- 6 hours ago
Later... with Jools Holland Season 68 Episode 1
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00:18Welcome to a brand new series and welcome to my dear old friends. Let's begin with
00:23sweet
00:54Why don't you kiss me like they do on the screen? You know this is me. You don't know where
01:02I've been. Stand up closer, I won't find it all. I'd never think that my love is small. I want
01:11your love cause it's such a ball.
01:14Oh, she's like a baby in a cradle, a rock across the street. A man who's at the table, a
01:23baby in the tree. But I want love and love a beauty to you.
01:47Why don't you hit me? Give me a heart attack, go on and love me. And I might love you
01:55back. I know you're much younger than me.
01:59When I pulled you off of the street. It's cool of an ass house to eat. She's like a baby
02:11in a cradle, a rock across the street. A man who's at the table, a dirty of a cheat. But
02:18I want love and love a beauty to you.
02:23She's like a baby in a cradle, a rock across the street. A man who's at the table, a dirty
02:30of a cheat. But I want love and love a beauty to you.
02:37She's like a baby in a cradle, a rock across the street. A man who's at the table, a dirty
02:44of a cheat. But I want love and love a beauty to you.
02:54¶¶
02:55¶¶
02:56¶¶
02:57¶¶
03:12¶¶
03:18How lovely to have my dear friends in this room.
03:21Thank you, Squeeze!
03:23With Why Don't You from their new album, Trixie,
03:26a marvellous array of incredible guests this evening,
03:29because we will be welcoming, from Sussex and Bergen in Norway,
03:34Tamora!
03:35CHEERING
03:36From Minehead, It's Get Down Services!
03:39CHEERING
03:41From New York, The Extraordinary, Aja Monet!
03:45CHEERING
03:48McNair from Mullinger in Ireland, It's Niall Horan!
03:52CHEERING
03:52CHEERING
09:58which i think are great you know it's the whole you're on some of the whole the whole exactly me
10:03with very long hair and skinny um but we haven't played together this century and people have tried
10:09to you know said oh well you know jules you're going to be back with squeeze at some point um
10:14and just because of circumstances really it's never it's never worked out there was even offers
10:18in america there was a tv show that tries to get together but one thing or another it hasn't worked
10:22out but i propose that we actually do play um to show the love tonight for the first time ever
10:29for years would you like to do that i think we should that's a great would that be okay with
10:32you
10:34great and i'd love it too and it made me very happy because we made great music together and i'm
10:39very
10:39proud to be part of of it oh thank you very much it's great to have you here thank you
10:44very much for
10:44joining us and the world to hearing more from trix's in a moment and i'm going to go over this
10:48way thank you very much chris nifford and glenn telbrook next an extraordinary grammy-nominated
11:00surrealist blues poet who began writing at the age of eight with a song she describes as the portal of
11:07possibility please welcome aja monnet
11:38Said we're going to the elsewhere
11:44Yeah, yeah, yeah
11:49Said we're going to the elsewhere
11:51We be somebody-ness
11:55When the street lights in your veins go on
11:59And some are walking up and down the sidewalk of your grin
12:03Diamonds twinkling on the street
12:07The thirst of our cool
12:12On the shorelines of a smile
12:17Washing up against moon-shuttle-lit eyes
12:21Freeing impulses, whereas folk we know
12:26Laughter, laughter in the face of death
12:32The carnival of flowers sprouting from clothes
12:35Fifth earth skin
12:38The perfume of stones kissing cuss words
12:43The rhythm echo and reverb riffing
12:49Where the garments of Jupiter genius
12:52Sparkling of spaceships
12:57Scattered in desire
12:59Dressed in vibration
13:02Cooking on a stone skillet
13:05Afro-curl satellite levitating
13:08Cold disguise
13:10Heaven words
13:11Embrace the marvelous
13:13Embrace the marvelous daydreams
13:15Born in the forest of our refuge
13:17We, we, we, we were born to be sun-right
13:21We were born to be sun-right
13:24We were born to be sun-right
13:24Radiant, radiant
13:26Radiant
13:26Falling upon the horizon
13:27Newly each day
13:29Shining
13:30Waywardness
13:31Let's go
13:34Let's go to the elsewhere
13:38Set loose
14:03Forward to the elsewhere
14:05Said this when we get there
14:08Said we going to be elsewhere
14:11Set loose when we get there
14:27We need not climb on the shoulders of our elders
14:32to look at their toes. There's love in the elsewhere. There's, there's, there's liberation
14:43in the elsewhere. Talk, talk, talk about the blood. Talk, talk about the blood. There's
14:55revolution. There's revolution in the elsewhere. Peace of mind in the elsewhere. Neither here
15:07nor there. Neither here nor there. The end. The end of the world. The end of the world
15:15as we know it. Let's go. Let's go to the elsewhere.
