- 2 days ago
First broadcast 3rd November 1976.
Willie Jonah - Boysie
Vikki Richards - Gloria
Geoffrey Bayldon - Mr. Smythe
Johnny Briggs - Brian
Richard Butler - Mr. Harris
Peggy Aitchison - Mrs. Barr
Rayner Bourton - The Devil
Edwin Brown - Farmer
Peter Spraggon - Publican
Florilyn Waddell - Old Woman
Cyril Cusack - Adler
Willie Jonah - Boysie
Vikki Richards - Gloria
Geoffrey Bayldon - Mr. Smythe
Johnny Briggs - Brian
Richard Butler - Mr. Harris
Peggy Aitchison - Mrs. Barr
Rayner Bourton - The Devil
Edwin Brown - Farmer
Peter Spraggon - Publican
Florilyn Waddell - Old Woman
Cyril Cusack - Adler
Category
📺
TVTranscript
00:17Yugoslavia.
00:18Yugoslavia?
00:20Yugoslavia, she says.
00:21Now, why in the name of Trotsky, do you want to go there, I said?
00:24Only 146 quid.
00:25Well, you can double that, can't you?
00:27Supposed to be all in, isn't it?
00:28Then they charge you a quid for a couple of coffee, a couple of quid for a lager and like.
00:33Still, I suppose they've got to make their money up somewhere.
00:35That's right.
00:36Cornwall, I said.
00:37But it rains, actually.
00:39If it rains, you can always grab a bottle of warmth and watch the two Ronnies, can't you?
00:43I mean, who wants to watch the Lone Ranger in black and white with Tonto speaking Yugoslavia?
00:48So where are you going, then?
00:49What do you think? Yugoslavia.
00:52Not one of those common market countries, know the difference between the cesspit and the water tank.
00:56Stinks of sewage.
00:57The old way from Cali to Calcutta.
01:01How long have you been sitting on your arse?
01:03Just bloody sat down, haven't I?
01:06How long has he been sitting there?
01:09Not long.
01:10I'm waiting for the paint in the other room to dry.
01:12You can't hang wallpaper when the gloss is red, can you?
01:15Anyway, it's lunchtime now, isn't it?
01:18There's only two.
01:19In all the years I've known you, you've never had less than three excuses.
01:22Like I said, make yourself useful and go and get us the beer.
01:26Oh, well, give us a quid then, will you?
01:27Yeah, sure, sir.
01:29But I'm right half.
01:32Oh, well, boysie, give us a quid then, mate, will you?
01:35Oh, you have a pound note in your pocket.
01:38No, I don't.
01:39Yes, you have a pound note in your pocket.
01:42You're calling me a liar or something?
01:44Let's have a look.
01:45Come on, boysie, search him.
01:46Now, come up and see what you're doing.
01:48Get off, fellas.
01:50I'll tell you, I'm skin.
01:51I haven't got a pound.
01:58Well, who put that in there?
02:00One for you, boysie.
02:07How did you know he had it?
02:10I just knew.
02:11Like I said, it's sans serice, you know what I mean?
02:14He's not dishonest, bro.
02:16I know what I mean, but it's the kind of thing he would do.
02:19I like him.
02:20He's a good fellow.
02:24He's going to you go for his, uh...
02:27What?
02:32I don't know.
02:33You're going in holidays?
02:35On the boat.
02:37You have a boat?
02:38On the river.
02:39You must come and have a beer one Sunday.
02:41Did you go out to sea?
02:43Like I said, on the river.
02:45Last year, we went up the Grand Union, then clear across to Bristol.
02:49So where he sleeps along the way?
02:50On the boat.
02:51Sleaves four.
02:53Oh, that's nice.
03:04Oh, God.
03:08Bran.
03:09Bran.
03:11Bran.
03:16Boise.
03:18Hmm?
03:19Tell me something.
03:21What?
03:23This thing.
03:24Ever happened to you before?
03:25No.
03:26Not like that.
03:27What do you mean, not like that?
03:32What do you mean, not like that?
03:36Well, I never see anything like an accident before.
03:39I always see things.
03:41When I was a little boy, when I was a ghostly, but my grandmother's...
03:45An overseer from the days of slavery, and he uses to carry about a black man's hand, chop
03:51off of the elbow.
