.
08:40I mean, before Grandpa roped him into politics.
08:44Is that what all this is about?
08:46Wanting to feel closer to your dad?
08:48Come here.
08:51No.
08:53I'm just saying that, like, my interest isn't entirely out of nowhere.
08:58If Caroline wanted to start a magazine, no one would bat an eye at it.
09:03I'm just...
09:04I can't stand by waiting for my life to start.
09:07I'm 33 years old.
09:09When Dad was my age, he was a father, a best-selling author, a congressman, and a war hero.
09:14Yeah.
09:16It's like you said, he didn't really have a choice.
09:19And I can tell you, success isn't all that triumphant when it's expected of you.
09:31Now, will you please break me out of this place?
09:36The brawl culminated in blows being exchanged.
09:40Marky Mark was said to have punched maverick record-labeled talent scout Guy O'Seary.
09:46The fight spilled out onto the streets, but was eventually broken up by party orders.
09:50Who picks a fight with Madonna?
09:52Well, he also allegedly called a member of her entourage a homophobic slur.
09:58Well, wait a sec.
09:59He only called the guy a homo.
10:02I'm just saying, I think we all assumed he meant faggot.
10:07Yeah, he's practically Harvey Milk.
10:08All right, settle down.
10:09You know what I meant.
10:10He's a loudmouth rapper from Boston.
10:12People don't give a shit if he's politically correct or not.
10:15And therefore, neither should we?
10:17That's a hell of a mission statement.
10:19The campaign is a cultural phenomenon, and we're just getting out of the red.
10:24I don't think we can afford to kick him out of bed over a drunken indiscretion.
10:28Careful there, Todd.
10:29You're sounding a little guy.
10:30It might not be our call.
10:32According to his team, Mark feels the underwear campaign has overshadowed his burgeoning rap career.
10:39Well, I didn't realize Marky Mark and the Funky Bunch were plotting global domination.
10:45They also said that he doesn't like all the attention, that the campaign has brought him from gay men.
10:54Are you kidding me?
10:55I mean, he did everything short of dry-humping the runway at the L.A. show.
10:58What, did he think all those men in the crowd were just huge fans of shitty hip-hop?
11:02Well, the partnership has clearly become untenable, so we need to replace him quickly and seamlessly.
11:10And let's also issue a statement condemning his bullshit.
11:15Will you be issuing that statement personally, or...?
11:21No.
11:25So, who do we like to replace him?
11:28Uh, we have Brad Pitt, uh, Jason Priestley, Keanu Reeves...
11:33No, no, no, no, no, no, no, no, no, no, no.
11:36I don't want to get involved with another established celebrity.
11:39I want someone who our customers can bestow their fantasies onto.
11:44I want a fresh face that will instantly ingrain itself into the public consciousness.
11:51You pluck Kate Moss from obscurity.
11:55If anyone can mint a star, it's you.
12:02You catch that little dig?
12:04He knows full well that I'm known that fought for Kate.
12:07He'll be compared to a teenage boy.
12:08I know, but you can't let him rattle you.
12:11In fact, I think it probably turns him off.
12:13Telling me to settle down? Go fuck yourself.
12:15Can you imagine if Kate called someone a faggot and insulted them?
12:17She'd be crucified.
12:18That, or young girls everywhere would be committing hate crimes.
12:22Anyway, I'll see you tonight.
12:24Yes, I'll be peddling your book like my life depends on it.
12:29I'm going to have to go smuggle a model out of Moscow.
12:30Oh, you're doing God's work.
12:33Amen.
12:38Welcome to Heart of the City.
12:40I'm John Kennedy.
12:41Clean air, less traffic, adequate housing.
12:44Those are some of the things that New Yorkers only dream about.
12:47But some New Yorkers...
12:48Get the fuck out of the way, asshole!
12:51Cut!
12:53Let's take five, everybody.
12:55Get out of the street!
12:59Sorry about that, John.
13:00You sure you don't want to use that?
13:02We are highlighting the wonders of the city.
13:04You're doing great, by the way.
13:05Really?
13:06I feel like I'm in my head.
13:07Oh, no.
13:08I will tell you.
13:10Okay, guys.
13:11On to the next round.
13:12Hey, superstar!
13:15What are you doing here?
