- 1 day ago
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Short filmTranscript
00:00Some say it's just the facts.
00:06Others say it's what's right.
00:11Some even claim there's no real truth at all.
00:14Just opinions.
00:18The funny thing is,
00:22while we may disagree about what the truth is,
00:33we all know when we're telling a lie.
00:55This is all the K9 unit found.
01:01You seem surprised.
01:03Nope, not at all. I told you guys I wasn't lying.
01:06Where are you coming from and where are you going?
01:08You know, it's funny. I was actually headed to a wedding.
01:11At 10 p.m.?
01:12Yeah, well, I was headed back.
01:14What do you mean, back?
01:16Yeah, I was at the wedding earlier.
01:17Why did you leave?
01:19I had a friend. It was like an emergency thing.
01:21What kind of emergency?
01:23She wasn't invited to the wedding, you know?
01:25So it was like the whole thing,
01:26and I don't really want to get into the details, but yeah.
01:30What is your relationship with Lori?
01:37Um...
01:38Is that the monotone lady?
01:40The monotone lady?
01:41Yeah, she like talks like that.
01:43So you do know her?
01:44I mean, like, not like that.
01:47I know her, kind of.
01:48So you and Lori don't call each other?
01:50No. Oh, God, no.
01:51Have you ever been to Mexico?
01:57Um...
01:57Nope.
01:58Nope.
02:00Never been.
02:03Is it nice?
02:05Some parts.
02:07So if I had a photo of you in Mexico,
02:09would you say it wasn't you?
02:12Me?
02:13In Mexico?
02:14In Mexico.
02:15But you say I've never been.
02:16You have a photo of me?
02:17So it's not you.
02:17In Mexico?
02:19Yes.
02:19I'd have to see the photo then.
02:20I don't have it.
02:22So it's a hypothetical scenario?
02:23Well, I can tell you with absolute certainty
02:24that I have never been to the moon.
02:26Have you been to the moon?
02:27I've never been to the moon.
02:28Are you sure?
02:29Positive.
02:29If somebody comes and says they have a photo of you in the moon...
02:31It wasn't me.
02:32Why not?
02:33Because I've never been to the fucking moon.
02:35Make sense?
02:36So far.
02:37So if I had a photo of you in Mexico,
02:39what would you say?
02:42Like, where in Mexico?
02:44So you've been to Mexico?
02:46I mean, I've been to the border.
02:48I drive for Uber and Lyft.
02:50Oh, but you've never driven into Mexico.
02:51I mean, I may have gotten lost or turned around or some shit.
02:54You know, like, I used to be an addict.
02:56It gets fuzzy sometimes.
02:58But you won't remember if you drove 20 or 30 minutes into Mexico.
03:01Absolutely.
03:07So you said you didn't have a photo?
03:09I lie.
03:11Do you remember meeting this guy?
03:14I mean, I don't...
03:16He's a cartel member.
03:17His name is Uno.
03:18He operates a club 20 minutes from the border.
03:20I don't know what this is, but I...
03:21Whole statement to a federal agent.
03:2318 U.S.C. 1001.
03:25Five years in federal prison.
03:28So you guys can lie to me, but I can't lie to you.
03:30Correct.
03:31That seems fucked up.
03:32Apparently we have different definitions of what constitutes fucked up.
03:57We also lie to you when we say we didn't find any drugs in your car.
04:02Recognize this?
04:04Yes.
04:05No.
04:05No.
04:09Yeah.
04:10This is 20 years in federal prison.
04:12And federal inmates don't get parole.
04:14We know who you work for and what you've been doing.
04:16We know the fentanyl you've trafficked has killed people.
04:18For each death we can link to you, it's an additional 20 years.
04:21You may never see the light of day again.
04:25Look at me.
04:27I can see it deep down that you're a good kid in a bad situation.
04:30Our job is to take the drugs off the streets.
04:33Because too many lives have been destroyed.
04:36Wouldn't you agree?
04:39Yeah.
04:40So this can go two ways.
04:42We can either take you into federal custody,
04:44or you become a confidential source and help us take these people down.
04:49Oh, fuck.
04:51The fuck is accurate.