03:53And he does shake it like a stick, you know.
03:56Sometime years pass, I don't see anything at all.
03:59You know.
04:00You never told me about this before.
04:03I never...
04:05I never thought it was important.
04:08I mean, it's not all the time, you know.
04:11Well, plenty of people can.
04:16Well, sometimes I know what's going to happen.
04:20Sometimes I know what's in somebody's head.
04:22But it's a sometime thing.
04:24It's not constant.
04:25It just come when it come.
04:27Look, I'm not the only one.
04:29My mother was like that, too.
04:32They say she's got a second sight.
04:34I suppose I got it from her.
04:37Look, it's not important.
04:44Anybody coming?
04:46No.
04:55Oh.
04:56Mr. Fuller?
04:58You has me at an advantage.
05:01I'm awfully sorry to barge in like this.
05:03I ought to have telephoned, but I...
05:05Except we don't have any phone.
05:07Who's that, Boise?
05:08Oh, it's a gentleman.
05:09His name is...
05:10Smythe.
05:11Oh, how do you do?
05:12How do you do?
05:12Mr. Smythe.
05:13I'm...
05:14I'm a friend of Dr. Venterrigan.
05:17The one who's in charge of your friend, Mr. O'Neill.
05:20The one who was knocked down by the van.
05:22Brian.
05:23Oh.
05:24I'm with you.
05:25He's all right, is he?
05:25Yes, he's recovering nicely.
05:31I am sorry to barge in like this, but I'm very interested in parapsychology.
05:36ESP.
05:37It's a sort of hobby of mine.
05:39A little more than a hobby, if the truth were known.
05:43I don't know about that.
05:44I mean, what can I do to help you?
05:46Well, I'd like to ask you a few questions, if I may.
05:49Well, sit down.
05:50Boise, dinner's ready in five minutes.
05:52Won't take very long.
05:54Oh, Boise.
05:58Yes, I'm sorry.
05:59Perhaps I should make an appointment for some other time, hmm?
06:02Well, perhaps.
06:03Yes, another time.
06:04Right, well, when would be convenient?
06:07What about Sunday?
06:08Say, Sunday at ten o'clock, perhaps?
06:10Yes, that's all right.
06:12Sunday will be all right.
06:13I'm not going anywhere.
06:13Good.
06:15Settle then.
06:19Mr. Fuller, would you just confirm the story that I had from Dr. Van Tarragon?
06:23That it did happen, that you were out of sight and hearing,
06:27and that you did feel the impact of the van as it struck Mr. O'Neill?
06:32Brian is all right, is he?
06:35Oh, yes, he's splendid.
06:38Fine.
06:39Okay, Mrs. Meitle, I'll see you on Sunday.
06:41Okay, bye-bye.
06:42Bye.
06:44Boise, I don't know why you want to do it.
06:46Why didn't you tell the man to mind his own business?
06:48Look, he says he's an expert.
06:50Perhaps he knows something.
06:52Knows what?
06:53He doesn't know any more than you do.
06:55Look, he said himself it wasn't important.
06:57It comes and goes.
06:58It doesn't mean a thing.
07:00Some people see ghosts, pictures fall over walls, all that kind of cable.
07:04I don't disbelieve it.
07:06But even if it's true, it's not important.
07:08Look, I feel like I caused it.
07:11That it is my fault.
07:12That it is I caused the van to strike him.
07:14That it is I hurt him.
07:15Oh, Boise.
07:17No, look.
07:18If I can see it,
07:20why can't I stop it?
07:21How could you?
07:22I don't know.
07:24But it's because somebody gets hurt.
07:26I can't be sure about it.
07:28I must worry about it.
07:38Carpet would be nice for the old people.
07:40Warmer.
07:41Easy on the feet when it's cold.
07:43I've got slippers.
07:45Even so.
07:47Like I said, it's more practical.
07:49Is it a clean?
07:51The bladder of your average LAP is not what it used to be.
07:54The valve is not watertight.
07:56Sometimes they get caught short between the bed and the door.
07:58Know what I mean?
07:59Frank?
08:00Frank, where are you?
08:01Frank?
08:01In here.
08:04Hello, mate.
08:06Oh, yeah.
08:07Yeah, I like that.
08:08That's nice.
08:09That's coming on well, isn't it?
08:10How you been?
