- 3 days ago
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Short filmTranscript
00:00:00.
00:00:42Oh, my God.
00:01:02Oh, my God.
00:01:46The directors are ready for you, Mr. Martin.
00:01:49Good.
00:01:50And I'm ready for them.
00:01:52Get me Mrs. Martin.
00:02:02I'm sorry, the line's busy.
00:02:04Was it something important?
00:02:05Yes.
00:02:06I wanted her to wish me luck.
00:02:07I've got a big fight on my hands this morning, Miss Williams.
00:02:10I know, and I hope you win, Mr. Martin.
00:02:12Thanks.
00:02:27Gentlemen, at our last meeting, you made it very clear to me that there was no possibility
00:02:31of a compromise.
00:02:33Are you still in that opinion?
00:02:36We're not open to compromise, nor even discussion.
00:02:39In a fight of this nature between directors, there's only one weapon, money.
00:02:44That's all.
00:02:45All right, gentlemen.
00:02:47If you want to fight, I'll be happy to oblige you.
00:02:50But it seems to me in this case, as far as you all are concerned, that it is not only
00:02:55the
00:02:55weapon, but the whole object of this fight.
00:02:57It's a little different with me.
00:02:59This corporation bears my name.
00:03:02Your name isn't helping our dividends.
00:03:04No, I'll say that.
00:03:05My father followed this business, and I think that even you will concede that I have not
00:03:09merely sat back in the reflected glory of his name.
00:03:12I went out and I learned this business from the ground up.
00:03:15Why, I've sailed the seven seas in our ships, and there's not a department in our whole
00:03:20affairs that I'm not familiar with.
00:03:22This is all beside the point, Martin.
00:03:24I'm coming to the point, gentlemen.
00:03:26Now you're dissatisfied, and you think you're going to force me out.
00:03:29Well, get this straight.
00:03:31I refuse to be forced out.
00:03:32Before you came in, Martin, we held a vote, and decided unanimously to buy me out, eh?
00:03:38Well, it can't be done.
00:03:40My interest is not for sale.
00:03:44I see.
00:03:46Perhaps you're planning on buying us out.
00:03:51You only need half a million dollars.
00:03:54That's all.
00:03:55Exactly.
00:03:57Gentlemen, it is my plan to buy you out.
00:04:00For the sum of money just mentioned by Mr. Crittenden.
00:04:03May we inquire just what you're going to use for money?
00:04:08Oh.
00:04:09That's good.
00:04:10My lawyer's with Mrs. Martin at this very moment, drawing up the necessary papers.
00:04:14And the money will be ready within 24 hours.
00:04:17Well, Martin, it had to be one or the other.
00:04:20Yes, I gathered as much.
00:04:22Good afternoon, gentlemen.
00:04:23Well, good afternoon.
00:04:25I'm glad that's over.
00:04:39When he came to me with a crazy notion of mortgaging my property,
00:04:43I decided I could always get another husband, but where could I find another office building?
00:04:49I agree with you entirely, my dear.
00:04:51But after all, I'm his attorney, and I had to discuss it with you.
00:04:55Of course, Alan. But I didn't have to take it seriously.
00:04:59But you are serious, dear. About us, I mean.
00:05:03What do you think?
00:05:05I think you're fascinating.
00:05:07That's nice.
00:05:09Look here. When are we going to tell him about us?
00:05:13There's no desperate hurry, is there?
00:05:14Yes, there is. I can't go on like this. I feel too much of a cad.
00:05:19All right. I'll tell him today.
00:05:21This money business will give me a good opportunity.
00:05:24Splendid. We'll tell him together.
00:05:27Very well.
00:05:40Hello, Alan.
00:05:41Everything fixed?
00:05:42Yes.
00:05:43Yes, you'll find Vera waiting.
00:05:45What's your hurry?
00:05:46I have a client waiting at the office.
00:05:48I must run along. Goodbye.
00:05:50Oh.
00:05:53Hello, darling.
00:05:54You should have heard me read the riot act of that crew of stiff-necks.
00:05:57Why, when I told them that I had your property to back me up.
00:06:01You were...
00:06:02But you can't.
00:06:04It means my whole future, our future.
00:06:06I told them that...
00:06:08You shouldn't have been in such a hurry, my dear.
00:06:12You mean that you're not going to...
00:06:15That you're going to let them wipe me out?
00:06:19Oh, you don't mean that. You can't.
00:06:21What? I don't believe you.
00:06:25What's this?
00:06:27Open it.
00:06:28It'll give you the answer.
00:06:37What does this mean?
00:06:39It means a trip to Paris.
00:06:42It means a trip to Paris.
00:06:42Objects, divorce.
00:06:48Have you gone crazy, or have I...