04:53If you want to turn her cursing into a blessing,
04:57I will say this is your opportunity.
05:05And that is how I became a snitch.
05:12They swapped out the drugs for sugar pills and laxatives.
05:18Told me to stay cool and they'd be in touch.
05:30Little twirl.
05:31Kiddy, kiddy, kiddy.
05:34What do you think of that booty?
05:36It's all right.
05:37Could be a bit juicier.
05:39We don't want to scare off the whites, though.
05:41In my mind, I'm picturing a tasteful tush.
05:44You know?
05:45Commercial.
05:46Classy ass.
05:47Bitch, you look like shit.
05:52Me?
05:53Ain't nobody else in here looking like shit.
05:55Oh.
05:56Sorry, I was just a little hungover, that's all.
06:00Well, I'm gonna need you to smile.
06:03Not you.
06:04You.
06:05Oh, me.
06:06Again.
06:06Sorry.
06:07Are you hungover or fucking retarded?
06:09I'm just confused.
06:10Bow, bitch.
06:11Oh, yeah.
06:14Never seen those fucking pearly whites.
06:16Ah!
06:17Ah!
06:17That's what I'm talking about.
06:19Now, that's a fucking smile.
06:22For all the Sammy Davis crew.
06:27You know why you're fucking smiling?
06:30No, sir.
06:31Because I gave that bitch Lori a taste of her own medicine.
06:36What?
06:39What?
06:40No, I got a feeling that's the last fucking pickup you'll ever do.
06:44What?
06:45Then who are we buying from them?
06:47You think there's a fucking shortage of dealers in L.A.?
06:49Not in this L.A., partner.
06:53Right.
06:54What?
06:55What?
06:56What?
06:56What?
06:56What?
06:57What?
06:57I'm in the mood to celebrate.
06:59Yeah.
07:00Luckily,
07:01I got me a new found friend, Kitty.
07:04Come on over here, baby.
07:06Look at that.
07:12Kitty likes to dance.
07:16You gotta do a lot of money with this, don't you?
07:21the beach can dance you can can scutter some slack
07:27what is cancer
07:41you look like death warmed up
07:45yeah i think it's just like a tummy thing
07:52plan on taking that off
08:00okay so what happens when they find out the drugs are fake
08:03i assume they will call laurie and ask her to correct the mistake
08:07okay but aren't they just gonna blame me
08:08why would you swap out the drugs it's not like you're a snitch
08:20they also installed an app on my phone
08:26we added a new number under your mom's contact
08:28tap it and the bug goes hot
08:32can i just keep it in my pocket
08:34it can get muffled it's better in the open
08:38isn't that suspicious sometimes sometimes not
08:47you guys are gonna give me a fucking heart attack
09:02i can uh pack it
09:04no need
09:05it's doctor
09:10power
09:13wow
09:14wow
09:14wow
09:39The Toe is a metaphor.
09:42What?
09:43The Toe.
09:46It's a metaphor.
09:48You know, I thought that I'd lost it forever.
09:51But we were smart.
09:53You know, we put it on ice.
09:54We took it to the hospital.
09:56And they were able to put it back on.
09:58What's the metaphor?
09:59When you break something, you gotta pick up the pieces.
10:02You gotta be real careful with it.
10:04And you gotta glue it back together.
10:11So the Toe is us?
10:15In a way.
10:16Toe's never gonna be the same.
10:19How do you know?
10:22Because the doctor said so.
10:24You said the Toe will never feel the same.
10:26I think you're misinterpreting the metaphor.
10:28No, the metaphor doesn't mean what you want it to mean.
10:32You can look at a scar as a sign of weakness, or you can look at it as a strength.
10:36Okay, so now you're changing the metaphor.
10:38No, I'm not.
10:39First you said that we're the Toe, and now you're saying we're the scar.
10:42Are you an English teacher?
10:44I'm talking about our relationship.
10:46When I look at my Toe, it motivates me to build back better.
10:51Everything you've built is based on a lie.
10:53Not everything.
10:55Some things, yeah.
10:56Well, just our relationship, this house, our finances, your business.
11:05You didn't say our love.
11:13How much do you owe this guy?