08:11None problems.
08:13That's a big one.
08:14Yeah, feels like it's lubricated with itching powder.
08:17It's nice to see you.
08:19When is it coming off?
08:21Soon.
08:22Then it's going up for auction.
08:23See?
08:24Finest collection of nurses' phone numbers in the disunited kingdom.
08:28I just made some tea.
08:29Don't bother about me.
08:31Look at that.
08:32That's a beauty.
08:33He's a smasher.
08:35Cleanliness is next to godliness.
08:38Yeah, well, I'll do that if you don't mind.
08:39Hey, I'll give a sit here, will you?
08:41Yeah.
08:48What's wrong with Boise all of a sudden?
08:50What's eating you?
08:51Nothing.
08:52I just like to do these little jobs myself.
08:55After all, I'm not an invalid, am I?
08:57You're being churnish, that's what.
08:59Why didn't you talk to him when he came to see you at the crop shop?
09:03Like I said, he's worried about you as if you're his flaming brother.
09:06Yeah, well, I won't talk to me father about that, will I?
09:09Oh, and who hung the wallpaper in the hall then, eh, Frank?
09:12Why is he doing?
09:13Well, if it's my job you're after, you'll have to do better than that.
09:17Eh?
09:18Gaps all over the place.
09:19Overlaps.
09:20Do you think the council had passed that, eh, Frank?
09:22We had to get on with it, didn't we?
09:24It's not so bad.
09:26Look, I does not want your job.
09:28Then why did you do it?
09:30Mr. Harry said, have a go.
09:33Why did you try and kill me?
09:35Come on, but have you been drinking?
09:36I want a straight answer.
09:38Why did you try and kill me?
09:40He does think so, too.
09:42Yeah?
09:43Didn't deny it, did he?
09:44You put some black magic voodoo spell on me, didn't you, eh?
09:46You put some voodoo on that pound and put it in my pocket, didn't you?
09:49I never put it in your pocket.
09:51It's my job you're after, isn't it?
09:54Look, Frank, you and me have been together, what, now?
09:5710, 12 years?
09:58Then he comes along, but his cleanliness is next to goodliness.
10:01Procrastination is the thief of time.
10:03Oh, yeah, and his evening classes.
10:04Evening classes in paper hanging, evening classes in joining.
10:07There'd be bloody evening classes in plumbing.
10:08Next, I warn you, Frank.
10:09I never put it in your pocket.
10:12Yeah, well, I'm not working with him anymore.
10:14I'm not working with any bloody witch doctor.
10:16It's either him or me.
10:18Frank, look at me.
10:20It's him or me.
10:21Look, I push no spell on you.
10:23It's the God's truth.
10:26Him or me, Frank?
10:32Then it'll have to be you.
10:33Boys, he's a good worker.
10:35Come off here.
10:37First in, last out.
10:38Like I said, he's a good worker and you're lazy and you're mean.
10:42You only get up off your arse when your pants are wearing thin.
10:45He's a bloody menace, ain't you know it?
10:47It'll be your turn next to you now, won't you?
10:49He's done you no harm.
10:52Well, what'd you call that, then?
10:53He's done you no harm to me neither.
10:56Where are you going, boysie?
10:58Where the hell do you think you're going?
11:00Just for a walk.
11:03Don't fret, Mr. Harris.
11:05It's best you talk this talk between the two of you.
11:10Look, I push no spell on you.
11:13You see, I hazard...
11:28When's the cars coming off?
11:30Oh, a couple of weeks.
11:40You can't see?
11:45You sure you can't see?
11:50No mirrors painted last?
11:53No?
11:54Why should he want to cheat you?
11:56Why should we waste time just to make a fool out of you?
11:58Oh, please.
11:59Ready, boysie?
12:03Right.
12:05Man on a white horse.
12:08Three circles.
12:10Cross sticks, flowers, top and bottom.
12:14I can't see.
12:17I'm tired.
12:19No, please.
12:20You're averaging about 75%.
12:22It's marvellous, just marvellous.
12:24I didn't see one.
12:26Yes, I marked that.
12:26Why are we doing this, Mr. Smythe?
12:28Because he's phenomenal.
12:30Because we must accumulate as much statistical evidence as possible.
12:33But the man is tired.
12:35It's easy to dismiss historical evidence or mere anecdote.
