- 3 days ago
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00:01:35Mr. Ferguson's office?
00:01:36Oh, hello. When did you arrive in Chicago?
00:01:39No, we're just getting ready to close now.
00:01:42Really?
00:01:44Yes, June.
00:01:45Lunar Race.
00:01:46Exactly.
00:01:49Then we took get taxi,
00:01:51we went each other next Sunday.
00:01:56All right.
00:01:57I'll just come in the other room with me and have a conversation in there, I don't want to be
00:02:00afraid of it.
00:02:02I'll see you at the house.
00:02:04Will you be free tonight, Marion?
00:02:06Well, if you were, it's a silver wedding.
00:02:09We've got a party.
00:02:10All the children and grandchildren and all the relatives.
00:02:14I get that.
00:02:17Mr. Ferguson's office, yes.
00:02:19This is full of Mr. Ferguson's secretary talking.
00:02:23Would you hold that a minute?
00:02:25Yes, we're working on them now.
00:02:28We'll mail them out tonight.
00:02:30Goodbye.
00:02:31We've got to go tonight.
00:02:33In a hurry?
00:02:34And how?
00:02:35Jack, Mary?
00:02:36Yep.
00:02:36He's pretty steady, isn't he?
00:02:38That's your buzzer.
00:02:39Hey, you'd better go down to that party of yours.
00:02:41I'm off.
00:02:43Oh, fully.
00:02:44Yes?
00:02:45Come here.
00:02:46Come here.
00:02:49Goodbye.
00:02:50Oh, goodbye. See you tomorrow.
00:02:52No.
00:02:52I won't be here tomorrow.
00:02:54Don't tell anyone, though.
00:02:55Why not?
00:02:56Swear I'm out to tell?
00:02:57Sure.
00:02:58Oh, I can't now.
00:02:59I'll write and tell you all about it.
00:03:00Oh, anything serious?
00:03:01Oh, very serious.
00:03:09We expected you and your father tonight.
00:03:11Thank you very much.
00:03:12Don't forget now.
00:03:13Hello, Mr. Marion.
00:03:15Hello, old timer.
00:03:16Who are you?
00:03:17Say, you and Marion doing anything about it?
00:03:19Oh, we don't be still.
00:03:20Say, can you keep a secret?
00:03:21Sure.
00:03:22Take a peek at this.
00:03:24What?
00:03:24I'm just 25 years ahead of you.
00:03:26No kidding.
00:03:27Congratulations.
00:03:28That's great.
00:03:33Hello?
00:03:35Mr. Ferguson's right here.
00:03:37Mrs. Ferguson.
00:03:41Hello, my dear.
00:03:42No, I'm going to work here tonight.
00:03:45Yes.
00:03:46I know it's a good opera.
00:03:48No.
00:03:49I'll get a sandwich at the club later.
00:03:51Good for my waistline.
00:03:58Yes.
00:04:09Goodbye.
00:04:30Have you your notes on this?
00:04:32Yes.
00:04:39Mr. Ferguson.
00:04:41I've got it.
00:04:41The license.
00:04:42Mr. Ferguson himself.
00:04:46John Merrick.
00:04:47A single man.
00:04:48Marion Donald.
00:04:49A single woman.
00:04:50Both white.
00:04:52Come on, what are your things?
00:04:53Oh, you need one of my notes.
00:04:54What's the idea?
00:04:56Well, I'll be back in a minute.
00:04:57Now, listen.
00:04:58Now, you're all washed up on that stuff.
00:04:59Come on.
00:05:00Oh, I haven't told him.
00:05:01You go out here and tell him now.
00:05:03Come on.
00:05:03Hurry up.
00:05:04Hurry up.
00:05:05Hurry up now.
00:05:08Miss Donald, you made a mistake here of over ten million dollars.
00:05:11Oh.
00:05:12Well, a few million dollars more or less.
00:05:14Mr. Ferguson.
00:05:15I should have told you before, but I've had such an exciting day.
00:05:20I'm leaving.
00:05:21Leaving?
00:05:23Yes, to get married.
00:05:25Married?
00:05:25Yes.
00:05:26When's the happy day?
00:05:28It's tonight.
00:05:29Tonight?
00:05:29Sounds like an elopement.
00:05:31It is.
00:05:32Who's the lucky boy?
00:05:34Well, if you don't mind, I'd rather not say.
00:05:37I see.
00:05:38I hope he's worthy of this.
00:05:39Chicago boy?
00:05:40Oh, yes.
00:05:41What's his business?
00:05:42Well, he hasn't exactly a business.
00:05:44He's somebody's son.
00:05:46How unusual.
00:05:47Well, I mean, I mean, well, it's Jack Merrick.
00:05:53Merrick?
00:05:54John Merrick's boy?
00:05:55Yes.
00:05:56I see what you mean by somebody's son.
00:05:58He's going to work.
00:06:00You're marrying money.
00:06:02No, I'm marrying the man.
00:06:04He's the son of one of the really big fortunes.
00:06:06That doesn't matter.
00:06:08He should work.
00:06:08Every man should work.
00:06:10You work, Mr. Ferguson, and you're rich.
00:06:12Well, I'm rather a lonely old man.
00:06:15My work keeps me occupied.
00:06:17So you're off tonight?
00:06:19Yes.
00:06:19Crazy kid.
00:06:21It's serious.
00:06:22Marriage is a serious step for a woman.
00:06:25I'm not afraid.
00:06:26Young love seldom is afraid.
00:06:28Well, I'll finish these.
00:06:29No, no, no.
00:06:30Never mind.
00:06:31I'm sorry this is so sudden.
00:06:33Well, this sort of thing usually is sudden.
00:06:36Sure I can't correct my mistake?
00:06:38No, no.
00:06:39Oh, thanks.
00:06:40Goodbye.
00:06:41Goodbye.
00:06:42We'll miss you.
00:06:44Goodbye, and good luck.
00:06:46Thank you, Mr. Ferguson.
00:06:48Goodbye.
00:06:51Get out of here.
00:06:52Of course I'm going to get out of here.
00:06:54Here.
00:06:55Wait.
00:06:55I have to put everything in order now.
00:06:57William and I have to put this one.
00:06:58Oh, here.
00:06:58I'm the man of the family.
00:07:00I'll put that down.
00:07:01Well, maybe that's the last other.
00:07:03Here, wait a minute.
00:07:05What are you doing?
00:07:06Don't take those flowers out of there.
00:07:08Goodbye, old friend.
00:07:10Come on.
00:07:11Hurry up.
00:07:11Will you get out of here?
00:07:13Wait a minute.
00:07:13Oh, if I could.
00:07:15Hold me up.
00:07:16All right, now, come on.
00:07:17Hold me up.
00:07:18Hold me up.
00:07:18I'm going to find out something.
00:07:19Come on.
00:07:20I'll take you today, please.
00:07:21Go on now.
00:07:22Do you love me?
00:07:23I adore you.
00:07:25Come on.
00:07:25Bye, darling.
00:07:27Bye, darling.
00:07:27Bye, darling.
00:07:28Will you get out of here?
00:07:29We've got a date for the very important town.
00:07:36Come on.
00:07:37Come on.
00:07:37Come on.
00:07:38Come on.
00:07:38Come on.
00:07:39Come on.
00:07:40Come on.
00:07:40Come on.
00:07:43Come on.
00:07:44Come on.
00:07:47Come on.
00:07:50Come on.
00:07:53I love you.
00:07:56Truly, truly dear.
00:08:02Life will is sorrow.
00:08:16Daddy, I see you.
00:08:21Darling.
00:08:22Oh, yes.
00:08:28Good morning, Mrs. Merrick.
00:08:30Good morning, Mrs. Merrick.
00:08:36Oh, look at that lake.
00:08:38Yeah.
00:08:40You know where we ought to be now?
00:08:42Mm-hmm, just where we are.
00:08:43Mm-mm.
00:08:45In the sunny south of France.
00:08:46The sunny south of France?
00:08:48You know, smoother down from Paris,
00:08:51through the south of France.
00:08:53Get on the yacht at Marseille,
00:08:55and then all the way down the Mediterranean to Algiers.
00:08:58I mean, a real honeymoon.
00:09:01Darling, isn't this a real honeymoon?
00:09:03Of course it is.
00:09:05Mm-hmm.
00:09:12Goodbye.
00:09:13Goodbye.
00:09:15Goodbye.
00:09:16Goodbye.
00:09:17Happy?
00:09:17Happy.
00:09:18Oh, you broke himself.
00:09:23Say, Jack, you better fix that.
00:09:25Oh, let the hotel fix it.
00:09:26No, you fix it.
00:09:27Why?
00:09:28Well, if you don't know why.
00:09:32Hey, will you cut that off?
00:09:34Hey, listen, stop that.
00:09:35Listen, listen, the phone is ringing.
00:09:37Let me answer that.
00:09:39Hello?
00:09:41Hey.
00:09:42Hello?
00:09:44Speaking.
00:09:46Well, tell him I'll be right down.
00:09:50I didn't say send him up.
00:09:54Was it Mr. Merrick?
00:09:56You're sure it was Mr. Merrick?
00:09:59Or anybody with him?
00:10:03Oh, heck.
00:10:06Oh, Lord.
00:10:19I love you fully, fully, fully.
00:10:24Hey, pipe down.
00:10:25Why?
00:10:26It has arrived.
00:10:28Breakfast?
00:10:29No, Dad.
00:10:30Why?
00:10:30Where?
00:10:31He's coming up now.
00:10:33His law's with him.
00:10:36Oh, the great big boogie name.
00:10:38Now, now this is no joke.
00:10:44Now we'll get some fireworks.
00:10:46Now the trouble starts.