11:15Somewhere between a little and a lot.
11:18What's the number?
11:19You know, it depends on the interest, you know, how quickly we can pay this guy.
11:23What's the number, Nate?
11:23You know, a million-ish.
11:33I feel sick.
11:34I am going to fix this.
11:37You have to keep faith.
11:38In what?
11:39Me.
11:40Us.
11:40I mean, our life.
11:46The fairytale's over.
11:57What's that even mean?
12:01Cassie called the one person who could actually help her.
12:22Where are you going?
12:28To work.
12:49Thanks.
12:50This is something about your look.
12:53Okay.
13:08Hi.
13:09Hi.
13:09She just made my man by.
13:11It's not my fault.
13:13I get along well.
13:15Hi.
13:16Hey, what are you doing?
13:18Uh, just working.
13:20Nice.
13:21Okay.
13:22Well, I have a really cool opportunity that I think you might be good for.
13:26You interested?
13:28Really?
13:29At an art show, maybe two to three hundred people will see your work.
13:32But LA night's average is seven million a week.
13:35What?
13:35That would be life-changing.
13:38I mean, thanks for getting it done today, by the way.
13:39Thank you so much for thinking of me.
13:42It's just right up here.
13:43The character Oceana is inspired by George Seurat, so we were thinking sort of a Sunday in
13:48the park picnic kind of feel.
13:51Okay.
13:51Yeah, like the woman with umbrellas thing?
13:54Well, you don't need to copy anything.
13:56Like, it should feel distinct.
13:58Okay.
13:59Yeah.
14:00Sure.
14:00Basically, do whatever you feel.
14:02It'll be great.
14:03I have to go.
14:04Bye.
14:05Bye.
14:05Bye.
14:06Bye.
14:07Bye.
14:08Bye.
14:15This is Cassie.
14:17Hi.
14:18The goal is to take her from the suburbs to the city.
14:23Cool.
14:27Bye.
14:43The goal is to take her from the city to the city to the city to the city to the
14:44city to the city to the city to the city to the city to the city to the city to
14:44the city to the city to the city to the city to the city to the city to the city
14:47to the city to the city to the city to the city to the city to the city to the
14:56city to the city to the city to the city to the city to the city to the city to
14:58the city to the city to the city to the city to the city to the city to the city
14:59to the city to the city to the city to the city to the city to the city to the
15:00city to the city to the city to the city to the city to the city to the city to
15:01the city to the city to the city to the city to the city to the city to the city
15:02to the city to the city to the city to the city to the city to the city to the
15:04city to the city to the city to the city to the city to the city to the city to
15:09the
15:27Hey Harry, right here on the wall, you can center it please.
15:39Yeah. We have an emergency. What kind? It's hard to explain.
15:56Has your friend lost their mind? I don't know. It's insane. It's not like there's one penis,
16:01there's 14. What were you thinking? I told her to paint a picnic. Does this look like a picnic?
16:06I don't know what happened. I don't think my character would paint something like this.
16:11I agree completely. Did you say George Seurat? Yes. Women with umbrellas? Yes. Children sailing
16:16boats? Yes. Is she trying to sabotage the show? No, of course not. Who in their right mind would
16:20paint something like this? It's insane. Well, she's... What? Trans. Jesus Christ, Lexi. We're
16:27gonna have to handle this. Delicately. Hey, I think I'm outside. Yeah, we're on set. Just come in. Okay.
16:50So nice to meet you. Nice to meet you too. Yes, thank you so much. Thanks for having
16:55me. Very talented. Thank you. So, I don't know if Lexi told you, but this is a network
17:03show, which means that we have to answer to standards and practices. Ugh, and they are
17:07like the censors. Okay. Uh-huh. The penises are too much. How many penire do you want me
17:16to get rid of? Let's say all of them. Like paint clothes over them? That could work. Or
17:22you could make them into bread loaves. Bread loaves? Just stay in theme with the picnic.
17:29And, uh, I'm just, like, struggling with how many limitations there are? The only limitation
17:34is we have to get rid of the penises. Okay. But the breasts are okay.
