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Love Behind The Scenes Ep β€οΈπ₯
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00:05I'm sorry. Sorry.
00:12Good morning, sir. My name is Emily Carter, and I'm...
00:16Late for the shoot. Can you take off your clothes?
00:22Excuse me?
00:24My job here is to give direction.
00:26So, I'm going to ask you again.
00:28Can you take off your clothes?
00:30Yeah, I'm not here to act, so...
00:33Then what are you doing in my office?
00:34I came for the assistant producer position.
00:38My studio, everyone here is exposed.
00:41It doesn't matter if you're an actor, actress, or part of the crew.
00:45Everyone here is obedient. Everyone here is loyal.
00:48They listen. It's because I have full control.
00:52Now, that's the reality, Ms. Carter.
00:55If you don't like that, there's the door.
01:04I'm sorry.
01:05You're an asshole.
01:08Ow.
01:14Hello, Ms. Carter. I'm calling you to remind you about the $120,000 deposit for your father's surgery.
01:20If it isn't saved by the end of the month, our policy requires us to transfer it to a different
01:24clinic.
01:25Okay?
01:27I'm on it.
01:29I'm on it.
01:44Prove to me why you deserve to work here.
02:07Miss Carter, if you took that literally, then you're already missing the point.
02:14You see, in this business, it's about how you react in the moment, and how farce you can address from
02:19it.
02:22We can never see.
02:24I don't want to do it.
02:25No, no, no, no. We have to get this line.
02:27Like, maybe...
02:29Sorry, but this line, it doesn't make any sense, okay?
02:32So change it.
02:33Give someone to change it and make it better.
02:34Okay, maybe, maybe...
02:36I can fix it.
02:44I can fix it.
02:48Yeah, thanks.
02:50Um, okay, so what if she's not angry, but she's scared of losing control?
02:58So you could try it like, um...
03:04Okay.
03:05Oh.
03:08You think you hold all the power?
03:12You don't even see me.
03:16You just see things that...
03:19You can control.
03:28Sasha?
03:29Yeah?
03:31Let's go again.
03:33This time, let's do it her way.
03:37Got it.
03:38Okay, yeah, we can definitely do it our way.
03:40Like, whatever he says.
03:41Let's, let's do it.
03:43Um...
03:43Everyone!
03:45Meet my new assistant producer,
03:48Emily Carter.
03:51You just blew yourself a bigger problem.
03:54Now,
03:55I have to trust you.
03:58All right, everyone, let's go again.
03:59You're fired.
04:00Damn it!
04:01Damn it!
04:08I don't think you could.
04:11You managed to impress me.
04:13Here
04:14is the contract
04:15for your new job.
04:18But before you sign this,
04:21remember,
04:22you're not just going to be my assistant,
04:24but whatever I want you to be.
04:33Nothing good
04:34ever came from playing it safe.
04:37Remember that, Miss Carter.
05:01Oh, my God, I'm so sorry.
05:04It's fine.
05:05It's fine.
05:05Oh, no, it's not.
05:06You look terrible.
05:07Oh, there's a toilet
05:09down the corridor.
05:10Let's go, let's go.
05:11I am so sorry.
05:13I'm Chloe, by the way.
05:15I'm Emily.
05:16I'm from tomorrow,
05:18Julian's new assistant producer.
05:21Oh!
05:23Julian Hartwell himself.
05:26Well, it's nice to have
05:27a new face around here.
05:28You know,
05:29since Hartwell's
05:30Great Depression and all.
05:33Hartwell's what?
05:34Have you been under a rock?
05:37Julian Hartwell has been accused
05:39of murdering
05:40his ex-girlfriend
05:42and her old,
05:43former lead actress,
05:45Celeste Monroe.
05:46ΡΡ
who are you.
06:09Jesus Christ.
06:11Relax.
06:12I'm your step-sister,
06:14Not your next scandal.
06:16I just brought your tux by
06:17so that you can charm our two biggest investors
06:20with your everything's fine speech.
06:23Never heard of knocking.
06:24You think I'm going to waste my time knocking
06:26when Hartwell Pictures is bleeding out?