00:10:47Trouble?
00:10:48What do you mean, trouble?
00:10:59What makes you so nervous, Dad?
00:11:01You don't know Dad.
00:11:02Oh, darling, if he's going to make me look like that, I don't want to.
00:11:05This is serious.
00:11:06You realize what we've done, don't you?
00:11:08What?
00:11:08Well, we eloped.
00:11:10We ran away.
00:11:11We got married.
00:11:11We've got a fight on our hands.
00:11:13Oh, darling, we're two to one.
00:11:14We can fight the world.
00:11:16But I wouldn't want to fight Dad.
00:11:17I'm his only son.
00:11:19I'm the only thing he's got.
00:11:20You're my husband, and you're the only thing I've got.
00:11:22Yes, I know.
00:11:23Now you'd better get dressed.
00:11:24I'll go on in.
00:11:25I know Dad.
00:11:26You can't keep him waiting.
00:11:28I know Dad.
00:11:29I know Dad.
00:11:35Hello, Dad.
00:11:41You young fool, I'd ought to take you and break your neck.
00:11:45Why, Dad?
00:11:46What have you done?
00:11:46I've married a marvelous girl.
00:11:48Did you have to marry her?
00:11:50Now get that out of your mind.
00:11:51She's as straight as a die.
00:11:52Were you drunk?
00:11:53No.
00:11:54Well, who is she, and who are her people?
00:11:56Her people?
00:11:58Well, I've never asked her, Dad.
00:12:00To hear you talk, anyone would think I picked her up.
00:12:02As a matter of fact, Mary is a charming, decent girl who happens to work for a living.
00:12:07How does she earn her living?
00:12:08She was a stenographer.
00:12:09A stenographer?
00:12:10But she'd stack up with any of the girls we know.
00:12:12That being the case, didn't it occur to you that I might like to have met the woman who's
00:12:17going to take our name?
00:12:18Yes, I thought of that.
00:12:19But to tell the truth, Dad, you're a bit of a snob.
00:12:22What?
00:12:22Well, you are.
00:12:23Because she happened to work for a living, you'd have ripped her and questioned her.
00:12:27And you couldn't do that to her.
00:12:28She's got too much spirit.
00:12:30So rather than take a chance of losing her, we ran away.
00:12:33I wanted to be sure of her.
00:12:35Well, she's made sure of you, all right.
00:12:37I'm glad she has.
00:12:40Well, Dad, I love her and she loves me.
00:12:43And we're married.
00:12:45What are you going to do about it?
00:12:46Do you realize what the papers are going to do about it?
00:12:50What the story will be?
00:12:51Young Merrick elopes with stenographer in the middle of the night.
00:12:54Oh, Dad.
00:12:55A dirty, filthy, rotten scandal.
00:12:58Now, you listen to me.
00:13:00I'm one of the biggest men in this country.
00:13:02And you're my son.
00:13:03And as my son, you owe me your duty.
00:13:06That duty is to live up decently to the name that I've worked all these years to give you.
00:13:11And now, now you're quitting.
00:13:13No, I'm not quitting.
00:13:14Yes, you are quitting.
00:13:16You're tangled up with some woman of the town.
00:13:19One of the kind that follows kids like you around, waiting for a chance to hook them.
00:13:25Something that you want to bring down to a place like this at night.
00:13:28Some low-down, low-lived fortune-hunting parasite.
00:13:32Why, I...
00:13:33Marion.
00:13:35Jack, was he speaking about me?
00:13:39Yes, I was.
00:13:43Oh, Marion.
00:13:47Dead wise.
00:13:49Smart as a whip, too.
00:13:51Say.
00:13:55What are you going to do about him?
00:13:56I don't know.
00:13:57You don't know.
00:13:58Well, what?
00:13:58Send him away.
00:13:59If you knew Dad, you'd know that if he went now in the mood he's in, he'd never come back.
00:14:03Do you want him to come back?
00:14:03He called your wife a finger to the street.
00:14:05Oh, he's just mad now.
00:14:06Mad?
00:14:07Wouldn't you know Dad better?
00:14:08I don't want to know him any better.
00:14:09But we'll need him.
00:14:10Do you need him?
00:14:11I don't.
00:14:12Well, you're not going to bow out a 50 million dollar just because he lost his temper, are you?
00:14:15His temper?
00:14:16He didn't mean it.
00:14:17He did mean it, and I mean this.
00:14:19Not one penny of that man's money are you going to take.
00:14:21You're just upset now.
00:14:22When you think better of it...
00:14:23No, you're going to work as we planned.
00:14:25And I'll work, too.
00:14:26Jack, let's keep our pride.
00:14:28But, honey...
00:14:29I married you, not your father or his money.
00:14:32Now it's for you to choose.
00:14:33But, Marion, I can't give up a fortune.
00:14:36I can give up my life.
00:14:39Go and send him away.
00:14:42Go out and send him away, or I swear to you, I'll leave you.
00:14:47I mean it.
00:14:52Okay.
00:15:05To show you how wrong you are about Marion,
00:15:07she just told me that if you had 50 times the money you have,
00:15:10she wouldn't touch a penny of it.
00:15:13And that goes for me, too, Dad.
00:15:16Uh-huh.
00:15:17I'm with her 100%.
00:15:19I love her, and I'm going to work for her.
00:15:22We...
00:15:23We don't need you, Dad.
00:15:30Jack.
00:15:32Jack!
00:15:33Yes, Dad?
00:15:35Come here, boy.
00:15:40I suppose this is the right girl for you.
00:15:43Suppose it is.
00:15:44It is, Dad.
00:15:44Have you realized that they'll only say one thing about her?
00:15:47What's that?
00:15:48She'll be just the stenographer that Jack Merrick
00:15:52eloped with in the middle of the night.
00:15:54Well, what's wrong with that?
00:15:55Oh, it's all very well to be cocksure now,
00:15:57but you've got your lives before you.
00:15:59And you mark my words,
00:16:01the day'll come when she'll resent,
00:16:03and rightly too,
00:16:04the imputation that she caught you off guard,
00:16:07that she hooked you for your money.
00:16:08Well?
00:16:09Now, suppose we call this a day.
00:16:12For now.
00:16:13Just what do you mean?
00:16:14I mean, have the marriage annulled.
00:16:16Never.
00:16:17If you wanted to start this girl off right,
00:16:19you'd let me have this marriage annulled quietly.
00:16:22Then the impression would be that you never had been married,
00:16:26but that you had met a charming girl.
00:16:29You'd brought her down to see me, and I liked her.
00:16:31Now, do you get me?
00:16:33Not quite.
00:16:34Then after that,
00:16:35we'll see what she has in the way of a background.
00:16:38Nothing at all?
00:16:39Well, a little publicity, and we'll build one.
00:16:42But she doesn't need one.
00:16:43Oh, now, wait a minute.
00:16:45You know how I do things.
00:16:47We'll buy her some clothes.
00:16:49We'll build her up gradually.
00:16:51She's a charming girl.
00:16:53Everybody seems fond of her.
00:16:55You propose to her.
00:16:56The engagement's announced, and everything is jade.
00:16:59Then for a happy courtship,
00:17:02but after that, an honest-to-goodness slap-bang wedding
00:17:06that'll start you both off right
00:17:08and put you in the spot in this city
00:17:09that the name of Mary entitles you to.
00:17:11Now, does that make sense?
00:17:14I see what you mean.
00:17:15It'll be much better for the young lady in the long run, Jack.
00:17:19You must see that.
00:17:20Yes, yes, I see that.
00:17:22She's pretty touchy about the whole thing.
00:17:24It'll need handling.
00:17:25Good.
00:17:26That shows she's got spirit.
00:17:28Oh, she's got that all right.
00:17:29Jack, and it would be much better for her, wouldn't it?
00:17:32Why, of course.
00:17:33And then, Jack, a real honeymoon abroad.
00:17:38Say, what are the chances for getting the yacht on the Mediterranean?
00:17:41Anything you want.
00:17:42You know how I do things.
00:17:45Okay.
00:17:45Say, now, wait a minute.
00:17:46You will be nice to her, won't you?
00:17:48Sure.
00:17:50Yeah.
00:17:51Yeah.
00:17:52Yeah.
00:17:53Yeah.
00:17:58Are you going through it, Addison?
00:18:02Do you think I'm crazy?
00:18:04How do I know who she is?
00:18:06He's in love with her.
00:18:07Oh, he's nothing but a kid, and this woman's swept him off his feet.
00:18:11When the time comes for him to marry,
00:18:14he'll marry Josh Carton's daughter, and he'll like it.
00:18:19The young Carson girl, eh?
00:18:21Yeah, little Catherine Carson.
00:18:23She's a charming kid.
00:18:25Good family.
00:18:26Good breeding.
00:18:27One of his own class.
00:18:29By hang it all, man.
00:18:30This kid's the only thing I've got.
00:18:32I don't think you'll break this thing without a fight.
00:18:38Well, we can fight, can't we?
00:18:41We've handled people before this, haven't we?
00:18:43Let her start.
00:18:45Go on.
00:18:45Dad, speaking of you, it would be much better for you.
00:18:49What is this plan of your father's?
00:18:50Well, he thinks we should call it a day, just for now.
00:18:54Call our marriage a day.
00:18:55We'd still be married.
00:18:56How could we if they annull it?
00:18:58Well, don't you see?
00:18:59We'd be engaged all over again.
00:19:00I see, and in the meantime.
00:19:02Well, Dad would build you up with people.
00:19:05Build me up?
00:19:05I don't need building up.
00:19:08Well, you want a position, don't you?
00:19:11I've got a position.
00:19:12I'm your wife.
00:19:12Well, who said you were?
00:19:13You did.