17:38Okay. Let's just get rid of the nudity in general. Put some clothes on them. Blankets. You know,
17:46I'll leave that to the interpretation of the artist. How long do you think that'll take you?
17:52A couple hours. Just punt the scene. We'll move it till next week. Thanks.
18:24I'm so sorry. I've just got a couple hours. I'm so sorry. I've just got a couple hours.
18:27Do you feel horrible? Well, that makes sense. Mistakes happen. Some are just more expensive
18:35than others. I know. Do you? Because I'm not sure that you do. We lost an hour and a half
18:44of
18:44shooting. $56,000. I have to hold stage nine for another week. That's Grips Electric Rentals.
18:54Your failure to communicate. What do you think that costs us?
19:01$56,000? No. It's $191,000.
19:15Don't be a net negative, Lexi. I won't. Okay.
19:23No, thank you. Close the door.
19:30Oh, dear.
19:32Oh, dear.
19:39Oh.
19:45Oh.
19:49Oh, dear.
20:29I'm so sorry.
20:30Am I a perfect little guy?
20:39How you want to deal with this?
20:41I want to kill them all.
20:44But I don't know if that's painful enough.
20:56The reason you're walking free is so you can set up a buy.
21:00What the fuck do you want me to do?
21:01He killed her bird.
21:02They're never going to do business together again.
21:04And we got no use for you.
21:06And we might as well put you ass in prison.
21:08Listen, what if I can set up a buy with a different dealer?
21:12What dealer?
21:18Lexi had agreed to let Cassie stay at her place for a while.
21:21Yeah, put your chin up.
21:23Post the ass up.
21:24I need a smile.
21:25Come on.
21:26You're happy to be here.
21:28Gorgeous.
21:29Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
21:32Can you turn that back on?
21:33I don't know why it went off.
21:35We'll just turn it back on.
21:36What a great idea.
21:37Wait, hold that pose.
21:39When she gets the boy working, I'll pose.
21:41I just feel like you're worth more than your body.
21:44My body's worth a lot.
21:45Yeah, and these girls are out here making millions.
21:48Who?
21:49Well, like Bad Baby.
21:51Bad Baby?
21:52Yeah.
21:52She was on Dr. Phil.
21:54She cussed him out and got super famous.
21:55And when she turned 18, she made an OnlyFans and made like 53 million in a year.
22:0153 million?
22:02We're not making this up, Lexi.
22:04This is the business world of today.
22:06I mean, if I do this...
22:19I need to get some drugs.
22:21You relapse?
22:22No, no, it's not for me.
22:23Don't worry.
22:24Is this blower ever going to fucking work?
22:26I don't know.
22:27I'm not a gardener.
22:28Wait, I thought you were clean.
22:29I am.
22:30It's not for me.
22:30It's for my boss.
22:31Okay, well, what kind of drugs do you need?
22:33Uh, Coke, Molly, heroin.
22:35Heroin?
22:36For your boss?
22:37Or for you?
22:38No, not for me.
22:39And I don't have time to explain this shit.
22:40Is this machine really important?
22:42Yes.
22:42I need hair movement.
22:43Brings energy to the shot.
22:45Listen, Maddie, you can just give me the contact and I'll do the rest.
22:47Well, I don't feel comfortable helping you get drugs.
22:49Okay, but it's not for me.
22:50My hair is not what sells, okay?
22:52It's my body.
22:53And my body doesn't need wind.
22:54It needs a photographer.
22:55Do you guys hear yourselves right now?
22:58Like, what's wrong with you people?
23:01You're looking for drugs.
23:02You're selling your body on your porn site.
23:05And you're like some internet pimp.
23:11It's sad.
23:12And it's pathetic.
23:13And it's really disturbing, honestly.
23:16Oh, Jesus.
23:17Who would have thought we would have come there?
23:19Did you shut that fucking thing off?
23:21It's so annoying.
23:22Yeah, yeah, yeah, yeah, yeah, yeah.
23:26Yeah, yeah, yeah, yeah.
23:50Nathaniel Jacobs, son, Sutler's court.
23:55Nate knew this was definitely his last chance.
24:05I believe everything happens for a reason.
24:10The discovery of these endangered flowers on my land happened for a reason.