06:29Not a chance.
06:31Persephone Rising is the only film
06:34keeping our investors breathing.
06:36Yes, I'm aware.
06:39So maybe stop distracting yourself
06:41with your new little discovery.
06:45She's efficient.
06:47Efficient doesn't save legacies.
06:50And she does look a bit like Celeste.
06:55The reason the studio almost died.
06:59Don't make the same mistake twice, Julian.
07:03We can't survive another ghost.
07:11Oh, my gosh.
07:13Well, I guess this is our cute meat.
07:20David Freeman, Aurora Films.
07:24We share one ball and a few stolen camera crews.
07:26Yeah, wow.
07:27You produced the film Apocalypse Later,
07:30the one everyone said was impossible to finish.
07:32The one that won four awards
07:34and ruined my sleep schedule.
07:36Well, I'm thrilled that you know about us, though.
07:39I am indeed more interested in you.
07:44Me?
07:44You tell me.
07:46A random girl walks into a live set,
07:48calms a meltdown,
07:49saves the day,
07:49and becomes the studio head's assistant on the spot.
07:53Yeah, I wouldn't say that was saving the day.
07:55I just fixed a line.
07:57Well, I definitely need more line fixers like you.
08:01Come work for us.
08:04Emily?
08:05Mr. Hartwell needs you in his office.
08:11Emily, I don't think you've properly met.
08:13This is Veronica Hartwell,
08:16vice president of production,
08:17and my sister.
08:20We've had information leaked outside this building,
08:23and you've been seen talking with David Freeman.
08:26He was just talking to me outside,
08:29but I wasn't...
08:30Wasn't what?
08:31Exchanging trade secrets?
08:33Let's not pretend you don't know just what you're doing.
08:36Okay, okay, Veronica.
08:39I'd like to speak with Emily, privately.
08:43Careful, Emily.
08:45You're beginning to sound like Celeste.
08:49Before everything fell apart.
08:55Emily.
08:57Tonight, I have a meeting with some investors
09:00who believe that I'm still haunted by my past,
09:04and I need them to see
09:05that I've moved on.
09:08So I'm going to come to the chase.
09:11Tonight,
09:13I need you
09:14to be my girlfriend.
09:20You are about to get
09:22the full
09:23Chloe
09:24glow.
09:26Makeover!
09:27You ready?
09:30So, um,
09:31is this like
09:32a date
09:33you're going on tonight?
09:34No, no, no, no, no.
09:36We are just meeting some investors.
09:38Okay.
09:40And now,
09:41try this one.
09:42Uh, try it on.
09:53Don't we have
09:54somewhere to be,
09:55sir?
09:57Come on.
10:06Have you already
10:07have you already
10:10fallen for me in this cart?
10:16I remember hearing about that.
10:17Ah, Hardwell.
10:19We're beginning to think
10:20you've forgotten us,
10:21dear boy.
10:21Of course,
10:22now, gentlemen.
10:22Do you like this one?
10:24It's worth remembering.
10:25And who is this
10:25studying young lady?
10:27Let's just say
10:28she's here
10:29because I want her
10:30to be here.
10:32Well, I must say,
10:33Hardwell,
10:33you do have a
10:34good eye for talent
10:35in more ways than one,
10:37I'm sure, hey?
10:42I have to take this.
10:44Excuse me.
10:49Well, darling,
10:50no need to act shy.
10:52I am glad Julian
10:54found a new
10:55and, well,
10:57I must say,
10:58perfect fit
10:59for the part.
11:01I'd be more than happy
11:02to measure you
11:03right up.
11:07I'd be more than happy
11:08to...
11:10I'd be more than happy
11:11to measure you
11:12right up.
11:13Excuse me?
11:15Don't you ever
11:16touch me again!
11:21What's going on?
11:24Your bitch just cost you
11:26a five million dollar deal.
11:30What did you just say?
11:33Your bitch!
11:40If you can't respect
11:41a woman,
11:43you won't be doing
11:43business with me.
11:45You just lost
11:46the best deal
11:47of your life, Hardwell.