15:44With elsewhere from her new album, The Color of Rain. Thank you, Aja Monet.
15:55Now let's move over to this corner because Tom Rowlands of the Chemical Brothers and Norwegian
16:02artist Aurora have formed a remarkable duo. So please welcome Tamora.
16:18I don't think I understand this feeling. I don't think I understand this feeling. I don't
16:37but I don't think I understand this feeling. I don't think I understand this feeling.
17:06if I will. I don't think I understand this feeling. I don't think I know this feeling. I don't think
17:19I
18:02I just want to feel the whole song in my mind
18:11I just want to feel the whole song in my mind
18:49I just want to feel the whole song in my mind
19:22I just want to feel the whole song in my mind
19:36I just want to feel the whole song in my mind
20:06I just want to feel the whole song in my mind
20:58I just want to feel the whole song in my mind
21:02I just want to feel the whole song in my mind
21:32I just want to feel the whole song in my mind
22:02I want to feel the whole song in my mind
22:02I just want to feel the whole song in my mind
22:25really I think the fact that I picked up a guitar at a young age
22:28which is always helpful when you go to write a song
22:31and I think that kind of guitar pop rock sound is something that I knew exactly where I was going
22:38to go with it
22:39what the initial stuff was going to sound like
22:41but then I also had this love for singer songwriter
22:44I grew up on Damien Rice and a lot of Irish folk music that kind of got me into the
22:50singer songwriter side of things too
22:51so I think both of them played into what I do now
22:55and earlier tonight you played Dinner Party
22:57what was the inspiration for that song?
23:01the inspiration is actually about the first night that I met my now girlfriend years ago
23:07and yeah it tells the story of what happened that night
23:11but after I'd written the song it kind of
23:13it told me what the rest of the record was going to be about
23:16and the Dinner Party not just being that one night
23:20it being you know the nucleus for the rest of our time together
23:25and it allowed me to write songs from all the different angles of a relationship
23:30whether it be the good and the bad times
23:32and I think after I wrote I'd written a lot of songs up to that point
23:36but once I'd written that song I thought right I'm out the gate here
23:39I know exactly what I need to say what I need to do
23:41and thinking of a dinner party who would some of your
23:43if you were throwing a dinner party say next week
23:46obviously you'd be...
23:46you
23:47thank you very much correct
23:49who else would you be having at your dream dinner party?
23:53that's a good question
23:56I've spent a little bit of time around the actor Joe Pesci
23:59yes very good
24:01and he's a big golf fan like myself
24:03we played at the same club in Los Angeles
24:06and I see him around waving his hands
24:08and being very Joe Pesci like obviously
24:09and he could spin a yarn he can
24:13and I think he'd be a good guest
24:14I'd like to see Fleetwood Mac in the same room that'd be fun
24:19all of them
24:20all of them would be a good laugh
24:21Don Henley
24:23yes
24:24Don Henley, Joe Pesci and Bill Murray
24:29nice mix
24:30nice weird mix
24:31yes
24:32and you
24:33oh thanks very much
24:34I'd enjoy that very much
24:36now you are a global megastar
24:38but when you've got time off what do you do?
24:40what's your sort of little down time to quiet thing that you do that no one knows about?
24:44if it was up to me I wouldn't leave the house
24:47I like being at home
24:49going to a bit of cooking
24:51mowing the lawn
24:51a bit of gardening these days
24:52I'm only 33
24:56I'm a big big golfer
24:58I spend a lot of time playing golf
25:00and I have my own golf management company
25:02and we manage some players
25:03and that's a bit of a side hustle for me
25:05but yeah I like to get
25:06I like the freedom of golf
25:07sticking a phone in the bag
25:09not worrying about
25:10you know
25:11whatever happens
25:12whatever's going on in life
25:13and just getting out there and concentrating on that one thing
25:16yeah
25:16golf is my kind of
25:17my thing
25:18and I always like golf courses
25:19they look so lovely
25:20it's a dream landscape
25:21it's been great
25:22I'm looking forward
25:23I'm counting the moments
25:24to our big dinner together
25:25absolutely
25:26it's been great having you on the show
25:27the songs are fantastic
25:28what are you going to play for us in a moment?