24:18It was a sign.
24:20And in all my excitement and passion for the elderly, I had overlooked the greater meaning
24:28of the sun settler mission.
24:30God said to Adam, for dust you are, and to dust you shall return.
24:38This is a fundamental human truth known all too well by our senior citizens.
24:42So I'd like to propose a new design for sun settlers.
24:47Imagine our hospice wing, where families can gather in the final days of their loved ones' lives
24:52and look out at a beautiful garden of white fritillaries.
24:55These flowers should not be dug up and moved.
24:58No.
25:00No, we should move around them.
25:04With an elegant curve design done by our A-plus architecture team.
25:09Motion denied.
25:10When the environmental studies come back, we can discuss.
25:14Motion denied for now.
25:19I have put my entire life on the line for this.
25:22Motion's denied.
25:23Every penny I have.
25:26My marriage is in shambles because of you.
25:31Sorry, is this a personal thing, Bill?
25:33Do you have a personal problem with me, Bill?
25:36Is that what this is?
25:37I don't.
25:38Are you trying to ruin my life?
25:40What do you want from me, Bill?
25:42Don't tell me.
25:43What do you want from me?
25:45You want me on my hands and knees begging you to give me my life?
25:49Is that what you want?
25:51Sir, your time is out.
25:53I'll do it.
25:55We have other people waiting.
26:07There it is.
26:11I'm begging you, Bill.
26:13I want my hands and knees.
26:15I'm begging you.
26:16I'm trying to do a good thing.
26:19This is a good thing, Bill.
26:20This is a good thing.
26:21This is good.
26:22Okay, that's enough.
26:23This is good for the world.
26:24Mr. Jacobs.
26:27Please just let me see this through.
26:28I can't be back.
26:29Mr. Jacobs.
26:30This is a good thing.
26:31I'm trying to do a good thing, Bill.
26:35For the last time, motion denied.
26:41Sir, just get your things together and pack them up.
26:45You can go.
26:48Let's take a five-minute recess.
27:00Cassie had pawned her wedding ring, took the cash, and invested it in herself.
27:12As Nate would always say, it takes money to make money.
27:19Do you have some cash?
27:23It just so happened, our new place was across the pool from Lexi.
27:36Rags, a dollar, and that's a hundred dollars.
27:39You didn't hear from Laurie yet, did you?
27:40Not a little bull, Pete.
27:42Hey, on a scale to one to ten, how sad you think that bitch Laurie is?
27:46I feel like an eleven.
27:48Well, I have a hundred and eleven.
27:49He was a beautiful bird.
27:52Nigga, you said that like he didn't kill his ass.
27:54I didn't want to, but I was told to.
27:57This nigga looking at me like he looked at a damn pair.
28:01Call.
28:02Call.
28:04Oh, shit, we got a three-hander.
28:08So, when we run low at the club, where am I supposed to pick up from?
28:12If I were you, little lady, I'd focus on this end.
28:16I'm ready.
28:24I was just, uh, I was just thinking, because, you know, I still have my connects in, in Mexico.
28:29And, uh, I could always, like, do a pick up and then sell at the club.
28:34At 175?
28:36I mean, we could make a lot of money.
28:38You, you could make a lot of money.
28:39Y'all just a little too fucking rich for my blood.
28:48Call.
28:50Don't you say you wanted to get out of that world?
28:53Now you ass want to get back in?
28:56Let's see the time.
28:57I was just thinking that, that's all.
29:06You know, something don't add up.
29:09I bet 200.
29:11Why in the fuck would you ask me something so catastrophically dumb?
29:17I don't know.
29:18Nah, see, you didn't just think it.
29:21You had thought to say it.
29:23And then you said it.
29:25So I'm gonna need a much better explanation than a motherfucker and I don't know.
29:30I'm sorry, I shouldn't have overstepped.
29:33Nah, that don't cut it.
29:40I just figured, like, at the club, the more people that do drugs, the more money they spend,
29:45you know?
29:46Are you gonna call?
29:47Or not?
29:48Nah.
29:50See, you had something.
29:53No.
29:55Why the fuck are you sweating?
29:58I just know I have a good hand, that's all.