12:38There's no denying statistics.
12:40They'll say you made them up.
12:42So they will.
12:43And that's why we must continue these experiments before a series of impartial witnesses.
12:47You mean to exhibit him as a freak?
12:54The child was born.
12:57The mother died and gave the child no name.
13:02His father, Cothbath, was.
13:05They called him Cothbathson.
13:15Are you ready, Mrs. Smythe?
13:19You said something.
13:21I'm waiting, Mrs. Smythe.
13:22Who is Cothbathson?
13:25I don't know.
13:26Ready?
13:34Four jars.
13:37Man with two horses.
13:40Two dogs barking.
13:43Man upside down.
13:47I'm tired.
13:48No, please.
13:49Just two or three more.
13:50The concentration curve is very important.
13:52Besides, there's something else.
13:55Some interference.
14:00Yep.
14:02People at a picnic.
14:04Man with wings.
14:06Lady washing herself.
14:09Five circles.
14:11No, once more.
14:13I was right.
14:14Once more, please.
14:21Men with wings.
14:24Lady washing herself.
14:28Five circles.
14:32But you're right now.
14:34No, no, no, no, no, no, no, no, no, no.
14:38What is it?
14:40Get out.
14:41Go, just go away.
14:42If Boise wants to see you, he lets you know.
14:44Now get out.
14:45Go.
14:46No.
14:51There is no permanence.
14:52What are you getting out of it? The man isn't even paying you any money.
14:56The guy doesn't want to let him down. He's so interested.
14:58Oh, you sweet ignorant fool. A sacred idiot you are. You don't want him to be disappointed.
15:04Why should you worry about him? Him and his cards and his Ouija board and all that chat about finding
15:09some dead person to use you as a radio set.
15:14What are you laughing at?
15:16At least he gets nowhere with the automatic writing business because I can't write.
15:20You should laugh. You're just turning yourself into guinea pig for that man. Worse than that into pet dog.
15:25He's an educated man. He's an expert.
15:28You're the expert. He's trying to learn from you. He can't tell you anything you don't know.
15:34But I know nothing.
15:36What he's doing is not science man. It's just games. Games and tricks. What are you going to learn from
15:42that?
15:42I don't know. I don't know.
16:04How do you remember this?
16:07I don't know.
16:07How do I tell my family for tennis?
16:09I pay attention to all that as a top one of my friends may be doing.
16:10A lot of people say.
16:10I don't know.
16:10You took par that out of my office and it hurts.
16:14IegenUST you.
17:16Come on, Boise. Wake up. What happened to you?
17:21Look, man, if you're going to sleep, you might as well sleep in bed. Come.
17:37I know who that is bound to be. All right, Mr. Smythe, I'm coming.
17:44How did I know it was you? Do you think I've got second sight as well?
17:47How is he? He's very well. He's resting.
17:49I've been uneasy all day. I felt he was in trouble and needed me.
17:52Needed you? He's in trouble because of you.
17:54And you're not going to see him over my dead body.
17:57Young lady, I don't think you're competent to make a decision.
17:59I don't think you even understand the importance of...
18:01Boisey.
18:04How are you?
18:06Go.
18:10How do you buy it?
18:14Go.
18:34There was a time you used to make love to me every night.
18:37Whatever happened to Boisey the Bull.
18:39You were going to get yourself a stable and charge fees.
18:42Remember that?
18:44There's a story in here about a man who's getting a divorce
18:47because his wife shut up shop for five years.
18:50Well, if that's grounds when you're married,
18:53it's worse when you're not.
18:55You didn't even talk about marriage.
18:57You just said, could you move in
18:59because it was too much trouble for you to get up and go home every morning?
19:11Seriously, Boisey, I still love you
19:14and I want to know what's happening.
19:17I'm not asking about the time I found you lying on the floor.
19:20I promise I won't and that's your business.
19:23But I want to know what's happening about us.
19:26Oh, God.
19:35Harris isn't nothing.
19:36Boisey used to work for me.
19:38Is he at home?
19:39Ask him.
19:40Boisey, are you at home?
19:41Oh, come in, Mr. Harris.
19:42Come in.
19:44Sunday morning, you are usually on the boat.
19:46Maybe later.
19:48Just thought I'd stop by and see how you were getting on.