25:29I'm going to play
25:30the song that comes with the album
25:31in June
25:32tastes so good
25:33can't wait to play it
25:33first time ever
25:34thank you so much
25:35it's great to have you
25:36really great to have you
25:38thank you
25:38Niall Horan
25:39what a nice fellow
25:42and now I go to this
25:44bit of the room here
25:45where there's a duo
25:46who met in school
25:47in Minehead Somerset
25:49performing a song
25:50inspired
25:51by
25:52faulty heating
25:53please welcome
25:53Get Down Services
25:59my name's Josh
26:01everyone say
26:02yes
26:02yes
26:03everyone say
26:04yes
26:05my name's Ben
26:06scream
26:07come on
26:09thank you
26:10we're Get Down Services
26:12balcony
26:12scream
26:19thanks for watching
26:23we are
26:24bang my head
26:25to the radio
26:34bang my head
26:37bang my head
26:40on the radio
26:41hang my socks
26:44on the radio
26:45bang my head
26:47on the radio
26:48hang my socks
26:51Go on, son.
27:21Go on, son.
27:22Here we go.
27:23I'll bang my head on the radio.
27:26I'll bang my socks on the radio.
27:30I'll bang my head on the radio.
27:33I'll bang my head.
27:38We're going to stroke the doggy.
27:41And then we're going to hit the doggy.
27:44Not really, that'll be illegal.
28:01I've got three words for you.
28:04The Dyson Airblade.
28:07It was not just a man looking at his hands thinking,
28:12I'm going to make these so fucking dry.
28:14You won't believe me.
28:15It's the life gone fiddling.
28:17Oh, yeah.
28:19I need your thumb swiddling.
28:21Oh, yeah.
28:22400 minus weeks.
28:25Oh, yeah.
28:26I'm the big fat guy.
28:28Fucking hell, yeah.
28:30The smell doesn't stop.
28:32I feel sick.
28:34Just stop sipping it.
28:36I feel sick.
28:37Five, six days a week.
28:40Everything's fucking sick.
28:41The rest of your fucking shit.
28:44I'm bang my head on the radio.
28:46I feel sick.
28:48I'm bang my head on the radio.
28:51I feel sick.
28:52I'm bang my head on the radio.
28:54I feel sick.
28:56I'm bang my head on the radio.
28:58What is going on?
29:00Come on!
29:02CHEERING AND APPLAUSE
29:05Come on!
29:07Come on!
29:08Come on!
29:09Come on!
29:10Come on!
29:11Come on!
29:14Come on!
29:19Come on!
29:20I'm bang my head on the radio.
29:21What's going on?
29:22Come on!
29:22What's going on your face, brother?
29:29I'm bang my head on the radio.
29:32I'm bang my head.
29:35I'm bang my head.
29:37Hang a Council.
29:39Go on me now.
29:43I am.
29:44I'm bang my head.
29:45But, oh, yeah, I failed the task, oh, yeah
29:51And someone punched me in the face, oh, yeah
29:54Thank you very much, Jules, Solon, thanks for watching, thanks for watching, yes!
30:14CHEERING AND APPLAUSE
30:18There she lay on the hospital floor
30:21Blood on her face and spikes in her mind
30:24Everyone knew she could take no more
30:27As she ran screaming with death by her side
30:30The window was broken, smoke trickled in
30:33Along with the spiders and smells
30:36How did I know where the end might begin?
30:40Where the story was so hard to tell
30:42The story was so hard to tell
30:47You can't mend the mind
30:50But you can mend the face
30:53I'm lost in the line
30:56To visit the place
30:59The place we've gone past
31:03The place we've gone past
31:06The place we've gone past
31:12With her hands and her hair
31:14She sweated and ran
31:16Into the blankets of fused
31:19What could I do
31:21To give my love
31:22To the man who entered my room
31:25There was no answer
31:27My mind was amazed
31:29At how the king sat and cried
31:32Upon the cloud
31:33Was a head with no face
31:35At least the good man died
31:37At least the good man died
31:42You can't mend the mind
31:45But you can mend the face
31:48I'm lost in the line
31:51To visit the place
31:55The place we call Mars
31:58The place we call Mars
32:02The place we call Mars
32:22At last we rest in shelters of tears
32:25Down by the champagne parade
32:29How do we know where the air might begin
32:32As the night turned into the day
32:34It seemed so long since the last man fell
32:38For the sake of being alive
32:41The hospital stands and it's just as well
32:44Cause the wound is still in my mind
32:47The wound is still in my mind
32:52You can't mend the mind
32:55But you can mend the face
32:58I'm lost in the line
33:01To visit the place
33:04The place we call Mars
33:08The place we call Mars
33:2910, 9, 8, 7, 6, 5, 4, 3, 2, 1
33:46Thank you, Squeeze, who you can see on tour somewhere near you soon.