13:17The table read got postponed, so I thought I could see you in action.
13:20Well, I don't know how entertained you're going to be.
13:23Oh, I love that I get to be the one behind the camera for once.
13:28Excuse me.
13:29Can I get you anything, Miss Hannah?
13:31Uh, coffee or tea?
13:33I'd love some candy, actually.
13:35Anything sour.
13:36Huge fan.
13:40Is this the whole crew?
13:42Yeah, we're just shooting a thing for PBS.
13:44I love it.
13:45It reminds me of my early days, doing guerrilla shoots.
13:48No permit.
13:49The sound guy's also doing the lighting.
13:50It's what real filmmaking should feel like.
13:53Community.
13:56What are you writing?
13:58I am just tinkering with the script.
14:01Can I hear it?
14:02Well, it's not like a monologue or anything.
14:04I'm just, uh, talking about the city.
14:06I know, but you're still on camera delivering lines.
14:09You still have to emote.
14:11I'm fine.
14:16Are you mad at me or something?
14:18No.
14:18No.
14:19I'm just, I'm just trying to focus.
14:21I just thought you might want my input since I'm an actual actor.
14:24What the fuck?
14:26Yeah?
14:28Did they follow you here?
14:30No.
14:30Maybe it was the giant film crew that tipped them off.
14:33You just said how small it was.
14:35All right, I'm gonna go.
14:38I'm sorry, all right?
14:39Yeah.
14:40I'm just trying to focus and do a good job.
14:42You're incapable of doing a bad one.
14:44Come here.
14:46See you back at home?
14:47Yeah.
14:47I have an event tonight.
14:49It's a work thing.
14:50Tear your hair out.
14:51I'll see you after.
14:53Maybe, um, just give them a couple good shots on your way out.
14:56See if they'll fuck off.
14:57Okay.
14:59Daryl, this way.
15:00This way, please.
15:01Bye.
15:02Daryl, thank you.
15:06All right.
15:07Daryl.
15:24If you ever get close to a human
15:28And you all might be hanging
15:34And you're ready to get confused
15:38And me and my head after
15:43There's definitely, definitely, definitely no logic
15:46To human behavior
15:50You look so gorgeous
15:53And me and my fear
16:00And there is no
16:04Oh, man
16:09And safety
16:13Oh, my God, it's you really good.
16:15Okay.
16:21Is that for me?
16:26You know, I was hoping you would notice me.
16:31It's hard not to.
16:37This feels like one of those nightmares
16:38When you show up to school
16:39And realize you're naked.
16:40Except you're getting paid.
16:42Because unlike everybody else,
16:43People actually want to see you naked.
16:45We should all be so lucky.
16:49Why didn't you tell me you were working this?
16:53They don't really tell us what the events are.
16:55They just give us a time and an address
16:56And a pair of underwear.
16:59Plus, I try not to make it a habit
17:00To call someone after I've left them
17:01Like 50 voicemails.
17:03No, no, no, no, no, I'm sorry.
17:05I mean, work's been crazy.
17:07No, you know what?
17:08It's fine.
17:09You should get back to the party.
17:11Hey, I'm working, too.
17:12Really?
17:13Then why don't you take up all of your clothes
17:15And grab a tray?
17:17For what it's worth,
17:18I think there's about five men in this city
17:20That can pull off that uniform.
17:28I'll see you later, yeah?
17:29Have you seen the book?
17:31She did this all by herself.
17:33She had nothing to do with it.
17:34Thanks for having me here.
17:36I'm loving to show you.
17:37She's doing the book.
17:38She's doing it kind of terrific.
17:42She did it all by herself.
17:44I had nothing to do with it.
17:46That's right.
17:48Relax, John.
17:49She's here.
18:01Hi.
18:02Hey.
18:05How are you?
18:06Good.
18:07It's nice to see you.
18:08Yeah, you too.
18:11I didn't realize Kelly was a photographer as well.
18:15Yeah, you know,
18:16I don't think she actually took any of the photos.
18:18I think she more curated them.
18:23Sorry, I wanted to come over earlier, but I had to.
18:24No, it's fine.
18:25I'm sure you have a lot of hands to shake.
18:30You really know how to make an entrance, by the way.