11:48All because of some
11:49random woman.
11:52Let's see if your
11:53studio survives this.
11:59I'm sorry.
12:01I feel like you lost
12:02a deal because of me.
12:06You really think
12:06that deal was going
12:07to close?
12:09No, they were looking
12:10for a way out.
12:12Men, like them.
12:14They don't come
12:15to negotiate.
12:16They come to test you.
12:18And I don't fall
12:19for bullshit.
12:23Thank you
12:25for standing up
12:26for me.
12:36Well, I guess that's
12:38my cue to go home.
12:39It's getting late.
12:42I said
12:43that you were going
12:44to be my girlfriend
12:45for the night.
12:46And the night
12:48isn't over yet.
12:55You really didn't
12:57have to punch him.
12:59No, I did.
13:05Being your date
13:06for the night
13:07turned out
13:07a lot wilder
13:08than I imagined.
13:10Well, thank you
13:11for stopping me
13:12making friends
13:13with the wrong people.
13:19Maybe
13:23I should thank you
13:24properly.
13:30Oh my God.
13:31Oh my God.
13:31Okay.
13:32I'm so sorry.
13:33I just, I didn't
13:34mean to, I just,
13:35uh...
13:35Relax, Miss Carter.
13:37In on my time.
13:39Stay put.
13:41I'll go change.
13:42I'll go change.
14:12I'll go change.
14:14I'll go change.
14:18I'll go change.
14:20I'll go change.
14:21I'll go change.
14:22I'll go change.
14:25I'll go change.
14:27I'll go change.
14:28I'll go change.
14:28I'll go change.
14:31I'll go change.
14:32I'll go change.
14:32I'll go change.
14:32I'll go change.
14:33I'll go change.
14:34I'll go change.
14:36I'll go change.
14:37I'll go change.
14:42I'll go change.
14:45Miss Carter, your father's condition is deteriorating worse than we thought it was going to.
14:51If we don't operate within 72 hours, he's not going to make it.
14:55We need the deposit, and all of it, in full before we can proceed.
15:04I'm sorry. We've done everything we can without it.
15:23Emily, I need you in the studio, now.
15:26Sir, I, um...
15:27Don't explain. Just get here, and Emily, make sure you look like you belong in my office.
15:39You're late.
15:40I spoke with Julian. He called me, and...
15:43Yeah, I know what he said.
15:45I also know the rumor mill's been having a field day with the two of you.
15:57Look, whatever you think is happening, it's not...
15:59I don't care who he sleeps with.
16:04But let me make one thing clear.
16:06If you do anything to jeopardize the studio or my stepbrother, I will end you faster than a bad opening
16:16weekend.
16:17You got it?
16:19Don't mind my sister, Miss Carter.
16:21She's allergic to subtlety, and boundaries, and to you, apparently.
16:26And apparently you're allergic to privacy.
16:33Chloe told me that you were at the hospital.
16:37Your father.
16:39Is he not well?
16:42Take this.
16:43This is three months' salary.
16:45Pay for whatever your father needs.
16:54I...
16:57Oh, my God.
16:58Thank you so much.
17:00Oh, okay.
17:00That's...
17:01That's enough for me.
17:01Sorry.
17:02Um, yeah.
17:02I just...
17:03It's fine.
17:04Good.
17:05Now that we're friends again, we've got work to do.
17:07Uh, don't forget, go to the costume room.
17:10There's a dress for you for tonight, for the Silver Frame Gala.
17:14You still want me to come with all the rumors flying down there?
17:18Especially because of the rumors.
17:20So you want me to act as your girlfriend?
17:25It's time to prepare for the performance of your life.
17:49Hi, excuse me, sorry.
17:50Oh, hi.
17:51I love your work so much.
17:53So the rumors are true.
17:56Hardwool's golden boy has found himself new.
17:59Muse.
18:01If you're talking about Julian, it's just gossip.
18:06You know, Julian Hardwell's made a career out of convincing people to do things they swore they wouldn't.
18:15I thought he might convince you, too.
18:19I wouldn't believe everything you hear.