00:06:52Did you think your directors were crazy when they wanted to get rid of you?
00:06:57We're in business together.
00:06:59If they feel that they're dissatisfied, it's their privilege to try and kick me out.
00:07:03All right, Dick.
00:07:05Marriage is a business, and it has the same privileges.
00:07:13Why didn't you tell me this before?
00:07:16Oh, I wanted to, but Alan thought...
00:07:18Alan?
00:07:20Alan?
00:07:21You mean that...
00:07:22Yes.
00:07:23He's the...
00:07:24What is the word?
00:07:26Correspondent, isn't it?
00:07:28This isn't all a ghastly joke, is it?
00:07:31No, I'm serious.
00:07:34You're not going to be difficult, are you?
00:07:37No.
00:07:39On the contrary.
00:07:41You won't do anything...
00:07:43Desperate.
00:07:45Oh, don't worry.
00:07:47You'll get your divorce,
00:07:48and I won't blow out my brains.
00:07:51I knew you'd be sensible, Dick.
00:07:54After all, what is a divorce today?
00:07:57We can still be the best of friends.
00:08:05Where are you going?
00:08:08Back to the office.
00:08:09To tell my directors they've won.
00:08:12Back to the office.
00:08:12Back to the office.
00:08:30Back to the office.
00:08:30Back to the office.
00:08:33Back to the office.
00:08:33Back to the office.
00:08:33Back to the office.
00:08:33Back to the office.
00:08:35Back to the office.
00:08:41Back to the office.
00:08:48Let's go.
00:08:49More coffee. Make it strong.
00:08:57I saw you, you little swabu.
00:08:59I wrote you to swat you once.
00:09:01You're a liar!
00:09:02Oh, I am a liar.
00:09:11I am a liar.
00:09:22Give me a drink here.
00:09:24Big stiff.
00:09:26If you want to fight, why don't you pick on somebody your size?
00:09:31Now you and I are going to have a drink.
00:09:44Hey, what are you?
00:09:45A sailor, a stoker, or a fighter?
00:09:50A white hope, I should say.
00:09:52What's the difference?
00:09:56Make it two, Ed.
00:10:00I ain't drinking with you.
00:10:03Okay.
00:10:05I'll drink them both.
00:10:06No offense.
00:10:08Tough guy, ain't you?
00:10:12Where are you from?
00:10:15Where are you heading?
00:10:18I'm just drifting.
00:10:37There.
00:10:42Down the hatch.
00:10:50Say, you don't look like the drifting kind, fella.
00:10:54Woman?
00:10:57Looking for a bird?
00:11:00You know, I could use a big, strong fella like you.
00:11:03You could, huh?
00:11:05Wanna take a whirl?
00:11:06You know, long cruise never hurt nobody.
00:11:09Where are you going?
00:11:11South America.
00:11:13Well, they got plenty of...
00:11:17You know, it kind of makes it easy to forget.
00:11:21What do you say?
00:11:24Might not be a bad idea.
00:11:29Mate.
00:11:30Well, let's watch the lake.
00:11:30Okay, pal.
00:11:32Well, tough guy.
00:11:34Bye.
00:11:36arthritis
00:11:37point
00:11:38point
00:11:40point
00:11:41point
00:11:44Let's go.
00:12:19Let's go.
00:12:42Let's go.
00:12:45Let's go.
00:13:07Let's go.
00:13:10Let's go.
00:13:35Let's go.
00:13:38Let's go.
00:13:39Come.
00:13:40I'll show you.
00:13:47There.
00:14:13Let's go.
00:14:18Let's go.
00:14:20Let's go.
00:14:22Let's go.
00:14:27Let's go.
00:14:38Let's go.
00:14:47Let's go.
00:15:04Let's go.
00:15:06Let's go.
00:15:06Let's go.
00:15:06Come on.
00:15:09Thank you, senor.
00:15:15You're welcome.
00:15:19Well, this is what you wanted to see.
00:15:21Oh, it's wonderful.
00:15:23Now, over there, we have a compression valve.
00:15:26You'll come along with me.
00:15:27I'll show you.
00:15:27No, no.
00:15:28I want to stay here.
00:15:30Okay.
00:15:31Stay right where you are.
00:15:33Now, don't move or you might get hurt.
00:15:36I'll be right there.
00:15:42Let's go.
00:15:42Do you mind if I watch you?
00:15:45What?
00:15:46Do you mind if I watch you?
00:15:49Sure.
00:15:50Go ahead and keep it all you want to.
00:15:52To this?
00:15:54What do you mean?
00:15:56Well, it means that you, uh...
00:15:59You sort of, uh...
00:16:01I'll let it go.
00:16:10No, no.
00:16:14No, no, no.
00:16:16Well, I mean...