33:52Wonderful, have Squeeze back in the studio.
33:58Now, I'm going to chat to Tom Rowlands and Aurora, who together are Tamora.
34:04Welcome to you both. Very good to see you.
34:09And, first of all, it's fantastic seeing you earlier on.
34:12Your voice sounded amazing and the vibrations.
34:15But how did this project come about? How did you meet?
34:17Well, we were making music together in the studio, which is something we love to do, isn't it?
34:22Very much so.
34:23And the feeling was so strong with these songs we'd written that we thought this deserved a band.
34:29This deserved, like, a project of its own as opposed to just a featuring kind of thing.
34:34Its own name.
34:35So, it's been, like, it's been 10 years since we met.
34:38And I guess two years since we began making this world.
34:41And did Tom approach you?
34:43Yes.
34:44He came out of my mail.
34:46Yes.
34:47And he said, please, come home.
34:48No, yes, it was kind of like that.
34:50And then I was like, yes, of course, I want to make more.
34:53And it's just been, yeah, absolutely wonderful.
34:56Am I right in saying, did you see a war was perfect?
34:58I saw it at Glastonbury, yeah.
34:59I was actually, it was a year I didn't go to Glastonbury.
35:02I was sitting on the sofa and there she was singing.
35:05And she pulled me off the sofa and was like, come on, this is something happening.
35:11There's a lot of this in our relationship.
35:11Yes.
35:12There's something happening here.
35:13Yes.
35:14How did you decide on the name?
35:17Wow.
35:18Well, we, um, one name we really wanted to have was Taken.
35:23We couldn't be called The Thing.
35:25And then...
35:26You wanted to be called The Thing?
35:27Yes, for like a minute.
35:29But it's over now.
35:29That's so yesterday.
35:30And then for a while I wanted us to be rats, because I love rats.
35:34Rat, with double A.
35:36Rat.
35:36You know, but thank God Tom was like, maybe not.
35:38But then you've got a boomtown rat, you know.
35:39Yeah, true.
35:40People could get confused.
35:41We do do that.
35:43And then Tomora, it's just a good smash.
35:45The mix of your two names.
35:46I believe, am I right in thinking that it also means friendly companion on earth?
35:51On Japanese.
35:52In Japanese, yes.
35:53You're right.
35:54They have some good words for things that we don't have words for.
35:56Isn't that wonderful?
35:57Yeah.
35:58And how would you describe your working relationship with Tom?
36:01Who does what?
36:04We share a lot, don't we?
36:05Everything.
36:06All the production and the playing.
36:07Obviously, I don't sing quite as much.
36:10We do sing a bit.
36:11A little bit, yes.
36:12Aurora tries to get me to sing more.
36:14And I'm like, it's all right.
36:16I think you have this.
36:18And dance more.
36:18But you have it in you, Tom.
36:19Yes, I do.
36:20And where do you record?
36:22Well, between our two studios.
36:24So Aurora has an amazing studio above a fjord.
36:27You play music with the windows open and it drifts across the most beautiful place you've ever seen.
36:33And I have a little cave in Sussex.
36:37Nice.
36:37Where we get together.
36:39Nice.
36:39And is it right that after you've finished recording, your parents gave you a present?
36:43Oh, it was a very moving handover, wasn't it?
36:47Yeah, my parents gave you a present.
36:49A very important thing to our country, a cheese cutter.
36:53Cheese cutter, yes.
36:54Yeah.
36:54Antler horn.
36:55Made from horn.
36:57But for brown cheese only.
36:59Yeah, for brown cheese.
37:00Well, what happens if you try and cut yellow or soft cheese, what happens?
37:03Oh, you just die.
37:04Yes.
37:05Immediate.
37:06Yes.
37:06Very sad.
37:07Finally, your Niall earlier was saying about, you know, the things he liked to do when he was relaxing and
37:12that, you know, just simple things often brings the most happiness.
37:15Simple things.
37:15How about you both?
37:16What's your, what things would you do to relax and enjoy yourself?
37:21I like to ride my bicycle.
37:23It's very boring, but that's what I like to do.