18:32Although, I'm not going to lie, I was sort of hoping it was Prince.
18:35Oh, is Prince supposed to show tonight?
18:37Do you think Prince RSVPs?
18:39That's a good point.
18:46Did you get my flowers?
18:48Which ones?
18:49Well, you wouldn't call me back.
18:51There wasn't much to say.
18:52It was one day.
18:53I know.
18:53I just, um...
18:55I feel terrible about how everything transpired.
18:57It's fine.
18:58Multiple bouquets of flowers to my office.
19:00It was really not necessary.
19:03Did you like them, at least?
19:06Calvin only allows white orchids in the office, and my apartment's basically death row for vegetation.
19:14I just, um, I can't seem to function knowing that you hate me.
19:19I don't know you well enough to hate you.
19:21Daryl and I were not together when you and I met you.
19:23You really, you don't have to do this, seriously.
19:25It's not like you bamboozled me.
19:26I knew what I was signing up for.
19:28Well, what does that mean?
19:29It means there's your world, and then there's mine, that I inhabit with everyone else.
19:34Look, I'm gonna...
19:36It was nice to see you.
19:38Enjoy the party.
19:40Wait a second.
19:48It's nice to see you.
20:03Carolyn!
20:05Carolyn!
20:06John, you have a girlfriend, okay?
20:08And I don't have to turn on the TV or open up a newspaper to know that you two are
20:12everywhere.
20:13It's like we're all living in the John and Daryl fun house.
20:15Look, she came back into my life in this very weird time, and we have a lot of history together.
20:20You don't, you don't.
20:22You don't have to defend your relationship to me, I get it.
20:25There's obviously a reason you two keep finding your way back to each other.
20:29Plus, she understands this weird fishbowl that you live in.
20:33If I were you, I wouldn't want to throw that away either.
20:35So let's just be friends.
20:37Whatever stress or guilt you're feeling, you're absolved.
20:41I promise.
20:44I just wish I could explain to you how even the simplest things can become so complicated for me.
20:51How badly I wish I was someone else when I met you.
20:58It is what it is.
21:02I'll see you now.
21:07I'll see you now.
21:30May I?
21:32Just ask me for a cigarette.
21:34Oh, absolutely not.
21:36It's disgusting.
21:38You scared your husband's gonna catch you?
21:42Please, look at him.
21:46I swear to God, they need a program for the partners of recovering addicts on how to cope with their
21:51newfound sanctimony.
21:53The other day he lectured me on the pitfalls of a Diet Coke.
21:57I saw you talking to John earlier.
21:59How was that?
22:01It was fine.
22:02What, do I need to hand you out the window? Give me some details.
22:06We're just gonna be friends.
22:08Which we should have done from the beginning.
22:09You don't want to be his friend.
22:12Either way, that ship has sailed.
22:15I don't blame him.
22:15He's dating a beautiful movie star.
22:17What's not to love?
22:19Well, look.
22:20I love John, but there's a lot of trade-offs being with someone like that.
22:26I mean, there's a rush walking into a room with someone everyone wants to talk to, feeling like, of all
22:32the people they could have on their arm, they chose me.
22:35I must be fascinating too, but at the end of the day, they never really choose you, you know, not
22:44in the way that you wish they would.
22:46Shiny people like that, they belong to everyone.
22:51All I'm saying is, it's better to be adored than enamored.
23:00When I was growing up, as you can imagine, and I, um, I had some lessons in the very first
23:07lesson in my life.
23:14Hey.
23:16I'm just grabbing some more rolling papers.
23:19You need anything?
23:27Hey, brother.
23:28How's it going?
23:30I think something's up with your stove.
23:32I'm just getting, like, a ton of gas.
23:36Come on.
23:37Next.
23:39Maybe turn off the stove first?
23:41Right.
23:41Good looking out.
23:42Let's fucking suck the blow up.
23:54Hey.
23:55You're here.
23:56I think you know everyone.
23:58Um.
23:58Oh, wait.
23:59This is my friend Chandra from the retreat I did in Peru.
24:01She's the one who knows your cousin Bobby.
24:03How do you know him again?
24:04Uh, I guess technically Riverkeeper.
24:06Would you guys mind not?
24:09Oh, sorry.
24:23Well, is it like a family thing, the event tonight?