00:16:32Uh-huh.
00:16:35Oh, man.
00:16:43You're wearing a glove on deck to get him off.
00:16:45No, I'm off.
00:16:50Oh!
00:16:51Oh!
00:16:54Oh!
00:16:54Oh!
00:16:55Oh!
00:16:55Oh!
00:16:55Oh!
00:16:56Oh!
00:16:58Oh!
00:17:01Oh!
00:17:16Good morning, Mr. Dick.
00:17:18I hope you all are feeling better this morning.
00:17:21Well, I'm feeling better, but they won't believe me.
00:17:27Why so fancy, Cliff?
00:17:29Why is that so wet?
00:17:31What are you dreaming about?
00:17:33About the girls waiting for me and Nick Ross.
00:17:35Just three more days and we'll be there.
00:17:38What a gal, Mr. Dick.
00:17:40A figure starts like this and wiggles on down like lips.
00:17:44There's one thing that I'm not interested in.
00:17:47That's women.
00:17:48Neither am I, Mr. Dick.
00:17:50But they sure is interested in me.
00:17:52I keep to tell them I don't want nothing from them,
00:17:55but they just keep berating their charm before my eyes.
00:17:58What can I do about it?
00:17:59Why, say no.
00:18:01And stick to it.
00:18:03And, Cliff, there's only one thing that I want from any woman.
00:18:07And that's to be left alone.
00:18:09Oh, you ain't so at all, Mr. Dick.
00:18:12No, I'm not, Cliff.
00:18:13I'm not even interested in it.
00:18:19Oh, excuse me, Miss.
00:18:21Excuse me, boy.
00:18:22See you later, Mr. Dick.
00:18:23Goodbye.
00:18:24Good morning, Senor.
00:18:26Good morning.
00:18:27I'm so happy to see you so much better.
00:18:30Oh, I'll be going back to work now.
00:18:33Oh, I forget.
00:18:34This is my uncle, Senor Garvey.
00:18:37Mr. Martin, who was so brave.
00:18:39It is an honor to know you, sir.
00:18:41How do you do?
00:18:42Permit me to thank you, Senor.
00:18:45He was very splendid.
00:18:47We are very brave.
00:18:49Awkward nothing.
00:18:51Anybody else can do the same thing?
00:18:53Please, forget it.
00:18:54Oh, I forget, yes.
00:18:56I bring you things.
00:18:57I hope you don't mind.
00:19:01I have spoken to the captain
00:19:03and arranged that you be transferred
00:19:05from the so-called to the deck,
00:19:07for you won't work, Senor.
00:19:09Well, thanks just the same,
00:19:11but I'd rather go back to my job.
00:19:15We will see you again
00:19:17before we dock at Kinto.
00:19:19We're so happy to see you finish there.
00:19:23Thank you, Senor.
00:19:24Once more, I express our gratefulness, Senor.
00:19:27Adios.
00:19:43Mr. Martin is very interested.
00:19:46Thank you very much.
00:19:47He does not always similar,
00:19:48That is great.
00:19:51He is become very charming.
00:19:56I like it?
00:19:57I am not so great.
00:20:00Believe us.
00:20:01Nonono.
00:20:11Well, let's get going.
00:20:12Never been here before, Joe?
00:20:14Yeah, it's my third trip here.
00:20:16Last time we stopped here, we cold up.
00:20:18And you probably got well cold.
00:20:21And that's what I'm going to do.
00:20:22Come on, Gary.
00:20:23I hope that brother's worth the speed on that.
00:20:27What's that?
00:20:28What a time we're going to have.
00:20:31I suppose all those Spanish mothers are waiting for you.
00:21:16Oh, boy.
00:21:19Well, here she is.
00:21:21I want to have a leg of rest of this place.
00:21:23Get her a little bit of it.
00:21:32I guess you're all right.
00:21:49I'll be back.
00:22:14Now the old hat.
00:22:15There he goes.
00:22:21I don't know what you're saying, but that's what I'm thinking, you're wrong.
00:22:28Oh, look what show he's speaking.
00:22:44Who is that?
00:22:52You're not semi-happy.
00:22:54I know.
00:22:55Yes, sir.
00:22:59Yes, sir.
00:23:25Oh, look what show.
00:23:39What are you going to do, tango?
00:23:43I guess that's what you call it.
00:24:16The guy over there thinks he's a strong man, he's a wrist-twist.
00:24:20A wrist-twist?
00:24:22Yeah.
00:24:23We used to do that in school.
00:24:27What is it?
00:24:28You know what that's taking?
00:24:36The Americano.
00:24:37I think what you play, eh?
00:24:42Who's the strong man?
00:24:44Yo!
00:24:45Me!
00:24:46Come!