19:50Know what I mean?
19:51Mrs. Gloria.
19:52Please.
19:53Cup of coffee, Mr. Harris?
19:55I wouldn't say no.
19:56That's very kind.
19:58Well, how's it going?
20:00You working?
20:02Got yourself a better job?
20:04No, I'm not working.
20:05He's not working.
20:06He's not looking for work.
20:08He won't even sign on.
20:10He doesn't leave the flat, Mr. Harris.
20:11He hasn't even been as far as the street for a month.
20:15Times are hard, but at least you can sign on.
20:18But the government can't pay for the things of the spirit.
20:20But I can.
20:22You thought about that?
20:23Oh, you love me.
20:27The old age pensioner's place.
20:28We finished that.
20:30We're on to something else now.
20:31Converting a shop.
20:33The man's in our, you know what I mean?
20:35And it's just Brian and me.
20:37Will you come back?
20:41Like I said, it was Brian's idea, if the truth be known.
20:45He's a decent fellow, Brian, know what I mean?
20:46But he gets things in his head.
20:49He said to me, tell Boise.
20:50I'm sorry.
20:51Tell him I was wrong.
20:53Locker said he would have come along himself, only he had a bit of trouble at home.
20:57Know what I mean?
20:58Oh, you is a good man.
20:59And he is a good man.
21:01I see goodness around you shining.
21:04You'll come back to work, then?
21:07No, I can't come back.
21:09If you won't go back to work, you can't stay here.
21:12You understand that?
21:13You can't stay here.
21:14I'm talking to Mr. Harris.
21:16You're going to have to talk to me.
21:18Well, then, I'll just run it off.
21:22Thanks for the coffee.
21:25Give it a think.
21:26You can just phone me.
21:27You have the number.
21:29Thanks for the coffee.
21:37That's it.
21:38I mean it.
21:39You'll have to go.
21:40I want to stay.
21:41What do you want me to say now?
21:43You want to stay here and sponge off me.
21:45You won't go to work.
21:46You won't even love to work.
21:46I need you.
21:47As a mother.
21:48As a friend.
21:49Friends are as common as kippers.
21:50I want a man.
21:52As to that, yes, I still love you.
21:53But I can't do the thing anymore.
21:56I want your company.
21:58You don't even talk to me.
21:59And your comfort.
22:01But I can't do the thing anymore.
22:10See, in my thoughts, I see the river of life draining away and wasting.
22:16It must not flow to the flesh.
22:19But the mind must make a dam to preserve it.
22:22To preserve the water.
22:25To water the fields of the spirit.
22:29Man is strong.
22:31But the woman take away his strength.
22:36It must have a strong spirit and a clean mind.
22:40Now you're talking like Sunday school, Boise.
22:42From the time when your grandmother used to cut your backside for shaking your tutu at the little girls.
22:47Ah, so it must be.
22:48Not with me.
22:49You find yourself some old woman who wants a son, Boise.
22:52You'll have to go.
22:55Then I'll go.
22:57If you stayed, what would you do?
23:00What would you actually do?
23:04Look, I have a gift.
23:07It frightened me.
23:08It's a burden.
23:10But I must follow where the light leads.
23:14Listen to me.
23:15A gift is for giving to others.
23:20You talk about a light.
23:21But it's not leading you out.
23:23It's leading you into the darkness of your own mind.
23:26I don't know what to give.
23:28Give me love.
23:30No.
23:32Boise, you're going out of your head.
23:37All right, you can stay and I'll look after you.
23:39But on one condition, you will have to see a doctor.
23:43Do what?
23:44See a doctor.
23:45What for?
23:46So that he can help you back to work, back to living like an ordinary, normal person.
23:50I am not ordinary.
23:53I can see things a doctor cannot see.
23:56Dreams and visions.
23:58A doctor can't tell me anything.
24:01You're mad.
24:03You understand me?
24:04Mad.
24:15If you don't believe me, I must go.
24:32I can't tell you.
24:36I can't tell you.
24:38I can't tell you.
24:39I can't tell you.
24:41I can't tell you.
24:44I can't tell you.
24:46I can't tell you.
24:47I can't tell you.
24:48I can't tell you.
24:48I can't tell you.
24:49I can't tell you.
24:59What's your price?
25:00There's no charge.