18:22Then prove it.
18:24Dance with me.
18:32Sure he has a partner, David.
18:35Emily?
18:38I should probably dance with our guest.
18:44Oh.
18:46Of course.
19:04You look like a man who needs saving.
19:08From a bad PR stunt, but mostly himself.
19:11Well, that depends what you're volunteering for, Miss Garrett.
19:14Both, as always.
19:21Would you care to dance, Miss Garrett?
19:26It's me.
19:38I mean, I know you're using me as a distraction, but you could at least pretend you're enjoying yourself.
19:56I guess we had our first dance in.
19:58I'm sorry to interrupt.
20:01Um, rumor has it I should be the one on your arm tonight.
20:04You know, when you want to disappoint Mr. Cole.
20:08Sure.
20:09Yeah, and PR commitments.
20:11Of course, yeah.
20:12Yeah.
20:14Well, that was reckless.
20:16Yeah, well, so is pretending.
20:20We're just giving them what they want.
20:26Mr. Freeman, I have some news that might be of interest to you.
20:31Let's just say you're not the only one who wants to see Hartwell fall.
20:43Julian's lost his focus.
20:45That new girl, Emily Carter, she's his soft spot now.
20:51Well, that didn't take long.
20:54She gets under his skin and he doesn't even see it.
20:56It's the perfect weakness.
20:59If you know how to use her.
21:01And I'm guessing you do.
21:04Persephone rising is still shooting.
21:07The pressure is killing him.
21:10Things haven't gone this well in years.
21:13If it succeeds, Hartwell's back.
21:16Well, make sure it doesn't.
21:18If he wins, I lose.
21:22And I always win.
21:24Well, maybe it's time to bring Celeste back.
21:31Julian, we need to talk.
21:42Well, you really do know how to put on a show, don't you?
21:46Adrian Cole hasn't stopped smiling since the two of you started dancing.
21:50What do you want, Veronica?
21:51A favor.
21:53For the studio.
21:57Use her.
21:58She's just the type of fresh face that our investors drool over.
22:02Cast her as Persephone.
22:04It'll keep Cole close and secure funding for the next quarter.
22:08We don't use people, Veronica.
22:11We build empires, Julian.
22:13That's never been clean work.
22:14The cost stays the same.
22:16Emily is not for sale.
22:19Fine.
22:20You keep your little muse for now.
22:22But when she starts costing you, she's mine to fix.
22:37I've got to go.
22:48I've got to go.
22:56You got the same message?
22:58Yeah, help.
22:59I'm stuck.
23:00I thought it was from you.
23:01It wasn't.
23:08It's locked.
23:14Your call has been forwarded to an automatic voice message system.
23:27Well, at least our plan worked.
23:32Mr. Cole couldn't stop staring at us.
23:36He's practically ours.
23:39Guess the rumor finally paid off.
23:44You do make one hell of a distraction.
23:49And you make one hell of a liar.
24:06You do realize this is how all bad decisions start, right?
24:13Too late.
24:28Someone really ought to fix that lock.
24:31We didn't lock it.
24:33Someone trapped us in.
24:35Of course they did.
24:36Miss Garrett, please escort Miss Carter out.
24:40Yep.
24:49You keep making the same mistakes twice.
24:53You really can't go a day without dragging her into it, can you?
24:58I have no idea what you mean.
25:00You throw Emily into Celeste's role.
25:03You think she's bait.
25:05Jesus, Veronica.
25:06I don't think she's bait, Jules.
25:09I know she is.
25:11Cole's money is going to keep us alive for the next quarter.
25:14Maybe even two.
25:15And if it kills her?
25:18Then at least the studio died making something worth watching.
25:22So you would rather gamble her life for a film?
25:27I'd gamble anything to keep the studio alive, even your conscience.
25:33You're not keeping anything alive, Veronica.
25:36You're watching it die slower.
25:39Whatever you want to call it, tomorrow, when the investors call,
25:44either you announce Emily as Persephone,
25:47or you watch this whole place collapse around you.
25:58Oh, my God.