00:19:14Well, I'll back Dad's judgment.
00:19:16After all, he is somebody.
00:19:17His opinion counts for something.
00:19:19You're right, it does.
00:19:20It counts for you.
00:19:21What is your dad exactly?
00:19:22What do you think you all are?
00:19:23You want to call this thing a day?
00:19:24All right, call it a day.
00:19:25I'm through.
00:19:26What?
00:19:27Why, Marion.
00:19:29Mr. Marion, I married your son because I loved him and thought he loved me.
00:19:32I felt that if he worked on his own for his folks, it would make a man of him.
00:19:35I put him to the test and he failed me.
00:19:37No, Marion.
00:19:38You came here to save your son from a fortune-hunting parasite.
00:19:41Well, you happened to have saved her instead.
00:19:44I know the marriage taken back.
00:19:45I don't want him.
00:19:46Marion.
00:19:46Marion.
00:19:46Go back your son and calling you.
00:19:49Jack.
00:19:50Jack.
00:19:50Jack.
00:19:50Jack.
00:19:59THE END
00:20:21THE END
00:20:51THE MILKMAN'S LATE
00:20:53SO AM I
00:20:55BEFORE YOU GO, MISS DONALD
00:20:56I'D LIKE TO SPEAK TO YOU
00:20:58THERE ARE SOME THINGS TO BE GONE OVER
00:20:59I'M SO LATE
00:21:01YOU DON'T KNOW THAT CROWD ON THE MORNING LIKE THIS
00:21:05THERE WILL BE A CROWD HERE IF YOU DON'T GET SOME OF THESE BILLS PAID
00:21:08MISS DONALD YOU CAN'T KEEP ON EVADING THEM
00:21:12I'M NOT EVADING ANYTHING
00:21:13I SIMPLY HAVEN'T GOT THE MONEY THAT'S ALL
00:21:18WE'VE GOT TO PAY DR. RIDLEY
00:21:20HE'S GOT TO BE PAID
00:21:21AFTER ALL YOU HOLD THE BABY'S LIFE TO HIM
00:21:23AND I DIDN'T TELL YOU YESTERDAY
00:21:25BUT YESTERDAY THEY CAME AND TOOK THE SOWING MACHINE
00:21:28THE SOWING MACHINE?
00:21:29FOUR MONTHS BEHIND ON THE PAYMENT
00:21:30THAT MONEY WENT TO THE CENTRAL MARKET
00:21:33SURELY THEY WOULD'VE WAITED
00:21:35OH, NO, NO, NO
00:21:36IS IT ALL RIGHT?
00:21:39OF COURSE HE IS
00:21:41I'LL GO
00:21:43MILK
00:21:45HERE'S THE BABY'S MILK NOW
00:21:48IS THAT THE CERTIFIED MILK?
00:21:50YES
00:21:52GOTTA COLLECT
00:21:53WHAT?
00:21:54GOTTA COLLECT
00:21:55WHAT DOES HE SAY?
00:21:56GOTTA COLLECT
00:21:57HE SAYS HE'S GOT TO COLLECT
00:21:59$16.50
00:22:01HOW'S THAT?
00:22:01HOW LONG HAD YOU BEEN PAID, YOUNG MAN?
00:22:05DON'T KNOW
00:22:05THESE TRADESMAN ARE SO IMPOTENT
00:22:09WELL
00:22:10WELL, I LIKE THAT
00:22:11AND MY FREE MISSES ROCKETFELLER
00:22:12THE WAY SHE ENDS THEM TO ME
00:22:14COME ON
00:22:15WHY DON'T YOU LEAVE IT
00:22:16STEP ON IT WILL YOU
00:22:18I'M LATE
00:22:19I STEP ON YOU
00:22:21HERE
00:22:21GIVE HER THE CHANGE
00:22:33SO YOU GAVE HIM THE $20
00:22:35YOU DIDN'T HAVE TO PAY ALL THAT
00:22:36NOW YOU'VE GIVEN HIM THE RENT MONEY
00:22:38AND WE'LL BE OUT ON THE STREET
00:22:40THE BABY HAD TO HAVE HIS MILK
00:22:42I COULD HAVE GONE DOWN TO THE CORNER
00:22:43AND GOT IT FOR 50 CENTS
00:22:45WHY DIDN'T YOU SAY SO?
00:22:47NOW LET ME TELL YOU SOMETHING
00:22:48FOR YOUR OWN GOOD, MISS DONN
00:22:50YOU GET $50 A WEEK
00:22:51AFTER THAT YOU PAY ME 20
00:22:53WHEN YOU PAY ME
00:22:54THAT LEAVES YOU 30
00:22:55TO RUN EVERYTHING
00:22:56FOOD, CLOTHES, RENT
00:22:57AND ALL THIS BABY COST YOU
00:22:59OH, MY ANGEL
00:23:01AT NIGHT WHEN I BRING THESE THINGS UP
00:23:03YOU'VE GOT A SICKED AKE
00:23:04OR YOU'RE TIRED
00:23:05AND YOU SAY IN THE MORNING
00:23:07THEN MORNING COMES
00:23:08AND IF-
00:23:09I MUST GO HERE
00:23:10WELL, I MUST GO TOO, MISS DONN
00:23:12FOR GOOD
00:23:14OH, YOU COULDN'T
00:23:16AND WHY COULDN'T I PRAY?
00:23:18BECAUSE YOU'VE GOT TO TAKE CARE OF HIM
00:23:20HE'S NEVER HAD ANYONE BUT YOU
00:23:22OH, PLEASE, SWEET
00:23:24LET'S TALK ABOUT THIS TONIGHT
00:23:26PLEASE
00:23:28OH, MISS DONN
00:23:30YOU WAIT IN NO FIT CONDITION
00:23:32TO GO OUT AND DO A DAY'S WORK
00:23:34I'M ALL RIGHT
00:23:34WELL, YOUR NERVES AIN'T RIGHT
00:23:36MARK MY WORDS, IT'S COMING
00:23:38WHAT'S COMING?
00:23:39A BREAK DOWN
00:23:40AND THEN WHAT'LL HAPPEN?
00:23:41OH, WHY DON'T YOU DO
00:23:42WHAT YOU SHOULD'VE DONE LONG AGO?
00:23:44WHAT?
00:23:45GO TO THE BABY'S FATHER
00:23:46LET HIM OUT
00:23:50NOW
00:23:57WHERE'S MY UMBRELLA?
00:23:59I LEFT TO THE VARSTOP
00:24:00WITH MY PUZZLES OUT THERE
00:24:02I'LL GET IT FOR YOU
00:24:15WHAT'S THE MATTER, MISS DONNELL?
00:24:16TELEPHONE THE OFFICE AND SAY I'LL BE LATE
00:24:18BUT WHAT'S THE MATTER?
00:24:20OH, I'M ALL RIGHT
00:24:20A LITTLE FAINT EARTH
00:24:22I'M PERFECTLY ALL RIGHT
00:24:23THERE'S NOTHING THE MATTER
00:24:24GET ME A CUP OF TEA, WILL YOU?
00:24:26I TELL YOU NOT TO GO OUT
00:24:27MORNINGS WITHOUT YOUR TEA
00:24:30I'LL GET YOU A BIT OF TOAST, TOO
00:24:32NO, NEVER MIND THE TOAST
00:24:50Mrs. Potter
00:24:50Yes
00:24:53Come here
00:24:53What is it?
00:24:55Look
00:24:57Welding of millions
00:24:59Paris, France
00:25:00November the 4th
00:25:02John Merrick Jr.
00:25:03only son of John Merrick
00:25:04Chicago multimillionaire
00:25:05was this day married to
00:25:07Catherine Flip Carson
00:25:09youngest daughter of Joshua P. Carson
00:25:11of the Chicago Chemical Works
00:25:12The pair left immediately after the ceremony
00:25:15for an extended trip through the
00:25:17sunny south of France
00:25:27Well, that's that
00:25:31Where's my teeth?
00:25:33That's him, ain't it?
00:25:38Well, the baby's grandfather's here, ain't he?
00:25:43According to the papers, he's a charitable sort of man
00:25:46Very
00:25:46Then you should go to him
00:25:48Those medics owe that baby something
00:25:51Oh, Miss Donald
00:25:52It's your stubborn pride
00:25:55You can be stubborn about yourself
00:25:57That's one thing
00:25:58But a young baby's another
00:26:17Hello
00:26:18Hello
00:26:18Hello
00:26:19Hello
00:26:19Mr. Merrick, Mr. Merrick Senior, please
00:26:22Mr. Merrick inside
00:26:22He's waiting for you, Mr. Pryor
00:26:24Will you go right in?
00:26:25Any more news?
00:26:26Oh, no
00:26:26While you're in there, tell Mr. Merrick that we're holding the wires on the train till the last minute
00:26:31All right
00:26:31If my wife calls, tell her I'm going with it
00:26:33Right
00:26:33Hello
00:26:34Hello
00:26:35Mr. Merrick is leaving at once on the 20th century
00:26:38Have you arranged for the motorcycle escort to take him to the train?
00:26:41It's most urgent
00:26:42Oh, you have arranged it
00:26:44What's wrong with that parent call?