25:02If people want, they put something in the bowl.
25:04Oh, nice.
25:06Nice racket.
25:07And how long have you been pulling this one?
25:09I does it six months now.
25:11Good money?
25:13I don't know.
25:14Money's not...
25:14Money's not everything, but we do have to eat, don't we?
25:17And buy these things and pay rent to the circus.
25:20Oh, good money.
25:22Can I help you?
25:23Look, don't pull that one on me, mate.
25:26I heard about your act.
25:28Sounded like you.
25:30So I thought I'd pop over and pass the time of day.
25:35See how you were getting on.
25:37Do you know what I mean, as Frank was saying?
25:41Do you see anything in that thing?
25:44From time to time.
25:45Mostly I just does hand-reading.
25:48I touch and see.
25:49And you know everything.
25:51Show me yours.
25:54Crafty.
25:55It's all lies, isn't it?
25:58You told me one day that I put a spell on you.
26:01Had a broken leg, didn't I?
26:02I was overwrought.
26:05Come on, tell me the truth.
26:07It's all cock, isn't it?
26:09Tricks?
26:11Yes and no.
26:17If I mix this swing back and forth, back and forth in front of you,
26:22you goes to sleep, right?
26:25Now things like that work.
26:29The ball now.
26:32I look into the ball.
26:35I see things in the ball.
26:37It's magic.
26:39It's not magic.
26:42The ball is like when you hold a glass to the sun and gets a spot of fire.
26:47It concentrates my thoughts, you see.
26:50Now sometimes the thoughts is in my head.
26:53Sometimes in your head.
26:55Sometimes from the past.
26:57Sometimes from the future.
26:59But I see it all in the ball.
27:02That's all lies, you know, as well as I do.
27:05You're just doing it because it's easier than working for a living.
27:08You're taking money for lies.
27:10Taking money from the bereaved, the gullible old women, the miserable of the earth.
27:13You're in it for the bloody money.
27:15I have a gift.
27:17And a gift is for giving, giving to others.
27:20You're not giving anything, man.
27:23You're selling it.
27:25You works for nothing?
27:26Well, of course I don't.
27:27But then I'm just a builder.
27:29I don't pretend to be anything else.
27:30I'm not a dreamer, a healer, a saint.
27:34Is hate you hate me, Brian?
27:36Of course I don't hate you.
27:38I'm very fond of you.
27:39Didn't Frank tell you that a long time ago?
27:41I wanted you back.
27:43It's because I'm fond of you that I hate to see you doing this.
27:46Blitzed up like a clown in this filthy place.
27:49You've got to do something better than this or you might as well be backpainting ceilings.
27:53Nobody has to pay.
27:55It's only when I helps them that gives me something.
27:57You know in your heart of hearts it's just another way of making money.
28:04Yes, I...
28:06I does hate the money.
28:08You will hate the money.
28:09I've got to hate the money.
28:10The minute you start loving it, you're a dead man.
28:14I'll learn the lives of the saints on my mother's knee.
28:17There isn't one of them worth a name that hasn't taken a vow of poverty.
28:23And I'll tell you something else.
28:25If you are what you say, you are the man with the power.
28:28If you have second sight,
28:31this filthy stuff will kill you.
28:32You want me to FROGS kit.
28:37If you want, what you're doing here is literally the girl'sýchmer subscribers that must beis birthright.
28:45My wife is so sweet,
28:45I'll tell you what about you.
28:46If she wants me to try and do that.
28:48Martha,
28:49I'm trying to have to say she knows you're right.
28:51How you are,
28:55and I'm so sorry for the people.
28:56Stop listening.
28:57Dr her up being 911.
29:27What can I do for you?
29:29Can I seize near the fire?
29:32How about yourself?
29:33Do you want to drink?
29:34I have no money.
29:37Sit down.
29:51You were stopping in the village or just passing through?
29:55Just passing.
29:56Yes, sir.
30:00Bill, give me a pint a bit early.
30:04Thank you kindly.
30:16Here you are.
30:23Thank you kindly.
30:25It's hard for the likes of you.
30:28Did you ever work on a farm?
30:30It does not work.
30:31Oh.
30:33Oh, I see.
30:35Well, enjoy it.
30:40I suppose when you cut the sugar cane, you turn your nose up with a sugar beet.