24:26No.
24:28Why?
24:29I just didn't know if maybe your mom and sister were there, and that's why you didn't invite
24:32me.
24:33You have to stop with this narrative that you're like persona non grata, okay?
24:37It's not true.
24:40Babe, you have Kennedy memorabilia everywhere.
24:42It's not memorabilia, Daryl.
24:44These are not baseball cards.
24:46They're family heirlooms.
24:50Well, can you hang out for a little?
24:52You've been out all night.
24:53Exactly.
24:55I'm exhausted.
24:55From your work event?
24:57You don't even have a job right now.
25:03You know, maybe give me a heads up the next time you want to have people over at my place.
25:07Your place?
25:07I live here too, John.
25:09Do you ever notice how quickly it becomes your place anytime anything remotely inconvenient
25:12happens?
25:13Remotely inconvenient?
25:14I don't even know who half these people are.
25:16Yeah, because you don't even make an effort to get to know them.
25:18Oh, I'm sorry.
25:19Why don't we get Chandra over here and we can blow some lines off my dad's inaugural address.
25:28I'm gonna crash?
25:30It was nice to see all of you.
25:35Hi.
25:35Should we go?
25:36No, no, stay.
25:38Are you sure?
25:39Yeah, he's just tired, you know?
25:41No, stay.
25:47That was so rude.
25:49You're right.
25:49Please, apologize to the coke den in my living room for my behavior.
25:52I'm not sleeping here tonight if you're just gonna act like a fucking asshole.
25:55Well, apparently I won't be sleeping here tonight either, so please, let me know where
25:58you're gonna go.
26:00Why did you want to get back together again if you're just gonna act like this?
26:04You came back to me.
26:05On the condition of a clean slate which you agreed to.
26:10And yet every time I look at you, your mind is clearly someplace else.
26:15All I want is for you to need me as much as I need you.
26:19I don't even know what that means.
26:23That's because you're repressed, John.
26:25Like, I say this with love, but between your lineage and your heritage, you're like the poster child for emotional
26:31avoidance.
26:32Between my lineage and my heritage?
26:34Yes.
26:34Oh my god, this, this what we're doing in front of your friends right now is exactly how we end
26:39up on the cover of People magazine every week.
26:41Who cares?
26:42I'm trying to talk to you about real life.
26:44Our relationship becoming a global punchline is real life, Daryl.
26:47And if you can't see that, then I don't really know what to tell you.
27:27Hey!
27:29They let you keep that uniform?
27:33Ow.
27:34That didn't hurt.
27:37Didn't you play football in high school?
27:39So?
27:42So you're supposed to be tough.
27:50Why do you always like to do that?
27:52What, pinch you?
27:53I don't know, do I do that often?
27:55Uh, yeah.
27:56I guess I didn't really notice.
27:59No, that's not, that's not true.
28:01I, um...
28:05When I was little,
28:07I was playing hide-and-go-seek with my sister and her friends,
28:10and I was hiding in this little compartment
28:12in my stepdad's entertainment unit, you know,
28:16by the TV, and...
28:20All of a sudden, I started having all these really dark thoughts
28:23that something bad had happened to them.
28:27And...
28:27I got scared, so I, I climbed out, and...
28:32They were all just sitting there making friendship bracelets.
28:35Like, they all just...
28:36They all just stopped looking for me, and...
28:40No one said anything, and I just, I lost it.
28:45And...
28:45And I started hyperventilating, and my mom was trying to calm me down, and...
28:49She just kept telling me to pinch her arm.
28:52I think she wanted to have me focus on something else.
28:56Eventually I stopped crying.
29:02Well...
29:02If that was me...
29:05I would have never stopped looking for you.
29:14I'm gonna get a water.
29:16I can get it for you.
29:17No, no.
29:18It's fine, thank you, though.
29:39You okay?
29:40Yeah.
29:58John, tell me what it was about Governor Florio and his record that seemed to...
30:03...resulted in his winning the award this year.
30:05Well, for this year, the award was given on the basis of the...
30:08You ready?
30:09...stand on gun...
30:11Yup.
30:17What?
30:20What if we did a little shopping?
30:26So, uh...
30:27Are we allowed to be in here on the weekends?
30:32No, I'm serious.