37:25Where do you ride it?
37:26I mean, out in the woods, on the downs.
37:28Oh, yeah.
37:29It's nice, you know.
37:30I like riding, but I like riding a bicycle in the city because I'm a nosy parker.
37:34So I like looking at the gardens.
37:36I love it.
37:37How about you?
37:39Aurora, what's your thing?
37:40What would you do to relax if you were?
37:42Well, I like having really, really, what the heck is it called?
37:48When you play just really low, you know, on piano.
37:52And I do like a very...
37:54Pianissimo.
37:55Yeah, pianissimo.
37:56Very softly to myself.
37:58That really calms me down.
38:00Because in piano, my favourite sound is often in between there.
38:04In between when you hit the notes, the lingering of the notes.
38:07So that is very relaxing to me.
38:10And, of course, reading books and pleasuring myself.
38:16Yeah.
38:19I was going to say, if you were just to show us, when you enjoy yourself,
38:24how you play the piano, pianissimo.
38:30That's just, well, just, yeah.
38:32OK, so I'm really...
38:33There's a soft pedal.
38:33I'm really terrified.
38:35That's OK, but you just do it very soft.
38:36Terrified of the sound.
38:37I play piano, but I hate it.
38:39No, pianissimo.
38:40Because a piano can be pianissimo.
38:43Oh, yes.
38:48I hope this is what I need to relax.
38:55Enchanting.
38:57Wow.
38:59Congratulations.
39:00What a lovely sound.
39:02In the meantime, thank you so much for joining us tomorrow.
39:11And now, let's welcome back in this corner the wonderful Niall Horan.
39:22Thank you so much for joining us.
39:37I'll freeze
39:40When you're not swimming in my bloodstream
39:45Not in my pocket or in my car keys
39:51Got me exactly where you want me
39:55Exactly where you want me
39:59Can't take another breath without you
40:02Can't walk down the street
40:05No one don't know what you're made of
40:08It tastes so good to me
40:10My head's not back around you
40:13No one can't fall asleep
40:15No one don't know what you're made of
40:19It tastes so good to me
40:25Pathetically
40:28And I look in places that you'll never meet
40:34Imperfectly torturing me physically
40:37Syrically
40:39A voice is up in my mind
40:42Saying it's a struggle like
40:45Every night
40:48Can't take another breath without you
40:50Can't walk down the street
40:53No one don't know what you're made of
40:56It tastes so good to me
40:58When my head's not back around you
41:01No one can't fall asleep
41:03No one don't know what you're made of
41:07It tastes so good to me
41:09And it tastes so good to me
41:15It tastes so good to me
41:19It tastes so good to me
41:41Can't take another breath without you
41:44Can't walk down the street
41:46No, I don't know what you're meant to do
41:49But it tastes so good to me
41:52When my hands lie back around you
41:54No, I can't fall asleep
41:57No, I don't know what you're meant to do
42:00But it tastes so good to me
42:05It tastes so good to me
42:08It tastes so good to me
42:13It tastes so good to me
42:30Yes, thank you, Niall Horan!
42:34And thank you to all of my guests this week
42:37So we're going to finish
42:38As I said earlier, for the first time ever
42:41Not since I started with Squeeze
42:43That Chris Difford and Glenn Tilbrook wrote
42:46Take Me, I'm Yours
42:47That was our first hit single in 1978
42:49We haven't played together as one
42:52Since probably the 1980s or something
42:54But I'd like to play for the first time ever
42:57On British television this century certainly
42:58To have us reunited here in this room
43:00Please welcome Squeeze
43:22I've come across the desert to greet you with a smile
43:26My camel looks so tired
43:28It's hardly worth my walk
43:30To tell you my travels across the North East
43:34I see your preparations
43:36You invite me first to please
43:42Take Me, I'm Yours
43:45Because Keeps are made of this
43:49Forever there'll be a heaven in your ears
44:01I miss a belly
44:03I miss a belly dance to distract me
44:04From my wine across to bed from mountains
44:07And some memories of mine
44:09I miss this and listen
44:10On the sweet night as ever else
44:13We thought it had a big run
44:15My chills have failed
44:17You say I'm stills
44:20Take me, I'm Yours
44:24On the streets
44:26I miss this
44:28Forever there'll be a heaven in your ear
44:38guitar solo
44:50guitar solo
45:20guitar solo
45:24guitar solo
46:06guitar solo
46:07guitar solo
46:18guitar solo
46:26guitar solo
46:51guitar solo
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