00:24:46Come on!
00:24:58Come on!
00:25:08Let's go!
00:25:09Ah! Bravo! Bravo!
00:25:14Very strong.
00:25:17Come, I'll buy you one drink, eh?
00:25:20I'll buy my own.
00:25:25Ah! Get off me!
00:25:29Where are you from?
00:25:29The Bronx, if you must know.
00:25:32I thought so.
00:25:33These moons of the ships won't give you a tumble unless you're a hot tamale.
00:25:38Say, give me a...
00:25:39How'd you get to enjoy it like this?
00:25:41Well, come to that, how come you to be here? You ain't no...
00:25:44I'm a stoker.
00:25:45Stoker! Stoker the eye!
00:25:48You're just a tramp like I am.
00:25:50Well, I guess you are.
00:25:51Oh, no!
00:25:55Very pretty.
00:26:01Oh, a big strong Americano, eh?
00:26:06Oh, no!
00:26:09No!
00:26:14No!
00:26:14No!
00:26:16No!
00:26:17No!
00:26:18No!
00:26:19No!
00:26:20No!
00:26:22No!
00:26:23No!
00:26:25No!
00:26:27No!
00:26:45I'll see you!
00:26:50Quick, quick, quick!
00:26:52Directly, my face!
00:26:56Hey!
00:26:57Hey!
00:27:02Hey!
00:27:04Hey!
00:27:04You fight, we go K.
00:27:06You take the chief of police.
00:27:08You go up to the Calabozo.
00:27:15You fight too, huh?
00:27:17Calabozo!
00:27:18Calabozo?
00:27:19Hey!
00:27:20That's the one.
00:27:22Hang on.
00:27:44Well, Mr. Dick, we're showing the mess now.
00:27:46Yes, sir.
00:27:48Well, Mr. Dick.
00:27:53That's right.
00:27:56Let's go.
00:28:00Let's go.
00:28:01Let's go.
00:28:05Let's go.
00:28:33Oh, what?
00:28:36Bananas again?
00:28:38My goodness, don't you never run out of bananas?
00:28:41I love bananas, boss, but when you get them three times a day...
00:28:45Well, let me see.
00:28:48Three times seven is twenty-four, and twenty-four times seven...
00:28:52Well, that's too many bananas.
00:29:06I don't know.
00:29:07I mean, I don't know.
00:29:10I'm sorry.
00:29:19I'm sorry, bro.
00:29:29I'm sorry, bro.
00:29:30I'm sorry...
00:29:34I'm sorry, bro.
00:29:39My goodness, it's even rain bananas down here.
00:29:47This here jail would sure make a lie out of somebody.
00:29:51Who's that?
00:29:52The man that say, yes, we have no bananas.
00:30:03What's that, Mr. Dick? What's going on, Mr. Dick?
00:30:07Hey, General! Hey, General! What's all the excitement?
00:30:14What's it all about?
00:30:15Mr. Mike, she's robbed!
00:30:17Bandido, perdido!
00:30:20Bandido, perdido!
00:30:38What?
00:30:41Oh, Mr. Dick!
00:30:43Hey, wait a minute, sir!
00:30:47Oh, Mr. Jailer!
00:30:54Well, Senor, how you like that little calabuzo?
00:30:57Say, if I told you what I thought of it, I'd get life.
00:31:00Oh, Mr. General!
00:31:02You don't like, eh?
00:31:04How you like to bamuzo?
00:31:05You're going to set me free?
00:31:08Oh, Mr. Dick!
00:31:09I decided to parole you.
00:31:11Under custody of a prominent citizen.
00:31:14What do you mean?
00:31:16We take you from the calabuzo and place you on the plantation.
00:31:20You work.
00:31:21You stay in the fresh air.
00:31:23You sleep in a nice bed.
00:31:25You eat what you like.
00:31:26How you like this parole, eh?
00:31:28Oh, Mr. Captain!
00:31:31How long do I have to stay on this plantation?
00:31:34When does my trial come up?
00:31:35Say, what's this all about?
00:31:37Sorry.
00:31:38Oh, Mr. Jailer!
00:31:41You don't like, eh?
00:31:42Take him back.
00:31:44Wait a minute.
00:31:46I'll do anything to get away from bananas.
00:31:49Can any clips go with me?
00:31:50Well, maybe.
00:31:52Si, present.
00:31:54Si.
00:31:57This man, he'll take you to the plantation.
00:32:00And remember, if you run away, he'll then go back.
00:32:03To the calabuzo.
00:32:07Eclipse, we're going to work.
00:32:10Going to work?
00:32:11Where?
00:32:12On a plantation.
00:32:14These men take you to the plantation.
00:32:17Mr. Dix, this impossibility my last confinement.