25:59Something happened, didn't it?
26:01No, no, nothing happened.
26:02Well, look, Chloe, I'm really sorry about the gala, okay?
26:08I don't know what came over me.
26:10Relax.
26:11It's fine.
26:13I'm just happy for you, okay?
26:15Just be careful.
26:19What do you mean?
26:22Julian has this way of making you feel seen.
26:25Like you're part of this grand secret.
26:29That's the thing with secrets, Emily.
26:31They always end the same.
26:35Celeste didn't just die in the studio.
26:38It wasn't just an accident.
26:41Everyone knows who was calling the shots that day.
26:44And then, when it didn't work out, he didn't let anyone talk about it.
26:51Miss Carter?
26:53Follow me.
27:01Come on.
27:02I'll take you home.
27:03No, it's fine.
27:04I'll get a cab.
27:05Emily.
27:05I just need some space.
27:08Space from what?
27:10From you.
27:12Emily, just get in the car.
27:14I don't feel safe with you right now.
27:17You don't feel safe?
27:18I saved your father's life.
27:20I gave you this job.
27:21Everything I do is for you.
27:23That doesn't mean that you own me.
27:25You signed that contract.
27:27What do you think that means to me?
27:28You're mine.
27:39I didn't mean that.
27:43You think I'll actually hurt you.
27:48I've already lived through that.
27:52Then just tell me the truth.
28:02Okay.
28:03Okay.
28:10I promise.
28:11If you get in this car, I'll tell you everything about Celeste.
28:26So, how's my perception tonight?
28:29It's strange.
28:30The closer we get, the more real she feels.
28:33Look, I don't want you to do your own stunts.
28:35Oh, it's just a prop.
28:37It's not just a prop.
28:39Celeste, I've seen how these prop guns work.
28:42Quite often, they don't work.
28:44Julian, you're scaring me.
28:46Good.
28:48Good.
28:51At least, then, you can take these things seriously, Celeste.
28:56Please take this seriously, Celeste.
28:59That was the last thing I ever said to her.
29:03All right, everyone.
29:03This is the final take.
29:04Let's make it count.
29:06And action.
29:07I can't believe I let her do it.
29:10Go ahead.
29:11Pull the trigger.
29:13Let's see if gods bleed.
29:29It's a real gun!
29:39I guess you didn't get to say cut this time.
29:43The studio claimed that it was an accident, but I'm still the one that approved it.
29:52I can't imagine how that must have been for you.
29:57You know, I should have believed you sooner, but you make it so difficult.
30:08Veronica wants you to play Persephone.
30:11Wait, what?
30:12Seriously?
30:13I've said, no, I'm not going through that again.
30:16Not with you.
30:18Well, I've always wanted to act.
30:22And I think this time...
30:25...will be different.
30:27...
30:34...
30:35You
30:38...
30:41...
30:43...
30:46...
31:09they're getting too close
31:11this is inconceivable
31:12it's unprofessional
31:14it's human
31:16don't worry
31:17it won't last
31:18this time is different
31:20have you even seen them together
31:22relax
31:23Emily
31:24is going to play
31:26Persephone
31:28yeah
31:29as if Julian's gonna allow that
31:31he will
31:32he's too
31:34protective
31:35too
31:35emotional
31:36that's exactly what we need
31:40when the pressure hits
31:42and it will hit
31:44one of them
31:45will break
31:46okay
31:48even if that does work
31:51then what
31:52then
31:53leak it
31:54and let the press feed
31:56just in time
31:58for the 20th anniversary gala
32:00I'll see you next time
32:01I'll see you next time
32:02I'll see you next time
32:03I'll see you next time
32:03I'll see you next time
32:04I'll see you next time
32:04I'll see you next time
32:08I'll see you next time
32:10I'll see you next time
32:12I'll see you next time
32:20I'll see you next time
32:30what is it a video of us kissing last night
32:36it's everywhere right you go freshen up we've got work to do
32:53oh my god oh my god
33:03oh my god
33:04oh my god oh my god oh my god please
33:06someone open the door
33:13oh my god oh my god oh my god please
33:25hey hey hey it's all right it's all right
33:28you're safe okay breathe slowly now
33:44i can't believe that just happened