00:26:45Oh, the delay's in New York, Mr. Merrick
00:26:47Mr. Merrick, come out now, Miss
00:26:48Please
00:26:50Hello
00:26:51Hello
00:26:52Oh
00:26:53Mr. Sullivan
00:26:54Mr. Sullivan
00:26:55Mr. Merrick says you may publish this cable, which is all he knows
00:26:58Paris, France
00:26:59Car overturned near Lyon
00:27:01Chauffeur killed outright
00:27:03Jack and Catherine in hospital Lyon
00:27:05Both unconscious
00:27:06That's all, Mr. Sullivan
00:27:07Yes
00:27:09This is where
00:27:10George Clark
00:27:12Rich Hotel
00:27:14New York City
00:27:15Jack badly injured
00:27:18Leaving
00:27:2020th century
00:27:20Obtained
00:27:22Surgeon O'Leary
00:27:23If
00:27:23Possible
00:27:24At any cost
00:27:26Sailing
00:27:28Berengaria
00:27:28Friday night
00:27:33Hello
00:27:34Hello
00:27:34Oh, where can you...
00:27:36Yes
00:27:36Just a moment, please
00:27:37Yes, yes
00:27:38Hello
00:27:39Hello
00:27:42What?
00:27:43What?
00:27:44Well, what is it?
00:27:46What is it?
00:27:47Give him a lunch on the train
00:27:49I'll...
00:27:49No, it's...
00:27:50It's...
00:27:50Something about...
00:27:51Pittsburgh
00:27:52Oh, where is it?
00:27:54Where is it?
00:27:55Come on, did it?
00:27:57Oh, that one
00:27:57Oh, that one
00:27:58Oh, that one
00:27:59Oh, that one
00:28:00Oh, that one
00:28:00Oh, that one
00:28:00Oh, that one
00:28:00Oh, that one
00:28:04Oh, that one
00:28:04Oh, that one
00:28:06Oh, that one
00:28:12No
00:28:12Mr. Ferguson's in a director's meeting
00:28:14He's been tied up for hours
00:28:17Twenty million of preferred stock
00:28:19Out of an issue of forty million
00:28:20And you're asking for an insi...
00:28:21An insi...
00:28:22Yeah, just...
00:28:23Right now
00:28:23Just a minute
00:28:24Will you compromise and accept 22,5?
00:28:27We're compromise
00:28:28With your compromise
00:28:28With your...
00:28:29Young man
00:28:30I've been in this business for forty years
00:28:32And I won't be bulldozed.
00:28:34Yeah, not bulldozed.
00:28:35Just like that, just like that.
00:28:36We'd better postpone this and tomorrow.
00:28:39Now, you all understand the main features of the agreement.
00:28:42Miss Donald has them in her notes.
00:28:43A copy will be mailed to you tomorrow.
00:28:45Oh, well, well.
00:28:47Remember the last time I regained?
00:28:49I'll be sure. You're heavier though now.
00:28:54Hello?
00:28:58Anyone going my way?
00:28:58I can't hear you.
00:29:00Did you speak a little louder?
00:29:02Oh, I hear the word Paris.
00:29:04Oh, I see.
00:29:05That he's lost.
00:29:06He's regained consciousness.
00:29:08Oh, fine.
00:29:09Can you bring your notes, please?
00:29:10Yes.
00:29:11All right, thank you.
00:29:20What's the matter with you, Miss Donald?
00:29:23What's the matter?
00:29:24Nothing.
00:29:25I watched you this afternoon at the meeting.
00:29:28You didn't take down any of the notes.
00:29:30Your mind was miles away.
00:29:32I'm sorry, Mr. Ferguson.
00:29:34Don't be sorry.
00:29:35Sit down and tell me all about it.
00:29:37There isn't anything to tell.
00:29:39Oh, yes, there is.
00:29:40Now, sit down.
00:29:41You know, I've seen this coming on.
00:29:44What?
00:29:45A breakdown.
00:29:48A breakdown?
00:29:49Yes.
00:29:50Yes.
00:29:50Well, you haven't been yourself for weeks.
00:29:52Frankly, I'm worried about you.
00:29:54Is there anything so surprising in that?
00:29:57We've been associated for a long time.
00:30:00After all, I'm a friend.
00:30:02Now, you better tell me what's troubling you.
00:30:05You have more important things than...
00:30:07Nothing is more important to me.
00:30:09Now, come on.
00:30:10What is it?
00:30:10Tell me all about it.
00:30:16It isn't any one thing.
00:30:18It's everything.
00:30:20Everything's all muddled together.
00:30:23I'm a failure.
00:30:24You're not a failure.
00:30:26Now, what you need is a trip to the country.
00:30:29Out in the sunshine with that baby of yours.
00:30:32I can't.
00:30:33You can.
00:30:34And I'm going to see that you go.
00:30:36Why, if I saw a stranger in the state that you're in,
00:30:38I'd want to help.
00:30:39And you're much more than that to me.
00:30:45I've got...
00:30:46Many.
00:30:50Fuller.
00:30:50Quickly.
00:31:0110ern.
00:31:2310 to 11.
00:31:3010 house.
00:31:39Yes, and the funniest part of it was, he's paid the bet.
00:31:49Just one drink, and then you're going home.
00:31:52As beauty commands.
00:31:53Oh, I do gallant.
00:31:55Didn't they say that in the play tonight?
00:31:56Yes, don't you remember?
00:31:58Yes.
00:32:00And then he took her in his arms, remember?
00:32:03Yes, I remember.
00:32:04But you're not a brave guardman.
00:32:06You're a very important lawyer with lots to solve tomorrow.
00:32:10That sounds very dull, Miriam.
00:32:14I'm not the romantic type, eh?
00:32:16You're the real type, Hector.
00:32:18You have brains and kindness and...
00:32:21Everything except romance, eh?
00:32:23Well, you saw how unhappily the romance ended in the play tonight.
00:32:27Sing one song.
00:32:29Oh, no, I don't say it.
00:32:30Just one song, and then I'll go.
00:32:32Well, all right.
00:32:34It pleases you.
00:33:12In life's sunshine
00:33:16Those precious women
00:33:20Cherished through the year
00:33:24Caught hard to sigh
00:33:28Through their tears
00:33:36Love, your magic spell is everywhere
00:33:42Love, I knew you well
00:33:47And found yourself
00:33:50Come, hear me, my heart
00:33:55My soul to me
00:34:01Make me forgive
00:34:06The voice that will find way
00:34:19Are you happy, Miriam?
00:34:21Of course I'm happy. Why do I ask?
00:34:23I sometimes wonder if you really are.
00:34:27What more could a girl ask to make her happy?
00:34:30You've given me so much. Too much.
00:34:33Oh, that's impossible.
00:34:35As long as it's...
00:34:37As long as all that pleases you, I'm happy.
00:34:40You're very beautiful.
00:34:42I like to look nice for you.
00:34:44That's the least I can do.
00:34:46Miriam, could you ever really love me?
00:34:53Hector, dear.
00:34:55You, darling.
00:34:58You'll never know what a paradise you've made for me here.
00:35:01It's like a haven in a storm.
00:35:04Now you're becoming a brave guardsman again.
00:35:10Good night.
00:35:21All right, let's go.
00:35:39All right, let's go.
00:35:42All right.
00:35:43All right.
00:40:21Yes, Mrs. Ferguson.
00:40:24This is Maryam Donald.
00:40:32Yes. How is he?
00:40:36Hello? Hello.
00:40:41She rang off.
00:40:43What did Mrs. Ferguson want?
00:40:45She said he wanted me to come over.
00:40:48I should come over immediately.
00:40:50You'd better go.
00:40:51He's asked for you and it must be serious.
00:40:53Get my back, quickly.
00:41:21I'll show you what's next.
00:41:22I'll show you what's next.
00:41:25I'll show you what's next.
00:41:25I'll go around.
00:41:25I'll show you what's next.
00:41:27I'll show you what's next.
00:41:28I'll show you what's next.
00:41:29I'll show you what's next.
00:41:48Good evening, Dr. Becker.
00:41:49Good evening, Fuller.
00:41:51Dr. Conway.
00:41:52Good evening, Doctor.
00:41:54Miss Donald, this is Dr. Beckles, and Dr. Conway.
00:41:57Yes, sir.
00:41:59Miss Donald is Mr. Ferguson's secretary.
00:42:19Mary.
00:42:22Are you Miss Donald?
00:42:25Yes.
00:42:26Will you go in, please?
00:42:29Shall we go in now?
00:42:31He asked to see you, alone.
00:42:51Sorry, I've kept you waiting, but it couldn't be helped very darkly.
00:42:58Will you please make our visit as brief as possible?
00:43:01Yes, I understand.
00:43:17Don't go away.
00:43:19Don't go away.
00:43:21You mustn't leave me.
00:43:23You mustn't leave me.
00:43:26You mustn't leave me.
00:43:27I'll be all right.
00:43:30I'll be all right.
00:43:33I'll be all right.
00:43:34How beautiful you are.
00:43:36Don't go away.
00:43:39Please don't leave me.
00:43:41I'll wait for you.
00:43:43I'll be all right.
00:43:45I love you.
00:43:46I love you.
00:43:47Marion, don't leave me.
00:43:49Please kiss me.
00:43:52Kiss me.
00:43:53Kiss me.
00:43:55Marion, kiss me.
00:44:01Oh, how dark it's getting.
00:44:12I love you.
00:44:17Edby, wait. Edby, wait.
00:44:55Edby, wait.
00:45:04I told him to drive straight to the apartment. Is that right?
00:45:07Paper. Paper, lady.
00:45:12What's that?
00:45:20That's an outrage, the way they've distorted that.
00:45:25I don't need these papers to tell me what I am.
00:45:27Her eyes told me that night.
00:45:30I'll never forget those eyes.
00:45:33It seemed as though I'd stolen a part of her soul.
00:45:36Oh, it was awful.
00:45:39Well, that's past.
00:45:40You must think of your future.
00:45:42My future?
00:45:44Well, you're financially able to do most anything you want to now.
00:45:46I'm not touching a penny of that money.
00:45:49What?
00:45:50I'm giving it all back.
00:45:51But you need money for your boy.