30:02Call.
30:04I've seen that look before.
30:06See, you got that look in your eye.
30:10Like a motherfucking rat.
30:13Trying to figure out where it's gonna go next.
30:17And...
30:19Where you gonna go next?
30:27Let's see the river.
30:28Shut the fuck up, nigga.
30:34You've been using it again, ain't you?
30:47Daniel.
30:49Uh, yeah, I had a slip-up.
31:09Check.
31:12Call in.
31:14Oh, shit got real.
31:16Call.
31:22Oh!
31:23What the fuck?
31:24You been setting that shit up the whole time?
31:26Let me make one fucking thing clear to you.
31:30You fuck with hard drugs.
31:34They're likely to wind up killing your black ass.
31:39Got it.
31:41What'll happen again?
31:44Damn, Bishop.
31:45Well, you got BTA.
31:47Belt your motherfucking ass.
32:04Andrel's not coming back?
32:06Not at all.
32:08She ran away from rehab.
32:11Disappear.
32:14It's sad.
32:16The light goes on.
32:25Last night I was dreaming.
32:27It's yours.
32:28I dreamed about the H-Bomb.
32:30Where the bomb went off and I was caught.
32:34I was the only girl on the ground.
32:42There were thirteen men and me, the only girl in town.
32:54And as funny as it may be, the one and only girl in town was me.
33:01A thirteen men and me, the only girl in town.
33:20It's almost like Angel knew she was never coming back.
33:28And just like Tish, everyone would soon forget.
33:50Maddie told Cassie to put on her best outfit.
34:00Maddie told Cassie to put on her best outfit.
34:00The stash was running low.
34:03And I was running out of time.
34:13You look good, bitch.
34:19Sir, let's go.
34:41This is Brandon Fontaine's house.
34:44He's got twenty million followers.
34:45What is it, love?
34:46The goal is simple.
34:48Get him to post a video of you looking at her tonight.
35:11Who knows if the DEA would even protect me.
35:36All he cares about is pussy.
35:38You're gonna tempt him with pussy, you're not gonna give him pussy.
35:41The moment you do, he'll never speak to you again.
35:45Don't trust these girls, these bitches are dogs.
35:48Stray dogs.
35:48And they're looking at you like a fucking Pomeranian.
35:51The cute new bitch.
35:53So stay sharp, stay focused, and it's fucking wind.
35:58It feels like we're going to war.
36:02Come on.
36:02I'm so tired of it.
36:32I'm so tired of it.
36:43So what would you like?
37:02So what would you like?
37:53So what would you like?
38:15So what would you like?
38:34So what would you like?
38:36So what would you like?
39:02Ricky V, Ricky, where are you?
39:06How do you know Brandon Fontaine?
39:08Oh, my best friend's like best friends with me.
39:10Oh, who's your best friend?
39:12Maddie Perez?
39:13She's like a manager to all these super famous actors.
39:17Yeah, I know Maddie.
39:17I love Maddie.
39:19Is she here?
39:24She's somewhere.
39:27What's up?
39:28What's up?
39:31Hey, you guys want to have some more fun?
39:34I have some coke.
39:35Oh, my God.
39:36I love coke.
39:37She loves coke.
39:38I love coke.
39:39Hey, come on, come on, come on.
39:42Hey, come on, come on.
39:46You can do it.
39:46I love coke.
39:47Oh, my God.
39:57Hey, come on.
40:01Hey, come on, come on.
40:38How's she doing?
40:39Making the money's worth?
40:40Yeah.
40:50Make yourself at home.
40:52Casa, su casa.
40:54I can't believe you actually live here.
40:57It's dope, right?
40:58How long have you guys known each other?
41:01Mmm, forever.
41:05Does Maddie rep you?
41:07Yep.
41:08That's weird.
41:11Yeah.
41:29Yeah.
41:31Come and get it.
41:35Did you test this?
41:37It's my usual plug.
41:38It's fine.
41:40Are you sure?
41:41Yeah.
41:41Okay, no, sorry.
41:42I don't want to die or anything.
41:44I love my life too much, you know?
41:48Um, you're not gonna offer it to me first.