33:47yeah well welcome to showbuses come on
33:55oh
34:04don't overthink it we're not bad alike
34:10it's just a little deja vu that's all
34:20do you think it's worth the risk
34:24someone once told me that nothing good ever came from playing it safe
34:30and who was this person he sounds handsome
34:33okay good luck everybody
34:34three two one action
34:38well go on then pull the trigger
34:42let's see if god's bleed
34:53let's see if god's bleed
35:00get down
35:01evilly
35:14oh my gosh evilly
35:16are you okay
35:18i'm fine it was so loud
35:22we are shutting this place down until we find out who did this
35:26we can't shut it down
35:27not now
35:28cancelling the 20th anniversary screams weakness
35:33weakness
35:34someone compromised my set twice
35:37emily could have died
35:38and if we crumble publicly
35:40whoever did this
35:42wins
35:43we stay standing
35:46we show control
35:48but what do i even tell people about the gala
35:51we're not cancelling
35:53a thing
35:54she has plenty of time to recover
35:57you are unbelievable
35:59come on
36:03there we go
36:10it's really appreciated
36:23you should have rested
36:24well i wasn't gonna miss this
36:27you look incredible
36:33so you must be the famous emily my son keeps talking about
36:37oh gosh only good things i hope
36:40i assure you only good things
36:42i'm glad you found someone that brings color back to the place julian
36:48what
36:49are you serious
36:51what
36:51are you serious
36:52what are you serious
36:53what are you serious
36:53what are you serious
36:53what are you serious about me
36:54it's quite the elephant
37:01the investigation's ongoing
37:03and hartwell pictures
37:04has been infiltrated
37:07veronica not now
37:09now is exactly the time father
37:13we've had leaks
37:14we've had fires
37:16sabotage
37:17and now another explosion
37:19you all want answers
37:22you all want answers
37:23well so do i
37:24one question no one's been asking is
37:27how emily carter
37:30knew
37:31to jump before the blast
37:35if someone inside hartwell pictures is feeding information to our competitors
37:40i think we've found our lead
37:42i think we've found our lead
38:07that's enough veronica
38:12i gave you everything
38:18and you still wanted to destroy me
38:22please miss carter leave
38:24i didn't do anything
38:26this is ridiculous
38:26julian
38:27i didn't
38:28pray you
38:28get off
38:30i know who the real mole is
38:39you wanted proof
38:46if cole's money keeps us alive
38:48he can have what he wants
38:50information
38:51footage
38:51whatever
38:52keeps the studio afloat
38:53just make sure julian never finds out
38:58that
38:59was taken out of context
39:01context
39:02i gave you everything veronica
39:05everything
39:06except the title
39:07if i was running the studio
39:10we wouldn't be in this financial mess
39:12but no
39:13you had to give it to the hopeless romantic
39:16who still thinks loyalty is a business plan
39:19a good producer
39:20does whatever it takes to get the film done
39:23and you chose to ruin your own brother
39:26step brother
39:27if you didn't plant the bombs and who did
39:31who told celeste
39:46what did you expect when you put the most broken girl in the room next to the most dangerous man
39:52in the industry
39:54jules
39:56jules
39:57you have a type
39:58don't you
39:59first the thrill-seeking superstar
40:06and now
40:07and now the pretty little ingenue
40:11finally the supporting actress gets to steal the spotlight
40:16okay please
40:17okay please
40:18okay you don't want to do this
40:19don't i
40:23when do i get my happy ending
40:26chloe
40:26not
40:27the gun
40:29down
40:32if you have taught me anything about love julian
40:37so if you love someone
40:39you have to be prepared
40:41to lose them
40:49help julian please
40:51no julian
40:54help me
41:06oh but the story was just getting good
41:10it
41:10and now
41:11all the
41:11the
41:11the
41:11to
41:11all the
41:12the
41:12the
41:12the
41:13how
41:34the
41:34the
41:34the
41:34the
41:34the
41:34You
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