00:45:53Not this money.
00:45:54When he grows up, what can I tell him when he asks me where this money came from?
00:45:59Oh, how I'd like to undo this whole awful thing.
00:46:03Well, don't get excited, Marion.
00:46:05Wait and we'll discuss the whole matter when we get to your apartment.
00:46:08I'm giving up the apartment as soon as I can.
00:46:10You are?
00:46:11I can't endure the place to think part of that mad dream.
00:46:16I must have been mad.
00:46:20Hey, you know me, Beethoven?
00:46:22Hey, that bird wasn't there.
00:46:24I know it.
00:46:24You know it.
00:46:25Then what a place to eat.
00:46:26Listen, you punk.
00:46:27Here's my Marion Donald story for Sunday.
00:46:30The great secretary problem.
00:46:31Gee, this will set the wives up higher in a kite.
00:46:34Should a wife have a hand in choosing her husband's secretary?
00:46:36Oh, give the girls a chance or the wives will be picking them out of the old lady's home.
00:46:40And what about the secretaries?
00:46:42Ah, there's always the follies.
00:46:43There are a lot of key punchers in this bird waiting for the boss to give them a little sugar.
00:46:47Well, well, well, well, look what Grandma brought.
00:46:49The old man himself.
00:46:51Who?
00:46:51Ferguson with an autograph, too.
00:46:53To Marion from H.F.
00:46:55That's Hector Ferguson, all right.
00:46:56It sure is.
00:46:57Say, he certainly done something for this town.
00:46:58He certainly did.
00:46:59Say, what's the lowdown on that bedside story when he kicked off?
00:47:02You mean about this Donald girl and the wife at the deathbed?
00:47:05Yeah.
00:47:05I got the lowdown on that.
00:47:07Pretty sad.
00:47:08Love for this Donald girl, all right.
00:47:10He was conservative, but he was no chaser.
00:47:11Hey, fellas.
00:47:12Look what I found.
00:47:13The plot thickens.
00:47:14He's a child.
00:47:15What do you say?
00:47:17Say, bring the box down.
00:47:19Wait a minute.
00:47:19Look at me, darling.
00:47:20Wait a minute.
00:47:20I'll handle this.
00:47:21Oh, you can.
00:47:22Put the punk over there.
00:47:24Say, here you are.
00:47:26Who's this, Sonny, huh?
00:47:27Honky Fergie.
00:47:28Honky Fergie.
00:47:29Say, is that a story or not?
00:47:31Sounds pretty raw to me.
00:47:32Oh, the kid will never let that down.
00:47:34Well, his mother's still Miss Donald, isn't she?
00:47:36Yeah.
00:47:36The sector Ferguson, isn't it?
00:47:37Yeah.
00:47:39Hey, the women will eat us up.
00:47:41Even the mayor will eat.
00:47:45Here she is.
00:47:46Oh, honey.
00:47:47How do you do, ma?
00:47:47How do you do?
00:47:48You can't take my baby.
00:48:16I left you in bed.
00:48:18I can't be in two places at once.
00:48:20They must be stolen out of it.
00:48:49They've gone.
00:48:52I've got to tell them the truth.
00:48:54Tell them who Jackie's father is.
00:48:55How can you do that?
00:48:56They wouldn't believe you and they'd only just talk the truth and make matters worse.
00:49:01There's only one person in the world who should tell them.
00:49:03That's the boy's father.
00:49:06Why, he doesn't even know the child's existence.
00:49:07He must be told.
00:49:08We telephone and ask him to come here now.
00:49:10Do you think he's come with this candle now?
00:49:12We can soon find out.
00:49:14I haven't seen him in four years.
00:49:15What difference does that make?
00:49:16This is his obligation.
00:49:17But he's married.
00:49:18Even so, this is still his obligation.
00:49:21Lake Shore, 4200.
00:49:23Do you think they could publish that?
00:49:25They could infer it.
00:49:26They're liable to say anything.
00:49:30Oh, this thing is not such a big sham.
00:49:33The fool almighty never let it down.
00:49:35Merrick, Junior.
00:49:38They're calling him.
00:49:41Hello?
00:49:43Mr. Merrick.
00:49:44Mr. Jack Merrick.
00:49:45Junior.
00:49:46Miss Donald speaking.
00:49:49Yes, I'll wait.
00:49:51I must protect him.
00:49:52I must.
00:49:53Hello?
00:49:54Yes, I'm waiting.
00:49:55Don't you see what this would do to him?
00:49:58It's golden after.
00:49:59If it touches him, if he suffers through life.
00:50:02I couldn't bear it.
00:50:03I couldn't.
00:50:06Hello?
00:50:08Jack?
00:50:09This is Marion.
00:50:10Donald.
00:50:12Could you come right over to see me?
00:50:14I'm...
00:50:15I can't...
00:50:16No, I can't tell you over the telephone.
00:50:18It's very important.
00:50:20Very.
00:50:242460 Lakeshore Drive.
00:50:26Yes, I'll be waiting.
00:50:28All right.
00:50:32Keep coming.
00:50:34That's right.
00:50:35I'm sure you'll find you've done the right thing.
00:50:38Now when he comes, tell him everything.
00:50:42After all, you're asking nothing for yourself,
00:50:45but you do need his help for his son.
00:50:48You're such a good friend.
00:50:48Let me know what happens.
00:50:49I will.
00:50:50You're such a good friend.
00:50:51Not at all.
00:50:52Cheer up, Marion, and good luck.
00:50:54Thanks.
00:50:56Goodbye.
00:50:56Goodbye.
00:50:57You're welcome.
00:51:04Get his clothes on.
00:51:05But he's in vain.
00:51:07Get his clothes on.
00:51:08Mr. Samaric's coming.
00:51:09Who?
00:51:10His father.
00:51:17Guys.
00:51:17Get your clothes on.
00:51:17Pool of Dopic hair.
00:51:19The monster y'year .
00:51:21Get drunk.
00:51:21To get out of the yellow brown.
00:51:23No, no, no, no.
00:51:24Want to get dressed now?
00:51:26Want to get dressed?
00:51:26Goodie, goodie, goodie.
00:51:30My smiley.
00:51:35There'll be some rejoicing when those medics know they've got a son and heir.
00:51:41Young medics' wife can't never have a child of her own.
00:51:45Ever since she had that motor smash-up in France, she's been a cripple in a wheelchair.
00:51:50And there's no heir to all those millions but our young Jackie.
00:51:54Oh, there'll be joy bells ringing all right.
00:51:58All right, please.
00:52:03You'll have to watch out if they don't try and steal him from you.
00:52:06Steal him?
00:52:08Well, if that old man Merrick got it into his head that he wanted the child with all his influence
00:52:13and money,
00:52:14well, we wouldn't stand a dog's chance against him.
00:52:17What are you talking about?
00:52:21Well, you know what you're about, asking the father over here.
00:52:26But I'd watch out.
00:52:28They're an unscrupulous bunch.
00:52:30And what?
00:52:34Well, they'd have a lot on their side in the law courts with all the lies the newspapers are saying
00:52:39about him.
00:52:39The law courts?
00:52:40Can't you see what this child means to that family?
00:52:44Yes.
00:52:45I don't say as they would steal him, but it's on the cards they might.
00:52:49And those people never lose anything they go after.
00:52:54Come on, Jackie.
00:52:55Have your socks on.
00:52:56Don't dress him.
00:52:57I want to get away.
00:52:58Listen, darling.
00:53:00Sweetheart, listen to Mother.
00:53:01Be as quiet as a mouse and then I'll come back and read to you.
00:53:04Goody, goody.
00:53:10Blanche, don't go.
00:53:11Please, wait a moment.
00:53:19Yeah.
00:53:25Oh, hey.
00:53:29Miss Donald, please.
00:53:30Will you come in here, Peter?
00:53:36Hello, Marion.
00:53:37Hello, Jack.
00:53:39Didn't take you long to get here.
00:53:40You asked me to come right away.
00:53:42I know.
00:53:43Something came up and I thought I might need your help.
00:53:45You can bank on that any time.
00:53:46Well, you see, it's all settled now.
00:53:49Are you sure?
00:53:49Because if there's anything I can do.
00:53:51Thanks.
00:53:52You'd rather not tell me what it is.
00:53:54Well, it's really of no importance now.
00:53:56I see.
00:53:58Well, that's that.
00:54:00You're looking very well.
00:54:01Thanks.
00:54:02So do you, little Sima.
00:54:03That three years' hard work, I guess.
00:54:05Yes.
00:54:09It's awfully good of you to come over.
00:54:11I'm sorry I got you on a wild goose chase.
00:54:14If there is anything I can do, I hope you'll call on me.
00:54:16I will.
00:54:17Good.
00:54:22You need to come here to me this minute.
00:54:27Over to the bed.
00:54:33Oh, dear.
00:54:34My goodness.
00:54:35Hello, Mommy.
00:54:36Hello, darling.
00:54:41Yours?
00:54:43Yes, mine.
00:54:44I see.
00:54:46I didn't believe it.
00:54:48What?
00:54:49Well, I heard something about a child and Ferguson's will, but...
00:54:51Is that what they're saying?
00:54:53I heard something about it.
00:54:55Well, goodbye, Marion.
00:54:57Take care of yourself.
00:55:03Jack, wait, wait.
00:55:05Yes?
00:55:07Will you come with me?
00:55:08Why, of course.
00:55:13And now I lay me down to sleep.
00:55:15I pray, O Lord, my soul to keep...
00:55:17If I should die before I wait, I pray, O Lord, my soul to take...
00:55:21Bless...
00:55:22Make me be my own mother's little boy.
00:55:27Be with her always.
00:55:28Jesus' sake.