00:32:23Ha!
00:32:24Ha!
00:32:25Ha!
00:32:26Ha!
00:32:26Ha!
00:32:26Ha!
00:32:26Ha!
00:32:26Ha!
00:32:27Ha!
00:32:27Ha!
00:32:27Ha!
00:32:27Ha!
00:32:27Ha!
00:32:28Ha!
00:32:31Ha!
00:32:37Ha!
00:32:39Is this the place?
00:32:41Here we are, Eclipse.
00:32:45Gee, what a beautiful place, Mr. Dick.
00:32:47I think we'd want to like this.
00:33:01What?
00:33:03What?
00:33:06Oh, okay, don't get angry. I get it, I get it.
00:33:10Do you have some more coffee, senor?
00:33:13This senor is a coffee plantation.
00:33:17We have in our warehouse many thousand sacks of coffee prepared for export.
00:33:23For three weeks now there is northbound no ship.
00:33:26We are afraid of bandits who rob the planters of their crops.
00:33:31Yes, they cleaned out the bank and kiddo this morning.
00:33:33You see?
00:33:34A fellow by the name of Santini.
00:33:36Santini?
00:33:36Oh, he is the most bad of them all, senor.
00:33:39Si, senor.
00:33:40If they steal our crops, we will have no money to pay the banks.
00:33:43Then I will lose it for an patient.
00:33:44Well, why don't the police wipe out Santini and the bandits like him?
00:33:48Well, Santini, he hide in the hills with his men.
00:33:51The police don't even know who he is.
00:33:54Maybe he paid the police, what you call it, a truck, huh?
00:33:58Now, we become very Americano, senor.
00:34:04But where do I come in, senor?
00:34:06You are Americano, senor.
00:34:08Margarita think perhaps you could demand protection from the Americano soldiers if we were attacked?
00:34:18Si, senor.
00:34:18If you stay here, we are safe.
00:34:20Oh.
00:34:22So that's why you had me paroled in your custody.
00:34:24Si, senor.
00:34:25I get you.
00:34:29You're a smart girl.
00:34:34Hey!
00:34:42Hey, what's the matter?
00:34:52One of Santini's men spying on us.
00:34:56Frightened?
00:34:57Oh, I might be frightened if you are not here.
00:35:01But if you stay.
00:35:07Okay.
00:35:09I'm going to stay.
00:35:11Oh, I'm so happy, senor Dick.
00:35:13I'm going to stay.
00:35:14I'm going to stay.
00:35:15I'm going to stay.
00:35:43I'm going to stay.
00:35:49You have news of the pretty lady?
00:35:52I bring good news.
00:35:54You know, they followed me.
00:35:57I listen.
00:35:58A pig of a servant, he see me, but I give away just in time.
00:36:03Yes, but the pretty lady.
00:36:05She is Senorita Margarita Valdez.
00:36:07She owns a big warehouse filled with many sacks of coffee.
00:36:12She's very rich.
00:36:13Yes, but how many men?
00:36:15Thirty, forty.
00:36:17But many are your friends, mi general.
00:36:19The others, they will run.
00:36:22Ernesto, you have done good work.
00:36:25You have done very good work then.
00:36:27But so much for business now.
00:36:29Tell me, you have more news for me, yes?
00:36:32I told you all, mi general.
00:36:34Except for the tall Americano who come from the carabouce.
00:36:38But he is nothing.
00:36:40What?
00:36:41The Americano?
00:36:43You say that he is nothing?
00:36:45Idiot!
00:36:46You let him in sort your canadal, and you say that he is nothing.
00:36:49You fool, you!
00:36:51You say he is in sort your canadal, and he hit me, and he hit me like this, and like
00:36:55this, and like this, and still you say that he is nothing?
00:36:58Ah!
00:36:59I just have to go to this island and find out things for myself.
00:37:03Ah, don't talk to me.
00:37:04You are one of those idiots, pigs and imbeciles.
00:37:07The Americano, you say that he is nothing.
00:37:10Very well, he shall be as nothing.
00:37:13I...
00:37:14Oh, Ernesto.
00:37:16I shall honor the beautiful lady myself.
00:37:18Yes?
00:37:23Ernesto, I shall honor the beautiful lady.
00:37:25Here, gold.
00:37:26You help yourself to the gold, and I shall go to the beautiful lady.
00:37:28Let's see if you get out of here!
00:37:41I'm awfully sorry to bother you like this, Pete.
00:37:43My uncle, he object if I make the speak alone.
00:37:46Oh, that's all right.
00:38:08Look out!
00:38:31Whoa!
00:38:39All right now?
00:38:43I feel fine now.
00:38:49I think you'd better sit down and rest.
00:38:51You're nervous and shaky.
00:38:54Let's go over here.