30:43Cheers.
30:45Cheers.
30:58He's daft.
31:00.
31:04Great.
31:10Bye.
31:12Hi.
31:21Bye.
31:22I don't know.
32:08I don't know.
32:09They give you nothing.
32:11I need nothing.
32:13Why you come to the pub?
32:17Because you were telling.
32:19How do you know?
32:19I didn't know.
32:22I know I went, you came, so there must have been a reason.
32:32What's in the books?
32:35Words.
32:37And what is in your heart?
32:43Fear.
32:44Of me?
32:50No.
32:57Take these, they're soft and dry out very soon.
33:05Just over there, there's a patch of shade with a most wonderful mushroom.
33:10It's in summer easy.
33:11Nettles, dandelion, boris, berries by the score.
33:16Penel, sorrel tansy.
33:20Salad burnet.
33:21In winter, roots.
33:23Cooked in herbs.
33:25I'm an old man.
33:26I have my complaints.
33:27But each one has its medicine.
33:30Growing wild.
33:33Why are you afraid?
33:39There's a word for me.
33:40I'm a sensitive.
33:40I've no skin.
33:42I'm not I.
33:44I'm a herring.
33:46Or a bird.
33:48As the shoal swims.
33:50As the flock turns, all the flesh is one.
33:55Yes, others can shut their eyes, stuff their ears.
33:58Bandage their hands.
34:01Until the self is safe inside the little skull.
34:04In a crowd of men.
34:07And I fear them all.
34:11Why are you afraid?
34:14What I fear is so horrible.
34:18Such cruelty.
34:20Anger.
34:20Envy.
34:22Guilt.
34:23Shame.
34:25You know.
34:28At a football match or in an underground.
34:31I could die of screaming.
34:37I'm a leaf on a poisonous tree and all the other leaves.
34:41A death to me.
34:44All of them.
34:49Ah, you have a sweet neck.
34:51There is sweetness in everybody.
34:54But I know what you mean.
34:56I'm afraid to go back.
34:58But I must go back.
35:00Because a gift is forgiveness.
35:03I must live out the fear.
35:07Learn to love.
35:09Learn to bear the laughing.
35:11And the beating.
35:13And the shame.
35:23The self.
35:25The self.
35:27Being made by projection and interjection.
35:29To have a self is to have enemies.
35:31And to be a self is to be at war.
35:35To abolish war, therefore, is to abolish self.
35:39War to end war is total war.
35:42To have no enemies.
35:44Yourself.
35:45And here.
35:46To give up boundaries is to give up the reality principle.
35:50The reality principle.
35:52The light by which psychoanalysis is set.
35:54I does not understand the words.
35:58Talk to me in the silence.
36:27To abolish sexuality.
36:29Abolish property.
36:30Abolish self.
36:32Don't be against human's weather.
36:57Aren't you cold?
36:59Yes, I'm cold.
37:01But not as bad as first.
37:11I won't have to sit by anybody's fire anymore.
37:25I won't have to sit by anybody's fire anymore.
37:27Death.
37:29Birth is the beginning.
37:30There is no beginning.
37:32Death is the end.
37:34There is no end.
37:36Resurrection is the life to come.
37:39There is no life to come.
37:41I am born now.
37:43I am dead now.
37:45I am resurrected now.
37:49Come, old man.
37:51I want to show you something.
37:52Come, old man.
37:52I will show you something.
37:54You are leaving.
37:54Yes, we are leaving.
38:06You are leaving.
38:23There is a singing in this place.
38:28Singing.
38:38Screams.
38:46Screams.
38:50Screams.
38:54Screams.
38:58Screams.
39:07Screams.
39:20Screams.
39:21Yes?
39:22I need the room.
39:24Can't you read?
39:26Read the room.
39:27Don't shut the door.
39:30I don't know who you are or who you've been talking to.
39:33But if I had a room, would I put a sign saying no vacancy?
39:37There is a room, fourth floor back.
39:40Who told you that?
39:41Then they should have told you I don't rent that room.
39:45There's a picture on the wall.
39:46A photograph of four soldiers in a armored car, smiling.
39:50That's my son's room.
39:51I don't rent it.
39:53I need to see it.
39:55Please go away.
40:16I've all coloreds in the rest of the house.