00:55:29Amen.
00:55:30Amen.
00:55:31Amen.
00:55:32Amen.
00:55:34Amen.
00:56:00Amen.
00:56:02Yes.
00:56:04Why didn't you tell me? Why didn't I know?
00:56:07You know now. You had to know.
00:56:14How old is he?
00:56:16How old would he be?
00:56:17I can't believe it. I can't believe it.
00:56:30Why was he born? Here in Chicago?
00:56:32Yes.
00:56:33Why didn't you come to me?
00:56:35I wanted to stand on my own.
00:56:37Was that fair to him? It's a serious thing having a child.
00:56:40Yes, it is.
00:56:42What reason could you possibly have had for keeping him away from me?
00:56:45I called on you today because I felt he needed your protection.
00:56:48Of course, of course.
00:56:49Come on. Would you have let me go away today without...
00:56:52I was afraid.
00:56:53Afraid of me? His father?
00:56:55I was afraid you might try to take him from me.
00:56:58Marry him.
00:56:59Can you blame me?
00:57:00I know. I know. We mustn't think of that.
00:57:03We must just think of him now.
00:57:05You don't know how I've longed for something like this.
00:57:08And something just like this, too.
00:57:10You young husky, it's your dad. Your dad.
00:57:14Look at me. It's your own father, you monkey.
00:57:20He is like you, Jack.
00:57:22Of course he is. I saw it right away.
00:57:24He's reminded me of you often.
00:57:25Really?
00:57:26Mm-hmm, really.
00:57:27I can't understand.
00:57:29What?
00:57:30Oh, nothing. Never mind.
00:57:31I've got him now, haven't I?
00:57:33I've got you now, you young Samson.
00:57:35Come on here.
00:57:39Come on here.
00:57:44There we are.
00:57:48Stay, Marry. This is a tough kid, do you know it?
00:57:50How much does he weigh?
00:57:51Thirty pounds.
00:57:52Yes, and then some.
00:57:54He's got the Merrick jaw all right, hasn't he?
00:57:56You're a Merrick, aren't you?
00:57:58Jack, you will stand by him now, won't you?
00:58:00You try and stop me.
00:58:01We must stop that rumor.
00:58:03We'll stop it all right.
00:58:04Leave that to Dad.
00:58:05Gee, just wait till he knows about this.
00:58:07You're his father.
00:58:08Anything that must be done, you do, will you?
00:58:11Marion, why didn't you come to me before?
00:58:12Four.
00:58:26Look at us, Marry.
00:58:28Just we three.
00:58:30Jack.
00:58:37What is it, my kitty car?
00:58:38I'd love it.
00:58:47You know, Marion, when you left me, I went to Paris.
00:58:51I had to get away.
00:58:52Everything here reminded me of you.
00:58:54I went crazy over there.
00:58:56Then Flip Carson came over.
00:58:58In spite of what I was doing, she seemed to understand.
00:59:01Well, we were married, and then the smash-up, you know.
00:59:05Yes, I remember this day.
00:59:07They thought I was going under at first.
00:59:08I didn't care much.
00:59:10The only thing I could think of was what a weak-kneed rotter I'd been.
00:59:13And I swore to myself that if I pulled through,
00:59:16I'd try to be more of the man you wanted me to be.
00:59:19Did you, Jack?
00:59:20I swore I'd find you.
00:59:22I'd chuck Dad in the money.
00:59:24I'd find you.
00:59:25And it was that that pulled me through.
00:59:27That thought.
00:59:28Yes, Jack.
00:59:29Then when I was convalescent, they showed me poor little Flip.
00:59:33All battered up.
00:59:34So patient and brave.
00:59:36I remembered your words, you know, about being a man and sticking.
00:59:41So I stuck.
00:59:42Well, I've been working too, Marion.
00:59:44All the time.
00:59:45Oh, I'm proud of you.
00:59:49Marion.
00:59:51We've got to come together again.
00:59:53But we can't.
00:59:54We must.
00:59:54But we can't.
00:59:55Why?
00:59:56We just can't.
00:59:57You mean, because you don't love me?
01:00:01No, I won't let myself.
01:00:02How can you dictate to yourself any more than I can?
01:00:05I won't pretend.
01:00:06You must.
01:00:07We both must.
01:00:07Why?
01:00:08Why?
01:00:08Jack, we have no moment to lose.
01:00:10The reporters were here this afternoon and they were inferring that Jackie was...
01:00:13Was what?
01:00:14Oh, what you heard.
01:00:15I'm afraid of the newspapers.
01:00:17We must stop them.
01:00:18Gee, what time is it?
01:00:19Six o'clock.
01:00:20We can take care of the newspapers, all right?
01:00:22And you leave everything to me.
01:00:23Jack, I won't rest until I hear from you.
01:00:26When I get things fixed up, I'll come back and let you know.
01:00:29All right.
01:00:29I'll be here by nine o'clock anyway.
01:00:31Good.
01:00:36That's it.
01:00:41Goodbye.
01:00:42Goodbye.
01:00:44Goodbye, darling.
01:00:48Oh, darling.
01:00:49Oh, my sweet.
01:00:51My sweetheart.
01:00:52Aren't you a sweet darling?
01:00:53Give me a nice...
01:00:54I love you, mother.
01:00:54Oh, do you?
01:00:55I love you.
01:00:56Oh, you sweetheart.
01:00:57Oh, how good.
01:00:58Do you want to go to bed now?
01:01:00No.
01:01:01Of course not.
01:01:01But you have to.
01:01:02You have to go to bed.
01:01:03Oh, don't you tickle me.
01:01:05No.
01:01:05Hey, darling.
01:01:06No, sweet.
01:01:08Oh.
01:01:09Come on now.
01:01:10Go to bed, darling.
01:01:11Oh, don't tickle mother.
01:01:25Sorry to have disturbed you so late.
01:01:26It's all right.
01:01:27Do you mind bringing the other trunk, those two?
01:01:29The two that are downstairs.
01:01:30If you please.
01:01:31Never mind, Fred.
01:01:32We're taking just what we barely need for you and the baby myself.
01:01:35I have the babies right here.
01:01:38Fine.
01:01:41I'm sorry to see you go, miss.
01:01:44No, thanks, Fred.
01:01:45Bon voyage to it.
01:01:48Shout if you want anything.
01:01:49I will.
01:01:50Goodbye.
01:01:50Goodbye.
01:01:52Nice young man.
01:01:53Single, too.
01:01:54Pity we're going away.
01:01:56So you're giving it all up.
01:01:59Oh, what a relief that'll be.
01:02:01That's true, too.
01:02:03Get back to something normal.
01:02:05Something we can call our own.
01:02:09What are you going to do when you go to work?
01:02:12Oh, I don't know.
01:02:13I've got lots of ideas.
01:02:16This young Merrick's in love with you.
01:02:18Know that?
01:02:20Yes.
01:02:21And what's more, you're in love with him.
01:02:24No, that's impossible.
01:02:25But he's coming again tonight.
01:02:26He's promised to see that Jackie's name is protected.
01:02:29He's coming here to let me know what's happened.
01:02:34And I'm starting all over again.
01:02:36It's a clean new page.
01:02:40Is that why you're leaving, so sudden?
01:02:43Because you're afraid to see much of him?
01:02:45No, and I'm not afraid of anything.
01:02:47From now on, I'm going to fight back out of it all.
01:02:52Madame, Mr. Merrick is here.
01:02:55Oh, thanks.
01:02:56Splash, I've left some things in the other room.
01:02:58Will you bring them in here?
01:03:13Good evening.
01:03:14Good evening.
01:03:15I'd like to see this child.
01:03:17I'm sorry.
01:03:18He didn't better speak.
01:03:18You've convinced my son pretty thoroughly that this boy is his.
01:03:21He convinced himself.
01:03:22I have further proof that he needs it.
01:03:24What was your reason for withholding the fact of the child's existence until now?
01:03:27I'd rather not discuss that.
01:03:28Well, what was your motive in calling upon us today?
01:03:30I called upon Jack.
01:03:31Why?
01:03:32Because my baby needed his father's protection.
01:03:34Jack's told me of the circumstances, and I am prepared to do the right thing.
01:03:37Yes.
01:03:37When I say the right thing, I'll remind you that I have no heir beyond Jack, and this
01:03:42child's place in the world...
01:03:42I understand all that.
01:03:43Now I'm willing to take this child.
01:03:46You are.
01:03:46Provided he's a fit and normal child, I would...
01:03:49Fit and normal child?
01:03:52You're robbing that child of his place in the world.
01:03:54His place in the world is with me, his own mother.
01:03:56Mother!
01:03:57What sort of a mother are you?
01:03:59How dare you?
01:04:00We can take that child from you.
01:04:02You can't.
01:04:03Can't we?
01:04:03Are you a fit person to bring up a child?
01:04:05Could you convince a court of law that you are?
01:04:07A court of law?
01:04:08Yes.
01:04:08A court of law.
01:04:09I'll fight you if it takes every dollar I've got in the world, and I'll win that child
01:04:13in open court.
01:04:14You couldn't.
01:04:15Couldn't I?
01:04:17Suppose I tell the court it's not Jack's child.
01:04:19You'd brand him that, eh?
01:04:20I don't.
01:04:21No, no.
01:04:22Yes, you would.
01:04:22Yes, you would.
01:04:23You'd do anything.
01:04:24I got your number the first time I ever laid eyes on you.
01:04:27When you lured my boy up there to that place in the lake.
01:04:29You were after him then for what you thought you could get, and you're after him now.
01:04:35Am I?
01:04:35You are.
01:04:43I am, of course I am, and I can take him.
01:04:46Miss Donald, please.