00:39:07That's all right.
00:39:18Where did you learn to ride?
00:39:21Back home.
00:39:22Back home.
00:39:23Where is that?
00:39:24Oh, it's...
00:39:28Why are you so...
00:39:30So hard to talk through, hmm?
00:39:34Are you feeling better?
00:39:37No, I...
00:39:38I feel faint again.
00:39:48That's much better.
00:39:52Tell me, Dick.
00:39:54Who are you?
00:39:55You're not always a stoker.
00:39:57Well, no, I wasn't.
00:40:01I, uh...
00:40:06We'd better go.
00:40:20You'll have to ride my horse.
00:40:22And you.
00:40:23Oh, I'll walk.
00:40:24No.
00:40:25Oh, no.
00:40:26We can both ride him.
00:40:28He carries double.
00:40:31Well, all right.
00:40:33Come here, boy.
00:40:35Come here.
00:40:37Come here.
00:40:47Move.
00:40:49Move.
00:40:57All right.
00:40:59Comfortable?
00:41:02No, I forget.
00:41:03I...
00:41:03I...
00:41:04I feel faint.
00:41:07Is that better?
00:41:12Perfect.
00:41:17Forty, fifty thousand acres.
00:41:19Oh, two, three hundred miles.
00:41:23I'm sorry, Uncle.
00:41:25Return so soon, hmm?
00:41:27May I present Senor Rodriguez?
00:41:30Margarita, my niece, Senor.
00:41:32It is indeed fortunate that I sought your hospitality, Senor.
00:41:36Senor Rodriguez has a plantation further inland.
00:41:39He rests with us until he continues his journey.
00:41:42We shall try to make him comfortable.
00:41:45You would excuse me.
00:41:46Oh, but, uh...
00:41:47You will not deprive us of your loveliness so soon, Senorita.
00:41:52Well, I...
00:41:57I...
00:42:00This is Senor Rodriguez.
00:42:02Senor Martin.
00:42:07I believe I've had the pleasure.
00:42:10Oh, yes, yes.
00:42:11A little misunderstanding.
00:42:14No?
00:42:16But...
00:42:17We shall forget.
00:42:18Eh, Senor?
00:42:19It's all right with me.
00:42:21You would excuse me.
00:42:23Please.
00:42:31Are you here on business, Senor?
00:42:33Or pleasure?
00:42:37Maybe both, Senor.
00:42:40Hensabby?
00:42:53Good evening, Dick.
00:42:56Oh, hello.
00:43:08You always work so much.
00:43:10You like to work?
00:43:12Sure.
00:43:13Never alone.
00:43:14I'm busy.
00:43:16You're not very gallant, Senor.
00:43:20Sorry, but I've got a lot of things to do.
00:43:23Back home where you learned to ride.
00:43:25You know, learn to make pretty speeches?
00:43:27Well, that's something that I've forgotten.
00:43:30Well, that is a bad thing to do.
00:43:32All together.
00:43:34Maybe I'll teach you again.
00:43:36I'm afraid you'll find me a very dull pupil.
00:43:49I'm sorry.
00:43:51Maybe it reminds you of somebody back home?
00:43:56Well, as a matter of fact, it did.
00:44:00Please forgive me.
00:44:05You don't?
00:44:08It isn't what you think, Margarita.
00:44:12Then there is no one waiting for you back home?
00:44:24Senorita.
00:44:26Su tÃo desea hablar con usted.
00:44:29Believe my uncle, you would excuse me?
00:44:32Certainly.
00:44:42An Americano soldier. Bring this now, Senor.
00:44:52Good evening, Senorita.
00:44:54You would excuse me. My uncle is waiting.
00:44:57Please, Senorita.
00:44:57It was I who sent you that message.
00:45:00You will forgive my little deception.
00:45:02You would excuse me, Senor.
00:45:04Please, Senorita.
00:45:12Oh, but you're being very unkind to me, Senorita.
00:45:15Very bad.
00:45:18Good evening, Senor.
00:45:22We must see your uncle at once.
00:45:23I have word from the officer at Managua.
00:45:26You will excuse us, Senorita.
00:45:44I have an important letter, Senor Valdez.
00:45:46Si.
00:45:47I trust it is not bad news, Senor.
00:45:49It's from the American commander at Managua.
00:45:51I'll read it.
00:45:54Mr. Dick Martin, King to Nicaragua.
00:45:56Dear sir, we disclaim all responsibility for your safety as long as you willfully remain outside the zone of American
00:46:03occupation for the purpose of protecting the property of a native.
00:46:09We advise, moreover, that the band of Santini is extremely active, raiding outlying Hacienda, and we urge extreme caution.