30:33What happens if somebody walks through that door?
30:35Then what are we gonna do?
30:36Uh, we split up...
30:38...and run like hell.
30:41What shoe size are you in?
30:45Thirteen?
30:46Yeah.
30:49Why are you doing this for me?
30:51Hmm?
30:52Because you're a good person.
30:54And you deserve more than you think you do.
31:01Plus, you gotta dress for the part you want, not the part you have.
31:04Right?
31:06I still know a few of their moves.
31:10Oh, Jesus.
31:14Don't act like you're not impressed.
31:18What's the opposite of an aphrodisiac?
31:20I don't know.
31:21What is it?
31:23You...
31:24Come on.
31:46I, uh, I read in a trade you're gonna be working with Anne Margaret?
31:52Yeah.
31:53How cool.
32:02Your mother isn't feeling well.
32:05She'll be taking dinner in her room, but she sends her regrets.
32:18John.
32:20John.
32:23All right.
32:35Daryl!
32:39Daryl!
32:41Daryl!
32:52Daryl!
33:08Daryl!
33:11Daryl!
33:12Daryl!
33:23Daryl!
33:24Daryl!
33:24Daryl!
33:25Daryl!
33:28Daryl!
33:28Daryl!
33:29C-C-C-C-C-Oês!
33:35Daryl!
33:44Daryl!
33:44What are you doing?
33:45I can't stick around anymore, hoping her to change or start to give a shit.
33:49Give a shit.
33:50What do you think I'm doing here?
33:51It's not enough to just show up, John.
33:53You have to actually be with me when we're together.
34:01What is it that you're waiting for?
34:04What is it that I haven't proved to you yet?
34:07No one is going to love you the way that I love you, John.
34:11Okay?
34:12No one is going to be able to put up with all the cameras
34:14and the tabloids in your family.
34:17And, I mean, say what you will,
34:19but there's a reason the public is so invested in us.
34:22It's because they know we have something worth paying attention to.
34:26And, you know, we've talked about how I feel like work
34:29has been kind of drying up for me.
34:32Or maybe that's just the universe making space for us.
34:36For me to be more to you in this next chapter of your life.
34:42Are you even still in love with me?
34:46Of course I love you.
34:56I'm done.
34:59Because I won't accept your marriage proposal
35:00while we're at each other's throats?
35:02This has been five years, John.
35:04If you wanted to marry me, you would have.
35:06If you really believed that,
35:07why'd your friends tell the press our engagement was imminent?
35:09What are you talking about?
35:11The convenient details of your wedding dress?
35:13What, did you think you could get through to me via the tabloids?
35:17See, this is where your family is fucked with your head.
35:20Not everything is a ploy, John, or an angle,
35:24or some machination of the Kennedy court.
35:33Where are you going?
35:35Back to L.A.
35:38I don't want you to leave.
35:39I want to work through this.
35:43We'll be back in a few days.
35:45What, are you just going to leave them?
35:51You need to ask yourself what it is you really want.
35:54Not your family, not what you think people want.
35:58What you want.
36:12Can you confirm he's been submitted?
36:13It's the biggest modeling campaign in the world.
36:16My dad...
36:17Okay, just, um, do me a favor and flag his headshot for Calvin.
36:21Wow, really done a 180 on this relationship, huh?
36:24I just think you'd be right for it.
36:26I mean, you said it yourself, he's gorgeous.
36:29Oh, so this is just strictly professional.
36:32Gould!
36:33What are you doing with this guy?
36:41You look very familiar.
36:44Where would I know you from?
36:47Uh...
36:50I'm not sure.
36:59Well, looks like you have quite a few notes there.
37:02Hi.
37:03Hi.
37:04Oh, some of them are just words of encouragement.
37:08Hmm.
37:08I don't recall getting any of those when you gave me notes on my book.
37:11Oh, that's because praise makes you horribly uncomfortable.
37:19Have you ever thought about writing one?
37:22A memoir?
37:24No.
37:25Absolutely not.
37:27Well, don't you tell the authors you work with
37:29it's an opportunity to make sense of the past
37:32and reclaim the narrative?
37:34Some of them, yes.
37:36But not everyone's past should be revisited.
37:41Do you ever think about what your life might have looked like
37:43if you married somebody else?