41:52I thought you were a gentleman.
41:53I thought you were a gentleman.
41:59Ladies first.
42:06Oh, my God.
42:31Do me.
42:32Do me.
42:32Do me.
42:32Do me.
42:32You're not going to die.
42:34Whoa...
42:37Right here.
42:38Right here, right here.
42:39Right there.
42:39Right there.
42:40I think it's my turn.
42:41His turn.
42:42My turn, baby.
42:43My turn.
42:44Your turn.
42:46Mmm-hmmm.
42:48Yo, come out.
42:50Get the fuck up here.
42:54Oh, I like it too.
42:57He really likes it.
43:02I can't open the door. I need to get in there.
43:08I think it's my turn.
43:11Oh, no, I got it.
43:15You're a fucking crazy bitch, aren't you?
43:17Fucking wild. You're no good.
43:20I'm no good.
43:23I'm dealing with the locked door here.
43:26Oh, fuck.
43:28Oh, fuck.
43:36Oh, fuck.
43:37Oh, fuck.
43:40I have to go viral.
43:47I need to get some water.
43:49Okay. Good?
43:53Oh, no.
43:57She's sick.
43:58She's puking.
43:59She's puking.
44:02Oh, fuck.
44:06I wanna fucking raise up.
44:08Really?
44:09Really.
44:10Really.
44:11Right now?
44:11Right now.
44:17Hey, Brandon, who's your new friend?
44:19Yo, yo, yo, yo, yo.
44:21It's just me, Cassie, and that's my handle.
44:36Hey.
44:44Can I help you?
44:50Do you have any more ketamine?
44:54You doing okay?
44:58Okay.
45:00Those guys, did they hurt you?
45:20Um, you know, I saw what happened.
45:25Are you sure you wanna be doing this?
45:29Just like, are you being forced?
45:37I like to dance.
45:44You're handling it.
45:48Don't forget to come.
45:50I love the new person.
45:51I love you, too.
45:56Are you excited?
45:57I love you, too, too.
46:07Are you nervous?
46:18I don't know.
46:42you good yeah stop making a phone call
47:12speak English she asked it if someone was forcing her to work here
47:19I'm gonna fall you
47:20I'm gonna try this bitch
48:07Hey.
48:13I, um...
48:16I just forgot my phone.
48:24I'll let you break one of my rules.
48:31Nobody enters my office alone.
48:46I don't know why she's calling.
48:48It must be important.
48:53Do you mind if I...
49:05Mom?
49:05Listen very carefully.
49:06Pretend I'm your mom.
49:08Ask me about grandma.
49:11Wait, what did you say about grandma?
49:13You're compromised.
49:14The girl in there just told your boss that she thinks that you're a snitch.
49:17You gotta find a way to discredit her.
49:32I'm glad she's okay.
49:36Love you too.
49:40Close the door.
49:41We need to talk.
49:56You got their attention.
49:57Now you gotta keep it.
50:04Now I think it's very clear what the fuck is happening here.
50:06Because this Spanish hood rat is just a new one.
50:09The hood rat.
50:12Hood rat.
50:13That's what you are.
50:14That's what you are.
50:15That's what you are.
50:18Liar.
50:18Liar.
50:19I don't know what you're saying.
50:20I don't know what you're saying.
50:33You're out.
50:34The hood rat.
50:35Pull out the red carpet, motherfucker!
50:39Okay, okay, okay.
50:41Hey, so you're saying you never spoke to kids?
50:43No, I fucking...
50:44I spoke to her, but I just said, like, you know, are you okay?
50:48Which is my job.
50:49Is it not?
50:50Look after the girls right bullshit look if you want to believe this fucking drug addict that's up to you
50:55I didn't steal a fucking truck
51:04Okay, let's open up the fucking locker then because I know what the fuck I saw
51:08Yeah, go check it. Yeah, go check it. All I know is one of you bitches is lying
51:13She's a liar! She's probably the bitch says one thing!
51:15She's the fucking snake ass now, Brayson. I'm the one who's lying. That's hilarious. Honestly
51:18I don't
51:19Whoa, whoa, whoa, I wouldn't do that motherfucker!