00:46:17Under no circumstances, however, can American Marines be called upon to protect property unless it be that of an American
00:46:24citizen.
00:46:25Yours truly, Captain Charles Harris.
00:46:27Yes, commanding officer in Managua Division.
00:46:31Settle my caballo.
00:46:32Flanno.
00:46:33Move in.
00:46:48Ah, Senor Rodrigues.
00:46:49I have instructed my servant to prepare for you a room.
00:46:53Oh.
00:46:54But I have changed my plans.
00:46:57I am returning to my plantation.
00:47:00Lo siento mucho, Senor.
00:47:02Senorita.
00:47:04I have enjoyed your brief hospitality.
00:47:07I hope we shall meet again soon.
00:47:09Yes?
00:47:11Adios.
00:47:13Adios, Senors.
00:47:14Adios, Senor.
00:47:27Adios, Senor.
00:47:28What's the matter?
00:47:30There's something mighty funny about that fella.
00:47:32I don't like him.
00:47:34Oh, never mind.
00:47:34He's gone.
00:47:36I wonder.
00:47:37Oh.
00:47:38I know.
00:47:38I know.
00:47:49I know.
00:47:50I know.
00:48:00But...
00:48:01I know.
00:48:06You might like an island.
00:48:07You might want to walk through the water and move.
00:48:07Please, don't bother.
00:48:13Look at the moon.
00:48:19Pretty, isn't it?
00:48:24You'd better go to bed.
00:48:26Oh, no, it's too hot. I have to stay here with you.
00:48:32Dick, why are you so, how they say, snooty?
00:48:40You don't like me, no?
00:48:43I try not to, but I just can't help myself.
00:48:47Why do you try not to like me?
00:48:50I've been hurt once. I don't want to be hurt again.
00:48:54Oh, I kiss the hurt and make it better.
00:48:56Oh, I don't mean that. That's healed long ago.
00:49:00It's a deeper hurt.
00:49:03The one back home, she be untrue to you, no?
00:49:08No, not exactly that.
00:49:10She just let me down, that's all.
00:49:12And I vowed I'd never let another woman make a fool of me again.
00:49:18Dick, I know hurt you.
00:49:22I know let you down.
00:49:26I promise.
00:49:36We'll be married soon, no?
00:49:39As soon as you like.
00:49:42Oh, Dick.
00:49:56Oh, Jimmy.
00:49:57Oh, my God.
00:50:18Oh
00:50:27Oh
00:50:53Amigos mio
00:50:54So, my friends, I have for you a great surprise.
00:51:02Senorita El Cortez and Senor El Jerez will dance for you, La Horta!
00:51:40Thank you, La Horta!
00:52:11Thank you, La Horta!
00:52:35You are very tired, my little one.
00:52:39Yes, I am tired.
00:52:42But he was so wonderful.
00:52:45I am so happy.
00:52:54So, now you are Americana, huh?
00:52:58Senora Martins.
00:52:59Yes, I am Americana.
00:53:03Am I not smart?
00:53:04Now, if we are attacked, we call the American Marines to protect our costumes.
00:53:09I am so happy.
00:53:12I am so happy.
00:53:20But I am not married to him just because he is Americana.
00:53:26I love him.
00:53:29I will marry him even though he is an Eskimo.
00:53:47I hope he will make you very happy, my dear.
00:53:50I am sure he will.
00:53:52And I will try to make up for the one back home who hurt him.
00:53:56Good night.
00:53:57Good night.
00:54:13Good night.
00:54:16Good night.
00:54:18Good night.
00:55:23What do you want?
00:55:25What is the matter?
00:55:27Nothing.
00:55:28You've got what you wanted, haven't you?
00:55:30You're an American citizen now.
00:55:31Sleep securely.
00:55:32And your precious coffee is protected.
00:55:35But Dika.
00:55:36Go back to your room.
00:55:38I'm through.
00:55:39I'm leaving tomorrow.
00:55:40But Dika, you are wrong.
00:55:42I love you.
00:55:44I won't go.
00:55:45No.
00:55:45No.
00:55:47No, I hate me.
00:55:54I swore I'd never give another woman a chance to hurt me.
00:55:57I thought you were on the level.
00:55:58I'm just a poor sap.
00:56:00That's what I am.
00:56:02Dika.
00:56:04Dika.
00:56:06Dika.
00:56:09Dika.
00:56:15Ah, good morning, my dear.
00:56:19Good morning.
00:56:33Dika.
00:56:34What is this problem, my dear?
00:56:40Come, my dear. Tell me what is wrong.
00:56:51Senor Valdez, I'm leaving.
00:56:53You are leaving, senor?
00:56:55Your niece will explain everything.
00:56:57But slowly you don't...
00:56:58Senor, Margarita wished for me the protection of my nationality.