37:45I did marry somebody else.
37:47I know.
37:48You still have his last name.
37:50I wasn't talking about Ari.
37:54You know, you never called him that until after he died.
37:58Our entire marriage, you refused to call him anything
38:01other than Mr. Onassis.
38:03Well, I already had a father who didn't parade us
38:05around the Greek islands like he won us at an auction.
38:08That was because I think we needed it.
38:11Whether you or the rest of the world liked it or not.
38:14Do you ever think about what if you had married somebody
38:17other than Dad?
38:19Just lived a normal life?
38:21I think we both know if anyone had offered me anything normal,
38:25I would have been bored to death.
38:28Even knowing what you know now
38:31about some of the choices he made?
38:38All relationships have their disappointments.
38:42It's just a matter of how you're let down.
38:46What, you don't think your relationship has drawbacks?
38:50No, I don't.
38:52You might, but I didn't need the same things that you did.
38:55I've been nothing but supportive of your relationship.
38:58You acquiesced to my relationship.
39:00What?
39:01That was because I wanted to make sure you were marrying
39:03for the right reasons.
39:06What possible ulterior motive could I have had marrying Ed?
39:10Well, exactly.
39:12You made a stable choice.
39:15God forbid I choose a man I could actually depend on.
39:18At any rate, your brother, he was more overt at pressing my buttons,
39:25but you, you weren't exactly an apple polisher.
39:31Not everything we do is in reaction to you.
39:34The same way your varied love life wasn't only a reaction to your mother.
39:41At the end of the day, your wounds informed your choices, just as mine did.
39:46And once I realized that Ed was the right one for you,
39:49I shut my mouth, didn't I?
39:53I think you failed to contextualize who I was raised by.
39:57I mean, you know your grandmother, but you don't know my mother.
40:02Her only dream for me was to become the most beautiful accessory
40:08to the most coveted man.
40:10And I think, well, I think I exceeded those expectations.
40:22But I do realize that I might have gone about it in the wrong way at times.
40:32But I did have your best interests in mind, sweetheart.
40:38I know.
40:42Do you?
40:54I do need notes on my latest draft, by the way.
41:16Delivery guy, I didn't want them.
41:21White orchids.
41:27Hi.
41:28Hey.
41:29Are you still good for lunch?
41:30Yeah.
41:31No, I'm starving.
41:35Those can stay at my desk.
41:41Come on, Hank.
41:43Come.
41:43This way.
41:44Can I get your autograph?
41:45Oh, um, sure.
41:48Thanks, John.
41:50You won't.
41:51Hank!
41:51Hank!
41:53Hank!
41:55Hank!
41:57Hank!
41:58Hang on!
42:05I'm so sorry.
42:08I understand.
42:10I...
42:13I'm on the next flight out.
42:16Well, I had to wait for the ashes.
42:20All right.
42:21Listen, my car's downstairs, okay?
42:23I'll see you soon.
42:46I'll see you soon.
42:47It's...
42:48It's mommy.
42:50Well, I just...
42:52Was checking in to see...
42:55Well, I haven't...
42:57Spoken to you since you left so abruptly the other night.
43:03Anyways...
43:04Call me.
43:07All right?
43:09Very good.
43:11Bye.
43:13Bye.
43:14It'll take a little time.
43:16Might take a little cry.
43:19To come undone.
43:22Now we'll try.
43:25To stay blind.
43:27To the hope and fear outside.
43:33Hey, child.
43:36Stay wilder than the wind.
43:40And blowed me into a fire.
43:47Who do you need?
43:50Who do you love?
43:53When you come undone.
43:58Who do you need?
44:01Who do you love?
44:04When you come undone.
44:12Lost in a snow-filled sky.
44:17We'll make it all right.
44:20To come undone.
44:23Now we'll try.
44:25To stay blind.
44:28To the hope and fear outside.
44:33Hey, child.
44:36Hey, child.
44:37Hey, child.
44:37Stay wilder than the wind.
44:42And blow me into a fire.
44:48Who do you need?
44:51Who do you love?
44:53When you come undone.
44:58Who do you need?
45:02Who do you love?
45:05When you come undone.
45:12Who do you need?
45:17Who do you love?
45:23I love you.
45:25I love you.
45:27You
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