01:04:47You're fighting me for my son, all right?
01:04:48I'll fight you for yours.
01:04:49I'll take him from you.
01:04:51Marion, Dad.
01:04:52Jack, I forbade you to come here.
01:04:53I know, Dad, but...
01:04:54Jack, do you remember what you said this afternoon, that we should come back together again?
01:04:57Yes, dear.
01:04:57You love me.
01:04:58You've always loved me.
01:04:59You love our son.
01:05:00Isn't this true?
01:05:00We should never have been parted, should we?
01:05:02It is true, dear.
01:05:03It is true.
01:05:04Jack, Jack.
01:05:04Jack, I begged you to send him away before and you failed me.
01:05:07Send him away.
01:05:08Don't fail me now.
01:05:09You must listen to me.
01:05:10It's all up, Dad.
01:05:11Please go.
01:05:11I know what I'm doing.
01:05:14Yeah, you contemptible creature.
01:05:17Get out of here.
01:05:17Get out.
01:05:17I'm through.
01:05:20Well, I'm not through.
01:05:23Marion.
01:05:24Marion, did you mean that?
01:05:25Of course I did.
01:05:26Then you do love me.
01:05:27I do love you, Jack.
01:05:29Oh, we'll go away at once.
01:05:30I'll never fail you again, never.
01:05:32We'll take our boy and go away.
01:05:33Just we three?
01:05:34Nothing will ever separate us again, ever.
01:05:36Nothing ever.
01:05:37We'll start all over again.
01:05:38We'll go away.
01:05:39Yes.
01:05:39You get ready.
01:05:40I'll arrange everything and come back for you.
01:05:42All right.
01:05:42Dearest.
01:05:50I'll be waiting.
01:06:02Pack everything.
01:06:04We're going away.
01:06:05We're leaving tomorrow.
01:06:07Have you changed your plans?
01:06:08Yes.
01:06:09Where are we going now?
01:06:11Europe anywhere.
01:06:11I don't know.
01:06:13Then you're not giving everything up.
01:06:15No.
01:06:15I'm not giving anything up.
01:06:28You say this will smash your life.
01:06:30What have you done to my life?
01:06:31I had your best interest of heart.
01:06:32Heart.
01:06:32You haven't got a heart.
01:06:34You try to run my life the way you run your business.
01:06:35I wish you were as sound as my business.
01:06:37I'm glad I'm not.
01:06:38I'm human.
01:06:39Human?
01:06:40You think of that little wife of yours and trusted her life to a useless, no good bomb
01:06:45in Paris?
01:06:46I know.
01:06:46You realize that half the time when that child is smiling, that poor little body of hers
01:06:51is in torture?
01:06:52I know that too.
01:06:53You know.
01:06:54And yet you can leave her in that chair of pain alone.
01:06:58Her spirit broken.
01:06:59Her heart broken.
01:07:00Her heart broken.
01:07:01With nothing, nothing in the world but the memory of you, her husband, who had left her
01:07:05for a creature whose name no decent person would...
01:07:08Stop it.
01:07:09Stop it.
01:07:09Well, I haven't got a heart, eh?
01:07:10I'm inhuman, am I?
01:07:12Have you a heart?
01:07:13Are you human?
01:07:14Stop it.
01:07:14Stop it.
01:07:14Stop it, stop it.
01:07:15Stop it.
01:07:15Don't I know?
01:07:16You brought all this about, didn't you?
01:07:18Didn't you?
01:07:19Don't you?
01:07:19Yes, I was in.
01:07:26Hello, dear.
01:07:28Come in, come in.
01:07:29Hello, Papa Mary.
01:07:30Come in, come in.
01:07:32Hello, Jack.
01:07:33Hello, dear.
01:07:33I came with the dawn.
01:07:35Yes, dear.
01:07:36I'm coming home right now.
01:07:37I got anxious.
01:07:38I telephoned from the man's voice.
01:07:40I gathered that something must be wrong.
01:07:41No, no.
01:07:42Dad and I had to get straight on something, that's all.
01:07:45Don't you look so glum, Papa Mary.
01:07:48All right, dear.
01:07:49All right, but you shouldn't be out like this.
01:07:52Oh, it's a glorious morning.
01:07:53The sun's shining and the birds are singing.
01:07:56It's good to be alive.
01:07:57And you two old fogies, arguing in a musty old room.
01:08:03Can I know what this is all about?
01:08:04Well, I'll tell you at home.
01:08:06There's a lot to tell.
01:08:07I can guess most of it.
01:08:10Did you tell Papa Mary about finding the boy?
01:08:12Yes, yes, dear.
01:08:13I did, yes.
01:08:14Can't I be in on it?
01:08:15Catherine, will you go along and leave Jack here with me?
01:08:19There's nothing more.
01:08:20I'll go with you now.
01:08:21You want me to sail along and leave you two alone?
01:08:24All right, I will.
01:08:25No, I'll go with you.
01:08:26Jack, please.
01:08:27This may be the last thing I'll ever ask you.
01:08:30Oh, Jack.
01:08:31When he asks like that, you'd better stay.
01:08:34I'll sail along.
01:08:35I'll be dying to hear, though.
01:08:37I'll go with you.
01:08:37No, Frederick's is waiting.
01:08:40Frederick?
01:08:41Jack.
01:08:45What's the use?
01:08:46Let's not start all over again.
01:08:47Oh, boy.
01:08:50Don't you realize that you're all I've got in this world?
01:09:02What a beautiful morning to be going away.
01:09:10You see, madame?
01:09:12Mount, is it cold in France now?
01:09:14Pardon, madame?
01:09:15Is it cold in France now?
01:09:17Yes, in the north of France it's very cold.
01:09:20But in the south of France it's warm.
01:09:22What you call sunny.
01:09:25The sunny south of France.
01:09:27France is it now?
01:09:29I thought we were going to good old London town.
01:09:32You see, madame, you haven't had any sleep all night.
01:09:35No, never say it.
01:09:36Well, we'll sleep on a train.
01:09:38You might.
01:09:39Mr. Jackie left something to say about me.
01:09:42There's your bell.
01:09:47What's the matter?
01:09:49I'm what the Americans term, all in.
01:09:53My feet will go just so far and no further.
01:09:58We'd better send some of these toys to the poor little boys
01:10:01in the hospital.
01:10:02We'll never pack them.
01:10:06Madame.
01:10:08What is it?
01:10:10A crippled lady.
01:10:12Ask her to come in.
01:10:16Mrs. Merrick.
01:10:18Watch out for trouble now.
01:10:19Go in the other room.
01:10:21I'll be glad to get back to London.
01:10:23All right, ladies, wait up there.
01:10:25Yes, madame.
01:10:26Nice ride of yours.
01:10:29In here?
01:10:31I can manage.
01:10:34Miss Darwin?
01:10:35Yes.
01:10:35May I come in?
01:10:36Yes, do.
01:10:43I'm Flip Merrick, Jack's wife.
01:10:45How do you do?
01:10:46I'm glad I found you up.
01:10:47It's an unearthly hour for calling, isn't it?
01:10:49It's quite all right.
01:10:51Could we talk for a minute?
01:10:52Yes.
01:10:54Where should we step?
01:10:58Do you mind if I smoke?
01:10:59No, not at all.
01:11:04I'll get you a match.
01:11:11Looks like moving day.
01:11:12You going away?
01:11:13Yes.
01:11:14We're leaving today.
01:11:15I'm glad I caught you.
01:11:18Thanks.
01:11:21Is this not?
01:11:22No, not now.
01:11:25Do sit down.
01:11:32Miriam Down.
01:11:37No, no, no.
01:11:39No, no.
01:11:40No, no.
01:11:40No.
01:11:52No, no.
01:11:54No, no.