00:57:03I gave her that. Now I'm going.
00:57:05Senor, you...
00:57:13You are blind. You are a fool.
00:57:16Can't you see I love you?
00:57:18Isn't that a bit of an afterthought?
00:57:22Maybe you are right.
00:57:24I don't love you.
00:57:26I hate you!
00:57:28I hate you! Go!
00:57:37I hate you!
00:57:47I hate you!
00:57:48I hate you!
00:57:48I hate you!
00:58:11I don't understand you.
00:58:40Hey, brother, where's the fire?
00:58:45What's up?
00:58:49Stay up, brother.
00:58:50Pardon, senor.
00:58:51Where am I to hurry?
00:58:53Tarantini's coming.
00:58:53Run!
00:58:54What for?
00:58:55He'll kill you.
00:58:56Well, why didn't you say so?
00:58:58Right here, I'm a bitch.
00:59:12You can't talk about it.
00:59:13Just wait.
00:59:14It is very, very urgent.
00:59:16Margarita.
00:59:17We'll be here.
00:59:21The police here come from the Managua.
00:59:24Oh, what do you want?
00:59:25Yes, but I'm here with all the police.
00:59:28...
00:59:39Don't worry. You have to pay to get my car.
00:59:42You have all the women and children of this place.
00:59:45Vic is on the Monago road. I must stop him.
00:59:51To Monago, quick.
00:59:52But Santini's on the Monago road, senorita.
00:59:54Are you driving?
00:59:55Senorita, they will kill me.
00:59:58Come on.
01:00:00Senorita, no vayas.
01:00:03Senorita.
01:00:06Senorita, no vayas.
01:00:27Senorita, no vayas.
01:00:40Senorita, no vayas.
01:01:01Musk nema.
01:01:20Let's go, let's go.
01:01:54Let's go, let's go.
01:02:01Let's go, let's go.
01:02:27Let's go, let's go.
01:02:32Let's go, let's go.
01:02:34Let's go.
01:02:42Hello, hello.
01:02:44Get me to the United States headquarters of Managua.
01:03:13Let's go, let's go.
01:03:16Let's go, let's go.
01:03:24Let's go.
01:03:25Let's go, let's go.
01:03:31Let's go.
01:03:32Let's go.
01:03:41Let's go.
01:03:55Get the men in the station.
01:03:55Let's go.
01:04:06Let's go.
01:04:07Let's go.
01:04:16Let's go.
01:04:19Let's go.
01:04:30Let's go.
01:04:31Let's go.
01:04:32Let's go.
01:04:33Let's go.
01:04:33Let's go.
01:04:45Let's go.
01:04:52Let's go.
01:04:53Let's go.
01:04:54Let's go.
01:05:03Let's go.
01:05:04Let's go.
01:05:04Let's go.
01:05:05Let's go.
01:05:06Let's go.
01:05:15Let's go.
01:05:25Let's go.
01:05:26Let's go.
01:05:27Let's go.
01:05:48They are still there?
01:05:51Yes.
01:05:52The clearing's full of them.
01:05:56I don't like this quiet.
01:05:58There's something up.
01:06:20Why do you look at me like that, dear?
01:06:26Margarita, I haven't thanked you for saving me this morning.
01:06:29Oh, a tease nothing.
01:06:31I do the same for anybody.
01:06:39I've been a fool, Margarita.
01:06:43I know that, dear.
01:06:46Why did you risk yourself to save me?
01:06:49For the same reason I marry you.
01:06:52To keep you here to fight.
01:06:56Is that all you need me for?
01:07:00When I marry you,
01:07:02I not marry you to fight.
01:07:05I need you.
01:07:08I love you.
01:07:09I love you, dear.
01:07:11Are you still blind?
01:07:32I love you, dear.
01:07:33Array!
01:07:34Array!
01:07:35Array!
01:07:36Array!
01:07:54Let's go!
01:08:10Hold it!
01:08:13Hold it!
01:08:17Hold it!
01:08:20Hold it!
01:08:20Keep going!
01:08:25Come on in here!
01:08:29Stay!
01:08:30Don't go!
01:08:31Come here, the Marines!
01:08:33Stay!
01:09:03Goodbye, boys!
01:09:04Thanks a million!
01:09:05Okay, pal.
01:09:06We need you to work out.
01:09:08Call on us anytime!
01:09:09Okay!
01:09:10Goodbye, fellas!
01:09:11Goodbye!
01:09:12Goodbye!
01:09:17Well, the excitement's all over.
01:09:21Oh, Dick, you are so dumb!
01:09:27It's just begun!
01:09:28I'm the mulher!
01:09:30Come here!
01:09:34Come here!
01:09:36Oh, book me...
01:09:40Come here!�
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