40:18You can't let English people in anymore because you can't get them out.
40:22Yes.
40:23This is all right.
40:26I don't know.
40:41He was killed in Belfast.
40:44That's him.
40:45The one in the middle.
40:49I'll best take his things downstairs.
40:56Leave that.
41:07Well, you can carry it for me when I've packed it.
41:12Who told you about this room?
41:14What's your name?
41:16I has no name.
41:19Where'd he come from?
41:20Nowhere, I suppose.
41:22What do you do?
41:23Nothing.
41:25Well, everybody's entitled to their secrets and their privacy, and I'm not one to snoop
41:30and pry, but you have walked into my house without so much as a buyer leave, and laid claim
41:37to what's near and dear to me, so I'd like a name for you.
41:52Lady, look at me.
41:59You does not need those glasses anymore.
42:15I know.
42:18I know.
42:19I know your name.
42:27Leave me.
42:31I know your name.
42:32You just need your 무엇.
42:50I love you.
42:51Thanks.
42:52I love you.
42:53You love you.
42:56You.
42:57You.
43:00You.
43:01You.
43:01You.
43:15He won't see nobody.
43:17Please, go away.
43:42Only the tea, Mrs. Barr, thank you.
43:44Are you sure?
43:45Are you sure you're not just a little hungry?
43:47You have to keep up your strengths.
43:50They called our Lord a glutton and a winebibber, so there can't be any harm in it.
43:55Only the tea, Mrs. Barr, thank you.
43:57It's a shame.
43:58It's going to waste.
44:00Tonight, I will have some rice and peas.
44:04You can cook it with coconut milk and some thyme, but without the fat of any animal.
44:09Yes, I know.
44:15As I promised, I haven't spoken to a soul, not a word.
44:20But I wish you'd seen Mrs. Keats from next door.
44:24Her arthritis is ever so painful.
44:26And Mrs. Hampton's little boy has this terrible rash down the side of his face.
44:32Tell them to go to the health.
44:34They does know what they can and can't do.
44:38I does not know.
44:39And my power is not mine.
44:41Well, they've been to doctors.
44:43You're their only hope.
44:45I'm not ready yet.
44:48All in your own good time.
44:49I understand that.
44:54But you will go out and heal the people.
44:57There's such a need.
45:00You gave me back my sight when I hardly needed it.
45:05But ever since my boy was killed, I've been making the darkness welcome.
45:11Why did he die?
45:13He had no hatred of the men that killed him.
45:16He didn't even know them.
45:20Why do the hungry die when there's food?
45:24And why do the rich go mad?
45:27Why do children put poison in their veins?
45:32And why are the old afraid?
45:36There's a need for something quiet in the hearts of men.
45:41There's a need for God.
46:12There's a need for God.
46:23There's a need for God.
46:25There's a need for God.
46:28There's a need for God.
46:30There's a need for God.
46:32There's a need for God.
46:32There's a need for God.
46:32There's a need for God.
46:32There's a need for God.
46:32There's a need for God.
46:32There's a need for God.
46:32There's a need for God.
46:33There's a need for God.
46:33There's a need for God.
46:34There's a need for God.
46:35There's a need for God.
46:36There's a need for God.
46:37There's a need for God.
46:40There's a need for God.
46:55I don't know.
47:13I don't know.
47:50I don't know.
48:11I don't know.
48:41I don't know.
48:54I don't know.
49:03I don't know.
49:06I don't know.
49:10I don't know.
49:12I don't know.
49:20I don't know.
49:22I don't know.
49:26I don't know.
49:49I don't know.
50:13I don't know.
50:14I don't know.
50:15I don't know.
50:15I don't know.
50:47I don't know.
50:50I don't know.
50:55I don't know.
51:16I don't know.
51:18I don't know.
51:19I don't know.
51:24I don't know.
51:24I don't know.
51:55I don't know.
52:01I don't know.
52:06I don't know.
52:15I don't know.
52:39I don't know.
52:40I don't know.
52:42I don't know.
52:43I don't know.
52:48I don't know.
52:56I don't know.
52:56I don't know.
52:56I don't know.
53:31So
54:16Good luck to you mate
54:35Good luck to you
55:10Good luck to you
55:36Good luck to you
55:37Good luck to you
55:39Good luck to you
55:39Good luck to you
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