01:11:55you don't know they wouldn't tell me a thing but I have a pretty shrewd idea
01:12:01Jack said he'd have lots to tell me when he got home but I did feel it while he
01:12:05and his father were apparently deciding so much we two women should have some
01:12:09say in the matter ourselves yes miss Donald I've loved Jack Merrick since I
01:12:15was a child in arms well I've always been teased about it you know I didn't
01:12:20know about you until after Jack and I were married no he told me about
01:12:24your elopement and ever since then I've wanted to meet you meet me I've thanked
01:12:31you a thousand times from the bottom of my heart why do you thank me I think you
01:12:36had a great deal to do in the molding of Jack's character he's been splendid so
01:12:40kind and gentle and may I ask why you why you came here because I want you to
01:12:46take him take him what you mean I mean take him not only because he's madly in
01:12:53love with you but there's the boy and there's because it's right and you love
01:12:59him of course and loving him you could give him up to me what right of I to hold on
01:13:06to
01:13:06someone because I happen to love him what can I be doing I'm only half a wife
01:13:20I don't say this thing doesn't hurt but love's a beautiful thing it's the only thing and nothing
01:13:32fine comes without its pain does it you found that out when your baby came didn't you
01:13:39it's because I love him I can give him up
01:13:47because you love him you can give him up
01:14:01but I don't love him no no are you being quite true to yourself yes I I am I am
01:14:10Mrs. Merrick whatever you may think of me please know this I have no intention I don't love Jack
01:14:17my plans are made yesterday when he came here he told me all about you of his love his great
01:14:23love
01:14:24for you and he I know Miss Donald please is that the youngster yes he wakes at the crack of
01:14:32dawn
01:14:32could I would you like to see him please you don't mind the muddle oh not at all shall we
01:14:38go
01:14:40thank you so much
01:14:49and then we're going we're going out walking and we're going to see the flowers and we're going to have
01:14:55a beautiful time
01:14:58oh hello curly head good morning
01:15:02good morning to you I'm sure oh he's good on I have a picture of Jack as a child that
01:15:08looks up like him
01:15:10oh could I
01:15:13oh
01:15:17oh how old is he
01:15:18just over three
01:15:20oh bless him
01:15:22what's his name
01:15:23Jackie
01:15:24Jack
01:15:25Jackie
01:15:26well well well
01:15:29we are
01:15:31how would you like to go for a ride hmm
01:15:38Jack
01:15:39I've just left dad
01:15:40it's all over
01:15:41I left him actually crying it was awful
01:15:43I'm on my way home now to tell Flip
01:15:45your wife is here
01:15:47here
01:15:48yes she's in there with the baby
01:15:49but
01:15:50without knowing what we had planned behind her back she came here to give you to me
01:15:53she said she could give you up because she loved you so much
01:15:57but
01:15:57I told her I did not love you and that such a thing was impossible
01:16:00but why
01:16:00why
01:16:01because her sacrifice showed me what a horrible selfish love our love would be
01:16:06she showed me a finer love
01:16:08Jack
01:16:09you've got to stand by her
01:16:11you're going on with her
01:16:12but what about you and me
01:16:14our love will be a greater love if we do our duty
01:16:16our duty is to our son
01:16:18are you thinking of him
01:16:19yes I am
01:16:20he needs my protection
01:16:21you've no right to deny him that
01:16:22do you think I haven't longed for him to know and love his father
01:16:25but Jack I want to be worthy of his love
01:16:27I don't want to sink any lower ever
01:16:29sink lower what do you mean
01:16:31I'm not going to rob that brave little woman of her life
01:16:34I can't I won't
01:16:35but you'd rob me of my son
01:16:37what can you do for him alone
01:16:38you called on me yesterday and I came didn't I
01:16:41in the position you admit you placed yourself in
01:16:44could you protect him as I could
01:16:45could you
01:16:46come on here we go
01:16:47a long ride
01:16:49yes give me a long ride
01:16:51whee here we go
01:16:53what
01:16:54hello Jack
01:16:55you like him
01:16:56wasn't it a nerve
01:16:57out calling it this hour of the morning
01:16:59oh I was dying to see him
01:17:01I simply had to
01:17:02now I've seen him I'm satisfied
01:17:04yes he's fine isn't he
01:17:05thank you for letting me see him Miss Donald
01:17:08you forgive me for bursting in on you like this
01:17:12I'm glad you came
01:17:19you too want to talk
01:17:21oh no no
01:17:24little curly head
01:17:25you know Miss Donald
01:17:26he confided in me a profound secret
01:17:28he's dying for a pony
01:17:30I want a pony
01:17:32no I foolishly told him that if he was staying in Chicago
01:17:35instead of going off to foreign parks
01:17:37that I'd give him one
01:17:38that Shetland pony you know
01:17:41yes
01:17:42I bought a Shetland
01:17:43thinking he could be trained to pull this chariot of mine around in the country
01:17:46but Jack wouldn't hear of it
01:17:47he had sordid visions of smash ups and runaways
01:17:50I told him he wouldn't be losing very much if I must teach over
01:17:53no please don't
01:17:54don't say that
01:17:57I'm sorry Jack
01:17:59I was only teasing
01:18:01I think you better take Mama Flip home
01:18:02she's tired
01:18:06goodbye Miriam Doll
01:18:07goodbye
01:18:08goodbye you little curly hair
01:18:11goodbye
01:18:29goodnight
01:18:30goodnight
01:18:30wide door
01:18:46Now we pick out the toys for the poor little orphan boys who have no nice home to live
01:18:51in and no mother to care for them.
01:18:53Let's go.
01:18:58So
01:19:33Miss Potter, put his hat and coat on, and yours, too.
01:19:42Don't say anything, go.
01:19:45Come along, Jackie.
01:19:52Oh, there's my old daddy's on.
01:20:37Don't say anything, go.
01:20:49Don't say anything, go.
01:20:50Once I have a little doggy, slow and fast, he wants.
01:20:59And he has everything.
01:21:04He needs to be, he needs to be.
01:21:10Everybody looks at him, and he wants at him.
01:21:20They're going on the train.
01:21:27And on a very big ship.
01:21:30All right, thank you.
01:22:00Mommy, tell me a line.
01:22:06Darling, do you remember the lady that was here in the wheelchair?
01:22:10Yes.
01:22:11Do you know what she said about the pony?
01:22:12Yes.
01:22:13Would you like to ride on the pony?
01:22:15Yes.
01:22:16Would you, darling?
01:22:18Yes.
01:22:20Take him over.
01:22:21Stay with him always.
01:22:24Go.
01:22:26Go.
01:22:27I'm sorry.
01:22:34Come along.
01:22:36We'll ride on the pony.
01:22:42Jackie.
01:22:43Jackie, come back to me.
01:22:44Come back.
01:22:50You know, Mother likes to see your car outside.
01:22:53Like that.
01:23:04Jackie.
01:23:06Jackie.
01:23:08Jackie.
01:23:09Oh, Jackie.
01:23:12Oh, Jackie.
01:23:14Oh, Jackie.
01:23:15Oh, Jackie.
01:23:15Oh, Jackie.
01:23:15Oh, Jackie.
01:23:16Oh, Jackie.
01:23:18Oh, Jackie.
01:23:20Oh, Jackie.
01:23:24No, no, no, no, no.
01:23:54No, no, no, no, no.
01:24:24No, no, no, no, no, no.
01:24:46Now, you keep your nose out of this and tend to your own affairs.
01:24:48I suppose he ain't my affairs, eh?
01:24:50Say another word out of you and you're fired.
01:24:52Oh, fire yourself, you old fussbudget.
01:24:55Now, you do that right.
01:24:56Hello.
01:24:57Madam.
01:24:57No.
01:24:57I have laid it down for this week.
01:25:00Well, you better go and do your fingering right now.
01:25:03I don't think it's the job.
01:25:04Madam, but I cannot think.
01:25:05You've got to be looking just like a sheep.
01:25:07Madam, please, I cannot stay here with this.
01:25:09Say, listen.
01:25:10Listen, will you please cut this boy's hair?
01:25:13You'll make Mr. nervous.
01:25:15I'll make you nervous.
01:25:16I've got to talk to him.
01:25:17I'll come to see what he says.
01:25:18You know his father doesn't want to see the hair cut.
01:25:20Get out of here.
01:25:21Get out of here.
01:25:22What's all the shooting for?
01:25:24Mr. Jack, just see what they've done to him.
01:25:26They've almost ruined him.
01:25:27Who did that?
01:25:28Your father.
01:25:29He said he didn't like the curls.
01:25:30It made him look like a little girl.
01:25:32And so he had the man cut them all off.
01:25:33That's what he did.
01:25:34It's all right, Mrs. Parrish.
01:25:35It's not so bad.
01:25:36We can fix it.
01:25:37I don't know.
01:25:38Chicago.
01:25:40Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
01:25:44ha, ha.
01:25:44Say, did he mean me?
01:25:48You ought to know.
01:25:49You're from Chicago.
01:25:51Yeah, yeah, yeah.
01:25:52Hello.
01:25:54Hello.
01:25:55This is Mr. Merrick again.
01:25:57Now take this letter, please.
01:26:00Josh Carson, Chicago Chemical Works, Chicago, Illinois.
01:26:07Dear Josh, our thoughts will be with you on Sunday
01:26:12in memory of dear little Flip.
01:26:16A year slips by quickly, doesn't it?
01:26:21Say, Jack.
01:26:22Jack, I am sending a letter to Granddad Carson.
01:26:26And do you want to say?
01:26:27No, just give him my love.
01:26:28I wrote him this morning and told him how we miss little Flip.
01:26:31Poor old fellow.
01:26:32He must be pretty lonely.
01:26:33Jackie is very well and sends his love.
01:26:37He's...
01:26:38He's growing a mile a minute.
01:26:39Oh, Dad, tell him Miss Potter will send him a postcard from London.
01:26:44Yeah.
01:26:45We're sailing for England tomorrow night.
01:26:49Miss Potter will send you a postcard from London.
01:26:52We shall discharge her immediately on arriving there for impudence...
01:26:57Chicago.
01:26:58Impur...
01:27:00Yeah.
01:27:02Read that back to me, will you?
01:27:04What?
01:27:05No, I can't understand you.
01:27:07Are you talking English?
01:27:09I asked you to read that letter back to me.
01:27:12Do you get that?
01:27:15Do you get that?
01:27:18My dear young woman, will you please read that letter back to me?
01:27:23There, there.
01:27:23No.
01:27:24No.
01:27:24Take it easy.
01:27:25Take it easy.
01:27:26Yeah.
01:27:28These New York people, they're all the same.
01:27:30All right, I'll take it.
01:27:32Hello.
01:27:33All right, Miss.
01:27:34Now, will you please read the letter back to me?
01:27:36I say, will you please read the letter back to me?
01:27:43Dear Josh, I thought we'll be with you on Sunday in memory of...
01:27:48Dear little Flip, you pass it so quickly, doesn't it?
01:27:52Dear little Jackie, Jackie is very well and sends his love.
01:28:01Sends his love?
01:28:03Growing.
01:28:04He's growing a mile a minute.
01:28:08He's growing a mile a minute.
01:28:12I can't hear you very distinctly.
01:28:15Jack.
01:28:16Jack.
01:28:17Jack.
01:28:19This is Miriam.
01:28:21What?
01:28:22It's Miriam.
01:28:24Dig, it's Miriam.
01:28:26Jackie, I found her.
01:28:28I found her, Jackie.
01:28:30I found her.
01:28:50I found her.
01:28:52And there.
01:28:54Bye.
01:28:57Bye.
01:28:58Bye.
01:29:01Bye.
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