51:23Take a seat
51:23Hands! Hands! Hands where I can see them!
51:28Now imagine you got a safe in here
51:31You have any fucking idea who you robin?
51:33Well that's the exciting part
51:36Open that safe I'm dead
51:37You die here or you die later don't seem like a fucking tough decision to me, boy
51:41You kill me you never get that shit open
51:48And shoot the girls
51:51Alright
51:53Come here
51:57I-I-I-I-I-I-I-I-I-I do not..
52:03Di-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I
52:13You are cold, motherfucker.
52:15One.
52:17Move!
52:39Did you hear that?
52:40What?
52:44A big bang?
52:46No.
52:58What do we gotta do to convince you to open the safe?
53:04How about we blow off that donkey dick?
53:09How about we blow that thing off?
53:14It's either your balls or the motherfucking safe, man.
53:18What's it gonna be, Doc?
53:21Uh-uh.
53:22Behind the painting.
53:24What's that?
53:27It's behind the painting.
53:29That wasn't so hard now, was it?
53:32Open it.
53:33Oh, yeah.
53:40It's gone.
53:52It's gone.
53:59Proceed.
54:01Looks like you shit your drawers.
54:23It's gone.
54:23How we looking?
54:25Jackpot.
54:30Door, door, door, door!
54:33Oh, shit!
54:35Get my wide ass, motherfucker!
54:38Oh, shit!
54:44Oh, shit!
54:46Yo, Bishop, I think we need to get him to the hospital, man.
54:48He can wait.
54:49Rewind the footage.
54:51Hey.
54:55They in a pickup truck.
54:57There's a woman on the plates.
55:01Hey, yo, man.
55:02Come on.
55:03Come on.
55:03Stay up, bro.
55:06There are no plates.
55:08Can you see anyone's face?
55:11They're masked up.
55:13Even the driver?
55:21I think I got it.
55:23What do you see?
55:26It's a woman.
55:28She has gigantic lips.
55:37You know her?
55:40It's a girl named Faye.
55:43She works for Lori.
55:51It's a girl that must go from the house.
55:55That's all I'm about to get away.
56:01Oh, shit!
56:03You're as cold as night.
56:05You're willing to sacrifice.
56:08You're as cold as night.
56:16You're willing to sacrifice.
56:19You're as cold as night
56:20You're as cold as night.
56:23I like to welcome motherfuckers to the back of the mine of beer
56:26See, I'm for real
56:28We're delivering these M.O.P. tactics
56:30I'll bury you bastards
56:32I custom make casters
56:34The B.G.
56:35The Y.G.
56:37Even the O.G.
56:39I may come with my gun in my hand
56:42To make sure you motherfuckers understand
56:44Pardon me
56:45How the fuck you gonna start with me?
56:47I'm a heavyweight in this game
56:49You just ball with me
56:50You get laced down from your face down
56:52Drop your shit
56:53Niggas throw them on peace
56:54Stand for mopping shit
56:55Dump, dump, dump
56:56Get it twisted
56:57I told you that we top of the line
56:59Design realistic
57:00For instance
57:01Mess up, I say
57:03We come through and clear your ass out
57:05Dump and hear your ass out
57:06Jump, we cold
57:07You're as cold as ice
57:09You're burnt
57:09You're willing to sacrifice
57:12You're as cold as ice
57:15You're willing to sacrifice
57:16You're as cold as ice
57:19You're willing to sacrifice
57:23You're as cold as ice
57:25You're willing to sacrifice
57:27You're as cold as ice
57:27A predicate gun buster
57:28I passed all classes
57:30One of the fastest that blasted flashes
57:33What?
57:33You seen my work?
57:34You know my steez
57:36It's a slip chance that I'ma hesitate to squeeze please
57:38Money never made me
57:39Money never played me
57:41And money better not make me
57:43Crack his ass
57:44Subtract his ass
57:45When I step through his hood
57:46Fuck dropping you
57:47I'm into stopping you for good
57:49Stop him if you could
57:50You're as cold as ice
57:51And you'll be stiff as a log in a suit
57:53To be continued
57:54To be continued
57:55To be continued
57:56To be continued
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